High praise from 2 venerable sources, exquisite publisher Mack Books of some of our very favorite books and Ed Templeton, one of our very favorite artists!

We're always happy to be counted in the same company as the Chateau.

"What’s your favorite shop or boutique? My favorite shop is Arcana—I can spend all day there going through the stacks of books (8675 Washington Blvd.; 310-458-1499; arcanabooks.com)."

Fight night! We have lots of books you can bring to the host of your party> Boxers by Kurt Markus, Boxing Photography by Larry Fink, Knockout: The Art Of Boxing, GOAT (Greatest of All Time) and many more. And of course there are many thousands of books for the pacifists amongst us, as well.

Book of the day > Gordon Parks: Segregation Story. Steidl. "In September 1956, Life magazine published a photo-essay by Gordon Parks entitled "The Restraints: Open and Hidden," which documented the everyday activities and rituals of one extended African American family living in the rural South under Jim Crow segregation. One of the most powerful photographs depicts Joanne Thornton Wilson and her niece, Shirley Anne Kirksey, standing in front of a theater in Mobile, Alabama, an image which became a forceful "weapon of choice," as Parks would say, in the struggle against racism and segregation. While 26 photographs were eventually published in Life and some were exhibited in his lifetime, the bulk of Parks' assignment was thought to be lost. In 2011, five years after Parks' death, The Gordon Parks Foundation discovered more than 70 color transparencies at the bottom of an old storage bin marked "Segregation Series" that are now published for the first time in Segregation Story."

Book of the day  > Vladimir Kagan: A Lifetime of Avant-Garde Design. Pointed Leaf Press."An updated edition of The Complete Kagan: Vladimir Kagan, A Lifetime of Avant Garde Design in a larger format with exciting revisions that include Kagan's impressive new work over the last decade. Since 2004, Kagan's international reach has grown by leaps and bounds, in showrooms in France and Italy, and with commissions for high-end interiors by some of the world's leading architects and interior designers. Beginning with his childhood in Germany and his family's escape from Nazi power, Kagan chronicles his rise to become one of America's most celebrated designers. Comfort, practicality, and an often-idiosyncratic modernist sensibility are the hallmarks of his enduring career."

Book Signing at Arcana > Sunday, May 10th, 4:00 - 6:00 PM

DENNIS MCGRATH: HEAVEN and DEANNA TEMPLETON: THEY SHOULD NEVER TOUCH THE GROUND

Book of the day > Dayanita Singh: Museum of Chance. Steidl. “Dayanita Singh's Museum of Chance is a book about how life unfolds, and asks to be recorded and edited, along and off the axis of time. The inscrutably woven photographic sequence of Singh's Go Away Closer has now grown into a labyrinth of connections and correspondences. The thread through this novel-like web of happenings is that elusive entity called Chance. It is Chance that seems to disperse as well as gather fragments or clusters of experience, creating a form of simultaneity that is realized in the idea and matter of the book, with its interlaced or parallel timelines and patterns of recurrence and return. The 88 quadratone images in the book will also appear on the front and back covers in random pairs, transforming each copy of the book into a distinct piece of work by the author.”

Book of the day (month?! year?! -- it's that good...) > Both Sides of Sunset: Photographing Los Angeles. Metropolis Books, Artbook|DAP. “Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed Looking at Los Angeles (Metropolis Books, 2005), Both Sides of Sunset presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project Pacific Standard Time: Art in L.A. 1945–1980 focused global attention on the city's artistic heritage, and this interest has only continued to grow. Both Sides of Sunset showcases many of the artists featured in the original book—such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling—but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts—an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.
Contributing photographers and artists are Robert Adams, Iwan Baan, John Baldessari, Lewis Baltz, Sara Jane Boyers, Tim Bradley, Matthew Brandt, Charles Brittin, Mauren Brodbeck, Michael Butler, Craig Carlson, Oscar Castillo, Sam Comen, Kevin Cooley, Zoe Crosher, Bruce Davidson, Raymond Depardon, Tomas T. Diaz, Jeff Divine, John Divola, Mitch Dobrowner, David Drebin, Mitch Epstein, Elliott Erwitt, Dennis Feldman, Christina Fernandez, Larry Fink, Rose-Lynn Fisher, Robbert Flick, Lee Friedlander, Ron Galella, Harry Gamboa Jr., Niccolo Gandolfi, Bruce Gilden, Jim Goldberg, Katy Grannan, Bob Gruen, Nolan Hall, Karen Halverson, Grant Hatfield, Alexandra Hedison, Anthony Hernandez, Todd Hido, Stephen Hilger, Josef Hoflehner, Hugh Holland, Peter Holzhauer, Dennis Hopper, Bettina Hubby, John Humble, Martin Hyers and William Mebane Alex Israel, Graciela Iturbide, Steve Kahn, Yoko Kanayama, Dennis Keeley, Veronika Kellndorfer, Lisa Kereszi, Douglas Kirkland, Brandon Lattu, Gary Leonard, Michael Light, Dan Lopez, Alex MacLean, Florian Maier-Aichen, David Maisel, Steve McCurry, Susan Meiselas, Philip Melnick, Joel Meyerowitz, Zoran Milosavljevic, Daido Moriyama, Sarah Morris, Grant Mudford, Karin Apollonia Müller, Warren Neidich, Steven Nilsson, Jane O’Neal, Catherine Opie, Eric Orr, Bill Owens, Ed Panar, John Pfahl, George Porcari, Matthew Porter, Alex Prager, Marvin Rand, Bill Ray, Lara Jo Regan, Doug Rickard, Jennifer Robbins, Ed Ruscha, Mark Ruwedel, Sarah Sackner, Lise Sarfati, Lynn Saville, Ferdinando Scianna, Denise Scott Brown, Allan Sekula, Craig Semetko, Michael Shields, Stephen Shore, Julius Shulman, Nicolas Silberfaden, Mike Slack, SPOT, Randi Malkin Steinberger, Dennis Stock, Tim Street-Porter, Larry Sultan, Mark Swope, George Tate, Deanna Templeton, Ed Templeton, Ben Tierney, Tseng Kwong-Chi, John Valadez, Camilo José Vergara, Ellen von Unwerth, Nick Waplington, Julian Wasser, Bruce Weber, James Welling, Henry Wessel, Garry Winogrand, Steve Winter and Amir Zaki. “

Book of the day > Black Dolls: Unique African American Dolls, 1850-1930 From the Collection of Deborah Neff. Radius Books/Mingei Museum. "This book presents over 100 unique handmade African American dolls made between 1850 and 1930 from the collection of Deborah Neff, a Connecticut-based collector and champion of vernacular art. It is believed that African Americans created these dolls for the children in their lives, including members of their own families and respective communities as well as white children in their charge. Acquired over the last 25 years, this renowned collection is considered to be one of the finest of its kind ever to be assembled. The dolls portray faithful yet stylized representations of young and old African Americans-playful boys and girls, well-dressed gentlemen, elegant young ladies, and distinguished older men and women. Made with scraps of cloth, ribbon and lace, or old socks, and stuffed with wool or cotton, these unusual dolls are charming and full of emotional spirit. Their faces are embroidered, stitched and painted to express a variety of emotions, each representing a fascinating story of culture and identity in American history. The book also features an assortment of rare vintage photographs from the nineteenth and twentieth centuries, showing both black and white children holding, posing or playing with their dolls. After five years of combing the archives of museums, historical societies and private collections, the research done for this volume uncovered fascinating vernacular photographs of African American children holding white dolls and Caucasian children holding black dolls-but there was not a single image of an African American person holding a black doll. This complex combination of text and imagery has helped transform this book into a commentary about social mobility and racial identity conveyed through the untold story of these dolls. "