Arcana:

(ALDRIDGE, ALAN) (WARHOL, ANDY). Aldridge, Alan & Andy Warhol. London: Motif Editions, 1970. First Edition. Double Elephant Folio. Printed Poster. Film Poster. Near Fine.. One 30 x 20" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the iconic poster designed by the late, great British illustrator Alan Aldridge to promote the 1970 screening of "Chelsea Girls" at the Drury Lane Arts Laboratory. Filmed by Andy Warhol and Paul Morrissey from a treatment by Ronnie Tavel on location inside Manhattan's fabled Chelsea Hotel, the film received upon its 1966 release an X certificate from the British Board of Film Censors, meaning it was unable to be theatrically released in the UK. It took another three years before the full three and a half hour split-screen version of "Chelsea Girls" - featuring Factory Superstars Nico, Brigid Berlin, Ondine, Gerard Malanga, Eric Emerson, Mary Woronov, Mario Montez, Ingrid Superstar, and International Velvet - would receive a London premiere. A bright, most handsome vintage unrolled example of the 1970 Motif Editions London first comercially-produced version of the poster. Inventory Number: 026313

(ARTFORUM). Sandback, Amy Baker, Editor. Ann Arbor, MI: U.M.I. Research Press, 1984. First Edition. Square 4to. Cloth in Illustrated Jacket. Fine/Good +. 342pp, profusely illustrated in b&w. Designed by Roger Gorman and Mary Beath. Beginning with an Ed Kienholz review at the Ferus Gallery from its June 1962 inaugural issue, this is an amazing compendium of articles and reviews culled from the first twenty-one years of the noted art periodical "Artforum" featuring contributions by the stellar likes of Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, j. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. An internally most handsome example of the uncommon hardbound edition whose dust jacket shows some overall light wear, handling and scuffing. 0-8357-1536-1 Inventory Number: 014028

(BASQUIAT, JEAN-MICHEL). O'Brien, Glenn. Photographs by Edo and Maripol. Tokyo: Petit Grand Publishing, Inc., 2001. First Edition. Large 8vo. Illustrated Boards in Jacket. Film Monograph. Fine/Fine. 112pp, profusely illustrated in color and b&w. Text in English and Japanese. Published only in Japan, this book is a journal of sorts chronicling the making of Edo Bertoglio and Glenn O'Brien's semi-documentary film "Downtown 81", which was twenty years later re-cut and retitled "New York Beat Movie". It stars the then nineteen year old painter/graffiti artist/poet/musician Jean-Michel Basquiat, and features original music by the notorious Vincent Gallo! Other East Village artists, New Wave and No Wave musicians, first-generation hip hop personalities, and scenesters that appear here include Eszter Balint, Victor Bockris, Clem Burke, Marshall Chess, Diego Cortez, August Darnell, Jimmy Destri, DNA, Tav Falco, Fab Five Freddy, Vincent Gallo, Giorgio Gomelsky, Deborah Harry, Kid Creole, Arto Lindsay, John Lurie, Madonna, Maripol, David McDermott & Peter McGough, Ikue Mori, Cookie Mueller, Coati Mundi, Glenn O'Brien, Amos Poe, The Plastics, Lee Quinones, Walter Steding, Tuxedomoon, Chris Stein, Andy Warhol, and James White and the Blacks! A most handsome example of the uncommon 2008 Petit Grand first - and only - edition in the publisher's printed obi, as issued. 4-939102-22-X Inventory Number: 026381

(BASQUIAT, JEAN-MICHEL) (WARHOL, ANDY). Als, Hilton. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artists Monograph. Fine.. np (36pp), 24 color and 1 b&w illustration. Designed by Bruce Mau Design, Inc. This is the slender yet elegant catalogue produced in conjunction with a 2002 Gagosian Gallery New York exhibition of twenty-four of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1984 and 1985. A most handsome example of this uncommon item. 1-880154-78-1 Inventory Number: 026264

(BASQUIAT, JEAN-MICHEL). With brief texts by Clemente, Francesco, Andy Warhol, Madonna, Maripol, Rene Ricard, Klaus Kertess, Anthony Haden-Guest, A.R. Penck, Jeffrey Deitch, Bruno Bischofberger, Henry Geldzahler, Ted Joans, Jean-Michel Basquiat, etc.. Paris: Galerie Jerome De Noirmont, 1998. First Edition 1/3000. Small Folio. Pictorial Wrappers. Artist Monograph. Fine.. 112pp, 69 illustrations in color and b&w. Text in English and French. This catalogue published in conjunction with a 1998 Parisian gallery exhibition is a lovely tribute to Jean-Michel Basquiat, filled with candid photos and texts by numerous friends including Andy Warhol, Madonna, Maripol, Francesco Clemente, Rene Ricard, Klaus Kertess, Anthony Haden-Guest, A.R. Penck, Jeffrey Deitch, Bruno Bischofberger, Henry Geldzahler, Ted Joans, and more. A most handsome example. 2-912303-03-6 Inventory Number: 026323

(BEARD, PETER). Beard, Peter & Owen Edwards. Nejma Beard & David Fahey, Editors. Koln, GERMANY: Benedikt Taschen Verlag, 2006. First Edition Thus. Elephant Folio. 3/4 Leather over Boards, Boxed. Photography Monograph. As New/No Jacket - As Issued. 616pp, profusely illustrated in color and b&w. Text in English, German and French. Art Direction and Design by Ruth Ansel. One of the most lavish books published to date on the work of a single photographer, Benedikt Taschen's sumptuous, already out of print 2006 monograph on Peter Beard rivals Helmut Newton's "Sumo" in both scale and grandeur. "Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dali, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. Spilling out over the pages of this massive tome, Peter Beard's collages are reproduced as a group for the first time at the size they have always meant to be seen, some as foldouts. Hundreds of smaller-scale works and diaries fill the remaining spreads - magnified to show every detail, from Beard's meticulous handwriting and old-master-inspired drawings to stones and bones and bits of animals pasted to the page. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequaled intensity and color range". This elephant folio sized book is bound in half leather-over-boards, housed in a clamshell box, and is accompanied by a wooden viewing stand that is reminiscent of an African headrest. Its companion volume: "PB2" contains an image index with captions for all the pictures reproduced in the main book, personal photos and early work of the artist, an interview with the artist by Steven M. L. Aronson, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of "Blind Spot" magazine, an extensive bibliography, and an exhibition history. A brand new, most handsome example of a Taschen "Sample" copy meant for promotional display at the time of publication that was issued WITHOUT the sheet containing Peter Beard's signature along with the edition's number, and is rubber stamped "Sample" in black ink on the title page. Other than lacking the signature and numbering, it is identical to an editioned copy in every way and is still housed in the publisher's original printed shipping carton, as issued. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 3-8228-2606-5 Inventory Number: 026339

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #5/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of ten copies only meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in blue ink on a white substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 5/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026231

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #2/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of only ten copies meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in black ink on a yellow substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 2/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026230

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / 24-hr message service: / (617) 553-1103" in blue and brown ink on a yellow substrate BOLDLY SIGNED AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026229

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Global liquidity services / (617) 553-1103" in red ink on a white substrate BOLDLY SIGNED AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026218

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2016. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / From Canada - call collect! / (617) 553-1103" in red and blue ink on a white substrate BOLDLY SIGNED AND DATED 2016 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026217

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2020. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / with a Japanese phrase that translates to "We Will Support Your Luxury Lifestyle" / (617) 553-1103" in red ink on a white substrate BOLDLY SIGNED AND DATED 2020 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026216

(FERUS GALLERY). McKenna, Kristine. Gottingen, GERMANY: Steidl, 2009. First Edition. 4to. Pictorial Boards. Art Monograph. Fine/No Jacket - As Issued. 320pp, profusely illustrated in color and b&w. Designed by Lorraine Wild with Lauren Harden, Annessa Braymer and Xiaoqing Wang, Green Dragon Office. With artists' biographies and a bibliography. This is Kristine McKenna's extraordinary new history of Ed Kienholz, Walter Hopps, and Irving Blum's visionary Ferus Gallery. Between 1957 and 1966 the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay De Feo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of the first Los Angeles exhibitions by Andy Warhol, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Kurt Schwitters. "The Ferus Gallery: A Place to Begin" recounts the gallery's history chronologically in transcribed interviews with the Ferus artists, wives and girlfriends, collectors, and other well-placed Los Angeles denizens; featuring hundreds of vintage images of the artists and friends, artworks, installation photographs, posters, and much more - including many published here for the first time. A brand new, most handsome example of the 2009 Steidl first - and only - edition of this exceedingly uncommon, incredibly vital document. 3-86521-610-2 Inventory Number: 026436

(FILM CULTURE) (WARHOL, ANDY). Malanga, Gerard & Jonas Mekas, Editors. New York: Film Culture, 1967. First Edition. 4to. Illustrated Wrappers. Film Journal. Fine.. 64pp, profusely illustrated in monochrome. Designed by George Maciunas. In a protective clear acetate dustwrapper. This forty-fifth installment of '60s New York's preeminent avant-garde film quarterly is devoted primarily to Andy Warhol. Guest-edited by Gerard Malanga, it features contributions by or about Warhol, Malanga, Jonas Mekas, Jack Smith, Maria Montez, Gregory Battcock, Gregg Barrios, Sheldon Renan, The Kuchar Brothers, Jackson MacLow, and Factory Superstars galore. A remarkably bright, most handsome example of this uncommon, popishly designed item that is emblematic of the Warhol sixties. ISSN 0015-1211 Inventory Number: 026120

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of eighty-three of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo (2 different), Horace Bristol, Julia Margaret Cameron (3 different), Edgar Degas, Luc Delahaye, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton (2 different), Lady Clementina Hawarden, Hill and Adamson, John Humble, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray (2 different), Man Ray, Lisette Model, Laszlo Moholy-Nagy, Eliot Porter, Albert Renger-Patzsch, Alexander Rodchenko, August Sander (3 different), Camille Silvy, Frederick Sommer (2 different), Alfred Stieglitz (2 different), Paul Strand (2 different), Edmund Teske (2 different), Doris Ulmann, Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", "Capturing Time: A Celebration of Photography", "Close to Home: An American Album", "Dance in Photography", "Eternal Cities: Photographs of Athens and Rome", "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "Fame and Photography", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "The Heart of the Storm: Northern California Pictorialism", "Hidden Witness: African Americans in Early Photography", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Pictures for the Press", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Faces / Private Spaces: Mary Ellen Mark, Bill Owens, Anthony Hernandez, and Donald Blumberg", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Recent Acquisitions: Eugene Atget - Brett Weston - William Garnett - Milton Rogovin", "Strange Days: Photographs from the Sixties bt Winogrand, Eggleston, and Arbus", "Surrealist Muse: Lee Miller, Roland Penrose, and Man Ray", "Voyages and Visions: Early Photographs Fom the Wilson Family Collection", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 005262

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Very Good. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! An internally most handsome example of the first edition limited to four thousand unnumbered copies showing two short closed tears near the spine of the dust jacket. It has been priced accordingly. 0-942642-25-2 Inventory Number: 024194

(HOPPER, DENNIS). Hopper, Marin. Introduction by Brooke Hayward. Los Angeles: Greybull Press, 2001. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, 129 b&w illustrations. Designed by Dmitri Levas. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. This way cool, beautifully designed and printed volume from Lisa Eisner's Greybull Press is the worthy successor to Hopper's "Out of the Sixties", and so much more. Compiled by Dennis and Brooke Hayward's daughter Marin, it is an incredible glimpse into the art, music, film and fashion scene of Sixties L.A. as documented by a very talented observer. Candid photographs of the Hopper home and family are accompanied by portraits of Peter Fonda, Roger Vadim & Jane Fonda, Teri Garr & Toni Basil, Dianne Baker, Tuesday Weld, Bill Cosby, Sandy Dennis & George Segal, Steve McQueen, Bob Rafelson, The Buffalo Springfield, The Jefferson Airplane, The Byrds, Phil & Ronnie Spector, Ike & Tina Turner, James Brown, Peggy Moffitt, Rudi Gernreich & Leon Bing, Bruce Conner, Irving Blum & Jasper Johns, Virginia Dwan, Claes Oldenburg, Robert Rauschenberg, Roy Lichtenstein, Judd Marmor, and even 1967's "Riot on Sunset Strip". Virtually all of the images here are previously unpublished, and it is a must for any cultured bedside or coffee table! A brand new, most handsome example additionally SIGNED AND DATED "Dennis Hopper / 2003" in black ink below his portrait of Brooke Hayward Hopper on the front pastedown. 0-9672366-5-7 Inventory Number: 026530

(LACHAPELLE, DAVID). Nicolini, Renato & Max Montana. Rome, ITALY: Palazzo delle Esposizioni, 1999. First Edition. Oblong 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, 27 color illustrations + color cover. Text in English and Italian. This is the beautifully designed and printed catalogue published in conjunction with notorious American fashion/celebrity photographer David LaChapelle's 1999 one-man exhibition at Rome's Palazzo delle Esposizioni. All of the plates are reproduced against black borders, and the cast of characters here includes Madonna, Tori Amos, Milla Jovovich, Devon Aoki, Leonardo DiCaprio, Mark Wahlberg, Marilyn Manson, Shirley Manson, Alec Wek, Alexander McQueen, Joe Weider, Tricky, Ewan McGregor, Uma Thurman, Daniel Day-Lewis, Billy Corgan, Andy Warhol, and more. A most handsome copy. Inventory Number: 014545

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OLDENBURG, CLAES). Oldenburg, Claes. Los Angeles: Margo Leavin Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 24 x 17 ½" sheet printed color offset recto only, 1 color illustration, machine-folded in fourths, as issued. This is the striking poster produced for the 1991 exibition of "20th Century Collage" organized by Los Angeles' Margo Leavin Gallery. The show featured ninety-one significant practitioner of the medium - from Kurt Schwitters to Edward Ruscha and Joseph Cornell to Richard Prince - and subsequently traveled to the Centro Cultural Arte Contemporaneo, Mexico City, and the Musée d'Art Moderne et d'Art Contemporain, Nice, France. The image reproduced is Claes Oldenburg's 1961 ink and newspaper collage on paper entitled "Street Figure (Using Movie Section, with Manhole)". A brand new, most handsome example of this uncommon item folded for mailing, as issued. Inventory Number: 026192

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1987. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good./OUT OF PRINT. ca. 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable copy of the twelfth issue of this influential Swiss visual arts quarterly largely devoted to Andy Warhol showing a bit of unobtrusive bubbling to the laminate of the rear cover along with mild rippling to the bottom edge of the last few pages of the textblock due to contact with moisture. It has been priced accordingly. 3-907509-62-5 Inventory Number: 018728

(SMITH, JACK). Jordan, Mary, Director. New York: Arthouse Films, 2007. Edition Not Stated - Presumed First. 8vo. NTSC DVD in Plastic Case. Documentary Film. As New/No Jacket - As Issued. 95 minutes + extras, in color. "Perhaps America's most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer, and the 'William Blake of film'. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini, and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith's rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith's vaulted archives. Commentaries from art luminaries, critics and Smith's friends and enemies such as George Kuchar, Ken Jacobs, Tony Conrad, Sylvere Lotringer, Judith Malina, Jonas Mekas, Mario Montez, Ronald Tavel, John Waters, John Zorn, Agosto Machado, Andrew Sarris, Ari Roussimoff, Billy Name, Ela Troyano, Gary Indiana, George Kuchar, Helen Gee, Henry Hills, Maria Montez, Andrew Sarris, Holly Woodlawn, Ira Cohen, Ivan Galietti, Jerry Tartaglia, John Matturri, John Vaccaro, Lawrence Rinder, Mary Woronov, Mike Kelley, Nayland Blake, Nick Zedd, Richard Foreman, Robert Heide, Robert Wilson, Taylor Mead, Tommy Lanigan-Schmidt, Uzi Parnes, and William Niederkorn intercut Smith himself proffering condemnations of capitalism, critics, and institutional-art "gatekeepers". Jordan also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas and actors in his own work (including Smith's "Superstars" concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America's most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism, and meaning in contemporary art. Since his 1989 death, Smith's work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York's ultimate anti-hero and the original King of the Underground". A brand new, pristine unplayed example of this DVD in letterbox format still in the manufacturer's shrinkwrapped plastic case. Inventory Number: 018984

(SQUAT THEATRE). Buchmuller Eva & Anna Koos. Introductions by Alisa Solomon & Andras Halasz. New York: Artists Space, 1996. First Edition. 8vo. Pictorial Wrappers. Exhibition Catalog. Fine.. 232pp, profusely illustrated in b&w. Designed by Eva Buchmuller and Anna Koos. In a protective clear acetate dustwrapper. This is the informative catalogue of the 1996 exhibition held at New York's Artists Space documenting Squat Theatre - the dissident artist-run Hungarian experimental theater company founded in Budapest that subsequently moved to New York, where the members - Stephan Balint, Eszter Balint, Peter Berg, Eva Buchmuller, Marianne Kollar, Peter Halasz, Galus Halasz, Anna Koos, Boris Major, Rebecca Major - lived and worked from 1977 until 1984. The troupe staged performances based on works by Andy Warhol, Antonin Artaud, Anton Chekov, Fyodor Dostoyevsky, and others in their storefront window at 256 West 23rd Street - utilizing the street as a backdrop - which became their trademark. A most handsome example of this exceedingly uncommon document compiled and designed by Buchmuller and Koos from the company's own archives. 0-9636372-2-3 Inventory Number: 024378

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1996. First Edition 1/2500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good -/No Jacket - As Issued. Individual illustrated sheets laid into an embossed gold paper-over-boards portfolio, profusely illustrated in monochrome and duotone. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of two thousand, five hundred copies, this is the seventeenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "For some time we had imagined a gilded issue-heavily embellished, incredibly ornate. "Gold" gave us the perfect opportunity to go for baroque. The cover of the issue was hologrammed, embossed, and foil stamped, all on an already solid-gold background. Up until this point, it was one of the most extravagant and delirious issues we had ever created. There were seven pages of Philip Taaffe's gold stars foil stamped onto vellum, which ran an average of a dollar per page - a slight extravagance considering we had at least another fifty pages to fill. Inez van Lamsweerde and Vinoodh Matadin's fashion photographs featured gold-foil stamping on top of four-color prints - crazy in theory but even more so in practice, when sometimes the only foil-stamped element was the stud earring in the model's ear! Cecilia tracked down OrigamiUSA, who folded a gold-paper goldfish for each issue, and Todd Oldham contributed actual gilded-metal halos. Such frivolities came thanks to this issue's sponsor, the Japanese department store Beams". A handsome unnumbered hors commerce example of this uncommon issue marked "Display Copy" by the publisher showing a small scrape and a torn corner joint to the gold portfolio along with some light overall wear and handling to the box and contents. It has been priced accordingly. Inventory Number: 018295

(WARHOL, ANDY) (BASQUIAT, JEAN-MICHEL). Als, Hilton. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artists Monograph. Fine.. np (36pp), 24 color and 1 b&w illustration. Designed by Bruce Mau Design, Inc. This is the slender yet elegant catalogue produced in conjunction with a 2002 Gagosian Gallery New York exhibition of twenty-four of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1984 and 1985. A most handsome example of this uncommon item. 1-880154-78-1 Inventory Number: 026329

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Near Fine.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Virginia / Andy Warhol" in blue ink above the portrait of Warhol on page five to the wife of noted late Los Angeles assemblage artist Gordon Wagner showing some mild rubbing to the covers. Inventory Number: 020852

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Gordon Wagner / Andy Warhol" in blue ink above the portrait of Warhol on page five to the noted late Los Angeles assemblage artist showing some light overall wear and rubbing to the covers. Inventory Number: 020851

(WARHOL, ANDY). Crone, Rainer F. & Wouter D. Wirth. New York: L&M Arts, 2011. First Edition. 4to. Printed Boards. Artist Monograph. Fine/No Jacket - As Issued. 72pp, 29 color and 11 b&w illustrations. Designed by McCall Associates. With an exhibition checklist. This is the elegantly designed, thoroughly researched hardbound catalogue produced in conjunction with a posthumous 2011 New York gallery exhibition of twenty variations of Andy Warhol's "Colored Campbell's Soup Cans" paintings on canvas executed during 1965. A most handsome copy. 0-9790942-7-5 Inventory Number: 022122

(WARHOL, ANDY). De Salvo, Donna, Jessica Beck, Okwui Enwezor, Trevor Fairbrother, Hendrik Folkerts, Branden W. Joseph, Barbara Kruger, Glenn Ligon, Michael Sanchez & Lynne Tillman. New York, NY & New Haven, CT: Whitney Museum of American Art & Yale University Press, 2018. First Edition. 4to. Boards in PIctorial Dust Jacket. Artist Monograph. As New/As New.

400pp, profusely illustrated in color and b&w. “One of the most emulated and significant figures in modern art, Andy Warhol rose to fame in the 1960s with his iconic Pop Art pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today”. A brand new, most handsome example of this substantial, nicely appointed hardbound catalogue published in conjunction with the major 2018 Andy Warhol retrospective held at The Whitney Museum of American Art. 978-0300236989 Inventory Number: E000AWFATBABA

(WARHOL, ANDY). Fremont, Vincent, Peter Brant, Eric C. Shiner & Jane Holzer. New York & Los Angeles: L&M Arts, 2011. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (8pp), 16 color illustrations + color covers. With a partial exhibition checklist. This is the elegantly designed brochure cum catalogue published in conjunction with L&M Arts' exhibition of over one hundred Andy Warhol works on paper executed between 1950 and 1986 at Art Basel Miami 2011. A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 022494

(WARHOL, ANDY). Ikeda Gallery Staff, Akira. Tokyo: Akira Ikeda Gallery, 1986. First Edition 1/1000. 4to. Printed Wrappers. Artist Monograph. Near Fine.. np (24pp), 12 color illustrations. Text in English. With an exhibition checklist. This is the catalogue published in conjunction with a 1986 exhibition of twelve colorful acrylic and silkscreen paintings on canvas from Andy Warhol's "Marilyn Reversal Series" held at Tokyo's Akira Ikeda Gallery. A most handsome example of this exceedingly uncommon item limited to one thousand unnumbered copies showing a discreet gallerist's blindstamp on the title page. Inventory Number: 026118

(WARHOL, ANDY) (JAGGER, MICK). Warhol, Andy. New York: Multiples, Inc. & Castelli Graphics, 1975. First Edition. 12mo. Printed Card Stock. Publisher's Prospectus. Fine.. Ten individual 6 ¼ x 4" cardstock sheets printed offset recto and verso, laid into a 6 ¼ x 8" printed cardstock portfolio (neatly folded in half as issued), 10 color illustrations. This is the publisher's prospectus for the 1975 Andy Warhol portfolio of ten color silkscreens of everyone's favorite Rolling Stone, Mick Jagger. It contains one beautifully printed color postcard reproduction of each of the ten original prints issued by Marian Goodman's Multiples, Inc. in conjunction with Castelli Graphics. A brand new, complete and most handsome example of this uncommon ephemeral item. Inventory Number: 026188

(WARHOL, ANDY) (NADAR). Baldwin, Gordon & Judith Keller. Los Angeles: The J. Paul Getty Museum, 1999. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. Fine.. One 7 5/8 x 18" sheet printed offset recto and verso, neatly folded in thirds as issued to make 6pp, 2 color and 2 duotone illustrations. This is the slender six page brochure produced to accompany the 1999 J. Paul Getty Museum Department of Photography exhibition entitled "Nadar Warhol: Paris New York". A brand new, most handsome example of this uncommon ephemeral item - NOT to be confused with the hardbound exhibition catalogue of the same title. Inventory Number: 017257

(WARHOL, ANDY) (NEIMAN, LEROY). Warhol, Andy & Leroy Neiman. Los Angeles: Los Angeles Institute of Contemporary Art, 1981. First Edition. Double Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 35 x 21 ¼" heavy paper sheet printed color offset, recto only, 1 color illustration. This is the striking poster published in conunction with the highly publicized 1981 "LeRoy Neiman / Andy Warhol" exhibition held at the long-defunct Los Angeles Institute of Contemporary Art. Different posters were produced for each artist with Warhol's featuring a colorful image of renowned jockey Willie Shoemaker. A brand new, most handsome example of this exceedingly uncommon item acquired directly from LAICA additionally BOLDLY SIGNED "Andy Warhol" in black marker along the bottom margin. Inventory Number: 025959

(WARHOL, ANDY). Rosenblum, Robert. Foreword by Rupert Burgess. Afterword by Frank Moore, M.D.. New York: Gagosian Gallery, 1999. First Edition. Small Square 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np (56pp), 13 color and 1 b&w illustration. Designed by Anthony McCall Associates. With an exhibition checklist. This is the compact, elegantly designed catalogue produced in conjunction with a 1999 Gagosian Gallery New York exhibition that reunited for the first time the complete series of thirteen "Philip's Skull" paintings by Andy Warhol. One of the artist's most unusual portrait commissions, the imagery of these 1985 synthetic polymer paint and silkscreen ink on canvas works is derived from a cranial X-Ray of Warhol's friend and patron Philip S. Niarchos. A most handsome example of what very well might be Gagosian's hardest to acquire publication. 1-880154-29-3 Inventory Number: 023755

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Near Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco". The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné", and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 is printed prominently on the rear cover, leading some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not - it is the first and only vinyl issue released in 1964. Inventory Number: 023884

(WARHOL, ANDY). Warhol, Andy. Tucson, AZ: Tucson Jewish Community Center, 1967. First Edition. 4to. Printed Poster. Exhibition Poster. Near Fine.. One 14 x 10 ¼" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the poster published in conjunction with a November 5th, 1967 Andy Warhol lecture and film screening at the Tucson Jewish Community Center. Warhol was in Arizona as part of a college lecture tour two months prior to shooting what turned out to be his final independent film "Lonesome Cowboys" - which featured Factory Superstars Joe Dallesandro, Viva, Eric Emerson, Taylor Mead, Louis Waldon, and Tom Hompertz, To defray costs of the trip, the always-thrifty artist scheduled a paid college Film Department appearance at nearby Arizona State University. When a similar booking did not materialize at The University of Arizona, Warhol was contacted by Tucson's Cinema I Film Society at the JCC, and an event was hastily set up. To publicize the appearance, two different posters using Warhol's portrait were quickly pasted up, printed, and posted by the Film Society members around town. A most handsome example of this near-unique item - the larger of the two - acquired directly from a Society member additionally BOLDLY SIGNED "Andy Warhol" in red ink at the event across the face of the poster showing just a bit of light wear and age-toning to the white of the sheet. Inventory Number: 026235

(WARHOL, ANDY). Warhol, Andy. London: Waddington Galleries, 1987. First Edition. 8vo. Illustrated Self-Wrappers. Artist Monograph. Fine.. 48pp, 18 color illustrations. With an exhibition checklist, biography, exhibition history and bibliography. This is the catalogue published in conjunction with a 1987 exhibition of twenty-eight colorful acrylic and silkscreen paintings on canvas from Andy Warhol's "Marilyn Reversal Series" held at London's Waddington Galleries. A most handsome example of this exceedingly uncommon item. Inventory Number: 026119