Arcana:

(ARTFORUM). Sandback, Amy Baker, Editor. Ann Arbor, MI: U.M.I. Research Press, 1984. First Edition. Square 4to. Cloth in Illustrated Jacket. Fine/Good +. 342pp, profusely illustrated in b&w. Designed by Roger Gorman and Mary Beath. Beginning with an Ed Kienholz review at the Ferus Gallery from its June 1962 inaugural issue, this is an amazing compendium of articles and reviews culled from the first twenty-one years of the noted art periodical "Artforum" featuring contributions by the stellar likes of Kate Steinitz, Henry T. Hopkins, Don Factor, Robert Pincus-Witten, Dennis Adrian, John Coplans, Hilton Kramer, Harold Rosenberg, Henry Geldzahler, John Cage, Walter Hopps, Ed Ruscha, Allan Kaprow, Robert Rosenblum, Dan Flavin, Sam Wagstaff, Billy Kluver, Lucy R. Lippard, Robert Rosenblum, Roger Shattuck, Ad Reinhardt, Mel Bochner, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Barbara Rose, Manny Farber, Michael Fried, Robert Morris, Philip Leider, Hollis Frampton, Carl Andre, Richard Serra, Lawrence Alloway, Barbara Kruger, Jane Livingston, Lizzie Borden, Kenneth Baker, Laurie Anderson, Agnes Martin, Cindy Nemser, Sidney Tillim, Annette Michelson, Rosalind Krauss, Jeremy Gilbert-Rolfe, Roberta Smith, Peter Plagens, Peter Schjeldahl, j. Hoberman, Hal Foster, Richard Flood, Carter Ratcliff, Stuart Morgan, Max Kozloff, Donald Kuspit, Dan Graham, Walter De Maria, Komar & Melamid, Edit De Ak, Lawrence Weiner, Kathy Acker, Robert Mapplethorpe, Anselm Kiefer, Thomas McEvilley, Louise Bourgeois, Ingrid Sischy, and too many more to list. An internally most handsome example of the uncommon hardbound edition whose dust jacket shows some overall light wear, handling and scuffing. 0-8357-1536-1 Inventory Number: 014028

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy showing a discreet, barely discernable whited-out area at the top foredge corner of the title page. Inventory Number: 025207

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Good.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A most presentable example of this uncommon item that is the first monographic publication on Bachardy showing some light wear to its white covers along the spine as well as a bit of mild foxing to some pages throughout. It has been priced accordingly. Inventory Number: 024004

(BEARD, PETER). Beard, Peter & Owen Edwards. Nejma Beard & David Fahey, Editors. Koln, GERMANY: Benedikt Taschen Verlag, 2006. First Edition 1/125 Deluxe. Elephant Folio. Full Leather, Boxed. Photography Monograph. As New/No Jacket - As Issued. np (616pp), profusely illustrated in color and b&w. Text in English, German and French. Art Direction and Design by Ruth Ansel. One of the most lavish books published to date on the work of a single photographer, Benedikt Taschen's sumptuous 2006 monograph on Peter Beard rivals Helmut Newton's "Sumo" in both scale and grandeur. "Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dali, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. Spilling out over the pages of this massive tome, Peter Beard's collages are reproduced as a group for the first time at the size they have always meant to be seen, some as foldouts. Hundreds of smaller-scale works and diaries fill the remaining spreads - magnified to show every detail, from Beard's meticulous handwriting and old-master-inspired drawings to stones and bones and bits of animals pasted to the page. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequalled intensity and color range". This elephant folio sized book is bound in full leather-over-boards, housed in a velvet-lined shipping crate, and is accompanied by a wooden viewing stand that is reminiscent of an African headrest. Its companion volume: "PB2" contains an image index with captions for all the pictures reproduced in the main book, personal photos and early work of the artist, an interview with the artist by Steven M. L. Aronson, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of "Blind Spot" magazine, an extensive bibliography, and an exhibition history. A pristine example of the Taschen Collectors' Edition limited to one hundred and twenty-five copies SIGNED AND NUMBERED by Peter Beard containing the SIGNED AND NUMBERED 20 x 16" Gelatin silver black and white photographic print "965 Elephants" unopened in the publisher's original decorative wooden crate, as issued. 3-8228-3829-2 Inventory Number: 024044

(FILM CULTURE). Mekas, Jonas, Louis Brigante, George N. Fenin, Adolfas Mekas, Andrew Sarris, P. Adams Sitney, David C. Stone & Harold Humes, Editors. New York: Film Culture, 1964. First Edition. 4to. Pictorial Wrappers. Film Journal. Very Good.. 92pp, profusely illustrated in b&w. Jonas Mekas' influential "Film Culture" was New York's preeminent journal devoted to avant-garde cinema and the voice of the international independent filmmaking community of the fifties, sixties, and seventies. This thirty-third installment from 1964 features contributions on or by Andrew Sarris on Jean-Luc Godard, Storm de Hirsh, George Kuchar, Robert K. Brown interviewing Bruce Conner, Jack Smith, Gregory Markopoulos, Andy Warhol, Frank Kuenstler's major project "Lens", and more. A handsome example showing some light wear and rubbing to the covers. ISSN 0015-1211 Inventory Number: 025666

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of eighty-one of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo (2 different), Horace Bristol, Julia Margaret Cameron (3 different), Edgar Degas, Luc Delahaye, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton (2 different), Lady Clementina Hawarden, Hill and Adamson, John Humble, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray (2 different), Man Ray, Lisette Model, Laszlo Moholy-Nagy, Eliot Porter, Albert Renger-Patzsch, Alexander Rodchenko, August Sander (3 different), Camille Silvy, Frederick Sommer (2 different), Alfred Stieglitz (2 different), Paul Strand (2 different), Edmund Teske (2 different), Doris Ulmann, Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", "Capturing Time: A Celebration of Photography", "Dance in Photography", "Eternal Cities: Photographs of Athens and Rome", "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "Fame and Photography", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "The Heart of the Storm: Northern California Pictorialism", "Hidden Witness: African Americans in Early Photography", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Pictures for the Press", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Faces / Private Spaces: Mary Ellen Mark, Bill Owens, Anthony Hernandez, and Donald Blumberg", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Recent Acquisitions: Eugene Atget - Brett Weston - William Garnett - Milton Rogovin", "Surrealist Muse: Lee Miller, Roland Penrose, and Man Ray", "Voyages and Visions: Early Photographs Fom the Wilson Family Collection", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 005262

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Very Good. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! An internally most handsome example of the first edition limited to four thousand unnumbered copies showing two short closed tears near the spine of the dust jacket. It has been priced accordingly. 0-942642-25-2 Inventory Number: 024194

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! A most handsome example of the first edition limited to four thousand unnumbered copies. 0-942642-25-2 Inventory Number: 023098

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 with gravure plates and the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! A bright, most handsome example of the first edition limited to four thousand unnumbered copies additionally bearing the BOLDLY SIGNED PRESENTATION "To the Woelffers / all of my Love of art to you / Dennis Hopper" in the year of publication in black ink below the photographer's introductory text accompanied by a post card announcement for the book's 11/5/86 publication party at West Hollywood's Book Soup. This was acquired by us directly from the library of the late, great Los Angeles artist and educator Emerson Woelffer who was a good friend and something of a mentor to the younger Dennis Hopper. 0-942642-25-2 Inventory Number: 021094

(HOPPER, DENNIS). Hopper, Marin. Introduction by Brooke Hayward. Los Angeles: Greybull Press, 2001. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np, 129 b&w illustrations. Designed by Dmitri Levas. Dennis Hopper was the young man with a camera in the right place at the right time in the New Hollywood. Published in 2001 by the late, great Greybull Press, "1712 North Crescent Heights" is the beautifully designed and printed successor to Hopper's "Out of the Sixties". Compiled by Dennis and Brooke Hayward's daughter Marin, it provides an incredible glimpse into the art, music, film and fashion scenes of Sixties L.A. as documented by a very talented observer. Candid photographs of the Hopper home and family are accompanied by portraits of Peter Fonda, Roger Vadim and Jane Fonda, Teri Garr and Toni Basil, Dianne Baker, Tuesday Weld, Bill Cosby, Sandy Dennis and George Segal, Steve McQueen, Bob Rafelson, The Buffalo Springfield, The Jefferson Airplane, The Byrds, Phil and Ronnie Spector, Ike and Tina Turner, James Brown, Peggy Moffitt, Rudi Gernreich and Leon Bing, Bruce Conner, Irving Blum and Jasper Johns, Virginia Dwan, Claes Oldenburg, Robert Rauschenberg, Roy Lichtenstein, Judd Marmor, and even 1967's "Riot on Sunset Strip". Virtually all of the images in this must-have for any cultured bedside or coffee table are previously unpublished! A most handsome example from the deluxe edition of one hundred copies containing the 14 x 11" black and white photographic print "Love In Twins at 1712...1966" SIGNED AND NUMBERED (63/100) by Dennis Hopper in pencil on the verso in the publisher's orange linen clamshell box that shows just a bit of light wear and soiling. 0-9672366-5-7 Inventory Number: 021901

(LACHAPELLE, DAVID). Nicolini, Renato & Max Montana. Rome, ITALY: Palazzo delle Esposizioni, 1999. First Edition. Oblong 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, 27 color illustrations + color cover. Text in English and Italian. This is the beautifully designed and printed catalogue published in conjunction with notorious American fashion/celebrity photographer David LaChapelle's 1999 one-man exhibition at Rome's Palazzo delle Esposizioni. All of the plates are reproduced against black borders, and the cast of characters here includes Madonna, Tori Amos, Milla Jovovich, Devon Aoki, Leonardo DiCaprio, Mark Wahlberg, Marilyn Manson, Shirley Manson, Alec Wek, Alexander McQueen, Joe Weider, Tricky, Ewan McGregor, Uma Thurman, Daniel Day-Lewis, Billy Corgan, Andy Warhol, and more. A most handsome copy. Inventory Number: 014545

(MACLISE, ANGUS). Kugelberg, Johan, John McWhinnie, Richard Prince, John Savage, Jack Womack, Jonathan Richman & William Gibson. New York: Boo-Hooray Gallery, 2011. First Edition 1/81 Deluxe. 4to. Wrappers in Slipcase. Music Monograph. As New.. 120pp, profusely illustrated in color and b&w. "Dreamweapon" is the extraordinary catalogue published in conjunction with Boo-Hooray Gallery's labor of love 2011 exhibition celebrating the life and work of the late poet/musician/shaman Angus MacLise (1938-1979) - best known as the original drummer for The Velvet Underground! MacLise performed along with his wife Hetty in several ensembles as well as with La Monte Young, Tony Conrad, and Terry Riley; contributed soundtracks to films by Piero Heliczer, Ron Rice, Sheldon Rochlin, and Don Snyder; played the green Mummy in Jack Smith's "Normal Love", and edited the "Dreamweapon" issue of "Aspen: The Magazine in a Box". It features reproductions of vintage photographs, posters, handbills, and writings - most of which are reproduced here for the first time. Also included are original texts by MacLise collaborators Young, Lou Reed, and Ira Cohen along with curators Johan Kugelberg and Will Swofford Cameron. A brand new, pristine example of the deluxe numbered limited edition of this must-have for any serious sixties experimental music and/or cinema fan limited to eighty-one copies only with the gallery's additional components consisting of the audio CD "DREAMWEAPON IV" containing unreleased music and poetry by Angus MacLise, a letterpress print of his calligraphy, a three-page typescript facsimile of an unpublished poem, a facsimile of a vintage Jack Smith and Angus MacLise performance flyer, a letterpress reprint of the Angus MacLise poem "The Completed Works of Angus MacLise" from Piero Heliczer's unobtainable Dead Language Press publication "Imprimatur 1281", and a numbered and studio stamped 6 x 4" color photographic print of an Ira Cohen portrait of Angus MacLise from the "Mylar Chamber" series archivally hinged to the catalogue cover. These have been printed by Jon Beacham / The Brother In Elysium, are wrapped in original unused "Bardo Matrix" handmade paper stock and housed in the publisher's silver foil-stamped decorative cardstock slipcase along with the gallery's commemorative letterpress broadside reprinting a 1976 ode to the recently deceased Ira Cohen by Angus MacLise. Inventory Number: 024648

(NEWTON, HELMUT). Behr, Edward. New York: Congreve Publishing Company, Inc., 1978. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Near Fine. np, profusely illustrated in b&w. Text in English. Designed by Fritz Hofrichter of Olaf Leu Company. Published in 1978, "Sleepless Nights" was the much-anticipated successor to Helmut Newton' taboo-breaking "White Women". It features a brief essay by "Newsweek" editor Edward Behr accompanied by a selection of the master's transgressive seventies fashion editorial work featuring Patti Hansen, Lisa Taylor, Beverly Johnson, Paloma Picasso, Suzy Dyson, Jane Kirby, Jenny Kapitain, Suze Randall, Andy Warhol, and many others. Included are the iconic "Saddle", "At Maxim's", and "Mannequin" pictures as well as several of the New York rooftop images Newton shot for the work of Faye Dunaway's photographer character in "The Eyes of Laura Mars". A most handsome example of the 1978 first edition (cited on page 254 of Alessandro Bertolotti's "Books of Nudes") additionally BOLDLY SIGNED "Helmut Newton" in black ink across the half title page. 0-930186-00-1 Inventory Number: 024399

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1987. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good./OUT OF PRINT. ca. 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable copy of the twelfth issue of this influential Swiss visual arts quarterly largely devoted to Andy Warhol showing a bit of unobtrusive bubbling to the laminate of the rear cover along with mild rippling to the bottom edge of the last few pages of the textblock due to contact with moisture. It has been priced accordingly. 3-907509-62-5 Inventory Number: 018728

(PETTIBONE, RICHARD). Danieli, Fidel & Dennis Reed. Van Nuys, CA: Art Gallery, Los Angeles Valley College, 1981. First Edition. 8vo. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (12pp), 7 b&w + 6 b&w cover illustrations. With a biography and exhibition history. This is the slender twelve page catalogue published in conjunction with a 1981 Los Angeles Valley College exhibition of the tiny, jewel-like paintings of Richard Pettibon - the first comprehensive retrospective of the work of the Los Angeles-based artist. The last decade has seen Pettibon finally embraced by the Contemporary art market for his witty, conceptually-based appropriations in miniature of Andy Warhol, Marcel Duchamp, Frank Stella, Roy Lichtenstein, and the like. A bright, most handsome example of this elusive document. Inventory Number: 025850

(POLK, BRIGID). Berlin, Brigid "Polk". Philadelphia, PA: Telegraph Books, 1972. First Edition. 12mo. Illustrated Wrappers. Near Fine.. np (84pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. Poor little rich girl Brigid "Polk" Berlin was well-known in the sixties New York social scene as Andy Warhol's confidant, and a mainstay of his Factory entourage. She was then rarely without her blank book in which she requested those around her to make ink impressions - in the same way that fingerprints are taken - of the scars on their bodies. Published in 1972, this quirky tome is a compilation of these scars along with in many cases accompanying explanations of their origin from the likes of sister Richie Berlin, Brice Marden, Bill Berkson, Lillian Roxon, Taylor Mead, Genevieve Waite, Gerard Malanga, John Giorno, Buddy Wirtschafter, Rene Ricard, Dotson Rader, Rita Donagh, Charles Rydell, superstar Viva!, Henry Gibson, Charlotte Moorman, Peter Beard, Helio Oiticica, Patti Smith, and many, many others. A most handsome example of this uncommon item additionally SIGNED "Brigid Polk" in black ink on the title page showing just a bit of typical age toning to its white wrappers. Inventory Number: 020156

(RUSCHA, EDWARD) (INTERVIEW MAGAZINE). Hayes, Robert, Editor. Andy Warhol, Publisher. New York: Interview Enterprises, Inc., 1984. First Edition. Folio. Pictorial Tabloid Wrappers. Periodical. Near Fine.. 94pp, profusely illustrated in b&w and color. In a protective clear acetate dustwrapper. This March 1984 installment of Andy Warhol's Interview Magazine features a graphically striking cover photograph of Jane Fonda by Matthew Rolston that has been hand-painted by Richard Bernstein. Included are additional contributions on or about Ed Ruscha (interviewed by Joan Quinn), Darryl Hannah, Lori Singer, Steven Bauer, Jacques-Henri Lartigue, Anthony Machado, Marcus Leatherdale, Glenn O'Brien, David Bailey, George Christy, Christopher Makos, Matthew Rolston, and many, many more as well as monthly columns and a slew of great vintage advertisements. A bright, most handsome example additionally SIGNED "Ed Ruscha / X" in black ink across Matthew Rolston's striking black and white portrait of the artist in his studio on pages 80-81. ISSN 0149-8932 Inventory Number: 025240

(SMITH, JACK). Jordan, Mary, Director. New York: Arthouse Films, 2007. Edition Not Stated - Presumed First. 8vo. NTSC DVD in Plastic Case. Documentary Film. As New/No Jacket - As Issued. 95 minutes + extras, in color. "Perhaps America's most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer, and the 'William Blake of film'. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini, and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith's rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith's vaulted archives. Commentaries from art luminaries, critics and Smith's friends and enemies such as George Kuchar, Ken Jacobs, Tony Conrad, Sylvere Lotringer, Judith Malina, Jonas Mekas, Mario Montez, Ronald Tavel, John Waters, John Zorn, Agosto Machado, Andrew Sarris, Ari Roussimoff, Billy Name, Ela Troyano, Gary Indiana, George Kuchar, Helen Gee, Henry Hills, Maria Montez, Andrew Sarris, Holly Woodlawn, Ira Cohen, Ivan Galietti, Jerry Tartaglia, John Matturri, John Vaccaro, Lawrence Rinder, Mary Woronov, Mike Kelley, Nayland Blake, Nick Zedd, Richard Foreman, Robert Heide, Robert Wilson, Taylor Mead, Tommy Lanigan-Schmidt, Uzi Parnes, and William Niederkorn intercut Smith himself proffering condemnations of capitalism, critics, and institutional-art "gatekeepers". Jordan also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas and actors in his own work (including Smith's "Superstars" concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America's most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism, and meaning in contemporary art. Since his 1989 death, Smith's work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York's ultimate anti-hero and the original King of the Underground". A brand new, pristine unplayed example of this DVD in letterbox format still in the manufacturer's shrinkwrapped plastic case. Inventory Number: 018984

(SQUAT THEATRE). Buchmuller Eva & Anna Koos. Introductions by Alisa Solomon & Andras Halasz. New York: Artists Space, 1996. First Edition. 8vo. Pictorial Wrappers. Exhibition Catalog. Fine.. 232pp, profusely illustrated in b&w. Designed by Eva Buchmuller and Anna Koos. In a protective clear acetate dustwrapper. This is the informative catalogue of the 1996 exhibition held at New York's Artists Space documenting Squat Theatre - the dissident artist-run Hungarian experimental theater company founded in Budapest that subsequently moved to New York, where the members - Stephan Balint, Eszter Balint, Peter Berg, Eva Buchmuller, Marianne Kollar, Peter Halasz, Galus Halasz, Anna Koos, Boris Major, Rebecca Major - lived and worked from 1977 until 1984. The troupe staged performances based on works by Andy Warhol, Antonin Artaud, Anton Chekov, Fyodor Dostoyevsky, and others in their storefront window at 256 West 23rd Street - utilizing the street as a backdrop - which became their trademark. A most handsome example of this exceedingly uncommon document compiled and designed by Buchmuller and Koos from the company's own archives. 0-9636372-2-3 Inventory Number: 024378

(VELVET UNDERGROUND, THE) (WARHOL, ANDY). Kugelberg, Johan, John McWhinnie, Richard Prince, John Savage, Jack Womack, Jonathan Richman & William Gibson. New York: JMc & GHB Editions, 2007. First Edition 1/900. 4to. Printed Wrappers. Music Monograph. Fine.. np (84pp), profusely illustrated in color and b&w. Designed by Johan Kugelberg for Octopuss Ltd., John McWhinnie and Jerry Kelly. This is the ultra-cool catalogue published in conjunction with Boo-Hooray gallerist Johan Kugelberg's exhilarating 2007 New York exhibition celebrating the fortieth anniversary of the release of the landmark "The Velvet Underground and Nico" album. Limited to one thousand copies only, it features reproductions of vintage photographs, posters, handbills, magazine clippings and other VU + Andy Warhol ephemera - many reproduced here for the first time! Also included are original texts by Richard Prince, Jon Savage, Jack Womack, Jonathan Richman and William Gibson. A brand new, most handsome example of this must-have for any serious Warhol and/or Velvets aficionado. Inventory Number: 024107

(VELVET UNDERGROUND, THE) (WARHOL, ANDY). Kugelberg, Johan, John McWhinnie, Richard Prince, John Savage, Jack Womack, Jonathan Richman & William Gibson. New York: JMc & GHB Editions + Ectoplasm, 2007. First Edition 1/100 Deluxe. 4to. Wrappers in Paper Portfolio. Music Monograph. Fine./No Jacket - As Issued.. np (84pp) + np (32pp), profusely illustrated in color and b&w. Designed by Johan Kugelberg for Octopuss Ltd., John McWhinnie and Jerry Kelly. This is the ultra-cool catalogue published in conjunction with Boo-Hooray gallerist Johan Kugelberg's exhilarating 2007 New York exhibition celebrating the fortieth anniversary of the release of the landmark "The Velvet Underground and Nico" album. It features reproductions of vintage photographs, posters, handbills, magazine clippings and other VU + Andy Warhol ephemera - many reproduced here for the first time! Also included are original texts by Richard Prince, Jon Savage, Jack Womack, Jonathan Richman and William Gibson. A most handsome example of the deluxe edition of this must-have for any serious Warhol and/or Velvets fan limited to one hundred copies BOLDLY SIGNED AND NUMBERED (63/100) by author and publisher Johan Kugelberg in black marker. In addition to the catalogue this contains an 8 x 10" silkscreen facsimile on heavy stock of a February 1966 announcement of "Up-Tight" at New York's Film-Makers Cinematheque, an 8 x 8" color C-print of The Velvet Underground and Nico in 1966, and a thirty-two page booklet reproducing the typescript of Lester Bangs' celebrated May 1971 article on the Velvets for "Creem" magazine - all housed in a hand-silkscreened cardstock portfolio. Inventory Number: 020689

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1996. First Edition 1/2500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good -/No Jacket - As Issued. Individual illustrated sheets laid into an embossed gold paper-over-boards portfolio, profusely illustrated in monochrome and duotone. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of two thousand, five hundred copies, this is the seventeenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "For some time we had imagined a gilded issue-heavily embellished, incredibly ornate. "Gold" gave us the perfect opportunity to go for baroque. The cover of the issue was hologrammed, embossed, and foil stamped, all on an already solid-gold background. Up until this point, it was one of the most extravagant and delirious issues we had ever created. There were seven pages of Philip Taaffe's gold stars foil stamped onto vellum, which ran an average of a dollar per page - a slight extravagance considering we had at least another fifty pages to fill. Inez van Lamsweerde and Vinoodh Matadin's fashion photographs featured gold-foil stamping on top of four-color prints - crazy in theory but even more so in practice, when sometimes the only foil-stamped element was the stud earring in the model's ear! Cecilia tracked down OrigamiUSA, who folded a gold-paper goldfish for each issue, and Todd Oldham contributed actual gilded-metal halos. Such frivolities came thanks to this issue's sponsor, the Japanese department store Beams". A handsome unnumbered hors commerce example of this uncommon issue marked "Display Copy" by the publisher showing a small scrape and a torn corner joint to the gold portfolio along with some light overall wear and handling to the box and contents. It has been priced accordingly. Inventory Number: 018295

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Near Fine.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Virginia / Andy Warhol" in blue ink above the portrait of Warhol on page five to the wife of noted late Los Angeles assemblage artist Gordon Wagner showing some mild rubbing to the covers. Inventory Number: 020852

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Gordon Wagner / Andy Warhol" in blue ink above the portrait of Warhol on page five to the noted late Los Angeles assemblage artist showing some light overall wear and rubbing to the covers. Inventory Number: 020851

(WARHOL, ANDY). Coplans, John, Jonas Mekas & Calvin Tomkins. New York: New York Graphic Society Ltd., 1970. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 160pp, profusely illustrated in color and b&w. Designed by John Coplans. With a filmography and bibliography. In a protective clear acetate dustwrapper. This is the nicely appointed catalogue published in conjunction with the major 1970 Andy Warhol retrospective that traveled from The Whitney Museum of American Art to the Pasadena Art Museum. Featuring texts by curator John Coplans and Calvin Tomkins, it is notable for its focus on the pioneering Pop artist's experimental cinematic work which includes an essay by Jonas Mekas along with a complete filmography. A most handsome example of the paperbound New York Graphic Society Ltd. edition additionally bearing the BOLDLY SIGNED PRESENTATION "to Robin / Andy Warhol" in pencil across the front cover to an artist that acquired this directly from Mr. Warhol while visiting The Factory for tea in 1972 showing a bit of overall light wear. Laid in is a May 13th, 1970 clipping from the Los Angeles Times covering the exhibition's opening at the Pasadena Art Museum. 0-8212-0397-5 Inventory Number: 024540

(WARHOL, ANDY). Crone, Rainer F. & Wouter D. Wirth. New York: L&M Arts, 2011. First Edition. 4to. Printed Boards. Artist Monograph. Fine/No Jacket - As Issued. 72pp, 29 color and 11 b&w illustrations. Designed by McCall Associates. With an exhibition checklist. This is the elegantly designed, thoroughly researched hardbound catalogue produced in conjunction with a posthumous 2011 New York gallery exhibition of twenty variations of Andy Warhol's "Colored Campbell's Soup Cans" paintings on canvas executed during 1965. A most handsome copy. 0-9790942-7-5 Inventory Number: 022122

(WARHOL, ANDY). De Salvo, Donna, Jessica Beck, Okwui Enwezor, Trevor Fairbrother, Hendrik Folkerts, Branden W. Joseph, Barbara Kruger, Glenn Ligon, Michael Sanchez & Lynne Tillman. New York, NY & New Haven, CT: Whitney Museum of American Art & Yale University Press, 2018. First Edition. 4to. Boards in PIctorial Dust Jacket. Artist Monograph. As New/As New.

400pp, profusely illustrated in color and b&w. “One of the most emulated and significant figures in modern art, Andy Warhol rose to fame in the 1960s with his iconic Pop Art pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today”. A brand new, most handsome example of this substantial, nicely appointed hardbound catalogue published in conjunction with the major 2018 Andy Warhol retrospective held at The Whitney Museum of American Art. 978-0300236989 Inventory Number: E000AWFATBABA

(WARHOL, ANDY). Fremont, Vincent, Peter Brant, Eric C. Shiner & Jane Holzer. New York & Los Angeles: L&M Arts, 2011. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (8pp), 16 color illustrations + color covers. With a partial exhibition checklist. This is the elegantly designed brochure cum catalogue published in conjunction with L&M Arts' exhibition of over one hundred Andy Warhol works on paper executed between 1950 and 1986 at Art Basel Miami 2011. A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 022494

(WARHOL, ANDY). Karp, Ivan & Mark Francis. New York: Gagosian Gallery, 2005. First Edition. 4to. 1/4 Linen Over Printed Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. Designed by Dan Miller Design. With an exhibition checklist. In a protective clear acetate dustwrapper. Issued in conjunction with the 2002 Gagosian New York museum-quality survey of Andy Warhol's early hand-painted works, this hardbound catalogue is one of the gallery's most lavish publications to date. It includes hand-tipped color reproductions of the thirty-one exhibited Pop Art masterpieces created between 1960 and 1962, gallery installation shots, scores of vintage photographs and images of source material, as well as a lengthy transcribed interview between legendary dealer Ivan Karp and Mark Francis that provides an historical context for the work. A most handsome example f this important document. 1-932598-21-9 Inventory Number: 022828

(WARHOL, ANDY) (NADAR). Baldwin, Gordon & Judith Keller. Los Angeles: The J. Paul Getty Museum, 1999. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. Fine.. One 7 5/8 x 18" sheet printed offset recto and verso, neatly folded in thirds as issued to make 6pp, 2 color and 2 duotone illustrations. This is the slender six page brochure produced to accompany the 1999 J. Paul Getty Museum Department of Photography exhibition entitled "Nadar Warhol: Paris New York". A brand new, most handsome example of this uncommon ephemeral item - NOT to be confused with the hardbound exhibition catalogue of the same title. Inventory Number: 017257

(WARHOL, ANDY) (NEIMAN, LEROY). Warhol, Andy & Leroy Neiman. Los Angeles: Los Angeles Institute of Contemporary Art, 1981. First Edition. Double Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 35 x 21 1/4" heavy paper sheet printed color offset, recto only, 1 color illustration. This is the striking poster published in conunction with the highly publicized 1981 "LeRoy Neiman / Andy Warhol" exhibition held at the long-defunct Los Angeles Institute of Contemporary Art. Different posters were produced for each artist with Warhol's featuring a colorful image of renowned jockey Willie Shoemaker. A brand new, most handsome example of this exceedingly uncommon item acquired directly from LAICA additionally BOLDLY SIGNED "Andy Warhol" in black marker along the bottom margin. Inventory Number: 025959

(WARHOL, ANDY). Rosenblum, Robert. Foreword by Rupert Burgess. Afterword by Frank Moore, M.D.. New York: Gagosian Gallery, 1999. First Edition. Small Square 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np (56pp), 13 color and 1 b&w illustration. Designed by Anthony McCall Associates. With an exhibition checklist. This is the compact, elegantly designed catalogue produced in conjunction with a 1999 Gagosian Gallery New York exhibition that reunited for the first time the complete series of thirteen "Philip's Skull" paintings by Andy Warhol. One of the artist's most unusual portrait commissions, the imagery of these 1985 synthetic polymer paint and silkscreen ink on canvas works is derived from a cranial X-Ray of Warhol's friend and patron Philip S. Niarchos. A most handsome example of what very well might be Gagosian's hardest to acquire publication. 1-880154-29-3 Inventory Number: 023755

(WARHOL, ANDY) (VELVET UNDERGROUND, THE). Kugelberg, Johan, John McWhinnie, Richard Prince, Jon Savage, Jack Womack, Jonathan Richman & William Gibson. New York: JMc & GHB Editions, 2007. First Edition 1/900. 4to. Printed Wrappers. Music Monograph. Fine.. np (84pp), profusely illustrated in color and b&w. Designed by Johan Kugelberg for Octopuss Ltd., John McWhinnie and Jerry Kelly. This is the ultra-cool catalogue published in conjunction with Boo-Hooray gallerist Johan Kugelberg's exhilarating 2007 New York exhibition celebrating the fortieth anniversary of the release of the landmark "The Velvet Underground and Nico" album. Limited to one thousand copies only, it features reproductions of vintage photographs, posters, handbills, magazine clippings and other VU + Andy Warhol ephemera - many reproduced here for the first time! Also included are original texts by Richard Prince, Jon Savage, Jack Womack, Jonathan Richman and William Gibson. A most handsome example of this must-have for any serious Warhol and/or Velvets aficionado. Inventory Number: 017876

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Near Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco". The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné", and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 is printed prominently on the rear cover, leading some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not - it is the first and only vinyl issue released in 1964. Inventory Number: 023884

(WARHOL, ANDY). Warhol, Andy. Tokyo: Gendai Hanga Center, 1984. First Edition. Small 4to. Silver Gilt-Debossed Boards. Artist Monograph. As New/No Jacket - As Issued. 184pp, profusely illustrated in color and b&w. Text in Japanese. In a protective clear acetate dustwrapper. This is the elegantly designed and produced hardbound catalogue published in conjunction with an Andy Warhol retrospective exhibition held at Tokyo's Gendai Hanga Center. The show coincided with the renowned artist's 1983 visit to the Japanese printmakers to unveil his then newly-issued series of Chrysanthemum-themed silkscreen prints entitled "Kiku". The book includes a vibrant silkscreen image - unsigned as issued - also titled "Kiku" that was created especially for the publication bound in. A brand new, most handsome example of this exquisite, exceedingly uncommon object. Inventory Number: 025740

(WARHOL, ANDY). Warhol, Andy. New York: Harcourt Brace Jovanovich, 1975. First Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Herb Lubalin with a photograph by Philippe Halsman. "The Philosophy of Andy Warhol (A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated 1975 printing (showing the letter A struck from the printing history) of this inspirational and aspirational tome additionally bearing a BOLDLY DRAWN CAMPBELL'S MANHANDLER SOUP CAN DRAWING WITH A SIGNED PRESENTATION "To ... / Andy Warhol" in black marker across the entire half title page showing a thin margin of mild sunning to the top edge of the boards. In the scores of copies of this with drawings we've handled over the years, this is the first example of "Manhandler" we've seen!. 0-15-189050-1 Inventory Number: 025230

(WARHOL, ANDY). Warhol, Andy. New York: Harcourt Brace Jovanovich, 1975. First Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Herb Lubalin with a photograph by Philippe Halsman. "The Philosophy of Andy Warhol (From A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated first edition, first printing (showing the letter A struck from the printing history) of this inspirational and aspirational tome in a neatly price-clipped dust jacket additionally bearing a BOLDLY DRAWN CAMPBELL'S SOUP CAN DRAWING WITH A SIGNED PRESENTATION "to robin / Andy Warhol" in black marker across the half title page to an artist that acquired this directly from Mr. Warhol while visiting The Factory for tea in 1972. 0-15-189050-1 Inventory Number: 024541