Arcana:

(ALDRIDGE, ALAN) (WARHOL, ANDY). Aldridge, Alan & Andy Warhol. London: Motif Editions, 1970. First Edition. Double Elephant Folio. Printed Poster. Film Poster. Near Fine.. One 30 x 20" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the iconic poster designed by the late, great British illustrator Alan Aldridge to promote the 1970 screening of "Chelsea Girls" at the Drury Lane Arts Laboratory. Filmed by Andy Warhol and Paul Morrissey from a treatment by Ronnie Tavel on location inside Manhattan's fabled Chelsea Hotel, the film received upon its 1966 release an X certificate from the British Board of Film Censors, meaning it was unable to be theatrically released in the UK. It took another three years before the full three and a half hour split-screen version of "Chelsea Girls" - featuring Factory Superstars Nico, Brigid Berlin, Ondine, Gerard Malanga, Eric Emerson, Mary Woronov, Mario Montez, Ingrid Superstar, and International Velvet - would receive a London premiere. A bright, most handsome flat example of the 1970 Motif Editions London first commercially-produced version of the poster showing the tiniest bit of creasing at the lower left corner along with some unobtrusive handling indentations that can be seen in raking light. Inventory Number: 026863

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BASQUIAT, JEAN-MICHEL). O'Brien, Glenn. Photographs by Edo and Maripol. Tokyo: Petit Grand Publishing, Inc., 2001. First Edition. Large 8vo. Illustrated Boards in Jacket. Film Monograph. Fine/Fine. 112pp, profusely illustrated in color and b&w. Text in English and Japanese. Published only in Japan, this book is a journal of sorts chronicling the making of Edo Bertoglio and Glenn O'Brien's semi-documentary film "Downtown 81", which was twenty years later re-cut and retitled "New York Beat Movie". It stars the then nineteen year old painter/graffiti artist/poet/musician Jean-Michel Basquiat, and features original music by the notorious Vincent Gallo! Other East Village artists, New Wave and No Wave musicians, first-generation hip hop personalities, and scenesters that appear here include Eszter Balint, Victor Bockris, Clem Burke, Marshall Chess, Diego Cortez, August Darnell, Jimmy Destri, DNA, Tav Falco, Fab Five Freddy, Vincent Gallo, Giorgio Gomelsky, Deborah Harry, Kid Creole, Arto Lindsay, John Lurie, Madonna, Maripol, David McDermott & Peter McGough, Ikue Mori, Cookie Mueller, Coati Mundi, Glenn O'Brien, Amos Poe, The Plastics, Lee Quinones, Walter Steding, Tuxedomoon, Chris Stein, Andy Warhol, and James White and the Blacks! A brand new, most handsome example of the uncommon 2008 Petit Grand first - and only - edition in the publisher's printed obi, as issued. 4-939102-22-X Inventory Number: 027159

(BASQUIAT, JEAN-MICHEL) (WARHOL, ANDY). Als, Hilton. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artists Monograph. Fine.. np (36pp), 24 color and 1 b&w illustration. Designed by Bruce Mau Design, Inc. This is the slender yet elegant catalogue produced in conjunction with a 2002 Gagosian Gallery New York exhibition of twenty-four of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1984 and 1985. A most handsome example of this uncommon item. 1-880154-78-1 Inventory Number: 026264

(BEARD, PETER). Beard, Peter & Owen Edwards. Nejma Beard & David Fahey, Editors. Koln, GERMANY: Benedikt Taschen Verlag, 2006. First Edition Thus. Elephant Folio. 3/4 Leather over Boards, Boxed. Photography Monograph. As New/No Jacket - As Issued. 616pp, profusely illustrated in color and b&w. Text in English, German and French. Art Direction and Design by Ruth Ansel. One of the most lavish books published to date on the work of a single photographer, Benedikt Taschen's sumptuous, already out of print 2006 monograph on Peter Beard rivals Helmut Newton's "Sumo" in both scale and grandeur. "Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dali, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. Spilling out over the pages of this massive tome, Peter Beard's collages are reproduced as a group for the first time at the size they have always meant to be seen, some as foldouts. Hundreds of smaller-scale works and diaries fill the remaining spreads - magnified to show every detail, from Beard's meticulous handwriting and old-master-inspired drawings to stones and bones and bits of animals pasted to the page. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequaled intensity and color range". This elephant folio sized book is bound in half leather-over-boards, housed in a clamshell box, and is accompanied by a wooden viewing stand that is reminiscent of an African headrest. Its companion volume: "PB2" contains an image index with captions for all the pictures reproduced in the main book, personal photos and early work of the artist, an interview with the artist by Steven M. L. Aronson, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of "Blind Spot" magazine, an extensive bibliography, and an exhibition history. A brand new, most handsome example of a Taschen "Sample" copy meant for promotional display at the time of publication that was issued WITHOUT the sheet containing Peter Beard's signature along with the edition's number, and is rubber stamped "Sample" in black ink on the title page. Other than lacking the signature and numbering, it is identical to an editioned copy in every way and is still housed in the publisher's original printed shipping carton, as issued. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-8228-2606-5 Inventory Number: 026339

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #5/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of ten copies only meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in blue ink on a white substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 3/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 027337

(CONGRESS ON RACIAL EQUALITY). Rich, Marvin. New York: Congress on Racial Equality, 1965. Edition Not Stated - Presumed First. 4to. Brad-Bound Stiff Wrappers. Exhibition Checklist. Very Good.. np (16pp), no illustrations. This is the checklist cum catalogue for the 1965 exhibition and sale of works by nearly two hundred and fifty artists held at New York's Graham Gallery to benefit the Scholarship, Education, and Defense Fund of the noted Civil Rights organization, the Congress on Racial Equality. The primary committee chairs for the fifth installment of this annual event were Jack Tworkov, Lloyd Goodrich, Mrs. August Heckscher, and Mrs. Arthur Logan. Robert Rauschenberg is thanked for having created a color silkscreen print for the event, and virtually everyone who was every anyone of a liberal philanthropic bent in Manhattan is listed here as an organizer or patron. It begins with a explanatory text by executive director Marvin Rich followed by an eleven page unpriced checklist detailing the participating artists with a description of each work, and an eye-opening roster of supporters. Artists of color who contributed include Charles Alston, Romare Bearden, Felrath Hines, Jacob Lawrence, Joe Overstreet, Raymond Saunders, Thomas Sills, Bob Thompson, Jack(y) Whitten, and Walter Williams. The established artists include Milton Avery, Alexander Calder, Edwin Dickinson, Richard Diebenkorn, Helen Frankenthaler, Michael Goldberg, Philip Guston, Grace Hartigan, Hans Hofmann, Joan Mitchell, Alice Neel, Louise Nevelson, Isamu Noguchi, Fairfield Porter, Ad Reinhardt, Mark Rothko, Ben Shahn, David Smith, and Moses and Raphael Soyer, while the up and comers feature Arman, John Chamberlain, Jim Dine, Mark di Suvero, Leon Golub, Ron Gorchov, Red Grooms, Robert Indiana, Alex Katz, Roy Lichtenstein, Robert Mangold, Marisol, Claes Oldenburg, Rauschenberg, George Rickey, Larry Rivers, James Rosenquist, George Segal, Frank Stella, Tom Wesselmann, and Andy Warhol, who provided a 16 ½ x 20 "Blue Jackie" on canvas. A bright, most handsome example of this exceedingly uncommon - not a single copy is currently cited in OCLC WorldCat - item in brad-bound stiff printed wrappers documenting the fascinating intersection of the mid-sixties Civil Rights movement and the New York Art world with an invitation on letterhead to the May 4th 1965 "Broadway at the Gallery" showing laid in. Inventory Number: 027129

(FERUS GALLERY). McKenna, Kristine. Gottingen, GERMANY: Steidl, 2009. First Edition. 4to. Pictorial Boards. Art Monograph. Fine/No Jacket - As Issued. 320pp, profusely illustrated in color and b&w. Designed by Lorraine Wild with Lauren Harden, Annessa Braymer and Xiaoqing Wang, Green Dragon Office. With artists' biographies and a bibliography. This is Kristine McKenna's extraordinary new history of Ed Kienholz, Walter Hopps, and Irving Blum's visionary Ferus Gallery. Between 1957 and 1966 the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay De Feo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of the first Los Angeles exhibitions by Andy Warhol, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Kurt Schwitters. "The Ferus Gallery: A Place to Begin" recounts the gallery's history chronologically in transcribed interviews with the Ferus artists, wives and girlfriends, collectors, and other well-placed Los Angeles denizens; featuring hundreds of vintage images of the artists and friends, artworks, installation photographs, posters, and much more - including many published here for the first time. A brand new, most handsome example of the 2009 Steidl first - and only - edition of this exceedingly uncommon, incredibly vital document. 3-86521-610-2 Inventory Number: 026436

(FERUS GALLERY). Turnbull, Betty & Walter Hopps. Newport Beach, CA: Newport Harbor Art Museum, 1976. First Edition. 4to. Pictorial Wrappers. Exhibition Catalog. Very Good.. np, profusely illustrated in b&w. Designed by Jerry McMillan. With a complete Ferus Gallery chronology. In a protective clear acetate dustwrapper. This invaluable reference catalogue was produced in conjunction with a 1976 Newport Harbor Art Museum exhibition of sixty-two artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year run, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair,, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibone, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Joseph Cornell. The publication reproduces thirty-six of the gallery's highly sought-after announcement posters - many featuring photographs by Dennis Hopper - as well as vintage documentary and installation images. A handsome example of this exceedingly uncommon and important document. Inventory Number: 027190

(FERUS GALLERY). Turnbull, Betty & Walter Hopps. Newport Beach, CA: Newport Harbor Art Museum, 1976. First Edition. 4to. Pictorial Wrappers. Exhibition Catalog. Very Good -.. np, profusely illustrated in b&w. Designed by Jerry McMillan. With a complete Ferus Gallery chronology. In a protective clear acetate dustwrapper. This invaluable reference catalogue was produced in conjunction with a 1976 Newport Harbor Art Museum exhibition of sixty-two artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year run, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair,, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibone, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Joseph Cornell. The publication reproduces thirty-six of the gallery's highly sought-after announcement posters - many featuring photographs by Dennis Hopper - as well as vintage documentary and installation images. An otherwise tight, handsome example of this exceedingly uncommon item showing some mild foxing to the edges and extremities of the textblock. Inventory Number: 026617

(FERUS GALLERY). Varnedoe, Kirk. Interview with Irving Blum by Roberta Bernstein. New York: Gagosian Gallery, 2002. First Edition. 4to. 1/4 Cloth Over Boards. Exhibition Catalog. As New/No Jacket - As Issued. 146pp, profusely illustrated in color and b&w. Designed by Bruce Mau Design Inc. With a Ferus Gallery chronology. This invaluable reference catalogue was produced in conjunction with a 2002 Gagosian Gallery exhibition of forty-four artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year life, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, Kurt Schwitters, and Joseph Cornell. The publication reproduces sixty-six of the gallery's highly sought-after announcement posters as well as vintage documentary and installation photographs, including many by Dennis Hopper. A brand new, most handsome example of the uncommon 2002 first Gagosian printing that sold out during the show's run still in the publisher's shrinkwrap. 1-880154-74-9 Inventory Number: 026637

(FILM CULTURE) (WARHOL, ANDY). Malanga, Gerard & Jonas Mekas, Editors. New York: Film Culture, 1967. First Edition. 4to. Illustrated Wrappers. Film Journal. Fine.. 64pp, profusely illustrated in monochrome. Designed by George Maciunas. In a protective clear acetate dustwrapper. This forty-fifth installment of '60s New York's preeminent avant-garde film quarterly is devoted primarily to Andy Warhol. Guest-edited by Gerard Malanga, it features contributions by or about Warhol, Malanga, Jonas Mekas, Jack Smith, Maria Montez, Gregory Battcock, Gregg Barrios, Sheldon Renan, The Kuchar Brothers, Jackson MacLow, and Factory Superstars galore. A remarkably bright, most handsome example of this uncommon, popishly designed item that is emblematic of the Warhol sixties. ISSN 0015-1211 Inventory Number: 026120

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of fifty-six of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Very Good. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! An internally most handsome example of the first edition limited to four thousand unnumbered copies showing two short closed tears near the spine of the dust jacket. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-942642-25-2 Inventory Number: 024194

(LACHAPELLE, DAVID). Nicolini, Renato & Max Montana. Rome, ITALY: Palazzo delle Esposizioni, 1999. First Edition. Oblong 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, 27 color illustrations + color cover. Text in English and Italian. This is the beautifully designed and printed catalogue published in conjunction with notorious American fashion/celebrity photographer David LaChapelle's 1999 one-man exhibition at Rome's Palazzo delle Esposizioni. All of the plates are reproduced against black borders, and the cast of characters here includes Madonna, Tori Amos, Milla Jovovich, Devon Aoki, Leonardo DiCaprio, Mark Wahlberg, Marilyn Manson, Shirley Manson, Alec Wek, Alexander McQueen, Joe Weider, Tricky, Ewan McGregor, Uma Thurman, Daniel Day-Lewis, Billy Corgan, Andy Warhol, and more. A most handsome copy. Inventory Number: 014545

(LICHTENSTEIN, ROY). Grunwald, Henry Anatole, Managing Editor. New York: Time Inc., 1966. First Edition. 4to. Stapled Illustrated Wrappers. Periodical. Very Good.. 96pp, profusely illustrated in b&w and color. This 1966 issue of "Time" features a special four page report entitled "The Story of Pop: What it is and How it Came to Be." It features photographs and editorial coverage of the likes of Andy Warhol, Roy Lichtenstein, Baby Jane Holzer, Adam West's Batman, Nico, and Edie Sedgwick, and is accompanied by a striking front cover artwork commissioned from Lichtenstein. A handsome example of this jaunty item showing a mailing label, mild scuffing, and light wear to the front cover. ISSN 0040-781X Inventory Number: 027317

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. 0-262-75282-4 Inventory Number: 026769

(OLDENBURG, CLAES). Oldenburg, Claes. Los Angeles: Margo Leavin Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 24 x 17 ½" sheet printed color offset recto only, 1 color illustration, machine-folded in fourths, as issued. This is the striking poster produced for the 1991 exibition of "20th Century Collage" organized by Los Angeles' Margo Leavin Gallery. The show featured ninety-one significant practitioner of the medium - from Kurt Schwitters to Edward Ruscha and Joseph Cornell to Richard Prince - and subsequently traveled to the Centro Cultural Arte Contemporaneo, Mexico City, and the Musée d'Art Moderne et d'Art Contemporain, Nice, France. The image reproduced is Claes Oldenburg's 1961 ink and newspaper collage on paper entitled "Street Figure (Using Movie Section, with Manhole)". A brand new, most handsome example of this uncommon item folded for mailing, as issued. Inventory Number: 026192

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1987. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good./OUT OF PRINT. ca. 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable copy of the twelfth issue of this influential Swiss visual arts quarterly largely devoted to Andy Warhol showing a bit of unobtrusive bubbling to the laminate of the rear cover along with mild rippling to the bottom edge of the last few pages of the textblock due to contact with moisture. It has been priced accordingly. 3-907509-62-5 Inventory Number: 018728

(SMITH, JACK). Jordan, Mary, Director. New York: Arthouse Films, 2007. Edition Not Stated - Presumed First. 8vo. NTSC DVD in Plastic Case. Documentary Film. As New/No Jacket - As Issued. 95 minutes + extras, in color. "Perhaps America's most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer, and the 'William Blake of film'. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini, and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith's rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith's vaulted archives. Commentaries from art luminaries, critics and Smith's friends and enemies such as George Kuchar, Ken Jacobs, Tony Conrad, Sylvere Lotringer, Judith Malina, Jonas Mekas, Mario Montez, Ronald Tavel, John Waters, John Zorn, Agosto Machado, Andrew Sarris, Ari Roussimoff, Billy Name, Ela Troyano, Gary Indiana, George Kuchar, Helen Gee, Henry Hills, Maria Montez, Andrew Sarris, Holly Woodlawn, Ira Cohen, Ivan Galietti, Jerry Tartaglia, John Matturri, John Vaccaro, Lawrence Rinder, Mary Woronov, Mike Kelley, Nayland Blake, Nick Zedd, Richard Foreman, Robert Heide, Robert Wilson, Taylor Mead, Tommy Lanigan-Schmidt, Uzi Parnes, and William Niederkorn intercut Smith himself proffering condemnations of capitalism, critics, and institutional-art "gatekeepers". Jordan also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas and actors in his own work (including Smith's "Superstars" concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America's most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism, and meaning in contemporary art. Since his 1989 death, Smith's work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York's ultimate anti-hero and the original King of the Underground". A brand new, pristine unplayed example of this DVD in letterbox format still in the manufacturer's shrinkwrapped plastic case. Inventory Number: 018984

(SQUAT THEATRE). Buchmuller Eva & Anna Koos. Introductions by Alisa Solomon & Andras Halasz. New York: Artists Space, 1996. First Edition. 8vo. Pictorial Wrappers. Exhibition Catalog. Fine.. 232pp, profusely illustrated in b&w. Designed by Eva Buchmuller and Anna Koos. In a protective clear acetate dustwrapper. This is the informative catalogue of the 1996 exhibition held at New York's Artists Space documenting Squat Theatre - the dissident artist-run Hungarian experimental theater company founded in Budapest that subsequently moved to New York, where the members - Stephan Balint, Eszter Balint, Peter Berg, Eva Buchmuller, Marianne Kollar, Peter Halasz, Galus Halasz, Anna Koos, Boris Major, Rebecca Major - lived and worked from 1977 until 1984. The troupe staged performances based on works by Andy Warhol, Antonin Artaud, Anton Chekov, Fyodor Dostoyevsky, and others in their storefront window at 256 West 23rd Street - utilizing the street as a backdrop - which became their trademark. A most handsome example of this exceedingly uncommon document compiled and designed by Buchmuller and Koos from the company's own archives. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-9636372-2-3 Inventory Number: 024378

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1996. First Edition 1/2500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good -/No Jacket - As Issued. Individual illustrated sheets laid into an embossed gold paper-over-boards portfolio, profusely illustrated in monochrome and duotone. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of two thousand, five hundred copies, this is the seventeenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "For some time we had imagined a gilded issue-heavily embellished, incredibly ornate. "Gold" gave us the perfect opportunity to go for baroque. The cover of the issue was hologrammed, embossed, and foil stamped, all on an already solid-gold background. Up until this point, it was one of the most extravagant and delirious issues we had ever created. There were seven pages of Philip Taaffe's gold stars foil stamped onto vellum, which ran an average of a dollar per page - a slight extravagance considering we had at least another fifty pages to fill. Inez van Lamsweerde and Vinoodh Matadin's fashion photographs featured gold-foil stamping on top of four-color prints - crazy in theory but even more so in practice, when sometimes the only foil-stamped element was the stud earring in the model's ear! Cecilia tracked down OrigamiUSA, who folded a gold-paper goldfish for each issue, and Todd Oldham contributed actual gilded-metal halos. Such frivolities came thanks to this issue's sponsor, the Japanese department store Beams". A handsome unnumbered hors commerce example of this uncommon issue marked "Display Copy" by the publisher showing a small scrape and a torn corner joint to the gold portfolio along with some light overall wear and handling to the box and contents. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 018295

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Near Fine.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Virginia / Andy Warhol" in blue ink above the portrait of Warhol on page five to the wife of noted late Los Angeles assemblage artist Gordon Wagner showing some mild rubbing to the covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020852

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Gordon Wagner / Andy Warhol" in blue ink above the portrait of Warhol on page five to the noted late Los Angeles assemblage artist showing some light overall wear and rubbing to the covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020851

(WARHOL, ANDY). Crone, Rainer F. & Wouter D. Wirth. New York: L&M Arts, 2011. First Edition. 4to. Printed Boards. Artist Monograph. Fine/No Jacket - As Issued. 72pp, 29 color and 11 b&w illustrations. Designed by McCall Associates. With an exhibition checklist. This is the elegantly designed, thoroughly researched hardbound catalogue produced in conjunction with a posthumous 2011 New York gallery exhibition of twenty variations of Andy Warhol's "Colored Campbell's Soup Cans" paintings on canvas executed during 1965. A most handsome copy. 0-9790942-7-5 Inventory Number: 022122

(WARHOL, ANDY). Fremont, Vincent. Los Angeles: Honor Fraser, 2010. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (72pp), 30 color illustrations. Designed by Brian Roettinger. With an exhibition checklist. This is the elegantly designed catalogue produced in conjunction with a posthumous 2010 Los Angeles gallery exhibition of thirty variations of Andy Warhol's abstract "Camouflage Paintings" on canvas, board and paper produced between 1986 and 1987. A brand new, most handsome example. Inventory Number: 026767

(WARHOL, ANDY). Fremont, Vincent, Peter Brant, Eric C. Shiner & Jane Holzer. New York & Los Angeles: L&M Arts, 2011. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (8pp), 16 color illustrations + color covers. With a partial exhibition checklist. This is the elegantly designed brochure cum catalogue published in conjunction with L&M Arts' exhibition of over one hundred Andy Warhol works on paper executed between 1950 and 1986 at Art Basel Miami 2011. A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 022494

(WARHOL, ANDY). Gagosian Gallery. New York: Gagosian Gallery, 1998. First Edition. Oblong Elephant Folio. Printed Fabric. Exhibition Poster. Fine.. One 21 x 21 ½" piece of camouflage fabric silkscreened with white text recto only, machine folded in sixths. This is the camouflage fabric exhibition poster issued in conjunction with a 1998 Gagosian New York gallery exhibition of fifty-eight variations of Andy Warhol's abstract "Camouflage Paintings" produced during 1986. A brand new, most handsome example of this uncommon item. Inventory Number: 027126

(WARHOL, ANDY). Gagosian Gallery. New York & London. 1986-2016.: Gagosian Gallery. First Editions. 4to + 8vo + Folio. Printed Paper. Exhibition Announcements. Near Fine or Better.. Seventeen sheets of primarily thick cardstock printed in color offset, recto and verso. This is a collection of sixteen stylish announcement cards plus one poster produced for exhibitions of the work of Andy Warhol held at Gagosian Galleries in New York and London between 1986 and 2016. The group consists of "Oxidation Paintings: 1978 ('86)", "Shadow Paintings ('89)", "Rorschach Paintings ('96)", "$ ('97)", "Diamond Dust Shoes ('99)", "Diamond Dust Shadow Paintings ('00)", "Pop Art: The John And Kimiko Powers Collection ('01)", "B&W Paintings: Ads And Illustrations (London '02)", "B&W Paintings: Ads And Illustrations (New York '02)", "Piss & Sex Paintings And Drawings ('02)", "Jeff Koons / Andy Warhol: Flowers ('02)", "Early Hand-Painted Works ('05)", "Cast A Cold Eye: The Late Work ('06)", "Andy Warhol: From The Sonnabend Collection - large poster folded in mailing envelope, as issued ('09)", "Warhol: Liz ('11)", "Warhol: Bardot ('11)", and "Warhol / Avedon ('16)." A brand new, most handsome group of these uncommon ephemeral items. Inventory Number: 026801

(WARHOL, ANDY). Geldzahler, Henry. Bogota, COLOMBIA: Galeria Fernando Quintana, 1988. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 13 color and 1 b&w illustration. Text in Spanish. With a chronology and exhibition checklist. This is the slender twenty-four page catalogue published in conjunction with a 1988 exhibition of thirteen "Reversal Series" silkscreen on canvas paintings executed by Andy Warhol between 1979 and 1986 held at Bogota's Galeria Fernando Quintana. A most handsome example of this uncommon item. Inventory Number: 027174

(WARHOL, ANDY) (HIGH TIMES). Wyler, Susan, Editor. Farmingdale, NY: Trans-High Corporation, 1977. First Edition. Folio. Pictorial Tabloid Wrappers. Film Journal. Very Good.. 118pp, profusely illustrated in color and b&w. Cover photograph by Mike Tighe. This twenty-fourth first installment of "High Times" - the venerable long-lived magazine devoted to the joys of drug culture - from August 1977 features Andy Warhol on the cover with a giant bottle of Coca-Cola, and inside in a revealing, exclusive seven page interview with noted scribe, the late, great Glenn O' Brien that is accompanied by a portrait in the manner of the Pop Art master by none other than Pat Hackett. Additionally featured are articles and great vintage advertisements on Marijuana, additional drugs, drug paraphernalia, sex, drugs, rock 'n' roll, and more drugs. A handsome example of this quirky delight showing some light overall wear. ISSN 0362-630X Inventory Number: 027198

(WARHOL, ANDY). Krauss, Rosalind E.. New York: Gagosian Gallery, 1996. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Fine.. np (60pp), 31 color illustrations. Designed by The Grenfell Press. With an exhibition checklist. This is the compact, elegant catalogue produced in conjunction with a 1996 Gagosian Gallery New York exhibition of twenty-nine of Andy Warhol's abstract "Rorschach Paintings" produced circa 1979. A brand new, most handsome example of this uncommon item. 1-880154-09-9 Inventory Number: 026768

(WARHOL, ANDY) (NADAR). Baldwin, Gordon & Judith Keller. Los Angeles: The J. Paul Getty Museum, 1999. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. Fine.. One 7 5/8 x 18" sheet printed offset recto and verso, neatly folded in thirds as issued to make 6pp, 2 color and 2 duotone illustrations. This is the slender six page brochure produced to accompany the 1999 J. Paul Getty Museum Department of Photography exhibition entitled "Nadar Warhol: Paris New York". A brand new, most handsome example of this uncommon ephemeral item - NOT to be confused with the hardbound exhibition catalogue of the same title. Inventory Number: 017257

(WARHOL, ANDY) (NEIMAN, LEROY). Warhol, Andy & Leroy Neiman. Los Angeles: Los Angeles Institute of Contemporary Art, 1981. First Dutch Language Edition. Double Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 35 x 21 ¼" heavy paper sheet printed color offset, recto only, 1 color illustration. This is the striking poster published in conjunction with the highly publicized 1981 "LeRoy Neiman / Andy Warhol" exhibition held at the long-defunct Los Angeles Institute of Contemporary Art. A different poster was produced for each of the two artists with Warhol's featuring a colorful image of renowned jockey Willie Shoemaker. A brand new, most handsome example of the 1981 first - and only - edition of this exceedingly uncommon item acquired directly from LAICA additionally BOLDLY SIGNED "Andy Warhol" in black marker along the bottom margin. Inventory Number: 025959

(WARHOL, ANDY). Richardson, Brenda & Bob Colacello. New York: Gagosian Gallery, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 134pp, profusely illustrated in color (including several foldout plates). Designed by Kim Spurlock. With an exhibition checklist. This is the elegantly designed catalogue produced in conjunction with a 1998 New York gallery exhibition of fifty-eight variations of Andy Warhol's abstract "Camouflage Paintings" produced during 1986. A most handsome example of this uncommon item. 1-880154-26-9 Inventory Number: 026766

(WARHOL, ANDY). Stuckey, Charles. Foreword by Vincent Fremont. Afterword by John Richardson. New York: Gagosian Gallery & Rizzoli International Publications, 1992. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 144pp, profusely illustrated in color and b&w. Designed by Jose Conde. This is the substantial catalogue produced in conjunction with a 1992 Gagosian New York exhibition of over one hundred works on canvas and paper executed by Andy Warhol between 1984 and 1986. A brand new, most handsome example of this uncommon item. 0-8478-1620-6 Inventory Number: 027172

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco".  The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné," and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 printed prominently on the rear cover has led some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not. It is the first - and only vinyl issue - released in 1964. Inventory Number: 027217