Arcana:

(ASPEN MAGAZINE). Andy Warhol and David Dalton, Editor. New York: Roaring Fork Press, Inc., 1966. First Edition. 4to. Illustrated Portfolio. Periodical. Good + (But Incomplete)/No Jacket - As Issued. Various printed components laid into a printed cardboard portfolio, profusely illustrated in color and b&w. Designed by Andy Warhol and David Dalton. This third installment of "Aspen: The Magazine in a Box" from December 1966 was designed and edited by Andy Warhol and David Dalton. Subtitled "The Fab Issue," it is a tour de force survey of sixties American Pop Art, counterculture, and psychedelia. The varied contents include texts by Lou Reed, Bob Shelton, Bob Chamberlain and John G. Powers, a flexi-disc containing The Velvet Underground's notorious "Loop" on one side with the musical director from Timothy Leary's LSD "Religious Celebrations" Peter Walker's piece "White Wind - A Love Raga" on the other, the "Underground Movie Flip Book" with back-to-back and upside-down sequences from Jack Smith's "Buzzards Over Bagdad" and Andy Warhol's "Kiss," a set of twelve postcard reproductions of paintings from the collection of John and Kimiko Powers, the "first and only" edition of. the Warhol-inflected tabloid underground newspaper "Exploding Plastic Inevitable" along with the frequently missing Aspen Magazine subscription form and loosely inserted advertisements for Vanguard Records, Guild Musical Instruments, Paraphernalia boutiques, and the hip New York advertising firm of Fladell, Winston, Pennette, Inc. All of the interior contents present - nine of the eleven sections - are in at least Near Fine condition, however It is LACKING both Bob Chamberlain's "Homeward Bound" contribution and "The Berkeley Conference on LSD" Trips booklet. The fragile exterior box shows wear and rubbing, pronounced sunning along the foredge, and some foxing to the rear panel and the inside front cover. Still in all, it is a reasonably presentable-though-incomplete example of this iconic sixties design object with all of the Andy Warhol and Velvet Underground content still present. It has been priced accordingly. Inventory Number: 027559

(BASQUIAT, JEAN-MICHEL) (WARHOL, ANDY). Ikeda Gallery, Akira. Tokyo, JAPAN: Akira Ikeda Gallery, 1986. First Edition 1/1000. Oblong 4to. Printed Wrappers. Artists Monograph. Near Fine.. np (44pp), 17 color and 1 b&w illustration. Text in English and Japanese. With an exhibition checklist, Published only in Japan, this is the catalogue issued in conjunction with a1986 Tokyo gallery exhibitions of five of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1985 and 1986. A most handsome example of this uncommon item limited to one thousand unnumbered copies. Inventory Number: 027549

(BEARD, PETER). Beard, Peter & Owen Edwards. Nejma Beard & David Fahey, Editors. Koln, GERMANY: Benedikt Taschen Verlag, 2006. First Edition Thus. Elephant Folio. 3/4 Leather over Boards, Boxed. Photography Monograph. As New/No Jacket - As Issued. 616pp, profusely illustrated in color and b&w. Text in English, German and French. Art Direction and Design by Ruth Ansel. One of the most lavish books published to date on the work of a single photographer, Benedikt Taschen's sumptuous, already out of print 2006 monograph on Peter Beard rivals Helmut Newton's "Sumo" in both scale and grandeur. "Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dali, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. Spilling out over the pages of this massive tome, Peter Beard's collages are reproduced as a group for the first time at the size they have always meant to be seen, some as foldouts. Hundreds of smaller-scale works and diaries fill the remaining spreads - magnified to show every detail, from Beard's meticulous handwriting and old-master-inspired drawings to stones and bones and bits of animals pasted to the page. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequaled intensity and color range". This elephant folio sized book is bound in half leather-over-boards, housed in a clamshell box, and is accompanied by a wooden viewing stand that is reminiscent of an African headrest. Its companion volume: "PB2" contains an image index with captions for all the pictures reproduced in the main book, personal photos and early work of the artist, an interview with the artist by Steven M. L. Aronson, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of "Blind Spot" magazine, an extensive bibliography, and an exhibition history. A brand new, most handsome example of a Taschen "Sample" copy meant for promotional display at the time of publication that was issued WITHOUT the sheet containing Peter Beard's signature along with the edition's number, and is rubber stamped "Sample" in black ink on the title page. Other than lacking the signature and numbering, it is identical to an editioned copy in every way and is still housed in the publisher's original printed shipping carton, as issued. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 3-8228-2606-5 Inventory Number: 026339

(CONGRESS ON RACIAL EQUALITY). Rich, Marvin. New York: Congress on Racial Equality, 1965. Edition Not Stated - Presumed First. 4to. Brad-Bound Stiff Wrappers. Exhibition Checklist. Very Good.. np (16pp), no illustrations. This is the checklist cum catalogue for the 1965 exhibition and sale of works by nearly two hundred and fifty artists held at New York's Graham Gallery to benefit the Scholarship, Education, and Defense Fund of the noted Civil Rights organization, the Congress on Racial Equality. The primary committee chairs for the fifth installment of this annual event were Jack Tworkov, Lloyd Goodrich, Mrs. August Heckscher, and Mrs. Arthur Logan. Robert Rauschenberg is thanked for having created a color silkscreen print for the event, and virtually everyone who was every anyone of a liberal philanthropic bent in Manhattan is listed here as an organizer or patron. It begins with a explanatory text by executive director Marvin Rich followed by an eleven page unpriced checklist detailing the participating artists with a description of each work, and an eye-opening roster of supporters. Artists of color who contributed include Charles Alston, Romare Bearden, Felrath Hines, Jacob Lawrence, Joe Overstreet, Raymond Saunders, Thomas Sills, Bob Thompson, Jack(y) Whitten, and Walter Williams. The established artists include Milton Avery, Alexander Calder, Edwin Dickinson, Richard Diebenkorn, Helen Frankenthaler, Michael Goldberg, Philip Guston, Grace Hartigan, Hans Hofmann, Joan Mitchell, Alice Neel, Louise Nevelson, Isamu Noguchi, Fairfield Porter, Ad Reinhardt, Mark Rothko, Ben Shahn, David Smith, and Moses and Raphael Soyer, while the up and comers feature Arman, John Chamberlain, Jim Dine, Mark di Suvero, Leon Golub, Ron Gorchov, Red Grooms, Robert Indiana, Alex Katz, Roy Lichtenstein, Robert Mangold, Marisol, Claes Oldenburg, Rauschenberg, George Rickey, Larry Rivers, James Rosenquist, George Segal, Frank Stella, Tom Wesselmann, and Andy Warhol, who provided a 16 ½ x 20 "Blue Jackie" on canvas. A bright, most handsome example of this exceedingly uncommon - not a single copy is currently cited in OCLC WorldCat - item in brad-bound stiff printed wrappers documenting the fascinating intersection of the mid-sixties Civil Rights movement and the New York Art world with an invitation on letterhead to the May 4th 1965 "Broadway at the Gallery" showing laid in. Inventory Number: 027129

(CUTRONE, RONNIE). Brougher, Nora Halpern. Introduction by Martin S. Blinder. Van Nuys, CA: Martin Lawrence Limited Editions, 1990. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 48pp, 44 color and 11 monochrome illustrations. With an exhibition history and bibliography. This is the nicely appointed hardbound catalogue issued in conjunction with a 1990 Los Angeles gallery exhibition of forty-four recent watercolor and graphite works on paper by East Village art scene mainstay and former Warhol Factory assistant Ronnie Cutrone. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED "Ronnie Cutrone / 90" WITH A "WOODY WOODPECKER" DRAWING executed in black marker on the front free endpaper. 0-929460-02-2 Inventory Number: 027360

(FILM CULTURE) (WARHOL, ANDY). Malanga, Gerard & Jonas Mekas, Editors. New York: Film Culture, 1967. First Edition. 4to. Illustrated Wrappers. Film Journal. Fine.. 64pp, profusely illustrated in monochrome. Designed by George Maciunas. In a protective clear acetate dustwrapper. This forty-fifth installment of '60s New York's preeminent avant-garde film quarterly is devoted primarily to Andy Warhol. Guest-edited by Gerard Malanga, it features contributions by or about Warhol, Malanga, Jonas Mekas, Jack Smith, Maria Montez, Gregory Battcock, Gregg Barrios, Sheldon Renan, The Kuchar Brothers, Jackson MacLow, and Factory Superstars galore. A remarkably bright, most handsome example of this uncommon, popishly designed item that is emblematic of the Warhol sixties. ISSN 0015-1211 Inventory Number: 026120

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of sixty-two of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Laszlo Moholy-Nagy, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", The Art of The Daguerreotype", "Capturing Time: A Celebration of Photography:, "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Strange Days: Photographs From The Sixties by Winogrand, Eggleston, and Arbus:", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(KROLL, ERIC). Kroll, Eric. Paris, FRANCE: Timeless Edition, I00220816, 2022. First Edition 1/750 Copies. 7 x 9 inches, 484 Pages. Hardcover. Photography Monograph. New/No Jacket - As Issued.

Eric Kroll is a name familiar to anyone with even the vaguest interest in contemporary photography. His first book, Sex Objects: An American Documentary, from 1977 has attained cult-like status. He has gone on to publish several high-profile, best-selling books with houses like Taschen, and his work has been featured in countless magazines over the years.

His brand new publication, The New York Years 1971 To 1994 from Timeless Edition in Paris  showcases a side of his work that until now has not been widely publicized. In the late 1970s and early 1980s Eric found himself at the very heart of a cultural eruption in NYC. With his camera ever at the ready he documented the work and private pursuits of cultural movers and shakers from the Rolling Stones to The Dead Boys, Blondie, Warhol, Basquiat, and Haring. Madonna, Kenneth Anger, Grace Jones, Robert Mapplethorpe, David Wojnarowicz, and too many regulars from the Max's Kansas City, Studio 54, and East Village Art Scene demimonde to name feature in this stunning collection of mostly never-before seen photos. From its sleazy underbelly to the highest-brow art galleries, Eric Kroll invites you to bygone Manhattan at the height of its decadence and cultural importance. The New York Years is a unique book, a journey, an experience!

Inventory Number: I00220715

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. 0-262-75282-4 Inventory Number: 026769

(OLDENBURG, CLAES). Oldenburg, Claes. Los Angeles: Margo Leavin Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 24 x 17 ½" sheet printed color offset recto only, 1 color illustration, machine-folded in fourths, as issued. This is the striking poster produced for the 1991 exibition of "20th Century Collage" organized by Los Angeles' Margo Leavin Gallery. The show featured ninety-one significant practitioner of the medium - from Kurt Schwitters to Edward Ruscha and Joseph Cornell to Richard Prince - and subsequently traveled to the Centro Cultural Arte Contemporaneo, Mexico City, and the Musée d'Art Moderne et d'Art Contemporain, Nice, France. The image reproduced is Claes Oldenburg's 1961 ink and newspaper collage on paper entitled "Street Figure (Using Movie Section, with Manhole)". A brand new, most handsome example of this uncommon item folded for mailing, as issued. Inventory Number: 026192

(SMITH, JACK). Jordan, Mary, Director. New York: Arthouse Films, 2007. Edition Not Stated - Presumed First. 8vo. NTSC DVD in Plastic Case. Documentary Film. As New/No Jacket - As Issued. 95 minutes + extras, in color. "Perhaps America's most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer, and the 'William Blake of film'. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini, and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith's rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith's vaulted archives. Commentaries from art luminaries, critics and Smith's friends and enemies such as George Kuchar, Ken Jacobs, Tony Conrad, Sylvere Lotringer, Judith Malina, Jonas Mekas, Mario Montez, Ronald Tavel, John Waters, John Zorn, Agosto Machado, Andrew Sarris, Ari Roussimoff, Billy Name, Ela Troyano, Gary Indiana, George Kuchar, Helen Gee, Henry Hills, Maria Montez, Andrew Sarris, Holly Woodlawn, Ira Cohen, Ivan Galietti, Jerry Tartaglia, John Matturri, John Vaccaro, Lawrence Rinder, Mary Woronov, Mike Kelley, Nayland Blake, Nick Zedd, Richard Foreman, Robert Heide, Robert Wilson, Taylor Mead, Tommy Lanigan-Schmidt, Uzi Parnes, and William Niederkorn intercut Smith himself proffering condemnations of capitalism, critics, and institutional-art "gatekeepers". Jordan also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas and actors in his own work (including Smith's "Superstars" concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America's most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism, and meaning in contemporary art. Since his 1989 death, Smith's work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York's ultimate anti-hero and the original King of the Underground". A brand new, pristine unplayed example of this DVD in letterbox format still in the manufacturer's shrinkwrapped plastic case. Inventory Number: 018984

(SQUAT THEATRE). Buchmuller Eva & Anna Koos. Introductions by Alisa Solomon & Andras Halasz. New York: Artists Space, 1996. First Edition. 8vo. Pictorial Wrappers. Exhibition Catalog. Fine.. 232pp, profusely illustrated in b&w. Designed by Eva Buchmuller and Anna Koos. In a protective clear acetate dustwrapper. This is the informative catalogue of the 1996 exhibition held at New York's Artists Space documenting Squat Theatre - the dissident artist-run Hungarian experimental theater company founded in Budapest that subsequently moved to New York, where the members - Stephan Balint, Eszter Balint, Peter Berg, Eva Buchmuller, Marianne Kollar, Peter Halasz, Galus Halasz, Anna Koos, Boris Major, Rebecca Major - lived and worked from 1977 until 1984. The troupe staged performances based on works by Andy Warhol, Antonin Artaud, Anton Chekov, Fyodor Dostoyevsky, and others in their storefront window at 256 West 23rd Street - utilizing the street as a backdrop - which became their trademark. A most handsome example of this exceedingly uncommon document compiled and designed by Buchmuller and Koos from the company's own archives. 0-9636372-2-3 Inventory Number: 024378

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1996. First Edition 1/2500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good -/No Jacket - As Issued. Individual illustrated sheets laid into an embossed gold paper-over-boards portfolio, profusely illustrated in monochrome and duotone. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of two thousand, five hundred copies, this is the seventeenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "For some time we had imagined a gilded issue-heavily embellished, incredibly ornate. "Gold" gave us the perfect opportunity to go for baroque. The cover of the issue was hologrammed, embossed, and foil stamped, all on an already solid-gold background. Up until this point, it was one of the most extravagant and delirious issues we had ever created. There were seven pages of Philip Taaffe's gold stars foil stamped onto vellum, which ran an average of a dollar per page - a slight extravagance considering we had at least another fifty pages to fill. Inez van Lamsweerde and Vinoodh Matadin's fashion photographs featured gold-foil stamping on top of four-color prints - crazy in theory but even more so in practice, when sometimes the only foil-stamped element was the stud earring in the model's ear! Cecilia tracked down OrigamiUSA, who folded a gold-paper goldfish for each issue, and Todd Oldham contributed actual gilded-metal halos. Such frivolities came thanks to this issue's sponsor, the Japanese department store Beams". A handsome unnumbered hors commerce example of this uncommon issue marked "Display Copy" by the publisher showing a small scrape and a torn corner joint to the gold portfolio along with some light overall wear and handling to the box and contents. It has been priced accordingly. Inventory Number: 018295

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Near Fine.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Virginia / Andy Warhol" in blue ink above the portrait of Warhol on page five to the wife of noted late Los Angeles assemblage artist Gordon Wagner showing some mild rubbing to the covers. Inventory Number: 020852

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Gordon Wagner / Andy Warhol" in blue ink above the portrait of Warhol on page five to the noted late Los Angeles assemblage artist showing some light overall wear and rubbing to the covers. Inventory Number: 020851

(WARHOL, ANDY). Feldman, Frayda, Jorg Schellman, Arthur C. Danto, Donna de Salvo & Claudia Defendi. New York & Munich, GERMANY: D.A.P. (Distributed Art Publishers) in Association with Ronald Feldman Fine Arts, Inc., Edition Schellman & The Andy Warhol Foundation for the Visual Arts, Inc., 2003. Fourth Edition. 4to. Cloth in Illustrated Jacket. Catalogue Raisonné. Fine/Near Fine. 384pp, 1,700 illustrations in color and b&w. With a chronology, exhibition history, bibliography, and concordance. First published in 1985, this the massive catalogue raisonné of the printed work of the late, Pop Art icon Andy Warhol. Included are all of the silkscreens, prints and lithographs through 1987 - including trial proofs and unpublished works - as well as Warhol's self-published, pre-Pop illustrated books. A most handsome example of the hardbound fourth revised and expanded edition that is still the most current state of this invaluable document. 1-891024-63-9 Inventory Number: 027632

(WARHOL, ANDY). Fremont, Vincent. Los Angeles: Honor Fraser, 2010. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (72pp), 30 color illustrations. Designed by Brian Roettinger. With an exhibition checklist. This is the elegantly designed catalogue produced in conjunction with a posthumous 2010 Los Angeles gallery exhibition of thirty variations of Andy Warhol's abstract "Camouflage Paintings" on canvas, board and paper produced between 1986 and 1987. A brand new, most handsome example. Inventory Number: 026767

(WARHOL, ANDY). Fremont, Vincent, Peter Brant, Eric C. Shiner & Jane Holzer. New York & Los Angeles: L&M Arts, 2011. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (8pp), 16 color illustrations + color covers. With a partial exhibition checklist. This is the elegantly designed brochure cum catalogue published in conjunction with L&M Arts' exhibition of over one hundred Andy Warhol works on paper executed between 1950 and 1986 at Art Basel Miami 2011. A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 022494

(WARHOL, ANDY). Gagosian Gallery. New York & London. 1986-2016.: Gagosian Gallery. First Editions. 4to + 8vo + Folio. Printed Paper. Exhibition Announcements. Near Fine or Better.. Seventeen sheets of primarily thick cardstock printed in color offset, recto and verso. This is a collection of sixteen stylish announcement cards plus one poster produced for exhibitions of the work of Andy Warhol held at Gagosian Galleries in New York and London between 1986 and 2016. The group consists of "Oxidation Paintings: 1978 ('86)", "Shadow Paintings ('89)", "Rorschach Paintings ('96)", "$ ('97)", "Diamond Dust Shoes ('99)", "Diamond Dust Shadow Paintings ('00)", "Pop Art: The John And Kimiko Powers Collection ('01)", "B&W Paintings: Ads And Illustrations (London '02)", "B&W Paintings: Ads And Illustrations (New York '02)", "Piss & Sex Paintings And Drawings ('02)", "Jeff Koons / Andy Warhol: Flowers ('02)", "Early Hand-Painted Works ('05)", "Cast A Cold Eye: The Late Work ('06)", "Andy Warhol: From The Sonnabend Collection - large poster folded in mailing envelope, as issued ('09)", "Warhol: Liz ('11)", "Warhol: Bardot ('11)", and "Warhol / Avedon ('16)." A brand new, most handsome group of these uncommon ephemeral items. Inventory Number: 026801

(WARHOL, ANDY). Geldzahler, Henry. Bogota, COLOMBIA: Galeria Fernando Quintana, 1988. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 13 color and 1 b&w illustration. Text in Spanish. With a chronology and exhibition checklist. This is the slender twenty-four page catalogue published in conjunction with a 1988 exhibition of thirteen "Reversal Series" silkscreen on canvas paintings executed by Andy Warhol between 1979 and 1986 held at Bogota's Galeria Fernando Quintana. A most handsome example of this uncommon item. Inventory Number: 027174

(WARHOL, ANDY) (NADAR). Baldwin, Gordon & Judith Keller. Los Angeles: The J. Paul Getty Museum, 1999. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. Fine.. One 7 5/8 x 18" sheet printed offset recto and verso, neatly folded in thirds as issued to make 6pp, 2 color and 2 duotone illustrations. This is the slender six page brochure produced to accompany the 1999 J. Paul Getty Museum Department of Photography exhibition entitled "Nadar Warhol: Paris New York". A brand new, most handsome example of this uncommon ephemeral item - NOT to be confused with the hardbound exhibition catalogue of the same title. Inventory Number: 017257

(WARHOL, ANDY) (NEIMAN, LEROY). Warhol, Andy & Leroy Neiman. Los Angeles: Los Angeles Institute of Contemporary Art, 1981. First Dutch Language Edition. Double Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 35 x 21 ¼" heavy paper sheet printed color offset, recto only, 1 color illustration. This is the striking poster published in conjunction with the highly publicized 1981 "LeRoy Neiman / Andy Warhol" exhibition held at the long-defunct Los Angeles Institute of Contemporary Art. A different poster was produced for each of the two artists with Warhol's featuring a colorful image of renowned jockey Willie Shoemaker. A brand new, most handsome example of the 1981 first - and only - edition of this exceedingly uncommon item acquired directly from LAICA additionally BOLDLY SIGNED "Andy Warhol" in black marker along the bottom margin. Inventory Number: 027454

(WARHOL, ANDY). Stuckey, Charles. Foreword by Vincent Fremont. Afterword by John Richardson. New York: Gagosian Gallery & Rizzoli International Publications, 1992. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 144pp, profusely illustrated in color and b&w. Designed by Jose Conde. This is the substantial catalogue produced in conjunction with a 1992 Gagosian New York exhibition of over one hundred works on canvas and paper executed by Andy Warhol between 1984 and 1986. A brand new, most handsome example of this uncommon item. 0-8478-1620-6 Inventory Number: 027172

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco".  The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné," and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 printed prominently on the rear cover has led some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not. It is the first - and only vinyl issue - released in 1964. Inventory Number: 027217

(WARHOL, ANDY). Warhol, Andy. Tucson, AZ: Tucson Jewish Community Center, 1967. First Edition. 4to. Printed Poster. Exhibition Poster. Near Fine.. One 14 x 10 ¼" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the poster published in conjunction with a November 5th, 1967 Andy Warhol lecture and film screening at the Tucson Jewish Community Center. Warhol was in Arizona as part of a college lecture tour two months prior to shooting what turned out to be his final independent film "Lonesome Cowboys" - which featured Factory Superstars Joe Dallesandro, Viva, Eric Emerson, Taylor Mead, Louis Waldon, and Tom Hompertz, To defray costs of the trip, the always-thrifty artist scheduled a paid college Film Department appearance at nearby Arizona State University. When a similar booking did not materialize at The University of Arizona, Warhol was contacted by Tucson's Cinema I Film Society at the JCC, and an event was hastily set up. To publicize the appearance, two different posters using Warhol's portrait were quickly pasted up, printed, and posted by the Film Society members around town. A most handsome example of this near-unique item - the larger of the two - acquired directly from a Society member additionally BOLDLY SIGNED "Andy Warhol" in red ink at the event across the face of the poster showing just a bit of light wear and age-toning to the white of the sheet. Inventory Number: 027495

(WARHOL, ANDY). Warhol, Andy. London: Cassell London / A Michael Dempsey Book, 1975. First British Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Julian Rothenstein with a photograph by David Bailey. "The Philosophy of Andy Warhol (A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated 1975 British first edition of this inspirational and aspirational tome additionally bearing a BOLDLY DRAWN CAMPBELL'S SPLIT PEA SOUP CAN DRAWING WITH A SIGNED AND DATED PRESENTATION "To Judy / Andy Warhol / London 1975" in the year of publication in black marker across the entire half title page. 0-86018-109-X Inventory Number: 027046

(WARHOL, ANDY). Warhol, Andy. Tokyo: Gendai Hanga Center, 1984. First Edition. Small 4to. Silver Gilt-Debossed Boards. Artist Monograph. As New/No Jacket - As Issued. 184pp, profusely illustrated in color and b&w. Text in Japanese. In a protective clear acetate dustwrapper. This is the elegantly designed and produced hardbound catalogue published in conjunction with an Andy Warhol retrospective exhibition held at Tokyo's Gendai Hanga Center. The show coincided with the renowned artist's 1983 visit to the Japanese printmakers to unveil his then newly-issued series of Chrysanthemum-themed silkscreen prints entitled "Kiku". The book includes a vibrant silkscreen image - unsigned as issued - also titled "Kiku" that was created especially for the publication bound in. A brand new, most handsome example of this exquisite, exceedingly uncommon object. Inventory Number: 025740

(WARHOL, ANDY). Warhol, Andy, Kasper Konig, Pontus Hulten & Olle Granath. Stockholm, SWEDEN & Boston, MA. 1968 (1970).: Moderna Museet & Boston Book and Art. Third Revised Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (circa 650pp), profusely illustrated in b&w. Text in English and Swedish. Designed by John Melin, Gosta Svensson and Stig Arbman. In a protective clear acetate dustwrapper. This is the innovatively designed catalogue published on the occasion of the Andy Warhol exhibition at Moderna Museet in Stockholm from February to March 1968. Printed entirely in black and white on newsprint, it features groovy art direction in service of hundreds of full page photographs of Warhol's artwork, film stills, and The Factory scene by Rudolph Burckhardt, Eric Pollitzer, John D. Schiff, Billy Name, and a young Stephen (Eric) Shore. A spectacularly tight and bright example of the third edition of this brilliant Pop Art gem (whose first printing is cited on pages 144-145 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") containing the additional photographs of Warhol and Factory entourage taken at the exhibition opening showing virtually no age-toning to its newsprint pages nor any of the typical wear, handling, and creasing associated with this title. This copy was acquired in the mid-eighties directly from the inventory of the exhibition's curator Pontus Hulten at the completion of his time as the first chief curator of Los Angeles' then-new Museum of Contemporary Art. LC 72-125937 Inventory Number: 027675

Alloway, Lawrence. Foreword by Thomas M. Messer. New York: The Solomon R. Guggenheim Museum, 1963. First Edition 1/3000. Tall 8vo. Stapled Decorative Wrappers. Exhibition Catalog. Very Good.. np (14pp), 6 b&w illustrations. With an exhibition checklist and bibliography. Designed by Herbert Matter. In a protective clear acetate dustwrapper. One of the very first American Museum surveys of Pop Art, the Guggenheim Museum's "Six Painters and The Object" was the predecessor to curator Lawrence Alloway's exhibition of West Coast artists held later that same year at the Los Angeles County Museum of Art entitled "Six More". His prescient selection of participants included Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, and Andy Warhol. A handsome example of this exceedingly uncommon, seminal document showing some mild wear and creasing to its rainbow-hued covers. Inventory Number: 027417

Cortes, Jose Miguel G.. San Sebastian, BASQUE: Koldo Mitxelena Kulturunea, 1997. First Edition. 4to. 1/4 Cloth Over Silk Boards. Exhibition Catalog. Fine./No Jacket - As Issued. 344pp, profusely illustrated in b&w. Text in Basque and Spanish, with an English summary. With a bibliography and filmography. This is the amazing catalogue produced in conjunction with a 1997 Spanish Museum exhibition whose English title translates as "The Veiled Face: Transvest[it]ism and Identity in Art". The premise of the show was to provide a comprehensive survey of Drag, Cross Dressing, Transvestitism, and the Transgendered as subject matter in contemporary art and film. The artists whose work is presented here are Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. A brand new, most handsome example. 84-7907-214-8 Inventory Number: 011658

Gagosian, Larry. Moscow: Gagosian Gallery, 2007. First Edition. 4to. Gilt-Debossed Boards. Exhibition Catalog. Fine/No Jacket - As Issued. 90pp, 40 color illustrations. Text in English and Russian. Designed by Dan Miller Design. With an exhibition checklist. This is the opulently appointed hardbound catalogue published in conjunction with the inaugural 2007 Gagosian Gallery exhibition held in Moscow. This show consisted of forty works by gallery stalwarts Cecily Brown, Glenn Brown, John Currin, Dexter Dalwood, Willem De Kooning, Tracey Emin, Tom Friedman, Douglas Gordon, Arshile Gorky, Damien Hirst, Jenny Saville, Ilya and Emilia Kabakov, Jeff Koons, Roy Lichtenstein, Sally Mann, Takashi Murakami, Marc Newson, Richard Phillips, Pablo Picasso, Richard Prince, Mark Rothko, Edward Ruscha, Richard Serra, Taryn Simon, Philip Taaffe, Cy Twombly, Piotr Uklanski, Francesco Vezzoli, Andy Warhol, and Christopher Wool. A brand new, most handsome example. 1-932598-55-3 Inventory Number: 020563

Mahsun, Carol Anne Runyon. Ann Arbor, MI: U.M.I. Research Press, 1987. First Edition. 8vo. Cloth in Illustrated Jacket. Fine/Near Fine. 152pp, 22 b&w illustrations. With a bibliography. Issued as the twenty-third installment of U.M.I. Research Press' "Studies in the Fine Arts: Criticism", this scholarly monograph presents an in-depth examination of the critical response to the Pop Art movement of the sixties, primarily within the context of its New York practitioners. The principal artists covered are Jim Dine, Marcel Duchamp, Robert Indiana, Jasper Johns, Allan Kaprow, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Tom Wesselmann, and of course, Andy Warhol, while the critics under discussion include Lawrence Alloway, Mario Amaya, Rainer Crone, Umberto Eco, Michael Fried, Henry Geldzahler, Clement Greenberg, Max Kozloff, Hilton Kramer, Lucy Lippard, Barbara Rose, Harold Rosenberg, Alan Solomon, and Susan Sontag. A most handsome example of the uncommon hardbound edition. 0-8357-1809-3 Inventory Number: 013000

Neri, Louise. New York: Gagosian Gallery, 2009. First Edition. 4to. Illustrated Boards. Exhibition Catalog. As New/No Jacket - As Issued. 72pp, profusely illustrated in color and b&w. Designed by Dan Miller Design. With an exhibition checklist. This is the hardbound catalogue issued in conjunction with the summer 2009 Gagosian Gallery New York exhibition of figurative works by Richard Artschwager, Marcel Duchamp, Richard Hamilton, Jeff Koons, Roy Lichtenstein, Robert Mapplethorpe, Laszlo Moholy-Nagy, Carlo Mollino, Eadweard Muybridge, Sigmar Polke, Richard Prince, Man Ray, Gerhard Richter, James Rosenquist, and Andy Warhol. A brand new, pristine example still in the publisher's shrinkwrap. 1-932598-96-0 Inventory Number: 018519

Washburne-Harris, Jessie & Donald Kennison, Editors. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Printed Self-Wrappers. Exhibition Catalog. Fine.. np (64pp), 23 color illustrations. Designed by Bruce Mau Design Inc. With an exhibition checklist and bibliographies. This is the sleek catalogue published to document the 2002 group exhibition of twenty-two blue chip works by Jean-Michel Basquiat, Marcel Duchamp, Robert Gober, Damien Hirst, Jasper Johns (4), Donald Judd, Yves Klein, Franz Kline, Jeff Koons, Barnett Newman, Pablo Picasso (2), Robert Ryman, Jenny Saville, Richard Serra, Cy Twombly, Andy Warhol (2), and Rachel Whiteread entitled "The Physical World" held at New York's Gagosian Gallery. From the gallery's press release: "While seemingly diverse, the works all display a particular correlation between object and ground whether achieved two dimensionally or with an actual object. An underlying current of sexuality and death runs through and connects the works in the exhibition". What else is left to be said? A most handsome example. 1-880154-76-5 Inventory Number: 015662