Arcana:

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(BLUNK, J.B.). Blunk, J.B., Lucy R. Lippard, Louise Allison Cort, Fariba Bogzaran, Mariah Nielson, Rita Lawrence, Alyssa Ballard & Rick Yoshimoto. Mariah Nielson & Abake, Editors. Inverness, CA: Blunk Books, 2020. First Edition. Small 4to. Pictorial Boards. Decorative Arts Monograph. As New/No Jacket - As Issued. 228pp, profusely illustrated in color and b&w. "Born in 1926 in Kansas, James Blain Blunk was a Northern California-based sculptor who worked primarily with wood and clay. Following a period of apprenticeship in Japan, Blunk settled near the Marin County town of Inverness, California, where he built his own studio, and developed a lifelong friendship with the painter Gordon Onslow Ford. This is the first publication to explore the entire oeuvre of JB Blunk, with previously unseen examples of his work in stone, clay, painting and jewelry. The design beautifully combines archival images of Blunk's work in situ and at his home and his studio, with color plates of newly photographed pieces. In an essay, Lucy R. Lippard discusses Blunk's reverence for ancient art and places, while Smithsonian Curator of Ceramics Louise Allison Cort details Blunk's formative years in Japan. Glenn Adamson, Senior Scholar at the Yale Center for British Art, contributes an essay that explores the essence of Blunk himself along with his artwork." A brand new, most handsome example of the quickly unavailable 2020 first edition of this vital document still in the publisher's shrinkwrap. 1-907908-55-2 Inventory Number: 027439

(BUICK). Hufstader, W.F. "William" & C.A. Chayne. Flint, MI. ND (1945): General Motors. First Edition. 12mo. Spiral Bound Wrappers. Automotive Manual. Near Fine./No Jacket - As Issued.. 114pp, profusely illustrated in duotone and b&w + color cover. In a protective clear acetate jacket. Produced in-house by the General Motors Corporation for its Buick Motor Division salesmen, this is the very stylishly designed guidebook covering all of the nuances and specs for the automobile manufacturer's production vehicles for the 1946 model year. As the back cover states, "When Better Automobiles Are Built, Buick Will Build Them." A bright, most handsome example with a completely intact and unbroken spine of this uncommon item that was produced hors commerce, and never made commercially for sale. Inventory Number: 027119

(BUICK). Hufstader, W.F. "William" & C.A. Chayne. Flint, MI. ND (1941): General Motors. First Edition. 12mo. Spiral Bound Wrappers. Automotive Manual. Near Fine./No Jacket - As Issued.. 126pp, profusely illustrated in duotone and b&w + color cover. In a protective clear acetate jacket. Produced in-house by the General Motors Corporation for its Buick Motor Division salesmen, this is the very stylishly designed guidebook covering all of the nuances and specs for the automobile manufacturer's production vehicles for the 1942 model year. As the back cover states, "When Better Automobiles Are Built, Buick Will Build Them." A bright, most handsome example of this uncommon item with a completely intact and unbroken spine and the paint color samples still bound in that was produced hors commerce, and never made commercially for sale. Inventory Number: 027118

(CHILDS RESTAURANT). Pruitt & Brown Architects. New York: Pruitt & Brown Architects, 1930. First Editions. Folio. Gilt-Stamped Buckram. Architecture Monographs. Near Fine/No Jackets - As Issued. 36pp + 48pp + 72pp, each profusely illustrated with original 7 ¼ x 9 ½" photographs and contemporary publication clippings. In protective clear acetate dustwrappers. This is a group of three unique, lavishly hand-assembled 14 x 12 ½" project documentation books produced in 1930 by Pruitt & Brown Architects to showcase their design work for recently opened showpieces for the Childs Restaurant chain. Founded in New York in the 1880s, Childs became one of the first national dining chains, with over one hundred venues at its height. The firm's ownership changed hands just as the US slipped into the Great Depression, and Childs optimistically opened a series of elegant Manhattan dining establishments each differentiated by a distinct architectural theme presented as if one were stepping onto a glamorous Hollywood back lot set. These hefty volumes have been produced in the manner of a scrapbook with original sepia-toned silver gelatin photographs by the Peyser & Patzig firm affixed to thick linen-hinged pages throughout liberally supplemented by menus, correspondence, and newspaper, magazine, and press coverage of the projects. The first is devoted to the Childs Restaurant at 425 Lexington Avenue which was a jaw-dropping showpiece of Art Deco elegance. The second covers Childs "Old England" at 9 East 40th Street, which presented a Robin Hood-like décor. The third - and most comprehensive of these books - details William Child's "Old Algiers" at 102nd Street and Broadway, which simulated an exotic night at the Kasbah. The three are bound in differing hues of buckram over boards with still-bright gilt-stamped titles on their front covers and spines. Each is internally in Fine condition, and bears a typed label on the inside front board noting that the volume was issued by the Pruitt & Brown Architects office at 342 Madison Avenue for use at the firm's Charlottesville, VA office. The exteriors show varying degrees of wear, rubbing, and some light discoloration, but are still sound and in no way detract from the remarkable contents. These are stunning, near-unique documents of another time, place, and dining experience that must be seen in hand to be fully appreciated. Inventory Number: 026957

(GALERIE HALF). Smith, Cameron. Introduction by Rosa Park. Foreword by Kathe Clements and Tommy Clements. Photography by Shade Degges. Paris, France: Flammarion, I00240217. 2023. First Edition. 12 1/2 x 9 1/2", 4to. Cloth with Pasterdown. Design Monograph. New/No Jacket - As Issued. 342pp, profusely illustrated in color and b&w. Text in English. "A favorite purveyor to the Los Angeles design cognoscenti, Galerie Half is imbued with a sense of timeless imperfection. Pieces from disparate design traditions converge seamlessly in a single room: a bleached Gustavian daybed is flanked by a Roman statue, a Venetian mirror reflects African masks, and a rustic farmhouse table is framed by caned chairs. Galerie Half is talented at constructing such diverse compositions. A vivid hue can create synchronicity between the timeworn patina of a glazed terracotta planter and the softened leather of an Advocat and Press chair by Le Corbusier–Pierre Jeanneret. A monochromatic palette of contrasting textures can ground a room, creating harmony between luxurious and humble materials, or signed and anonymous designs. Similarly, complementary shapes can provide balance—the horizontal stripes on a Finnish floor lamp echo those in Marcel Breuer’s 1932 armchair, and the seductive curve of Carlo Mollino’s Suora lamp mimics that of Rick Owens’s marble stool. The genius of Galerie Half and the celebrity homes that they have appointed lies in this artful curation of individual elements with soul.". A brand new, most handsome example of this exquisite document photographed by Shade Degges that does poetic justice to the refined aesthetic bent of one of Los Angeles' treasures. 978-2-08-042724-3 Inventory Number: I000240217

(GEHRY, FRANK O.). Gehry, Frank, Rosemarie Haag Bletter, Coosje Van Bruggen, Mildred Friedman, Joseph Giovannini, Thomas S. Hines & Pilar Viladas. Foreword by Henry N. Cobb. New York & Minneapolis, MN: Rizzoli International Publications & The Walker Art Center, 1986. First Edition. 4to. Cloth in Pictorial Dust Jacket. Architecture Monograph. Fine/Fine. 216pp, profusely illustrated in color and b&w. Designed by Lorraine Ferguson. This is the nicely appointed catalogue published in conjunction with the Walker Art Museum's substantial 1986 survey exhibition of the work of internationally famed architect Frank Gehry. A bright, most handsome example of the first hardbound edition additionally bearing the BOLDLY SIGNED PRESENTATION "To Frank Pierson / F O Gehry" in black ink on the half title page. The late Mr. Pierson was a renowned Academy Award-winning screenwriter of "Dog Day Afternoon (along with the Academy-nominated "Cat Ballou" and "Cool Hand Luke"), director, and President of both the Writers Guild of America and the Academy of Motion Picture Arts and Sciences. 0-8478-0741-X Inventory Number: 025788

(GRAPUS) (LOEWY, RAYMOND). Grapus. Paris: Galerie Impressions 1900-1950, 1987. Edition Not Stated - Presumed First. Elephant Folio. Screenprinted Poster. Exhibition Poster. Near Fine.. One 40 x 28 ¼" heavy paper sheet screenprinted in colors, recto only. Designed by Grapus. This is the iconic poster created by Grapus for a 1987 exhibition held at Paris' Galerie Impressions 1900-1950 devoted to the work of the legendary American modernist designer Raymond Loewy. Its vibrant pink and black design incorporates illustration along with collaged photographic images of Loewy and his Studebaker Avanti, and both typeset (RAYMOND LOEWY GENIUS / GALERIE IMPRESSIONS 1900-1950  43 RUE DE VERNEUL  PARIS 7  DU LUNDI AU SAMEDI  14H30/19H, and handwritten text (Raymond Loewy dessine la Studebaker / du 1er au 15 juin 1987) with fluorescent and metallic inks. A flat, handsome example of this uncommon and classic poster held in the Museum of Modern Art's permanent Design collection that was acquired directly from the gallery showing some light creasing along the edges. It will be shipped rolled in a poster tube. Inventory Number: 027285

(HASSINK, JACQUELINE). Hassink, Jacqueline, Henri Peretz & Raoul Bunschoten. Amsterdam, THE NETHERLANDS: Menno van de Koppel, 1996. First Edition 1/1000. 12mo. Gilt-Stamped Cloth. Artist's Book. Fine/No Jacket - As Issued. np, 22 b&w and 21 color illustrations. Text in English. Designed by Melle Hammer, Plus X. In a protective clear acetate dustwrapper. "The Table of Power" is Dutch photographer Jacqueline Hassink's gem-like 1996 artist's book cum interior design typology that like much of her work explores the balance of power conferred in private, public and social settings. It details the meeting rooms of the boards of directors of forty European companies such as British Petroleum, Ciba-Geigy, and Daimler Benz - twenty-one of which she was able to photograph - revealing the rarely-if-ever seen enclaves where corporate decisions that affect the social sphere are made in secret. A brand new, pristine example of the exceedingly uncommon first edition (cited on pages 278-279 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to one thousand copies NUMBERED (0775/1000) by rubber stamp on the front cover's gilt panel, as issued. 90-73926-14-7 Inventory Number: 024518

(HERMAN, ROGER). Connors, Matt & Roger Herman. Los Angeles: Self-Published, 2019. First Edition 1/250. 4to. Printed Wrappers. Artist Monograph. As New. 426pp, profusely illustrated in color. Designed by Ross McLain / Art Design Office. This is the massive, beautifully illustrated book documenting Roger Herman's polychrome ceramics. It features a brief text by artist Matt Connors, followed by hundreds and hundreds of color images of nearly two decades worth of the noted Los Angeles artist's striking pieces. A brand new, pristine example of this comprehensive monograph limited to two hundred and fifty copies SIGNED by the artist in pencil on the title page, as issued. 0-578-50456-1 Inventory Number: E000RHC

(HERMAN, ROGER). Connors, Matt & Roger Herman. Los Angeles: Self-Published, 2019. First Edition 1/250. 4to. Printed Wrappers. Artist Monograph. As New.. 426pp, profusely illustrated in color. Designed by Ross McLain / Art Design Office. This is the massive, beautifully illustrated book documenting Roger Herman's polychrome ceramics. It features a brief text by artist Matt Connors, followed by hundreds and hundreds of color images of nearly two decades worth of the noted Los Angeles artist's striking pieces. A brand new, pristine example of the 2019 first printing this comprehensive monograph limited to two hundred and fifty copies SIGNED by the artist in pencil on the title page, as issued. 0-578-50456-1 Inventory Number: 027677

(HERMAN, ROGER). Lowe, Nick & Roger Herman. Los Angeles: Self-Published, I00240518. 2024. First Edition 1/250. 11 x 9", 4to. Printed Wrappers. Artist Monograph. New.. 426pp, profusely illustrated in color. Designed by Ross McLain / Art Design Office. This is the massive, beautifully illustrated book documenting Roger Herman's most recent paintings and polychrome ceramics. It features a brief text by artist Nick Lowe, followed by hundreds and hundreds of color images of the past half decade's worth of the noted Los Angeles artist's striking pieces. A brand new example of this comprehensive monograph limited to two hundred and fifty copies SIGNED by the artist in pencil on the title page, as issued. 979-8-218-14795-2 Inventory Number: I00240518

(HIGGINS, FRANCES & MICHAEL). Johnson, Donald-Brian & Leslie Piña. Altglen, PA: Schiffer Publishing, Ltd., 2005. First Edition. 4to. Cloth in Dust Jacket. Decorative Arts Monograph. Fine/Fine. 240pp, 763 illustrations in color and b&w. "With its arresting mix of geometric and curved lines, and bold use of colors, Higgins glass transformed ordinary table and giftware, from chip bowls and cake stands to candleholders and cigarette boxes, into something vibrant and exciting. Useful as well as attractive, the designs of artists Frances and Michael Higgins harnessed vivid imagination to innate practicality. Newly discovered promotional photos, original designs, and advertising materials as well as extensive commentary by Frances Higgins and other Studio personnel highlight the informative, entertaining text, including a personal view of the creation of Higgins glass". One of the most beautiful, and well-designed of the Schiffer modernist decorative arts publications, this is an invaluable guide to more than five decades worth of the Higgins' lovely objects in glass, virtually none of which none of which appear in the authors' previous Higgins monograph - "Adventures in Glass". A brand new, most handsome example. 0-7643-0021-0 Inventory Number: 009860

(JOURNAL OF DECORATIVE AND PROPAGANDA ARTS, THE). Johnson, Pamela & John E. Bowlt, Editors. Miami Beach, FL: The Wolfson Foundation of Decorative and Propaganda Arts, Inc., 1987. First Edition. 8vo. Illustrated Wrappers. Periodical. Near Fine.. 179pp, profusely illustrated in color and b&w. The fifth issue of the Mitchell Wolfson Foundation's scholarly journal devoted to Modernism in the Arts and Popular Culture is a special "Russian Theme" installment that features the following contributions: "The Decorative Arts in Russian Architecture: 1900 - 1907" - William Brumfield, "Stage Design and the Ballets Russes" - John E. Bowlt, "Experiments in Book Design by Russian Artists" - Evgenii Kovtun, "A Public Art: Caricatures and Posters of Vladimir Lebedev" Nicoletta Misler, "The Psychology of Urban Design in the 1920s and 1930s" - Boris Brodsky, "Lamps and Architecture 1930 - 1950" - Abram Damsky, "Artificially Created Spaces: Projects and Realizations of the ARGO Group" - Francisco Infante, "The Solomenko Embroidery Workshops" - Wendy Salmond, "Constructive Fabrics and Dress Design" - Natalia Adaskina, and "The Soviet Garment Industry in the 1930s" - Tatiana Strizhenova. A handsome example showing a bit of light wear to the covers. Inventory Number: 021747

(LEVICK, MELBA). Woods, Douglas & Melba Levick. New York: Rizzoli International Publications, 2014. First Edition. Small Square 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. 240pp, profusely illustrated in color. "The masterpieces of small-house living featured here will serve as inspiration to those who struggle with the challenges presented by contemporary life in petite-size homes. "Dreaming Small" is a celebration of jewel-box homes, each marked by a sense of style that marries eclecticism, practicality, beauty, and livability. From quintessential bungalows and classic casas to Tudor fantasies, these delightful abodes are models of rich diversity and inspired living. In brilliant new photography, the book explores the possibilities that exist in these mostly unpublished gems by legendary architects Irving Gill, Richard Neutra, Rudolph Schindler, Craig Ellwood, and Paul R. Williams, among others. The houses, each under two thousand square feet, are examples of what is possible in the small home and offer the reader a colorful palette of ideas from which to artfully transform spaces into comfortable, contemporary living". A brand new, pristine example of the 2014 first printing of this charming survey of intimate Southern California interiors additionally BOLDLY SIGNED by author Douglas Woods and photographer Melba Levick in black ink on the title page. 0-8478-4231-2 Inventory Number: 023138

(MORGIN, KRISTEN). Morgin, Kristen & Marc Selwyn. Beverly Hills, CA: Marc Selwyn Fine Art, 2022. First Edition. 10 x 8 1/2'. Printed Boards with Illustrated Pastedown. Artist Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color. 978-0-578-33196-6

"Kristen Morgin lives and works in Los Angeles. Her work, which is formed with a mixture of clay, glue, cement and other media, comes from a ceramic background but goes far beyond traditional uses of the medium. Her sculptures have an affinity to the constructions of George Herms, Edward Kienholz, and Michael McMillen, but evoke relics of contemporary culture that may have been buried and unearthed at a later date. Toys, books, comics and other objects are rendered true to scale in unfired clay and recall the artist’s childhood. Corroding surfaces evoke mortality, decay and the passage of time. Eccentric narratives and playful juxtapositions come together to form new objects with unexpected connotations."

A brand new, pristine example of this newly published, elegantly designed comprehensive hardbound monograph featuring a lengthy transcribed interview with the artist by her gallerist, Marc Selwyn, that is additionally SIGNED BY THE ARTIST WITH A SMALL DRAWING AT THE REAR COLOPHON.

Inventory Number: E000KMPMTE

(NOLL, ALEXANDRE). Jean-Elie, Olivier & Pierre Passebon. Introduction by Odile Noll. Paris: Editions Du Regard, 1999. First Edition. 4to. Cloth in Pictorial Dust Jacket. Decorative Arts Monograph. Fine/Fine. 128pp, profusely illustrated in color and b&w. Text in French and English. Designed by Frederic Develeay. Photographs by Jacques Pepion. With a biography, bibliography and exhibition history. Published as part of the Editions Du Regard "Monograph" series, this beautifully illustrated book on Alexandre Noll is the most comprehensive reference to date on the iconoclastic late French sculptor and decorative artist. His organic forms, mostly hewn from single blocks of wood, look as fresh today as they did more than half a century ago when he was creating them. A brand new, most handsome example of this uncommon item. 2-84105-110-2 Inventory Number: 027379

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. 0-262-75283-2 Inventory Number: 023563

(PRICE, KEN). Mizuno Gallery & Kasmin Limited. Los Angeles & London. 1969 + 1970: Mizuno Gallery & Kasmin Limited. First Editions. 8vo. Printed Postcards. Exhibition Announcements. Very Good or Better.. np, 3 b&w illustrations. This is a group of three photographically illustrated postcard announcements published in conjunction with gallery exhibitions of the work of the late, great Kenneth Price. Two are from the artist's first post-Ferus Gallery one person shows held at London's Kasmin Limited Gallery in 1968, and Los Angeles' Mizuno Gallery in 1969; and the third appears to be a late sixties Holiday / New Year's card from the Riko Mizuno Gallery. The two Mizuno cards are contemporaneously addressed by hand from the gallery to the noted late Los Angeles Contemporary Art collectors Dr. Judd and Katherine Marmor. The Kasmin card came from their archive as well. A most handsome group of these exceedingly uncommon ephemeral items. Inventory Number: 027286

(QUEEN MARY, RMS). Cunard White Star Line. NP (New York?): Cunard White Star Line, 1937. First Edition. 4to. Illustrated Wrappers. Promotional Brochure. Good.. np (32pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This is a luxe April 1937 brochure designed for the American market to promote travel by sea between New York, Cherbourg and Southampton on the Cunard White Star Line's newly commissioned "Queen Mary." With an embossed gilded foil front cover trimmed with faux wood paneling, this highly visual piece is filled with color photography emphasizing the superliner's unparalleled modern conveniences, and the splendor of her Art Deco interiors and detailing by the likes of A.R. Thompson, George Ramon, Anna Zinkeisen, H. Davis Richter, and Dame Laura Knight. A presentable example of this uncommon item whose exterior shows creasing and some loss to the front cover's foil overlay, fabric tape repair along the length of the spine, and the gold adhesive label of "Howard H. Adams - The Film Industry's Travel Agent" affixed to the lower foredge corner The interior shows some light wear, rubbing, and soiling. All in all, this is a solid, internally handsome copy of an engaging souvenir of the dawn of the golden age of Transatlantic luxury liners. Inventory Number: 026941

(SEVRES PORCELAIN). Garnier, Edouard. New York: Charles Scribner's Sons, 1891. First American Edition 1/283 Deluxe. 4to. Printed Wrappers. Decorative Arts Monograph. Very Good -.. 32pp + np (8pp), ten printed paper portfolios each containing five 8 ½ x 11 ¾" individual heavy card sheets printed recto only by chromolithography, 250 color illustrations. With an index. This is the 1891 deluxe first American edition of Edouard Garnier's important illustrated survey of the soft porcelain of the Manufacture Nationale de Sèvres. Limited to two hundred and eighty-three numbered copies, this lavish publication consists of two descriptive text booklets accompanied by ten paper portfolios printed by letterpress each housing five beautiful loose chromolithographic plates - most including stunning gold metallic inks to reproduce the use of gilt in the original ceramic works. These reproduce a total of two hundred and fifty watercolour renderings of significant examples of the mark, including numerous pieces from collections belonging to European royalty and nobility. This example contains all fifty plates along with their individual caption sheets and the publisher's hand-numbered limitation sheet (#5/283). The plates and captions show tiny discreet ink numbers at their corners that in no way detract from the images themselves. Fourteen plates exhibit some insignificant to mild foxing to the versos, however due to the thickness of the paper stock on which they have been printed, only three show a minute trace of spotting on the recto. Several of the paper portfolios have very minor wear, age-patination and soiling; with three bearing some brief ink annotations. All in all this is a bright, most handsome, fully-collated copy of this exceedingly uncommon and lovely reference. Inventory Number: 021477

(TCHERNIKHOV, IAKOV aka YAKOV CHERNIKOV). Tchernikhov, Iakov Georgievich & Erikh Fedorovich Gollerbakh. Leningrad, RUSSIA: Leningradskogo ob-va arkhitektorov (Leningrad Society of Architects), 1931. First Edition 1/5150. 4to. Printed Boards. Architecture Monograph. Good -/No Jacket - As Issued. 214pp, profusely illustrated in black and white. Text in Cyrillic Russian. In a protective clear acetate dustwrapper. The is the second of the three visually striking books written and illustrated by the pioneering Russian modernist architect Iakov Tchernikhov - better known in the west as Yakov Chernikov - published in Leningrad between 1927 and 1933. It features an introduction to Constructivism by Erikh Fedorovich Gollerbakh, two hundred and seventy-eight graphic text illustrations accompanied by forty full page plates by the author printed by letterpress. An internally bright and sound example of the 1931 first edition of this standout of Russian Revolutionary illustrated bookmaking (cited as entry 928 on page 227 in Margit Rowell and Deborah Wye's "The Russian Avante-Garde Book", entry 126 on page 40 in Jean-Louis Cohen, David Woodruff, and Ljiljana Grubisic's "Russian Modernism: The Collections of the Getty Research Institute for the Arts", and entry 72 on page 20 in Peter Hellyer's "A Catalogue of Russian Avante-Garde Books 1912-1934") showing typical notable wear, rubbing, and chipping to its brittle green decorative boards along the edges and spine. This seminal work was originally acquired from the library of the noted Russian-born, Southern California-based architect Samuel Reisbord, and bears his owner's signature in black ink on the front pastedown. It has been priced accordingly. Inventory Number: 025575

(THRESHOLDS). Guaraldo, Anthony L., Matthew J. Simitis & Katherine Wheeler Borum, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 2000. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 100pp, profusely illustrated in b&w. The twenty-first issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Readings", and includes contributions by Katherine Wheeler Borum, Elizabeth Grossman, Garyfallia Katsavounidou, Martin Hogue, Stephanie Hammer, Helene Lipstadt, Hanna Hamplova, Jorge Otero-Pailos, Vittorio Gregotti, Douglas Cooper, Mark Jarzombek, Kim Dovey, Alex Haw, Omar Khan, Alfred B. Hwangbo, Zissis Kotionis, David Sledge, and John Fernandez. A handsome example. ISSN 1091-711X Inventory Number: 016450

(THRESHOLDS). Kroiz, Lauren, Patrick Haughey & Talia Dorsey, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 2003. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Fine.. 100pp, profusely illustrated in b&w and color. The twenty-seventh issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Exploration", and includes contributions by Lauren Kroiz, Helene Lipstadt, Heghnar Zeitlian Watenpaugh, Bradley McGilvary Pitts, Peter Galison and Jennifer Ferng, Thomas Beischer and Marion Lee, Jedediah Smith Ela, Raoul Bunschoten, Brigitte Desrochers, Chris Csikszentmihalyi, Prodromos Nikiforidis, Bernard Cuomo, Paraskevi Tarani, Martin Hogue, Lisa Hsieh, B. Alex Miller, and Neyran Turan. A most handsome example of this unavailable issue. ISSN 1091-711X Inventory Number: 016451

(THRESHOLDS). Miller, Andrew, Garyfallia Katsavounidou & James P. O'Brien, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1999. First Edition. Square 8vo. Illustrated Wrappers. Architecture Periodical. Fine.. 68pp, profusely illustrated in b&w and color. The eighteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Design And Money". It includes contributions by Ioanna Theocharopoulou, Keller Easterling, Sandy Isenstadt, Kazys Varnelis and Rocio Romero, Mark Jarzombek, Aslihan Demirtas, Christopher B. Leinberger and Robert Davis, Nina Chen, Eric J. Jenkins, and Garyfallia Katsavounidou. A brand new, most handsome example. ISSN 1091-711X Inventory Number: 024297

(THRESHOLDS). O'Brien, James P., Constance C. Lai & Greg Russell, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1998. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 70pp, profusely illustrated in b&w. The sixteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Speed Impact Change", and includes the contributions: Introduction - William J. Mitchell; Ghost Wards: The Flight of Capital from History - Mitchell Schwarzer; The Urban Exploratory Circus: Infrastructure for corporeality, connectedness and virtuosity - Rob Clocker; Computers in Architecture: Tools to Think With in the Process of Design - Megan Yakeley; Ground Zero; Conception and Production of the Architectural Artifact - Derek Fisher; Contingency and Flexibility in the Pontiac Building - Aron Vinegar; A Systems Approach to Conceptual Design: A Very Tall Building in Hong Kong - Wolfgang Ungerer; Transient Architecture: On the Making of the Live Room - Mark Bain; Perdix RCA Center: Competition for Nagoya Design Fair in Japan - Sung-Ho Kim; Reproduction in the Age of the Mechanical Work of Art - Kevin Fellingham; Architecture, History and the Embodiment of Speed - Lawrence Shapiro; Afterword (with a homage to Leo Marx) - Greg Russell. A handsome example of this unavailable issue. ISSN 1091-711X Inventory Number: 019021

(THRESHOLDS). O'Brien, James P., Garyfallia Katsavounidou & Jennifer Mack, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1999. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 100pp, profusely illustrated in b&w and color. The nineteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "The Invisible", and includes contributions by Stanford Anderson, Francesca Rogier, Alex Tzonis, Liane Lefaivre, Mary Otis Stevens, Alfredo Jaar, Zissis Kotionis, Diane Ghirardo, Mark Jarzombek, Garry Stevens, Edith Ackermann & Krsysztof Wodiczko, Garryfallia Katsavounidou, Kristin Little, Jill Magid, Steven Landau, Greg Russell, Pia Lindman, and Kevin Fellingham. A most handsome example. ISSN 1091-711X Inventory Number: 016448

(WEBER, KEM). Gebhard, David & Harriette Von Breton. Santa Barbara, CA. 1969 (1976).: The Art Galleries of the University of California, Santa Barbara.. Second Edition 1/750. Square 8vo. Illustrated Wrappers. Design Monograph. Near Fine.. 108pp, 113 illustrations in b&w. Designed by David Gebhard. With a biography and bibliography. In a protective clear acetate dustwrapper. This is the lovely catalogue published in conjunction with the first major retrospective of the work of the noted Southern California-based architect and industrial designer Kem Weber. Perhaps best known for his contributions to West Coast Art Deco, Weber designed sets for Paramount Studios, several lines of furniture - including his renowned "Airline" chair of 1935, many department stores, and Burbank's Walt Disney Studios in 1941. A bright, most handsome example of the second printing of this uncommon document limited to seven hundred and fifty unnumbered copies showing some light wear and rubbing to its foil wrappers. LC 74-623366 Inventory Number: 025842

(WEXLER, ALLAN). Betsky, Aaron. Introduction by Christopher Scoates & Debra Wilbur. Atlanta, GA: Atlanta College of Art Gallery & City Gallery at Chastain, 1999. First Edition. 8vo. Printed Self-Wrappers. Artist Monograph. As New.. 160pp, 57 color and 89 b&w illustrations. This is the comprehensive catalogue published in conjunction with a 1999 retrospective - the largest exhibition to date - devoted to Allan Wexler, whose challenging work blurs the boundaries of art, architecture, and interior design. A brand new, pristine example of this uncommon item still with the publisher's poster folded and laid in, as issued. 1-56466-070-2 Inventory Number: 024250

(WOOD, BEATRICE). Wood, Beatrice. Los Angeles: MGM Press, 1992. First Edition 1/99 Deluxe. 4to. Tied Illustrated Wrappers. Illustrated Book. Fine.. np (24pp), 12 hand colored and 1 b&w illustration + hand colored cover. "Touching Certain Things" is a girlish memoir authored and illustrated in 1992 by the late, great "Mama of the Dadas", Beatrice Wood. Primarily renown for her ceramic sculpture, lusterware vessels, and dalliance with Marcel Duchamp, this gossamer bit of erotica recounts a youthful Ms. Wood and actress pal Helen Freeman's trip to Europe to hear Jiddu Krishnamurti speak, and the amorous hijinks that ensued. From the deluxe edition of ninety-nine copies only, it contains twelve illustrations by the author, each of which (and the front cover as well) has been hand colored by her in pencil. A brand new, pristine example of this rarity that has been SIGNED, NUMBERED AND DATED by Beatrice Wood in black ink at the rear colophon, as issued. 0-9620574-5-2 Inventory Number: 017047

(WRIGHT, RUSSEL AND MARY). Golub, Jennifer. New York: Princeton Architectural Press, I00220427, 2021. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Design Monograph. As New/As New. 1-64896-019-7

208pp, profusely illustrated in color and b&w. Designed by Simon Johnston. "In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This lavish volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga."

A brand new, most handsome example of this charming new work additionally SIGNED by author Jennifer Golub.

Inventory Number: E00JGRMW

Casciani, Stefano, Giannino Malossi, Carlo Romano & Nigel Whiteley. Giannino Malossi, Editor. Milan, ITALY: Electa Editrice, 1990. First English Language Edition. Stout 8vo. Illustrated Boards in Slipcase. Exhibition Catalog. As New/No Jackets - As Issued. 210 + 158pp, profusely illustrated in color and b&w. Text in English. Designed by Italo Lupi. This is a totally amazing two volume publication documenting the new art, architecture, cinema, design, fashion, music and popular culture in Europe (with the primary focus on Britain) during the Swingin' Sixties! Issued in conjunction with a 1990 Italian exhibition, everyone who was anyone is here including The Mods, The Rockers, The Situationists, Richard Hamilton and The Independent Group, The Beatles, The Who, Allen Jones, Peter Blake, David Hockney, Roy Lichtenstein, Joe Colombo, Archigram, Stanley Kubrick, The Fool, Pierre Cardin, Ungaro, Paco Rabanne, Mary Quant, and many, many, more. A pristine, still shrinkwrapped set along with the exhibition commissioned documentary "The Sixties in Moving Images" on video cassette housed in the publisher's printed cardboard slipcase, as issued. 88-435-3269-3 Inventory Number: 023825

Cohen, Arthur A.. New York: Ex Libris, 1982. First Edition. 4to. Stapled Pictorial Wrappers. Bookseller's Catalogue. Fine.. np (30pp), 62 b&w illustrations. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender hord serie catalogue was devoted entirely to The Bauhaus and its impact - featuring one hundred and ninety fully described original photographs, weavings and textiles, drawings, books, periodicals, pamphlets, and printed ephemera related to the likes of Josef Albers, Herbert Bayer, Aenne Biermann, Walter Dexel, T. Lux Feininger, Walter Gropius, Joannes Itten, Paul Klee, El Lissitzky, Hannes Meyer, Ludwig Mies Van Der Rohe, Lucia Moholy, Laszlo Moholy-Nagy, Xanti Schawinsky, Oskar Schlemmer, Joost Schmidt, Thonet, Jan Tschichold, "Umbo" (Otto Umbehrer), Theo Van Doesburg, and many, many others. And while at the time of its publication the prices here seemed astronomical, some thirty-five odd years later they are finally downright bargains! A most handsome example this uncommon reference. Inventory Number: 025895

Cohen, Arthur A. & Trevor Winkfield. New York. ND (circa 1976).: Ex Libris. First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good.. np (152pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number three features nine hundred and eighty-five fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Guillaume Apollinaire, Architecture, Expressionism, Illustrated Books and Livres de Peintre, Alfred Jarry, Periodicals and Annuals, Photographs and Photogravures (including a large collection of plates from "Camera Work"), Photography and Film, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! A handsome example of this uncommon reference showing a bit of light sunning to the covers along with its title added discreetly in ink to the spine. Inventory Number: 015159

Cole, Herbert M. & Doran H. Ross. Los Angeles: Museum of Cultural History, University of California, 1977. First Edition. 4to. Pictorial Wrappers. Ethnographic Art Monograph. Fine.. 230pp, profusely illustrated in color and b&w. "The Arts of Ghana" is the vibrant, authoritative catalogue for a 1977 touring exhibition of Ghanaian Art curated by two of the preeminent scholars in the field; Herbert Cole and Doran Ross. The assembled pieces include domestic, utilitarian, cult, and state objects demonstrate the variety and complexity of the tribal arts of Ghana as well as the skills of the makers. A brand new, most handsome example of the paperbound edition of this still vital reference. LC-77-89769 Inventory Number: 024264

Drucker, Barbara & Michael Darling + Christiane Paul, Erkki Huhtamo & N. Katherine Hales. Los Angeles: The Regents of the University of California, Los Angeles, 2006. First Editions. 4to. Embossed Linen Over Boards. Exhibition Catalogs. Fine/No Jackets - As Issued.. 80 + 112 + 8pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Robert Ruehlman, Green Dragon Office + Simon Johnston. Published in conjunction with the opening of the Richard Meier & Partners-designed Eli and Edythe Broad Art Center on the campus of UCLA, these three volumes comprise a deluxe set issued hors commerce for dignitaries and contributors. For the first volume, "Sixteen Tons", curator Michael Darling selected work by John Baldessari, Jennifer Bolande, Chris Burden, Barbara Drucker, Roger Herman, Mary Kelly, Paul McCarthy, Catherine Opie, Hirsch Perlman, Lari Pittman, Charles Ray, Nancy Rubins, Adrian Saxe, Don Suggs, James Welling and Patty Wickman - the sixteen faculty artists that make up this elegant catalogue. Curated by Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, "Second Natures" features the work of UCLA Department of Design/Media Arts faculty members Rebecca Allen, Robert Israel, Rebeca Méndez, Vasa Mihich, Christian Moeller, C.E.B. Reas, Jennifer Steinkamp, and Victoria Vesna. Also included is a slender pamphlet noting the opening of the Center, the contributions of architect Richard Meier, and the installation of a monumental sculptural work by Richard Serra. A brand new, pristine set of the three volumes held together by the publisher's printed band, as issued. Inventory Number: 013028

Editions D'Art Charles Moreau. Paris. ND (Circa 1930).: Editions D'Art Charles Moreau. First Edition. Folio. 1/4 Cloth Over Boards. Good/No Jacket - As Issued. np (8pp) + 32 individual sepia-toned heliogravure plates laid in a portfolio. Text in French. This is one of several beautiful surveys of Art Deco era contemporary French sculptural decoration published by Editions D'Art Charles Moreau. Included are works by Georges Artemoff, A Bottiau et D. Gelin, Henri Bouchard, Jean Debarre, Ecole Boulle, Albert Guenot, Ecole Nationale Superieure Des Arts Decoratifs, Camille Garnier, Leon Jallot, Joel et Jan Martel, G. Miklos, Paul Poisson, and R. Pollin. The lovely gravure plates are complete and still bright showing only minor browning and the occasional slight chip at the extremities. The portfolio's decorative boards show some rubbing, chipping, bumping, and soiling but are still most presentable. The cloth ties of the portfolio are complete and still inserted, while the exterior cloth at the spine is heavily worn, torn, and frayed along the much of its length. All in all, this is a relatively well-preserved example of this handsome and desirable item from an important moment in modernist Decorative Art history. It has been priced accordingly. Inventory Number: 005327

Gusman, Pierre. Paris: Editions Albert Morance, 1924. First Edition. 4to. Loose Prints in a Portfolio. Fair. 16pp + 32 hand-colored plates. Text in French. With a bibliography. This lovely portfolio contains thirty-two renderings of the interiors and decorative wall paintings of classical Pompeian Villas. The text booklet and hand-colored plates by Pierre Gusman are complete, intact, and quite presentable. The exterior portfolio is lacking its cloth spine; its boards are moderately chipped, soiled, and browned with age, and both ribbon ties have torn off at the closures. It has been priced accordingly. Inventory Number: 005855

Swallow, Ricky. Alexis Kerin & Stuart Krimko, Editors. New York & Los Angeles: Rainoff & David Kordansky Gallery, 2013. First Edition 1/500. 4to. Printed Self-Wrappers. Exhibition Catalog. As New.. 88pp, profusely illustrated in color. Designed by Sinisa Mackovic and Robert Milne. With a fully illustrated exhibition checklist. "Grapevine~" documents an exhibition curated by artist Ricky Swallow at David Kordansky Gallery during the summer of 2013. It focuses on the work of five California-based artists who redefined the use of clay in contemporary art, and includes images of works created over a period of more than fifty years. Ceramic sculptures by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, and Peter Shire exemplify the ways in which the medium underwent dramatic changes after World War II. Also included are select works by other artists influential in this dialogue, such as Ken Price and Peter Voulkos. An essay by Swallow explores the movement's idiosyncrasies and cross-currents, as well as its influence on subsequent generations of artists." A brand new, bright white example of this exquisitely designed and printed labor of love limited to five hundred unnumbered copies additionally signed by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, Peter Shire, Peter Voulkos and curator Ricky Swallow at an after-hours publication party at Los Angeles' Mandrake Bar following the exhbition opening. 0-9806516-6-2 Inventory Number: 026582