Arcana:

(AITKEN, DOUG). Aitken, Doug, Joseph Akel, Daniel Birnbaum, Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon & Jorg Heiser. London, UK: MACK Books, I00221206. 2022. First Edition. Stout 4to. Debossed Cloth. Artist Monograph. New/No Jacket - As Issued. 608pp, profusely illustrated in color and b&w. 9781913620257

PLEASE NOTE: Mr. Aitken will be signing copies of "Works 1992-2022" at Arcana Saturday, December 10th between 4:00 and 6:00 PM. If you cannot attend and would like to order a signed copy to have shipped or to pick up at the shop, please purchase by selecting "Add To Cart" below. Orders will begin shipping Tuesday, December 13th.

"This comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works through to the present day. Aitken’s practice encompasses large-scale film installations such as Sleepwalkers (2007), site-specific sculptures including his Underwater Pavilions (2016) installed off the coast of Catalina Island, California, and peripatetic happenings like Station to Station (2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums. Works 1992-2022 features an introduction by Joseph Akel, an extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser."

Inventory Number: E000DAW1992

(ALDRIDGE, ALAN) (WARHOL, ANDY). Aldridge, Alan & Andy Warhol. London: Motif Editions, 1970. First Edition. Double Elephant Folio. Printed Poster. Film Poster. Near Fine.. One 30 x 20" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the iconic poster designed by the late, great British illustrator Alan Aldridge to promote the 1970 screening of "Chelsea Girls" at the Drury Lane Arts Laboratory. Filmed by Andy Warhol and Paul Morrissey from a treatment by Ronnie Tavel on location inside Manhattan's fabled Chelsea Hotel, the film received upon its 1966 release an X certificate from the British Board of Film Censors, meaning it was unable to be theatrically released in the UK. It took another three years before the full three and a half hour split-screen version of "Chelsea Girls" - featuring Factory Superstars Nico, Brigid Berlin, Ondine, Gerard Malanga, Eric Emerson, Mary Woronov, Mario Montez, Ingrid Superstar, and International Velvet - would receive a London premiere. A bright, most handsome flat example of the 1970 Motif Editions London first commercially-produced version of the poster showing the tiniest bit of creasing at the lower left corner along with some unobtrusive handling indentations that can be seen in raking light. Inventory Number: 026863

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(ASPEN MAGAZINE). MacLise, Angus & Hetty, Editors. New York: Roaring Fork Press, Inc., 1970. First Edition. 4to. Illustrated Portfolio. Periodical. Very Good.. np (twelve printed components laid into a printed paper portfolio. Edited by original Velvet Underground drummer and LaMonte Young cohort Angus MacLise and his wife Hetty, this ninth installment of "Aspen" magazine is titled "Dream Warrior". It includes contributions by or about Don Snyder, Ira Cohen and Bill Devore, Aymon De Sales, Dale Wilbourn, Benno Friedman, Diane Rochlin and Vali, Nikki Grand, Paolo Lionni, Harvey Cohen, John Cale, Gerard Malanga, P. Zimmer, Marian Zazeela, LaMonte Young, Terry Riley, Spontaneous Sound, The Joyous Lake, and Lionel Ziprin. An internally bright, complete example containing all thirteen sections (including the covers) of this uncommon item (cited on page 262 of Giorgio Maffei's "Records by Artists 1958-1990") whose decorative cardstock portfolio shows minor dents along with some attendant wear, creasing, and slight separation at the top and bottom of the spine. There is however none of the typical sunning to the vivid orange ink of the covers one typically sees associated with this title. Inventory Number: 027406

(AVALANCHE). Sharp, Willoughby, Publisher. Liza Bear, Editors. New York: Avalanche, 1972. First Edition. Small Square 4to. Stapled Pictorial Wrappers. Art Periodical. Near Fine.. 59pp + advertisements, profusely illustrated in b&w. Cover image - Yvonne Rainer by Gianfranco Gorgoni. This is the fifth installment of New York's premier Conceptual Art periodical of the seventies, "Avalanche". In addition to the "Rumbles" news section and advertisements for virtually every gallery on the planet showing Minimal and/or Conceptual work at the time, it contains transcribed interviews with Jannis Kounellis, Philip Glass, and Yvonne Rainer along with contributions by Braco Dimitrijevic, Joseph Beuys, and Keith Sonnier. A most handsome example of this uncommon item. Inventory Number: 026131

(AVALANCHE). Sharp, Willoughby, Publisher. Liza Bear, Editors. New York: Avalanche & Kineticism Press, 1972. First Edition. Small Square 4to. Stapled Pictorial Wrappers. Periodical. Near Fine.. 73pp + advertisements, profusely illustrated in b&w. Cover image - Lawrence Weiner by Doug Connor. This is the fourth installment of New York's premier Conceptual Art periodical of the seventies, "Avalanche". In addition to the "Rumbles" news section and advertisements for virtually every gallery on the planet showing Minimal and/or Conceptual work at the time, it contains transcribed interviews with artists Jackie Winsor, Howard Fried, and Lawrence Weiner as well as contributions by Sol LeWitt, Alice Aycock, Stanley Brouwn, Franz Erhard Walther, Hanne Darboven, Walter De Maria, and Weiner. A handsome example copy of this uncommon item. Inventory Number: 026130

(AVALANCHE). Sharp, Willoughby, Publisher. Liza Bear, Editors. New York: Avalanche & Kineticism Press, 1971. First Edition. Small Square 4to. Stapled Pictorial Wrappers. Periodical. Fine.. 99pp + advertisements, profusely illustrated in b&w. Cover image - Bruce Nauman by Gianfranco Gorgoni. This is the second installment of New York's premier Conceptual Art periodical of the seventies, "Avalanche". In addition to the "Rumbles" news section and advertisements for virtually every gallery on the planet showing Minimal and/or Conceptual work at the time, it contains transcribed interviews with artists Bruce Nauman, Vito Acconci, Dennis Oppenheim and Terry Fox, pieces on Yves Klein, Klaus Rinke, and 112 Greene Street, as well as contributions by John Van Saun, Bruce McLean, William Wegman, and Vito Acconci. A bright, most handsome example of this uncommon item. Inventory Number: 026128

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BARNEY, MATTHEW). Barney, Matthew, Neville Wakefield & Richard Flood. Karel Schampers, Editor. Rotterdam, THE NETHERLANDS & Ostfildern, GERMANY: Museum Boymans-van-Beuningen & Cantz Verlag, 1995. First Edition 1/2500. 8vo. Wrappers in Plastic Sleeve. Artist Monograph. Near Fine./No Jacket - As Issued.. 92pp, profusely illustrated in color and b&w. Text in English and Dutch. Designed by Matthew Barney and Gracia Lebbink. With an exhibition checklist, exhibition history and bibliography. This is the lovely catalogue documenting Matthew Barney's 1995 Museum Boymans-van Beuningen exhibition that presented elements of his "Cremaster" 1 and 4, "Facility of INCLINE", "OTTOshaft", "Facility of DECLINE", and "Drawing Restraint 7" series. It was designed by the artist and features several folding plates - perfect for that rowdy yet discerning Al Davis fan in your life. A handsome example in the publisher's printed transparent plastic wraparound band. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 90-6918-148-7 Inventory Number: 014223

(BASS, SAUL). Bass, Saul. NP (Los Angeles). ND (Circa 1960s): Saul Bass. Edition Not Stated - Presumed Firsts. Oblong 8vos. Printed Paper. Illustrated Greeting Cards. Fine.. Three folded paper greeting cards printed in colors on heavy paper stock recto only, 3 color illustrations. This is a group of three personal greeting cards designed by Saul Bass that were sent at the Holidays from the family - Ruth, Saul, Andy and Bobby - to a significant Los Angeles-based film creative for whose projects Saul Bass & Associates produced several iconic advertising posters. Each folds in half horizontally and incorporates the image of a dove. Opened fully, they measure 3 ½ x 12 ½", 6 ¼ x 14", and 5 ¼ x 15 ¾", and appear to date between the early sixties and early seventies. A bright, most handsome set of these three ephemeral hors commerce mementos from one of the titans of 20th Century graphic design. Inventory Number: 026460

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023062

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Inventory Number: 022011

(BLOOM, BARBARA). Bloom, Barbara. Los Angeles: Foundation for Art Resources, Inc. (FAR), 1981. First Edition. Printed Poster. Artist's Multiple. Very Good.. One 30 ½ x 21 ¾" poster printed color offset recto only, flat and unmailed. This is the limited edition poster/artwork produced as part of Barbara Bloom's 1981 piece entitled "The Diamond Lane" - a supposed feature-length film written and directed by the artist with music by Peter Gordon that starred Eric Fischl, Susan Davis, Marianne deGraaf, and Cees van Hoorn. There was however no full-length film, only a psychologically fraught five-minute "trailer" (produced with the assistance of a Dutch governmental grant) and a small print-run of one-sheet posters to be used for publicity purposes. In 1981, Los Angeles' conceptually-based Foundation for Art Resources, Inc. rented time in several local theatres to show the trailer amongst actual studio coming attractions while displaying the posters in their lobbies. The idea seemed to be that the anticipation created in a few random viewers would never be fulfilled, thus potentially spawning individual mythologies about the fictional movie based on the fragments they had observed in the theatre... Needless to say, if you blinked, you missed this one, and this poster designed by Ms. Bloom is the remaining documentation of the artwork/event. A most handsome, still flat example of this uncommon artist's multiple (documented on page 147 of New York's International Center for Photography's 2007 publication "The Collections of Barbara Bloom" ) that has been neither folded nor hung, showing some mild handling marks and crinkling along the length of one of its edges. Inventory Number: 027356

(BOULEVARD MAGAZINE). Maclaren, Norrie, Editor & Art Director. London: Legion Publishing Ltd., 1979. First Edition. Folio. Stapled Tabloid Wrappers. Periodical. Near Fine.. 78pp, profusely illustrated in color and b&w. Cover by Bob Carlos Clarke.This is the fifth installment of the London-based late-seventies fashion, music, cinema and culture rag "Boulevard". A handsome example showing some light overall wear. Inventory Number: 026254

(BRAKHAGE, STAN) (EISENSTEIN, SERGEI) (ARTFORUM). Coplans, John, Editor. New York: Artforum, 1973. First Edition. Square 4to. Stapled Illustrated Wrappers. Art Periodical. Near Fine.. 94pp, profusely illustrated in color and b&w. This January 1973 installment (Volume XI, Number 5) of the noted periodical "Artforum" is "devoted to film, and has been organized and edited by Annette Michelson." It features articles by or about Sergei Eisenstein and Stan Brakhage, including contributions by Michelson, Paul Arthur, Roland Barthes, Phoebe Cohen, Noel Carroll, Rosalind Krauss, Fred Camper, Hollis Frampton, and Joyce Rheuban. A bright, most handsome example. ISSN 0004-3532 Inventory Number: 026864

(BRANQUINHO, VERONIQUE) (A MAGAZINE). Branquinho, Veronique, Guest Editor. Debo Kaat, Editor. Antwerp, BELGIUM: A Magazine & The Flanders Fashion Institute, 2008. First Edition. 4to. Pictorial Wrappers. Fashion Periodical. As New.. 192pp, profusely illustrated in color and b&w. Text in English. Designed by Paul Boudens. "A Magazine is a biannual publication, exploring the creative sphere of a selected designer in each issue. We invite a guest curator - an international fashion designer, group or house - to develop innovative, personalized content that expresses their aesthetic and cultural values. Each issue celebrates this designer's ethos: their people, their passion, their stories, emotions, fascinations, spontaneity and authenticity". This sixth installment from 2008 of the luxe Belgian fashion periodical was guest-curated by "Pin Cushion Queen " Veronique Branquinho, and contains contributions on or by Tim Burton, Alex Salinas, Michael Borremans, Oscar Van Den Boogaard, Luc Tuymans, David Lynch, Manon De Boer, Marc Meulemans, Serge Leblon, and many, many more. A brand new, most handsome example of this uncommon item. 90-77745-02-5 Inventory Number: 025756

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CINEFEX). Shay, Don, Editor & Publisher. Riverside, CA: Cinefex / Don Shay, 1991. First Edition. Oblong 8vo. Stapled Pictorial Wrappers. Film Journal. Good +.. 59pp, profusely illustrated in color and b&w. This forty-seventy installment of noted film visual effects magazine "Cinefex" is titled "A Once And Future War", and is entirely devoted to the production of James Cameron's "Terminator 2: Judgment Day", the landmark, Academy Award-winning film in which digital special effects finally came of age. A most presentable example showing some wear and creasing to the covers whose title page shows a tape-repaired closed tear. ISSN: 0198-1056 Inventory Number: 003454

(CLARK, LARRY). Clark Larry. Hancock, NH: Lustrum Limited Editions & Colloquium, Inc., 1974. First Edition. 16mo. Stapled Pictorial Wrappers. Publisher's Prospectus. Fine.. np (12pp), 9 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". A bright, most handsome example of this exceedingly uncommon, tiny (5 ½ x 4 ¼") ephemeral item that was the pre-publication prospectus for the 1974 Lustrum Limited Editions and Colloquium, Inc. portfolio limited to fifty copies containing ten photographic prints from Larry Clark's "Tulsa". Inventory Number: 025838

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A brand new, most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") additionally BOLDLY SIGNED "Larry Clark" in black ink at the lower foredge corner of the title page. Inventory Number: 024362

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press paperbound edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") whose dust jacket shows a tiny nick along the bottom edge of the front cover. Inventory Number: 024039

(CLARK, LARRY). Clark Larry. London: LCB (Larry Clark Books in association with Thea Westreich), 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in color and b&w. Designed by Hans Werner Holzwarth and Design pur. Text in English. Published in Switzerland 1995, Larry Clark's "The Perfect Childhood" caused quite a stir when the attorneys for its American distributor upon seeing their first copy refused to let it be imported due to the prevailing moral climate. The successor to "Tulsa" and "Teenage Lust", it continues the notorious photographer/director's fascination with the American teen through wall-to-wall photos, collages, video stills and re-photographed press clippings - most of which are previously unpublished. Highly voyeuristic in nature, there is no shortage here of sex, violence, skateboarders and Matt Dillon! A brand new, most handsome example of the uncommon true first edition (cited on page 245 of Alessandro Bertolotti's "Books of Nudes") issued by Larry Clark Books in association with Thea Westreich. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 0-302-00644-3 Inventory Number: 020754

(CLARK, LARRY). Clark Larry. Zurich, SWITZERLAND & Milan, ITALY: Nieves & Le Case D'Arte, 2006. First Edition 1/150. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine. np (18pp), 12 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. This is the first of two slender catalogues published as part of the Nieves "Zine" series on the occasion of the 2006 exhibition of work by Larry Clark held at the Le Case D'Arte in Milan. Issued without text, it contains images from Clark's landmark "Tulsa" series. A brand new, pristine example of this exceedingly uncommon item limited to one hundred and fifty copies NUMBERED (132/150) on the rear cover in pencil, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020751

(CLARK, LARRY). Clark Larry. New York: Grove Press, Inc., 2000. First Edition Thus 1/250 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in b&w. Nearly thirty years after the 1971 Lustrum Press publication of this landmark book, Larry Clark's taboo breaking "Tulsa" is once again available. Long before "Kids", "Another Day in Paradise" and "Bully", this was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, this book forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 Lustrum Press first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". This example is from the Grove Press 2000 limited slipcased edition of two hundred and fifty copies only SIGNED by Larry Clark, with a SIGNED 8 x 10" black and white photographic print (of an image that is not reproduced in the book) laid in. A brand new, pristine example in the publisher's shrinkwrap, as issued. 0-8021-1678-7 Inventory Number: 020125

(COPPOLA, SOFIA). Coppola, Sofia. Los Angeles: Paramount Classics, 2000. First Edition. Folio. Printed Poster. Theatrical Film Release Poster. Very Good.. One 17 x 11" sheet printed color offset recto only. This is the small format theatrical release poster produced by Paramount Classics for Sofia Coppola's 1999 directorial debut, "The Virgin Suicides". Based on the novel by Jeffrey Eugenides, it starred Kirsten Dunst, Josh Hartnett, Kathleen Turner, James Woods, Scott Glenn, Michael Paré and Danny DeVito. A handsome example of this uncommon, vintage poster - not a reproduction - showing some minor handling and surface indentations that can be viewed in raking light. Inventory Number: 027500

(COPPOLA, SOFIA). Coppola, Sofia & Takashi Homma. Tokyo: Magazine House Co., Ltd., 2003. First Japanese Edition. Oblong 8vo. Printed Wrappers. Photography Monograph. Near Fine.. np (36pp), 15 color illustrations. Text in English and Japanese. Designed by nana. "SC 2003 (Some Pictures) is a slender-yet-charming collection of fifteen intimate color images of friends and family (including mother Eleanor, brother Roman, niece Gia, then-husband Spike Jonze, Kirsten Dunst, Marc Jacobs, Jason Schwartzman, etc.) taken by noted director Sofia Coppola. Published only in Japan, it includes a brief text by her frequent collaborator, photographer Takashi Homma. A most handsome example of this uncommon, sweet little gem. Inventory Number: 027501

(COSBY, BILL). Cosby, Bill. NP: Bill Cosby, 1966. Edition Not Stated - Presumed First. 4to. Stapled Pictorial Wrappers. Near Fine.. np (16pp), profusely illustrated in duotone and b&w. This is a very cool, vintage Bill Cosby promotional booklet that was most likely sold as a program at the comedian's performance venues in the mid-sixties. It contains studio, performance, and candid photographs (even one by Dennis Hopper) of Cosby and his family, a section on "I Spy", and a 33 1/3 rpm Eva-Tone flexi-disc of the bit "Noah" excerpted from his then current album; "Bill Cosby is a Very Funny Fellow, Right?". A most handsome example of this uncommon ephemeral item. Inventory Number: 010557

(CREWDSON, GREGORY). Crewdson, Gregory. New York: Gagosian Gallery, 2005. First Edition. Oblong 4to. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (8pp), 15 color illustrations + covers. Designed by Gianpietro + Smith. Published in conjunction with a traveling 2005 exhibition, this is the slender eight page illustrated catalogue that is a combined list of the crew members from the four productions between 2003 and 2005 that helped realize Gregory Crewdson's twenty image photographic work "Beneath the Roses". A most handsome example of this uncommon item (NOT to be confused with the comprehensive hardbound 2008 publication bearing the same title) additionally BOLDLY SIGNED "Gregory Crewdson" in black marker on the title page. Inventory Number: 026622

(DE DIENES, ANDRE) (MONROE, MARILYN). De Dienes, Andre. Steve Crist, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition 1/20000. Folio. Cloth in Illustrated Box. Photography Monograph. As New/No Jackets - As Issued. np, profusely illustrated in color and b&w. This is Taschen Verlag's sumptuous, oversized three volume anthology of Andre De Dienes photographs of early Marilyn Monroe. A pristine, unopened copy of the 2002 first edition containing one hardbound book, one spiral-bound volume of magazine cover reproductions and a facsimile of Marilyn's diary all housed in a facsimile of Andre De Dienes' Kodak photographic paper box still in the publisher's printed shipping carton, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-8228-1199-8 Inventory Number: 021045

(DISNEY, WALT). Sotheby, Parke-Bernet Staff. Los Angeles: Sotheby, Parke-Bernet Los Angeles, 1972. First Edition. Square 8vo. Stapled Illustrated Wrappers. Auction Catalog. Fine.. 39pp, 37 b&w illustrations. This is the catalogue of the Tuesday, May 5th 1972 Sotheby, Parke-Bernet Los Angeles sale of one hundred and seventy lots of comic and animation related material, of which over one hundred and ten are Disney related (including a Claes Oldenburg Mickey Mouse drawing!). A most handsome example. Inventory Number: 004186

(FERRARA, URSULA). Bignardi, Irene & Luca Rafaelli. Rome, ITALY. ND (2007).: Filmitalia, S.P.A.. First Edition. Oblong 8vo. Illustrated Wrappers. Film Monograph. Fine.. np (32pp), profusely illustrated in color and b&w. Text in English and Italian. With a biography and filmography. This is the beautifully produced catalogue that accompanied a 2007 Filmitalia sponsored retrospective devoted to the films of noted Italian animator Ursula Ferrara. A pristine copy. Inventory Number: 013465

(FILM CULTURE) (BROUGHTON, JAMES). Mekas, Jonas & P. Adams Sitney, Editors. New York: Film Culture, 1975. First Edition. 8vo. Pictorial Wrappers. Film Journal. Near Fine.. 112pp, illustrated in b&w. Jonas Mekas' influential "Film Culture" was New York's preeminent journal devoted to avant-garde cinema and the voice of the international independent filmmaking community of the fifties, sixties, and seventies. This sixty-first installment from 1975 spotlights the achievements of the iconoclastic American independent filmmaker and poet James Broughton. It includes an interview with Broughton by editors Jonas Mekas and P. Adams Sitney, contributions by Kermit Sheets and Clark McKowen, and many of Broughton's own writings. A most handsome example. ISSN 0015-1211 Inventory Number: 025670

(FILM CULTURE). Mekas, Jonas, Edouard de Laurot, George N. Fenin & Adolfas Mekas, Editors. New York: Film Culture, 1958. First Edition. 4to. Stapled Illustrated Wrappers. Film Journal. Very Good -.. 32pp, profusely illustrated in b&w. Jonas Mekas' influential "Film Culture" was New York's preeminent journal devoted to avant-garde cinema and the voice of the international independent filmmaking community of the fifties, sixties, and seventies. This eighteenth installment from 1958 features contributions on or by Thomas Quinn Curtiss, Richard Watts Jr., Rudolf Arnheim, Herman G. Weinberg, and Lotte H. Eisner on Erich Von Stroheim, Parker Tyler on Stan Brakhage, Hans Richter, reviews of contemporary releases, and more. A most presentable example of this uncommon early issue showing some light wear and rubbing to the covers along with some mild dog-earing through the lower foredge corner. ISSN 0015-1211 Inventory Number: 025664

(FILM CULTURE). Mekas, Jonas, Edouard de Laurot, George N. Fenin & Adolfas Mekas, Editors. New York: Film Culture, 1956. First Edition. 4to. Stapled Illustrated Wrappers. Film Journal. Very Good -.. 32pp, profusely illustrated in b&w. Jonas Mekas' influential "Film Culture" was New York's preeminent journal devoted to avant-garde cinema and the voice of the international independent filmmaking community of the fifties, sixties, and seventies. This tenth installment from 1956 features contributions on or by Jonas Mekas, Jay Leyda, Robert Aldrich interviewed by George N. Fenin, Aleksis Rannit on Van Gogh, Andrew Sarris on Carol Reed, Edouard Laurot on Swedish Cinema, silent Slapstick comedies, Herman G. Weinberg, Eugene Archer, reviews of contemporary releases, and the always informative "Letters to the Editor" column. An internally bright, handsome example of this uncommon early issue showing some light wear and rubbing to the covers along with some creasing through the upper foredge corner. ISSN 0015-1211 Inventory Number: 025663

(FILM CULTURE) (WARHOL, ANDY). Malanga, Gerard & Jonas Mekas, Editors. New York: Film Culture, 1967. First Edition. 4to. Illustrated Wrappers. Film Journal. Fine.. 64pp, profusely illustrated in monochrome. Designed by George Maciunas. In a protective clear acetate dustwrapper. This forty-fifth installment of '60s New York's preeminent avant-garde film quarterly is devoted primarily to Andy Warhol. Guest-edited by Gerard Malanga, it features contributions by or about Warhol, Malanga, Jonas Mekas, Jack Smith, Maria Montez, Gregory Battcock, Gregg Barrios, Sheldon Renan, The Kuchar Brothers, Jackson MacLow, and Factory Superstars galore. A remarkably bright, most handsome example of this uncommon, popishly designed item that is emblematic of the Warhol sixties. ISSN 0015-1211 Inventory Number: 026120

(FLYNT, LARRY) (DE NIRO, ROBERT). Flynt, Larry. Los Angeles: Hustler, 1983. First Edition. 4to. Typed Letter Signed (TLS). Fine.. One 10 ¼ x 7 ¼" sheet of gilt-debossed letterhead typewritten recto only, folded horizontally in thirds for mailing, no illustrations. This is a single page, six paragraph letter on HUSTLER letterhead from the noted late American publisher and freedom of the press advocate Larry Flynt to Robert De Niro attempting to secure the legendary actor's services "to direct a photo shooting for... a continuing series HUSTLER is launching which depicts sexual fantasies by top celebrities." Dated August 12, 1983, it offers "In return for your participation, HUSTLER will pay you $10,000.00 plus expenses." The letter was sent to Mr. Robert DeNiro (sic) in care of his longtime agent Harry J. Ufland, but whether or not there was a response on his behalf, no such pictorial ever appeared. A brand new, most handsome example of this unique document SIGNED "Larry Flynt" in black ink. Inventory Number: 026923

(GEHRY, FRANK O.). Gehry, Frank, Rosemarie Haag Bletter, Coosje Van Bruggen, Mildred Friedman, Joseph Giovannini, Thomas S. Hines & Pilar Viladas. Foreword by Henry N. Cobb. New York & Minneapolis, MN: Rizzoli International Publications & The Walker Art Center, 1986. First Edition. 4to. Cloth in Pictorial Dust Jacket. Architecture Monograph. Fine/Fine. 216pp, profusely illustrated in color and b&w. Designed by Lorraine Ferguson. This is the nicely appointed catalogue published in conjunction with the Walker Art Museum's substantial 1986 survey exhibition of the work of internationally famed architect Frank Gehry. A bright, most handsome example of the first hardbound edition additionally bearing the BOLDLY SIGNED PRESENTATION "To Frank Pierson / F O Gehry" in black ink on the half title page. The late Mr. Pierson was a renowned Academy Award-winning screenwriter of "Dog Day Afternoon (along with the Academy-nominated "Cat Ballou" and "Cool Hand Luke"), director, and President of both the Writers Guild of America and the Academy of Motion Picture Arts and Sciences. 0-8478-0741-X Inventory Number: 025788

(GORDON, DOUGLAS). Gordon, Douglas, Hal Hartley & Amy Taubin. New York: Gagosian Gallery, 1999. First Edition. 4to. Folded Poster. Artist Monograph. Near Fine.. One 48 x 70" sheet printed offset recto and verso, neatly folded in eighths to make 12 x 8 ¾", 1 color illustration. This is the massive poster cum exhibition catalogue issued in conjunction with the 1999 Gagosian Gallery New York installation of Turner Prize-winning Scottish video artist Douglas Gordon's "Through a Looking Glass" - "two large-scale video projections which quote one of Hollywood's most memorable scenes. Using a monologue from Martin Scorsese's "Taxi Driver", Gordon traps the viewer between two images of Travis Bickle, one 'real' and the other a 'reflection of the real'. The projections appear at first to be mirror images of one another but they quickly trip out of sync and into a manic dialogue which bounces around the gallery, both visually and audibly". It includes the six page screenplay "Adventure" by filmmaker Hal Hartley - comprised of e-mail correspondence between him and Douglas Gordon, an essay by film critic Amy Taubin, and a diptych of images of Robert De Niro from "Taxi Driver". A most handsome example of this innovative object that was the only printed documentation of the exhibition showing some light edge wear as is typical. 1-880154-27-7 Inventory Number: 017084