Arcana:

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition Thus. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 90pp, profusely illustrated in color and b&w. Text in Spanish. Designed by Susan Silton. With an exhibition checklist. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A bright, most handsome example of the uncommon softbound Spanish language edition issued for a Mexican venue. Inventory Number: 023512

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition. Small 4to. 1/4 Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 110pp, profusely illustrated in color and b&w. Designed by Susan Silton. With an exhibition checklist and bibliography. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example additionally bearing the SIGNED PRESENTATION "Dearest ... - Thank you for your friendship and support. Fondly, Kim Abeles 1993" in the year of publication to a noted Los Angeles gallerist and collector in blue ink underneath the artist's photographic portrait on page 110. 0-911291-22-9 Inventory Number: 022208

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition Thus. Small 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 90pp, profusely illustrated in color and b&w. Text in Spanish. Designed by Susan Silton. With an exhibition checklist. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example of the uncommon softbound Spanish language edition issued for a Mexican venue showing a bit of sunning along the spine. iIt has been priced accordingly. Inventory Number: 019179

(ADAMS, ANSEL). Senf, Rebecca A. Foreword by Anne Breckenridge Barrett. New Haven, CT & Tucson, AZ: Yale University Press in association with the Center for Creative Photography, 2020. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/As New. 288pp, 175 color illustrations. "One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’ career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’ artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice - beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.

Rebecca A. Senf is chief curator at the Center for Creative Photography, University of Arizona. Anne Breckenridge Barrett is associate vice president for the arts at the University of Arizona and director of the Center for Creative Photography."

PLEASE NOTE: We will begin shipping copies to PAC/LA members the week of July 13th. 0-300-24394-4 Inventory Number: E000AAMAP

(ADER, BAS JAN) (LEAVITT, WILLIAM) (VAN ELK, GER). Winer, Helene, Bas Jan Ader, William Leavitt & Ger Van Elk. Pomona, CA: Pomona College Gallery, Montgomery Art Center, 1972. First Edition. Square 8vo. Stapled Printed Wrappers. Exhibition Catalog. Fine.. np (16pp), 6 b&w illustrations. In a protective clear acetate dustwrapper. This is slender sixteen page catalogue published in conjunction with a 1972 Pomona College Gallery exhibition curated by director Helene Winer that featured the three then-local conceptual practitioners (and close friends) Bas Jan Ader, William Leavitt, and Ger Van Elk. It features photographic documentation by Phillip Cleveland, and a brief textual contribution by Leavitt. A bright white, most handsome example of this exceedingly uncommon early California conceptualism item. Inventory Number: 024994

(ADLER, TOM). Adler, Tom. Santa Barbara, CA & New York: T. Adler & Danziger Projects, 2002. First Edition 1/500. Oblong 4to. Printed Poster. Exhibition Announcement. Fine.. One 10 x 15" white cardstock sheet printed offset and letterpress recto only, 1 color illustration. Designed and printed by noted Santa Barbara graphic designer and publisher Tom Adler, this is the small poster issued to publicize his 2002 exhibition at Danziger Projects in New York that featured a then-new selection of Adler's own works comprising photographs he had worked with in his career in fashion and surf editorial edited and reproduced as paired images hung on the gallery walls. The amalgam of anonymous and vernacular seaside studies abutting the likes of Don James and Tom Blake's historical views from the shore produced a joyous and sophisticated body of work, which has yet to be reproduced in book form. A brand new, bright white example of this uncommon, elegant object limited to five hundred copies individually NUMBERED by rubber stamp that has been additionally BOLDLY SIGNED "Tom Adler" for us in black ink across the lower right margin. These were produced hors commerce - never commercially for sale - and sadly only a handful were ever distributed. Inventory Number: 027026

(AITKEN, DOUG). Aitken, Doug, Joseph Akel, Daniel Birnbaum, Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon & Jorg Heiser. London, UK: MACK Books, I00221206. 2022. First Edition. Stout 4to. Debossed Cloth. Artist Monograph. New/No Jacket - As Issued. 608pp, profusely illustrated in color and b&w. 9781913620257

"This comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works through to the present day. Aitken’s practice encompasses large-scale film installations such as Sleepwalkers (2007), site-specific sculptures including his Underwater Pavilions (2016) installed off the coast of Catalina Island, California, and peripatetic happenings like Station to Station (2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums. Works 1992-2022 features an introduction by Joseph Akel, an extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser."

Inventory Number: E000DAW1992

(AITKEN, DOUG). Aitken, Doug & Neville Wakefield. Arles, FRANCE, Brussels, BELGIUM & Mexico City, MEXICO: The LUMA Foundation, JRP | Editions, and Zolo Press, 2023. First Edition. Stout 4to. Printed Boards. Artist Monograph. New/No Jacket - As Issued. 168pp, profusely illustrated in color. 978-3-03764-564-2

"Between 2017 and 2021 artist Doug Aitken presented his site-specific installation entitled “Mirage” in the California desert outside Palm Springs, at a defunct Detroit bank, and nestled in the Swiss Alps. “Mirage” takes the form of a ranch-style suburban American house whose exterior is entirely clad in reflective mirrored surfaces that camouflage it in landscapes far removed from the familiar lawn and picket fence. The book is an immersive chronicle of the three installations, featuring photographs, architectural drawings, and other materials related to the project accompanied by a text by Neville Wakefield as well as an interview with the artist. Published collaboratively by The LUMA Foundation, JRP | Editions, and Zolo Press, and handmade with cold foils, silver printing, an exposed spine, and bound as a leporello, this extraordinary document is a tour de force of the bookmaker’s art."

A brand new example of the first edition collaboratively published by The LUMA Foundation, Zolo Press, and JRP Editions limited to one thousand copies additionally SIGNED by the artist.

Examples of the deluxe signed, numbered and slipcased edition of "Mirage" limited to one hundred copies can be ordered here from co-publishers Zolo Press, or JRP Editions.

Inventory Number: E000DAM

(ALTOON, JOHN). Hales, Andrea, Milton Wexler, Peter Selz & Robert Creeley. Foreword by Hugh M. Davies. San Diego, CA: Museum of Contemporary Art, San Diego, 1997. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 56pp, 23 color and 18 b&w illustrations + color cover. With an exhibition checklist, exhibition history and bibliography. This is the catalogue published in conjunction with a 1997 Museum of Contemporary Art, San Diego retrospective of seventy-three paintings, works on paper, and prints by John Altoon. The exhibition and the catalogue are the most comprehensive surveys to date of the quirky, erotically charged work of the influential Los Angeles-based, Ferus Gallery-affiliated artist who died in 1969. A most handsome example. 0-934418-51-9 Inventory Number: 023309

(ALTOON, JOHN). Hopps, Walter & Elke M. Solomon. New York: Whitney Museum of American Art, 1971. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (24pp), 19 b&w and 2 color illustrations + color cover. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a posthumous 1971 Walter Hopps-curated Whitney Museum of American Art retrospective of fifty drawings and lithographs by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A bright, most handsome example of this uncommon item with an additions and errata slip laid in. LC 71-181853 Inventory Number: 025865

(ALTOON, JOHN). Nordland, Gerald R.. Chicago, IL: The Arts Club of Chicago, 1984. First Edition. Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. 16pp, 8 b&w illustrations + color cover. With a biography, exhibition history and exhibition checklist. This is the slender sixteen page catalogue published in conjunction with a posthumous 1984 Arts Club of Chicago retrospective of twenty-nine works on paper by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A most handsome example. Inventory Number: 023717

(ALTOON, JOHN). Nye, Tim, Robert Creeley, Walter Hopps, Klaus Kertess & Dr. Milton Wexler. New York: Nyehaus Gallery and the Monacelli Press, 2013. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Kyle Lamar. With a biography, exhibition history and collections listing. Published to coincide with a 2014 retrospective at the Los Angeles County Museum of Art, "The Astonishing Works of John Altoon" surveys the colorful paintings and virtuosic drawings of this larger-than-life personality exhibited at New York's Nyehaus in 2013. Altoon's art is intimate, haunting, and erotic - capturing a magical moment in California art between the Beat Generation and the sexual and psychedelic revolutions. The work is put in context through essays and remembrances from those who knew him best: the poet Robert Creeley; psychiatrist and fan Dr. Milton Wexler; pioneering West Coast curator Walter Hopps; and curator, gallerist, and critic Klaus Kertess. This lavishly produced original collection also features a juxtaposition of Altoon's lithographs with a selection of Creeley's poems that the longtime friends originally published as "About Women" in 1965, a facsimile of his Ed Kienholz-published memorial exhibition catalog, and posthumously addressed letters from friends. A brand new, pristine example of this exquisite document. 1-58093-386-6 Inventory Number: 025206

(ANP QUARTERLY) (JOHANSON, CHRIS) (TEMPLETON, ED). Templeton, Ed, Brendan Fowler & Aaron Rose, Editors. Costa Mesa, CA: RVCA, 2005. First Edition. Folio. Stapled Pictorial Wrappers. Periodical. Fine.. 48pp, profusely illustrated in color and b&w. Published as part of Costa Mesa-based surf and skate clothing company RVCA's "Artist Network Program", ANP Quarterly was a wonderfully irreverent, informative labor of love on the part of editorial troika Ed Templeton, Aaron Rose and Brendan Fowler. This third issue from 2005 contains an in-depth interview with cover icons Chris Johanson and Jo Jackson as well as features on or by Megawords Magazine, Little Cakes, Dog & Pony Store, Proyectos Monclova, skate designer Sean Cliver, Matt Leines, Azita Youseffi, Steve Powers on Coney Island's "Dreamland Artist Club", Niki de St. Phalle, Printed Matter, Reading Frenzy, Arcana: Books on the Arts, Dave Schubert, and more. A brand new, most handsome example of this graphically striking cultural journal that was distributed hors commerce on an irregular basis in a rather haphazard fashion and not offered commercially for sale. Inventory Number: 027608

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPEL, KEVIN). Ostrander, Tobias & Elizabeth A.T. Smith. Mexico City: Museo Tamayo Arte Contemporaneo, 2004. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 72pp, profusely illustrated in color and b&w. Text in English and Spanish. With a chronology, exhibition history and bibliography. "Description Sin Lugar" is the handsome catalogue issued in conjunction with a 2004 exhibition of Los Angeles-based artist Kevin Appel's modernist architecturally-inflected work at Mexico City's Fundacion Olga y Rufino Tamayo. A brand new, pristine example of the first edition limited to one thousand unnumbered copies.additionally SIGNED AND DATED by Kevin Appel. 968-5979-02-2 Inventory Number: 019463

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED by Kevin Appel in black marker on the title page. 0-914357-72-7 Inventory Number: 019462

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example. 0-914357-72-7 Inventory Number: 014682

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase, there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") in the publisher's slipcase, as issued. 3-934823-82-3 Inventory Number: 027507

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. Inventory Number: 020629

(BALTZ, LEWIS) (PERKOVIC, SLAVICA). Baltz, Lewis & Slavica Perkovic. Braunschweig, GERMANY: Museum Fur Photographie Braunschweig & Scalo, 1995. First Edition 1/1500. 4to. Cloth Spine Over Boards, Boxed. Photography Monographs. Near Fine/No Jacket - As Issued. 60pp + 48pp, profusely illustrated in b&w. Text in German with English translations laid in. This unusual title is actually two separate exhibition catalogues in the form of artists' books - Lewis Baltz's "Die Toten Von Newport Beach" ("The Deaths in Newport"), and Slavica Perkovic's "Seche Geschichten Fur Vier Manner" ("Six Stories for Four Men") - housed in a printed chipboard box. Each is illustrated with photographs and text - in Baltz's case, the photos all appear to be found images relating to a murder and trial in California in the 1940s. A most handsome example of this unusual collaborative undertaking in the publisher's printed chipboard box, as issued. 3-931141-15-2 Inventory Number: 001166

(BANKS, STEVE). Banks, Steve. Paso Robles, CA: Nazraeli Press, 2019. First Edition 1/350. Small Folio. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np (60pp), 28 duotone illustrations.

np, profusely illustrated in tritone. "In 1964, a young Steve Banks bought one of the most coveted ‘Muscle Cars’ on the market - a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day after arriving at Nobo’s Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to ‘speed shift’ while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport’s modest beginnings, almost every weekend from coast-to-coast one can find "nostalgia racing" events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964-1966." A brand new, pristine specially-priced SIGNED AND SLIPCASED AP example of this stunning volume from the fourth and final set of the NZ Library editions limited to three hundred and fifty copies.

Inventory Number: E000SBN

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Tumlir, Jan & Uta Barth. Santa Fe, NM: SITE Santa Fe, 2004. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. As New.. np (64pp), profusely illustrated in color. Designed by Meryl Pollen. With a bibliography and exhibition history. This is the elegant catalogue cum artist's book published in conjunction with the 2004 three-part exhibition by photographer Uta Barth at SITE Santa Fe. A brand new, pristine example still in the publisher's shrinkwrap. 0-9700774-7-5 Inventory Number: 027477

(BEDFORD, KRISTIN). Bologna, ITALY: Damiani, I00210408, 2021. First Edition. 12 x 12 in., 144 pages. Hardbound. Photography Monograph. New/No Jacket - As Issued.

Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture

Known for her quiet portraits of American cultural movements, Los Angeles–based photographer Kristin Bedford’s new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles’ Mexican American lowrider car culture.

From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford’s photos explore the nuances of cars as mobile canvases and the legendary community that creates them.

With bright color photography and a unique female vantage point, Cruise Night is an original look at a prolific American movement set against the Los Angeles cityscape.

A brand new, pristine example of the out of print first edition of this LatinX cultural classic!

978-8862087278 Inventory Number: I00210408

(BENJAMIN, KARL). Muchnic, Suzanne. West Hollywood, CA: Louis Stern Fine Arts, 2011. First Edition. 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. 0-9837871-0-7 Inventory Number: 027669

(BERMAN, WALLACE). L.A. Louver Gallery. Venice, CA: L.A. Louver Gallery, 1988. First Edition. 8vo. Pictorial Wrappers. Exhibition Announcement. Fine.. One 8 ½ x 11" cardstock sheet printed in color offset recto and verso, machine-folded half to make 4pp, 2 color illustrations. This is the slender announcement published in conjunction with a 1988 L.A. Louver Gallery exhibition of works by Wallace Berman. A brand new, most handsome example of this uncommon ephemeral item that is the only printed documentation of the event. Inventory Number: 027343

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. 1-881138-04-6 Inventory Number: 023786

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Inventory Number: 022011

(BLUNK, J.B.). Blunk, J.B., Lucy R. Lippard, Louise Allison Cort, Fariba Bogzaran, Mariah Nielson, Rita Lawrence, Alyssa Ballard & Rick Yoshimoto. Mariah Nielson & Abake, Editors. Inverness, CA: Blunk Books, 2020. First Edition. Small 4to. Pictorial Boards. Decorative Arts Monograph. As New/No Jacket - As Issued. 228pp, profusely illustrated in color and b&w. "Born in 1926 in Kansas, James Blain Blunk was a Northern California-based sculptor who worked primarily with wood and clay. Following a period of apprenticeship in Japan, Blunk settled near the Marin County town of Inverness, California, where he built his own studio, and developed a lifelong friendship with the painter Gordon Onslow Ford. This is the first publication to explore the entire oeuvre of JB Blunk, with previously unseen examples of his work in stone, clay, painting and jewelry. The design beautifully combines archival images of Blunk's work in situ and at his home and his studio, with color plates of newly photographed pieces. In an essay, Lucy R. Lippard discusses Blunk's reverence for ancient art and places, while Smithsonian Curator of Ceramics Louise Allison Cort details Blunk's formative years in Japan. Glenn Adamson, Senior Scholar at the Yale Center for British Art, contributes an essay that explores the essence of Blunk himself along with his artwork." A brand new, most handsome example of the quickly unavailable 2020 first edition of this vital document still in the publisher's shrinkwrap. 1-907908-55-2 Inventory Number: 027439

(BRODERSON, MORRIS). Seldis, Henry J.. South Pasadena, CA: Nutshell Press, 1961. First Edition. Folio. Loose Plates in a Portfolio. Artist Monograph. Good +.. Ten individual 12 ¾ x 9 ¾" sheets printed recto only, 10 b&w illustrations. With a biography, exhibition history and collections listing. Issued in 1961, this is one of the very few monographic publications on Morris Broderson - one of the major figures in Los Angeles' active figurative art scene of the fifties and sixties. It beautifully reproduces ten monochrome drawings as loose plates (suitable for framing) that show the artist firmly in the debt of Rico Lebrun. These are accompanied by a short essay by Henry J. Seldis, and housed in a printed paper portfolio. An internally handsome example of this uncommon item whose printed portfolio shows some mild creasing, age-toning, light soiling, a few short closed tears, and a separation along the spine. It has been priced accordingly. Inventory Number: 025457

(BROTHERHOOD OF THE SOURCE, THE). Aquarian, Isis. Brooklyn, NY: Sacred Bones Books, 2022. First Edition. 9 x 11 ½". Illustrated Wrappers. New.. 20pp, 20 color illustrations. Issued as an exceedingly limited edition by Sacred Bones Books in conjunction with their publication of "Family: The Source Family Scrapbook," "Dome Book" is a 9 x 11 ½" reproduction made from high resolution scans of the original Dome Book manuscript in the Source Family's archive housed as part of the University of California, Santa Barbara Library's American Religions Collection. This beautifully illustrated prospectus embodied Father Yod's grandiose-though-ultimately-unrealized vision for The Family's post-California communal life. It features detailed plans for a rustic, domed utopia they dreamed of building in Hawaii. The Family archivist Isis Aquarian said of the project "This was our dream: to live together, far away from the city and self-sufficient, able to offer others a healing retreat with a spa, a restaurant, and a nightclub." A brand new, most handsome example of this never before published document that quickly sold out and will not be reproduced again additionally.signed by Isis Aquarian in black ink on the rear cover. Inventory Number: E000SFDB