Arcana:

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition Thus. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 90pp, profusely illustrated in color and b&w. Text in Spanish. Designed by Susan Silton. With an exhibition checklist. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A bright, most handsome example of the uncommon softbound Spanish language edition issued for a Mexican venue. Inventory Number: 023512

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition. Small 4to. 1/4 Leather Over Boards. Artist Monograph. As New/No Jacket - As Issued. 110pp, profusely illustrated in color and b&w. Designed by Susan Silton. With an exhibition checklist and bibliography. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A brand new, pristine example. 0-911291-22-9 Inventory Number: 022355

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition. Small 4to. 1/4 Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 110pp, profusely illustrated in color and b&w. Designed by Susan Silton. With an exhibition checklist and bibliography. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example additionally bearing the SIGNED PRESENTATION "Dearest ... - Thank you for your friendship and support. Fondly, Kim Abeles 1993" in the year of publication to a noted Los Angeles gallerist and collector in blue ink underneath the artist's photographic portrait on page 110. 0-911291-22-9 Inventory Number: 022208

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition Thus. Small 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 90pp, profusely illustrated in color and b&w. Text in Spanish. Designed by Susan Silton. With an exhibition checklist. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example of the uncommon softbound Spanish language edition issued for a Mexican venue showing a bit of sunning along the spine. iIt has been priced accordingly. Inventory Number: 019179

(ADAMS, ANSEL). Senf, Rebecca A. Foreword by Anne Breckenridge Barrett. New Haven, CT & Tucson, AZ: Yale University Press in association with the Center for Creative Photography, 2020. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/As New. 288pp, 175 color illustrations. "One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’ career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’ artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice - beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.

Rebecca A. Senf is chief curator at the Center for Creative Photography, University of Arizona. Anne Breckenridge Barrett is associate vice president for the arts at the University of Arizona and director of the Center for Creative Photography."

PLEASE NOTE: We will begin shipping copies to PAC/LA members the week of July 13th. 0-300-24394-4 Inventory Number: E000AAMAP

(ADER, BAS JAN) (LEAVITT, WILLIAM) (VAN ELK, GER). Winer, Helene, Bas Jan Ader, William Leavitt & Ger Van Elk. Pomona, CA: Pomona College Gallery, Montgomery Art Center, 1972. First Edition. Square 8vo. Stapled Printed Wrappers. Exhibition Catalog. Fine.. np (16pp), 6 b&w illustrations. In a protective clear acetate dustwrapper. This is slender sixteen page catalogue published in conjunction with a 1972 Pomona College Gallery exhibition curated by director Helene Winer that featured the three then-local conceptual practitioners (and close friends) Bas Jan Ader, William Leavitt, and Ger Van Elk. It features photographic documentation by Phillip Cleveland, and a brief textual contribution by Leavitt. A bright white, most handsome example of this exceedingly uncommon early California conceptualism item. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024994

(ADLER, TOM). Adler, Tom. Santa Barbara, CA & New York: T. Adler & Danziger Projects, 2002. First Edition 1/500. Oblong 4to. Printed Poster. Exhibition Announcement. Fine.. One 10 x 15" white cardstock sheet printed offset and letterpress recto only, 1 color illustration. Designed and printed by noted Santa Barbara graphic designer and publisher Tom Adler, this is the small poster issued to publicize his 2002 exhibition at Danziger Projects in New York that featured a then-new selection of Adler's own works comprising photographs he had worked with in his career in fashion and surf editorial edited and reproduced as paired images hung on the gallery walls. The amalgam of anonymous and vernacular seaside studies abutting the likes of Don James and Tom Blake's historical views from the shore produced a joyous and sophisticated body of work, which has yet to be reproduced in book form. A brand new, bright white example of this uncommon, elegant object limited to five hundred copies individually NUMBERED by rubber stamp that has been additionally BOLDLY SIGNED "Tom Adler" for us in black ink across the lower right margin. These were produced hors commerce - never commercially for sale - and sadly only a handful were ever distributed. Inventory Number: 027026

(AITKEN, DOUG). Aitken, Doug, Joseph Akel, Daniel Birnbaum, Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon & Jorg Heiser. London, UK: MACK Books, I00221206. 2022. First Edition. Stout 4to. Debossed Cloth. Artist Monograph. New/No Jacket - As Issued. 608pp, profusely illustrated in color and b&w. 9781913620257

PLEASE NOTE: Mr. Aitken will be signing copies of "Works 1992-2022" at Arcana Saturday, December 10th between 4:00 and 6:00 PM. If you cannot attend and would like to order a signed copy to have shipped or to pick up at the shop, please purchase by selecting "Add To Cart" below. Orders will begin shipping Tuesday, December 13th.

"This comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works through to the present day. Aitken’s practice encompasses large-scale film installations such as Sleepwalkers (2007), site-specific sculptures including his Underwater Pavilions (2016) installed off the coast of Catalina Island, California, and peripatetic happenings like Station to Station (2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums. Works 1992-2022 features an introduction by Joseph Akel, an extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser."

Inventory Number: E000DAW1992

(ALTOON, JOHN). Hales, Andrea, Milton Wexler, Peter Selz & Robert Creeley. Foreword by Hugh M. Davies. San Diego, CA: Museum of Contemporary Art, San Diego, 1997. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 56pp, 23 color and 18 b&w illustrations + color cover. With an exhibition checklist, exhibition history and bibliography. This is the catalogue published in conjunction with a 1997 Museum of Contemporary Art, San Diego retrospective of seventy-three paintings, works on paper, and prints by John Altoon. The exhibition and the catalogue are the most comprehensive surveys to date of the quirky, erotically charged work of the influential Los Angeles-based, Ferus Gallery-affiliated artist who died in 1969. A most handsome example. 0-934418-51-9 Inventory Number: 023309

(ALTOON, JOHN). Hopps, Walter & Elke M. Solomon. New York: Whitney Museum of American Art, 1971. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (24pp), 19 b&w and 2 color illustrations + color cover. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a posthumous 1971 Walter Hopps-curated Whitney Museum of American Art retrospective of fifty drawings and lithographs by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A bright, most handsome example of this uncommon item with an additions and errata slip laid in. LC 71-181853 Inventory Number: 025865

(ALTOON, JOHN). Nordland, Gerald R.. Chicago, IL: The Arts Club of Chicago, 1984. First Edition. Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. 16pp, 8 b&w illustrations + color cover. With a biography, exhibition history and exhibition checklist. This is the slender sixteen page catalogue published in conjunction with a posthumous 1984 Arts Club of Chicago retrospective of twenty-nine works on paper by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A most handsome example. Inventory Number: 023717

(ALTOON, JOHN). Nye, Tim, Robert Creeley, Walter Hopps, Klaus Kertess & Dr. Milton Wexler. New York: Nyehaus Gallery and the Monacelli Press, 2013. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Kyle Lamar. With a biography, exhibition history and collections listing. Published to coincide with a 2014 retrospective at the Los Angeles County Museum of Art, "The Astonishing Works of John Altoon" surveys the colorful paintings and virtuosic drawings of this larger-than-life personality exhibited at New York's Nyehaus in 2013. Altoon's art is intimate, haunting, and erotic - capturing a magical moment in California art between the Beat Generation and the sexual and psychedelic revolutions. The work is put in context through essays and remembrances from those who knew him best: the poet Robert Creeley; psychiatrist and fan Dr. Milton Wexler; pioneering West Coast curator Walter Hopps; and curator, gallerist, and critic Klaus Kertess. This lavishly produced original collection also features a juxtaposition of Altoon's lithographs with a selection of Creeley's poems that the longtime friends originally published as "About Women" in 1965, a facsimile of his Ed Kienholz-published memorial exhibition catalog, and posthumously addressed letters from friends. A brand new, pristine example of this exquisite document. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 1-58093-386-6 Inventory Number: 025206

(ANKH). Cropsey, Charles & Ed Lange, Editors. Los Angeles. 1966 + 1967.: Elysium Inc., Publishers. First Editions. 4to. Stapled Pictorial Wrappers. Nudist Periodical. Fine.. 70 + 70 + 66 + 66pp, profusely illustrated in color and b&w. Published by Los Angeles' last great nudist haven, The Elysium Institute, "Ankh" is arguably the most awesome of all the under the counter Hippie psychedelic magazines of the late sixties. Full-frontally illustrated throughout with photographs of well adjusted, hirsute sun worshippers in their teens and twenties (including the always photogenic Michelle Angelo) by the likes of Ed Lange, Walter Chappell, William Rotsler, and Russell Gay, the reader can all but smell the suntan lotion and Patchouli oil. Included are pictorials on communes, nudist colonies, and light shows along with articles such as "Sex in The Sun", "Group Therapy in the Nude" "What Hath God / LSD / God Wrought?", "Thoreau: The First Hippie", and the two-part "Barry McGuire (!) on Sex". A bright, spectacularly well-preserved run of the first four issues of this obscure crowd pleaser. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 026483

(ANP QUARTERLY) (JOHANSON, CHRIS) (TEMPLETON, ED). Templeton, Ed, Brendan Fowler & Aaron Rose, Editors. Costa Mesa, CA: RVCA, 2005. First Edition. Folio. Stapled Pictorial Wrappers. Periodical. Fine.. 48pp, profusely illustrated in color and b&w. Published as part of Costa Mesa-based surf and skate clothing company RVCA's "Artist Network Program", ANP Quarterly was a wonderfully irreverent, informative labor of love on the part of editorial troika Ed Templeton, Aaron Rose and Brendan Fowler. This third issue from 2005 contains an in-depth interview with cover icons Chris Johanson and Jo Jackson as well as features on or by Megawords Magazine, Little Cakes, Dog & Pony Store, Proyectos Monclova, skate designer Sean Cliver, Matt Leines, Azita Youseffi, Steve Powers on Coney Island's "Dreamland Artist Club", Niki de St. Phalle, Printed Matter, Reading Frenzy, Arcana: Books on the Arts, Dave Schubert, and more. A brand new, most handsome example of this graphically striking cultural journal that was distributed hors commerce on an irregular basis in a rather haphazard fashion and not offered commercially for sale. Inventory Number: 021522

(ANP QUARTERLY) (KAWS) (TEMPLETON, ED). Templeton, Ed, Brendan Fowler & Aaron Rose, Editors. Costa Mesa, CA: RVCA, 2008. First Edition. Folio. Stapled Tabloid Wrappers. Periodical. Fine.. 64pp, profusely illustrated in color and b&w. Published as part of Costa Mesa based surf and skate clothing company RVCA's "Artist Network Program", ANP Quarterly was a wonderfully irreverent, informative labor of love on the part of editorial troika Ed Templeton, Aaron Rose and Brendan Fowler. This installment from 2008 contains an in-depth interview with cover icon KAWS - as photographed by Terry Richardson - as well as features on or by Hope Gallery, Tony Cederteg, Providence's Dirt Palace, Gary Trinh's photo-essay on giant Bonsai trees, Tauba Auerbach, Kenneth Anger, Joshua Ploeg, Emma Reeves, and a RVCA x Cinelli artist-decorated bike exhibition. A brand new, most handsome example of this graphically striking cultural journal that was distributed hors commerce on an irregular basis in a rather haphazard fashion and not offered commercially for sale. Inventory Number: 026858

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPEL, KEVIN). Ostrander, Tobias & Elizabeth A.T. Smith. Mexico City: Museo Tamayo Arte Contemporaneo, 2004. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 72pp, profusely illustrated in color and b&w. Text in English and Spanish. With a chronology, exhibition history and bibliography. "Description Sin Lugar" is the handsome catalogue issued in conjunction with a 2004 exhibition of Los Angeles-based artist Kevin Appel's modernist architecturally-inflected work at Mexico City's Fundacion Olga y Rufino Tamayo. A brand new, pristine example of the first edition limited to one thousand unnumbered copies.additionally SIGNED AND DATED by Kevin Appel. 968-5979-02-2 Inventory Number: 019463

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED by Kevin Appel in black marker on the title page. 0-914357-72-7 Inventory Number: 019462

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example. 0-914357-72-7 Inventory Number: 014682

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(ASHER, MICHAEL). Dick, Leslie & Adriano Pedrosa. Valencia, CA: Golden Spike Press, 2013. First Edition 1/500. 12mo. Printed Wrappers. Artist's Book. As New.. 138pp, 4 b&w illustrations. Designed by Michael Ray-Von. With appendices. Published in conjunction with the California Institute for the Arts, this posthumous tribute to the influential late Los Angeles-based conceptual artist and educator Michael Asher consists primarily of typographically transcribed class enrollment forms for each of the fifty-two semesters he taught at CalArts over a thirty-three year span. Amongst the notable students listed here are Stephen Prina, Christopher Williams, Tony Oursler, B. Wurtz, Jim Isermann, Kate Ericson, Mel Ziegler, Ashley Bickerton, Richard Hawkins, Jody Zellen, Sam Durant, Lyle Ashton Harris, Gary Simmons, Dave Muller, Edgar Arceneaux, Zoe Crosher, Lesley Vance, Carter Mull, Tomory Dodge, and many more. A brand new, most handsome example of this uncommon (only five copies are currently cited in OCLC WorldCat) and unavailable, rigorous-yet-sentimental gem limited to five hundred unnumbered copies. 0-9886694-2-0 Inventory Number: 027327

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A handsome example showing a bit of curling to the textblock at the foredge tips. 0-920089-52-6 Inventory Number: 024666

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020629

(BALTZ, LEWIS) (PERKOVIC, SLAVICA). Baltz, Lewis & Slavica Perkovic. Braunschweig, GERMANY: Museum Fur Photographie Braunschweig & Scalo, 1995. First Edition 1/1500. 4to. Cloth Spine Over Boards, Boxed. Photography Monographs. Near Fine/No Jacket - As Issued. 60pp + 48pp, profusely illustrated in b&w. Text in German with English translations laid in. This unusual title is actually two separate exhibition catalogues in the form of artists' books - Lewis Baltz's "Die Toten Von Newport Beach" ("The Deaths in Newport"), and Slavica Perkovic's "Seche Geschichten Fur Vier Manner" ("Six Stories for Four Men") - housed in a printed chipboard box. Each is illustrated with photographs and text - in Baltz's case, the photos all appear to be found images relating to a murder and trial in California in the 1940s. A most handsome example of this unusual collaborative undertaking in the publisher's printed chipboard box, as issued. 3-931141-15-2 Inventory Number: 001166

(BANKS, STEVE). Banks, Steve. Paso Robles, CA: Nazraeli Press, 2019. First Edition 1/350. Small Folio. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np (60pp), 28 duotone illustrations.

np, profusely illustrated in tritone. "In 1964, a young Steve Banks bought one of the most coveted ‘Muscle Cars’ on the market - a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day after arriving at Nobo’s Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to ‘speed shift’ while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport’s modest beginnings, almost every weekend from coast-to-coast one can find "nostalgia racing" events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964-1966." A brand new, pristine specially-priced SIGNED AND SLIPCASED AP example of this stunning volume from the fourth and final set of the NZ Library editions limited to three hundred and fifty copies.

Inventory Number: E000SBN

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles: Museum of Contemporary Art & RAM Publications, 1995. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 54pp, 25 color illustrations. Designed by Cindy Estes. Published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. An internally most handsome example of the first MoCA edition additionally SIGNED AND DATED "Uta Barth - 1996" in black ink on the title page showing a small indentation to the front cover along with some barely noticeable sunning along the spine. It has been priced accordingly. 0-914357-41-7 Inventory Number: 004353

(BATES, IAN). Bates, Ian. With a poem by Jim Harrison. Los Angeles: Deadbeat Club Press, 2022. First Edition 1/15 Copies Deluxe. 4to. Decorative Cloth in Slipcase. Photography Monograph. As New./No Jacket - As Issued. 96pp, profusely illustrated in color. Designed by Clint Woodside. 978-1-952523-05-2

PLEASE NOTE: Mr. Bates will be signing copies of "Star Struck" at Arcana Saturday, October 8th between 4:00 and 6:00 PM.  Orders will begin shipping Tuesday, October 11th.

"To make the pictures in Meadowlark, Ian Bates spent years driving the vast, sparsely-populated spaces of the American West, often sleeping in his car. This is a project born of both passion and patience, and though Bates was initially inspired by the Western Meadowlark - state bird of North Dakota, Montana, Wyoming, Oregon, Kansas, and Nebraska, sightings ultimately proved elusive, and it appears here only once, as a crude facsimile painted on a weathered scrap of plywood. 

It turns out there’s plenty of space out there for even birds to disappear. Bates’ photographs are full of things disappearing in plain sight; like all photos, they’re an imposition, but given the glorious anonymity of sprawling tracts of western and plains states geography, they’re also about respectful distance, and the space(s) between people, places, and things. These are places famous for keeping their secrets, and for maintaining a (long) arm’s reach from the outside world. A person drifting in such landscapes can never be entirely sure where they are, other than simultaneously on the outskirts of everything and in the thick of a perpetual and sublime (and very quiet) mystery. Every photographer is essentially exploring outer space, but in Meadowlark Bates is in deep space, and these are photos that are as reticent as their subjects. This world doesn’t much nurture silence, but it’s still out there, a stealth force, a glacier, and in the places it lives it can hear things coming from a long way away." A brand new, most handsome example of variant "B" of the deluxe slipcased edition of this lovely volume hot off The Deadbeat Club Press limited to fifteen copies only accompanied by a signed and numbered 9 x 11" archival pigment print of the book's color image of a large rock in a stream  additionally SIGNED Ian Bates in ink.

Inventory Number: E000IBM-DLX

(BATES, IAN). Bates, Ian. With a poem by Jim Harrison. Los Angeles: Deadbeat Club Press, I00221000. 2022. First Edition 1/1000 Copies. 4to. Decorative Cloth. Photography Monograph. As New./No Jacket - As Issued. 96pp, profusely illustrated in color. Designed by Clint Woodside. 978-1-952523-05-2

PLEASE NOTE: Mr. Bates will be signing copies of "Star Struck" at Arcana Saturday, October 8th between 4:00 and 6:00 PM. If you cannot attend and would like to order a signed copy to have shipped or to pick up at the shop, please purchase by selecting "Add To Cart" below. Orders will begin shipping Tuesday, October 11th.

"To make the pictures in Meadowlark, Ian Bates spent years driving the vast, sparsely-populated spaces of the American West, often sleeping in his car. This is a project born of both passion and patience, and though Bates was initially inspired by the Western Meadowlark - state bird of North Dakota, Montana, Wyoming, Oregon, Kansas, and Nebraska, sightings ultimately proved elusive, and it appears here only once, as a crude facsimile painted on a weathered scrap of plywood. 

It turns out there’s plenty of space out there for even birds to disappear. Bates’ photographs are full of things disappearing in plain sight; like all photos, they’re an imposition, but given the glorious anonymity of sprawling tracts of western and plains states geography, they’re also about respectful distance, and the space(s) between people, places, and things. These are places famous for keeping their secrets, and for maintaining a (long) arm’s reach from the outside world. A person drifting in such landscapes can never be entirely sure where they are, other than simultaneously on the outskirts of everything and in the thick of a perpetual and sublime (and very quiet) mystery. Every photographer is essentially exploring outer space, but in Meadowlark Bates is in deep space, and these are photos that are as reticent as their subjects. This world doesn’t much nurture silence, but it’s still out there, a stealth force, a glacier, and in the places it lives it can hear things coming from a long way away." A brand new, most handsome example of this lovely volume - hot off The Deadbeat Club Press - limited to one thousand copies additionally SIGNED by Ian Bates in ink.

Inventory Number: E000IBM