Arcana:

(BALDESSARI, JOHN). Bois, Yve-Alain, Christopher Knight & John Baldessari. Pardo, Patrick & Robert Dean, Editors. New Haven, CT: Yale University Press, 2012. First Edition. 4to. Printed Boards in Slipcase. Catalogue Raisonné. Fine/No Jacket - As Issued. 462pp, profusely illustrated in color and b&w. Designed by Simon Johnston Design. With a chronology, exhibition history, bibliography, and filmography. Covering the years 1956 through 1974, this is the lavishly produced first volume of the catalogue raisonné of the works of noted Los Angeles-based conceptual practitioner John Baldessari. Impeccably designed and copiously illustrated, it features an essay by Yve-Alain Bois, a transcribed interview with the artist by Christopher Knight, and copious documentation of all aspects of Baldessari's influential and prolific career. A brand new, most handsome example in the publisher's printed slipcase additionally BOLDLY SIGNED "BALDESSARI" in black ink on the half title page. 0-300-17448-9 Inventory Number: 024968

(BALDESSARI, JOHN). Morgan, Jessica & Leslie Juves, Editors. London: Los Angeles County Museum of Art & Delmonico Books, 2009. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. As New/As New. 330pp, profusely illustrated in b&w and color. Designed by Lorraine Wild with Victor Hu, Victoria Lam and Jennifer Rider, Green Dragon Office. With an exhibition checklist and bibliography. This is the elegantly designed and printed hardbound catalogue published in conjunction with the 2009 retrospective of the primarily photographically based conceptual work of John Baldessari circulated by the Los Angeles County Museum of Art and London's Tate Modern. The most comprehensive single volume on the artist to date, "Pure Beauty" includes essays by eleven critics, curators, art historians, and David Salle - artist and one of John Baldessari's former students . A brand new, pristine example. 3-7913-4345-9 Inventory Number: 023591

(BALDESSARI, JOHN). Sterne, Laurence, Melvyn New & John Baldessari. San Francisco: Arion Press, 1988. First Edition 1/400. Stout 8vo. Full Leather in Slipcase. Livre D'Artiste. Fine/No Jackets - As Issued. 624 + 46 + np, profusely illustrated in color and b&w. This twenty-sixth publication of Andrew Hoyem's esteemed Arion Press is a beautifully constructed and executed hand-letterpress reprinting of Lawrence Sterne's classic of English literature, "The Life and Opinions of Tristram Shandy, Gentleman" that has been newly-illustrated by the noted Conceptual artist John Baldessari. Remaining faithful to the delightful typographic eccentricities and variant spellings of Sterne's own self-published editions from the 1760s, the main text of the novel has been set in Caslon Old Style - the typeface utilized by Sterne for the original printings - and bound in a single, substantial three-quarter green goatskin over lovely hand-marbled boards volume. This is accompanied by literary scholar Melvyn New's informative forty-six page essay "Lawrence Sterne and Tristram Shandy" separately bound in boards. The crowning achievement of this ambitious undertaking however is the third volume which contains John Baldessari's wry visual commentary of photo-collaged and altered found photographs and film stills in the form of a lengthy accordion-fold leporello that is anchored between green gilt-stamped boards. The three volumes are housed in a gilt-stamped green paper over board slipcase along with the additional Arion Press pre-publication prospectus laid in. A brand new, most handsome example of standard edition of this exquisite, uncommon item limited to four hundred unnumbered copies BOLDLY SIGNED "John Baldessari" in pencil on the colophon of illustrated volume, as issued. Inventory Number: 025136

(BALTZ, LEWIS). Baltz, Lewis. New York: Leo Castelli / Castelli Graphics, 1974. First Edition Thus. Oblong 4to. Printed Buckram in Dust Jacket. Photography Monograph. Near Fine/Near Fine. np (110pp), 51 duotone illustrations. Designed by Thomas F. Barrow. Text in English and German. "The New Industrial Parks Near Irvine, California" is Lewis Baltz' landmark typological study that virtually single-handedly gave birth to the "New Topographics" movement. It reproduces as a full page each of the fifty-one images that comprised the 1974 Castelli Graphics photographic print portfolio of the same name that was issued in an edition of forty with six artist's proofs. A bright, most handsome example of the uncommon 1974 first printing (cited on pages 298-299 of The Hasselblad Center's "The Open Book", and pages 228-229 of "The Book of 101 Books") additionally bearing the SIGNED PRESENTATION "FOR LARRY - Lewis Baltz" in black ink on the front pastedown whose dust jacket shows very slight age-toning along the top edge. This was inscribed at the time of publication to noted La Jolla art and photography bookseller Lawrence McGilvery from whom we acquired this significant tome directly. LC 74-14405 Inventory Number: 022550

(BALTZ, LEWIS). Baltz, Lewis & Cornelia Butler.. New York: Castelli Graphics, 1978. First Edition 1/2000. Oblong 4to. Stapled Embossed Wrappers. Publisher's Prospectus. Fine.. np (20pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in 1978, this is the original Castelli Graphics prospectus illustrating each of the fifteen Lewis Baltz images that comprise his 1977 photographic print portfolio "Nevada" that was issued in an edition of forty with six artist's proofs. A bright, most handsome example additionally BOLDLY SIGNED "Lewis Baltz" in black ink on the title page. Inventory Number: 025680

(BALTZ, LEWIS). Baltz, Lewis & Gus Blaisdell. Tokyo & New York: Gallery Min & Aperture, 1989. First Edition. Oblong 4to. Printed Boards in Slipcase. Photography Monograph. Fine/No Jacket - As Issued. np, 71 duotone and 13 color illustrations. Text in English and Japanese. Published in conjunction with a 1989 exhibition at Tokyo's Gallery Min, "Candlestick Point" is Lewis Baltz' fascinating essay on the manmade debris, detritus, and blight scarring the San Francisco peninsula. A most handsome example in the publishers printed black cardboard slipcase showing a few minor scuffs, wrinkles and bumps. 4-906265-50-2 Inventory Number: 017916

(BALTZ, LEWIS). Baltz, Lewis. Introduction by Adam Weinberg. Santa Monica, CA & Gottingen, GERMANY: RAM Publications & Steidl Verlag, 2001. First Edition Thus. Square 4to. Cloth in Jacket, Slipcased. Photography Monograph. Fine/Fine. 112pp, 51 duotone illustrations. This lovely volume is the reprinted edition of "The New Industrial Parks Near Irvine, California" - Lewis Baltz' landmark typological study that virtually single-handedly gave birth to the "New Topographics" movement. It reproduces as a full page each of the fifty-one images that comprised the 1974 Castelli Graphics photographic print portfolio of the same name that was issued in an edition of forty with six artist's proofs. A brand new, pristine example of the first printing of the 2001 RAM Publications and Steidl Verlag edition (the original is cited on pages 298-299 of The Hasselblad Center's "The Open Book", and pages 228-229 of "The Book of 101 Books") additionally SIGNED AND DATED "Lewis Baltz 2001" in the year of publication in pencil on the front pastedown in the publisher's grey chipboard slipcase with pastedown. 0-9630785-6-9 Inventory Number: 023803

(BALTZ, LEWIS) (PERKOVIC, SLAVICA). Baltz, Lewis & Slavica Perkovic. Braunschweig, GERMANY: Museum Fur Photographie Braunschweig & Scalo, 1995. First Edition 1/1500. 4to. Cloth Spine Over Boards, Boxed. Photography Monographs. Near Fine/No Jacket - As Issued. 60pp + 48pp, profusely illustrated in b&w. Text in German with English translations laid in. This unusual title is actually two separate exhibition catalogues in the form of artists' books - Lewis Baltz's "Die Toten Von Newport Beach" ("The Deaths in Newport"), and Slavica Perkovic's "Seche Geschichten Fur Vier Manner" ("Six Stories for Four Men") - housed in a printed chipboard box. Each is illustrated with photographs and text - in Baltz's case, the photos all appear to be found images relating to a murder and trial in California in the 1940s. A most handsome example of this unusual collaborative undertaking in the publisher's printed chipboard box, as issued. 3-931141-15-2 Inventory Number: 001166

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

(BARTH, UTA). Conkelton, Sheryl, Russell Ferguson & Timothy Martin. Seattle, WA & New York: The Henry Art Gallery & Distributed Art Publishers, 2000. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine./No Jacket - As Issued. 176pp, profusely illustrated in color throughout. Published in conjunction with a 2002 Henry Art Gallery retrospective, this major monograph on Los Angeles-based artist/photographer Uta Barth is designed much like an artist's book - its text intertwined amongst Barth's diffuse, sensuous images of the late 20th Century man-made environment. A brand new, most handsome example additionally SIGNED "Uta Barth" in black marker on the first preliminary. 0-935558-37-3 Inventory Number: 017127

(BARTH, UTA). Martin, Timothy & Uta Barth. Los Angeles: Uta Barth, 2000. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. 39pp, profusely illustrated in color. Designed by Michael Worthington. "...And of Time" is the gorgeous artist's book cum catalogue published by Uta Barth as a component of the photographer's 2000 exhibition project commissioned by the J. Paul Getty Museum in Los Angeles. An internally most handsome example additionally SIGNED AND DATED "Uta Barth 2000" in the year of publication in black ink on the rear colophon showing some light sunning to the spine and rear cover. It has been priced accordingly. 0-9675404-1-0 Inventory Number: 023106

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Edition Thus 1/100 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example of the uncommon deluxe hardbound, slipcased edition limited to one hundred copies NUMBERED (10/100), SIGNED, AND DATED by Uta Barth in black ink on the title page, still in the publisher's original plastic wrapping, as issued. 0-9713681-0-4 Inventory Number: 024361

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. Second Edition (First Thus) 1/1800. 8vo. Pictorial Self-Wrappers. Photography Monograph. As New.. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example additionally SIGNED AND DATED "Uta Barth" in black ink on the front free endpaper. 0-9713681-0-4 Inventory Number: 017401

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles: Museum of Contemporary Art & RAM Publications, 1995. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 54pp, 25 color illustrations. Designed by Cindy Estes. Published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. An internally most handsome example of the first MoCA edition additionally SIGNED AND DATED "Uta Barth - 1996" in black ink on the title page showing a small indentation to the front cover along with some barely noticeable sunning along the spine. It has been priced accordingly. 0-914357-41-7 Inventory Number: 004353

(BARTH, UTA). Tumlir, Jan. Los Angeles: Uta Barth, ACME. & Bonakdar Gallery, 1999. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. 55pp, profusely illustrated in color. Designed by Michael Worthington. This is the elegant exhibition catalogue cum artist's book published in conjunction with a 1999 three-part project by photographer Uta Barth that was shown concurrently Los Angeles' ACME., New York's Tanya Bonakdar, and Stockholm's Andrehn-Schiptjenko galleries. A brand new, most handsome example. 0-9675404-0-2 Inventory Number: 024647

(BARTH, UTA). Tumlir, Jan. Los Angeles & New York: Uta Barth, ACME, and Bonakdar Gallery, 1999. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. 55pp, profusely illustrated in color. Designed by Michael Worthington. This is the elegant exhibition catalogue cum artist's book published in conjunction with a 1999 three-part project by photographer Uta Barth that was shown concurrently in galleries in Los Angeles, New York and Stockholm. A most handsome example additionally BOLDLY SIGNED AND DATED "Uta Barth 1999" in the year of publication in black ink on the rear colophon. 0-9675404-0-2 Inventory Number: 023921

(BARTH, UTA). Tumlir, Jan & Uta Barth. Santa Fe, NM: SITE Santa Fe, 2004. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. As New.. np (64pp), profusely illustrated in color. Designed by Meryl Pollen. With a bibliography and exhibition history. This is the elegant catalogue cum artist's book published in conjunction with the 2004 three-part exhibition by photographer Uta Barth at SITE Santa Fe. A brand new, pristine example still in the publisher's shrinkwrap. 0-9700774-7-5 Inventory Number: 014497

(BENJAMIN, KARL). Frank, Peter. Preface by Roland Reiss. Santa Monica, CA & New York: Ruth Bachofner Gallery & Snyder Fine Art, 1991. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine.. np (36pp), 10 color illustrations. With a biography, exhibition history and bibliography. This is this the catalogue published in conjunction with a 1991 Santa Monica gallery exhibition of abstract works by Karl Benjamin spanning the years 1955 to 1990 that subsequently traveled to New York. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example of this uncommon item with the publisher's errata slip laid in. Inventory Number: 022223

(BENJAMIN, KARL). Muchnic, Suzanne. West Hollywood, CA: Louis Stern Fine Arts, 2011. First Edition. 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. 0-9837871-0-7 Inventory Number: 022221

(BENJAMIN, KARL). Nelson, Harold B.. West Hollywood, CA: Louis Stern Fine Arts, 2004. First Edition 1/5000. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 46pp, 26 color illustrations. With an exhibition history, bibliography and collections listing. This is this the catalogue published in conjunction with the 2004 gallery exhibition of twenty-six abstract works by Karl Benjamin spanning the years 1950 to 1965. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example. 0-9749421-0-3 Inventory Number: 022222

(BENJAMIN, KARL). Schipper, Merle. Malibu, CA: Art Gallery, Seaver College, Pepperdine University, 1981. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist Monograph. Very Good.. np (20pp), 6 color illustrations. With a biography, exhibition checklist and exhibition history. This is this the slender twenty page catalogue published in conjunction with a 1981 Pepperdine University exhibition of thirteen abstract paintings executed by Karl Benjamin between 1956 and 1959. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most presentable example of this uncommon item showing a bit of sunning to the wrappers along with the artist's phone numbers annotated in ink at the rear. Inventory Number: 022661

(BENJAMIN, KARL). Stern, Louis & Dave Hickey. West Hollywood, CA: Louis Stern Fine Arts, 2007. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 124pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. Published in conjunction with a 2007 gallery exhibition of fifty-one abstract works spanning the years 1954 to 1995, this beautifully designed and illustrated hardbound catalogue is the most comprehensive document to date on the late Los Angeles artist Karl Benjamin - who along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson comprised the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, pristine example still in the publisher's shrinkwrap. 0-9749421-7-0 Inventory Number: 022923

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Cowles Gallery Staff, Charles. New York: Charles Cowles Gallery, 1982. First Edition. 12mo. Illustrated Wrappers. Exhibition Announcement. As New.. One 8 1/2 x 11 1/2" cardstock sheet printed offset recto and verso, neatly folded in half to make 4pp, 1 b&w illustration. With a chronology and exhibition history. This is the announcement published in conjunction with a posthumous 1982 Charles Cowles Gallery exhibition of thirty-nine works by the legendary Los Angeles beat artist Wallace Berman. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event with the gallery's vintage price list laid in. Inventory Number: 025867

(BERMAN, WALLACE). Glicksman, Hal, Walter Hopps, Robert Duncan & David Meltzer. Los Angeles: Fellows of Contemporary Art & Otis Art Institute Gallery, 1978. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 118pp, profusely illustrated in b&w and color. Designed by Jerry McMillan. This is the comprehensive catalogue on the work of the beloved pioneering Los Angeles beat, collage, and assemblage artist Wallace Berman published in conjunction with a posthumous 1978 retrospective exhibition sponsored by the Fellows of Contemporary Art and the Otis Art Institute Gallery that traveled to The Fort Worth Art Museum, University Art Museum at UC Berkeley, and the Seattle Art Museum. A most handsome example of this important document showing some soft creasing to the bottom foredge tips of the textblock. It has been priced accordingly. LC 78-70599 Inventory Number: 025866

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). McKenna, Kristine & David Meltzer. London: Camden Arts Centre, 2008. First Edition. 8vo. Stapled Pictorial Wrappers. Artist Monograph. As New.. np (12pp), 5 color illustrations + b&w covers. This is the slender twelve page brochure published in conjunction with a 2008 British exhibition of works by the legendary Los Angeles beat artist entitled "All is Personal: The Art of Wallace Berman". It features an essay by Kristine McKenna along with a brief text by poet David Meltzer. A brand new, most handsome example of this uncommon ephemeral item (number thirty-four in the Camden Arts Centre's "file notes" series) that was the only printed documentation of the event. Inventory Number: 023737

(BERMAN, WALLACE). Perkoff, Stuart Z.. Los Angeles: The Red Hill Press, 1973. First Edition. 8vo. Stapled Illustrated Wrappers. Poetry Monograph. Near Fine.. np (32pp), no illustrations. Cover designed by Wallace Berman. Published in 1973, "Alphabet" is the thirty-two page collection of twenty-two poems (one for each letter of the Hebrew alphabet) by Venice Beach literary figure Stuart Z. Perkoff. An ex-con and substance abuser, it appeared in the last year of Perkoff's tumultuous life, and features a beautiful collaged front cover image by legendary Los Angeles beat artist Wallace Berman. A most handsome example of this uncommon item. LC 73-91380 Inventory Number: 020423

(BERMAN, WALLACE) (PRINCE, RICHARD). McKenna, Kristine & Richard Prince. Introduction by Michael Kohn. Los Angeles: Michael Kohn Gallery, 2009. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 112pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office. With an exhibition checklist. "The use of heterosexual pornography or soft erotica in collage and assemblage is often all too uncritical, but for a few of the California artists who came of age in the early 1950s, Wallace Berman for example, its applications were much more nuanced. This approach to "girlie magazine" imagery and its polar opposite - the impulse to decommodify sexuality - can both be found in the photographs, paintings and books of Richard Prince, an artist whose fondness for the era of Berman is well-known. "She" traces these overlaps and sympathies with reproductions of previously unseen works by Berman and new images from Prince's "Girlfriends" and "de Kooning" series. Also included is an interview with Prince and editor Kristine McKenna, whose ongoing work on Wallace Berman and his contemporaries continues to yield exciting discoveries". A brand new, pristine example (catalogue entry 59 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of this beautiful hardbound catalogue published in conjunction with a 2009 Los Angeles gallery exhibition still in the publisher's shrinkwrap. 1-880086-20-4 Inventory Number: 021100

(BERMAN, WALLACE) (SEMINA). Berman, Wallace & George Herms. Venice, CA: Love Press (George Herms), 1992. First Edition Thus 1/300. Small 4to. Loose Booklets in a Box. Artists' Books. As New./No Jackets - As Issued.. np, nine individual facsimile reproductions of "Semina" magazine plus a loose colophon laid into a box. Truly a labor of Love, this meticulous facsimile recreation of Wallace Berman's legendary - and legendarily scarce - handmade literary and art anthology from the late '50s through early '60s took four years to bring to fruition. Its stellar list of Beat-inflected contributors include Berman first and foremost, along with John Altoon, Antonin Arthaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, John Weiners, and many others. This edition has been painstakingly printed and assembled in the manner of the originals utilizing handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman's close friend and fellow assemblage artist George Herms at his Love Press. A brand new, most handsome example of the 1992 extraordinary facsimile reprint authorized by the artist's Estate limited to three hundred copies NUMBERED (109/300) AND SIGNED by George Herms on the colophon, laid into the publisher's printed chipboard box, as issued. Inventory Number: 025655

(BERMAN, WALLACE) (SEMINA). Kugelberg, Johan & Wallace Berman. New York: Boo-Hooray Gallery, 2014. First Edition 1/700. 4to. Illustrated Wrappers. Artist Monograph. As New.. 174pp, profusely illustrated in color. "Wallace Berman was the quintessential artist of the Californian counterculture - connecting the disparate artistic, literary, music, and film scenes of Los Angeles and San Francisco with his pioneering mail-art magazine Semina. Hand-printed on a tabletop at Berman's house in editions ranging from 150 to 350 copies, it was sent through the mail to his friends, its contributors, and to those he admired. Its nine issues between 1955 and 1964 contain original works by the likes of John Altoon, Charles Brittin, William Burroughs, Cameron, Jean Cocteau, Bruce Conner, Jay DeFeo, Robert Duncan, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Dennis Hopper, Walter Hopps, Jess, Michael McClure, Taylor Mead, Henry Miller, Jack Smith, Dean Stockwell, Russell Tamblyn, Edmund Teske, John Wieners, Berman himself, and many, many more. With its loose-leaf poetry, collages, and photography, Semina has become a defining document of its period. Published in collaboration with the Berman family and the artist's gallerist Michael Kohn, "Art is Love is God" reproduces in full color every component of every issue of the magazine along with a booklet of annotations and texts by Johan Kugelberg, Adam Davis, Tosh Berman, Shirley Berman, and Philip Aarons". A brand new, most handsome example of the unavailable first trade edition of this elegant publication limited to seven hundred unnumbered copies with the publisher's errata slip laid in. 1-938265-18-1 Inventory Number: 024227

(BERMAN, WALLACE) (SEMINA). McKenna, Kristine, Michael Duncan, Stephen Fredman & Raymond Foye. Foreword by Elsa Longhauser. New York & Santa Monica, CA: D.A.P. (Distributed Art Publishers) & Santa Monica Museum of Art, 2005. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 384pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Stuart Smith, Green Dragon Office. With a chronology and exhibition checklist. "The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of "Semina Culture: Wallace Berman & His Circle", the hardbound catalogue to a traveling exhibition organized by the Santa Monica Museum of Art including previously unexhibited works by fifty-two artists. Anchoring this publication is "Semina", a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, it was a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reproduced here are works by various artists and writers who appear in Berman's own photographs - many of which were recently developed from vintage negatives and will be seen here for the first time. Edited by Michael Duncan and Kristine McKenna, it includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan". A brand new, pristine example of the uncommon 2005 first edition of this beautifully designed, extraordinary document still in the publisher's shrinkwrap. 1-933045-10-8 Inventory Number: 023223

(BERNHARD, RUTH). Mitchell, Margaretta K. Foreword By Ruth Bernhard. San Francisco: Chronicle Books, 2000. First Edition. Small Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 160pp, profusely illustrated in duotone. "Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard has lived a life that spans almost a century of passionate, ceaseless exploration of the magic of light to create form. "Between Art & Life" is the first biography of this charismatic woman who kept her personal promise to infuse her art with life, and live her life though art". Centered around a series of detailed interviews between Ruth Bernhard and author Margaretta Mitchell, this is a superbly illustrated survey of the photographer's seminal modernist work (including many of the famous female nudes) , personal life, correspondence, and quotations from the photographer regarding her inspirations, technique, and creative process. A brand new, pristine example (cited on page 202 of "From Fair to Fine 3") additionally BOLDLY SIGNED in Ruth Bernhard's unmistakable calligraphic hand in black fountain pen on the title page. 0-8118-2191-9 Inventory Number: 015275

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. 1-881138-04-6 Inventory Number: 023786

(BIANCHI, TOM). Bianchi, Tom. Bologna, ITALY: Damiani Editore, 2013. Second Printing. Small 4to. Cloth in Pictorial Dust Jacket. Erotic Photography Monograph. As New/As New. 211pp, profusely illustrated in color. Designed by Tom Bianchi and Ben Smales. "In 1970, fresh out of law school, Tom Bianchi was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends' lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi's moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, "Fire Island Pines Polaroids 1975-1983" depicts eight summers of gay life on the Long Island sandbar, and conjures a magical bygone era. "In taking the photos, my first mission was to show that boys like me knew they had a place to go, and the second was to let the world know there was nothing threatening about us". The book's subjects - shown frolicking at the beach, lazing in bed, dancing, holding each other, and hanging out in modernist beach houses - are palpably exhilarating. The sense of joy is so immersive that it's easy to forget, if just for a few minutes, the waiting epilogue that struck the gay community soon after. "The book has for me a profound emotional resonance," says the sixty-seven year-old photographer who lives in Palm Springs, but still spends several weeks every summer on Fire Island. "I'm looking at myself and many other young men who were vividly alive and celebrating their freedom for the first time. I tried to give a sense of the world we lived in. I found very strong connections between us, our style and the place - you would never attempt a community anywhere but in a place that beautiful". A brand new, pristine example of the now unavailable 2013 second Damiani printing that beautifully reproduces the Polaroids in facsimile. 88-6208-270-3 Inventory Number: 024637

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Inventory Number: 022011

(BRODERSON, MORRIS). Seldis, Henry J.. South Pasadena, CA: Nutshell Press, 1961. First Edition. Folio. Loose Plates in a Portfolio. Artist Monograph. Good +.. Ten individual 12 ¾ x 9 ¾" sheets printed recto only, 10 b&w illustrations. With a biography, exhibition history and collections listing. Issued in 1961, this is one of the very few monographic publications on Morris Broderson - one of the major figures in Los Angeles' active figurative art scene of the fifties and sixties. It beautifully reproduces ten monochrome drawings as loose plates (suitable for framing) that show the artist firmly in the debt of Rico Lebrun. These are accompanied by a short essay by Henry J. Seldis, and housed in a printed paper portfolio. An internally handsome example of this uncommon item whose printed portfolio shows some mild creasing, age-toning, light soiling, a few short closed tears, and a separation along the spine. It has been priced accordingly. Inventory Number: 025457