Arcana:

(BROTHERHOOD OF THE SOURCE, THE). Ya Ho Wa. Los Angeles, CA: HigherKey Records, 1974. First Printing. 7 x 7". Single in plain paper sleeve. 7" Vinyl Single. Near Fine Single in Near Fine Sleeve. One 7" black vinyl 45 RPM phonograph record in a plain paper outer sleeve. This is the 1974 two-sided single by Los Angeles' Brotherhood of The Source's musical group, Ya Ho Wa. The A-side is "It's A Knack" 2:45 backed with "Angel Baby" 1:30 as the B-side. Issued in a small press run as for promotional use only, it was never made commercially for sale. A handsome example of the 1974 first HigherKey Records pressing of this psych rarity acquired directly from a member of the Source Family showing some light surface abrasions to the vinyl along with some age-toning to its unprinted paper outer sleeve. Inventory Number: E000YHWIAK

(BROTHERHOOD OF THE SOURCE, THE). Ya Ho Wa. Los Angeles, CA: HigherKey Records, 1974. First Printing. 12 x 12". LP in Illustrated Album Cover. 12" Vinyl LP. Fine LP in Near Fine Sleeve (in Shrinkwrap). One black 12" vinyl 33 1/3 RPM long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed in color offset recto and verso. This is the 1974 LP by Los Angeles' Brotherhood of The Source's musical group, Ya Ho Wa. The front cover features a portrait of The Source's spiritual leader Father Yod, while the striking rear cover presents the bare chested - at least - Father Yod plus three musicians pointing to the band's central pyramidal logo. A brand new, most handsome example of this psych rarity acquired directly from a member of the Source Family still unopened in the original shrinkwrap showing just a bit of creasing at one of the corners. Inventory Number: E000YHW13

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURDEN, CHRIS). Burden, Chris. Los Angeles: Chris Burden, 1974. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Near Fine.. 96pp, profusely illustrated in b&w. Designed by Chris Burden. In a protective clear acetate dustwrapper. This is the first of two early catalogues raisonné cum artist books privately published by Chris Burden detailing his own conceptually based performance work. It presents copious photographic documentation accompanied by the artist's own notes for each of twenty-three projects executed between 1971 and 1973. A bright, exceptionally well-preserved example of this uncommon item showing a bit of faintly browned (from a previously inserted clipping) rectangular area to the first page. Inventory Number: 027539

(CARNWATH, SQUEAK). Tsujimoto, Karen & John Yau. Oakland & San Francisco, CA: Oakland Museum of California & Pomegranate Books, 2009. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. As New/As New. 160pp, profusely Illustrated in color and b&w. With a chronology, bibliography, exhibition history, and exhibition checklist. This is the comprehensive catalogue issued in conjunction with a 2009 Oakland Museum of California retropsective exhibition of eighty-one paintings executed by the popular Bay Area artist Squeak Carnwath between 1979 and 2008. A brand new, most handsome example of the first printing of the uncommon hardbound edition still in the publisher's shrinkwrap. 0-7649-4888-1 Inventory Number: 025964

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CLAXTON, WILLIAM). Claxton, William. Koln, GERMANY: Benedikt Taschen Verlag, 2005. First Edition. Small Folio. Cloth in Printed Dust Jacket. Music Photography Monograph. As New/As New. 720pp, profusely illustrated in color and b&w. "In 1960, photographer William Claxton and noted musicologist Joachim E. Berendt traveled the United States hot on the trail of jazz. Through music halls and marching bands, side streets and subways, they sought to document this living, breathing, beating musical phenomenon that enraptured America across social, economic, and racial lines. The result of Claxton and Berendt’s collaboration was Jazzlife, much sought after by collectors and now revived in this fresh Taschen volume. From coast to coast, from unknown street performers to legends of the genre, this defining jazz journey explores just what made up this most original of American art forms. In New Orleans and New York, in St. Louis, Biloxi, Jackson, and beyond, Claxton’s rapturous yet tender images and accompanying texts examine jazz’s regional diversity as much as its pervasive vitality and soul. They show the music makers and the many spaces and people this music touched, from funeral parades to concert stages, from an elderly trumpet player to kids who hung from windows to catch a glimpse of a passing band. With portraits of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charles Mingus, Thelonious Monk, John Coltrane, and many more, this is as much a compelling slice of history as it is a loving personal tribute". A brand new example of the massive 2005 Taschen XL first printing of this remarkable document additionally BOLDLY SIGNED by the late, great photographer William Claxton still in the publisher's shipping carton. 3-8228-3066-6 Inventory Number: 027705

(CLAXTON, WILLIAM). Claxton, William. Köln, GERMANY: Benedikt Taschen Verlag, 1997. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in English, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example additionally BOLDLY SIGNED "William Claxton" in black marker on the inside front cover.. 3-8228-6652-0 Inventory Number: 020849

(CLAXTON, WILLIAM) (GERNREICH, RUDI). Moffitt, Peggy & William Claxton. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition Thus. 4to. Cloth in Illustrated Jacket. Fashion Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Text in English, German and French. A labor of love by Peggy Moffitt and husband William Claxton, this is the coolest tribute to Los Angeles' visionary fashion designer - the man that brought us see-through, unisex garb, the topless swimsuit, and so much more! Moffitt was Gernreich's frequent model, collaborator, and muse. Claxton, best known for his Jazz and Hollywood work was also the primary photographer of the designer's collections for almost two decades; virtually all of the images here were taken by him. If you really want to know who made sixties fashion mod, op, pop and groovy, check this extraordinary book out. A most handsome example of the 1999 first Taschen edition additionally BOLDLY SIGNED "William Claxton" in black ink on the title page. 3-8228-7197-4 Inventory Number: 022022

(CLAYTON BROTHERS). Clayton, Rob and Christian. Los Angeles & San Francisco, CA: La Luz de Jesus & Last Gasp of San Francisco, 2003. First Edition. 4to. Illustrated Boards. Artists Monograph. As New/No Jacket - As Issued. 186pp, profusely illustrated in color and duotone. Designed by Mark Murphy / Murphy Design Inc. With a biography and bibliography. The Clayton Brothers' idiosyncratic paintings and constructions have won them acclaim as unique - if twisted - visual storytellers. Their art collaborations have been seen in movies such as "Monkeybone", music videos for Oasis, and print campaigns for the X Games. "The Most Special Day of My Life" showcases some of their best projects, including "Tim House", a 6 x 8 x 13' church / schoolhouse installation with bizarre portraits of people real and imagined clinging together inside. Designed to be sampled rather than read front to back, this sumptuously illustrated book tours the work and minds of two masters of postmodern art". A brand new, pristine example of the 2003 hardbound first edition still in the publisher's shrinkwrap. 0-86719-572-X Inventory Number: 025003

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. Inventory Number: 025036

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(COWLES, RUSSELL). Bear, Donald. Los Angeles & New York. ND (1936).: Dalzell Hatfield Galleries. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (16pp), 6 sepia toned and 1 color illustration. This is an early catalogue on the work of well-known California modernist painter Russell Cowles published in conjunction with a 1936 exhibition at Los Angeles' Dalzell Hatfield Gallery. A most presentable example with the exhibition checklist laid in showing a bit of browning and creasing at the extremities. Inventory Number: 006041

(CRUMB, R.). Crumb, Robert. Dian Hanson, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2007. First Edition 1/1000 Deluxe. Stout 4to. Illustrated Boards in Slipcase. Artist Monographs. As New/No Jacket - As Issued. 258pp, profusely illustrated in color and b&w. Text in English. " R. Crumb has selected his most intimately revealing comic strips and single page drawings to create a two hundred and fifty-eight page encyclopedic trip through his sexual psyche. All images were created between 1980 and 2006, and all strips are hand-colored for a lush vibrancy never seen in his comic books. In total, "Robert Crumb's Sex Obsessions" features fourteen complete stories, including "My Troubles With Women", "If I Were a King", "A Bitchin' Bod", and "How To Have Fun With a Strong Girl", as well as sixty single page drawings. This signed slipcased edition limited to one thousand copies is a work of art in itself, with every part of the book - front and back covers, spine, and introductory pages - created for this project by Robert Crumb. Each book comes with an art print selected by Mr. Crumb. A brand new, pristine example sealed in shrinkwrap still in the publisher's printed cardboard shipping carton. 3-8228-2540-9 Inventory Number: 027636

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers. Inventory Number: 026499

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Very Good -.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers along with a bit of subtle rippling due to contact with moisture. It has been priced accordingly. Inventory Number: 025594

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 026837

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 025704

(DEFEO, JAY). Levy, Leah, Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller & Catherine Wagner. New York & Berkeley, CA: Delmonico Books / The Jay DeFeo Foundation, 2023. First Edition. 12 x 9 3/4". Cloth in Illustrated Dust Jacket. Artist Monograph. As New/As New. 256pp 29 color and166 b&w illustrations. 978-1636811116

Please join us at the annex of Marc Selwyn Fine Art on Saturday afternoon, September 30th, 2023 to celebrate the publication of Jay DeFeo: Photographic Work. Editor - and Jay DeFeo Foundation president - Leah Levy will be present for a guided walkthrough of an exhibition of the work. The address is 427 North Camden Drive, Beverly Hills, CA 90212. Metered street parking is available with additional 2-hour free parking around the corner at 9510 Brighton Way. If you cannot attend, please place your order here. Books will begin shipping Tuesday, October 2nd.

"This monograph on the legendary and influential artist Jay DeFeo features over one hundred and fifty photographic works - many never before published - most reproduced at the size the artist printed them. After the completion of her monumental masterpiece The Rose in 1966, DeFeo moved from the heart of artistic activity in San Francisco to a small house in Marin County, California. There she embarked on a focused and rigorous exploration with the camera. For much of the 1970s she used the camera as a tool to look and think with, creating a wide range of black-and-white photographs she processed in her darkroom. The artist used experimental photographic techniques to produce extraordinary artworks, alongside documentary images of her studio and paintings in process. Her contact sheets, some of which are reproduced here, are often filled with multiple views of one object, revealing the way DeFeo looked and sketched with the lens. In 1972 she wrote: "My interest in photography has always paralleled my expression as a painter."

Essays by Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller and Catherine Wagner survey the rich materiality, sculptural layering and illusionistic devices of DeFeo’s playful and enigmatic photographic works, illuminating her astonishing range and daring experimentation with the medium."

Jay DeFeo (1929–89) was a Bay Area artist who created an original and provocative body of work, including the iconic painting The Rose (1958–66). In the 1970s and 1980s, DeFeo continued her visionary work in a range of mediums, including works on paper, photography, collage and photocopies. Among many other exhibitions, a retrospective of her work was organized by the Whitney Museum of American Art, New York, and traveled to the San Francisco Museum of Modern Art in 2012.

A brand new, most handsome example of this thought provoking new document!

Inventory Number: E000JDPW

(DEMETRIOS, EAMES). Demetrios, Eames. Los Angeles: Kcymaerxthaere, 2017. First Edition 1/1415. Stout Small 4to + 8vo. Decorative Ring Binder + Illustrated Wrappers. Artist's Books. As New/No Jackets - As Issued. 792pp, profusely illustrated in color and b&w. Text in English. Designed by Eames Demetrios, Tim McQuaide, Simona Szabados, and Cyrus Hawkes.

"Kcymaerxthaere: The Story So Far… (Folio 1)" is a limited edition compendium documenting the first one hundred and thirty-eight Kcymaerxthaere installations, as well as a few in progress. The Folio is a two volume set organizing the markers and historical sites in story order. Volume I begins with a visual overture. After that you'll find images and text for each of the markers and historical sites as they are installed in twenty-seven countries arranged in order of the unfolding story. Great for browsing and exploring. In the next part, you can take in the stories as words alone for ease of that special flow of reading. The folio also includes appendices and indices as well as an extensive glossary of over six hundred Kcymaerxthaereal words in myriad languages and even Kcy writing systems. Volume II is a handy portable version of the stories told as well as the text from the markers so far - sized perfectly for the plane or bedtime reading. Together, the two books that make up this Folio are definitely the most complete Kcymaerxthaere-related publication to date. A brand new, pristine example of this mind-bending two volume set limited to one thousand, four hundred and fifteen overall examples - most not for sale - NUMBERED AND SIGNED by author, artist, and Geographer-at-Large Eames Demetrios.

PLEASE NOTE: Copies of "Kcymaerxthaere: The Story So Far… (Folio 1)" will be signed Saturday, March 3rd and shipped starting on Tuesday, March 5th. Inventory Number: E000EDKTSSF

(DRUKS, RENATE) (NIN, ANAIS). Nin, Anais & Renate Druks. NP (Malibu, CA): Concentric Circle Press, 1979. First Edition #15/100 Deluxe. 8vo. Cloth with Pastedowns. Illustrated Book. Fine/No Jacket - As Issued. 96pp, 3 b&w and 9 tipped color illustrations. In a protective clear acetate dustwrapper. The late Malibu-based, Viennese expatriate artist Renate Druks was among many things a confidante and occasional muse to legendary literary figure Anais Nin. In 1979, Druks self-published Nin's memoir of their friendship illustrated with nine tipped-in reproductions of her ethereal paintings in the vein of Leonora Carrington and Remedios Varo along with a cover collage. A brand new, most handsome example of the exceedingly uncommon first - and only - hardbound Concentric Circle Press edition limited to one hundred copies NUMBERED (15/100) AND SIGNED "Renate Druks" in black ink on the verso of the title page, as issued. LC 79-53873 Inventory Number: 026669

(DR. WOO). Dr. Woo, Zoe Kravitz and Paul Mittleman. Los Angeles: Citizens of Humanity, I00220617, 2022. First Edition. 8 x 11”, 520 Pages. Paperback. Tattoo Monograph. New/No Jacket - As Issued. 520pp, profusely illustrated in color and monochrome. “Everything is Permanent" is a beautifully designed and elaborately printed visual survey of the evolution of Los Angeles-based tattoo artist Dr. Woo’s intricate single-needle designs and most beloved pieces. Published in a limited run by Citizens of Humanity and featuring special introductions by Zoe Kravitz and Paul Mittleman, its spectacular art direction is by Brian Roettinger of Perron-Roettinger. “The book means a lot to me - it’s a collection of a lot of different drawings and tattoos that represent my creative path to where I am now,” said Dr. Woo. “It’s just a small glimpse into the last decade or so, but hopefully we can build in different volumes and add more stories and more ideas to inspire others who look through them.” A brand new, most handsome example of this uncommon, engaging item that sold out virtually immediately upon publication additionally BOLDLY SIGNED "Dr Woo" in white ink on the front free flyleaf.

Inventory Number: I00220617S

(DURANT, SAM). Darling, Michael, Rita Kersting & Kevin Young. Los Angeles, Dusseldorf & Ostfildern-Ruit, GERMANY: Museum of Contemporary Art, Los Angeles, Kunstverein fur die Rheinlande und Westfalen, Dusseldorf & Hatje Cantz Publishers, 2002. First Edition. 8vo. Pictorial Boards. Artist Monograph. Fine/No Jacket - As Issued.. 120pp, profusely illustrated in color and b&w. Text in English and German. Designed by Purtill Family Business. With a biography, exhibition history, bibliography and exhibition checklist. This is the substantial hardbound catalogue issued in conjunction with a 2002 Sam Durant retrospective that traveled from Los Angeles' Museum of Contemporary Art to Dusseldorf's Kunstverein fur die Rheinlande und Westfalen - the most comprehensive document on the Los Angeles-based artist's work to date. A brand new, most handsome example. 3-7757-9120-5 Inventory Number: 014685

(DURANT, SAM). Ketchum-Heap of Birds, Shanna. Foreword by Jeffrey Keuogh. Boston: Stephen D. Paine Gallery, Massachusetts College of Art, 2007. First Edition 1/2000. 8vo. Illustrated Self-Wrappers. Artist Monograph. Fine.. 76pp, profusely illustrated in color and b&w. With a bibliography. This is the detailed catalogue issued in conjunction with the historically-themed 2007 exhibition by Los Angeles-based artist Sam Durant held at the Stephen D. Paine Gallery, Massachusetts College of Art entitled "Scenes from the Pilgrim Story: Myths, Massacres, and Monuments". A most handsome example additionally BOLDLY SIGNED "Sam Durant" in black ink on the title page. 0-9771419-3-4 Inventory Number: 019461

(EDSON, RICHARD). Edson, Richard. New York: Artvoices Art Books, I00230930, 2023. First Printing. 10 x 7 1/2". Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 979-8986841304

Inventory Number: E000REYZLJ

(ENVIRONMENTAL COMMUNICATIONS). Environmental Communications. Los Angeles & Venice, CA. ND (1977): Los Angeles County Museum of Art & Environmental Communications. First Edition. Folio. Printed Poster. Exhibition Poster. Near Fine.. One 20 x 13" heavy foil-coated paper sheet screenprinted recto only, 1 color illustration. Designed by Environmental Communications. This is the luxe, silkscreen-over-silver-foil-substrate poster issued by Environmental Communications in conjunction with their participation as part of the intriguing 1977 Los Angeles County Museum of Art show, "California: 5 Footnotes to Modern Art History." Their contribution was "Environmental Communications Looks at Los Angeles", a sprawling multi-media exhibition of hundreds of the free-form media cooperative's contemporary photographs of Southern California's recent architecture, murals, signage, and outdoor graphics. The Museum's catalogue included Tom Wolfe's essay on the firm entitled "Chester Gould Versus Roy Lichtenstein." A bright, shiny, most handsome example of this exceedingly uncommon poster depicting an aerial view of LA's iconic downtown freeway interchange showing a few minor nicks and scuffs. It will be mailed in a poster tube. Inventory Number: 027630

(ERIZKU, AWOL). Erizku, Awol, Ashley James, Doreen St. Felix, Urs Fischer & Antwaun Sargent. Foreword by Ishmael Reed. New York: Aperture and The Momentary, I00230705. 2023. First Edition. 12 x 9 1/2". Cloth in Illustrated Dust Jacket. Artist Monograph. As New/As New. 9781597115469

300pp, 168 illustrations in color and b&w. "Working across photography, film, video, painting, and installation, Awol Erizku's work references and re-imagines African-American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans the artist’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.”

Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality."
 

A brand new, most handsome example of this spectacularly designed and produced first monograph additionally signed "Awol Erizku" in ink on the front pastedown.

Inventory Number: E000AEMP

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A brand new, most handsome example. Inventory Number: 013651

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A most handsome example additionally SIGNED "James Fee" in ink on the title page. Inventory Number: 012055

(FEE, JAMES). Krull, Craig.. Los Angeles: James Fee, 1994. First Edition. 4to. Debossed Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (50pp), 23 duotone plates. Designed by SoS Los Angeles / Susan Silton. This beautifully printed, self-published catalogue was the first publication by the late, great Los Angeles photographer James Fee. It presents twenty-three dark and disturbing images of a haunting road trip across an unpopulated, dystopian America. A most handsome example of the ultra-limited deluxe edition bound in black linen over debossed boards with a 5 x 5 ¼" SIGNED original silver gelatin photograph laid down on the front cover additionally bearing the extraordinary SIGNED PRESENTATION "Jean Paul, Thank you so much for everything. You really came through for me on this project. Best, James Fee 9-19-94" in black ink on the first preliminary. This is to Jean-Paul Nataf of the Bremik Press, who is credited as the book's printer and is thanked in the author's printed acknowledgements. 0-964-0494-0-6 Inventory Number: 019818

(FEE, JAMES). Krull, Craig & James Fee. Los Angeles: James Fee, 1994. First Edition 1/1000. 4to. Printed Wrappers. Photography Monograph. Very Good -.. np (50pp), 23 duotone plates. Designed by SoS Los Angeles / Susan Silton. This beautifully printed, self-published catalogue was the first publication by late, great Los Angeles photographer James Fee. It presents twenty-three dark and disturbing images of a haunting road trip across an unpopulated, dystopian America. A most presentable example of this uncommon item limited to one thousand unnumbered copies additionally SIGNED "James Fee" in black ink on the front free endpaper showing a couple of slight bends to the covers and textblock. It has been priced accordingly. 0-964-0494-0-6 Inventory Number: 013278

(FEE, JAMES). Krull, Craig & Keiji Okuhira. Los Angeles: Farmani & Fee, 1996. First Edition 1/1000. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. np (56pp), 25 duotone plates. Text in English and Japanese. Limited to one thousand copies, this beautifully printed, self-published catalogue presents the late Los Angeles-based photographer James Fee's second installment of moody images of an unpopulated, dystopian homeland first seen in his "Photographs of America". A most handsome example of this uncommon item. 0-964-0494-1-4 Inventory Number: 016013

(FEE, JAMES). Krull, Craig & Keiji Okuhira. Los Angeles: Farmani & Fee, 1996. First Edition 1/1000. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. np (56pp), 25 duotone plates. Text in English and Japanese. Limited to one thousand copies, this beautifully printed, self-published catalogue presents the late Los Angeles-based photographer James Fee's second installment of moody images of an unpopulated, dystopian homeland first seen in his "Photographs of America". A most handsome example of this uncommon item additionally SIGNED "James Fee" in black ink on the front endpaper. 0-964-0494-1-4 Inventory Number: 011604

(FILM CULTURE) (BROUGHTON, JAMES). Mekas, Jonas & P. Adams Sitney, Editors. New York: Film Culture, 1975. First Edition. 8vo. Pictorial Wrappers. Film Journal. Near Fine.. 112pp, illustrated in b&w. Jonas Mekas' influential "Film Culture" was New York's preeminent journal devoted to avant-garde cinema and the voice of the international independent filmmaking community of the fifties, sixties, and seventies. This sixty-first installment from 1975 spotlights the achievements of the iconoclastic American independent filmmaker and poet James Broughton. It includes an interview with Broughton by editors Jonas Mekas and P. Adams Sitney, contributions by Kermit Sheets and Clark McKowen, and many of Broughton's own writings. A most handsome example. ISSN 0015-1211 Inventory Number: 025670

(FRANCIS, SAM). Agee, William C.. New York & Chicago: Richard Gray Gallery, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 48pp, 14 color illustrations + b&w cover. With a detailed chronology. This is the catalogue published in conjunction with a posthumous 2000 Richard Gray Gallery exhibition of fourteen "edge" paintings on both canvas and paper by Sam Francis executed between 1964 and 1968. A handsome example showing some creasing to the rear foredge corner of the rear cover. It has been priced accordingly. LC 96-079258 Inventory Number: 025214

(FRANCIS, SAM). Agee, William C.. New York & Chicago: Richard Gray Gallery, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. As New.. 48pp, 14 color illustrations + b&w cover. With a detailed chronology. This is the catalogue published in conjunction with a posthumous 2000 Richard Gray Gallery exhibition of fourteen "edge" paintings on both canvas and paper by Sam Francis executed between 1964 and 1968. A pristine example. LC 96-079258 Inventory Number: 025213

(FRANCIS, SAM). Burchett-Lere, Debra & William C. Agee. Berkeley, CA: University of California Press, 2011. First Edition. Large 4to. Cloth in Pictorial Dust Jacket + two DVDs in a Linen Clamshell Box. Catalogue Raisonné. As New/As New. 0-520-26430-4

In conjunction with the publication of "Light on Fire...", we are offering a 10% discount off of The University of California Press list price of $495.00 for this massive, scholarly catalogue raisonné Sam Francis' painted work.

Inventory Number: E211024SFCR

(FRANCIS, SAM). Francis, Sam. Los Angeles: Felix Landau Gallery, 1969. First Edition. Small Square 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (28pp), 26 b&w illustrations. With an exhibition checklist. This is the slender twenty-eight page catalogue published in conjunction with a 1969 Felix Landau Gallery exhibition of twenty-six paintings on canvas and paper executed between 1963 and 1969 by the noted Las Angeles abstract master Sam Francis. A most handsome example of this uncommon item showing some light soiling and patination to its matte white wrappers. Inventory Number: 026781

(FRANCIS, SAM). Francis, Sam. NP. ND (1973).: Self-Published. First Edition. 12mo. Wrappers. Artist's Book. Fine./No Jackets - As Issued.. np (36pp), no illustrations. In a protective clear acetate dustwrapper. Printed offset without illustrations, this charming little self-published collection of brief aphorisms by the late, great Sam Francis precedes the 1986 Lapis Press edition by over a decade. A bright, most handsome unique example of this exceedingly uncommon true first printing issued hors commerce without dust jacket to be given by the artist to his friends additionally BEARING A BOLD SELF PORTRAIT DRAWING INITIALED AND DATED "S.F. / '73" in black ink on the front cover. Inventory Number: 025572