Arcana:

(BARTH, UTA). Martin, Timothy & Uta Barth. Los Angeles: Uta Barth, 2000. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. 39pp, profusely illustrated in color. Designed by Michael Worthington. "...And of Time" is the gorgeous artist's book cum catalogue published by Uta Barth as a component of the photographer's 2000 exhibition project commissioned by the J. Paul Getty Museum in Los Angeles. An internally most handsome example additionally SIGNED AND DATED "Uta Barth 2000" in the year of publication in black ink on the rear colophon showing some light sunning to the spine and rear cover. It has been priced accordingly. 0-9675404-1-0 Inventory Number: 023106

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. Second Edition (First Thus) 1/1800. 8vo. Pictorial Self-Wrappers. Photography Monograph. As New.. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example additionally SIGNED AND DATED "Uta Barth" in black ink on the front free endpaper. 0-9713681-0-4 Inventory Number: 017401

(BARTH, UTA). Tumlir, Jan. Los Angeles: Uta Barth, ACME. & Bonakdar Gallery, 1999. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. 55pp, profusely illustrated in color. Designed by Michael Worthington. This is the elegant exhibition catalogue cum artist's book published in conjunction with a 1999 three-part project by photographer Uta Barth that was shown concurrently Los Angeles' ACME., New York's Tanya Bonakdar, and Stockholm's Andrehn-Schiptjenko galleries. A brand new, most handsome example. 0-9675404-0-2 Inventory Number: 026307

(BARTH, UTA). Tumlir, Jan & Uta Barth. Santa Fe, NM: SITE Santa Fe, 2004. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. As New.. np (64pp), profusely illustrated in color. Designed by Meryl Pollen. With a bibliography and exhibition history. This is the elegant catalogue cum artist's book published in conjunction with the 2004 three-part exhibition by photographer Uta Barth at SITE Santa Fe. A brand new, pristine example still in the publisher's shrinkwrap. 0-9700774-7-5 Inventory Number: 014497

(BENGSTON, BILLY AL). Donoghue, Mary Agnes. Hans Neuendorf, Editor. Frankfurt AM Main & Esslingen, GERMANY: Galerie Neuendorf & Edition Cantz, 2019. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. For more than sixty years Billy Al Bengston has been an innovative and integral part of the Southern California cultural scene. A member of the original group of Los Angeles artists to exhibit at Ferus Gallery, Mr. Bengston has made a name for himself over the decades in the varied worlds of contemporary art, surfing, and dirt-track motorcycle racing. From his early Dentos and Finish / Fetish pieces to delicate watercolors of Dracula Orchids and beyond, his work remains remarkably vibrant and ever-inventive. He has been the subject of several major museum retrospectives, but until now there has never been a single comprehensive book to fully do justice to his prolific body of work. At long last, from Neuendorf Gallery comes that tome - Billy Al Bengston: Paintings & Watercolors! Weighing in at five pounds, this lavishly illustrated hardbound volume illustrates hundreds of works spanning 1957 through 2016. A brand new, most handsome example of this comprehensive monograph additionally BOLDLY SIGNED by the artist. 978-3947563395 Inventory Number: E000BABP&W

(BENJAMIN, KARL). Frank, Peter. Preface by Roland Reiss. Santa Monica, CA & New York: Ruth Bachofner Gallery & Snyder Fine Art, 1991. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine.. np (36pp), 10 color illustrations. With a biography, exhibition history and bibliography. This is this the catalogue published in conjunction with a 1991 Santa Monica gallery exhibition of abstract works by Karl Benjamin spanning the years 1955 to 1990 that subsequently traveled to New York. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example of this uncommon item with the publisher's errata slip laid in. Inventory Number: 022223

(BENJAMIN, KARL). Muchnic, Suzanne. West Hollywood, CA: Louis Stern Fine Arts, 2011. First Edition. 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. 0-9837871-0-7 Inventory Number: 022221

(BENJAMIN, KARL). Nelson, Harold B.. West Hollywood, CA: Louis Stern Fine Arts, 2004. First Edition 1/5000. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 46pp, 26 color illustrations. With an exhibition history, bibliography and collections listing. This is this the catalogue published in conjunction with the 2004 gallery exhibition of twenty-six abstract works by Karl Benjamin spanning the years 1950 to 1965. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example. 0-9749421-0-3 Inventory Number: 022222

(BENJAMIN, KARL). Schipper, Merle. Malibu, CA: Art Gallery, Seaver College, Pepperdine University, 1981. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist Monograph. Very Good.. np (20pp), 6 color illustrations. With a biography, exhibition checklist and exhibition history. This is this the slender twenty page catalogue published in conjunction with a 1981 Pepperdine University exhibition of thirteen abstract paintings executed by Karl Benjamin between 1956 and 1959. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most presentable example of this uncommon item showing a bit of sunning to the wrappers along with the artist's phone numbers annotated in ink at the rear. Inventory Number: 022661

(BENJAMIN, KARL). Stern, Louis & Dave Hickey. West Hollywood, CA: Louis Stern Fine Arts, 2007. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 124pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. Published in conjunction with a 2007 gallery exhibition of fifty-one abstract works spanning the years 1954 to 1995, this beautifully designed and illustrated hardbound catalogue is the most comprehensive document to date on the late Los Angeles artist Karl Benjamin - who along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson comprised the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, pristine example still in the publisher's shrinkwrap. 0-9749421-7-0 Inventory Number: 022923

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). McKenna, Kristine & David Meltzer. London: Camden Arts Centre, 2008. First Edition. 8vo. Stapled Pictorial Wrappers. Artist Monograph. As New.. np (12pp), 5 color illustrations + b&w covers. This is the slender twelve page brochure published in conjunction with a 2008 British exhibition of works by the legendary Los Angeles beat artist entitled "All is Personal: The Art of Wallace Berman". It features an essay by Kristine McKenna along with a brief text by poet David Meltzer. A brand new, most handsome example of this uncommon ephemeral item (number thirty-four in the Camden Arts Centre's "file notes" series) that was the only printed documentation of the event. Inventory Number: 023737

(BERMAN, WALLACE) (PRINCE, RICHARD). McKenna, Kristine & Richard Prince. Introduction by Michael Kohn. Los Angeles: Michael Kohn Gallery, 2009. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 112pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office. With an exhibition checklist. "The use of heterosexual pornography or soft erotica in collage and assemblage is often all too uncritical, but for a few of the California artists who came of age in the early 1950s, Wallace Berman for example, its applications were much more nuanced. This approach to "girlie magazine" imagery and its polar opposite - the impulse to decommodify sexuality - can both be found in the photographs, paintings and books of Richard Prince, an artist whose fondness for the era of Berman is well-known. "She" traces these overlaps and sympathies with reproductions of previously unseen works by Berman and new images from Prince's "Girlfriends" and "de Kooning" series. Also included is an interview with Prince and editor Kristine McKenna, whose ongoing work on Wallace Berman and his contemporaries continues to yield exciting discoveries". A brand new, pristine example (catalogue entry 59 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of this beautiful hardbound catalogue published in conjunction with a 2009 Los Angeles gallery exhibition still in the publisher's shrinkwrap. 1-880086-20-4 Inventory Number: 021100

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERMAN, WALLACE) (SEMINA). McKenna, Kristine, Michael Duncan, Stephen Fredman & Raymond Foye. Foreword by Elsa Longhauser. New York & Santa Monica, CA: D.A.P. (Distributed Art Publishers) & Santa Monica Museum of Art, 2005. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 384pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Stuart Smith, Green Dragon Office. With a chronology and exhibition checklist. "The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of "Semina Culture: Wallace Berman & His Circle", the hardbound catalogue to a traveling exhibition organized by the Santa Monica Museum of Art including previously unexhibited works by fifty-two artists. Anchoring this publication is "Semina", a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, it was a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reproduced here are works by various artists and writers who appear in Berman's own photographs - many of which were recently developed from vintage negatives and will be seen here for the first time. Edited by Michael Duncan and Kristine McKenna, it includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan". A brand new, pristine example of the uncommon 2005 first edition of this beautifully designed, extraordinary document still in the publisher's shrinkwrap. 1-933045-10-8 Inventory Number: 023223

(BERNHARD, RUTH). Mitchell, Margaretta K. Foreword By Ruth Bernhard. San Francisco: Chronicle Books, 2000. First Edition. Small Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 160pp, profusely illustrated in duotone. "Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard has lived a life that spans almost a century of passionate, ceaseless exploration of the magic of light to create form. "Between Art & Life" is the first biography of this charismatic woman who kept her personal promise to infuse her art with life, and live her life though art". Centered around a series of detailed interviews between Ruth Bernhard and author Margaretta Mitchell, this is a superbly illustrated survey of the photographer's seminal modernist work (including many of the famous female nudes) , personal life, correspondence, and quotations from the photographer regarding her inspirations, technique, and creative process. A brand new, pristine example (cited on page 202 of "From Fair to Fine 3") additionally BOLDLY SIGNED in Ruth Bernhard's unmistakable calligraphic hand in black fountain pen on the title page. 0-8118-2191-9 Inventory Number: 015275

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. 1-881138-04-6 Inventory Number: 023786

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Inventory Number: 022011

(BRODERSON, MORRIS). Seldis, Henry J.. South Pasadena, CA: Nutshell Press, 1961. First Edition. Folio. Loose Plates in a Portfolio. Artist Monograph. Good +.. Ten individual 12 ¾ x 9 ¾" sheets printed recto only, 10 b&w illustrations. With a biography, exhibition history and collections listing. Issued in 1961, this is one of the very few monographic publications on Morris Broderson - one of the major figures in Los Angeles' active figurative art scene of the fifties and sixties. It beautifully reproduces ten monochrome drawings as loose plates (suitable for framing) that show the artist firmly in the debt of Rico Lebrun. These are accompanied by a short essay by Henry J. Seldis, and housed in a printed paper portfolio. An internally handsome example of this uncommon item whose printed portfolio shows some mild creasing, age-toning, light soiling, a few short closed tears, and a separation along the spine. It has been priced accordingly. Inventory Number: 025457

(BROUWS, JEFFREY). Brouws, Jeffrey. Santa Barbara, CA: Handjob Press & National Gas-N-Go Publications, 1992. First Edition 1/1000 Copies. 8vo. Printed Wrappers with Glassine. Photography Monograph. Fine./Near Fine.. 48pp, 26 b&w illustrations. "Twentysix Abandoned Gasoline Stations" is Jeffrey Brouws' first book - an exquisite little paean to Edward Ruscha's own first volume of virtually the same title. Designed and typeset as if a Ruscha publication, its photographs nicely illustrate America's crumbling autopia in lush duotone reproduction thirty years later. An internally most handsome example of this self-published gem (featured on pages 52-55 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") limited to one thousand numbered copies (963/1000) bearing the BOLDLY SIGNED PRESENTATION "For Jonathan: All the Best: Jeffrey Brouws 1997" in black ink on the rear colophon in the publisher's slightly worn unprinted vellum wrapper. Inventory Number: 023183

(BUKOWSKI, CHARLES). Bukowski, Charles. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. illustrated Wrappers. Poetry Monograph. Near Fine./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURDEN, CHRIS). Burden, Chris. Los Angeles: Chris Burden, 1974. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Good +.. 96pp, profusely illustrated in b&w. Designed by Chris Burden. In a protective clear acetate dustwrapper. This is the first of two early catalogues raisonné cum artist books privately published by Chris Burden detailing his own conceptually based performance work. It presents copious photographic documentation accompanied by the artist's own notes for each of twenty-three projects executed between 1971 and 1973. A most presentable example of this uncommon item showing noticeable overall wear, scuffing, and handling to its covers along with some mild soiling to the edges of the textblock. It has been priced accordingly. Inventory Number: 021312

(BURDEN, CHRIS). Burden, Chris & Alexis Smith. Los Angeles: CHOKE Publications, 1977. First Edition. Oblong 12mo. Stapled Pictorial Wrappers. Artist's Book. Fine.. 24pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the charming little self-published document of Chris Burden's 1975 project to design and construct a one passenger automobile capable of traveling over one hundred miles per hour while achieving one hundred miles per gallon fuel efficiency. A most handsome example of this uncommon item. Inventory Number: 021129

(CAGE, JOHN). Cage, John. Text by Joseph Byrd. Los Angeles. ND (1970).: Everest Records. Edition Not Stated. Large Square 4to. 12" Vinyl LP in Jacket. Artist's Recording. Fine/Fine. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in a printed paper-over-cardboard sleeve. Issued by Everest Records (3230) in 1970, this is the second volume of recordings of a live Los Angeles gallery performance by the late, great John Cage of his 1963 composition "Variations IV" presented with his frequent collaborator David Tudor. A brand new, most handsome example (cited on page 130 of Giorgio Maffei and Fabio Carboni's "Sound Pages: John Cage's Publications") still in its original - but opened - shrinkwrap. Inventory Number: 025556

(CANNIZZARO, LOUIS). Cannizzaro, Louis. Los Angeles: Powder French Books, 2005. First Edition. 12mo. Illustrated Wrappers. Artist's Book. As New.. np (88pp), 40 color illustrations. The follow up to "Full of Grace", this is the fourth, self-published artist's book from Louis Cannizzaro; the Los Angeles-based artist whose postcard reproducing his drawing of the shopping list "Coffee...Milk...Heroin...Cat Food...Bread..." resides on a good many refrigerators throughout the world. At times reminiscent of Jean-Michel Basquiat, it is an incredibly sweet, poignant, and witty collection of his latest drawings and paintings - most incorporating text. A brand new, pristine example. 0-9718312-3-8 Inventory Number: 020545

(CANNIZZARO, LOUIS). Cannizzaro, Louis. Los Angeles: Powder French Books, 2003. First Edition. 12mo. Illustrated Wrappers. Artist's Book. As New.. np (88pp), 40 color illustrations. The follow up to "To My Sweetheart", this is the third, self-published artist's book from Louis Cannizzaro; the Los Angeles-based artist whose postcard reproducing his drawing of the shopping list "Coffee...Milk...Heroin...Cat Food...Bread..." resides on a good many refrigerators throughout the world. At times reminiscent of Jean-Michel Basquiat, it is an incredibly sweet, poignant and witty collection of his latest drawings and paintings; most incorporating text. A brand new, pristine example. 0-9718312-2-X Inventory Number: 014147

(CANNIZZARO, LOUIS). Cannizzaro, Louis. Los Angeles: Powder French Books, 2003. First Edition. 12mo. Illustrated Wrappers. Artist's Book. As New.. np (88pp), 40 color illustrations. The follow up to "To My Sweetheart", this is the third, self-published artist's book from Louis Cannizzaro; the Los Angeles-based artist whose postcard reproducing his drawing of the shopping list "Coffee...Milk...Heroin...Cat Food...Bread..." resides on a good many refrigerators throughout the world. At times reminiscent of Jean-Michel Basquiat, it is an incredibly sweet, poignant and witty collection of his latest drawings and paintings; most incorporating text. A brand new, pristine example. 0-9718312-2-X Inventory Number: 014146

(CARNWATH, SQUEAK). Carnwath, Squeak. San Francisco: John Berggruen Gallery, 1991. First Edition. 4to. Printed Wrappers. Artist Monograph. Very Good.. np (32pp), 8 color and 1 b&w Illustration. Designed by Hjermstad and Associates. With a chronology, exhibition history and exhibition checklist. This is the lovely catalogue issued in conjunction with a 1991 exhibition of eight recent paintings by popular Bay Area artist Squeak Carnwath at her longtime San Francisco gallery. A handsome example showing a bit of light wear and insect damage to the covers. Inventory Number: 023465

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CERVENKA, EXENE). Cervenka, Exene. Preface by Kristine McKenna. Santa Monica, CA: Perceval Press, 2006. First Edition. Small Square 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 50pp, profusely illustrated in color. Hot off of Viggo Mortensen's Perceval Press, this is a visually arresting book of legendary X vocalist and poet Exene Cervenka's artwork! "Exene Cervenka's provocative collages, which have garnered high praise in recent New York and Los Angeles gallery shows, are accompanied in this volume by a preface from Kristine McKenna. There is, in McKenna's words, "an ineffable melancholy that permeates" Cervenka's art, and a "haunting power to evoke a childhood lost." In the work represented, you will find a "scent of longing and nostalgia... It is invariably tempered with the essential spirit of her art, which is tender and lyrical. In the end, each piece she's made is a valentine to a fragile America that's disappearing before our very eyes, and an homage to the indomitable persistence of beauty". A brand new, most handsome example of the 2006 first edition. 0-9763009-2-3 Inventory Number: 019193

(CLAXTON, WILLIAM). Claxton, William. Köln, GERMANY: Benedikt Taschen Verlag, 1997. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in English, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example additionally BOLDLY SIGNED "William Claxton" in black marker on the inside front cover.. 3-8228-6652-0 Inventory Number: 020849

(CLAXTON, WILLIAM). Claxton, William. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in Japanese, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example of the 2002 Japanese edition for the Clax completeist. 4-88783-159-5 Inventory Number: 018543

(CLAXTON, WILLIAM). Claxton, William. Foreword By Don Heckman. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Music Photography Monograph. Very Good -/Near Fine. 289pp, profusely illustrated in color and b&w. This is the comprehensive 1999 Taschen anthology of classic jazz images by the late, great Los Angeles photographer William Claxton. While forever associated with Chet Baker and the West Coast scene of the '50s and '60s, Claxton's selection here is a virtual who's who of the history of post-war jazz and improvised music, punctuated throughout by his humble, witty and informative reminiscences of the sessions and the musicians. A handsome example additionally BOLDLY SIGNED "William Claxton" in black ink on the title page showing slight dents to the binding at the heel of the spine and the tips of the boards. It has been priced accordingly. 3-8228-7868-5 Inventory Number: 021058

(CLAXTON, WILLIAM). Claxton, William, Leonard Feather & Terry Southern. Pasadena, CA. ND (1987).: Twelvetrees Press. First Edition 1/4000. 4to. Cloth in Dust Jacket. Music Photography Monograph. Fine/Fine. np (124pp), 77 illustrations in gravure. Designed by Jack Woody. This is the exceptionally lovely 1987 anthology of black and white jazz images by the late, great Los Angeles photographer William Claxton. While forever associated with Chet Baker and the West Coast scene of the '50s and '60s, Claxton's selection here is a virtual who's who of the history of post-war jazz and improvised music. A most handsome example of the first Twelvetrees Press edition additionally BOLDLY SIGNED "William Claxton" in black marker across the colophon at the rear. 0-942642-28-7 Inventory Number: 018541

(CLAXTON, WILLIAM) (GERNREICH, RUDI). Moffitt, Peggy & William Claxton. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition Thus. 4to. Cloth in Illustrated Jacket. Fashion Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Text in English, German and French. A labor of love by Peggy Moffitt and husband William Claxton, this is the coolest tribute to Los Angeles' visionary fashion designer - the man that brought us see-through, unisex garb, the topless swimsuit, and so much more! Moffitt was Gernreich's frequent model, collaborator, and muse. Claxton, best known for his Jazz and Hollywood work was also the primary photographer of the designer's collections for almost two decades; virtually all of the images here were taken by him. If you really want to know who made sixties fashion mod, op, pop and groovy, check this extraordinary book out. A most handsome example of the 1999 first Taschen edition additionally BOLDLY SIGNED "William Claxton" in black ink on the title page. 3-8228-7197-4 Inventory Number: 022022

(CLAXTON, WILLIAM). Marmande, Francis. Paris: Editions Du Desastre, 1989. First Edition. Small 4to. Spiral Bound Wrappers. Music Photography Monograph. Fine.. np (34pp), 30 b&w illustrations. Text in French (with captions in English). This is a lovely Editions Du Desastre Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton. A brand new, most handsome completely intact example of this uncommon item. 2-87770-008-9 Inventory Number: 018545