Arcana:

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Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

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Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

- if you'd like it mailed to you or  directly to the recipient

and

- if/how you'd like us to fill out the "to" and "from".

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Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.

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Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

- if you'd like it mailed to you or  directly to the recipient

and

- if/how you'd like us to fill out the "to" and "from".

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Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.

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Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

- if you'd like it mailed to you or  directly to the recipient

and

- if/how you'd like us to fill out the "to" and "from".

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Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.

.

Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

- if you'd like it mailed to you or  directly to the recipient

and

- if/how you'd like us to fill out the "to" and "from".

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Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.

.

Beautiful letter-pressed gift certificates designed by Tom Adler.
 

Please let us know in the NOTES section of the checkout page:
 

- if you'd like it mailed to you or  directly to the recipient

and

- if/how you'd like us to fill out the "to" and "from".

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Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.

(HOLLAND, HUGH). Holland, Hugh. Los Angeles, CA: Wax Poster, 2019. First Edition. 24 x 36" Unframed Sheet. Archivally Printed Poster Rolled in a Sturdy Custom Cardboard Mailing Tube. Artist's Poster. As New.

Photographer Hugh Holland captured the beauty and grace of the burgeoning skateboarding scene in Southern California during the 1970’s. Holland documented his friends and locals who were thrill seeking youth in pursuit of a perfect ride. From the hills of Laurel Canyon to emptied drought-stricken pools and the sidewalks of Venice, Holland’s work is an important time capsule of this youth driven movement. His stylish images evoke the laid back sun-drenched utopia and charm of this era and the important beginnings of the skateboarding subculture.

A brand new, pristine example of this 24 x 36" poster printed on heavy, acid-free paper stock with archival inks sent rolled in the publisher's sturdy custom cardboard mailing tube.

Inventory Number: WAX017HH

(HOLLAND, HUGH). Holland, Hugh. Los Angeles, CA: Wax Poster, 2019. First Edition. 24 x 36" Unframed Sheet. Archivally Printed Poster Rolled in a Sturdy Custom Cardboard Mailing Tube. Artist's Poster. As New.

Photographer Hugh Holland captured the beauty and grace of the burgeoning skateboarding scene in Southern California during the 1970’s. Holland documented his friends and locals who were thrill seeking youth in pursuit of a perfect ride. From the hills of Laurel Canyon to emptied drought-stricken pools and the sidewalks of Venice, Holland’s work is an important time capsule of this youth driven movement. His stylish images evoke the laid back sun-drenched utopia and charm of this era and the important beginnings of the skateboarding subculture.

A brand new, pristine example of this 24 x 36" poster printed on heavy, acid-free paper stock with archival inks sent rolled in the publisher's sturdy custom cardboard mailing tube.

Inventory Number: WAX015HH

(HOLLAND, HUGH). Holland, Hugh. Los Angeles, CA: Wax Poster, 2014. 36 x 24" Unframed Sheet. Archivally Printed Poster Rolled in a Sturdy Custom Cardboard Mailing Tube. Artist's Poster. As New.

Photographer Hugh Holland captured the beauty and grace of the burgeoning skateboarding scene in Southern California during the 1970’s. Holland documented his friends and locals who were thrill seeking youth in pursuit of a perfect ride. From the hills of Laurel Canyon to emptied drought-stricken pools and the sidewalks of Venice, Holland’s work is an important time capsule of this youth driven movement. His stylish images evoke the laid back sun-drenched utopia and charm of this era and the important beginnings of the skateboarding subculture.

A brand new, pristine example of this 36 x 24" poster printed on heavy, acid-free paper stock with archival inks sent rolled in the publisher's sturdy custom cardboard mailing tube.

Inventory Number: WAX012HH

(HOLLAND, HUGH). Holland, Hugh. Los Angeles, CA: Wax Poster, 2016. 24 x 36" Unframed Sheet. Archivally Printed Poster Rolled in a Sturdy Custom Cardboard Mailing Tube. Artist's Poster. As New.

Photographer Hugh Holland captured the beauty and grace of the burgeoning skateboarding scene in Southern California during the 1970’s. Holland documented his friends and locals who were thrill seeking youth in pursuit of a perfect ride. From the hills of Laurel Canyon to emptied drought-stricken pools and the sidewalks of Venice, Holland’s work is an important time capsule of this youth driven movement. His stylish images evoke the laid back sun-drenched utopia and charm of this era and the important beginnings of the skateboarding subculture.

Hugh Holland: “That shot was one of several I did on the street, at Balboa Island, in the summer of 1975, just as I was beginning the Skate series. I was shooting some kids that were hot-dogging on the street on the sidelines of a small skate contest. I had no idea who they were. A few years later, someone saw them and asked if I knew who that kid was. I said no. He said it was Danny Kwock, who went on in the eighties to be a top surfer in the Newport area, and surfed for Quicksilver. Now he is the president of Quicksilver entertainment. He is a very cool guy.”

A brand new, pristine example of this 24 x 36" poster printed on heavy, acid-free paper stock with archival inks sent rolled in the publisher's sturdy custom cardboard mailing tube.


Inventory Number: WAX009HH

(HOLLAND, HUGH). Holland, Hugh. Los Angeles, CA: Wax Poster, 2016. 24 x 36" Unframed Sheet. Archivally Printed Poster Rolled in a Sturdy Custom Cardboard Mailing Tube. Artist's Poster. As New.

Photographer Hugh Holland captured the beauty and grace of the burgeoning skateboarding scene in Southern California during the 1970’s. Holland documented his friends and locals who were thrill seeking youth in pursuit of a perfect ride. From the hills of Laurel Canyon to emptied drought-stricken pools and the sidewalks of Venice, Holland’s work is an important time capsule of this youth driven movement. His stylish images evoke the laid back sun-drenched utopia and charm of this era and the important beginnings of the skateboarding subculture.

A brand new, pristine example of this 24 x 36" poster printed on heavy, acid-free paper stock with archival inks sent rolled in the publisher's sturdy custom cardboard mailing tube.

Inventory Number: WAX005HH

WHITNEY'S PICK. *
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"Estate grown, organic, and bottled on Nazraeli's hillside farm in Paso Robles, California, 'Maya’s Arbequina' is an early harvest, Spanish variety olive oil. It is relatively mild, with hints of freshly-cut grass. Its clean and mild flavor make it the perfect olive oil for everyday use." 375ml $25.00 Inventory Number: SP19056

(KILGALLEN, MARGARET). New.

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Margaret Kilgallen: that’s where the beauty is. Foreword by Heidi Zuckerman. Text by Courtenay Finn, Jenelle Porter. Impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. –Roberta Smith, New York Times. Margaret Kilgallen: that’s where the beauty is. is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, that’s where the beauty is. examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists. Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture. This publication offers a comprehensive look at Kilgallen’s work, revisiting the ongoing legacy and idiosyncratic spirit of one of California’s most innovative artists. Published by Aspen Museum of Art. Inventory Number: SP19038

WHITNEY'S PICK, JESS'S PICK. *

Please note: Subject to real-time availability.

"In "The Moon Has Lost Her Memory," Deanna Templeton strings together a selection of photographs from her archive, some dating as far back as 16 years, and knits them along with fragments from T.S. Eliot's “Rhapsody on a Windy Night” into a observational rumination on humankind and their activities under the cloak of night.
The poem and the images harmonize in the pleasing hum of street lamps and the surrounding shadows. In a dark corner of a cafe a bored couple await their bill staring out into oblivion as a flock of women squished into shiny dresses flutter across the street, cars headlamps filtering through their spindly legs balanced on high heels teetering along the asphalt. Her camera peers into open doors at forlorn men in bars drinking by themselves as the world dances around them reveling in the darkness. The light sings in her frames, long exposures seared into the film, both the glow of the moon and garish neon signs glancing off the faces her subjects as they move through the night.
Deanna Templeton’s sensitive eye gazes upon the after hours denizens of London, Barcelona, Los Angeles and Rome as they perform the rituals of the night, drunken gaiety for some and isolated solitude for others." Super Labo Inventory Number: SP17074

(RIHANNA) Rihanna. The Haas Brothers.. New York: Phaidon, 2019. First Edition Thus. Folio. Hardbound. Fashion Monograph. As New/No Jacket - As Issued.

The signed and numbered limited edition of Rihanna’s visual autobiography with a custom cover and stand created in collaboration with The Haas Brothers

Rihanna invites you into her world with this stunning visual autobiography. From her Barbados childhood to her worldwide concert tours, from quintessential fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Impeccably produced, this sumptuous large-format book features over 1,000 images—many published for the first time—7 gatefolds, and 11 special inserts, including 9 bound-in booklets, a die-cut tip-in sheet, and a double-sided removable poster.

This edition is bound in a bespoke black fabric with a matte black, laser-cut, steel logo inset into the front cover, signed by Rihanna, and numbered 11–1,000. It features a custom, cast-resin, tabletop bookstand created in collaboration with The Haas Brothers, plated in an 18-carat gold color with mirror-finish, topped with a cushioned platform made from high-density, laser-cut foam covered with a bespoke black vermiculated fabric.
Additional Features
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Signed by Rihanna and The Haas Brothers and numbered 11–1000
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The book is bound in a bespoke black fabric with
a matte black, laser-cut, steel logo inset into the
front cover
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The spine of the book is square-backed with the title and Phaidon logo silkscreened in matte black on the bespoke fabric
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The book interior contains 3 paper stocks: Zunma Oji (China); Massiva (China); Wibalin (UK)
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The endpapers feature a custom design by The Haas Brothers in spot gloss on rich, black Fedrigoni stock (Italy)

978-1838660093 Inventory Number: RIHANNALUX

(RIHANNA) Rihanna. Phaidon, October 24, 2019. First Edition. Hardback. As New/No Jacket - As Issued. +


Rihanna invites you into her world with this stunning visual autobiography.

From her Barbados childhood to her worldwide tours, from iconic fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Many of these images have never before been published.

This large-format edition is 504 pages with 1,050 color images on 3 paper stocks and 7 single- and double-page gatefolds, 9 bound-in booklets, 1 tip-in sheet, and a double-sided, removable poster.

Rihanna (b. 1988, Barbados) is a nine-time Grammy Award–winning recording artist, songwriter, actress, philanthropist, and entrepreneur. She has sold 60 million albums and 215 million digital tracks worldwide, making her the top-selling digital artist of all time. Rihanna launched her beauty line Fenty Beauty in 2017, her lingerie line Savage X Fenty in 2018, and most recently her luxury fashion line FENTY in 2019.


9780714878010 Inventory Number: RIHANNA

(BASQUIAT, JEAN-MICHEL) Edited by Liz Munsell, Greg Tate. Text by J. Faith Almiron, Dakota DeVos, Hua Hsu, Carlo McCormick. MFA Publications, I00200424, 2020. 9.5 x 10.75 in. Hardbound. New/No Jacket - As Issued.

How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York.

In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions.

Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries—and sometimes collaborators—A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture.

Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
9780878468713 Inventory Number: I0042420

(BAFALOUKOS, TED) With texts by Seb Carayol, Cherry Kaoru Hulsey, Eugenie Bafaloukos. Gingko Press, I00200701, 2020. 9 x 12 in., 300 pages. Hardbound. New/No Jacket - As Issued.

Set amongst the reggae scene of late 70s Jamaica, the film Rockers achieved instant cult status among music and cinema fans. Rockers’ director, Ted Bafaloukos, has received many accolades for his work on the film, but the fact that he was also a fine writer and undercover photographer is often overlooked. In 2005, just before his death, Bafaloukos penned this vivid and never-before-published autobiography.

Beyond Bafaloukos’ fascinating story of the “making-of” Rockers, it tells the tale of a Greek immigrant from a family of sailors and his move to New York, eventually rubbing shoulders with the likes of The Velvet Underground, Robert Frank, Jessica Lange and Philippe “Man on Wire” Petit. But there’s a twist to this 1970s’ New York story: Bafaloukos fell in love with reggae when it was still just an underground facet of Jamaican culture in the City. His experiences in New York eventually led him to shoot Rockers, praised for the portrait it paints of Kingston’s late 70s music scene along with its unique style, mentality and fashion.

The director’s intense experiences in Jamaica and New York between ’75 – ’78 provide the substance of the scorching stories within, including; gunshots at his first ever reggae concert in Brooklyn, the director’s bizarre arrest for suspicion of being a CIA operative, paranoia at the Bob Marley compound, musicians-turned actors’ “rude boy” antics, and naturally, sympathetic, highly descriptive recollections of the music that first drew Bafaloukos into Jamaica’s music and culture.

An invaluable collection of photographs taken during the conception, writing and production of the film captures the zeitgeist and breathes life into the book. Production stills and photos taken during the era by Bafaloukos form the visual, cinematic backbone of the tome, faithfully rendering the amazing people, styles, and locations in living, breathing color. Taken all together, the text and images within Rockers will uncover new facets of this all-important era in Reggae music for even the most seasoned reggae aficionados. Beyond reggae circles, this new anthology offers an unparalleled snapshot of a highly fantasized and sought after je-ne sais-quoi: the all-time Jamaican cool. 9783943330489 Inventory Number: I00200701

(PARDO, ALONA) With contributions from Tim Clark, Edwin Coomasaru, Ekow Eshun, Jonathan D. Katz. Prestel, I00200630, 2020. 9 x 13 in, 320 pages. Hardbound. New/No Jacket - As Issued.

Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world’s most celebrated photographers.

This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists—Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex—explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle Pérez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity. 9783791359519 Inventory Number: I00200630

The New York Times. Abrams Image. 7.3 x 0.8 x 9.2 inches, 288 pages. Hardcover. New.

It began in New York City on June 28, 1969.

When police raided the Stonewall Inn—a bar in the Greenwich Village neighborhood, known as a safe haven for gay men—violent demonstrations and protests broke out in response. The Stonewall Riots, as they would come to be known, were the first spark in the wildfire that would become the LGBTQ rights revolution. Fifty years later, the LGBTQ community and its supporters continue to gather every June to commemorate this historic event.

Here, collected for the first time by The New York Times, is a powerful visual history of five decades of parades and protests of the LGBTQ rights movement. These photos, paired with descriptions of major events from each decade as well as selected reporting from The Times, showcase the victories, setbacks, and ongoing struggles for the LGBTQ community. 9781419737923 Inventory Number: I00200628

(MAU, BRUCE). Phaidon, I00200627, 2020. 10 x 8 in., 512 pages. Hardbound. New/No Jacket - As Issued.

24 global, generous, and galvanizing principles to overhaul the way we think and to inspire massive change

Bruce Mau has long applied the power of design to transforming the world. Developed over the past three decades, this remarkable book is organized by 24 values that are at the core of Mau's philosophy. MC24 features essays, observations, project documentation, and design work by Mau and other high-profile architects, designers, artists, scientists, environmentalists, and thinkers of our time. Practical, playful, and critical, it equips readers with a tool kit and empowers them to make an impact and engender change on all scales. 9781838660505 Inventory Number: I00200627

(GRAY, EILEEN) Texts by Cloé Pitiot and Nina Stritzler-Levine. Designed by Irma Boom. Bard Graduate Center Gallery, I00200626, 2020. 8.5 x 10.5 in, 504 pages. New/No Jacket - As Issued.

A smartly designed and beautifully illustrated look at the life and work of an elusive and influential designer and architect

Eileen Gray (1878–1976) was a versatile designer and architect who navigated numerous literary and artistic circles over the course of her life. This handsome volume chronicles Gray’s career as a designer, architect, painter, and photographer. The book’s essays, featuring copious new research, offer in-depth analysis of more than 50 individual designs and architectural projects, accompanied by both period and new photographs.

Born in Ireland and educated in London, Gray proceeded to Paris where she opened a textile studio, studied the Japanese craft of lacquer that would become a primary technique in her design work, and owned and directed the influential gallery and store known as “Jean Désert.” Gray struggled for acceptance as a largely self-taught woman in male-dominated professions. Although she is now best known for her furniture, lighting, and carpets, she dedicated herself to many architectural and interior projects that were both personal and socially driven, including the Villa E 1027, the iconic modern house designed with Jean Badovici, as well as economical and demountable projects, such as the Camping Tent. 9780300251067 Inventory Number: I00200626

(WILTSHIRE, ALEX). MIT Press, I00200625. 8 x 10 in. Hardbound. New/No Jacket - As Issued. A celebration of the early years of the digital revolution, when computing power was deployed in a beige box on your desk.

Today, people carry powerful computers in our pockets and call them “phones.” A generation ago, people were amazed that the processing power of a mainframe computer could be contained in a beige box on a desk. This book is a celebration of those early home computers, with specially commissioned new photographs of 100 vintage computers and a generous selection of print advertising, product packaging, and instruction manuals. Readers can recapture the glory days of fondly remembered (or happily forgotten) machines including the Commodore 64, TRS-80, Apple Lisa, and Mattel Aquarius—traces of the techno-utopianism of the not-so-distant past.

Home Computers showcases mass-market success stories, rarities, prototypes, one-offs, and never-before-seen specimens. The heart of the book is a series of artful photographs that capture idiosyncratic details of switches and plugs, early user-interface designs, logos, and labels. After a general scene-setting retrospective, the book proceeds computer by computer, with images of each device accompanied by a short history of the machine, its inventors, its innovations, and its influence. Readers who inhabit today's always-on, networked, inescapably connected world will be charmed by this visit to an era when the digital revolution could be powered down every evening. 9780262044011 Inventory Number: I00200625

(RABUT, AKASHA). Anthology Editions, I00200623, 2020. 11 x 10 in. Hardbound. New/No Jacket - As Issued.

More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world. 9781944860271 Inventory Number: I00200623

(COLE, TEJU). MACK, I00200620. 8.25 x 12 in. Hardbound. New/No Jacket - As Issued.

The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubünden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing. 9781912339549 Inventory Number: I00200620

(PESSOA, SOLANGE) Edited with text by Alex Bacon. Text by Cecilia Fajardo-Hill, Eduardo Jorge de Oliveira. Interview by Liz Munsell.. Circle Books, I00200618, 2020. 8 x 10 in. Hardbound. New/No Jacket - As Issued.

The first English-language monograph on seminal Brazilian artist Solange Pessoa (born 1961), this substantial volume is also the artist’s most comprehensive to date. Pessoa’s sculptural work, which often mobilizes materials like human hair, leather, wax and animal blood, evokes issues related to human and animal bodies, vacillates between beauty and abjection and forges formal connections between indigenous Brazilian traditions and international postminimal art.

Surveying work from throughout Pessoa’s career, from her beginnings in the late 1980s through to the present, with selections from the artist’s sketchbooks and archives, this volume argues for Pessoa’s unique contribution to Brazilian art. Including texts by international scholars Cecilia Fajardo-Hill, Eduardo Jorge de Oliveira and Alex Bacon, as well as an interview with Pessoa by Liz Munsell, Solange Pessoa introduces English-language readers to the artist’s compelling body of work from the past three decades. 9780578475103 Inventory Number: I00200618

(VENEGAS, LUIS) Foreword by Jefferson Hack. Rizzoli, I00200616, 2020. 8.5 x 11 in.. Hardbound. New.

A celebration of the transversal community from the iconic magazine.

The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero.

Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun.

This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future. 9780847865833 Inventory Number: I00200616

(HILTUNEN, JOHN). New York: Books for All Press, I00200614, 2016. 9" x 8", 96 pp. Paperback. Artist Monograph. New.

A facsimile (edition of 500) of John Hiltunen's original artist's book published by Books for All Press ( @bfa_press ), a non-profit publisher working solely with artists with mental illnesses and developmental disabilities to publish artists' books. "John Hiltunen began making collages in 2006. Before this time, John focused on rug making, wood work, and ceramics. After participating in Paul Butler’s “Collage Party” in 2007, John’s collage work became a consistent artistic pursuit. His clever juxtapositions, which typically combine animal and human subjects mostly derived from fashion and natural history magazines, are provocative in their humor and yet surprisingly earnest in intention. Straightforward in their absurdity, John’s collages are naturally uncanny with cats, dogs, reptiles, and other wild animals looking posh in the latest fashions. In 2012, John’s work was the focus of a major group exhibition curated by Matthew Higgs at Gallery Paule Anglim, San Francisco. He has also exhibited at White Columns, New York, Rachel Uffner Gallery, New York, the San Francisco International Airport, #goodluckgallery and had his work represented at contemporary art fairs like NADA Miami, the Independent, and Frieze New York. In 2013, he was honored as a recipient of the Louis Comfort Tiffany Foundation award, given to those artists whose work show promise, talent, and individual artistic strength but who have not yet received widespread recognition. John’s work is also in the private collection of Cindy Sherman." 9780997940312 Inventory Number: I00200613

(TURCOTTE, BRYAN RAY). Gingko Press, I00200612 2020. 8.8 x 1.1 x 10.7 inches, 300 p. Paperback. New.

Hundreds of examples from the author’s personal collection of well-worn vintage punk shirts line the pages of bestselling author Bryan Ray’s latest book. Amazing one-of-a-kind pieces including internationally famous t-shirts such as Sid Vicious’ personal Sex Pistols shirt, Joe Strummer’s, ‘Rude Boy’, hand painted red brigade Tee and Darby Crash’s personal Vivian Westwood ‘Boobs’ seditionaries T-Shirt. Turcotte’s collection also features gems such as a hand drawn Ric Clayton (RxCx) Suicidal Tendencies button-up featured on the back of the band’s first LP, dozens of Malcolm McLaren / Vivienne Westwood creations and loads of very rare band tees including Misfits, The Cramps, The Clash, Sex Pistols, The Screamers, Germs, Mentors and more. SIGNED by Bryan Ray Turcotte! 9781584237198 Inventory Number: I00200612

(TALLEY, ANDRE LEON).. Ballantine Books, I00200611, 2020. New.

“During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella.

There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion.

The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion.

Woven throughout the book are also André’s own personal struggles that have impacted him over the decades, along with intimate stories of those he has turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and ongoing faith, which have guided him since childhood.

The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about." 9780593129258 Inventory Number: I00200611

(QUARLES, CHRISTINA). Deveney, Grace. Prestel & MCA Chicago, I00200609 2020. 10.8" x 7.5. Paperback. Artist Monograph. New.

A member of the vanguard of artists who are upending the white-male-dominated art scene, Christina Quarles’s art is often considered in relation to her identity as a queer, ciswoman of mixed race. Her large-scale, exuberantly colored paintings reflect both the ambiguities of these identities as well as the constraints that such labels enforce. This book features paintings and drawings from throughout Quarles’s career. Working mostly in acrylic, Quarles populates her canvases with polymorphous figures that reference her background in life drawing, but with an expressionist spin all her own. Her figures’ disconnected arms and legs break through a surface punctuated with bold patterns, textures, and staccato markings.

Curator Grace Deveney’s illuminating insights into Quarles’s work reinforce its power and vitality and illuminate why this young painter is making waves in the contemporary art world.
9783791359120 Inventory Number: I00200609

(BEY, DAWOUD) Edited by Corey Keller and Elisabeth Sherman; With contributions by Torkwase Dyson, Steven Nelson, Imani Perry, and Claudia Rankine. SFMOMA/Yale University Press, I00200605, 2020. 10 x 11 in., 128 pages. Hardbound. New.

With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey’s vivid evocations of race, history, time, and place

Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan’s bombing of Birmingham, Alabama’s 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series’ place within Bey’s wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works’ evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present. 9780300248500 Inventory Number: I00200605

(RIPPON, JO). Imagine!, I00200604, 2020. 10 x 12 in., 176 pages. Hardbound. New/No Jacket - As Issued.

Presented in collaboration with Amnesty International, this stunning collection of more than a hundred posters charts a visual journey across more than a century of political and social activism.

From the suffragettes of the early twentieth century to the upheavals of the 1960s and 1970s to contemporary, social-media-driven demonstrations of dissent and resistance, this illustrative history features iconic art from the archives of Amnesty International, work by world-renowned artists, and spontaneous posters from short-lived print collectives and activists on the ground.

The Art of Protest covers key campaigns, global and local, including the refugee and climate crises, women’s empowerment, nuclear disarmament, LGBTQ activism, Black Lives Matter, and issues around war and the misuse of the world’s resources. These are images that have pushed boundaries as they give voice to the marginalized and confront those who would deny people their rights to peace and equality. 9781623545055 Inventory Number: I00200604

(EDWARDS, MELVIN) Edited by Adriano Pedrosa, Rodrigo Moura. Text by Hamid Irbouh, Rebecca Wolff, Renata Bittencourt, Rodrigo Moura. MASP, I00200603. 7 x 10 in. / 256 pages. Hardbound. New/No Jacket - As Issued.

Ominous and angular, the acclaimed steel sculptures of Melvin Edwards convey racial violence with edgy ingenuity

This volume brings together a significant selection of works from the titular series by the New York–based sculptor Melvin Edwards (born 1937), created between 1963 and 2016, comprising more than 50 years of what is considered the artist's central body of work.

Edwards started to produce the Fragments series when he lived in Los Angeles, at a crucial time of the civil rights movement in the United States. The works directly reference the practice of lynching after the abolition of slavery. Denouncing violence against African Americans, Edwards created these steel sculptures as forms between bodies and machines that can also be interpreted as weapons, given the sense of violence and danger suggested by their blunt, angular and protruding shapes. The selection of works in this book reflects the multiplicity of thematic interests and the formal variations across the series. 9788531000515 Inventory Number: I00200603

Lise Ragbir (Editor), Cherise Smith (Editor). University of Texas Press, I00200601.

Book of the day > Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin. “What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon. Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings—including costumes, jewelry, paintings, sculptures, works on paper, and photography—and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts—artists with deep relationships to Texas—contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.” 9781477320051 Inventory Number: I00200601

(QUESTLOVE) Co-writer Ben Greenman, and Laure Schaefer, Foreword by Martha Stewart. ABRAMS, I00200529, 2020. 8.5 x 10 in. Hardbound. New/No Jacket - As Issued.

What if Questlove threw a dinner party and everyone came?

Questlove is best known for his achievements in the music world, but his interest in food runs a close second. He has hosted a series of renowned Food Salons and conversations with some of America’s most prominent chefs. Now he is turning his hand to creating a cookbook. In Mixtape Potluck Cookbook, Questlove imagines the ultimate potluck dinner party, inviting more than fifty chefs, entertainers, and musicians—such as Eric Ripert, Natalie Portman, and Q-Tip—and asking them to bring along their favorite recipes. He also pairs each cook with a song that he feels best captures their unique creative energy. The result is not only an accessible, entertaining cookbook, but also a collection of Questlove’s diverting musical commentaries as well as an illustration of the fascinating creative relationship between music and food. With Questlove’s unique style of hosting dinner parties and his love of music, food, and entertaining, this book will give readers unexpected insights into the relationship between culture and food. 9781419738135 Inventory Number: I00200529

(COSTA, GIACOMO). Damiani, I00200528, 2020. 9.5 x 11 in., 258 pages. Hardbound. New/No Jacket - As Issued.

Further adventures in dystopian and fantastical cities with Giacomo Costa, virtuoso of digitally manipulated, ultra-detailed photography

Since the mid-1990s, when he debuted his Agglomerati series, Florentine photographer Giacomo Costa (born 1970) has been creating large-format photographs that employ Hollywood blockbuster–style digital techniques to portray unreal, fantastical cityscapes straight out of science fiction.

In 2009 Damiani published The Chronicles of Time, with an introduction by Norman Foster. By turns historical and contemporary, real and imagined, the images in The Chronicles of Time could be the result of natural catastrophe or nuclear war. His latest monograph, A Helpful Guide to Nowhere, presents his latest fascinating, majestic and terrifying images of ominous yet nondidactic dystopias and cityscapes, focusing on work from the last ten years, with numerous previously unpublished images.
9788862087155 Inventory Number: I00200528

(PLOTNICK, DANNY). Rare Bird Books, I00200527, 2020. 10 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.

Super 8: An Illustrated History is a coffee table art book showcasing the history of Super 8 filmmaking. In addition to featuring stunning photography documenting the sleek mid-century design of Super 8 cameras and projectors, the book also offers a detailed history of the beloved medium—one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include, Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney. Thanks in part to a renewed interest in analog technologies, Kodak will be bringing a new Super 8 camera to market in 2019, their first new camera to roll off the assembly line in over thirty years.

Super 8 also features interviews from filmmakers who got their start in Super 8 and individuals who were instrumental in the development of the medium. Interviews include filmmakers Richard Linklater (Slacker, Boyhood, Dazed and Confused), Dave Markey (1991: The Year Punk Broke), Rocky Schenk (music videos for Adele, Devo, Nick Cave, The Cramps, Robert Plant), James Mackay on Derek Jarman (Last of England, Jubilee), Lenny Lipton (The Super 8 Book), James Nares (Rome ’78), G.B. Jones (The Lollipop Generation), Bruce LaBruce (Hustler White, The Misandrists), Peggy Ahwesh (Martina's Playhouse), Paul Sheptow (Super-8 Filmmaker magazine), Ed Sayers (The Straight 8 Film Festival), Melinda Stone (Super Super 8 Film Festival), Jonathan Tyman (Ann Arbor 8mm Film Festival), Norwood Cheek (Flicker zine and screening series), Martha Colburn, Narcisa Hirsch, slit, Matthias Müller, John Porter, and Karissa Hahn. On the technical front, the book features interviews with Roland Zavada (Kodak), Bob Doyle (Super8 Sound), Phil Vigeant (Pro8mm), Frank Bruinsma (Super8 Reversal Lab), and Tommy Madsen (Logmar Camera Solutions). 9781644280324 Inventory Number: I00200527

(MITCHELL, JOAN). David Zwirner Books, I00200526. 2020. Hardbound. Artist Monograph. New.

“I carry my landscapes around with me focuses on American abstract artist Joan Mitchell’s large-scale multipanel works from the 1960s through the 1990s.

Mitchell’s exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes.

Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as “one of the towering achievements of the postwar period.”

Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell’s extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell’s multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist’s paintings, in relation to works by Monet and Willem de Kooning, among others."


9781644230282 Inventory Number: I00200526