Arcana:

WHITNEY'S PICK, JESS'S PICK. *

Please note: Subject to real-time availability.

""In "The Moon Has Lost Her Memory," Deanna Templeton strings together a selection of photographs from her archive, some dating as far back as 16 years, and knits them along with fragments from T.S. Eliot's “Rhapsody on a Windy Night” into a observational rumination on humankind and their activities under the cloak of night.
The poem and the images harmonize in the pleasing hum of street lamps and the surrounding shadows. In a dark corner of a cafe a bored couple await their bill staring out into oblivion as a flock of women squished into shiny dresses flutter across the street, cars headlamps filtering through their spindly legs balanced on high heels teetering along the asphalt. Her camera peers into open doors at forlorn men in bars drinking by themselves as the world dances around them reveling in the darkness. The light sings in her frames, long exposures seared into the film, both the glow of the moon and garish neon signs glancing off the faces her subjects as they move through the night.
Deanna Templeton’s sensitive eye gazes upon the after hours denizens of London, Barcelona, Los Angeles and Rome as they perform the rituals of the night, drunken gaiety for some and isolated solitude for others." Super Labo Inventory Number: SP17074

Jones, Reece. Verso Books, 2016.

A major new exploration of the refugee crisis, focusing on how borders are formed and policed
Forty thousand people died trying to cross international borders in the past decade, with the high-profile deaths along the shores of Europe only accounting for half of the grisly total.

Reece Jones argues that these deaths are not exceptional, but rather the result of state attempts to contain populations and control access to resources and opportunities. “We may live in an era of globalization,” he writes, “but much of the world is increasingly focused on limiting the free movement of people.”

In Violent Borders, Jones crosses the migrant trails of the world, documenting the billions of dollars spent on border security projects and their dire consequences for countless millions. While the poor are restricted by the lottery of birth to slum dwellings in the aftershocks of decolonization, the wealthy travel without constraint, exploiting pools of cheap labor and lax environmental regulations. With the growth of borders and resource enclosures, the deaths of migrants in search of a better life are intimately connected to climate change, environmental degradation, and the growth of global wealth inequality.

Books will be signed by Reece Jones at Arcana on 10/15 and shipped on 10/18. 9781784784713 Inventory Number: e000VBRJ

(MANZELLA, TONY). Manzella, Tony. Venice, CA: Verb Editions, 2017. First Edition. Elephant Folio. Pictorial Tabloid Wrappers. Photography Monograph. As New.
32 pages, four color offset on 17 x 11 1/2" tabloid newsprint

Edition of 1000 designed by David Blankenship for Because

Published by Verb Editions


“Excavating local landscapes. True Image is a photographic representation of our unseen surroundings.” - Tony Manzella
Inventory Number: E000TMTI

Hido, Todd. Essay by David Campany, Texts by Katya Tylevich.. New York: Aperture Foundation, 2016. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New.

"Intimate Distance" is the first comprehensive monograph charting the career of acclaimed American photographer Todd Hido. Though he has published many previous books of individual bodies of work, this sumptuous new Aperture publication gathers his most iconic images for the first time and brings a fresh perspective to his oeuvre with the inclusion of many unpublished photographs.

Well-known for his images of landscapes and suburban housing across the United States, and for his use of luminous color, Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. David Campany introduces the work and looks specifically at Hido's cinematic influences and the kind of spectatorship the work demands. The book is organized chronologically, showing how his series overlap in exciting, new ways. Also featured are interviews with Hido and Katya Tylevich about the making of each of his monographs. From exterior to interior, surface observations to subconscious investigations, landscapes to nudes, this mid-career survey reveals insight into Hido's practice and illustrates how his unique focus has developed and shifted over time. A brand new, most handsome example additionally SIGNED by the photographer.

PLEASE NOTE: Copies of "Todd Hido: Intimate Distance..." will be signed by the photographer at our event on Saturday, December 15th and shipped beginning Tuesday, December 18th.

978-1597113601 Inventory Number: E000THID

(HIDO, TODD). Hido, Todd. Oakland, CA: B-Sides Boxed Sets, 2017. First Edition 1/2000. 16mo. Loose Plates in Plexiglas Box. Photography Monograph. As New/No Jacket - As Issued. 50 loose 2 1/2 x 3 1/2" cardstock sheets printed offset recto and verso, 47 illustrations in color and b&w. "All photographers have a secret stash of photographs that float on the margins of published existence. Photographs that never quite fit into their current projects or are waiting to become the narrative of their next book or show, but that are too good to be left unused. They persist: the photographers pull them out, year after year, they recognize them as great images that should be shared, but the photos somehow frustratingly defy their years of shuffling into categorization or conventional use. This box set is those photographs, finally liberated from that file labeled "Orphans & Misfits. Todd Hido's second B-Sides Box Set, "Homing In", offers a new glimpse into Hido's highly prolific process and unveils unpublished "House Hunting" photographs, overlooked images of his muse Khrystyna, and brand new work made this year from the original set of David Lynch's "Twin Peaks". A brand new, most handsome example of this charming little set of fifty collector-type trading cards additionally BOLDLY SIGNED "Todd Hido" in silver ink on the title card housed in the publisher's Plexiglas box, as issued. 1-5323-5128-3 Inventory Number: E000THB-SHI

Demand, Thomas. Text by Hal Foster. MACK, 2015. "Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking the street. They show a world that is familiar but out of reach, like the dancing coloured pins on a clothesline, suspended somewhere between the overfamiliar and the hallucinatory – as if a chance apparition, glimpsed momentarily, before it vanishes into its habitat.

The images lure the viewer into a mirror world, a twin universe made only of paper. But the imperfect models are awash with discrepancies from actual things, and as such, they act as small ruptures that complicate the old indexical bond between a photograph and reality. Demand describes the series as Haiku poetry, simple fragments strung together to inspire reflection; they are the stock of our daily lives, but as they trigger deja vu through performed repetition, they ask us to look again, anew, to find in the repertoire an ordinary but redemptive beauty.

Demand’s work has been shown extensively across the world and is included in most of the significant private and institutional collections. Recent books include Model Studies (Ivory Press, 2011) and Blossom with the poet Ben Lerner (MACK, 2015).

PLEASE NOTE: Copies of "The Dailies" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 9781910164402 Inventory Number: E000TDTD

Demand, Thomas and Ben Lerner. London, UK: MACK, 2015. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. The texts and images presented here are part of Blossom, a collaboration between the artist Thomas Demand and writer Ben Lerner. The images relate to a detail from a photograph of Katherine Russell, widow of Tamerlan Anzorovich Tsarnaev leaving her home in Boston, that first appeared in the New York Times on 4 May 2013.

Thomas Demand’s work lures the viewer into a reality that is not what it appears to be. Carefully contrived from paper, these imaginary worlds are sculpted, photographed and destroyed. The traces which remain are events in which the protagonist is removed, scenes that are both familiar and out of reach. Demand’s work has been shown extensively across the world and is included in most of the significant private and institutional collections. Recent books include The Dallies (MACK, 2012) and Model Studies (Ivory Press, 2011).

Ben Lerner is the author of three books of poetry: The Lichtenberg Figures, Angle of Yaw and Mean Free Path, all published by Copper Canyon Press. He is the author of two novels, Leaving the Atocha Station, published by Coffee House Press, and 10:04, out this year from Faber / FSG. His recent writing on art and literature can be found in Art in America, Frieze, Harper’s, and The London Review of Books. He has been a finalist for the National Book Award and has received Fulbright, Howard, and Guggenheim Fellowships, among other honors.

PLEASE NOTE: Copies of "Blossom" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. Inventory Number: E000TDB

(CARPENTER, TIM). Carpenter, Tim. Los Angeles: The Ice Plant, 2017. First Edition 1/30 Deluxe. 4to. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. np (144pp), 74 duotone illustrations. "Borrowing its title from the Wallace Stevens poem in which “little existed for him but the few things / for which a fresh name always occurred,” Tim Carpenter’s "Local Objects" is a solid yet remarkably unassuming body of work: a calm, steady rhythm of seventy-four medium format photographs made in the semi-rural American Midwest. While each picture meticulously frames the seemingly random non-activity of a typical ‘street view’ image, Carpenter’s contemplative sequencing allows a surprising harmony of natural and geometric motifs to modulate quietly throughout the book - an interplay of minor chords that draw the viewer into this specific physical place (mostly central Illinois, where he grew up) and the subjective, literary space of the work. Detached from the urgency of current affairs, stripped of all excess, Carpenter’s photographs reflect a poetic attempt to see “the thing in itself,” to make meaning with the barest tools possible". A brand new, pristine example of deluxe The Ice Plant first edition limited to thirty SIGNED copies in a hand-stamped, NUMBERED slipcase accompanied by a SIGNED AND NUMBERED 4 1/4 x 3 3/8" Silver Gelatin print.

PLEASE NOTE: Copies of "Local Objects" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 978-0-9897859-9-0 Inventory Number: E000TCLO-LTD

(Williams, Senon). Williams, Senon. Venice, CA: Hamilton Press, 2017. First Edition 1/50 Deluxe. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket as Issued.

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood". With imagery ranging from stark silhouettes to lush landscapes and human forms staged in undetermined acts of hope, his pairing of words and imagery form a poignant visualization of the inherent human struggle both ancient and contemporary. 

Williams' first book, "Hunted & Gathered" was painstakingly produced by Hamilton Press. The press was established in 1990 by master printmaker Ed Hamilton and artist Ed Ruscha to encourage artists to produce art in a peaceful, unhurried atmosphere. Steeped in traditional book making in a modern age, each publication itself is a fine object created by an esteemed team. Designed by Lorraine Wild and Marina Mills Kitchen of Green Dragon Office with color separations by Echelon Color, Santa Monica and printed by Dr. Cantz’sche Druckerei Median GmbH in Ostfildern, Germany, the first edition consists of seven hundred hardbound copies along with a deluxe edition of limited to fifty copies containing an original work on paper by the artist.

PLEASE NOTE: Copies of "Hunted & Gathered" will be signed Saturday, October 7th and shipped starting on Tuesday, October 10th. 978-0-692-87700-5 Inventory Number: e000SWH&G-LTD

(Williams, Senon). Williams, Senon. Venice, CA: Hamilton Press, 2017. First Edition 1/700. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued.

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood". With imagery ranging from stark silhouettes to lush landscapes and human forms staged in undetermined acts of hope, his pairing of words and imagery form a poignant visualization of the inherent human struggle both ancient and contemporary. 

Williams' first book, "Hunted & Gathered" was painstakingly produced by Hamilton Press. The press was established in 1990 by master printmaker Ed Hamilton and artist Ed Ruscha to encourage artists to produce art in a peaceful, unhurried atmosphere. Steeped in traditional book making in a modern age, each publication itself is a fine object created by an esteemed team. Designed by Lorraine Wild and Marina Mills Kitchen of Green Dragon Office with color separations by Echelon Color, Santa Monica and printed by Dr.Cantz’sche Druckerei Median GmbH in Ostfildern, Germany, the first edition consists of seven hundred hardbound copies along with a deluxe edition of limited to fifty copies containing an original work on paper by the artist. A brand new, most handsome example of the standard edition additionally SIGNED by the artist.

978-0-692-87700-5 Inventory Number: E000SWH&G

(SHUBUCK, SIMONE). Shubuck, Simone, Janine Foeller, Jim Dempsey & Alex Wagner. New York, NY: Self-published. Printed in Poland by Szaransky, 2018. First Edition. 4to. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued.


"In the summer of 2017, Simone Shubuck launched WIFEY, a Brooklyn pop up that fused art, food, ceramics, flowers, and bit of retail in an elevated DIY way. During the process, Shubuck realized that so much of what she was doing directly connected to a show she staged as a student at the San Francisco Art Institute in the early 1990s. Wanting to formalize that multi-decade connection, she decided to make a book.


While at the Art institute, Shubuck studied painting, but probably spent more time tagging on the streets in the middle of the night than in her studio. When it came time to produce her student show, she constructed ten very unusual fake cakes festooned with pink ham hocks, a school of fresh sardines, a tent of chicken feet, and live crickets within a hat box within a cake. It was these images that attracted chefs Ignacio Mattos and Natasha Pickowicz of Estela, Flora Bar, and Cafe Altro Paradiso to the project. They became partners and began experimenting with dreamy layers cakes, which were served at WIFEY and were met with great acclaim.


As described by Ella Riley-Adams on Vogue.com: "She had made a paged project before; a short run of 'zines for Natasha Pickowicz’s bake sale benefit at Altro Paradiso. “It had more of a punk vibe,” Shubuck says—150 copies, printed in Chinatown. The new book feels more like a collector’s item: a retrospective of off-kilter cakes, blossoming drawings, and character-filled ceramics that charts Shubuck’s creative course that would make the ideal gift for the cool girl in your life. As Alex Wagner writes, next to a bright yellow page in the book: “Simone’s work - on paper, in clay, in life! - retains a glorious sense of mess and possibility and freedom.”


Includes texts by Janine Foeller, Jim Dempsey, and Alex Wagner.

Please Note: Books will be signed by Ms. Shubuck at Arcana on July 28th and shipped on Tuesday, July 31st.






0-692-07877-0 Inventory Number: E000SS

. Steidl.

The Soviet Photobook 1920-1941

A massive, full-illustrated history of photography book making and design from the USSR

Published by Steidl
Edited by Mikhail Karasik, Manfred Heiting

The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s.
No other country or political system advanced its cause by attracting and employing acclaimed members of the avant-garde. Among them were writers such as Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artist designers such as Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers such as Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko and Georgy Petrusov, not to mention many of the best printing plants and bookbinders.
Gorgeously produced, edited and designed, The Soviet Photobook 1920-1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented for the first time.

Azerrad, Lawrence. . Prestel, 2018. When the first commercial Concordes zoomed off the runways in Paris and London in the late 1960s, crossing the Atlantic in just under three hours, they established a new standard for luxury flight. Powered by 38,000 pounds of thrust and easily recognizable with its delta wing and drooping nose, the Concorde jet embodied the pinnacle of aviation technology and industrial design. It quickly became the preferred mode of transatlantic flight for superstars and business moguls alike. Opening with a lively history of the jet and how it changed travel, the book focuses on the look and feel of the Concorde. Photos of the jet’s evolving interiors show how the original, starkly designed cabin gave way to luxury seats and interiors designed by the likes of Sir Terence Conran and Andrée Putman. Filled with fascinating historical and technical background, and drawn from the author’s personal collection of more than one thousand Concorde-related objects, this elegant book offers rarely seen historical photography and firsthand contributions from the people who helped create the Concorde experience from take-off to landing and beyond.

Books will be signed by Mr. Azerrad at Arcana on Saturday, November 17th. 783791384092 Inventory Number: E000S

(RAFAL, ETHAN). Rafal, Ethan. San Francisco, CA: IHA Editions, 2015. First Edition. 4to. Silkscreened Cloth. Photography Monograph. New/No Jacket - As Issued. 978-0-9895996-0-3 Inventory Number: E000RERSAA

(SAMMALLAHTI, PENTTI). Lesaffre, Guilhem. Paris: Editions Xavier Barral, 2018. First English Edition 1/500. 4to. Cloth With Pastedown. Photography Monograph. As New/No Jacket - As Issued. 120 pages, 66 duotone illustrations.

"Traveler-photographer Pentti Sammallahti captures the mysteries of nature on his travels and among these, the world of birds. Coastlines, swamps, parks, endless plains, forest clearings, snowy landscapes… In these isolated areas, birds slyly reveal their presence. Like visual tales, these images attest to his extraordinary eye for detail, to light that sculpts spaces, to silent expanses in which a human or animal presence suddenly appears. The experience of the image is twofold: beyond its narrative virtuosity, his use of a two-color process, with immaculate whites (as in the plumage of his swans or pink flamingos) confronted with deep blacks, creates a play of textures and powerfully renders a world in which birds play a unique role. Accompanying these photographs, the ornithologist Guilhem Lesaffre showcases the relationship to the seasons that is a fundamental aspect of the life of birds. Where it exists, winter is a major constraint that birds must grapple with and that notably leads to strategies in their search for food and energy economy, or socializing. The author here associates the life of birds in winter with Pentti Sammallahti’s photographs. A brand new, pristine example of the now unavailable first English language printing from 2018 limited to five hundred copies still in the publisher's shrinkwrap. 978-2-36511-215-4 Inventory Number: E000PSB

Ruscha, Paul. Steidl, 2006. First Edition. 8vo. Illustrated Wrappers. As New./No Jacket - As Issud.
Paul Ruscha's home is a monument to the compulsions of collecting. He has been amassing everything from appliances to office supplies since he was a child. Typewriters, toasters, hair dryers, cameras, cocktail shakers, coffee makers, old pens, baseball caps, odd pieces of wood, and the press-apply stickers that adorn every inch of the cabinets in his overcrowded kitchen. His numbered paper inspection slips from the pockets of new items of clothing go back to the dawn of numbered paper inspection slips. And because he has spent the last twenty years working as his artist-brother Edward's in-house studio photographer and documentarian, the paintings, sculpture and objects mixed in with all of this ephemera are significant pieces of twentieth century art. Paul Ruscha's Full Moon is an incomplete and imprecise inventory of an eclectic, well-loved treasure-trove. Texts explicate the nature of Ruscha's attachment to various items, and recall the artists whose work is included.

Books will be signed by Paul Ruscha at Arcana on October 13th - event details forthcoming! 978-386521231 Inventory Number: e000PRFM

Schmelling, Michael. The Ice Plant and Skinnerboox, 2018. In 2013, the Museum of Contemporary Photography commissioned American photographer Michael Schmelling to make a new series of photographs about music in his hometown of Chicago. First shown as the solo exhibition Your Blues in 2014 (curated by Karen Irvine), this ambitious body of work now takes form of an artist book, co-published by The Ice Plant and Skinnerboox. Schmelling spent eighteen months immersed in the project, crisscrossing Chicago alone at night, making his way into basement shows, crowded clubs, parties, and recording studios (“waiting in the dark for a communal experience with strangers,” as he describes it), documenting both the communal culture at large — musicians and fans alike — and the DIY individualism of the characters involved. Focussing on niche and local acts in unconventional venues, Schmelling’s work reflects a vibrant, fluid crossover between the region’s music genres, a diffuse legacy that encompasses the blues, punk, psychedelic jazz, rap, emo, hardcore, and house music. In Chicago “there’s no dominant cultural tradition,” writes musician Tim Kinsella in an essay included in the book. “The dominant form is hybridity.” Teeming with enthralled bodies and ecstatic faces, Your Blues is an energetic and intimate document of a time and place, featuring over 200 meticulously sequenced photographs, puzzled together through subtle rhythms and recurring visual riffs, infusing Schmelling’s own personal photo-cryptology into the evolving musical history of the city.

Please note: Mr. Schmelling will be signing books at Arcana on October 13th -- orders will ship on Tuesday, October 16th. Inventory Number: E000MSYB

(SLACK, MIKE). Slack, Mike. Los Angeles: The Ice Plant, 2017. First Edition 1/20 Deluxe. 4to. Decorative Boards. Photography Monograph. As New/No Jacket - As Issued. np (100pp), 50 color illustrations. "Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles… Mike Slack delves into an overheated terrestrial ecosystem in "The Transverse Path, surveying a luminous topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie". A brand new, pristine example of the deluxe The Ice Plant first edition limited to twenty SIGNED copies in a hand-stamped, NUMBERED slipcase accompanied by an Archival Color Ink Jet print SIGNED AND NUMBERED by Mike Slack entitled "Cloud".

PLEASE NOTE: Copies of "The Transverse Path" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 978-0-9992655-0-5 Inventory Number: E000MSTTP-LTD2

(SLACK, MIKE). Slack, Mike. Los Angeles: The Ice Plant, 2017. First Edition 1/20 Deluxe. 4to. Decorative Boards. Photography Monograph. As New/ No Jacket - As Issued. np (100pp), 50 color illustrations. "Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles… Mike Slack delves into an overheated terrestrial ecosystem in "The Transverse Path, surveying a luminous topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie". A brand new, pristine example of the deluxe The Ice Plant first edition limited to twenty SIGNED copies in a hand-stamped, NUMBERED slipcase accompanied by an Archival Color Ink Jet print SIGNED AND NUMBERED by Mike Slack entitled "Grass".

PLEASE NOTE: Copies of "The Transverse Path" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 978-0-9992655-0-5 Inventory Number: E000MSTTP-LTD1

(SLACK, MIKE). Slack, Mike. Los Angeles: The Ice Plant, 2017. First Edition. 4to. Decorative Boards. Photography Monograph. As New/ No Jacket - As Issued. np (100pp), 50 color illustrations. "Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles… Mike Slack delves into an overheated terrestrial ecosystem in "The Transverse Path, surveying a luminous topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie". A brand new, pristine example of the first The Ice Plant edition limited to nine hundred unnumbered copies additionally SIGNED "Mike Slack" in ink.

PLEASE NOTE: Copies of "The Transverse Path" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 978-0-9992655-0-5 Inventory Number: E000MSTTP

Ruwedel, Mark. MACK, 2016. Message from the Exterior explores the ruins and remains of failed attempts to live in the desert’s harsh environments, depicting abandoned houses – small, often eccentric huts, both humorous and a little forlorn. Ruwedel examines the desert regions east of Los Angeles as a palimpsest of cultural and natural histories, presenting an inventory of a particular, and poignant, form of vernacular architecture; each structure might be read as a clue to the lives of anonymous individuals, and the impulse to create a home in the wilderness, however transitory. The first section, 'Desert Houses', comprises 68 desert structures, while the second section, ‘Dusk’, presents houses photographed after the sun had disappeared over the horizon, now rendered in subdued, dusky tones that suggest both present and absence, and the weight of isolation.

PLEASE NOTE: Copies of "Message from the Exterior" will be signed Sunday, December 9th and shipped starting on Tuesday, December 12th. Inventory Number: E000MRM

(KUHN, MONA). Kuhn, Mona. London, UK: Stanley / Barker, 2018. First Edition. 4to. Cloth With Pastedown. Photography Monograph. As New/No Jacket - As Issued. 60pp, 120 illustrations in color and b&w. Designed by The Entente.

Born in Brazil, photographer Mona Kuhn currently resides in Los Angeles. Through intimacy with her subjects, knowledge of traditional iconography, and technical mastery, Kuhn portrays the complexities of human nature, both tempting and provoking our imagination. "Bushes & Succulents" is Mona Kuhn’s celebration of the female essence - confident, raw and elegant, yet confrontational and unapologetic.

Reminiscent of Georgia O'Keeffe's floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. Kuhn's use of the solarization process reveals human imperfections in the metallic brilliance of the skin, and brings to the surface a woman’s struggles, strengths, and power. The photographer states “The frame reminded me of early childhood, at age eight or so, when I would jump in the shower with my mother. It resonates an adoration and child-like curiosity for what it is to be a woman. My intention is not to objectify the body, but to celebrate the female body and its essence.” A brand new, most handsome example additionally SIGNED by the photographer.

PLEASE NOTE: Copies of "Bushes and Succulents" will be signed by Mona Kuhn at the event on Saturday, December 8th, and shipped starting on Tuesday, December 11th.



978-1-9164106-1-9 Inventory Number: E000MKB&S

. The Ice Plant, 2018. Where do our minds go when we read books, magazines, and letters? Do we seek an escape, a portal to another world? A secret, a truth, a pleasant distraction? Voyagers, edited by Melissa Catanese (author of Dive Dark Dream Slow), consists almost entirely of anonymous black & white snapshots of people in various postures of reading — in living rooms, on beds, at the beach, eating breakfast. We can’t see what these readers are thinking, but Catanese occasionally breaks the hypnotic typological rhythm to reveal a new photographic element — a pyramid, a starry night, sunlight glowing through a window — giving us brief glimpses of the readers’ potential narrative journeys. A wordless book with the size and feel of a vintage paperback found at a flea market, Voyagers reminds us of the power and intimacy of our relationship to ‘reading devices,’ and evokes an exotic nostalgia for our recent pre-digital culture. As with Catanese’s prior books, the images were judiciously selected from the collection of Peter J. Cohen, a celebrated trove of more than 20,000 vernacular photographs from the early- to mid-twentieth century.

Please note: Ms. Catanese will be signing Voyagers at Arcana on October 13th -- your order will ship on Tuesday, October 16th. Inventory Number: E000MCV

Harry, Kevin. New York: 2016. First Edition. 8vo. Printed Stapled Wrappers. New.
The magic of an afro.
This special issue of KH focuses on hair….and at the heart of it is the afro and variations on it.

30 pages---27 photos.

We are thrilled to have been the exclusive purveyor of this 2016 Special Issue of the fabulous KH zine -- this one devoted entirely to tonsorial style -- at the 2016 Printed Matter LA Art Book Fair!

Over the past two years Kevin Harry has self-published two small books cum zines entitled KH that joyously document the lively sense of fashion and personal style that pervade the participants and attendees alike at street celebrations of the African diaspora. The first issue featured images taken at New York’s annual Puerto Rican Day Parade, and the second documented the 2015 Afropunk Fest in Brooklyn. Inventory Number: e000KHSP2016

Longstreth, Jake. The Ice Plant, 2018. From 2008 to 2012, often in the dead of summer, American painter Jake Longstreth (born 1977) photographed the dusty, utilitarian Central Valley of California, a severe inland topography formerly occupied by the massive Tulare Lake. With a tonal restraint echoing the style of his own flatly realistic paintings, Longstreth’s photographs capture the hazy, blinding sunlight and muted palette of this region, a topography that has been transformed from a lush, wild terrain—celebrated by John Muir in 1868 as “one smooth, continuous bed of honey-bloom”—into the monotonously fertile industrial farmland it is today. “Millions of people pass over the dry lake-bed in their cars every year, unaware of its previous existence,” Longstreth notes with ambivalent fascination. “A Taco Bell now stands roughly where the shores of Tulare Lake once were.”

Please note: Mr. Longstreth will be signing Voyagers at Arcana on October 13th -- your order will ship on Tuesday, October 16th. Inventory Number: E000JLT

Gold, Jeff. Jon Savage (Editor), with contributions by Johan Kugelburg, Ben Blackwell, Joan Jett, Johnny Marr. Nashville, TN: Third Man Books, 2016. First Edition. 4to. Cloth in Pictorial Dust Jacket. Music Monograph. As New/As New.

One of the most anticipated books of the year about one of the most influential bands of all time... Total Chaos: The Story of The Stooges / As Told by Iggy Pop is the first time the story of this seminal band has been told entirely in Pop's own words.

Author Jeff Gold and contributor Johan Kugelberg - noted music historians and collectors both - spent two days with Iggy Pop at his Miami home, sharing with him their extensive Stooges collection and interviewing the legendary singer. Pop’s candid, bare-all responses left them with the almost unbelievable tale of the band he founded as a teenager in Michigan nearly fifty years ago. It is the alternately tragic and triumphant story of a group who rose from youth, fell prey to drugs, alcohol, and music biz realities, collapsed, and nearly thirty years later reformed to record and tour once again to great acclaim. In 2010 The Stooges, credited with having invented punk rock, were inducted into the Rock & Roll Hall of Fame. Their continuing influence can be felt today in the shape and sound of rock 'n' roll music.

Jeff Gold, Johan Kugelberg, and editor/contributor Jon Savage are among the most respected music authors and historians working today. Their efforts include numerous acclaimed and best-selling books and a Grammy Award. Published by Third Man Books, "Total Chaos" stands as a work for all fans of the band and rock music to draw inspiration from. Including an absolute treasure-trove of rare and unseen photographs, it is a metallic k.o. of only the best kind that shows AND tells the story of The Stooges.

"It was a rare privilege to sit with Iggy as he downloaded the story of The Stooges. He’s an incredible storyteller with a fantastic memory and a great sense of humor, and he held nothing back. The Stooges were pioneers in sound, look, and live presentation, and along the way invented a genre—punk rock—and influenced countless others that followed. There was no precedent in rock music for what they did. They're definitely the only group in the Rock and Roll Hall of Fame who started out playing an amplified Waring blender, a vacuum cleaner, spring water bottles and a two hundred gallon oil drum." — Jeff Gold, Author of "101 Essential Rock Records"

"Iggy and The Stooges have to be one of the greatest American rock bands that has ever been." — Joan Jett

"What does it mean to be Iggy Pop, five decades of being ‘the wildest man in rock’? Iggy Pop is many things. Rock Star. Singer, Rebel. Primitive. Stooge. The Jean Genie, Passenger. Legend." — Johnny Marr

"Iggy Pop has turned the interview into an art form. In this book he tells the history of The Stooges with a mixture of wit, candor and spontaneity: from their early beginnings to their full flaming flare over three groundbreaking albums before the crash and the triumphant return that no-one could have predicted. Profusely illustrated with dozens of unseen images, this is the story of The Stooges like you’ve never read it before." — Jon Savage, Author of England's Dreaming. 978-0991336197 Inventory Number: E000JGTC

Gold, Jeff & Gene Sculatti. Berkeley & Los Angeles, CA: Gingko Press & Kill Your Idols, 2016. First Paperbound Edition. 4to. Pictorial Paperback. Music Monograph. As New.. 260pp, 443 color illustrations. Jeff Gold's "101 Essential Rock Records..." is a tribute to the vinyl album and celebrates one hundred and one of rock’s most influential records - from The Beatles’ 1963 debut "Please Please Me" through the Sex Pistols’ Never Mind the Bollocks". Alongside the big names such as Bob Dylan, Jimi Hendrix, The Rolling Stones, and Fleetwood Mac are lesser-known but highly influential artists including Laura Nyro, The Flying Burrito Brothers, Captain Beefheart, and The Stooges. An essay on each album accompanies reproductions of the original vinyl cover artwork, with rare variations from around the world. Also included are thought-provoking interviews with musicians who discuss the albums and artists who changed their lives. Graham Nash describes meeting The Beatles at a 1959 talent show where they were billed as Johnny and the Moondogs, and how, four years later, John Lennon and Paul McCartney sang him the just written "Misery" - one voice in each ear. David Bowie speaks eloquently about the Velvet Underground’s influence, and Iggy Pop writes of the profound impact upon hearing Van Morrison’s no-holds-barred performance on the first album by Them, and his admiration for Frank Zappa and The Mothers of Invention’s "Freak Out", noting that opening for the Mothers "pushed me to be weirder faster". Additional contributions are from Jac Holzman (Elektra Records), Robyn Hitchcock, Nels Cline (Wilco), Susanne Vega, Jon Savage, Devendra Banhart, Mick Haggerty, Joe Boyd, Peter Buck (REM), Johnny Marr (The Smiths), and Ken Barnes. Also featured are pictorial explorations of Jimi Hendrix’s personal record collection and a survey of censored album covers from throughout the rock era". A brand new, pristine copy of the 2016 first paperbound printing of one of our favorite books of the past decade BOLDLY SIGNED "Jeff Gold" in black marker on the title page.



978-1-58423-640-5 Inventory Number: e000JG101P

Gold, Jeff & Gene Sculatti. Berkeley & Los Angeles, CA: Gingko Press & Kill Your Idols, 2012. First Edition. 4to. Boards in Pictorial Dust Jacket. Music Monograph. As New/As New. 260pp, 443 color illustrations. Jeff Gold's "101 Essential Rock Records..." is a tribute to the vinyl album and celebrates one hundred and one of rock’s most influential records - from The Beatles’ 1963 debut "Please Please Me" through the Sex Pistols’ Never Mind the Bollocks". Alongside the big names such as Bob Dylan, Jimi Hendrix, The Rolling Stones, and Fleetwood Mac are lesser-known but highly influential artists including Laura Nyro, The Flying Burrito Brothers, Captain Beefheart, and The Stooges. An essay on each album accompanies reproductions of the original vinyl cover artwork, with rare variations from around the world. Also included are thought-provoking interviews with musicians who discuss the albums and artists who changed their lives. Graham Nash describes meeting The Beatles at a 1959 talent show where they were billed as Johnny and the Moondogs, and how, four years later, John Lennon and Paul McCartney sang him the just written "Misery" - one voice in each ear. David Bowie speaks eloquently about the Velvet Underground’s influence, and Iggy Pop writes of the profound impact upon hearing Van Morrison’s no-holds-barred performance on the first album by Them, and his admiration for Frank Zappa and The Mothers of Invention’s "Freak Out", noting that opening for the Mothers "pushed me to be weirder faster". Additional contributions are from Jac Holzman (Elektra Records), Robyn Hitchcock, Nels Cline (Wilco), Susanne Vega, Jon Savage, Devendra Banhart, Mick Haggerty, Joe Boyd, Peter Buck (REM), Johnny Marr (The Smiths), and Ken Barnes. Also featured are pictorial explorations of Jimi Hendrix’s personal record collection and a survey of censored album covers from throughout the rock era". A pristine copy of the quickly sold-out hardbound first printing of one of our favorite books of the past decade BOLDLY SIGNED "Dig It! Jeff Gold" in black marker on the title page.

PLEASE NOTE: Books will be signed by author Jeff Gold at Acana on November 19th and shipped on the 22nd.

1-58423-488-1 Inventory Number: e000JG101H

(DIVOLA, JOHN). Divola, John. London, UK: MACK, 2018. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued.

120pp, profusely illustrated in b&w. "Between 1974 and 1975, American photographer John Divola – then in his mid twenties and without a studio of his own – traveled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled "Vandalism". In this visceral, black and white series of images Divola vandalized vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before photographing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing sculpture, performance, and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices at a time when the ‘truthfulness’ of photography was being called into question, "Vandalism" helped to establish Divola’s highly distinctive photographic language". A brand new, pristine example of the 2018 first MACK Books edition. additionally SIGNED by photographer John Divola.

PLEASE NOTE: Copies of "Vandalism" will be signed by Mr. Divola at Arcana on Saturday, May 12th and shipped beginning Tuesday, May 15th. If you would like to pre-order a signed copy and collect it at the event, please indicate this in the "Notes" section of your order.



978-1-912339-00-6 Inventory Number: E000JDV

(ANTOLA, JESSICA). Antola, Jessica. Bologna, ITALY: Damiani Editore, 2018. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New.

Jessica Antola’s first monograph entitled Circadian Landscape is a vibrant journey through Sub-Saharan Africa. Traveling mostly by car, she captures the distinctive style and beauty of everyday life in Benin, Burkina Faso, Cote d'Ivoire, Ghana, Ethiopia, Senegal, and Togo. Her striking portraits, landscapes, and vignettes offer an intimate view of life lived in rural villages, big cities and along the remote roadways between the two. Men dressed head to toe in elaborate African wax textiles share a motorcycle; ancestral spirits bridge earthly and supernatural worlds in masked dances; the rich red soil dusts the lush tropical jungle; a girl in an over-sized straw hat steers her boat with a boldly patterned patchwork sail; and a gold jewelry-clad Kumasi King performs a warrior dance.

Antola is captivated by how people around the world express themselves in relation to their environments, and her images reflect the astonishing variety of ways people create and define themselves daily through dress and ritual, work and play.


PLEASE NOTE: Copies of "Circadian Landscapes" will be signed by Ms. Antola will be signing books at Arcana on Saturday April 21st and shipped beginning Tuesday, April 24th. If you would like to pre-order a signed copy and collect it at the event, please indicate this in the "notes" section of your order.


. 978-8862085809 Inventory Number: E000JACL

Stenneken, Judith. Text by Robert Montgomery. Essay by Timothy Persons. Self-published, 2017. New. "'It is almost banal to say so yet it needs to be stressed continually: all is creation, all is change, all is flux, all is metamorphosis'"—Henry Miller

One could also add: all is motion. This body of work deals with the seemingly simple fact that Henry Miller states so clearly in this quote: everything is ongoing and never finished.

Transition is a permanent condition. There is no beginning, middle and end. There is no sunset, nor is there a sunrise—instead, we are the ones in motion.

I use images of the journey, the voyager and transitory spaces (like hotel rooms and airplanes) as metaphors to describe transition as the sole constant in life and in betweenness as the primary state of being. The concepts of departure and arrival dissolve as the traveler keeps moving—a gravity to constant change. The voyager’s home becomes the hotel room and the airplane. Spaces where we pause but never dwell.
We are in a phase in which change happens at an accelerating pace. It can leave one dizzy, disoriented and overwhelmed at times—like a loss of control. We “burn out” as we try to keep up with this new pace, and some of us turn to old beliefs in our attempt to reestablish a balance that seems lost.
I think the acceleration of change forces us out of our comfort zones, out of our habits and into adjustments. It forces us to react. Simultaneously, it offers a chance to embrace two core conditions of life that we usually prefer to ignore: impermanence and uncertainty." Inventory Number: e000INID

. Mixed-media artist Carlos Betancourt and his influential studio, Imperfect Utopia, helped to launch the Miami art scene in the 1980’s. Betancourt’s oeuvre 
is a lush explosion of radiant, eccentric colors in which he explores the kaleidoscope (multi-racial, multi-lingual, trans-cultural) of Caribbean and American culture. His work alludes to issues of memory, beauty, identity, and communication. He bends the lines between art, photography, and nature in his photographs, collages, painting, installations, and conceptual pieces.
Carlos Betancourt’s imagery reinterprets the past and present and offers it in a fresh context. He is inspired by Puerto Rico, Miami, and his extensive travels; also artist Ana Mendieta’s interventions in nature, Robert Rauschenberg’s assemblages, Andy Warhol’s perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages.
This exuberant volume explores Betancourt’s body of work, with more than 250 images and texts by art critic Paul Laster, art history professor Robert Farris Thompson and United States Inaugural Poet, Richard Blanco.
His artwork is included in the permanent collections of various museums, including The Metropolitan Museum of Art, The National Portrait Gallery, and The Smithsonian Institute. Inventory Number: e000imperfect

Bronson, Harold. Santa Monica, CA: General Publishing Group, 1996. First Edition. 4to. Boards in Illustrated Dust Jacket. Music Monograph. Fine/Fine.
160pp, profusely illustrated in color and b&w. "Hey, Hey, We're The Monkees" is the copiously illustrated 1996 hardbound anthology of texts by and about the 1960s television and recording phenomenon The Monkees - Mike Nesmith, Davy Jones, Peter Tork, and Mickey Dolenz. A brand new, pristine example of this long out of print classic additionally SIGNED by author Harold Bronson.

PLEASE NOTE: Mr. Bronson will be signing his book at Arcana on Sunday, May 14th. Orders will begin shipping Tuesday, May 16th.

1-57544-012-1 Inventory Number: e000HBHHWTM

Johan Kugelberg with Jon Savage & Glenn Terry. Anthology Editions. New. An enhanced edition of the original Rizzoli publication, God Save Sex Pistols offers an unseen visual history of the incendiary punk band. Published to coincide with the fortieth anniversary of the Sex Pistol’s iconic first record release Anarchy in the UK, Johan Kugelberg, noted writer Jon Savage, and premiere Sex Pistols archivist Glenn Terry draw on an unprecedented wealth of material to produce the most comprehensive visual history of the band ever produced. From McLaren’s handwritten letters to never-before-seen photographs of the band, Jamie Reid’s iconic album artwork, and a range of ephemera from concert tickets to fanzines, this book is a definitive celebration of a group that helped define a movement.

Limited run of 2000.



Deluxe Edition Includes:

- Hardcover Book (First Edition)
- Bondage inspired, 5mm “rubber” slipcase designed by Zevs
- Newsprint companion book with rare press clippings
- Screen on the Green silkscreened event poster print
.


About The Editors:

Johan Kugelberg is an editor, curator, and the author of numerous publications, including The Velvet Underground: A New York Art and Punk: An Aesthetic. Jon Savage is the author of England’s Dreaming: Sex Pistols and Punk Rock and Teenage: The Creation of Youth Culture. Glenn Terry is the proprietor of Vicious Sloth Collectables in Melbourne, Australia, and considered one of the world’s foremost authorities on Sex Pistols history.



Books will be signed by Mr. Kugelberg at the Printed Matter Los Angeles Art Book Fair on 2/23 and mailed to buyers on Tuesday, 2/28. Inventory Number: e000GSSP-DLX

Ishino, Fumi. MACK, 2017. Rowing a Tetrapod brings together a fluctuating array of black and white photographs made in multiple locations in the United States and Japan, between which countries emerging artist Fumi Ishino has resided. The work channels his nomadic experience of moving back and forth between two distinct cultures, with divergent social norms and values. Following an aleatoric structure, the book presents images as diverse as Japanese school children, American astronauts, vernacular architecture, laboratory scenes, local cuisines, animals and studio still-lifes. Blurring distinctions between the local and the foreign, the domestic and the cosmic, Rowing a Tetrapod delights in confusing cultural conceptions, fabricating an imaginary space that is bent towards misinterpretation.

PLEASE NOTE: Copies of "Rowing a Tetrapod" will be signed Sunday, December 9th and shipped starting on Tuesday, December 12th. 978-1-910164-92-1 Inventory Number: E000FIRAT

(TEMPLETON, ED). Templeton, Ed & Stijn Huijts. Davenport, CA: Um Yeah Arts, 2015. Second Printing. 4to. Illustrated Boards. Photography Monograph. As New/No Jacket - As Issued.

156pp, profusely illustrated in color and b&w. Designed by Ed Templeton. "Wayward Cognitions" is a collection of photographs by Ed Templeton chosen from his archives spanning twenty years. Templeton selected for this volume photographs that do not fit into his usual manner of organizing by theme or subject. In past publications he has arranged his work in straightforward groupings such as Teenage Kissers, Teenage Smokers, or photographs shot from a moving. Wayward Cognitions represents the in-between moments that arise when shooting in the streets without theme or subject. "It's about looking, people watching, finding pleasure in the visual vignettes we glimpse each day," says Templeton. When those moments are removed from the context in which they were shot, dynamic stories can be told or imagined in book form. The photographs here were printed by Templeton in his darkroom; he then created the layout and design himself, building the book from scratch in his home studio". A brand new, most handsome example of the second edition in brown boards of this awesome survey published by Thomas Campbell's Um Yeah Arts additionally SIGNED by Ed Templeton.


PLEASE NOTE: Copies of "Wayward Cognitions" will be signed by the photographer at our event on Sunday, December 2nd and shipped beginning Tuesday, December 4th.

0-9853611-2-3 Inventory Number: E000ETWC

(TEMPLETON, ED). Templeton, Ed. Davenport, CA: Um Yeah Arts, 2018. First Edition. 4to. Illustrated Boards. Photography Monograph. As New/No Jacket - As Issued. 160pp, Profusely illustrated in b&w and color. Designed by Ed Templeton.

"Tangentially Parenthetical" is a selection of photographs from Ed Templeton's vast street photography archive - curated, arranged and then rearranged by the man himself. The follow up to his 2014 Um Yeah Arts survey "Wayward Cognitions", "Tangentially Parenthetical" picks up where the latter collection ended. By combining intimate, accidental, and unconnected moments into one linear piece of work, he tells hundreds of new stories through the thoughtful arrangement of semi-related yet completely unfastened imagery. "I'm out there shooting photos all the time that don't necessarily fall under any theme other than general life," says Templeton, "which is a lame title for a book." With a wink to the absurd, sandwiched between a cover of patterned parentheses and with an afterword built from his own stream-of-consciousness storytelling, Templeton delivers a visual mountain from an archive of stunning molehills in which the images are carefully chosen, shuffled by hand, and laid out with the dueling impulses of wonder and wit. A brand new, pristine example additionally SIGNED by Ed Templeton.

PLEASE NOTE: Copies of "Tangentially Parenthetical" will be signed by the photographer at our event on Sunday, December 2nd and shipped beginning Tuesday, December 4th.

978-1942884323 Inventory Number: E000ETTP

Spivack, Emily. New York, NY: Harry N. Abrams, Inc., 2017. First Edition. 8vo. Pictorial Boards. Fashion. As New/No Jacket - As Issued. Sixty-eight clothing-inspired narratives make up "Worn in New York" - the latest volume from New York Times bestselling author Emily Spivack. In these first-person accounts, contributors in and out of the public eye share surprising, personal, wild, poignant, and funny stories behind a piece of clothing that reminds them of a significant moment of their New York lives. "Worn in New York" offers a contemporary cultural history of the city - its changing identity, temper, and tone, and its irrepressible vitality - by paying tribute to these well-loved clothes and the people who wore them.

Included are contributions from Adam Horovitz, Amy Heckerling, Andre Royo, Anna Sui, Aubrey Plaza, Catherine Opie, Coco Rocha, Dick Cavett, Eileen Myles, Fab 5 Freddy, Gay Talese, Genesis Breyer P-Orridge, J.D. Samson, Jenji Kohan, Jenna Lyons, Kyp Malone, Lena Dunham, Pee Wee Kirkland, Thelma Golden, Timothy Greenfield-Sanders, and many, many more.

Emily Spivack is a Brooklyn-based artist, writer, and editor who writes a recurring column for T: The New York Times Style Magazine. Her work has been featured in the New York Times, Wall Street Journal, New York, Vogue, and Harper’s Bazaar.


PLEASE NOTE: Copies of "Worn in New York" will be signed Sunday, November 12th and shipped starting on Tuesday, November 14th. 978-1-4197-2707-8 Inventory Number: E000ESWINY

(PANAR, ED). Panar, Ed. Los Angeles, CA: Deadbeat Club Press, 2018. First Edition. 8v0. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. In "In The Vicinity", Ed Panar navigates a remote corner of Mendocino County, an area located within the Emerald Triangle, also known as the heart of California’s cannabis culture. Hidden under the cover of densely forested mountain sides, foothills and valleys, the cannabis plant is leading the way and being tended to: cultivated and revered for its potent economic, psychotropic, and mythological values. We find ourselves in the midst of a secretive world where clandestine operations take place behind rambling fence lines, locked gates, and dusty dirt roads in an ever shifting gray area of legalization, self-sufficiency and raw capitalistic impulses. The plant itself—the primary star of the scene—remains elusive in this Edenic rural atmosphere, where some of the most productive outdoor cultivation of this multi-billion dollar cash crop is occurring just out of sight.

The photographs in In The Vicinity were made between 2007 and 2017, during the sunset chapter of a distinctly Wild West era of this thriving industry. Struck by the natural beauty of the sparsely populated, rugged terrain against the psychedelic blending of the seasons, Panar set out to describe the outwardly idyllic terroir of endless sun-soaked ridges rolling beneath snow capped mountains that provide the dramatic backdrop and ideal conditions for outdoor growing of the cannabis plant. We have the feeling of being inside a cloistered farming community, though we are kept at a respectful distance. Just beneath our noses—sometimes quite literally, like catching a hint of the distinctive sweet skunky fragrance in the wind— we find traces of the timeless pursuit of seeking the pot of gold at the end of the rainbow, even as the slow and uneven path away from prohibition enters a new phase of uncertainty, especially for small producers and farmers.

The quiet clarity of Panar’s photographs—landscape, still life, details and the occasional nonhuman observer— provide an open ended invitation to consider not only an area within and along the edges of this industry, but also the gray areas of photographic representation and its ability to provide “documentary” insight into something as elusive and enigmatic as the allure of this mythical plant and the emerging modern cannabis economy.

Mr. Panar will be signing books at Arcana on October 13th - orders will ship on Tuesday, October 16th. Inventory Number: E000EPITV

Panar, Ed. Essay by Timothy Morton. Los Angeles: The Ice Plant, 2016.

Can non-humans care? Of course they can. Can we?
— Timothy Morton

Animals That Saw Me: Volume Two pairs a new collection of photographs from the observational wanderings of Ed Panar with an original essay on “being seen” by speculative realist philosopher Timothy Morton. Extending the project Panar began in 2011 with Animals That Saw Me: Volume One, this 'sequel' draws from recent work and newly discovered gems from his vast back catalogue to depict a series of brief, shared encounters with various (non-human) species — mammal, reptile, bird, insect — as they seem to behold the (human) photographer. Edited for the viewer’s maximum delight, the pictures embody a whimsical concept with surprisingly complex ramifications under the surface. Why do we distinguish between “us” and “them,” and what exists in the space between these distinctions? What does it mean to make “eye contact” with another species? What does the presence of a camera add to this phenomenon? Channeling the thoughtful humor, wonder and peculiar engagement with the world that made Panar's first volume an instant hit, this volume revisits and digs deeper into the question: “Why do we assume that it’s only us who does the looking?”

Books will be signed by Mr. Panar on November 12th and shipped on November 15th.

9780982365342 Inventory Number: e000EPA2