Book of the Day > Another World: The Transcendental Painting Group
New and Featured
-
$ 500 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-500
-
$ 50 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-50
-
$ 250 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-250
-
$ 25 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-25
-
$ 200 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-200
-
$ 150 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-150
-
$ 100 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-100
-
NIKE: BETTER IS TEMPORARY
Nike. New York: Phaidon, 2020. First Edition. 12 1/4 x 9", 320 pages, Profusely illustrated in color and b&w. Hardbound. Sportswear Monograph. As New. 978-1838660512
At Nike, the desire to be the best is a journey, not a destination - better is always temporary.
Phaidon commemorates the company’s influence with Nike: Better is Temporary, a landmark publication that charts Nike’s transformation from rebellious upstart to global phenomenon.
This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.
Beginning with “Breaking2,” an introduction detailing Nike’s 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike’s focus on performance, brand expression, collaboration, inclusive design, and sustainability.
The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike’s proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book’s spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages and which are referenced in the book’s bonus chapter, “Crafting Color.”
Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.
Inventory Number: NIKE
-
The Best of Nest: Celebrating the Extraordinary Interiors from Nest Magazine
Todd Oldham (Author), Joe Holtzman (Contributor). Phaidon. 9 x 11 in., 542 pages. Hardbound. New/No Jacket - As Issued.
The first comprehensive collection of Nest, the magazine that revolutionized the way we look at interior space and decoration
Published from 1997 to 2004 by artist Joe Holtzman, Nest magazine eschewed the conventionally beautiful luxury interiors of other magazines and instead featured non-traditional, exceptional, and unusual environments. The Best of Nest, created by master bookmaker and former fashion designer Todd Oldham, includes selections from all 26 issues in a series of portfolios featuring the work of iconic writers and photographers such as Michael Cunningham, Patti Smith, Nan Goldin, and Derry Moore.
The book includes an introduction by Oldham, as well as an extensive essay by Holtzman, filled with new observations and a behind-the-scenes look at each issue's creation. Arranged chronologically, The Best of Nest presents each issue in a 16-page portfolio. An edit of the best stories, the best photographs, and the best design treatments have been selected and amplified in this lavish volume.
Replicating many of the clever and singular design elements that endeared Nest to its passionate fans around the world, The Best of Nest including gatefolds, foldouts, diecuts, and covers with silver foil and glitter.
The Best of Nest includes visual and written contributions to the magazine by Tina Barney, Michael Cunningham, Lydia Davis, Barbara Gallucci, Nan Goldin, Matt Groening, Rem Koolhaas, Catherine Opie, Stephen Sondheim, Amy Sedaris, Matthew Stadler, and the legendary British interiors photographer Derry Moore. Photographs by Candida Höfer, David Seidner, Horst P. Horst, Martin Parr, Antoine Bootz, and Jason Schmidt are also highlighted throughout. 9781838661854 Inventory Number: Ioo201230 -
ANOTHER WORLD: THE TRANSCENDENTAL PAINTING GROUP
Edited with text by Michael Duncan. Text by Scott Shields, MaLin Wilson Powell, Catherine Whitney, Ilene Susan Fort, Dane Rudhyar. Delmonico Books/Crocker Art Museum, I00210623, 2021. 9 x 12 in., 240 pages. Hardbound. New/No Jacket - As Issued.
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism
Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti.
Another World: The Transcendental Painting Group aims to address this slight, claiming the group’s artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group’s work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group’s sources in the culture and landscape of the American Southwest; and the experience of its two female members. 9781942884873 Inventory Number: I00210623 -
VIRGINIA WILCOX: ARBOREAL
(WILCOX, VIRGINIA). Deadbeat Club, I00210622. 2021. 8 x 10 in., 80 pages. Hardbound. New/No Jacket - As Issued.
Virginia Wilcox’s debut monograph – consisting of photographs made in the large Los Angeles parks that are equally hardscrabble and breathtaking – is quite aptly titled Arboreal. Because they have so many irreconcilable demands placed on them by both civilization and climate, the dominant subjects of the artist’s vision seem more “tree-like” or “relating to trees” than they do the actual thing. We can’t help but admire their stoic resolve. The pictures, Wilcox says, “offer a winding journey through a mangled urban landscape that looks something like wilderness, towing the line between the natural and built environment.”
The word “arboreal” of course is also used of animals who live partly or entirely in trees, and we see here how the human animal has used and overused these spaces: alterations to the topography, infrastructural incursions, plain old trash. But Arboreal is no simple environmental diatribe. Rather, it is a clear-headed finding of complicated meaning that is necessarily as ambiguous as its subject. The singular strength of the book lies in the high-wire tension that Wilcox has created between the encroachments on the land and its sheer stubborn beauty – all juxtaposed against the sprawling city below and surrounding. Wrapping everything in that sort of light only known in Southern California, she somehow offers us photographs that are simultaneously as plainly understood as evidence and as thrillingly complex as the mind of the maker. “A suggestion of infinity,” in Wilcox’s words. 9780999829899 Inventory Number: I00210622 -
ROBERT LEBLANC: MOON DUST
(LEBLANC, ROBERT). W(AN)T, I00210619, 2021. 8 x 11 in., 120 pages. Hardbound. New/No Jacket - As Issued.
Nothing compares to being up close to a wildfire
Moon Dust is a collection of images shot over a length of 4 years by photographer Robert LeBlanc documenting hotshot firefighters in Montana and California.
The August Complex wildfire of 2020, which is currently the largest wildfire in California History, burned throughout the Shasta-Trinity National Forest, Mendocino National Forest, and Six Rivers National Forest. The wildfire burned for a total of three months scorching 1,032,648 acres. Rarely do photographers gain intimate access to hotshot crews while on remote wildfires. The images in Moon Dust give an intimate vision of what it's like battling such an unpredictable natural disaster and how these firefighters risk their lives every day. In partnership with Mystery Ranch and Monster Energy Cares, 100% of proceeds of book sales will be donated to the Eric Marsh Foundation, U.S. Hotshot Association, and Backbone Series Scholarship. 281BVI1002092 Inventory Number: I00210619 -
BARKLEY L. HENDRICKS: PHOTOGRAPHY
(HENDRICKS, BARKLEY L.) Text by Anna Arabindan-Kesson. SKIRA, I00210618, 2021. 7 x 9 in., 96 pages. Hardbound. New/No Jacket - As Issued.
The penultimate installment in Skira’s five-volume Barkley Hendricks survey reveals the artist’s little-known work in photography
Barkley L. Hendricks (1945–2017) revolutionized postmodern Black portraiture. This volume, the fourth in a five-part series dedicated to Hendricks’ career, focuses on the artist’s photographic oeuvre. Hendricks credited photography as a key facet of his practice, both as a tool for documenting his own work and as a source of inspiration for his paintings. Influenced by his experiences under Walker Evans’ tutelage at Yale, Hendricks frequently took to the streets to capture the world as he saw it, with his subjects in their element as they lingered in front of stores or performed in jazz clubs. As in his paintings, Hendricks’ attention to graphic composition and ability to capture his subjects’ dynamism are stunning. For the first time, Hendricks’ considerable body of photographic work is collected in a single volume, revealing an essential though underdiscussed dimension of his art. 9788857241500 Inventory Number: I00210618 -
LOUISE BOURGEOIS, FREUD'S DAUGHTER
(BOURGEOIS, LOUISE) . Yale University Press, I00210616c, 2021. 9 x 11, 156 pages. Hardbound. New.
An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis
From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud’s Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints. 9780300247244 Inventory Number: I00210616c -
STEPHEN SHORE: TRANSPARENCIES: SMALL CAMERA WORKS 1971-1979 - SIGNED BY THE PHOTOGRAPHER
(SHORE, STEPHEN). Shore, Stephen. Afterword by Britt Salveson. London, UK: MACK, I00210616, 2020. First Edition. 4to. Cloth with Pictorial Pastedown. Photography Monograph. As New/No Jacket - As Issued.
192pp, profusely illustrated in color. "Transparencies: Small Camera Works 1971-1979" offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, "Uncommon Places". Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous color slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and color. "Transparencies" uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master."
978-1-912339-70-9ONE COPY PER PERSON, PLEASE!192pp, profusely illustrated in color. "Transparencies: Small Camera Works 1971-1979" offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, "Uncommon Places". Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous color slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and color. "Transparencies" uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master."MACK LIVE EVENT WITH STEPHEN SHORE!!!!Stephen Shore joins architect and author Jack Self to discuss Steel Town, Shore’s revelatory document of the American Rust Belt in 1977. They discuss the turbulent historical moment the project depicts as well as the history of Shore’s own process and photography’s capacity for illuminating our past, present, and future.Thursday 17 June: USA Screening, 18:00 EDT New York / 15:00 PDT Los AngelesIn partnership with Arcana Books (Culver City, CA)
Sign up for a reminder hereMACK LIVE EVENT WITH STEPHEN SHORE!!!!Stephen Shore joins architect and author Jack Self to discuss Steel Town, Shore’s revelatory document of the American Rust Belt in 1977. They discuss the turbulent historical moment the project depicts as well as the history of Shore’s own process and photography’s capacity for illuminating our past, present, and future.Thursday 17 June: USA Screening, 18:00 EDT New York / 15:00 PDT Los AngelesIn partnership with Arcana Books (Culver City, CA)
Sign up for a reminder hereInventory Number: I00210616b
-
STEPHEN SHORE: STEEL TOWN - SIGNED BY THE PHOTOGRAPHER
(SHORE, STEPHEN) With a text by Helen C. Epstein. MACK, I00210616, 2021. 9 x 12 in., 104 pages. Hardbound. New/No Jacket - As Issued. 9781913620066
ONE COPY PER PERSON, PLEASE!In 1977, Stephen Shore travelled across New York state, Pennsylvania, and eastern Ohio – an area in the midst of industrial decline that would eventually be known as the Rust Belt. Shore met steelworkers who had been thrown out of work by plant closures and photographed their suddenly fragile world: deserted factories, lonely bars, dwindling high streets, and lovingly decorated homes. Across these images, a prosperous middle America is seen teetering on the precipice of disastrous decline. Hope and despair alike lurk restlessly behind the surfaces of shop fronts, domestic interiors, and the fraught expressions of those who confront Shore’s 4x5” view camera. Originally commissioned as an extended photographic report for Fortune Magazine in the vein of Walker Evans, Shore’s multifaceted investigation has only gained political salience in the intervening years. Shore’s subjects – including workers, union leaders, and family members – had voted for Jimmy Carter the year preceding his visit; now he found them disillusioned with the new president, fated to leave behind the Democratic party and become the ‘Reagan Democrats’. Through unfailingly engrossing images by one of the world’s acknowledged masters, Steel Town provides an immersive portrait of a time and place whose significance to our own is ever more urgent.MACK LIVE EVENT WITH STEPHEN SHORE!!!!Stephen Shore joins architect and author Jack Self to discuss Steel Town, Shore’s revelatory document of the American Rust Belt in 1977. They discuss the turbulent historical moment the project depicts as well as the history of Shore’s own process and photography’s capacity for illuminating our past, present, and future.Thursday 17 June: USA Screening, 18:00 EDT New York / 15:00 PDT Los AngelesIn partnership with Arcana Books (Culver City, CA)
Sign up for a reminder hereInventory Number: I00210616
-
ENCAMPMENT, WYOMING: SELECTIONS FROM THE LORA WEBB NICHOLS ARCHIVE 1899-1948
(NICHOLS, LAURA WEBB) . Fw:Books, I00210615, 2021. 9 x 11 in., 108 pages. Hardbound. New/No Jacket - As Issued.
‘Encampment, Wyoming: Selections from the Lora Webb Nichols Archive 1899- 1948’ features Nichols’ own work and the images by amateur photographers she collected in the early 20th century as the proprietor of a photofinishing business in southern Wyoming. Culled from over 24,000 photographs, the book provides a dynamic visual window into the social, domestic, and economic aspects of the American Western frontier and captures an elusive sense of place through the images of this community of friends, families, and strangers. 9789490119898 Inventory Number: I00210615 -
MONA KUHN: WORKS
(KUHN, MONA) with texts by Rebecca Morse, Simon Baker, Chris Littlewood, Darius Himes, Elizabeth Avedon. Thames & Hudson, I00210612, 2021. 10 x 12 in., 224 pages. Hardbound. New/No Jacket - As Issued.
A stunning career retrospective of Mona Kuhn, one of the leading figures in contemporary art photography.
Mona Kuhn is one of the most respected contemporary photographers of her time, best known for her large-scale photographs of the human form. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and bucolic settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States. Mona Kuhn: Works, the artist’s first retrospective, features images from throughout her career, accompanied by insightful texts by Rebecca Morse, Simon Baker, Chris Littlewood, and Darius Himes. An interview with Elizabeth Avedon provides insights into Kuhn’s creative process and the ways in which she works with her subjects and locations, and achieves the visual signature of her imagery. Published to coincide with a traveling international exhibition, opening at Fotografiska in New York, this book introduces Kuhn’s distinct aesthetic to a wide popular audience., It is an essential volume for anyone with an interest in the human form in contemporary art. 9780500545454 Inventory Number: I00210612 -
CATHERINE OPIE
(OPIE, CATHERINE). Phaidon, I00210610, 2021. 13 x 11 inches, 338 pages. Hardbound. New/No Jacket - As Issued.
Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers
For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date. 9781838662189 Inventory Number: I00210610 -
ARTHUR JAFA: MAGNUMB
(JAFA, ARTHUR) Edited by Lærke Rydal Jørgensen, Mathias Ussing Seeberg. Foreword by Poul Erik Tøjner. Introduction by Mathias Ussing Seeberg. Text by Nahum Chandler, Jared Sexton, NourbeSe Philip. Conversations with Arthur Jafa, Jacob Holdt, Faith Icecold. Louisiana Museum Of Modern Art, I00210605, 2021. 10 x 12 in., 204 pages. Paperback. New/No Jacket - As Issued.
An essential overview of Jafa's sweeping, dynamic and disquieting video portraits of Black American life
Though he has worked in film and music for decades, American video artist Arthur Jafa only garnered acclaim in the art world in 2016 for his video work Love is the Message, the Message is Death. Composed of found images and videos, his oeuvre revolves around Black American culture, the history of slavery, and ongoing structural and physical violence against Black Americans. As Jafa put it in his 2003 text “My Black Death”: “The central conundrum of black being (the double bind of our ontological existence) lies in the fact that common misery both defines and limits who we are. Such that our efforts to eliminate those forces which constrain also function to dissipate much which gives us our specificity, our uniqueness, our flavor by destroying the binds that define we will cease to be, but this is the good death (boa morte) to be embraced.”
This essential overview presents Jafa’s best-known works, such as Love is the Message, the Message is Death and its 2018 follow-up piece The White Album, alongside never-before-seen projects and essays by notable scholars. 9788793659353 Inventory Number: I00210605 -
CALVIN MARCUS: CONSPIRACY OF ASSES
(MARCUS, CALVIN). Triangle Books, I00210604, 2021. 11 x 12 in., 96 pages. Hardbound. New/No Jacket - As Issued.
This publication reproduces Calvin Marcus’s large paintings since 2018. Each painting attempts to achieve complete autonomy within its edges. Capturing dream-like visions and snapshots of the absurdity of contemporary life, they depict diverse subjects: animals, humanoid figures, interiors and landscape-like spaces. These singular representations share a sensibility, at once idiosyncratic and disarming, that immediately draws the viewer into the mysteries of the quotidian world. Each poses—with Marcus's humorous brand of surrealism—as many questions as answers. 9782930777399 Inventory Number: I00210604 -
HANNAH KOZAK: HE THREW THE LAST PUNCH TOO HARD (Signed)
(KOZAK, HANNAH). FotoEvidence, I00210602, 2021. 8 x 11 in., 128 pages. Hardbound. New/No Jacket - As Issued.
When I was nine, my mother abandoned my family to have an affair. Her lover was violent: he beat her so badly she suffered permanent brain damage and had to be moved into an assisted living facility at age forty one.
I have early, fond memories of my mother as a beautiful, passionate, vivacious Guatemalan -esque Sophia Loren. But after she left, I had tremendous feelings of abandonment and rage towards her. I judged her as impetuous, selfish, reckless and negligent. I resented what she did to herself and her family. I carried so much anger, yet whenever I saw her, I was overcome with pity and sadness. Looking at her hand gnarled from brain damage brought forth more emotion than I could bear. For these reasons, I virtually ignored my mother to distance myself from my own pain.
But pain ignored does not disappear. I came to realize our relationship needed healing. Thankfully, through graduate work in Spiritual Psychology and with a healer, I was able to dissolve the judgments I carried about my mother and myself and forge a relationship with her. I began to photograph her in December 2009 until 2019, for this project.
These photos are meant to take me out of my comfort zone while telling my mother's story of isolation, loneliness, abuse, connection, compassion, forgiveness, family, humanity, grace, joy, and love. I didn’t need to travel the world to deepen my spirituality. My greatest teacher was in front of me my entire life. I just couldn’t see it was my mother, a true Bodhisattva. She forgave me for not visiting her all those decades without uttering a word. I forgave her for leaving our family. Forgiveness happens when you care more about the love in a relationship than the logic of your ego. I no longer pity my mother. She continually inspires me to live by my heart, not my head. The love I feel for her has broken my heart wide open. 9781732471153 Inventory Number: I00210602 -
GIO PONTI (XL)
(PONTI, GIO). Taschen, I00210601, 2021. 14 x 14 in., 572 pages. Hardbound. New/No Jacket - As Issued.
To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize.
This new book is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity. 9783836501347 Inventory Number: I00210601 -
ALESSANDRA SANGUINETTI: THE ADVENTURES OF GUILLE AND BELINDA AND THE ENIGMATIC MEANING OF THEIR DREAMS (Signed)
(SANGUINETTI, ALESSANDRA). MACK, I00210528, 2021. 11 x 11 in., 120 pages. Hardbound. New/No Jacket - As Issued.
For more than two decades, Alessandra Sanguinetti has been photographing the lives of Guillermina and Belinda, two cousins living in rural Argentina, as they move through childhood and youth toward womanhood. This volume, originally published in 2010 and reissued now as the first instalment of a trilogy, chronicles the first five years of their collaboration. Sanguinetti’s images portray a childhood that is both familiar and exceptional. The farmlands of western Buenos Aires province are a particular mix of the modern and traditional, where life is lived in consonance with animals and rugged landscapes. Against this backdrop, Guille and Belinda go through the childhood rites of dressing up and make believe, exploring and appropriating the world around them as they go. As they slip between roles, alternately performing for and being caught by Sanguinetti’s camera, the profound bond between the two girls is unmistakable. Approaching the precipice of early adolescence, their games are imbued with the poignant weight of their dreams and desires as the world of play meets that of reality. By depicting the lives of women and girls within the conventionally masculine world of Argentinan gauchos and farmers, Sanguinetti’s book interrogates the frameworks of mythologies of all kinds, honouring lives that are usually unseen. The Adventures of Guille and Belinda is a portrait of rural childhood at once quiet and poetic, in which the fantastic and the mundane are intimately entwined. 9781913620134 Inventory Number: I00210528 -
JIM SHAW: PAPERBACK COVERS
((SHAW, JIM) Edited by Clément Dirié, Marc Jancou. Introduction by Lionel Bovier, Samuel Gross. Text by Charlie Fox. JRP Editions, I00210527, 2021. 8 x 10 in., 104 pages. Paperback. New/No Jacket - As Issued.
Dream-inspired book covers for imaginary pulp novels by Americana connoisseur-bricoleur Jim Shaw
Since the 1970s, American artist Jim Shaw (born 1952) has used his multimedia artistic practice as a means of exploring and exploiting pop-culture iconography. This publication focuses on one of the key series in Shaw’s corpus, in which he draws inspiration from the Anglo-American graphic design and illustrative tradition of cheap paperback books. Inspired by the artist's intense dreaming life, the Paperback Covers series (1996–2013) recreates the lurid imagery associated with pulp novels, with vertical canvases that depict fantastical and irreverent imagery: in one, a werewolf in suspenders is struck by an oncoming 18-wheeler; in another, a line of chorus girls dance in front of a vampire and a woman in red as the couple is in engulfed by flames. Though these “books” bear no text, Shaw’s paintings evoke exciting narratives within a single image. All the inventoried Paperback Covers are collected in this softcover volume along with a text by Charlie Fox. 9783037645659 Inventory Number: I00210527 -
COME FLY WITH ME: FLYING IN STYLE
(PECKMAN, JODI). Rizzoli, I00210522, 2021. 8 x 10 in., 144 pages. Hardbound. New/No Jacket - As Issued.
A wistful love letter to the joys of flying and the fun, fashion, and glamour that go with it.
Now, more than ever, nothing captures our yearning for travel, freedom, glamour, and adventure than the fantasy of flying away from it all.
From Frank Sinatra dressed to the nines in the golden age of Pan Am to celebrities snapped in luxury leisurewear in the lounges today, airports have always afforded the most glamorous glimpses into that most enviable aspect of celebrity life--jet-setting in style.
Curated by the renowned photo editor Jodi Peckman, Come Fly with Me is a love letter to the most longed-for escape, told through evocative images of the icons who've made the airport their runway. From John and Yoko waving from the airstairs to Rihanna bustling incognito through the halls, and from Muhammad Ali's crisp-pressed suits to Miley Cyrus's playful onesies, this is a whimsical and welcome reminder when we need it most of the joys of travel. 9780789337733 Inventory Number: I00210522 -
TRENT PARKE: CRIMSON LINE
(PARKE, TRENT). Stanley/Barker, I00210521, 2021. 9 x 12 in., 132 pages. Hardbound. New/No Jacket - As Issued.
Born in the Australian steel city of Newcastle, one of Trent Parke’s only early childhood memories is accompanying his mother to pick his dad up from work, travelling through a landscape dominated by ship yards, chimneys, and the BHP steelworks.
Throughout his career Parke has always been interested in the transformative powers of light, but it was the ephemeral changing colours of dawn and dusk, the multitude or different reds that made him curious about the colour crimson. He discovered the colour that is used in commercial products is harvested from the crushed and boiled bodies of the female scale insect, the Cochineal. A tiny minute insect who inhabits the pads of the prickly pear cactus and who are farmed for their crimson dye. A dye now used primarily in cosmetics and food colouring.
Scarlet, magenta, orange, and crimson, are the coloured dyes produced by the Cochineal and also seem to feature spectacularly in the colours of creation, as seen in an Eagle Nebula during the birth of a new star and recorded by the Hubble space telescope. These colours of birth and blood Parke also remembers from the bath water, the umbilical cord and placenta, at the birth of his sons.
‘As soon as the female insect is delivered of its new numerous progeny, it becomes a meer husk and dies; so that great care is taken in Mexico, where it is principally collected, to kill the old ones while big with young, to prevent the young ones escaping into life, and depriving them of that beautiful scarlet dye, so much esteemed by all the world.’ - John Ellis, Esq; 1762. 9781913288136 Inventory Number: I00210521 -
ULTIMATE COLLECTOR CARS
(FIELL, CHARLOTTE & PETER). Taschen, I00210520, 2021. Two volumes in slipcase, 11 x 14 in., 904 pages. Hardbound. New/No Jacket - As Issued.
For the seasoned car collector or the awestruck newcomer, this double-volume is the unrivaled collector car anthology. Curating 100 of the most exquisite, remarkable, and desirable cars of all time to tell a spellbinding story of automotive design-and-engineering endeavor in the tireless pursuit of ever-greater performance both on and off the track, from the first Indy 500-winning 1910 Marmon Wasp to the futuristic 2020 Aston Martin Valkyrie.
Laps ahead of any generic catalog, this superlative volume exudes authority and elegance, settling for nothing less than the very best of the best, and presenting each model with the lavish spreads it deserves, complete with stunning imagery taken by the world’s leading car photographers alongside rare archival treasures, from original factory photos to famous motorsports event posters. Each entry is also accompanied by expert descriptive texts and specs, detailing each car’s make, model, year, engine size, horsepower, top speed, transmission, and all-important production numbers.
By passionately tapping into their transatlantic expertise and insider knowledge of car auctions, museums, and collections around the world, design authors Peter and Charlotte Fiell survey the autoworld's finest cars of all time. Their carefully curated selection spans the whole history of the automobile, taking in such rare models as a 1912 Stutz Model A Bearcat, as well as lesser-known jewels such as the astonishing 1937 Talbot-Lago T150-C SS “Goutte d’Eau” Coupé by Figoni et Falaschi. 9783836584913 Inventory Number: I00210520 -
CAROLYN DRAKE: KNIT CLUB
(DRAKE, CAROLYN) Essay by Rebecca Bengal. TBW Books, I00210519, 2021. 8 x 11 in., 118 pages. Hardbound. New/No Jacket - As Issued.
A foreboding meditation in the vein of Southern Gothic literature, Drake’s most recent body of work emerged through her collaboration with an enigmatic group of women loosely calling themselves “Knit Club.” The nature of the club is ambiguous. It is a cross between a gang, a cult of mysteries, and a group of friends bound by secrets only they share.
The book follows a narrative structure loosely borrowed from Faulkner’s As I Lay Dying–– that is to say, not one omniscient narrator but many disparate stream-of-consciousness voices. We sense the authorship of the photographs to be collaborative, the result of creative play between Drake and the club in which she found herself embedded, their process a kind of alchemy. In the style of the Gothic, Drake’s masterful use of color to create mood opens the door to the tension between the real and the supernatural. What we find, however, is not grotesque but something vital. A community that manages to exist outside the gaze or control of men. Women, children, and mothers, shrouded in masks and mystery to live a life on their own terms. 9781942953401 Inventory Number: I00210519 -
NANCY RUBINS: FLUID SPACE
(RUBINS, NANCY). Nancy Rubins Studio, I00210515, 2021. 9 x 7 in., 20 pages. Saddle-Stitched. New/No Jacket - As Issued.
Words frequently used to describe American artist Nancy Rubins’s sculptural practice embody ideas of monumentality, fortitude, and awe-inspiring strength. While it is most certainly true that Rubins’s works result in formidable tours de force, evoking a wonderment about their seemingly impossible feats of construction, scale is often a means rather than a goal unto itself.
Meet Fizzy’s Nebuli, one of several new sculptures in the Fluid Space series. Standing approximately six-and-a-half feet high, eightand-a-half feet wide, and nine-and-a-half feet deep, this sculpture and those from Rubins’s newest series are, relative to her previous works, more petite. Fizzy’s Nebuli gives us permission for close and intimate viewing, inviting us to explore all of its elaborate details.
As our eye roves, biomorphic forms shift and appear before us, including calla-lily-like appendages, branches, hollowed out tree stumps, rosebuds, and ivy tendrils. These subtle gestures linger with us, even after those forms dissolve back into the sculptural whole. Inventory Number: I00210515 -
ELLEN SHEIDLIN
(SHEIDLIN, ELLEN). Seigensha, I00210514, 2021. 6 x 8 in., 152 pages. Paperback. New.
Russian artist and model Ellen Sheidlin provides an almost limitless exploration of millennial culture with her Instagram feed. Her conceptual self-portrait photography is both whimsical and weird, and the young woman also uses her doll-like appearance to induce more disturbing, bizarre undertones and thought-provoking social commentary in her creations. The many different layers of Ellen’s absurd and beautiful dreamscapes point to the perils of social media and our obsession with technology, or hint at more troubling topics like the situation of LGBTQ+ people in Russia and today’s global existential angst. Escape into her chameleonic fantasy world with this mind-bending collection. 9784861527807 Inventory Number: I00210514 -
BY DESIGN: THE WORLD'S BEST CONTEMPORARY INTERIOR DESIGNERS
(PHAIDON EDITORS). Phaidon, I00210512, 2021. 10 x 11 in., 328 pages. Hardbound. New/No Jacket - As Issued.
A richly illustrated, authoritative global survey of the best and most creative interior designers and decorators working today
Our surroundings are the key to our comfort and happiness, and we're endlessly inspired by the creative professionals that show us how to put a personal stamp on the spaces we inhabit. This gorgeous book is a timely, comprehensive showcase of the most exceptional, innovative, and groundbreaking interior designers working today, nominated by an esteemed group of industry experts and thoughtfully curated to demonstrate why the world of interior design continues to raise the bar of creative practice.
Nominators include: Felix Burrichter, Aric Chen, Amy Fine Collins, Francisco Costa, Ronnie Fieg, Marianne Goebl, Laila Gohar, Niki Haas, Gert Jonkers & Jop van Bennekom, Lorena Mosquera, Hanya Yanagihara, and Rachel Zoe.
Featured designers include: Beata Heuman Ltd, Kelly Wearstler Studio, Martin Brudnizki Design Studio, Neri & Hu, Norm Architects, Romanek Design Studio, Studioilse, Studio KO, Studio Shamshiri, Faye Toogood, and Vincent Van Duysen. 9781838661878 Inventory Number: I00210512 -
LUCIO FONTANA: WALKING THE SPACE
(FONTANA, LUCIO) Edited with text by Luca Massimo Barbero. Text by Barbara Ferriani, Marina Pugliese. Hauser & Wirth Publishers: Hauser & Wirth Publishers, I00210511, 2021. 10 x 13 in., 184 pages. Hardbound. New/No Jacket - As Issued.
Documenting the first-ever reconstruction of Fontana’s immersive installations
Lucio Fontana’s (1899–1968) Ambienti spaziali, or Spatial Environments were immersive installations that include neon crystal tubes, paint that glows under black light and captivating pa-pier-mâché sculptures. Fontana’s use of technology pushed the boundaries of art beyond the canvas to “paint” with light and invite viewers into the physical space of the work itself. In spring 2020 Hauser & Wirth Los Angeles staged the first comprehensive presentation of Ambienti spaziali in the United States, carefully reconstructing the installations as they initially appeared from 1948 to the final years of the artist’s life. This accompanying volume is edited in collaboration with Milan’s Fondazione Lucio Fontana and includes a survey of Fontana’s contributions to the evolution of conceptual art, tracing his influence on other legendary figures as Piero Manzoni, Yayoi Kusama and James Turrell. 9783906915616 Inventory Number: I00210511 -
REGGIE BURROWS HODGES
(HODGES, REGGIE BURROWS) Text by Hilton Als. Interview by Suzette McAvoy. KARMA, I00210505, 2021. 10 x 11 in., 112 pages. Hardbound. New/No Jacket - As Issued.
The debut monograph on the haunting, tenebrous figuration of the acclaimed Maine painter
Maine-based painter Reggie Burrows Hodges (born 1965) explores storytelling and visual metaphor, often drawing inspiration from his childhood in Compton, California. Starting from a black ground, Hodges develops the scene around his figures, who materialize in the recessive space with foggy, ethereal brushwork.
Hodges's figures are "forms that are made sharper, and more haunting, not because we see those things in their eyes, but because we see it in their bodies, their postures, the endless desire for humans not to be alone, and to connect," Hilton Als writes. "To that Hodges adds all that wonderful blackness.
This fully illustrated catalog features a selection of works made between 2019 and 2020; a newly commissioned essay by Hilton Als; and an interview between the artist and Suzette McAvoy, Executive Director at the Center for Maine Contemporary Art. 9781949172560 Inventory Number: I00210505 -
L.A. GRAFFITI BLACK BOOK
(BRAFMAN, DAVID). Getty Publications, I00210504, 2021. 8 x 10 in., 176 pages. Hardbound. New/No Jacket - As Issued.
This collection of unique works by 151 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape.
Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era.
Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 151 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles. 9781606066980 Inventory Number: I00210504 -
RAINER WERNER FASSBINDER: FILM STILLS
(FASSBINDER, R.W.). Schirmer/Mosel, I00210501, 2021. 6 x 8 in., 240 pages. Hardbound. New/No Jacket - As Issued.
A visual distillate of Fassbinder’s art, with key stills from each of his movies, an essay by German film historian Hans Helmut Prinzler, and a birthday message by John Waters. 9783829608954 Inventory Number: I00210501 -
THE WORM
(STANDARDS MANUAL). Standards Manual, I00210430, 2021. 8 x 12 in., 248 pages. Hardbound. New.
The Worm showcases over 200 images from NASA’s archives chosen with one simple criteria: each photograph must feature ‘the worm’.
Together, these images demonstrate not only the extent to which Danne & Blackburn’s 1975 NASA Graphic Program had been implemented before being rescinded in 1992, but also the incredible achievements by NASA personnel.
The unfinished final chapter of the book will showcase the return of the worm, as it flies once again aboard a SpaceX rocket on May 30, 2020. 9780578701080 Inventory Number: I00210430 -
MIGUEL TRILLO: MADRID IN THE EARLY 80S
(TRILLO, MIGUEL) Text by Ana García Herrá, José Luis Gallero. La Fábrica/Ediciones La Bahía, I00210429, 2021. 8 x 11 in., 360 pages. Paperback. New.
Portraits and documents of Spain’s countercultural movida movement, from a rare cult ’80s zine
Spanish artist Miguel Trillo (born 1954) is considered one of the primary documentarians of La movida madrileña, the countercultural youth movement that sprang to life after the death of Francisco Franco in 1975. In the early 1980s, he compiled his photographs of the music scene—featuring portraits of mods, punks and rockers, among others—into his first zine, Rockocó. His second publication, Callejones y avenidas, focused on what Trillo himself describes as “calm portraits of restless nights,” continuing to flesh out the various cliques and communities that existed as part of the underground cultural ecosystem.
This publication gathers the original photographs and models from the two zines, and provides readers with a glimpse into a fascinating moment of hedonism and creativity. 9788417769505 Inventory Number: I00210429 -
RAY JOHNSON C/O
(JOHNSON, RAY) Edited by Caitlin Haskell with Jordan Carter. Yale University Press / Art Institute of Chicago, I00210428, 2021. 9 x 12 in., 376 pages. Paperback. New/No Jacket - As Issued.
An engaging and scholarly introduction to the wide-ranging work of a pioneering 20th-century artist
Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School.
Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. 9780300254334 Inventory Number: I00210428 -
PRINT PUNCH: ARTEFACTS FROM THE PUNCH CARD COMPUTING ERA
Steven E Jones, Sandra Rendgen and John L Walters. CentreCentre, I00210427, 2021. 10 x 12 in., 208 pages. Hardbound. New/No Jacket - As Issued.
Data used to be physical. In an era when 1s and 0s seem to hover above our heads, Print Punch returns to the heyday of the punch card—to a time when you could touch (and punch) data. The aesthetics of this early move towards automation represent a unique moment in our history, when we designed for machines instead of human beings. Rigorous constraints, inherent in punch card technology, unwittingly birthed a coherent design language: rhythm in grids, punched absences and presences, and the patterns in them dancing to their own machine logic. Now obsolete, punch cards were the primary method of data storage and processing from the 1890s until the late 1970s; spanning almost a century of ubiquitous utility, the artefacts of that era sit between these pages to be examined anew. 9781916412132 Inventory Number: I00210427 -
WE ARE HERE: VISIONARIES OF COLOR TRANSFORMING THE ART WORLD
(HERNANDEZ, JASMIN) Foreword by Swizz Beatz Photographs by Sunny Leerasanthanah, and Jasmine Durhal. ABRAMS, I00210423, 2021. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
Profiles and portraits of 50 artists and art entrepreneurs challenging the status quo in the art world
Confidently curated by Jasmin Hernandez, the dynamic founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. A celebration of compelling intergenerational creatives making their mark, We Are Here shows a path for all who seek to see themselves in art and culture. 9781419747595 Inventory Number: I00210423 -
LIQUID HORIZON: MEDITATIONS ON THE SURF AND SEAA
(FULLER, DANNY). Rizzoli, I00210422, 2021. 9 x 11 in., 208 pages. Hardbound. New/No Jacket - As Issued.
Sensual, meditative, and powerfully evocative photographic studies of the ocean by professional surfer Danny Fuller.
Danny Fuller's work as a photographer and artist is best understood through his thirty years as a professional surfer. Fuller who is known for riding the waves of North Shore Oahu's famous Pipeline and Maui's treacherous Jaws sees and experiences the ocean in ways intimate and infinite.
Fuller's nocturnal seascapes of the worlds most savage and beautiful waves, all captured exclusively by moonlight with slow exposures, share the soulful beauty of the ocean, in meditative, painterly studies of subtle changes of light and color. In the tradition of artists drawn to the sea for inspiration, Fuller expresses a surfer's deep spiritual connection to the ocean and to the meaning of consequence in surfing. The sensual allure of blue mixed with the ominous presence of water, whose scale is epic, reminds us just how minuscule and insignificant we are relative to the powers of the sea. 9780847869961 Inventory Number: I00210422 -
PETER SCHLESINGER: EIGHT DAYS IN YEMEN
(SCHLESINGER, PETER). Damiani, I00210421, 2021. 9 x 12 in., 164 pages. Hardbound. New/No Jacket - As Issued.
An unprecedented document of one of the Middle East’s most extraordinary cultures
In 1976, Peter Schlesinger (born 1948) visited the Yemen Arab Republic (as the northern part of Yemen was then called). He was accompanying the photographer Eric Boman, who was on a fashion shoot assignment for a French magazine. Yemen had been closed to foreigners for many years and in the interest of encouraging more tourism the government decided to court media outlets. Over the course of his eight-day stay, Schlesinger took hundreds of photographs documenting what he saw as he traveled from the capital, Sanaa, and on through the northern city of Sa’da.
Forty-two years later, as he began making this book, Schlesinger shared these images with Bernard Haykel, a professor at Princeton University and an expert on the Middle East. He was taken aback at their existence, since documentation of Yemen in the ’70s is so rare. Haykel provides an enriching introduction that brings to life the world Schlesinger captured. 9788862087209 Inventory Number: I00210421 -
HIGH ON DESIGN: THE NEW CANNABIS CULTURE
Edited by Santiago Rodriguez Tarditi. Gestalten, I00210420, 2021. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
The cannabis industry has become a thriving activity. Consuming the plant and using its derivatives have become legal in several countries and paved the way for a new generation of design-savvy and diverse consumers and entrepreneurs.
High on Design showcases the new brands, designs, and creators behind this revolution. Meet the creative minds behind Gossamer, a biannual print magazine for casual weed smokers and curious mind. Learn everything you need to know about pot and weed as a medium for cultural understanding with Mia Park and Dae Lim, creators of Sundae School. Expand your culinary horizon with Michelin-Starred chef, Claus Henriksen who will give you an insight into his haute cannabis cuisine and gourmet herbs. Have a look inside Broccoli, a female-run magazine about cannabis culture and discover the most exciting cannabis businesses around the world from High Road, an award-winning dispensary design studio to Tokyo Smoke, a Canadian cannabis retailer.
While reflecting on the novel aesthetics and trends of contemporary cannabis culture, High on Design also gives a profound view of the phenomenon regarding politics, history, legalization, and society. This is your guide to the best brands, the most stylish dispensaries, the slickest products, and the most creative entrepreneurs. 9783899558807 Inventory Number: I00210420 -
THE ESSENTIAL LOUIS KAHN
(KAHN, LOUIS). Prestel, I00210416, 2021. 9 x 13 in., 320 pages. Hardbound. New/No Jacket - As Issued.
This photographic tour of every one of the buildings designed solely by Louis Kahn represents the architect’s greatest accomplishments.
This book focuses on over twenty buildings that were designed solely by Louis Kahn. From his native city of Philadelphia to the heart of Bangladesh, Kahn’s architecture reflected his fascination with science, mathematics, history, and nature. Striking new interior and exterior photographs by esteemed architectural photographer Cemal Emden reveal the characteristic features of Kahn’s aesthetic: juxtaposed materials, repetition of line and shape and geometric precision. Also evident is the way Kahn’s designs flourish in a variety of settings–religious, governmental, educational, and residential. The book gives close attention to Kahn’s most iconic buildings, including Erdman Hall at Bryn Mawr College in Pennsylvania; the Indian Institute of Management in Ahmedabad; the Sher-e-Bangla Nagar in Dhaka, Bangladesh; and the Yale Center for British Art in New Haven, Connecticut, as well as a cluster of residences he designed in the Philadelphia area. Chapter openers written by architecture professor Caroline Maniaque, an introduction by academic Jale Erzen and an extensive chronology by academic Zekiye Abali, as well as a selection of Kahn’s most insightful statements complete this book, which allows for a rich understanding of Kahn’s architectural ingenuity. 9783791387505 Inventory Number: I00210416 -
A TIME OF YOUTH: SAN FRANCISCO, 1966–1967
(GEDNEY, WILLIAM). Duke University Press, I00210414, 2021. 9 x 9 in., 176 pages. Hardbound. New.
A year before 1967's famed Summer of Love, documentary photographer William Gedney set out for San Francisco on a Guggenheim Fellowship to record “aspects of our culture which I believe significant and which I hope will become, in time, part of the visual record of American history.” A Time of Youth brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco's Haight-Ashbury neighborhood between October 1966 and January 1967. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture. Gedney lived among these young people in their communal homes, where he captured the intimate and varied contours of everyday life: solitude and companionship, joyous celebration and somber quiet, cramped rooms and spacious parks, recreation and contemplation. In these images Gedney presents a portrait of a San Francisco counterculture that complicates popular depictions of late 1960s youth as carefree flower children. The book also includes facsimiles of handwritten descriptions of the scenes Gedney photographed, his thoughts on organizing the book, and other ephemera. 9781478010555 Inventory Number: I00210414 -
LORRAINE O’GRADY: BOTH/AND
(O'GRADY, LORRAINE) Edited with text by Catherine Morris, Aruna D’Souza. Preface by Ann Pasternak. Text by Harry Burke, Malik Gaines, Zoe Whitley, Stephanie Sparling Williams. Timeline by A.L. Ricard. Interview by Catherine Lord.. Dancing Foxes Press / Brooklyn Museum, I00210413. 9 x 10 in., 204 pages. Hardbound. New/No Jacket - As Issued.
Four decades of multimedia exploits in race, art politics and subjectivity: a long-overdue survey on conceptual performance artist Lorraine O’Grady
Conceptual performance artist Lorraine O'Grady burst into the contemporary art world in 1980 dressed in a gown made of 180 pairs of white gloves and wielding a chrysanthemum-studded whip. For the next three years, O’Grady documented her exploits as this incendiary fictional persona, visiting gallery openings and providing critiques of the racial politics at play in the New York art scene. The resulting series, Mlle Bourgeoise Noire, was merely the beginning of a long career of avant-garde work that would continue to build upon O’Grady’s conceptions of self and subjectivity as seen from the perspective of a Black woman artist. This survey of O’Grady’s work spans four decades of her career and features nearly all of her major projects, as well as Announcement, the opening series of a new performance piece seven years in the making. Contextualized by an extensive timeline with letters, journal entries and interviews, Both/And provides a long-overdue close examination of O’Grady’s artistic and intellectual ambitions. 9780872731868 Inventory Number: I00210413 -
JOSEPH RODRIGUEZ LAPD 1994 -- SIGNED
(RODRIGUEZ, JOSEPH) . Artist Edition, I00210409, 2021. 10 x 13 in., 158 pages. Hardbound. New/No Jacket - As Issued.
In the mid-nineties, the LAPD was in search of a public image make-over after the Rodney King uprisings. The City Charter was reformed by increasing civilian oversight of the LAPD, the militant police chief of the moment, Daryl Gates, was forced to resign and Willie Williams became the first African-American chief of the department. I was no stranger to this type of assignment. At that time I had already published two books, Spanish Harlem and East Side Stories, which depicted life in impoverished neighborhoods. Covering LAPD gave me a chance to show how police operated in marginalized communities, and how those communities were affected by individual cops and the department as a whole.
As part of these efforts, the LAPD gave photographer Joseph Rodriguez unprecedented access to document the officers in the field for The New York Times, hoping to give the public an image of a “kinder, gentler cop”, as the headline put it. For weeks, he immersed himself in the daily workings of the 77th Street, Pacific and Rampart Divisions. Four years after Rodriguez rode along with Rampart officers, the station became notorious when the biggest scandal in LAPD history erupted in an astonishing spectacle of officer corruption that included the murder of a fellow cop, a bank robbery, unprovoked shootings of alleged gang members, drugs stolen from the evidence room, and other crimes.
In 2020, the year of Black Lives Matter, a generation after these photos were taken, new uprisings demand reform yet again and the same questions about policing – what are they for, who do they serve, and who do they protect – shape the public discussion. 9788797072424 Inventory Number: I00210409 -
ALICE NEEL: PEOPLE COME FIRST
(NEEL, ALICE) by Kelly Baum and Randall Griffey with contributions by Meredith A. Brown, Julia Bryan-Wilson, and Susanna V. Temkin. The Metropolitan Museum of Art, I00210402, 2021. 8 x 11 in., 256 pages. Hardbound. New/No Jacket - As Issued.
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist's erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century. 9781588397256 Inventory Number: I00210402 -
FRANK HORVAT: SIDE WALK
(HORVAT, FRANK) Edited by Jordan Alves. Introduction by Amos Gitai. Text by Frank Horvat.. Hatje Cantz, I00210330, 2021. 7 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.
The legendary photojournalist’s early ’80s New York photographs, published alongside his autobiographical musings in an elegant clothbound edition
From 1979 to 1986, the city of New York functioned as a kind of refuge for photographer Frank Horvat (born 1928). Born in present-day Croatia, for years Horvat lived and worked rather nomadically, traveling extensively through Asia and Europe on photojournalist excursions with a brief stopover in Paris where he shot fashion photography for Jardins de Mode and Elle. Eventually he found himself in New York; during this period, he allowed himself to surrender to the daily hustle and bustle of the city streets. In between commissions, Horvat created a prolific series of photography and writing that was not intended for public consumption, instead functioning as a reflection upon his own craft as well as the significance of photography itself.
Frank Horvat: Side Walk publishes many of these photographs for the first time alongside the photographer’s writing. The elegant presentation of this clothbound volume is representative of the great pride that Horvat took in the creation of his personal projects as well as his professional pursuits: the photojournalist's texts are published on thin Munken offset paper and his photographs are printed on deep matte photo paper. This publication is both a compelling depiction of a beloved city and a portrait of the sensitive man behind the camera. 9783775748490 Inventory Number: I00210330 -
DEAR ELIO: A MARVELOUS JOURNEY INTO THE WORLD OF FIORUCCI
(FIORUCCI, ELIO) Edited by Franco Marabelli. Rizzoli, I00210327, 2021. 9 x 12 in., 400 pages. Paperback. New/No Jacket - As Issued.
The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure.
The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers.
Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies.
This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s.
It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners. 9788891830470 Inventory Number: I00210327 -
MARK TEMPLETON: OCEAN FRONT PROPERTY
(TEMPLETON, MARK) texts by Brad Feuerhelm and Ezekiel Honig. The Ice Plant, I00210326, 2021. 9 x 12 in., 98 pages. Paperback. New/No Jacket - As Issued.
“I was in search of water and the effect its absence had on me,” writes Canadian sound artist and photographer Mark Templeton about his second photobook, Ocean Front Property. From this sense of absence and geographic isolation grew a new body of work with two components: A book of color photographs, made entirely in the landlocked province of Alberta (“where the nearest ocean is a thousand kilometers away”), and an Audio Experience (a ‘soundtrack’ to the book, included as a digital download or available on a limited edition cassette). Rooted in the same sense of longing — for the imagined comfort of warm blue water and an escape from one’s familiar surroundings — these complementary sensory worlds form a kind of mirage: a prism of banal surfaces, spaces, and sonic textures through which the fragments of an intangible fantasy can be glimpsed, a circular psychic journey from the desolate to the sublime. The photobook also contains an 8-page supplement, compiling selections by eight artists whom Templeton invited to choose pairings of sound and image, suggesting possible feedback loops and alternative readings between the eight audio tracks and his photographs. 9780999265567 Inventory Number: I00210326 -
DAVID HAMMONS: BODY PRINTS, 1968–1979
(HAMMONS, DAVID) Introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210324, 2021. 6 x 9 in., 136 pages. Paperback. New/No Jacket - As Issued.
The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.
More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art. The book features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented Hammons at work in his Los Angeles studio in 1974. 9780942324419 Inventory Number: I00210324 -
LEE FRIEDLANDER
(FRIEDLANDER, LEE) Text by Carlos Gollonet, Nicholas Nixon, Jeffrey Fraenkel, Maria Friedlander, Giancarlo T. Roma.. RM, I00210323, 2021. 10 x 12 in., 384 pages. Hardbound. New/No Jacket - As Issued.
A new, up-to-date retrospective on photography legend Lee Friedlander
One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs—and later car windows and telephone poles—as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander’s career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon.
The volume serves as a comprehensive guide to Friedlander’s body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist’s life by his grandson Giancarlo T. Roma. 9788417975449 Inventory Number: I00210323 -
TOM SACHS: HANDMADE PAINTINGS
(SACHS, TOM) Texts by David Rimanelli and Naomi Fry. Rizzoli, I00210319, 2021. 10 x 12 in., 180 pages. Hardbound. New.
The most recent body of paintings of this New York-based artist, featuring the artist's examination of consumer culture in his handmade, "do-it- yourself " aesthetic.
This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology.
Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture. 9780847870288 Inventory Number: I00210319 -
MARTINE SYMS: SHAME SPACE
(SYMS, MARTINE). Primary Information, I002103, 2021. 6 x 8 in., 240 pages. Hardbound. New/No Jacket - As Issued.
Shame Space is an artist book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project Ugly Plymouths (2020). The diaristic commentary in Shame Space is gathered into fifteen chapters that stage narrative as a process of being in the making.
Text entries in Shame Space have formed the voiceover of Mythiccbeing (pronounced ‘my thick being’), a “black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme” digital avatar who has iterated across several of Syms’s recent exhibitions. In the artist’s dense, multi-channel media installations, Mythiccbeing manifests variously in video, in pre-programmed audio recordings of the artist’s voice, and as an interactive chatbot, which responds to the viewer’s communications with images, messages, and animations.
Shame Space’s design mimics the bible form, with its A5 size, embossed leather-textured cover, and gold edge painting. Translating Syms’s ongoing research and interest in new media technologies to the page, the book’s still images were coded using a programming script, such that the design, like the chatbot’s SMS responses, is an exercise in machine automation.
Martine Syms is an artist who has earned wide recognition for a practice that combines conceptual grit, humor, and social commentary. She has shown extensively including solo exhibitions at the Museum of Modern Art, the Art Institute of Chicago, and ICA London. She is in a band called Aunt Sister and hosts CCartalkLA, a monthly radio show on NTS. She also runs Dominica, a publishing imprint for artists’ books. 9781734489743 Inventory Number: I00210317 -
ERIK MADIGAN HECK: THE GARDEN
(MADIGAN HECK, ERIC). Text by Leanne Shapton. Damiani, I00210315, 2021. 1.0" H x 13.0" L x 10.6" W (3.65 lbs) 184 pages. Hardbound. New/No Jacket - As Issued.
“A sumptuous clothbound portrayal of a family in Edenic reverie. In The Garden, American photographer Erik Madigan Heck portrays his wife and two young sons in a variety of richly colorful surrounds. The photographs draw upon Catholic iconography and other mythic pictorial traditions to develop a color-based narrative evocative of spiritual archetypes and the processes of dissolution and rebirth.
The series moves through a singular world—a fairy tale in which figures and settings become tableaux for hyper-concentrated tonal arrangements. Images are composited and oversaturated to create painterly and surreal compositions in which the familiar and fantastic are merged. Completing its aesthetic fantasy through lavish clothes, gestures of dreamlike poignancy and an Edenic environment, The Garden expresses the supramundane innocence and spontaneity that art makes possible—a life lived in the direct, immediate experience of beauty. Shot predominantly at the family’s home in New England, the series initially elicits comparisons with other contemporary photography confronting family life, such as Sally Mann’s Immediate Family or the work of Elinor Carucci. But although the subjects of Heck’s photographs are ostensibly his family, The Garden's real subject matter is color and the aesthetic possibilities of photography to create what it captures."
Flip through a few pages here: https://issuu.com/damianiflip/docs/erik_madigan_heck_the_garden_issuu 9788862087254 Inventory Number: I00210315 -
RITA ACKERMANN: MAMA
(ACKERMANN, RITA) Text by Gianni Jetzer, Harmony Korine, Scott Griffin, Rita Ackermann. Hauser & Wirth Publishers, I00210312, 2021. 10 x 11 in., 178 pages. Hardbound. New.
Tensions of creation and destruction in the latest paintings from Rita Ackermann, shifting between representation and abstraction
Rita Ackermann’s vibrant, large-scale Mama paintings layer drawings with applications and scrapings of impasto and oil stick, expressing complex histories and emotions. The immersive nature of the Mama suite is fully illustrated and expressed in this book, with a critical essay by Gianni Jetzer that explores and contextualizes Rita’s evolution as an artist and the significance of the Mama works, complementing filmmaker Harmony Korine’s fake interview with Ackermann and a tribute to the artist by Scott Griffin. The importance of Ackermann’s drawings in her painting practice is elucidated in a poem by the artist and seen in the book’s robust plate section, which features all of the Mama paintings made to date. 9783906915593 Inventory Number: I00210312 -
RADICAL ARCHITECTURE OF THE FUTURE
(GALILEE, BEATRICE). Phaidon, I00210305, 2021. 8 x 11 in., 240 pages. Hardbound. New/No Jacket - As Issued.
An important and fascinating collection of original projects by unique thinkers in the world of architecture and spatial design
Architectural practice today goes far beyond the design and construction of buildings — the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality. This remarkable book features projects — surprising, beautiful, outrageous, and sometimes even frightening — that break rules and shatter boundaries. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers — all of whom synthesize and reflect our spatial environments — comes together for the first time. 9781838661236 Inventory Number: I00210305 -
INDIA TWO
(ANSARI, AZIZ) . Dashwood Books, I00210303, 2020. 5 x 8 inches, 20 pages. New/No Jacket - As Issued.
One of a pair of a zines by actor/director/writer/standup comic Aziz Ansari. India Two features street vendors in India. Inventory Number: I00210229 -
THE MOTHERLODE: 100+ WOMEN WHO MADE HIP-HOP
(HOPE, CLOVER) with illustrations by Rachelle Baker. ABRAMS, I00210218, 2021. 8 x 9 in., 240 pages. Paperback. New/No Jacket - As Issued.
An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process
The Motherlode highlights more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shanté, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo—as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. This book profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap. 9781419742965 Inventory Number: I00210218 -
Ramen Forever: An Artist’s Guide To Ramen
(SLAPS, YARROW). Luggage Store Gallery, I00210216, 2021. 9 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
Is the ramen craze over? While Lucky Peach’s Chris Ying might think it’s waning, and says so in the preface to this book, the new compendium RAMEN FOREVER: AN ARTIST’S GUIDE TO RAMEN is a resounding rebuttal to that claim. Over a decade after gourmet noodle shops began opening throughout the United States, ramen is here to stay and has never looked or tasted better!
More than a cookbook, RAMEN FOREVER is an illustrated love letter to this deceptively simple dish initiated by San Francisco-based artist and SWIM Gallery director Yarrow Slaps, whose obsession with ramen of all kinds has led to his visiting ramen shops around the world and to having deep conversation with top chefs, foodies and food bloggers, and the artists that have lived off of instant noodle soup packets before ramen became a trend. Interviews with ramen heroes including Moe Kuroki (Boston’s Oisa Ramen), Yoshihiro Sakaguchi (Taishoken, San Mateo), Hans Lienesch aka “The Ramen Rater,” Esther Choi (Mokbar - NY), and Sam White (Ramen Shop Oakland) give an insider’s view into gourmet ramen spots across the global diaspora. For those that can’t travel to all of these ramen spots, this book will inspire major mouth envy!
Don’t fear, however, because RAMEN FOREVER has plenty of inspiration for creative home cooks. Over 80 of the urban art scene’s most celebrated artists, including Justin Hager and Kristen Liu-Wong, contribute their own illustrated instant noodle recipes that have gotten them through struggle times. The recipes range from playful (“Hot Trash Ramen—best when you’re drunk”) to critical (“Opium War Lamian—a rustic and flavorful noodle soup enjoyed by belligerents during an unjust, cruel, and brutal colonial conflict”) to restorative (“Radiant Recovery Ramen”), showcasing the true versatility of ramen as a dish for every occasion, for people of every background and every budget.
A feast for the eyes and the belly, RAMEN FOREVER should be your next coffee table book, and makes a great gift for the art lover and ramen eater in your life—and that can be you, too. 9780578661575 Inventory Number: I00210216 -
WHERE ART MIGHT HAPPEN: THE EARLY YEARS OF CALARTS
. Prestel, I00210212, 2021. 7 x 10 in., 392 pages. Flexibound. New/No Jacket - As Issued.
From Fluxus to conceptualism and feminism, an inside look at how California's legendary school nurtured a generation of exciting, experimental artists.
Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney's original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multifaceted exhibition catalog focuses on the school's early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements.
Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, “art can happen. "It follows the institutional establishment of Baldessari's" Post-Studio "course and Miriam Schapiro and Judy Chicago's Feminist Art Program. It explores the school's unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works — many never before published — from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education. 9783791378091 Inventory Number: I00210212 -
WALTER CHANDOHA: DOGS
(CHANDOHA, WALTER). Taschen, I00210211, 2021. 9 x 12 in., 296 pages. Hardbound. New/No Jacket - As Issued.
Walter Chandoha’s remarkable legacy as the 20th century’s greatest pet photographer lives on in this sequel to his critically acclaimed Cats. Featuring over 60 breeds, photographed in a variety of styles and locations, the book includes color studio and environmental portraits, black-and-white street scenes, dogs roaming free in the countryside, and vintage dog shows. Each image brims with Chandoha’s tenderness and empathy for these charming canines.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures. 9783836584296 Inventory Number: I00210211 -
CUBA: ORIGINAL ALBUM COVER ART OF CUBAN MUSIC
Compiled by Gilles Peterson and Stuart Baker. Soul Jazz Books, I00210109, 2021. 12 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.
‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.
Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.
These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba. 9781916359802 Inventory Number: I00210109 -
WOMEN IN CONCRETE POETRY 1959–1979
Edited by Alex Balgiu, Mónica de la Torre. Primary Information, I00210107, 2021. 8 x 9 in., 384 pages. Paperback. New/No Jacket - As Issued.
A massive, groundbreaking, international anthology of concrete poetry by women, from Mira Schendel to Susan Howe
This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page.
Owing, perhaps, to the fact that concrete poetry’s attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume—Ilse Garnier or Giulia Niccolai, for instance—were active in the movement’s epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams’s Anthology of Concrete Poetry (1967) and Mary Ellen Solt’s Concrete Poetry: A World View (1968).
This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany). 9781734489729 Inventory Number: I00210107 -
MEDIA BURN: ANT FARM AND THE MAKING OF AN IMAGE
(ANT FARM) Text by Steve Seid. Inventory Press/RITE Editions, I00210106. 9 x 12 in., 128 pages. Hardbound. New/No Jacket - As Issued.
A detailed account of Ant Farm’s 1975 Media Burn performance, a legendary act of consumerist critique
This book examines the complex set of cultural references and art-making strategies informing Ant Farm’s seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.
Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).
In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.
Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself. 9781941753354 Inventory Number: I00210106 -
THE ROLLING STONES: UPDATED EDITION
(STONES, THE ROLLING) edited by Reuel Golden. Taschen, I00210102, 2020. 12 x 12 in., 466 pages. Hardbound. New.
Produced in collaboration with the band, who gave unprecedented access to their archives in London and New York, this is a book to get you infinite satisfaction. More than 450 richly illustrated pages chart the remarkable scope of the Stones’ almost 60-year history and mesmerizing on- and off-stage presence—featuring the work of legendary photographers David Bailey, Herb Ritts, Peter Beard, Andy Warhol, David LaChapelle, Albert Watson, Annie Leibovitz, Ethan Russell, Gered Mankowitz, Cecil Beaton, Anton Corbijn, and many more.
The kind of fame and success The Rolling Stones have achieved in their almost 60-year career is without parallel; their most famous riffs and catchiest lyrics are indelibly engraved in our collective memory. With their mesmerizing on- and off-stage presence, the Stones set the standard for how a rock band should sound, pose, pout, and behave. They were the first to instinctively understand that what you looked like was as important as the music, and that photography had a vital role in promoting that image. “The clothes and the hair are always impeccable,” describes author Luc Sante. “They were playing themselves, but with such consistent finesse you knew they were instinctively aware of the camera and how good they will look in the photos.” Unsurprisingly many of the greatest photographers in the history of the medium wanted to take their picture.
Produced in close collaboration with the band, this updated edition charts the Stones’ remarkable history and outrageously cool lifestyle in over 450 pages of photographs and illustrations, gathered from archives all over the world. Unprecedented access to the Rolling Stones’ own archives in New York and London adds an equally extraordinary, more private side to their story. For Mick, Keith, Charlie, and Ronnie this is their official photographic record. 9783836582087 Inventory Number: I00210102 -
AFRICOBRA: Messages to the People
Edited by Jeffreen Hayes. Foreword by Chana Sheldon. Text by Leslie Guy. Gregory Miller/Museum of Contemporary Art, North Miami, I00201231. 9 x 11 in., 176 pages. Hardbound. New/No Jacket - As Issued.
A major publication about the revolutionary art collective that defined a new Black aesthetic in late 1960s Chicago and whose influence today is stronger than ever
AfriCOBRA (African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a group of five young Black artists. Today, it is one of the oldest continuously active American art collectives. The pronunciation—Af-FREE-co-bruh—emphasizes the second syllable, signaling the group’s central principle grounded in Black liberation: creative expression reflecting the Black experience and Black influences.
AfriCOBRA’s founding artists—Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu and Gerald Williams—differed in disciplines and artistic vocabularies but were brought together by the common aspiration to create work that speaks directly to Black people utilizing an identifiably Black aesthetic. This publication celebrates the fifty-year anniversary of AfriCOBRA’s founding and marks the collective’s powerful relevance today. AfriCOBRA: Messages to the People documents two exhibitions curated by Jeffreen M. Hayes, PhD: one at the Museum of Contemporary Art, North Miami, and another as an official collateral event of the 58th Venice Biennale. It features more than 80 works by the original members as well as those by Sherman Beck, Napoleon Jones-Henderson, Omar Lama, Carolyn Mims Lawrence and Nelson Stevens.
More than a historical overview of AfriCOBRA, this book is a response to the artists’ continuing contributions and influence, connecting their works to the contemporary moment through essays, archival photographs and ephemera, exhibition views, and contemporary photographs that celebrate the impact of this revolutionary art collective. As their name states, the artists and artworks of AfriCOBRA were as relevant in 1968 as they are today in the continued struggle for Black liberation. 9781941366301 Inventory Number: I00201231 -
HARVEY STEIN: THEN AND THERE - MARDI GRAS 1979 (SIGNED)
(STEIN, HARVEY). Zatara Press, I00201226, 2020. 7 x 9 in., 88 pages. Hardbound. New/No Jacket - As Issued.
In Then and There, the well-known photographer Harvey Stein documents a crucial aspect of public behavior at the 1979 New Orleans Mardi Gras. Shooting with an instant SX-70 Polaroid camera, the process allowed Stein to directly interact with his subjects, who perform, observe, and even share in the photographic process. The 47 portraits are made just feet away from each person, mostly at dusk, sharply revealed by the light of the camera’s flash bar. His subjects creatively present themselves in diverse colorful masks, makeup, and revelry. Each portrait is a glimpse into a layered and hidden personal identity made possible by the collaborative choices of the photographer and the subjects acting in front of the camera. The raw excitement of Mardi Gras flows through each portrait with the people physically filling the entire frame of the Polaroid as if the print itself were a stage just for them. Mardi Gras allows both the subject and the photographer a moment of freedom to observe a transformation into another reality of being. Stein investigates these many themes throughout the book, and captures those flamboyant moments of lightning in a bottle with each Polaroid. 9781733840613 Inventory Number: I00201226 -
TEENAGE STYLES AND TRENDS 1967–71: A RETROSPECT
(BERRY, BURTON YOST) . Grafisches Centrum Cuno GmbH & Co., 2020. 9 x 12 in., 78 pages. Hardbound. New. Privately printed in a limited edition of 300 copies in Switzerland, the photo book “Teenage Styles and Trends 1967–71: A Retrospect” by American diplomat and art collector Burton Yost Berry (1901-1985) drew little attention back in 1972. Close to 50 years later, though, it is a sought-after icon of early street photography, rare and expensive, not at last due to its being featured in Parr’s & Badger’s “The Photobook: A History, Volume III.” A new reprint makes this gem of a photobook available again. Grafisches Centrum Cuno in Calbe/Germany digitized the original book, retouched it with an eye for detail, and printed it using latest Ultra HD technology – achieving brilliant images thanks to intelligent dot positioning and modulation. In terms of printing quality, the reprint may easily surpass the original of 1972. The English text remains untouched except for corrections of some smaller typos. Printed on Profisilk paper, coated, 170 g/qm, which slightly stronger grammage prevents images from showing through. The reprint’s dust jacket has a poster printed on the inside and the book has been printed in a limited edition of 500 copies. 9783935971980 Inventory Number: I00201221
-
ALL-AMERICAN XX: COMING HOME
(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1500. 4to. Pictorial Paperback. Photography Monograph. As new./No Jacket - As Issued.
To everything, there is a season: a time to remain in place, a time for racial reckoning. A time of conflagration, a time for healing. A time of contagion, a time for hope. Quite a year for this twentieth edition of Bruce Weber’s All-American journal. But if the past two decades have illuminated anything, it’s that the promise of this country—and a journal dedicated to its eclectic tapestry—lies in its struggle and striving.
All-American Volume XX: Coming Home finds Bruce Weber doing what many did as the pandemic kept us home: reflecting on those beliefs and ideals held most dear. While it continues to ask big questions of America, Coming Home is in many ways the most personal edition in this series, celebrating important relationships that have guided Weber’s artistic journey. There’s his long-time collaboration with the model and artist Juan Heredia, who Weber has photographed for over 15 years—and a wide-ranging tribute to Donald Sterzin, the art director whose work help shaped Weber’s early career. Family ties continue to be a central concern, considered this year through an intimate portrait of Martina Navratilova and her wife Julia Lemigova at home with their daughters—and the dramatic story of Miguel Chavez, a DACA immigrant from Peru trying to realize his American dreams. A portfolio of Black Lives Matter protest photos paired with Civil Rights era images starkly highlights our perpetual quest for racial justice, with the educator and activist Jane Elliott offering discomforting insights from her home in Osage, IA. And to remind readers of adventures beyond the horizon when travel becomes possible again, Volume XX presents an in-depth consideration of Eliot Elisofon, a lesser-known but astonishingly prolific LIFE photographer who made the world his home. All-American Volume XX: Coming Home also includes texts by Yousuf Karsh, E.B. White and Alfred Stieglitz. 9780970574589 Inventory Number: I00201202 -
MAGIC PAPERS
(TREECE, PHILIP DAVID). CentreCentre, I00201119, 2020. 10 x 13 in., 144 pages. Hardbound. New/No Jacket - As Issued.
Magic is largely a solitary endeavour, but the channels of its tips and tricks had a little ‐ known heyday around a hundred years ago. That golden era circulated secrets in printed matter packed with flamboyant custom lettering, sensational language and mystifying illustrations — largely made by and for its own community, compiled and consumed by dedicated practitioners and hobbyists. Often unregulated and infrequently archived beyond private collections, these magic papers collided with cults of personality, unshakable passion, and a thirst for notoriety.
The book features a huge assembly of printed material from the collection of Philip David Treece, a magic expert dedicated to preserving a golden era of magic publishing. This collection celebrates journals, periodicals, books and other ephemera created for the magic community between 1890 and 1960. Each book includes a 16 page gloss insert featuring a collection of magical apparatus. 9781916412149 Inventory Number: I00201119 -
FUTURA: THE ARTIST'S MONOGRAPH
(FUTURA) Texts by Takashi Murakami, Virgil Abloh, Agnès b, Jeffrey Dietch. Rizzoli, I00201112, 2020. 9 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
The most in-depth and comprehensive survey of the life and career of one of the pioneering artists of the original graffiti generation.
Having forged his graphic style painting subways in New York in the late 1970s, Futura was among the first graffiti artists to be shown in contemporary galleries in the early 1980s, where his paintings shared space with works by Keith Haring, Jean-Michel Basquiat, and Kenny Scharf. As the commercialization of street culture in the 1990s inspired collaborations with fashion and lifestyle brands, Futura's work moved toward a more refined expression of his abstract graffiti style. Commissions from era-defining brands such as A Bathing Ape, Stüssy, Supreme, and Mo' Wax saw his artwork canonized as an elemental component of the street aesthetic.
Collected here, among never-before-published reproductions of earlier paintings and drawings, is an archive of personal photography and ephemera that reveals how integral Futura has been to the evolution of street art and culture. Guided through more than forty years of work, and with interviews with key players in Futura's career, this is at once a definitive monograph of a legend of contemporary art and an indispensable chapter in the history of graffiti. 9780847866021 Inventory Number: I00201112 -
DESIGN COMMUNE
(COMMUNE) Roman Alonso and Steven Johanknecht. ABRAMS, I00201106, 2020. 8.5 x 11, 288 pages. Hardbound. New/No Jacket - As Issued.
A journey through the acclaimed design studio’s effortless California aesthetic, ethos, and lifestyle
Design Commune reveals the evolution story of an acclaimed design studio rooted firmly in the California aesthetic, ethos, and lifestyle. Truly multidisciplinary in practice, Commune has, since its inception in 2004, tackled all areas of design. The work featured in this second book highlights all disciplines that Commune engages in, including interior design projects for private and commercial spaces, artist collaborations, product designs, packaging, and graphics. Its projects share many common threads, such as the influence of handcrafted materials, but each remains deeply personal and unique. 9781419747748 Inventory Number: I00201106 -
QUEEN: THE NEAL PRESTON PHOTOGRAPHS
(PRESTON, NEAL). Reel Art Press, I00201031, 2020. 10 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
The official book on Queen, one of the greatest ever rock bands, photographed by one of the greatest ever rock photographers―with text by Brian May and Roger Taylor and intimate accounts from Neal Preston revealing the stories behind the pictures
Neal Preston is one of the most prolific and highly regarded rock photographers of all time. He began working with Queen in the mid 1970s as their tour photographer. He was present on the legendary South America tour in 1981, Live Aid in 1985, and the band’s last tour with Freddie Mercury in 1986, among others. Brian May has commented, “Neal just has the knack, the skill, to always be in the right place at the right time.”
This official book, produced in collaboration with the band, features over 200 images and is an exhilarating ride through their years on the road together. It is the first time Preston and Queen have collated this work in one volume: glimpses of life backstage, live performances, post-performance highs and lows, and outtakes―many of which have never been seen before―are accompanied by memories and anecdotes from Preston with forewords by Queen guitarist Brian May and drummer Roger Taylor. The pages vibrate with a palpable energy. 9781909526716 Inventory Number: I00201031 -
DIETER RAMS: THE COMPLETE WORKS
(RAMS, DIETER) Text by Klaus Kemp. Phaidon, I00201029, 2020. 8 x 11 in., 344 pages. Hardbound. New/No Jacket - As Issued.
The ultimate reference on one of the most influential product designers of all time
For more than sixty years Dieter Rams has defined the look, feel, and function of some of the world's best-loved consumer items. Using his 'ten principles for good design' as a philosophy and practice for improving the industry in a more holistic, responsible way, Rams has built a reputation with global resonance. Here, for the first time, is a catalogue raisonné of every product that he has designed in his lifetime — a true celebration of his seminal contribution to the field of industrial and product design. 9781838661533 Inventory Number: I00201029 -
MIRA CALLIGRAPHIAE MONUMENTA
(BOCSKAY, GEORG) Illuminated by Joris Hoefnagel. Getty Publications, I00201021, 2020. 5 x 7 in., 424 pages. Hardcover in Slipcase. New/No Jacket - As Issued.
A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel, Second Edition
In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image.
Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.
Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists, to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers. 9781606066584 Inventory Number: I00201021 -
ANGELA DAVIS: SEIZE THE TIME
(DAVIS, ANGELA) Edited by Gerry Beegan and Donna Gustafson. HIRMER, I00201020, 2020. 8 x 10 in., 192 pages. Hardbound. New/No Jacket - As Issued.
Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic, and political policy. Beginning in 1970 with her arrest in connection with a courtroom shootout, then moving through her trial and acquittal, the book traces Davis’s life and work during the subsequent decades and her influential career as a public intellectual. Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. 9783777435749 Inventory Number: I00201020 -
KIM GORDON: NO ICON
(GORDON, KIM) Foreward by Carrie Brownstein. Rizzoli, I00201016, 2020. 8 x 10 in., 272 pages. Hardbound. New/No Jacket - As Issued.
An edgy and evocative visual self-portrait by musician and artist Kim Gordon, indie-underground cultural icon and muse of style for four decades.
As cofounder of legendary rock band Sonic Youth, best-selling author, and celebrated artist, Kim Gordon is one of the most singular and influential figures of the modern era.
This personally curated scrapbook includes a foreword by Carrie Brownstein and is an edgy and evocative portrait of Gordon's life, art, and style. Spanning from her childhood on Californian surf beaches in the '60s and '70s to New York's downtown art and music scene in the '80s and '90s where Sonic Youth was born. Through unpublished personal photographs, magazine and newspaper clippings, fashion editorials, and advertising campaigns, interspersed with Gordon's song lyrics, writings, artworks, private objects, and ephemera, this book demonstrates how Kim Gordon has been a role model for generations of women and men. 9780847865819 Inventory Number: I00201016 -
SNACKY TUNES: MUSIC IS THE MAIN INGREDIENT, CHEFS AND THEIR MUSIC
(BRESNITZ, DARIN & GREG). Phaidon, I00201014, 2020. 9 x 6 in., 320 pages. New/No Jacket - As Issued.
The team behind the podcast presents a one-of-a-kind book exploring the influential relationship between chefs and music
This first-of-its-kind anthology of personal stories from over 75 of the world's most acclaimed chefs chronicles how music has been a constant force throughout their lives, helping to define themselves individually, opening gateways to understanding their cultures and igniting the creativity behind their work. Featuring all-new candid interviews, never-before-published recipes and custom playlists from each chef, this book provides readers with intimate insights and a wholly fresh perspective on some of today's top culinary minds. 9781838661366 Inventory Number: I00201014 -
WARD LONG: SUMMER SUBLET
(LONG, WARD). Deadbeat Club, I00201013, 2020. 8.5 x 11 in., 80 pages. Hardbound. New/No Jacket - As Issued.
Alice, Hannah, Sarah, Bianca, and Kate lived in the hundred-year-old house on Montgomery Street, near the art school and the women's college. They mixed teas and tinctures, dyed fabrics in the backyard, designed costumes for children’s plays, gave each other late-night tattoos, smithed jewelry, and stitched leather. They read tarot, talked aura, charted horoscopes, and parked their dirt bikes in the basement. They smoked on the porch in their underwear and wore whatever the fuck they wanted. It had been forty-four roommates since the old family had moved out.
Ward Long used to live alone. When he lost his lease at the start of summer, his friend Ara said there might be an open room on Montgomery Street for a few months. At first, he wondered why they let him live there. His new housemates had an everyday physical, emotional, and spiritual closeness; it was infectious.
He was infatuated with their friendships, in love with their strength and grace, enchanted with everything. The house was full of the mismatched belongings of so many long gone roommates, but eventually he fit in just fine. When nothing matches, everything belongs. Though intimate and private, Summer Sublet welcomes us to a space filled with kindness, humanity, ease, and self-possession. The clutter makes room for us too.
That December, Ara died with thirty-five others in the Ghost Ship warehouse fire. Ward writes that "She had given me such a tremendous gift. In the wake of her death, the home that we had created for each other seemed so much more precious and vulnerable. The house on Montgomery Street was a world of care, strength, and tenderness, and the pictures in Summer Sublet work to see that place clearly." 9780999829875 Inventory Number: I00201013 -
GUERRILLA GIRLS: THE ART OF BEHAVING BADLY
(GIRLS, GUERRILLA) . Chronicle, I00201008, 2020. 8.5 x 11 in., 192 pages. Hardbound. New/No Jacket - As Issued.
Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present.
The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. Each copy comes with a punch-out gorilla mask that invites readers to step up and join the movement themselves. In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. 9781452175812 Inventory Number: I00201008 -
TO MAKE THEIR OWN WAY IN THE WORLD: THE ENDURING LEGACY OF THE ZEALY DAGUERREOTYPES
By Ilisa Barbash, Molly Rogers, and Deborah Willis. Foreword by Henry Louis Gates, Jr.. Contributions by Carrie Mae Weems. Aperture and Peabody Museum Press, I00201006, 2020. 9 x 7 in., 488 pages. Hardbound. New/No Jacket - As Issued.
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.
Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects.
With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. 9781597114783 Inventory Number: I00201006 -
PLANET WAX: SCI-FI/FANTASY SOUNDTRACKS ON VINYL
(LUPTON, AARON AND JEFF SZPIRGLAS). 1984 Publishing, I00200931. 8.5 x 11 in., 240 pages. Hardbound. New/No Jacket - As Issued.
*
*Please note! Quantities are limited and subject to real-time availability.*
*
Do you crank up your stereo and conduct air symphonies to John Williams' Star Wars? Know all of the lyrics to "The NeverEnding Story" or "Xanadu?" Have a burgeoning collection of space disco albums? Well, pluck those Ceti Alpha eels out of your ears and open this book – we've got you covered.
From the orchestral bombast of Jerry Goldsmith's Star Trek: The Motion Picture score, to the muscle-flexing might of Basil Poledouris' Conan the Barbarian, to the dreamy electronic soundscapes of Vangelis' Blade Runner and the pop styling of the Flash Gordon soundtrack, science fiction and fantasy films have inspired some of the most beloved and memorable soundtracks in film history.
Planet Wax covers the best, as well as the most unique and underrated scores the sci-fi and fantasy genres have to offer, while showcasing their original vinyl LP artwork over 240 pages. Franchises like Mad Max, The Terminator, and even the Indiana Jones films are spotlighted, along with television classics such as Doctor Who and Star Trek, making Planet Wax the definitive discography of soundtracks from the films and shows of the '60s, '70s, '80s, and '90s that shaped multiple generations.
Featuring over twenty interviews, including composers Stu Phillips (Battlestar Galactica), Laurence Rosenthal (Clash of the Titans), and directors Richard Donner (Superman) and Nicholas Meyer (Star Trek II), Planet Wax chronicles an era in film and music when the sounds were given as much prominence as the interstellar imagery. 9781948221146 Inventory Number: I00200931 -
SWAMP MONSTERS: PHOTOGRAPHS FROM THE 2020 REPUBLICAN NATIONAL CONVENTION
(ZIMMERMANN, PHIL). The Ice Plant and Spaceheater Editions, I002009, 2020. 10 x 15 in., 56 pages. Tabloid folded in half and polybagged. New/No Jacket - As Issued.
SWAMP MONSTERS commemorates the historically frightful 2020 Republican National Convention with a series of photographs made by Tucson-based artist and publisher Phil Zimmermann as the spectacle unfolded on his television screen from August 24-27. This rogues’ gallery of hideous video portraits is printed in garish full color in an unbound tabloid newspaper format, and published in a limited edition of 666 copies. A portion of the proceeds will be donated to the Arizona Democratic Party. 9781636496696 Inventory Number: I00200929 -
KAWS: HE EATS ALONE
(KAWS). Silvana Editoriale/Qatar Museums, I00200919, 2020. 8 x 10 in., 322 pages. Hardbound. New.
A clothbound collection of KAWS’ instantly recognizable riffs on pop culture, featuring bold graphics and a familiar cast of characters
Few artists have managed to bridge the gap between high and low culture as seamlessly as KAWS has since his career took off in the 1990s: his iconic cartoon-inspired designs have graced fashion collections, vinyl figurines, and skateboards as well as canvases sold for millions of dollars. Frequently portraying familiar figures such as Mickey Mouse and Spongebob Squarepants with cauliflower ears and X’ed-out eyes, KAWS employs a sophisticated dark humor throughout his work, exploring the relationship between art and consumerism.
This publication documents the artist’s first exhibit in the Middle East, with more than 40 key pieces in sculpture and painting from the last two decades. The exhibit in Doha, Qatar, and its accompanying catalog also feature a number of KAWS’ commercial collaborations alongside his 5-meter-tall sculpture Companion (Passing Through) and his inflatable 40-meter-tall piece Holiday. Bound in cloth, this volume is a gorgeous collection of KAWS’ most exciting work. 9788836645602 Inventory Number: I00200919 -
LUIGI GHIRRI: CARDBOARD LANDSCAPES (PAESAGGI DI CARTONE).
(GHIRRI, LUIGI) Introduction by Sarah Hermanson Meister. The Museum Of Modern Art, New York, I00200917, 2020. 9.5 x 9.5 in., 112 pages. Hardbound. New/No Jacket - As Issued.
A handsome facsimile of conceptualist Luigi Ghirri’s poetic narrative of 1970s pop culture
Italian photographer Luigi Ghirri (1943–92) made Cardboard Landscapes (Paesaggi di cartone) during his travels around Europe, coining the term “sentimental geography” to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic color prints pasted onto the pages of a blank book, and was gifted by Ghirri to John Szarkowski, then the Director of the Department of Photography at the Museum of Modern Art, in the 1970s.
A singular work of art, Cardboard Landscapes is now being published for the first time. The collection is an anomaly within Ghirri’s overall oeuvre, as it prioritizes complex composition rather than the sweeping tableaux for which he is best known. In this series of works, he regards the printed image as the subject, framing a kaleidoscope of photographs and advertisements to tell a poetic visual narrative that reflects at once regional, personal and popular culture, revealing a fascinating impulse to investigate his role within his own medium. 9781633451025 Inventory Number: I00200917 -
YOU NEXT: REFLECTIONS IN BLACK BARBERSHOPS
(JOHNSON, ANTONIO M.) . Lawrence Hill Books, I00200916, 2020. 9 x 9 in., 240 pages. Hardbound. New.
An intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness
There's something about a fresh haircut that can change a Black man's outlook on the world, change his outlook on himself. The experience extends beyond just the cut but to the environment of the barber shop. Grow-ing up, getting a hair cut was a weekly event Antonio M. Johnson looked forward to more than anything. His uncle Jason was a barber and embodied everything cool. There in that tilted chair, under the hand of his uncle, surrounded by members of his community and totems of a shared experience, Johnson felt safe—felt like anything was possible. Over the years, he came to understand that barber shops are more than places simply to get a cut. They are about the only spaces in Ameri-can life created where Black men can speak and receive feedback about who we are, who we want to be, and what we believe to be true about the world around us. The interpretation of the barber shop as community center falls short of capturing what they really are for so many Black men: sanctuaries in a hostile land. You Next is an intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness in major US cities—Gary, Indi-ana; Washington DC; New York City; Oakland; Atlanta; Los Angeles; Detroit; New Orleans; Montgomery; Memphis, and Johnson's home-town of Philadelphia. These photos, interviews, and essays tell the full story of the Black barber shop in America. "You next" is what a barber says to customers to communicate that they're on deck for a haircut; it's the question between customers to determine where they are in line. Thus, it is an invitation, an invocation, an affirmation. Because after waiting your turn in a barber shop, sharing, laughing, debating, those magic words signify you are about to be transformed. 9781641602853 Inventory Number: I00200916 -
CHARLIE ENGMAN: MOM
(ENGMAN, CHARLIE) Text by Rachel Cusk, Miranda July. Edition Patrick Frey, I00200915, 2020. 8 x 11 in., 220 pages. Hardbound. New/No Jacket - As Issued.
Featuring a luxurious cloth cover and texts by Rachel Cusk and Miranda July, MOM is Charlie Engman’s homage to his mother’s many selves
Brooklyn-based photographer Charlie Engman (born 1987) has been shooting portraits of his mother Kathleen McCain Engman since 2009. Collected into a single monograph for the first time, Engman’s striking series portrays the artist’s mother in a variety of surreal scenes, sometimes nude and at other times dressed in a furry red jumpsuit, in the photographer’s studio or in a field on the side of a road.
Engman’s work depicts an intense collaboration between photographer and subject that challenges the conventions of portraiture. In addition to Engman’s photography, this publication also includes an essay by novelist Rachel Cusk and a conversation between Kathleen McCain Engman and writer-filmmaker-artist Miranda July, who writes: “I look at Charlie and Kathleen and realize I could dream a little bigger. A little weirder. But how does one raise a child so confident that he can create a world of groundbreaking possibility with his own mother" 9783907236048 Inventory Number: I00200915 -
TAROT
Edited by Jessica Hundley with texts by Johannes Fiebig and Marcella Kroll. Taschen, I00200909, 2020. 7 x 9 in., 520 pages. Hardbound. New/No Jacket - As Issued.
Trace the hidden history of Tarot in the first volume from TASCHEN’s Library of Esoterica, a series documenting the creative ways we strive to connect to the divine. Artfully arranged according to the sequencing of the Major and Minor Arcana, this visual compendium gathers more than 500 cards and works of original art from around the world in the ultimate exploration of a centuries-old art form.
To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story.
For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium.
Author Jessica Hundley traces this fascinating history in Tarot, the debut volume in TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind more than 500 cards and works of original art, two thirds of which have never been published outside of the decks themselves. It's the first ever visual compendium of its kind, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of nearly 100 diverse contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward. Rounding out the volume are excerpts from thinkers such as Éliphas Lévi, Carl Jung, and Joseph Campbell; a foreword by artist Penny Slinger; a guide to reading the cards by Johannes Fiebig; and an essay on oracle decks by Marcella Kroll. 9783836579872 Inventory Number: I00200909 -
LISA YUSKAVAGE: WILDERNESS
(YUSKAVAGE, LISA) Text by Christopher Bedford, Helen Molesworth, Heidi Zuckerman. Interview by Mary Weatherford.. Gregory R. Miller & Co., I00200905, 2020. 11 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.
A new focus on the sublime landscapes in Lisa Yuskavage’s voluptuous figure paintings
Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage’s work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings.
Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage’s paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford. 9781941366271 Inventory Number: I00200905 -
INTERIORITIES: NJIDEKA AKUNYILI CROSBY, LEONOR ANTUNES, HENRIKE NAUMANN, ADRIANA VAREJÃO
Edited by Anna Schneider, with contributions by Briony Fer, Marietta Kesting, Ugochukwu-Smooth C. Nzewi and Lilia Moritz Schwarcz. Prestel, I00200827, 2020. 9 x 11 in., 176 pages. New/No Jacket - As Issued.
An international coterie of contemporary female artists give form to the political and aesthetic facets of our interior lives.
The artists featured in this book proffer a radical and innovative formal language that positions interiority as both political and aesthetic. The work of Njideka Akunyili Crosby comprises vibrantly patterned paintings on paper that negotiate the complex cultural terrain of a life formed between two worlds: her adopted home in America and her native Nigeria. Inspired by photography, fashion, architecture, and design, as well as her own family history, Akunyili Crosby’s works often feature domestic spaces that function as physical, conceptual, and emotional points of arrival and departure. Conversely, the Portuguese sculptor Leonor Antunes focuses on migration and the transformation of form and ideas beyond temporal and geographical spaces. The starting point for her elegant site-specific sculptures is the exploration of art, design, and architectural history. Adriana Varejão addresses the colonial history of Brazil in her visceral sculptures and paintings. She often deploys the motif of the wall, the boundary between inside and outside, in her work. The omnipresence of the past also colors the work of trained stage designer Henrike Naumann, whose immersive installations engage with the history of East-West German relations, as well as contemporary instances of right-wing ideology. Naumann explores the mechanisms of radicalization and explores how they manifest themselves in space. 9783791359557 Inventory Number: I00200827 -
MODERN ARCHITECTURE AND INTERIORS
(STECH, ADAM). Prestel, I00200821, 2020. 6 x 9 in., 1000 pages. New/No Jacket - As Issued.
This atlas of more than one thousand Modernist architectural masterpieces uncovers hidden gems while offering new perspectives on old favorites.
In 2006, architecture and design curator Adam Stech embarked on a photographic project to document the best Modernist architecture around the globe. More than thirty countries and more than a decade later, the fruits of that monumental project are gathered in this impressive collection covering nearly a century of architectural history. Driven by a passion for rediscovering forgotten or lesser known architectural treasures of Modernism, Stech took thousands of diverse photographs of exteriors and interiors. This survey features often overlooked details and hidden projects that Stech helps bring to light. His brief commentary on each featured building reveals insights into his vast collection of images that includes treasures of Italian Modernism, American mid-century classics, South American Art Deco, Belgian organic architecture, French Brutalism, forgotten Australian modern houses, and much more. This expansive and inspiring book is the definitive guide to architecture in the 20th century in all its different forms and tendencies from its strict rationalist to flamboyant decorative styles. 9783791386096 Inventory Number: I00200821 -
HOLDING THE CAMERA
Edited by Alberto Vieceli. Text by Nadine Olonetzky. Spector Books, I00200820, 2020. 8 x 11 in., 304 pages. New/No Jacket - As Issued.
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device
Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective.
Holding the Camera shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now. 9783959053495 Inventory Number: I00200820 -
TYLER MITCHELL: I CAN MAKE YOU FEEL GOOD
(MITCHELL, TYLER) Contribution by Hans Ulrich Obrist and Deborah Willis. Prestel/ICP, I00200819, 2020. 9 x 12 in., 208 pages. New/No Jacket - As Issued.
In his first published monograph, Tyler Mitchell, one of America’s distinguished photographers, imagines what a Black utopia could look like.
I Can Make You Feel Good, is a 206-page celebration of photographer and filmmaker Tyler Mitchell’s distinctive vision of a Black utopia. The book unifies and expands upon Mitchell’s body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York.
Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell’s signature candy-colored palette. With no white space visible, the book’s design mirrors the photographer’s all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism.
The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam) and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell’s reimagining of the Black experience.
Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. He is regularly published in avant- garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at many such institutions including Harvard University, Paris Photo and the International Center of Photography (ICP), on the politics of image making. 9783791386089 Inventory Number: I00200819 -
ELECTRONIC: FROM KRAFTWERK TO THE CHEMICAL BROTHERS
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. The Design Museum, I00200812, 2020. 9 x 6 in., 192 pages. Hardbound. New.
The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal
With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.
Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project.
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. 9781872005492 Inventory Number: I00200812 -
SENGA NENGUDI: TOPOLOGIES
(NENGUDI, SENGA). Mühling, Matthias & Stephanie Weber, Editors. München, GERMANY: Hirmer Verlag, I00200809, 2020. First Edition. 4to. Cloth with Pictorial Pastedown. Artist Monograph. As New/No Jacket - As Issued.
“For almost fifty years, Senga Nengudi (b. 1943, USA) has shaped an œuvre that inhabits a specific and unique place between sculpture, dance and performance. Her iconic R.S.V.P sculptures – performative objects made from pantyhose and materials such as sand and stone – have been acquired by important American museums. The publication accompanies the first solo exhibition of Nengudi in Germany at the Lenbachhaus, Munich.
Thanks to newly researched material that lay fallow until now, the publication will bring to light an astonishing early work by an artist who has consistently striven to expand the definition of what sculpture can be. Among the bodies of work presented in the book are the Water Compositions (1969–70), interactive vinyl and water sculptures that Nengudi understood as an organic rebuttal to the reign of Minimalism; early fabric works that Nengudi strung up in the back alleys of Harlem, New York; the suggestive R.S.V.P. sculptures (1976–today), some of which were activated in choreographed performances.” 978-3777433684 Inventory Number: I00200809 -
HELEN LEVITT: A WAY OF SEEING
(LEVITT, HELEN) Text by James Agee. Walther König/Film Documents LLC, I00200806, 2020. 9 x 8 in., 120 pages. New.
The ultimate edition of Helen Levitt’s classic of New York City street photography, with new high-quality reproductions
Ever since it was first published in 1965, Helen Levitt’s collection of photographs taken on the streets of 1940s New York City has been revered as a classic of its genre. Made in collaboration with writer James Agee, who provided the book’s introduction, A Way of Seeing was published twice more with modifications during Levitt’s lifetime. This volume seeks to provide a definitive edition of the book with oversight from Levitt’s former assistant Marvin Hoshino, who has taken pains to include the best available prints and negatives of Levitt’s images.
Returned to its original compact size, this edition contains all 50 original photographs in addition to several other images meant to represent Levitt’s later understanding of herself as an artist and visual storyteller. Levitt’s photography has stood the test of time and now provides compelling insight into the daily lives of New York’s youngest denizens long after they have grown up. 9781733601801 Inventory Number: I00200806 -
MADE IN L.A. 2020: A VERSION
Written by Myriam Ben Salah, Lauren Mackler. Hammer Museum/Prestel, I00200724, 2020. 9 x 12 in., 308 pages. Hardbound. New/No Jacket - As Issued.
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene.
Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. 9783791359106 Inventory Number: I00200724 -
SYNERGETIC STEW: EXPLORATIONS IN DYMAXION DINING
(FULLER, R. BUCKMINSTER FULLER) Foreword by Jaime Snyder. Lars Muller Publishers, I00200723, 2020. 6 x 9 in., 128 pages. Spiral Binding. New.
A delightful dymaxion cookbook homage to Buckminster Fuller, featuring John Cage’s macrobiotic recipes, Margaret Mead’s cucumber salad and more
Buckminster Fuller is globally known as a design scientist, architect, author, poet, engineer and a true visionary. On his 86th birthday he received the cookbook Synergetic Stew as a surprise present from his friends and admirers, who share recipes along with personal anecdotes and humorous recollections of Fuller (for example, a reminiscence about Bucky’s love for tea in all its variations). Scattered throughout the book are enticing texts and poems from Fuller himself, including even a recipe for tomato ice cream.
Constructed around 100 achievable recipes, this book is a glimpse into Fuller’s life, as told by his peers. A few of the recipes are a joyful ode to Fuller’s oeuvre, such as Shirley Sharkey’s “GEODESICANDY,” the “Macrobiotic Diet” by John Cage or Amy Edmondson’s “Allspace-Filling Whole Wheat Bread.”
In addition to the facsimile, Jamie Snyder reflects upon often-overlooked facets of Bucky’s character, as revealed through anecdotes of his relationship to food.
With contributions by Bil Baird, Peter Brown, John Cage, Lim Chong Keat, Elizabeth Choy, John Ciardi, John Denver, Amy Edmondson, Ted Ehmann, Werner Erhard, Ronald Feldman, John and Isobel Fistere, Medard Gabel, Eugene Garfield, Neva Goodwin, d'Arcy Hayman, Henry J. Heimlich, Miranda Kaiser, Anne Kordus, Kuyoshi Kuromiya, Mae Lee, Paula Martin, Margaret Mead, Karl Menninger, Yehudi Menuhin, Martin and Margy Meyerson, Ann Mintz, Don Moore, Ed Muskie, Libby Newman, Isamu Noguchi, Gerard K. O'Neill, Steve Parker, Eleanor and George Pavloff, Cedric Price, Kariska Pulchalski, Harrison Salisbury, Shirley and Bill Sharkey, Peter Simoneaux, Jamie Snyder, Hester Stearns, Connie Thelander, Thomas Tse-Kwai Zung, Dennis Tyler, Amei Wallach, Hope Watts, Kathryn Withlow 9783037786437 Inventory Number: I00200723 -
JOHN CURRIN: MEN
(CURRIN, JOHN) Edited by Alison M. Gingeras, Text by Jamieson Webster and Naomi Fry. Gagosian/Rizzoli, I00200721, 2020. 10 x 13 in., 208 pages. New/No Jacket - As Issued.
A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation.
Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well.
This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics. 9780847868131 Inventory Number: I00200721 -
PUBLIC ISSUE 3
(McWHIRTER, ALEX) with work by features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood. McWhirter Studio, I00200715. 9 x 12, 136 pages. New/No Jacket - As Issued.
Public is a biannual arts and fashion journal with an emphasis on experimental work. Offering a unique perspective on subjects in life, each subject is archived and its theme never repeated. Issue 3 features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood.
In a unique collaboration, Siân Davey works with stylist Gary David Moore to cover youth and innocence. She revisits her daughter Martha as a subject, now aged 21, in a series of portraits at their family home in Devon (Siân's original series ‘Martha’ was displayed at The National Portrait Gallery in London, and captured her daughter at age 16). Frank Lebon covers family, having documented an intimate family holiday last summer in Spain for the issue. Iconic supermodel turned photographer Guinevere van Seenus collaborates with stylist Roxane Danset to capture a series of self portraits that form a reflective study on herself as a strong, middle aged women. Tom Wood casts his eye on the relationship between men and women through decades of covering communities in Liverpool, England. And finally, Jack Webb explores the emotional highs and lows between a group of friends and family on a night out in a Yorkshire pub, captured in 1996. Inventory Number: I00200715 -
DEATH MAGICK ABUNDANCE
(RABUT, AKASHA). Anthology Editions, I00200623, 2020. 11 x 10 in. Hardbound. New/No Jacket - As Issued.
More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world. 9781944860271 Inventory Number: I00200623 -
TEJU COLE: FERNWEH
(COLE, TEJU). MACK, I00200620. 8.25 x 12 in. Hardbound. New/No Jacket - As Issued.
The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubünden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing. 9781912339549 Inventory Number: I00200620 -
THE CANDY BOOK OF TRANSVERSAL CREATIVITY
(VENEGAS, LUIS) Foreword by Jefferson Hack. Rizzoli, I00200616, 2020. 8.5 x 11 in.. Hardbound. New.
A celebration of the transversal community from the iconic magazine.
The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero.
Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun.
This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future. 9780847865833 Inventory Number: I00200616 -
JOHN HILTUNEN
(HILTUNEN, JOHN). New York: Books for All Press, I00200614, 2016. 9" x 8", 96 pp. Paperback. Artist Monograph. New.
A facsimile (edition of 500) of John Hiltunen's original artist's book published by Books for All Press ( @bfa_press ), a non-profit publisher working solely with artists with mental illnesses and developmental disabilities to publish artists' books. "John Hiltunen began making collages in 2006. Before this time, John focused on rug making, wood work, and ceramics. After participating in Paul Butler’s “Collage Party” in 2007, John’s collage work became a consistent artistic pursuit. His clever juxtapositions, which typically combine animal and human subjects mostly derived from fashion and natural history magazines, are provocative in their humor and yet surprisingly earnest in intention. Straightforward in their absurdity, John’s collages are naturally uncanny with cats, dogs, reptiles, and other wild animals looking posh in the latest fashions. In 2012, John’s work was the focus of a major group exhibition curated by Matthew Higgs at Gallery Paule Anglim, San Francisco. He has also exhibited at White Columns, New York, Rachel Uffner Gallery, New York, the San Francisco International Airport, #goodluckgallery and had his work represented at contemporary art fairs like NADA Miami, the Independent, and Frieze New York. In 2013, he was honored as a recipient of the Louis Comfort Tiffany Foundation award, given to those artists whose work show promise, talent, and individual artistic strength but who have not yet received widespread recognition. John’s work is also in the private collection of Cindy Sherman." 9780997940312 Inventory Number: I00200613 -
THE CHIFFON TRENCHES - A MEMOIR BY ANDRE LEON TALLEY
(TALLEY, ANDRE LEON).. Ballantine Books, I00200611, 2020. New.
“During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella.
There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion.
The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion.
Woven throughout the book are also André’s own personal struggles that have impacted him over the decades, along with intimate stories of those he has turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and ongoing faith, which have guided him since childhood.
The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about." 9780593129258 Inventory Number: I00200611 -
MELVIN EDWARDS: LYNCH FRAGMENTS
(EDWARDS, MELVIN) Edited by Adriano Pedrosa, Rodrigo Moura. Text by Hamid Irbouh, Rebecca Wolff, Renata Bittencourt, Rodrigo Moura. MASP, I00200603. 7 x 10 in. / 256 pages. Hardbound. New/No Jacket - As Issued.
Ominous and angular, the acclaimed steel sculptures of Melvin Edwards convey racial violence with edgy ingenuity
This volume brings together a significant selection of works from the titular series by the New York–based sculptor Melvin Edwards (born 1937), created between 1963 and 2016, comprising more than 50 years of what is considered the artist's central body of work.
Edwards started to produce the Fragments series when he lived in Los Angeles, at a crucial time of the civil rights movement in the United States. The works directly reference the practice of lynching after the abolition of slavery. Denouncing violence against African Americans, Edwards created these steel sculptures as forms between bodies and machines that can also be interpreted as weapons, given the sense of violence and danger suggested by their blunt, angular and protruding shapes. The selection of works in this book reflects the multiplicity of thematic interests and the formal variations across the series. 9788531000515 Inventory Number: I00200603 -
ADRIAN GHENIE: PAINTINGS 2014 TO 2019
(GHENIE, ADRIAN) Edited by Juerg Judin. Texts by Juerg Judin, Pamela Kort, Michael Peppiatt. Hatje Cantz, I00200507, 2020. 10.5 x 11 in. Hardbound. New/No Jacket - As Issued.
Ever since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest, Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works—painted in oil, etched, troweled, or thrown—have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie’s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the “century of humiliation,” as Ghenie calls the twentieth century—its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits. 9783775743525 Inventory Number: I00200507 -
Jason Fulford: Picture Summer on Kodak Film
(FULFORD, JASON). MACK, I00200506, 2020. 8 x 11 in. Hardbound. New/No Jacket - As Issued.
In Picture Summer on Kodak Film, a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford. 9781912339747 Inventory Number: I00200506 -
JUSTINE KURLAND: GIRL PICTURES
(KURLAND, JUSTINE) Story by Rebecca Bengal. Aperture, I00200505, 2020. 9 x 11 in. Hardbound. New/No Jacket - As Issued.
*Please note! Quantities are limited and subject to real-time availability.*
The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth — cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes—paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images. 9781597114745 Inventory Number: I00200505 -
CECIL BEATON’S BRIGHT YOUNG THINGS
(BEATON, CECIL) Text by Robin Muir.. National Portrait Gallery, I00200504, 2020. 9.75 x 11 in.. Hardbound. New/No Jacket - As Issued.
The stylish and extravagant world of the “Bright Young Things” of 1920s and ’30s London, seen through the eye of renowned British photographer Cecil Beaton
In 1920s and ‘30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the “Bright Young Things.” Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit.
In a series of themed chapters, covering Beaton’s first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 50 leading figures who sat for Beaton are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton’s socialite sisters Baba and Nancy Beaton, Stephen Tennant, Siegfried Sassoon, Evelyn Waugh and Daphne du Maurier. Beaton’s photographs are complemented by a wide range of letters, drawings, book jackets and ephemera, and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb. 9781855147720 Inventory Number: I00200504 -
PAUL MPAGI SEPUYA
(SEPUYA, PAUL MPAGI) Interview with the artist by Wassan Al-Khudhairi. Contributions by Malik Gaines, Lucy Gallun, Ariel Goldberg, Evan Moffitt, and Grace Wales Bonner. APERTURE, I00200613, 2020. 8 x 10 in. / 96 pages. Paperback. New/No Jacket - As Issued.
Paul Mpagi Sepuya presents the work of one of the most prominent up-and-coming photographers working today. Sepuya makes photographs of friends, artists, collaborators, and himself. He chal¬lenges and deconstructs traditional portraiture by way of collage, layering, fragmentation, mirror imagery, and the perspective of a Black, queer gaze. Although the creation of artist books has been a long-standing part of his practice, Paul Mpagi Sepuya is the first publication of his work to be released widely, co-published with the Contemporary Art Museum St. Louis on the occasion of a major solo exhibition. 9781597114806 Inventory Number: I00200428 -
VIRGIL ABLOH. NIKE. ICONS
(ABLOH, VIRGIL) (NIKE). Abloh, Virgil, Nicholas Schonberger, Troy Patterson & Glenn Adamson. Koln, GERMANY: Benedikt Taschen Verlag, I000ABLOHNIKE, 2021. First Edition. 4to. Illustrated Boards. Fashion Monograph. New/No Jacket - As Issued. 9783836585095
The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind "one shoe." One story. - Virgil Abloh
ICONS is a dynamic retrospective of the extensive collaborative project between NIKE, Inc. and Virgil Abloh. Underpinned by "The Ten," ICONS explores how the partnership works to unify all the intangible cultural threads connected to sneakers. The book traces Abloh’s investigative, creative process through documentation of prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives.
Within ICONS, readers will find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s quotation marks trialed on Nike Air Force 1s and Converse All Stars cut into pieces. The effect is a behind-the-scenes witness to The Ten’s DIY approach, which gives each model in the Off-White™ c/o Nike collection its own unique touch. "The foundation of my practice isn’t nearly the end result - it’s rigor and process of the logic. The archive is the paper trail of those artifacts," says Abloh. "The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind 'one shoe.' One story."
Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A lexicon in the second part of the book explains the scene from which the project grew and introduces the people, places, objects, ideas, materials and expressions that form the foundation of sneaker culture as a whole.
The book builds upon Abloh's printed matter practice — archiving, documenting and storytelling through books and ephemera in service of preserving important cultural stories. As an extension of this practice, ICONS will enjoy an initial early release period through select Black-owned bookshops and independent retailers, demonstrating a shared belief in the vitality of print and the importance of local bookstores as hubs of community, culture and civic memory.
Published by Taschen, Art directed by Virgil Abloh, and designed by Zak Group, ICONS, as an object, honors the industrial DIY aesthetic of The Ten.
Inventory Number: I000ABLOHNIKE
-
EVA HESSE AND HANNAH WILKE: EROTIC ABSTRACTION
(HESSE, EVA; WILKE, HANNAH) Text by Eleanor Nairne and Jo Applin and Anne Wagner, Contribution by Amy Tobin. Rizzoli, I00042120. 2020. 12 x 10 in. Hardbound. New/No Jacket - As Issued.
This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke. Both artists found themselves drawn to unconventional materials, such as latex, plastics, erasers, and laundry lint, which they used to make work that was viscerally related to the body. They shared an interest in repetition to amplify the absurdity of their work. These repeated forms--whether Hesse's spiraling breast or Wilke's labial fold--sought to confront the phallo-centricism of twentieth-century sculpture with a texture that might capture a more intimate, psychologically charged experience. Eleanor Nairne, the curator of the exhibition, writes the lead essay, followed by texts by Jo Applin and Anne Wagner. An extensive chronology by Amy Tobin includes primary-source materials, which bring a new history of how both artists' work sits in relation to the wider New York scene. Also included are excerpts of both artists' writing. 9780847868100 Inventory Number: I00042120 -
Trejo's Tacos
(TREJO, DANNY). Clarkson Potter, I00041620. 7.5 x 9.75 / 224 pages. Hardbound. New/No Jacket - As Issued.
Hollywood’s baddest good guy shares 75 recipes that make Trejo’s Tacos the Los Angeles go-to for award-winning tacos, donuts, and more.
Long before he was a Hollywood star, Danny Trejo used to joke with his mom that they should open a restaurant. A few arrests, a couple boxing championships, and more than 300 movies later, Hollywood’s favorite bad guy did just that with Trejo’s Tacos. His unexpected journey from ex-con to actor to Narcotics Anonymous/Alcoholics Anonymous counselor to successful restaurateur is a true rags-to-riches story.
Now, in Trejo’s Tacos, Trejo not only shares 75 recipes for cantina favorites like succulent carnitas, vegan cauliflower tacos, and pillowy-sweet cinnamon-sugar lowrider donuts, but offers insights into his life and pays respect to his hometown, his roots, and all of the colorful characters who helped him along the way, creating a delicious tribute to L.A. and the city’s vibrant Latino culture. 9781984826855 Inventory Number: I00041620 -
NERI OXMAN: MATERIAL ECOLOGY
(OXMAN, NERI) Edited with text by Paola Antonelli. Text by Anna Burckhardt, Hadas A. Steiner. Museum of Modern Art, New York, I00041520. 9.5 x 12 in. / 192 pgs / 220 color. Paperback. New/No Jacket - As Issued.
The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology
Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary—and interspecies—collaborations. She coined the term “material ecology” to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing.
Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman’s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.
This book—designed by Irma Boom and published to accompany a midcareer retrospective of Oxman’s work—highlights the interdisciplinary nature of the designer’s practice. It demonstrates how Oxman’s contributions allow us to question and redefine the idea of modernism—a concept in constant evolution—and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions. 9781633451056 Inventory Number: I00041520 -
DEBAUCHED: WITCHERY AND DEVILRY VOL. 1 (1ST SPELL)
S.S.C. GRIM ROAR (Sweden), I00040620. 2020. Hardbound. New/No Jacket - As Issued.
During the height of the turned-on 1960s and '70s Occult explosion, even the under-the-counter men's magazines got in on the act and began a surreal exploration of the haunting netherworld of Witchcraft and Satanism. This monumental art book reveals a world of diabolical smut that was so compelling and obscure that many people today would question whether or not the magazines were real or just an elaborate and detailed modern photo editing invention.
A few salacious titles and images on the internet sparked imaginations, and strongly inspired bands in the doom/black/heavy metal genre, eventually these alluring images found their way to record covers and T-shirts, but mostly remaining shadowy, mysterious, and elusive. Magazines so impossible to hunt down that their very existence seemed an urban myth. Well, they are real and they are spectacular! These magazines are in fact, out there in the world. They are collecting dust in attics, basements, and garages. Hidden away from sight. Unsavory treasures deemed too filthy and then forgotten by their lustful owners.
This massive 384 pages deluxe hardcover book is a glimpse into a vast and shocking world that remains virtually unknown and unexplored. These artifacts come from a bygone era promoting sexual revolution and freedom with overt and unholy occult themes. If you have any issues with hardcore witchcraft and Satanism, body hair or nudity, don't pick this book up and quickly get it out of your sight, and forget everything we've mentioned.
Just remember life's too short to take everything so seriously. Flesh is beautiful. It's time to descend into the infernal witches' cauldron and deep down into the hellish pit for a real Black Mass. Includes a thorough review and collector's guide of each rare publication as well as illuminating essays on the subject.
384 Pages
11.5 x 8.5 x 1 inches 769791975262 Inventory Number: I00040620 -
Manuel Álvarez Bravo: In Color
(ÁLVAREZ, MANUEL) Edited by Aurelia Álvarez Bravo, James Oles, Ramón Reverté. Text by James Oles. RM, I00033120. 2020. Hardbound. New/No Jacket - As Issued.
This book is the first devoted entirely to Alvarez Bravo color photographs. Although the language of Alvarez Bravo was black and white, he produced around 3,000 photographs in color.
Of this body of work, this book presents over 80 of the most significant images, many of them published for the first time, covering a broad spectrum, from his classic photographs to his little-known color experiments. Alvarez Bravo (1902-2002) is a key figure in Latin American photography in the XX Century. Born in Mexico and self-taught, his career spanned 80 years.
Influenced by European masters first, Avant-garde photography and the Mexican Muralist movement later, he developed a very personal style that has been considered as the beginning of a true Mexican photography. His work is part of the collection of the most important Museums in the world. 9788417975180 Inventory Number: I00033120 -
Offline Activities By Tamara Shopsin & Jason Fulford
(FULFORD, JASON and SHOPSIN, TAMARA). I00031920. 2020. Paperback. New.
*Please note! Quantities are limited and subject to real-time availability.*
Return to the real world! A coupon-style booklet of 52 activities for offline fun, from Jason Fulford and Tamara Shopsin
Jason Fulford and Tamara Shopsin's Offline Activities is a book of 52 suggestions for things you can do in real life. Rearrange your furniture; invite an old friend to lunch; bring something home from the supermarket and treat it as sculpture. Part novelty, part self-help guide, Offline Activities encourages you to seek out the chance and mystery that is often lacking in the digital age.
Featuring the kind of ingenious, charming design you expect from a Jason Fulford and Tamara Shopsin project, Offline Activities is designed as a coupon book with tear-out pages, with one inspirational suggestion and quote per page. You are encouraged to physically do the activity and rip the page out of the book as proof. If you do one offline activity per week, the book will last a year. Offline Activities is a delightfully analog, pleasantly practical guide to shaking up your offscreen life.
Tamara Shopsin (born 1979) is an illustrator, graphic designer, writer and part-time cook in her family’s New York restaurant. She is the author of two memoirs, Mumbai New York Scranton (2013) and Arbitrary Stupid Goal (2017), designer of the 5 Year Diary and coauthor, with Jason Fulford, of the children's book This Equals That (2014), among many other projects.
Jason Fulford (born 1973) is a photographer and cofounder of J&L Books. He is a Guggenheim Fellow, a frequent lecturer at universities and has led workshops across the globe. His numerous monographs include The Mushroom Collector (2011) and Hotel Oracle (2013).
Paperback, 5 x 2.5 in. / 112 pgs / 52 color 9780999265543 Inventory Number: I00031920 -
SITTIN' IN: JAZZ CLUBS OF THE 1940s AND 1950s - SIGNED BY AUTHOR JEFF GOLD
Gold, Jeff, Sonny Rollins, Quincy Jones, Robin Givhan, Jason Moran & Dan Morgenstern. New York: Harper Design, 2020. First Edition. Oblong Small 4to. Boards in Illustrated Jacket. Music Monograph. As New/As New. 0-06-291470-7
"Sittin’ In: Jazz Clubs of the 1940s and 1950s" is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre - Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others - were headlining acts across the country. In many of the clubs, black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.
"Sittin’ In" tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; legendary tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; artist, musician, and creative director of the Kennedy Center, Jason Moran; and Jazz critic Dan Morgenstern.
Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). Its collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.Inventory Number: E201122JGSI
-
Architecture Is a Social ACT: Lorcan O'Herlihy Architects - SIGNED by Lorcan O'Herlihy
(O'HERILY, LORCAN), Anderton, Frances (Introduction by), Goldin, Greg (Author), Finnerty-Pyne, Sinéad (Author). Frame Publishers, I00210214, 2021. First Edition. Architecture Monograph. As New. 9789492311450
On Thursday, February 18th from 6:30 to 7:30PM, please join Lorcan O’Herlihy, FAIA, and Frances Anderton for a livestream discussion hosted by HELMS about LOHA’s latest monograph Architecture Is a Social Act. Click here for details about this free on-line event!
Good architecture is no longer about simply designing buildings, but about meeting head-on the forces that are shaping today’s world. Architecture is a Social Act addresses how the discipline can be used as a tool to engage in politics, economics, aesthetics, and smart growth by promoting social equity, human interaction, and cultural evolution. This book features 28 projects drawn from across LOHA’s nearly 30-year history, a selection that underscores the direct connection between the development of consciously designed buildings and wider efforts to tackle issues that are relevant in a rapidly changing world. LOHA’s projects are small, medium, large, and extra-large, from tiny Santa Monica storefronts to vast urban plans in Detroit, Michigan, and Raleigh, North Carolina. Each case study is evidence of LOHA’s mastery of scale, form, light, and space that gives people a true sense of place and belonging. Architecture is a Social Act points the way ahead for both people and architecture.
SIGNED by Lorcan O'Herily!
Inventory Number: E000LOHA
-
PETER BEARD: 1977 EXHIBITION POSTER FOR "THE END OF THE GAME: THE LAST WORD FROM PARADISE" - A UNIQUE FRAMED EXAMPLE INSCRIBED BY PETER BEARD TO ICONIC NEW YORK RESTAURANTEUR ELAINE KAUFMAN THAT HUNG IN "ELAINE'S" UNTIL ITS CLOSING IN 2011
(BEARD, PETER). Beard, Peter. New York: Peter Beard, 1977. First Edition Thus. Elephant Folio. Printed Poster. Exhibition Poster. Near Fine.. One 25 x 18" heavy paper sheet printed photo-lithographically recto only, 1 illustration. Designed by Ruth Ansel and Peter Beard. This is the striking poster produced in conjunction with Peter Beard's 1977 "The End of the Game" exhibition at New York's International Center for Photography. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", Beard's groundbreaking first book from 1965 weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. This gripping body of work was presented twelve years afterwards at the ICP in a massive, elaborately staged installation designed by Marvin Israel. Along with hundreds of photographs, it integrated the artist's diaries, collages, animal skeletons, and more throughout the entire Fifth Avenue space. Its poster featuring a collaged array of images of Kenyan wildlife was a collaboration between Beard his "The End of the Game" graphic designer Ruth Ansel. The venue's commercially produced version measures 27 ½ x 20 ½", and includes the ICP logo in large type across the bottom edge. This however is a slightly smaller - we believe earlier - prototype variant lacking any reference to the ICP whose borders and grid of nine photographs are significantly different. Additionally, the first word in the title had been cut and pasted in the artwork to read "Tthe". A remarkably similar, yet different variant is pictured in photographs by Orin Langelle who documented the installation of the exhibition, and whose work - including images of that poster - are reproduced on the photographer's website. A most handsome example of this uncommon, unique item additionally bearing the BOLDLY SIGNED PRESENTATION "For Elaine in memory of the hot summer of '77 (two hearts) Peter B" vertically in orange crayon across the left margin. "Elaine" is Elaine Kaufman - the late, legendarily feisty proprietor of fabled Manhattan bar and eatery "Elaine's". The opening scene of Woody Allen's "Manhattan" was filmed there, Billy Joel name-checked it in "Big Shot", and the list of bold-faced names that favored her watering hole from the sixties through the new millennium reads as a virtual who's who of the New York literary, entertainment, and cultural elite. Woody, Andy, Truman, Jack, Jackie O., and Beard - known for his love of nightlife - were regulars for whom Elaine reserved her best tables each evening. The inscription refers to the record-breaking July 1977 heatwave that spawned New York's great blackout and "The Summer of (the Son of) Sam". The poster is still housed in its slightly weathered vintage black wooden frame with a glass face (from the still-extant Bark Frameworks on Wooster Street) that adorned the restaurant's memorabilia-cluttered walls for more than thirty years. Boasting impeccable provenance, this remarkable object was acquired in 2011 at the New York auction of Ms. Kaufman's personal belongings and "Elaine's" keepsakes following her death in 2010. 0-87701-521-X Inventory Number: 026361
-
HALE WOODRUFF: "THE TRAVELERS" - AN EARLY COLOR LINOLEUM BLOCK PRINT
(WOODRUFF, HALE). Woodruff, Hale. NP. ND (Circa 1935).: Self-Published. First Edition. 4to. Printed Paper. Color Linoleum Block Print. Near Fine.. One 8 x 10 ¼" sheet of cream wove paper printed in colors recto only, neatly folded vertically to make 8 x 5 1/8" mounted with archival photo corners in a heavy white 14 x 11" beveled mat, 1 color illustration. This is the vibrant linoleum block print in colors entitled "The Travelers" self-published in the 1930s by the noted muralist, painter, and printmaker Hale Woodruff. Sent to a friend as a holiday card, it features three doves flying above three riders on asses underneath a brilliant star, in what was likely a stylized depiction of the three wise men. The recipient was Ms. Marjorie Green, a modest art collector and employee of Los Angeles' Golden State Mutual Insurance Company, the city's largest black-owned insurer for most of the twentieth century. Golden State Mutual collected work by many of the major "negro artists" of the period, and in 1949 commissioned a mural from Woodruff in collaboration with Charles "Spinky" Alston entitled "The Negro in California History". A native of Cairo, Illinois, Hale Aspacio Woodruff began his career as a political cartoonist, first for a high school newspaper in Nashville, Tennessee, and later for an African American newspaper in Indianapolis. In 1926 he won an award from the Harmon Foundation that enabled him to study art in Paris from 1927 to 1931, where he met Henry Ossawa Tanner, leading figures of the French avant-garde, and began collecting African art. Returning to the U.S., Woodruff secured work as an art teacher to support himself, and subsequently became the art director at Atlanta University - a Historically black college - where he taught classes at the university's Laboratory High School, as well as for students at Morehouse and Spelman, a related college for black women. He founded the annual competition, "Atlanta University Annual Exhibition of Paintings, Sculpture, and Prints by Negro Artists". In 1936 Woodruff traveled to Mexico to study as an apprentice under the renowned muralist Diego Rivera, learning his fresco technique and becoming interested in portrayal of figures. Keenly aware of the racism and poverty African Americans in the South faced during the Great Depression, the artist turned to painting and printmaking for social advocacy. Woodruff returned to Atlanta later that same year to his teaching position, and began traveling to Talladega College in Alabama to teach and work on a commission for what became his "Amistad Mutiny" murals. In 1946, Woodruff joined the faculty at New York University in Manhattan, where he helped establish the Spiral Group (with fellow artists Romare Bearden, Charles Alston, and Norman Lewis) and taught for more than twenty years before retiring in 1968. Woodruff died in New York City on September 6, 1980. A bright, unfaded, most handsome example of this exceedingly uncommon artwork - identified by the African-American Art department at Swann Auction Galleries as the earliest example located of a graphic work in color by Hale Woodruff - TITLED AND SIGNED "The Travelers" / "H. Woodruff" in pencil along the lower margin, as issued. Inventory Number: 026310
-
"MY ESCAPE": A PRESENTATION OF THE ART OF KATHARINE HEPBURN 1907-2003 - AN INSCRIBED COPY FROM AUTHORS CARLTON MADDOX AND STEVE CAMPBELL
(HEPBURN, KATHARINE). Maddox, Carlton L. & Steve Campbell. Burbank, CA: Carlton L. Maddox & Steve Campbell, 2004. First Edition. 4to. Velobound Wrappers. Artist Monograph. Fine.. np (290pp), 134 color illustrations. Published as what seems to be a labor of love, "this tribute to Katharine Hepburn by a long-time fan is presented with the desire to record the artistic efforts of an important figure of the 20th Century." "My Escape" collects one hundred and twenty-eight full page color reproductions with details of Hepburn's paintings and drawings drawn substantially from the June 11th, 2004 Sotheby's auction of the renowned late actor's estate. A brand new, most handsome example of this exceedingly uncommon, unstated limited edition - this is copy # 22 - additionally BOLDLY SIGNED AND INSCRIBED "Enjoy! / Steve Campbell / Carlton Maddox" in black ink by the authors. Inventory Number: 026200
-
SÜDDEUTSCHE ZEITUNG MAGAZIN NO. 46 - 13.11.92 - WITH A COVER AND INSERT BY JEFF KOONS - SIGNED AND DATED BY THE ARTIST
(KOONS, JEFF). Koons, Jeff. Andreas Lebert, Editor. München, GERMANY: Magazin Verlagsgesellschaft Süddeutsche Zeitung mbH, 1992. First Edition. 4to. Stapled Illustrated Wrappers. Artist's Multiple. Near Fine.. 94pp, profusely illustrated in color and b&w. Text in German. In a protective clear acetate dustwrapper. This 1992 issue of the Munich-based Sunday arts and culture magazine "Süddeutsche Zeitung" contains a commissioned cover and twenty-six page kitsch-adjacent artist's project entitled "Baby & Eimer, Ein Bilderzyklus von Jeff Koons für das Magazin der Süddeutsche Zeitung (Baby & Bucket, A Picture Cycle...)" that appears here for the first time, and which has not been subsequently reprinted elsewhere. A bright, most handsome example of this ephemeral item additionally BOLDLY SIGNED AND DATED "J / '92" in the year of publication in silver marker on the front cover. Inventory Number: 026195
$500.00 InquireFiled Under: Artist Monographs, Artists' Books, Periodicals, Signed Books, Graphics + Multiples, Original Art -
$ 500 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-500
-
$ 50 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-50
-
$ 250 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-250
-
$ 25 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-25
-
$ 200 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-200
-
$ 150 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-150
