Book of the Day > Pastel
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$ 500 Gift Certificate
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Inventory Number: Z-GC-500
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$ 50 Gift Certificate
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Inventory Number: Z-GC-50
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$ 250 Gift Certificate
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Beautiful letter-pressed gift certificates designed by Tom Adler.
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Inventory Number: Z-GC-250
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$ 25 Gift Certificate
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Inventory Number: Z-GC-25
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$ 200 Gift Certificate
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$ 150 Gift Certificate
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Inventory Number: Z-GC-150
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$ 100 Gift Certificate
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Beautiful letter-pressed gift certificates designed by Tom Adler.
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NIKE: BETTER IS TEMPORARY
Nike. New York: Phaidon, 2020. First Edition. 12 1/4 x 9", 320 pages, Profusely illustrated in color and b&w. Hardbound. Sportswear Monograph. As New. 978-1838660512
At Nike, the desire to be the best is a journey, not a destination - better is always temporary.
Phaidon commemorates the company’s influence with Nike: Better is Temporary, a landmark publication that charts Nike’s transformation from rebellious upstart to global phenomenon.
This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.
Beginning with “Breaking2,” an introduction detailing Nike’s 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike’s focus on performance, brand expression, collaboration, inclusive design, and sustainability.
The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike’s proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book’s spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages and which are referenced in the book’s bonus chapter, “Crafting Color.”
Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.
Inventory Number: NIKE
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WRITING THE FUTURE: BASQUIAT AND THE HIP-HOP GENERATION
(BASQUIAT, JEAN-MICHEL) Edited by Liz Munsell, Greg Tate. Text by J. Faith Almiron, Dakota DeVos, Hua Hsu, Carlo McCormick. MFA Publications, I00200424, 2020. 9.5 x 10.75 in. Hardbound. New/No Jacket - As Issued.
How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York.
In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions.
Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries—and sometimes collaborators—A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture.
Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
9780878468713 Inventory Number: I0042420 -
PASTEL
(PARTY, NICOLAS) Conversation with Glenn Fuhrman, Nicolas Party, Robin F. Williams, Louis Fratino, Loie Hollowell, Billy Sullivan. Text by Melissa Hyde. Interview with Nicolas Party by Dodie Kazanjian. Flag Art Foundation, I00210918, 2021. 9 x 11 inches, 216 Pages. Hardbound. New/No Jacket - As Issued.
Commemorating Nicolas Party's acclaimed transformation of the FLAG Art Foundation into a walk-in celebration of pastel
In 2019, Swiss-born painter Nicolas Party transformed the FLAG Art Foundation in New York into a rose-colored stage set for a suite of four soft pastel, Rococo-inspired murals that serve as a foil to, and occasional backdrop for, a selection of pastels from the 18th century to the present. Pastel commemorates this extraordinary unified environment, its celebration of pastel, and the range of contemporary artists who are giving new energy to this uniquely fragile medium.
Artists include Rosalba Carriera, Mary Cassatt, Edgar Degas, Louis Fratino, Marsden Hartley, Loie Hollowell, Julian Martin, Toyin Ojih Odutola, Chris Ofili, Jean-Baptiste Perronneau, Billy Sullivan, Wayne Thiebaud and Robin F. Williams 9781949172522 Inventory Number: I00210918 -
ALONG FOR THE RIDE
(HOPPER, DENNIS). Hat and Beard, I00210917, 2021. 11 x 10 inches, 234 Pages. Hardbound. New/No Jacket - As Issued.
Along for the Ride is a documentary film that explores the highs, lows, and ultimately the phoenix-like ascension of iconic Hollywood maverick Dennis Hopper, as seen through the eyes of his mysterious longtime “right-hand man,” Satya de la Manitou. Filmmaker Nick Ebeling chronicles the unlikely duo’s incredible 40-year journey, an enduring and intense brotherhood as intimately complex as Hopper’s own legendary career. De la Manitou re-examines his dedication to his friend’s idiosyncratic and uncompromising genius, reminiscing with a fascinating cast of characters—Hopper’s co-conspirators, family, and friends, including Frank Gehry, David Hopper, Ed Ruscha, Tony Shafrazi, Wim Wenders, David Lynch, Michael Madsen, Dean Stockwell, Russ Tamblyn, Linda Manz, Damon Albarn & Jamie Hewett, Julian Schnabel, and Dwight Yoakam.
Hat & Beard Press is pleased to announce the companion book, which includes cutting-room-floor material, original essays from Richard Linklater and Tim Hunter, among others, extended interviews, and never-before-seen photographs, as well as personal mementos from Dennis Hopper's incredible career. Plus, each book will come with a digital download of the film. 9781732056152 Inventory Number: I00210917 -
NICOLE EISENMAN
(EISENMAN, NICOLE) Text by Dan Cameron. Lund Humphries, I00210914, 2021. 11 x 10 inches. Hardbound. New/No Jacket - As Issued.
With a body of work that explores a broad spectrum of subjects - from lesbianism and feminism to contemporary politics and the natural world - Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate.
Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career, presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today. 9781848224506 Inventory Number: I00210914 -
NIKI DE SAINT PHALLE IN THE 1960S
(DE SAINT PHALLE, NIKI) Jill Dawsey and Michelle White; With contributions by Amelia Jones, Alena J. Williams, Ariana Reines, Kyla McDonald, and Molly Everett. Yale University Press / Menil Collection, Museum of Contemporary Art, San Diego, I00210910, 2021. 10 x 7 inches, 248 Pages. Hardbound. New/No Jacket - As Issued.
A timely reassessment of the artist’s early performances and feminist sculptures, affirming their radical engagements and art historical significance
This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930–2002). Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle’s increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement. 9780300260106 Inventory Number: I00210910 -
TOYIN OJIH ODUTOLA: THE UMUEZE AMARA CLAN AND THE HOUSE OF OBAFEMI
(ODUTOLA, TOYIN OJIH) Contributions by Zadie Smith and Leigh Raiford and Osman Can Yerebakan and Amber Jamillah Musser. Rizzoli Electa, I00210909, 2021. 12 x 10 inches, 248 Pages. Hardbound. New/No Jacket - As Issued.
A seminal work by one of today’s most vital figurative artists explores the complexity of race, wealth, and class through storytelling and multimedia drawings.
This extraordinary illustrated story—Toyin Ojih Odutola’s best-known body of work—chronicles the private lives of two fictional aristocratic Nigerian families, the UmuEze Amara Clan and the House of Obafemi, if colonialist and slave-trade interventions had never disrupted the country. Rendered life-size in charcoal, pastel, and pencil, Ojih Odutola’s figures appear enigmatic and mysterious, set against the artist’s larger conceived narrative, highlighting the malleability of identity and assumptions about race, wealth, and class. The UmuEze Amara Clan and the House of Obafemi presents the story of these families in four chapters illustrated and authored by Ojih Odutola, accompanied by the artist’s sketches and notes. Also included are several insightful essays on the artist herself by noted writers and critics Zadie Smith, Leigh Raiford, and others.
An introduction to the artist’s vivid fictionalized world, as well as a reflection on the role of this body of work within her broader practice, this remarkable volume serves as the essential guide to Ojih Odutola’s unique form of storytelling. 9780847870677 Inventory Number: I00210909 -
HELEN FRANKENTHALER: IMAGINING LANDSCAPES: PAINTINGS 1952–1976
(FRANKENTHALER, HELEN) Text by Robert Slifkin and Gene Baro and Sonya Rudikoff and Henry Geldzahler. Rizzoli/Gagosian, I00210908. 13 x 11 inches, 88 Pages. Hardbound. New/No Jacket - As Issued.
This gorgeously illustrated volume offers new perspectives on Helen Frankenthaler’s art, taking a detailed look at her large-scale paintings that allude to landscapes, both real and imagined.
Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of postwar American abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, while at times referencing figuration and landscape in highly personal ways.
This volume explores references to landscape in Frankenthaler’s paintings over a period spanning more than two decades, beginning in 1952, just prior to her breakthrough to stain painting. Focusing on fourteen works, it examines an extraordinary variety of gesture, from linear drawing to areas of lush, stained color and flatter, more opaque applications of paint. An essay by art historian Robert Slifkin considers the complex evocations of space in Frankenthaler’s works of this period. Richly illustrated with full-color plates, details, and documentary photographs, Imagining Landscapes offers a close and detailed look at the artist’s approach to painting over this twenty-five-year period. 9780847871131 Inventory Number: I00210908 -
ALMA W. THOMAS: EVERYTHING IS BEAUTIFUL
(THOMAS, ALMA W) Texts by Seth Feman and Jonathan Frederick Walz. Yale University Press/The Columbus Museum and the Chrysler Museum of Art, I00210907, 2021. 12 x 10 inches, 336 Pages. Hardbound. New/No Jacket - As Issued.
A sweeping retrospective of Alma W. Thomas’s wide-reaching artistic practice that sheds new light on her singular search for beauty
Achieving fame in 1972 as the first Black woman to mount a solo show at the Whitney Museum of American Art, Alma W. Thomas (1891–1978) is known for her large abstract paintings filled with irregular patterns of bright colors. This insightful reassessment of Thomas’s life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success, and describes how her innovative palette and loose application of paint grew out of a long study of color theory. Essays trace Thomas’s journey from semirural Georgia to international recognition and situate her work within the context of the Washington Color School and creative communities connected to Howard University. Featuring rarely seen theatrical designs, sculpture, family photographs, watercolors, and marionettes, this volume demonstrates how Thomas’s pursuit of beauty extended to every facet of her life—from her exuberant abstractions to the conscientious construction of her own persona through community service, teaching, and gardening. 9780300258936 Inventory Number: I00210907 -
FULVIO VENTURA: SAGACITY
(VENTURA, FULVIO) design by Jason Fulford. The Ice Plant, I00210904, 2021. 7 x 10 inches, 64 Pages. Hardbound. New.
Nearly 50 years after its inception, Italian photographer Fulvio Ventura’s Sagacity is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by Luigi Ghirri’s ill-fated Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called Sagacity, Sunstar and Salamandra (a title copied from a portentous inscription discovered by chance on a brass plate in the window of a typesetter). This was Ventura’s living body of work, inspired by an evolving passion for esoteric philosophies, the mysteries of happenstance, the sound of jazz, and the literature of surrealism and mythology. Designed by Jason Fulford, the current monograph was edited and sequenced by Giulia Zorzi of Micamera Milan, who worked closely with Ventura on the selection until his death in 2020 (at his home in Ghiffa, Italy). The images in this volume, gathered over many years in various locations around Europe, are spontaneous yet full of intention, cryptic but playful, and often strikingly cinematic – an altogether cohesive and self-contained psychic world, bound by visible and invisible energies… 9780999265574 Inventory Number: I00210904 -
POPE.L: MY KINGDOM FOR A TITLE
(POPE.L, WILLIAM) Endnotes by Kandis Williams. New Documents, I00210903, 2021. 9 x 12 inches, 274 Pages. Hardbound. New.
My Kingdom for a Title is a collection of writing by Chicago–based artist Pope.L documenting his use of language as a mode of visual, narrative, and performative story telling.
The act of writing has been integral to how Pope.L works and is arguably the most consistent element in his practice. These works take various forms: scripts, short stories, scribbled notes, large scale installation, and painting—many never before released. Assembled here for the first time, My Kingdom for a Title allows the breadth of the artist’s engagement with language to be fully assessed. Within the book, Pope.L’s work is supplemented with extensive endnotes sourced by artist Kandis Williams. 9781953441058 Inventory Number: I00210903 -
(SIGNED) TEJU COLE: GOLDEN APPLE OF THE SUN
(COLE, TEJU). MACK, I00210901, 2021. 8 x 10 inches, 136 pages. Hardbound. New/No Jacket - As Issued.
In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, “the bowls and plates moving in their unpredictable constellations.”
What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns—hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography—as the photographs are delimited in theirs.
The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge. Golden Apple of the Sun is a luminous and humane work, presented with the formal boldness and oblique intelligence we have come to expect from Teju Cole. 9781913620219 Inventory Number: I00210901 -
AFROSURF
(MAMI WATA). Ten Speed Press, I00210828, 2021. 9 x 11 in., 320 pages. Hardbound. New/No Jacket - As Issued.
Discover the untold story of African surf culture in this glorious and colorful collection of profiles, essays, photographs, and illustrations.
AFROSURF is the first book to capture and celebrate the surfing culture of Africa. This unprecedented collection is compiled by Mami Wata, a Cape Town surf company that fiercely believes in the power of African surf. Mami Wata brings together its co-founder Selema Masekela and some of Africa’s finest photographers, thinkers, writers, and surfers to explore the unique culture of eighteen coastal countries, from Morocco to Somalia, Mozambique, South Africa, and beyond. Packed with over fifty essays, AFROSURF features surfer and skater profiles, thought pieces, poems, photos, illustrations, ephemera, recipes, and a mini comic, all wrapped in an astounding design that captures the diversity and character of Africa.
A creative force of good in their continent, Mami Wata sources and manufactures all their wares in Africa and works with communities to strengthen local economies through surf tourism. With this mission in mind, Mami Wata is donating 100% of their proceeds to support two African surf therapy organizations, Waves for Change and Surfers Not Street Children. 9781984860408 Inventory Number: I00210828 -
IN COLOR: SPECTRAL MEDITATIONS FOR HEALING
(HUMPHREYS, CHERYL). Arms Studio, I00210827, 2021. (7) 16 x 23 inch prints + portfolio. New.
In Color: Spectral Meditations for Healing is a portfolio containing seven full scale reproductions of 16 x 23 inch monoprints by Los Angeles based artist Cheryl Humphreys.
The series presents all seven colors of the visible spectrum as visual aids for meditation.
Created by the artist as an experiential guide, the prints come folded with a key summarizing how each color affects our minds, moods and make-up. Humphreys invites the viewer to deepen their awareness of color and suggests its use to re-establish balance in the body, mind and spirit.
Each print undulates, emits and pulses through softly rolled gradients of color, its motif a signifier of the potential energy encapsulated inside.
Hang and frame for daily doses or keep safe on the book shelf for that next trip to the desert. Inventory Number: I00210827 -
A IS FOR AUTEUR
(EVERETT, CORY). Lil Cinephile, I00210826, 2021. 8 x 8 inches, 56 Pages. Hardbound. New/No Jacket - As Issued.
From the creators of Cinephile: A Card Game comes A is for Auteur, an alphabet book for cinephiles of all ages featuring cinema’s greatest filmmakers from A to Z. Clever, beautifully-designed and packed with references to more than 200 films from Alfred Hitchcock to Agnès Varda, this one-of-a-kind collection is a must-own for cinephiles and little cinephiles alike. 9780578710556 Inventory Number: I00210826 -
DÉCORATEURS DES ANNÉES 50
(FAVARDIN, PATRICK). Norma Editions, I00210824, 2021. 12 x 9 inches, 336 Pages. Hardbound. New.
The revival of the decorative arts in post-war France is extremely diverse, from the 40's style which endures through official orders to classical or neoclassical furniture whose success is unprecedented. Modernity remains a battle taken up by the young generation of decorators presented in this book. Their approach responds to the needs and aspirations of a country undergoing reconstruction, with the extraordinary vitality that characterized the time.
An introduction, which emphasizes the combination of aesthetics, fantasy and rigor of this abundant French creation, is followed by four parts, each preceded by an introduction that defines the historical context: the masters of the interwar period, the representatives of a '50s style - in freedom, playful and freed from any discourse in "ism”, the great figures of Reconstruction, and their spiritual sons. Text in French. 9782376660002 Inventory Number: I00210824 -
RUDY VANDERLANS: OLEANDER SUNSET
(VANDERLANS, RUDY). Gingko Press, I00210821, 2021. 5 x 7 inches, 256 Pages. Hardbound. New/No Jacket - As Issued.
Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century.
VanderLans, who is often drawn to places with fantastical names — like Oleander Sunset —wanders about California’s back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked.
Oleander Sunset juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author’s habitual stamping ground. 9781584237594 Inventory Number: I00210821 -
JUDY CHICAGO: IN THE MAKING
(CHICAGO, JUDY) Texts by Claudia Schmuckli, Jenni Sorkin, Janna Keegan, Thomas P. Campbell. Thames & Hudson, I00210820, 2021. 10 x 11 inches, 225 Pages. Hardbound. New/No Jacket - As Issued.
One of the founding forces behind the 1970s feminist art movement, Judy Chicago became widely known for The Dinner Party, a massive installation turning women’s traditional household-bound role on its head by setting a feast for thirty-nine remarkable women to shine a spotlight on women’s contributions to history. Like much of her work that would follow, The Dinner Party received massive popular acclaim while being harshly dismissed for its subject matter and embrace of “feminine” craft. For decades, Chicago operated on the margins of the art world, her work shunned by most critics and institutions, but she never stopped creating. Employing a vast array of mediums from textiles to painting to pyrotechnics Chicago is always willing to tackle the most urgent human questions. Judy Chicago: In the Making accompanies the first exhibition to o er a thorough overview of Chicago’s career. It traces the artist’s practice back to its roots, revealing her unique working process and the origins of the formal and conceptual strategies she has applied throughout her oeuvre. Bringing together a selection drawn from every major series of her work, it also reproduces sketchbooks, journals, and preparatory drawings that document her extensive process of research and development. 9780500094327 Inventory Number: I00210820 -
ALEX DA CORTE: THE ROOF GARDEN COMMISSION 2021
(DA CORTE, ALEX) Texts by Shanay Jhaveri, Jack Halberstam, and Sheena Wagstaff. The Metropolitan Museum of Art, I00210819, 2021. 4 x 7 inches, 64 Pages. Paperback. New/No Jacket - As Issued.
Alex Da Corte confronts themes of identity and consumerism in his work by placing familiar objects and cultural icons in surprising and surreal contexts. As Long as the Sun Lasts, his new site-specific work commissioned by The Met for its Iris and B. Gerald Cantor Roof Garden, draws together the beloved Sesame Street character Big Bird and the kinetic sculptures of Alexander Calder. Shanay Jhaveri's incisive essay explores Da Corte's deep engagement with art history, popular culture, and his personal experiences. Cultural critic Jack Halberstam provides a compelling consideration of As Long as the Sun Lasts in the context of Da Corte's earlier work, and the artist further discusses his diverse influences—from Renaissance painting to horror films—in a conversation with Sheena Wagstaff. 9781588397294 Inventory Number: I00210819 -
JIM HODGES (SIGNED EDITION)
(HODGES, JIM). Phaidon, I00210817, 2021. 12 x 19 inches, 160 Pages. Paperback. New.
The first in-depth survey of the life and work of Jim Hodges, one of America's most celebrated contemporary artists
Jim Hodges is an artist who addresses issues such as memory, love, and existential struggles through a multifaceted practice that includes photography, screen printing, and sculpture. His use of found materials like rocks and denim, coupled with the adoption of transitory shapes like spiderwebs, speaks of a personal experience that resonates on a collective level filtered through elements available in nature. Mysterious, beautiful, poetic, and conceptually deep, Hodges's work has the rare quality of being simultaneously thought-provoking and visually beautiful. 9781838662257 Inventory Number: I00210817 -
MOTOR CITY UNDERGROUND: LENI SINCLAIR PHOTOGRAPHS 1963–1973
(SINCLAIR, LENI) Edited by Cary Loren and Lorraine Wild, Text by Kristine McKenna. MOCAD/Foggy Notion, I00210814, 2021. 11 x 10 inches, 408 Pages. Hardbound. New.
Motor City Underground is a comprehensive document of the art, rock and roll, and political scenes of late 1960s Detroit. The images are arranged in a loose chronology, including events and subjects such as the March on Washington of 1963, and various performances and artists’ events in and around Wayne State University in Detroit; continuing on to the Detroit Artists Workshop, John Sinclair’s activities with jazz musicians and poets, events in Berkeley, Detroit and Ann Arbor; early concerts with the MC5 and Iggy and the Stooges in the Grande Ballroom; anti-war protests, Detroit Uprising and the Black Panthers; spectacular documentation of the influential performance style of the MC5; John Sinclair’s various arrests for marijuana possession and the police response to social protest; the Trans-Love Commune in Detroit and Ann Arbor; large-scale outdoor concerts in Detroit and elsewhere; Leni Sinclair’s ongoing documentation of Sun Ra, and other luminaries in jazz, blues and rock and roll.
A self-taught photographer, Leni Sinclair emigrated to the US from East Germany in 1959; in 1964 she met poet, jazz critic and manager of the MC5, John Sinclair. The two married the same year and embarked on a decade of political activism, first founding the Artist’s Workshop, a network of communal houses and performance spaces which evolved into the Trans-Love Energies Commune. The following year the Sinclairs founded the White Panther party in solidarity with the Black Panthers. The couple divorced in 1977; Leni has continued to practice photography and lives in Detroit. 9780983587002 Inventory Number: I00210814 -
TANIA FRANCO KLEIN: YALITZA APARICIO
(FRANCO KLEIN, TANIA). King Kong, I00210813. 10 x 10 inches, 40 Pages. Paperback. New/No Jacket - As Issued.
This zine is a collaboration between Yalitza Aparicio and Tania Franco Klein. An attempt is made to conceal our breakout star in plain sight. We sneak into an intimate scene of seductive caramels blended across carpet, wood, leather, and heat that would not dare disguise the piercing ferocity of an ancestry folded over, an ancestry that would have been eradicated had it not been for this very ferocity. A face with centuries of history, how could its majesty end up among television static preaching black and white, and a misplaced token to tame the mane protecting it? Generations of adaptability seem to battle sacred tradition; in Yalitza Aparicio, we see the duality of Mexicans in the United States of America. 27023451 Inventory Number: I00210813 -
ROBERT CRUMB. SKETCHBOOK VOL. 6. 1998–2011
(CRUMB, ROBERT) Edited by Dian Hanson. Taschen, I00210805, 2021. 8 x 11 inches, 444 Pages. Hardbound. New.
“Silly Fool Comics” fills the final page in this final volume, with a devilish creature telling the anguished Crumb, “YOU Will Soon Be DEAD!” He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who’d tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by “Walter,” Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way.
One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you’re only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set. 9783836566988 Inventory Number: I00210805 -
DAVID HAMMONS: BODY PRINTS, 1968–1979 (EXPANDED AND REVISED 2nd EDITION)
(HAMMONS, DAVID) revised introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210804. Second Edition. 6 x 9 in., 144 pages. Paperback. New/No Jacket - As Issued.
The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.
More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art.
This edition features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented David Hammons at work in his Los Angeles studio in 1974. The publication is expanded from its first edition to include reproductions of a selection of rarely-seen body prints that Hammons added from his personal collection to the exhibition during its final weeks. The publication also features a revised introduction by Laura Hoptman to mark the unique expansion of the exhibition. 9780942324419 Inventory Number: I00210804 -
DAVID HOCKNEY: THE ARRIVAL OF SPRING IN NORMANDY, 2020
(HOCKNEY, DAVID) Interview by Edith Devaney. Royal Academy Of Arts, I00210803, 2021. 10 x 7 inches, 168 Pages. Hardbound. New/No Jacket - As Issued.
An uplifting celebration of spring and the power of art against lockdown: Hockney’s new iPad drawings, in an intimate sketchbook format
At the beginning of 2020, just as global COVID-19 restrictions were coming into force, David Hockney was at his new house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a method of drawing he has been using for over a decade.
Drawing outdoors was an antidote to the anxiety of the moment for Hockney; “we need art, and I do think it can relieve stress,” he says. This uplifting publication—produced to accompany a major exhibition at the Royal Academy of Arts—includes 116 of these new iPad drawings and shows to full effect Hockney's singular skill in capturing the exuberance of nature. The book begins with an interview with the show's curator, Edith Devaney, in which Hockney discusses his heralding of the spring. It also features augmented reality, an exciting technology that enables smartphones and tablets to recognize printed images and play a related film or animation. 9781912520640 Inventory Number: I00210803 -
FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY AND THE FOTO-CINE CLUBE BANDEIRANTE, 1946–1964
(FOTOCLUBISMO) Edited with text by Sarah Hermanson Meister.. Museum Of Modern Art, New York, I00210731, 2021. 9 x 11 in., 184 Pages. Hardbound. New/No Jacket - As Issued.
How a small photography club gave birth to modernist photography in Brazil
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
This richly illustrated publication assembles a robust selection of photographs to introduce the FCCB’s photographic experiments to an international audience. Six chapters highlight individual achievements nestled between thematic groupings that suggest the breadth of the club’s talent. Curator Sarah Meister’s essay situates the FCCB within the broader contemporary art scene in Brazil as well as a dynamic network of photographers around the world, and offers fresh insight into the status of the amateur then and now. This is the first non-Portuguese-language publication to grapple with these photographs that were widely heralded at the time of their creation. 9781633450844 Inventory Number: I00210731 -
ANNI AND JOSEF ALBERS: EQUAL AND UNEQUAL
(ALBERS, ANNI + JOSEPH). Phaidon, I00210729 SP2019, 2021. 10 x 12 in., 512 Pages. Hardbound. New/No Jacket - As Issued.
A spectacular and unprecedented visual biography of the leading pioneers and protagonists of modern art and design
Josef - painter, designer, and teacher - and Anni Albers - textile artist and printmaker - are among the twentieth century's most important abstract artists, and this is the first monograph to celebrate the rich creative output and beguiling relationship of these two masters in one elegant volume. It presents their life and work as never before, from their formative years at the Bauhaus in Germany to their remarkable influence at Black Mountain College in the United States through their intensely productive period in Connecticut.
Accessibly written, the book is packed with more than 750 artworks, archival images, and documents—many published here for the first time—all tracing the remarkable lives and careers of this legendary couple.
Dispersed throughout area series of short essays on artists that focuses on the Alberses relationship with a number of important artists and architects of the 20th century, like Ruth Asawa, Marcel Breuer, Merce Cunningham, Philip Johnson, Paul Klee, Jacob Lawrence, and many more.
The beautifully cloth-bound package utilizes an elegant color palette and design that speaks to the work of both artists. This comprehensive visual biography showcases the artists’ rich and dynamic lives, and their infinite influence on each other, as they shared the profound conviction that art was central to human existence. 9781838661427 Inventory Number: I00210729 SP2019 -
JOSEPH E. YOAKUM: WHAT I SAW
(YOAKUM, JOSEPH E) Edited by Mark Pascale, Esther Adler, and Édouard Kopp. Art Institute of Chicago, I00210728, 2021. 9 x 12 in., 252 Pages. Hardbound. New/No Jacket - As Issued.
Joseph Elmer Yoakum (1890–1972) started drawing late in life and produced some two thousand works on paper, primarily landscapes and select portraits, over just ten years. This beautifully illustrated monograph offers the most comprehensive study of the artist’s work, illuminating his vivid and imaginative world of drawings and giving definition and dimension to his remarkable life. It charts his rise from an unknown veteran to an untrained artist with work represented in major museum collections in Chicago and New York and examines what fueled his creative process, which he described as a “spiritual unfoldment.”
Essayists delve into Yoakum’s friendships with the up-and-coming community of Chicago Imagists that secured his place in art history, explore the religious outlook he may have adopted to help him cope with a racially fractured city, and reveal his complicated relationship to his African American and Native American heritage. Joseph E. Yoakum: What I Saw also features an assessment of Yoakum’s understudied sketchbooks as well as in-depth conservation analysis. 9780300257489 Inventory Number: I00210728 -
KUSAMA: COSMIC NATURE
(KUSAMA, YAYOI) Edited by Mika Yoshitake and Joanna L. Groarke, Text by Alexandra Munroe and Jenni Sorkin and Karen Daubmann. Rizzoli, I00210724, 2021. 10 x 11 in., 176 Pages. Hardbound. New.
Experience the brilliant artist's lifelong obsession with nature and immersion in gardens, a bedrock of her hugely influential work.
Yayoi Kusama’s work is the product of an infinite curiosity and obsessive drive to create. Throughout the artist’s long and varied career, there is one persistent yet little-studied through line—her deep engagement with nature. From early sketches depicting flowers at her family’s plant nursery in Japan, to her most recent monumental sculptures of botanical forms poised to take flight, Kusama consistently calls our attention to the patterns, connections, and cycles of living things that are not always visible.
KUSAMA: Cosmic Nature is the accompanying catalogue to the first comprehensive exploration of the artist’s enduring fascination with the natural world, exhibited across the 250-acre landscape of The New York Botanical Garden. The exhibition examines her lifelong awareness and attunement to nature, which serves not merely as a source of inspiration, but is an integral source of power for her artistic language. This profound life force pervades all of Kusama’s work, from studies of the molecular to contemplations of the universal, resulting in a transcendent, cosmic nature.
Exhibition guest curator Mika Yoshitake, an independent scholar specializing in postwar Japanese art, and Joanna L. Groarke, NYBG exhibitions curator, catalogue co-editors, bring together essays by art historians, curators, and a scientist, who each present unique interpretations of Kusama’s engagement with the natural world. Featuring more than 120 drawings, paintings, sculptures, and archival photographs, including stunning views of the works displayed in NYBG’s gardens and galleries, KUSAMA: Cosmic Nature offers a new perspective on one of the world’s most celebrated contemporary artists. 9780847868391 Inventory Number: I00210727 -
KOVI KONOWIECKI: AND IN ITS PLACE, ANOTHER - SIGNED BY THE PHOTOGRAPHER
(KONOWIECKI, KOVI). Deadbeat Club, I00210727, 2021. 9 x 11 in., 144 Pages. Hardbound. New.
As the title of Kovi Konowiecki’s debut monograph – and in its place, another – reminds us, we are always and forever subject to the twin certitudes of transience and change. As is the artist, who has moved back and forth between California, Mexico, Europe, and the Middle East, all of which places are part of the fabric of this sprawling, unscripted book.
Here we are confronted with the geographical and emotional margins of society and the mind: the external and internal boundaries that inhibit both human movement and human potential. The photographs portray individuals and communities that exist in a liminal space between belonging and abandonment, many of which exert feelings of desolation.
But what might seem on the surface political is made intensely personal through Konowiecki’s purposeful reliance on emotional connections in the pictures rather than specific relationships of place or subject. As he says, this work comes as a “happy accident, inspired by the frequent travels that nourished a sharp eye for the liminal types of communities to which I am drawn: people I have met in my wanderings, passersby in the street, a horse trained in a small Arab village, and untended gardens.”
The “unscripted” nature of the work has an impact on the form of the book, in particular in the variety of genres and colors, from landscape photography to portraiture and from black and white to color. The various forms of expression serve as ways to materialize the ideas at the core of the project and to break down barriers or restrictions within the photographic medium. 9780999829882 Inventory Number: I00210723 -
FRÉDÉRIC CHAUBIN: STONE AGE – ANCIENT CASTLES OF EUROPE
(CHAUBIN, FRÉDÉRIC). Taschen, I00210722, 2021. 10 x 13 in., 416 Pages. Hardbound. New/No Jacket - As Issued.
Follow photographer Frédéric Chaubin as he embarks on a unique, century-spanning journey through Europe. Featuring images of more than 200 buildings in 21 countries, Stone Age presents the history and architecture of the most dramatic medieval castles of the continent in an unprecedented collection.
Building on the success of his foray into Soviet design with CCCP, Chaubin once again documents the afterlife of highly rational structures that seem out of place in a modern-day world. Precursors of Brutalism, these castles value function over form and epitomize the raw materials and shapes that would go on to define so much of architectural history.
Shot on film with a Linhof view camera, the collection is the outcome of five years of travel and investigation. Complete with a practical map and explanatory essay, its castles tell the story of 400 years, unfolding through the feudal Middle Ages into the 15th century.
A photographic study of decay as much as endurance, Stone Age traces the history of some of these singular structures that continue to enchant their audiences today and that occupy a distinct, mystical place in our collective imagination. 9783836585019 Inventory Number: I00210722 -
RAHIM FORTUNE: I CAN’T STAND TO SEE YOU CRY
(FORTUNE, RAHIM). Loose Joimts, I00210721, 2021. 9 x 10 in., 112 Pages. Hardbound. New/No Jacket - As Issued.
A year and change into father's diagnosis, his nightly calls began to become more frequent. My sister and I, his youngest children, spent countless hours in his room caring for him as his body gave up. Many nights we'd leave his room both knowing his condition was getting much worse, but we chose to say nothing of it.
I can't stand to see you cry is an exploration of Texas and the surrounding states, as well as the people who are fixed within its complex landscape. Fortune analyses relationships between family, friends and strangers ,all caught in a flood of health and environmental issues while working to maintain grace. The artist uses his own personal experiences to explore the friction between public and private life, and the unspoken tensions in daily life through an approach rooted in the landscape. Moreover, Fortune’s biographical approach to photography attempts to unpack his own identity and experience in the midst of a pandemic, civil unrest, a cross-country move, a career, and the loss of a parent, thinking about both the future and past. 9781912719259 Inventory Number: I00210721 -
GEORGIA O’KEEFFE (2021)
(O’KEEFFE, GEORGIA) Text by Catherine Millet, Marta Ruiz del Árbol, Ariel Plotek, Didier Ottinger. Contributions by Dale Kronkright, Susana Pérez, Andrés Sánchez Ledesma, Ubaldo Sedano, Marta Palao, Anna Hiddleston-Galloni. DAP/Museo Nacional Thyssen-Bornemisza, I00210720, 2021. 9 x 11 in., 316 Pages. Hardbound. New/No Jacket - As Issued.
A visual feast of flowers, abstractions, cityscapes and landscapes from American modernism’s most iconic painter
Offering a complete survey of Georgia O’Keeffe’s illustrious career, this magnificent new book ranges from the works produced between 1910 and 1920 that made her a pioneer of abstraction to her celebrated flower paintings and views of New York, which led to her recognition as one of the key figures in modern American art, and culminating with her paintings of New Mexico.
The selection of color plates is accompanied by quotes from O’Keeffe on her art and additional photographic material pertaining to the paintings. The sense of reverence for the world and its forms emerges vividly through O’Keeffe’s words. “The unexplainable thing in nature that makes me feel the world is big far beyond my understanding—to understand maybe by trying to put it into form,” she writes. “To find the feeling of infinity on the horizon line or just over the next hill.”
Also featured are a biography and texts by contributing curators from the venues to which the show travels, by scholars at the Georgia O’Keeffe Museum in Santa Fe and by acclaimed French art writer Catherine Millet. 9788417173494 Inventory Number: I00210720 -
MATTHEW ROLSTON: ART PEOPLE -- THE PAGEANT PORTRAITS (Signed) [Exhibition Catalogue, Collector's Edition]
(ROLSTON, MATTHEW). Laguna Art Museum, I00210716, 2021. 9 x 12 in., 84 concertina formated pages. Hardbound. New.
ART PEOPLE: THE PAGEANT PORTRAITS is a body of work by photographer and artist Matthew Rolston. This group of photographs furthers Rolston’s investigations into the nature of portraiture and the methods by which society and the human condition are mediated through artwork and art creation. Comprised of emotionally intimate portraits of participants of “Pageant of the Masters,” a tableaux vivants show that is part of an annual arts festival in Laguna Beach, California, Rolston’s photographic subjects reenact pivotal historical figures and works from art history, from antiquity through 20th century modernism.
Accompanying Laguna Art Museum’s June 27 – September 19, 2021 exhibition of Rolston’s Art People is a lavishly illustrated museum catalogue with essays by cultural critic and journalist Christina Binkley, Pageant of the Masters scriptwriter Dan Duling and classical scholar Nigel Spivey, alongside carefully selected images from art history that contextualize the work in the exhibition. The catalogue is designed in an unusual concertina format, folded rather than bound and printed on both sides.
The limited Collector’s Edition is enclosed in a linen-and-inset photographic slipcase with metallic gold and matte white foil stamping on the front and spine and includes a folio with a signed and numbered print. 9780940872509 Inventory Number: I00210716a -
MATTHEW ROLSTON: ART PEOPLE -- THE PAGEANT PORTRAITS (Signed) [Exhibition Catalogue, Trade Edition]
(ROLSTON, MATTHEW). Laguna Art Museum, I00210716, 2021. 9 x 12 in., 84 concertina formated pages. Hardbound. New.
ART PEOPLE: THE PAGEANT PORTRAITS is a body of work by photographer and artist Matthew Rolston. This group of photographs furthers Rolston’s investigations into the nature of portraiture and the methods by which society and the human condition are mediated through artwork and art creation. Comprised of emotionally intimate portraits of participants of “Pageant of the Masters,” a tableaux vivants show that is part of an annual arts festival in Laguna Beach, California, Rolston’s photographic subjects reenact pivotal historical figures and works from art history, from antiquity through 20th century modernism.
Accompanying Laguna Art Museum’s June 27 – September 19, 2021 exhibition of Rolston’s Art People is a lavishly illustrated museum catalogue with essays by cultural critic and journalist Christina Binkley, Pageant of the Masters scriptwriter Dan Duling and classical scholar Nigel Spivey, alongside carefully selected images from art history that contextualize the work in the exhibition.
The Trade Edition features a luxurious paper slipcase containing the concertina format catalogue, which is folded rather than bound and printed on both sides.
9780940872509 Inventory Number: I00210716 -
100 YEARS OF ALL-AMERICAN TOY ADS
(HEIMANN, JIM, STEVEN HELLER). Taschen, I00210715, 2021. 8 x 10 in., 528 Pages. Hardbound. New.
Up until the 20th century, children’s play was not a subject that demanded much attention. While objects that entertained children have been present from ancient history, it was only with industrial mass production—and a developing urban middle class—that toys appeared more frequently. As playthings began to display a robust economic performance, an industry rose to provide this new market with the objects of their desire. European manufacturers dominated the toy market, with Germany, in particular, supplying the American market with the bulk of both singular and mass-produced products. World War I ended its dominance, and by the 1920s, bolstered by American ingenuity and an ever-growing consumer culture supported by the media empires of newspapers, radio, and television, American toys became ubiquitous in the consumer market.
Ranging from the simple to the complex, children were inundated with a commodity to be wished for and sold to by the millions. From frilly dolls to science sets, children were marketed to with gusto, first through magazines and comic books and later through television. Toys fell along familiar gender lines all while being developed with the unspoken subtext of stimulating developing minds and being vehicles of problem solving with educational value.
If the first part of the 20th century represented the rise of toys in America, the postwar period signaled a market unleashed by the baby boom. That one event gained traction for the toy industry and propelled it to its current state. Unforeseen was the next chapter in the industry—the advancement of the technical revolution—which would create another dimension of toy products that would captivate both children and adults as one century blended into the next.
Filled with a Santa’s sack full of surprises, Toys. 100 Years of All-American Toy Ads takes us down the aisles of America’s toy stores delivering the favorites and forgotten memories of toys that were hugged and hoarded, saved and disposed of, and now finally brought back in their pristine glory. Once again it’s Christmas, your birthday, and a reward for a job well-done. 9783836566551 Inventory Number: I00210715 -
FRANK BOWLING
(BOWLING, FRANK) Text by Mel Gooding. Royal Academy Of Arts, I00210713, 2021. 10 x 11 in., 192 pages. Hardbound. New/No Jacket - As Issued.
Over a half-century of bright, liberating, Pop-inflected expressionism, from British painter Frank Bowling
Over the past decade, Frank Bowling (born 1934) has enjoyed belated attention and celebration, including a major Tate Britain retrospective in 2019. This comprehensive monograph, published in 2011, is now available in an updated and expanded edition. Born in British Guiana, Bowling arrived in England in his late teens, going on to study at the Royal College of Art alongside David Hockney and Derek Boshier. By the early 1960s he was recognized as an original force in the vibrant London art scene, with a style that brilliantly combined figurative, symbolic and abstract elements.
Dividing his time between New York and London since the late 1960s, Bowling has developed a unique and virtuosic abstract style that combines aspects of American painterly abstraction with a treatment of light and space that consciously recollects the great English landscape painters Gainsborough, Turner and Constable. 9781912520602 Inventory Number: I00210713 -
RUSSELL ETCHEN: ABOUT 3400 PEOPLE - SIGNED BY THE ARTIST
(ETCHEN, RUSSELL). . Los Angeles: Self-Published, I00210710, 2021. 5.5" x 8.5". Paperback. New.
Arcana Manager Russell Etchen's new 'zine produced to accompany his current exhibition at Bill Arning Exhibitions in Houston! Signed by the artist.
""Russell Etchen’s drawings, painting installations, and books originate in ’Zine culture, cartooning, graffito, rock and roll aesthetics, and his philosophical meditations on similarity, difference, repetition and reproduction. The repeated elements of counting, grouping, and sorting objects—whether they are Rocks or People—lend an oddly elegant and subtly humorous charm that belies the miasma commonly associated with monotony and repetition. Based in Los Angeles, Etchen was raised in Houston. This exhibition’s multi-scale mix of wall paintings and drawings marks the artist’s first Houston show since his widely reproduced and much loved public art installation at the Lawndale Art Center in 2016."
Inventory Number: I00210710
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DRIES VAN NOTEN: SPRING SUMMER 2021 BOOK - VIVIANE SASSEN
(VAN NOTE, DRIES). Photographs by Viviane Sassen.. Antwerp: Dries Van Noten, I00210709, 2021. First Edition, 1/1000. 80 pages, 26 x 20 cm. Paperback. New. 9789464207422
Dries Van Noten Spring Summer 2021 photographed by Viviane Sassen with projections of Len Lye films.
The late Mr. Lye was a pioneering New Zealand artist known primarily for his experimental films and kinetic sculpture. His work helped inspire this collection and its optimistic prints of "psychedelic sun, sunshine and moons, light bars, and palm trees."
Inventory Number: I00210709
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JACK SKELLEY: DENNIS WILSON AND CHARLIE MANSON
(SKELLEY, JACK) Illustrations by Brian Walsby. Self-Published by Fred & Barney Press, I00210706, 2021. 6 x 9 in., 34 pages . Chapbook. New. 9781098374310
In story and verse this chapbook explores the tragic links between the Beach Boys drummer and the cult killer.
Inventory Number: I00210706
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SOPHIE TAEUBER-ARP: LIVING ABSTRACTION
(TAEUBER-ARP, SOPHIE) Edited by Anne Umland, Walburga Krupp, Charlotte Healy. Text by Laura Braverman, Leah Dickerman, Briony Fer, Mark Franko, Maria Gough, Jodi Hauptman, Medea Hoch, Juliet Kinchin, Eva Reifert, Natalia Sidlina, T’ai Smith, Adrian Sudhalter, Jana Teuscher, Michael White, Annie Wilk. MoMA, I00210701, 2021. 9 x 11 in., 352 pages. Hardbound. New/No Jacket - As Issued.
A definitive survey on the Dada participant and pioneer of abstraction between art and craft, spanning her textiles, marionettes, stained glass, paintings and more
Accompanying the first retrospective of Taeuber-Arp’s work in the United States in 40 years, Sophie Taeuber-Arp: Living Abstraction is a comprehensive survey of this multifaceted abstract artist’s innovative and wide-ranging body of work. Her background in the applied arts and dance, her involvement in the Zurich Dada movement and her projects for architectural spaces were essential to her development of a uniquely versatile and vibrant abstract vocabulary. Through her artistic output and various professional alliances, Taeuber-Arp consistently challenged the historically constructed boundaries separating fine art from craft and design.
This richly illustrated catalog explores the artist’s interdisciplinary and cross-pollinating approach to abstraction through some 400 works, including textiles, beadwork, polychrome marionettes, architectural and interior designs, stained glass windows, works on paper, paintings and relief sculptures. It also features 15 essays that examine the full sweep of Taeuber-Arp’s career. Arranged into six chapters that follow the exhibition’s sections, these essays trace the progression of Taeuber-Arp’s creative production both chronologically and thematically. A comprehensive illustrated chronology, the first essay on Taeuber-Arp’s materials and techniques, and an exhibition checklist based on new research and analysis detail the expansive nature of Taeuber-Arp’s production. 9781633451070 Inventory Number: I00210701 -
MARK EDWARD HARRIS: THE PEOPLE OF THE FOREST (Signed)
(HARRIS, MARK EDWARD). Shashin Press, I00210630, 2021. 11 x 13 in., 84 pages. Hardbound. New/No Jacket - As Issued.
In The People of the Forest, award-winning photographer Mark Edward Harris focuses on orangutans, because, while the future for many species is uncertain, orangutans in the wild are hanging on by a particularly thin vine. Their populations have declined significantly due to habitat destruction in their native Sumatra and Borneo where forests give way to palm oil plantations. Long before genetic testing revealed an almost 97 percent DNA overlap between orangutans and humans, the similarities between the two species was noticed. “Orangutan” comes from the Malay word orang (people) and hutan (forest), hence the title for this book. 9780972784184 Inventory Number: I00210630 -
ACNE PAPER
(ACNE STUDIOS). Acne Studios, I00210626, 2021. 11 x 15 in., 568 pages. Flexibound. New/No Jacket - As Issued.
Acne Paper book celebrates some of the best work from the magazine’s archive, accompanied by new essays by Sarah Mower, Vince Aletti and Robin Muir written especially for this lavishly produced 568 page edition, edited by Thomas Persson, Acne Paper’s editor-in-chief and creative director. 281BVI1002076 Inventory Number: I00210626 -
ANOTHER WORLD: THE TRANSCENDENTAL PAINTING GROUP
Edited with text by Michael Duncan. Text by Scott Shields, MaLin Wilson Powell, Catherine Whitney, Ilene Susan Fort, Dane Rudhyar. Delmonico Books/Crocker Art Museum, I00210623, 2021. 9 x 12 in., 240 pages. Hardbound. New/No Jacket - As Issued.
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism
Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti.
Another World: The Transcendental Painting Group aims to address this slight, claiming the group’s artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group’s work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group’s sources in the culture and landscape of the American Southwest; and the experience of its two female members. 9781942884873 Inventory Number: I00210623 -
ROBERT LEBLANC: MOON DUST
(LEBLANC, ROBERT). W(AN)T, I00210619, 2021. 8 x 11 in., 120 pages. Hardbound. New/No Jacket - As Issued.
Nothing compares to being up close to a wildfire
Moon Dust is a collection of images shot over a length of 4 years by photographer Robert LeBlanc documenting hotshot firefighters in Montana and California.
The August Complex wildfire of 2020, which is currently the largest wildfire in California History, burned throughout the Shasta-Trinity National Forest, Mendocino National Forest, and Six Rivers National Forest. The wildfire burned for a total of three months scorching 1,032,648 acres. Rarely do photographers gain intimate access to hotshot crews while on remote wildfires. The images in Moon Dust give an intimate vision of what it's like battling such an unpredictable natural disaster and how these firefighters risk their lives every day. In partnership with Mystery Ranch and Monster Energy Cares, 100% of proceeds of book sales will be donated to the Eric Marsh Foundation, U.S. Hotshot Association, and Backbone Series Scholarship. 281BVI1002092 Inventory Number: I00210619 -
BARKLEY L. HENDRICKS: PHOTOGRAPHY
(HENDRICKS, BARKLEY L.) Text by Anna Arabindan-Kesson. SKIRA, I00210618, 2021. 7 x 9 in., 96 pages. Hardbound. New/No Jacket - As Issued.
The penultimate installment in Skira’s five-volume Barkley Hendricks survey reveals the artist’s little-known work in photography
Barkley L. Hendricks (1945–2017) revolutionized postmodern Black portraiture. This volume, the fourth in a five-part series dedicated to Hendricks’ career, focuses on the artist’s photographic oeuvre. Hendricks credited photography as a key facet of his practice, both as a tool for documenting his own work and as a source of inspiration for his paintings. Influenced by his experiences under Walker Evans’ tutelage at Yale, Hendricks frequently took to the streets to capture the world as he saw it, with his subjects in their element as they lingered in front of stores or performed in jazz clubs. As in his paintings, Hendricks’ attention to graphic composition and ability to capture his subjects’ dynamism are stunning. For the first time, Hendricks’ considerable body of photographic work is collected in a single volume, revealing an essential though underdiscussed dimension of his art. 9788857241500 Inventory Number: I00210618 -
STEPHEN SHORE: TRANSPARENCIES: SMALL CAMERA WORKS 1971-1979 - SIGNED BY THE PHOTOGRAPHER
(SHORE, STEPHEN). Shore, Stephen. Afterword by Britt Salveson. London, UK: MACK, I00210616, 2020. First Edition. 4to. Cloth with Pictorial Pastedown. Photography Monograph. As New/No Jacket - As Issued.
192pp, profusely illustrated in color. "Transparencies: Small Camera Works 1971-1979" offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, "Uncommon Places". Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous color slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and color. "Transparencies" uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master."
978-1-912339-70-9ONE COPY PER PERSON, PLEASE!192pp, profusely illustrated in color. "Transparencies: Small Camera Works 1971-1979" offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, "Uncommon Places". Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous color slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and color. "Transparencies" uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master."MACK LIVE EVENT WITH STEPHEN SHORE!!!!Stephen Shore joins architect and author Jack Self to discuss Steel Town, Shore’s revelatory document of the American Rust Belt in 1977. They discuss the turbulent historical moment the project depicts as well as the history of Shore’s own process and photography’s capacity for illuminating our past, present, and future.Thursday 17 June: USA Screening, 18:00 EDT New York / 15:00 PDT Los AngelesIn partnership with Arcana Books (Culver City, CA)
Sign up for a reminder hereMACK LIVE EVENT WITH STEPHEN SHORE!!!!Stephen Shore joins architect and author Jack Self to discuss Steel Town, Shore’s revelatory document of the American Rust Belt in 1977. They discuss the turbulent historical moment the project depicts as well as the history of Shore’s own process and photography’s capacity for illuminating our past, present, and future.Thursday 17 June: USA Screening, 18:00 EDT New York / 15:00 PDT Los AngelesIn partnership with Arcana Books (Culver City, CA)
Sign up for a reminder hereInventory Number: I00210616b
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CALVIN MARCUS: CONSPIRACY OF ASSES
(MARCUS, CALVIN). Triangle Books, I00210604, 2021. 11 x 12 in., 96 pages. Hardbound. New/No Jacket - As Issued.
This publication reproduces Calvin Marcus’s large paintings since 2018. Each painting attempts to achieve complete autonomy within its edges. Capturing dream-like visions and snapshots of the absurdity of contemporary life, they depict diverse subjects: animals, humanoid figures, interiors and landscape-like spaces. These singular representations share a sensibility, at once idiosyncratic and disarming, that immediately draws the viewer into the mysteries of the quotidian world. Each poses—with Marcus's humorous brand of surrealism—as many questions as answers. 9782930777399 Inventory Number: I00210604 -
EYE TO EYE: PORTRAITS OF LESBIANS
(BIREN, JOAN E.). Anthology Editions, I00210603, 2021. 9 x 11 in., 88 pages. Hardbound. New/No Jacket - As Issued.
In 1979, JEB (Joan E. Biren) self-published her first book, Eye to Eye: Portraits of Lesbians. In a work that was revolutionary for its era, JEB made photographs of lesbians from different ages and backgrounds in their everyday lives—working, playing, raising families, and striving to remake their worlds. The photographs were accompanied by writings from acclaimed authors including Audre Lorde, Adrienne Rich, Joan Nestle, and others. Various women pictured in the book also shared their personal stories. Eye to Eye signaled a radical new way of seeing—moving lesbian lives from the margins to the center, and reversing a history of invisibility. More than just a book, it was an affirmation of the existence of lesbians that helped to propel a political movement. Reprinted for the first time in forty years, Eye to Eye is a faithful reproduction of a work that still resonates today. This edition features additional essays from artist and writer Tee Corinne, former World Cup soccer player Lori Lindsey, and photographer Lola Flash. 9781944860370 Inventory Number: I00210603 -
HANNAH KOZAK: HE THREW THE LAST PUNCH TOO HARD (Signed)
(KOZAK, HANNAH). FotoEvidence, I00210602, 2021. 8 x 11 in., 128 pages. Hardbound. New/No Jacket - As Issued.
When I was nine, my mother abandoned my family to have an affair. Her lover was violent: he beat her so badly she suffered permanent brain damage and had to be moved into an assisted living facility at age forty one.
I have early, fond memories of my mother as a beautiful, passionate, vivacious Guatemalan -esque Sophia Loren. But after she left, I had tremendous feelings of abandonment and rage towards her. I judged her as impetuous, selfish, reckless and negligent. I resented what she did to herself and her family. I carried so much anger, yet whenever I saw her, I was overcome with pity and sadness. Looking at her hand gnarled from brain damage brought forth more emotion than I could bear. For these reasons, I virtually ignored my mother to distance myself from my own pain.
But pain ignored does not disappear. I came to realize our relationship needed healing. Thankfully, through graduate work in Spiritual Psychology and with a healer, I was able to dissolve the judgments I carried about my mother and myself and forge a relationship with her. I began to photograph her in December 2009 until 2019, for this project.
These photos are meant to take me out of my comfort zone while telling my mother's story of isolation, loneliness, abuse, connection, compassion, forgiveness, family, humanity, grace, joy, and love. I didn’t need to travel the world to deepen my spirituality. My greatest teacher was in front of me my entire life. I just couldn’t see it was my mother, a true Bodhisattva. She forgave me for not visiting her all those decades without uttering a word. I forgave her for leaving our family. Forgiveness happens when you care more about the love in a relationship than the logic of your ego. I no longer pity my mother. She continually inspires me to live by my heart, not my head. The love I feel for her has broken my heart wide open. 9781732471153 Inventory Number: I00210602 -
GIO PONTI (XL)
(PONTI, GIO). Taschen, I00210601, 2021. 14 x 14 in., 572 pages. Hardbound. New/No Jacket - As Issued.
To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize.
This new book is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity. 9783836501347 Inventory Number: I00210601 -
JIM SHAW: PAPERBACK COVERS
((SHAW, JIM) Edited by Clément Dirié, Marc Jancou. Introduction by Lionel Bovier, Samuel Gross. Text by Charlie Fox. JRP Editions, I00210527, 2021. 8 x 10 in., 104 pages. Paperback. New/No Jacket - As Issued.
Dream-inspired book covers for imaginary pulp novels by Americana connoisseur-bricoleur Jim Shaw
Since the 1970s, American artist Jim Shaw (born 1952) has used his multimedia artistic practice as a means of exploring and exploiting pop-culture iconography. This publication focuses on one of the key series in Shaw’s corpus, in which he draws inspiration from the Anglo-American graphic design and illustrative tradition of cheap paperback books. Inspired by the artist's intense dreaming life, the Paperback Covers series (1996–2013) recreates the lurid imagery associated with pulp novels, with vertical canvases that depict fantastical and irreverent imagery: in one, a werewolf in suspenders is struck by an oncoming 18-wheeler; in another, a line of chorus girls dance in front of a vampire and a woman in red as the couple is in engulfed by flames. Though these “books” bear no text, Shaw’s paintings evoke exciting narratives within a single image. All the inventoried Paperback Covers are collected in this softcover volume along with a text by Charlie Fox. 9783037645659 Inventory Number: I00210527 -
COME FLY WITH ME: FLYING IN STYLE
(PECKMAN, JODI). Rizzoli, I00210522, 2021. 8 x 10 in., 144 pages. Hardbound. New/No Jacket - As Issued.
A wistful love letter to the joys of flying and the fun, fashion, and glamour that go with it.
Now, more than ever, nothing captures our yearning for travel, freedom, glamour, and adventure than the fantasy of flying away from it all.
From Frank Sinatra dressed to the nines in the golden age of Pan Am to celebrities snapped in luxury leisurewear in the lounges today, airports have always afforded the most glamorous glimpses into that most enviable aspect of celebrity life--jet-setting in style.
Curated by the renowned photo editor Jodi Peckman, Come Fly with Me is a love letter to the most longed-for escape, told through evocative images of the icons who've made the airport their runway. From John and Yoko waving from the airstairs to Rihanna bustling incognito through the halls, and from Muhammad Ali's crisp-pressed suits to Miley Cyrus's playful onesies, this is a whimsical and welcome reminder when we need it most of the joys of travel. 9780789337733 Inventory Number: I00210522 -
CAROLYN DRAKE: KNIT CLUB
(DRAKE, CAROLYN) Essay by Rebecca Bengal. TBW Books, I00210519, 2021. 8 x 11 in., 118 pages. Hardbound. New/No Jacket - As Issued.
A foreboding meditation in the vein of Southern Gothic literature, Drake’s most recent body of work emerged through her collaboration with an enigmatic group of women loosely calling themselves “Knit Club.” The nature of the club is ambiguous. It is a cross between a gang, a cult of mysteries, and a group of friends bound by secrets only they share.
The book follows a narrative structure loosely borrowed from Faulkner’s As I Lay Dying–– that is to say, not one omniscient narrator but many disparate stream-of-consciousness voices. We sense the authorship of the photographs to be collaborative, the result of creative play between Drake and the club in which she found herself embedded, their process a kind of alchemy. In the style of the Gothic, Drake’s masterful use of color to create mood opens the door to the tension between the real and the supernatural. What we find, however, is not grotesque but something vital. A community that manages to exist outside the gaze or control of men. Women, children, and mothers, shrouded in masks and mystery to live a life on their own terms. 9781942953401 Inventory Number: I00210519 -
FABRIC OF A NATION: AMERICAN QUILT STORIES
Edited with text by Pamela A. Parmal, Jennifer M. Swope, Lauren D. Whitley. Preface by Laurel Thatcher Ulrich. I00210518, 2021. 10 x 11 in., 240 pages. Hardbound. New/No Jacket - As Issued.
Made by Americans of European, African, Native and Hispanic heritage, these quilts and bedcovers range from family heirlooms to acts of political protest, each with its own story to tell
A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A quilted Lady Liberty, George Washington and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston.
Spanning more than 400 years, the 58 works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. 9780878468768 Inventory Number: I00210518 -
NANCY RUBINS: FLUID SPACE
(RUBINS, NANCY). Nancy Rubins Studio, I00210515, 2021. 9 x 7 in., 20 pages. Saddle-Stitched. New/No Jacket - As Issued.
Words frequently used to describe American artist Nancy Rubins’s sculptural practice embody ideas of monumentality, fortitude, and awe-inspiring strength. While it is most certainly true that Rubins’s works result in formidable tours de force, evoking a wonderment about their seemingly impossible feats of construction, scale is often a means rather than a goal unto itself.
Meet Fizzy’s Nebuli, one of several new sculptures in the Fluid Space series. Standing approximately six-and-a-half feet high, eightand-a-half feet wide, and nine-and-a-half feet deep, this sculpture and those from Rubins’s newest series are, relative to her previous works, more petite. Fizzy’s Nebuli gives us permission for close and intimate viewing, inviting us to explore all of its elaborate details.
As our eye roves, biomorphic forms shift and appear before us, including calla-lily-like appendages, branches, hollowed out tree stumps, rosebuds, and ivy tendrils. These subtle gestures linger with us, even after those forms dissolve back into the sculptural whole. Inventory Number: I00210515 -
ELLEN SHEIDLIN
(SHEIDLIN, ELLEN). Seigensha, I00210514, 2021. 6 x 8 in., 152 pages. Paperback. New.
Russian artist and model Ellen Sheidlin provides an almost limitless exploration of millennial culture with her Instagram feed. Her conceptual self-portrait photography is both whimsical and weird, and the young woman also uses her doll-like appearance to induce more disturbing, bizarre undertones and thought-provoking social commentary in her creations. The many different layers of Ellen’s absurd and beautiful dreamscapes point to the perils of social media and our obsession with technology, or hint at more troubling topics like the situation of LGBTQ+ people in Russia and today’s global existential angst. Escape into her chameleonic fantasy world with this mind-bending collection. 9784861527807 Inventory Number: I00210514 -
(SIGNED) DAWOUD BEY: STREET PORTRAITS
(BEY, DAWOUD) Includes an essay by Greg Tate. MACK, I00210508, 2021. 9 x 11 in., 120 pages. Hardbound. New/No Jacket - As Issued.
From 1988 to 1991 Dawoud Bey made a series of portraits of African Americans in the streets of various American cities. Using a large format tripod mounted camera and a unique positive/negative Polaroid film that created both an instant print and a reusable negative, he asked a cross section of the populations of these communities to pose for him, creating a space of self presentation and performance in the streets of the urban environment. As part of every encounter, Bey gave each person a small black-and-white Polaroid print for themselves as a way of reciprocating and returning something to the people who had allowed him to make their portrait. Defying racial stereotypes, the resulting portraits reveal the Black subjects in all of their psychologically rich complexity, presenting themselves openly and intimately to the camera, the viewer, and the world. 9781913620103 Inventory Number: I00210508 -
REGGIE BURROWS HODGES
(HODGES, REGGIE BURROWS) Text by Hilton Als. Interview by Suzette McAvoy. KARMA, I00210505, 2021. 10 x 11 in., 112 pages. Hardbound. New/No Jacket - As Issued.
The debut monograph on the haunting, tenebrous figuration of the acclaimed Maine painter
Maine-based painter Reggie Burrows Hodges (born 1965) explores storytelling and visual metaphor, often drawing inspiration from his childhood in Compton, California. Starting from a black ground, Hodges develops the scene around his figures, who materialize in the recessive space with foggy, ethereal brushwork.
Hodges's figures are "forms that are made sharper, and more haunting, not because we see those things in their eyes, but because we see it in their bodies, their postures, the endless desire for humans not to be alone, and to connect," Hilton Als writes. "To that Hodges adds all that wonderful blackness.
This fully illustrated catalog features a selection of works made between 2019 and 2020; a newly commissioned essay by Hilton Als; and an interview between the artist and Suzette McAvoy, Executive Director at the Center for Maine Contemporary Art. 9781949172560 Inventory Number: I00210505 -
THE WORM
(STANDARDS MANUAL). Standards Manual, I00210430, 2021. 8 x 12 in., 248 pages. Hardbound. New.
The Worm showcases over 200 images from NASA’s archives chosen with one simple criteria: each photograph must feature ‘the worm’.
Together, these images demonstrate not only the extent to which Danne & Blackburn’s 1975 NASA Graphic Program had been implemented before being rescinded in 1992, but also the incredible achievements by NASA personnel.
The unfinished final chapter of the book will showcase the return of the worm, as it flies once again aboard a SpaceX rocket on May 30, 2020. 9780578701080 Inventory Number: I00210430 -
WE ARE HERE: VISIONARIES OF COLOR TRANSFORMING THE ART WORLD
(HERNANDEZ, JASMIN) Foreword by Swizz Beatz Photographs by Sunny Leerasanthanah, and Jasmine Durhal. ABRAMS, I00210423, 2021. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
Profiles and portraits of 50 artists and art entrepreneurs challenging the status quo in the art world
Confidently curated by Jasmin Hernandez, the dynamic founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. A celebration of compelling intergenerational creatives making their mark, We Are Here shows a path for all who seek to see themselves in art and culture. 9781419747595 Inventory Number: I00210423 -
PETER SCHLESINGER: EIGHT DAYS IN YEMEN
(SCHLESINGER, PETER). Damiani, I00210421, 2021. 9 x 12 in., 164 pages. Hardbound. New/No Jacket - As Issued.
An unprecedented document of one of the Middle East’s most extraordinary cultures
In 1976, Peter Schlesinger (born 1948) visited the Yemen Arab Republic (as the northern part of Yemen was then called). He was accompanying the photographer Eric Boman, who was on a fashion shoot assignment for a French magazine. Yemen had been closed to foreigners for many years and in the interest of encouraging more tourism the government decided to court media outlets. Over the course of his eight-day stay, Schlesinger took hundreds of photographs documenting what he saw as he traveled from the capital, Sanaa, and on through the northern city of Sa’da.
Forty-two years later, as he began making this book, Schlesinger shared these images with Bernard Haykel, a professor at Princeton University and an expert on the Middle East. He was taken aback at their existence, since documentation of Yemen in the ’70s is so rare. Haykel provides an enriching introduction that brings to life the world Schlesinger captured. 9788862087209 Inventory Number: I00210421 -
HIGH ON DESIGN: THE NEW CANNABIS CULTURE
Edited by Santiago Rodriguez Tarditi. Gestalten, I00210420, 2021. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
The cannabis industry has become a thriving activity. Consuming the plant and using its derivatives have become legal in several countries and paved the way for a new generation of design-savvy and diverse consumers and entrepreneurs.
High on Design showcases the new brands, designs, and creators behind this revolution. Meet the creative minds behind Gossamer, a biannual print magazine for casual weed smokers and curious mind. Learn everything you need to know about pot and weed as a medium for cultural understanding with Mia Park and Dae Lim, creators of Sundae School. Expand your culinary horizon with Michelin-Starred chef, Claus Henriksen who will give you an insight into his haute cannabis cuisine and gourmet herbs. Have a look inside Broccoli, a female-run magazine about cannabis culture and discover the most exciting cannabis businesses around the world from High Road, an award-winning dispensary design studio to Tokyo Smoke, a Canadian cannabis retailer.
While reflecting on the novel aesthetics and trends of contemporary cannabis culture, High on Design also gives a profound view of the phenomenon regarding politics, history, legalization, and society. This is your guide to the best brands, the most stylish dispensaries, the slickest products, and the most creative entrepreneurs. 9783899558807 Inventory Number: I00210420 -
FOR CATS ONLY
(WEBER, PASCALE). Hajte Cantz, I00210417. 7 x 8 in., 64 pages. Hardbound. New/No Jacket - As Issued.
Feline architectures: a fun and affordable picture-book of cats with their cat trees
Every cat owner knows the frustration of shelling out a considerable amount of money for a cat tree or scratching post only to find that their feline family member prefers to sleep in the box the item came in. Some lucky cat owners also know the unexpected delight that comes from seeing cats use the accessories made just for them, the strange satisfaction of catching their kitty relaxing on their kitty-sized furniture.
Against stylish pastel backdrops, Swiss photographer Pascale Weber poses her feline subjects on a variety of different cat-specific pieces, lounging on the roof of a fuzzy ice cream truck and balancing atop a three-pronged scratching post that resembles a cactus. Her photography series captures the undeniable charm of cats on their best behavior while also providing a tongue-in-check echo of more serious forms of design. The artfulness of each cat tree mirrors the contemporary aesthetic trends of human-sized architecture and sculpture: multifaceted, functional and ultimately representative of those who utilize such structures. Each cat presents their home just as proudly as a person might in this surprising combination of art and animal photography, perfect for cat lovers and art enthusiasts alike. 9783775748551 Inventory Number: I00210417 -
A TIME OF YOUTH: SAN FRANCISCO, 1966–1967
(GEDNEY, WILLIAM). Duke University Press, I00210414, 2021. 9 x 9 in., 176 pages. Hardbound. New.
A year before 1967's famed Summer of Love, documentary photographer William Gedney set out for San Francisco on a Guggenheim Fellowship to record “aspects of our culture which I believe significant and which I hope will become, in time, part of the visual record of American history.” A Time of Youth brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco's Haight-Ashbury neighborhood between October 1966 and January 1967. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture. Gedney lived among these young people in their communal homes, where he captured the intimate and varied contours of everyday life: solitude and companionship, joyous celebration and somber quiet, cramped rooms and spacious parks, recreation and contemplation. In these images Gedney presents a portrait of a San Francisco counterculture that complicates popular depictions of late 1960s youth as carefree flower children. The book also includes facsimiles of handwritten descriptions of the scenes Gedney photographed, his thoughts on organizing the book, and other ephemera. 9781478010555 Inventory Number: I00210414 -
LORRAINE O’GRADY: BOTH/AND
(O'GRADY, LORRAINE) Edited with text by Catherine Morris, Aruna D’Souza. Preface by Ann Pasternak. Text by Harry Burke, Malik Gaines, Zoe Whitley, Stephanie Sparling Williams. Timeline by A.L. Ricard. Interview by Catherine Lord.. Dancing Foxes Press / Brooklyn Museum, I00210413. 9 x 10 in., 204 pages. Hardbound. New/No Jacket - As Issued.
Four decades of multimedia exploits in race, art politics and subjectivity: a long-overdue survey on conceptual performance artist Lorraine O’Grady
Conceptual performance artist Lorraine O'Grady burst into the contemporary art world in 1980 dressed in a gown made of 180 pairs of white gloves and wielding a chrysanthemum-studded whip. For the next three years, O’Grady documented her exploits as this incendiary fictional persona, visiting gallery openings and providing critiques of the racial politics at play in the New York art scene. The resulting series, Mlle Bourgeoise Noire, was merely the beginning of a long career of avant-garde work that would continue to build upon O’Grady’s conceptions of self and subjectivity as seen from the perspective of a Black woman artist. This survey of O’Grady’s work spans four decades of her career and features nearly all of her major projects, as well as Announcement, the opening series of a new performance piece seven years in the making. Contextualized by an extensive timeline with letters, journal entries and interviews, Both/And provides a long-overdue close examination of O’Grady’s artistic and intellectual ambitions. 9780872731868 Inventory Number: I00210413 -
JOSEPH RODRIGUEZ LAPD 1994 -- SIGNED
(RODRIGUEZ, JOSEPH) . Artist Edition, I00210409, 2021. 10 x 13 in., 158 pages. Hardbound. New/No Jacket - As Issued.
In the mid-nineties, the LAPD was in search of a public image make-over after the Rodney King uprisings. The City Charter was reformed by increasing civilian oversight of the LAPD, the militant police chief of the moment, Daryl Gates, was forced to resign and Willie Williams became the first African-American chief of the department. I was no stranger to this type of assignment. At that time I had already published two books, Spanish Harlem and East Side Stories, which depicted life in impoverished neighborhoods. Covering LAPD gave me a chance to show how police operated in marginalized communities, and how those communities were affected by individual cops and the department as a whole.
As part of these efforts, the LAPD gave photographer Joseph Rodriguez unprecedented access to document the officers in the field for The New York Times, hoping to give the public an image of a “kinder, gentler cop”, as the headline put it. For weeks, he immersed himself in the daily workings of the 77th Street, Pacific and Rampart Divisions. Four years after Rodriguez rode along with Rampart officers, the station became notorious when the biggest scandal in LAPD history erupted in an astonishing spectacle of officer corruption that included the murder of a fellow cop, a bank robbery, unprovoked shootings of alleged gang members, drugs stolen from the evidence room, and other crimes.
In 2020, the year of Black Lives Matter, a generation after these photos were taken, new uprisings demand reform yet again and the same questions about policing – what are they for, who do they serve, and who do they protect – shape the public discussion. 9788797072424 Inventory Number: I00210409 -
ALICE NEEL: PEOPLE COME FIRST
(NEEL, ALICE) by Kelly Baum and Randall Griffey with contributions by Meredith A. Brown, Julia Bryan-Wilson, and Susanna V. Temkin. The Metropolitan Museum of Art, I00210402, 2021. 8 x 11 in., 256 pages. Hardbound. New/No Jacket - As Issued.
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist's erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century. 9781588397256 Inventory Number: I00210402 -
DEAR ELIO: A MARVELOUS JOURNEY INTO THE WORLD OF FIORUCCI
(FIORUCCI, ELIO) Edited by Franco Marabelli. Rizzoli, I00210327, 2021. 9 x 12 in., 400 pages. Paperback. New/No Jacket - As Issued.
The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure.
The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers.
Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies.
This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s.
It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners. 9788891830470 Inventory Number: I00210327 -
MARK TEMPLETON: OCEAN FRONT PROPERTY
(TEMPLETON, MARK) texts by Brad Feuerhelm and Ezekiel Honig. The Ice Plant, I00210326, 2021. 9 x 12 in., 98 pages. Paperback. New/No Jacket - As Issued.
“I was in search of water and the effect its absence had on me,” writes Canadian sound artist and photographer Mark Templeton about his second photobook, Ocean Front Property. From this sense of absence and geographic isolation grew a new body of work with two components: A book of color photographs, made entirely in the landlocked province of Alberta (“where the nearest ocean is a thousand kilometers away”), and an Audio Experience (a ‘soundtrack’ to the book, included as a digital download or available on a limited edition cassette). Rooted in the same sense of longing — for the imagined comfort of warm blue water and an escape from one’s familiar surroundings — these complementary sensory worlds form a kind of mirage: a prism of banal surfaces, spaces, and sonic textures through which the fragments of an intangible fantasy can be glimpsed, a circular psychic journey from the desolate to the sublime. The photobook also contains an 8-page supplement, compiling selections by eight artists whom Templeton invited to choose pairings of sound and image, suggesting possible feedback loops and alternative readings between the eight audio tracks and his photographs. 9780999265567 Inventory Number: I00210326 -
LEE FRIEDLANDER
(FRIEDLANDER, LEE) Text by Carlos Gollonet, Nicholas Nixon, Jeffrey Fraenkel, Maria Friedlander, Giancarlo T. Roma.. RM, I00210323, 2021. 10 x 12 in., 384 pages. Hardbound. New/No Jacket - As Issued.
A new, up-to-date retrospective on photography legend Lee Friedlander
One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs—and later car windows and telephone poles—as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander’s career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon.
The volume serves as a comprehensive guide to Friedlander’s body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist’s life by his grandson Giancarlo T. Roma. 9788417975449 Inventory Number: I00210323 -
TOM SACHS: HANDMADE PAINTINGS
(SACHS, TOM) Texts by David Rimanelli and Naomi Fry. Rizzoli, I00210319, 2021. 10 x 12 in., 180 pages. Hardbound. New.
The most recent body of paintings of this New York-based artist, featuring the artist's examination of consumer culture in his handmade, "do-it- yourself " aesthetic.
This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology.
Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture. 9780847870288 Inventory Number: I00210319 -
NICK CAVE: STRANGER THAN KINDNESS
(CAVE, NICK). Harper One, I00210318, 2021. 9 x 11 in., 276 pages. Hardbound. New/No Jacket - As Issued.
A journey in images and words into the creative world of musician, storyteller, and cultural icon Nick Cave.
One of the world’s most celebrated artists, Nick Cave has enthralled and intrigued fans for more than four decades. With Stranger Than Kindness he reveals his innermost creative process as never before. Vibrant, evocative, and startlingly intimate, this remarkable volume peels back the layers of a unique artist, illuminating the inspiration that drives his work and exploring his many universes, both real and imagined.
Featuring full color reproductions of original artwork, handwritten lyrics, photographs, and collected personal artifacts, Stranger Than Kindness ponders the origins of our deepest influences—what shapes our lives and makes us who we are—and celebrates the curiosity and power of the creative spirit. 9780063068186 Inventory Number: I00210318 -
ERIK MADIGAN HECK: THE GARDEN
(MADIGAN HECK, ERIC). Text by Leanne Shapton. Damiani, I00210315, 2021. 1.0" H x 13.0" L x 10.6" W (3.65 lbs) 184 pages. Hardbound. New/No Jacket - As Issued.
“A sumptuous clothbound portrayal of a family in Edenic reverie. In The Garden, American photographer Erik Madigan Heck portrays his wife and two young sons in a variety of richly colorful surrounds. The photographs draw upon Catholic iconography and other mythic pictorial traditions to develop a color-based narrative evocative of spiritual archetypes and the processes of dissolution and rebirth.
The series moves through a singular world—a fairy tale in which figures and settings become tableaux for hyper-concentrated tonal arrangements. Images are composited and oversaturated to create painterly and surreal compositions in which the familiar and fantastic are merged. Completing its aesthetic fantasy through lavish clothes, gestures of dreamlike poignancy and an Edenic environment, The Garden expresses the supramundane innocence and spontaneity that art makes possible—a life lived in the direct, immediate experience of beauty. Shot predominantly at the family’s home in New England, the series initially elicits comparisons with other contemporary photography confronting family life, such as Sally Mann’s Immediate Family or the work of Elinor Carucci. But although the subjects of Heck’s photographs are ostensibly his family, The Garden's real subject matter is color and the aesthetic possibilities of photography to create what it captures."
Flip through a few pages here: https://issuu.com/damianiflip/docs/erik_madigan_heck_the_garden_issuu 9788862087254 Inventory Number: I00210315 -
RITA ACKERMANN: MAMA
(ACKERMANN, RITA) Text by Gianni Jetzer, Harmony Korine, Scott Griffin, Rita Ackermann. Hauser & Wirth Publishers, I00210312, 2021. 10 x 11 in., 178 pages. Hardbound. New.
Tensions of creation and destruction in the latest paintings from Rita Ackermann, shifting between representation and abstraction
Rita Ackermann’s vibrant, large-scale Mama paintings layer drawings with applications and scrapings of impasto and oil stick, expressing complex histories and emotions. The immersive nature of the Mama suite is fully illustrated and expressed in this book, with a critical essay by Gianni Jetzer that explores and contextualizes Rita’s evolution as an artist and the significance of the Mama works, complementing filmmaker Harmony Korine’s fake interview with Ackermann and a tribute to the artist by Scott Griffin. The importance of Ackermann’s drawings in her painting practice is elucidated in a poem by the artist and seen in the book’s robust plate section, which features all of the Mama paintings made to date. 9783906915593 Inventory Number: I00210312 -
ROTHKO CHAPEL: AN OASIS FOR REFLECTION
(ROTHKO, MARK) Texts by Stephen Fox and Pamela Smart. Rizzoli, I00210309, 2021. 11 x 10 in., 132 pages. Hardbound. New/No Jacket - As Issued.
A first look at the recently restored Rothko Chapel, a world-renowned destination for spiritual renewal, with all-new photography and scholarship of the renovated building and campus, published on the occasion of its 50th anniversary.
The Rothko Chapel--home to 14 monumental modernist paintings by the pioneer Abstract Expressionist Mark Rothko--is an interfaith sacred space dedicated to global human rights, art, and spirituality, located in Houston. The Chapel was founded in 1971 by arts patrons and philanthropists Dominique and John de Menil, who placed their utmost faith in Rothko's vision to express the profound, the miraculous, and regard for the sanctity of the human spirit in this oasis for the intellect and the spirit. Through photographic testimony and the insights of scholars, this large-format volume gives an intimate look at this sacred space, where visitors seek solace and inspiration within this truly ecumenical sanctuary featuring Rothko's iconic paintings. Pamela Smart discusses the spiritual side and Stephen Fox puts the architecture in the context of Houston. The Chapel has been reworked within an expanded campus to enhance the experience for its many visitors. As viewers sit in stillness or move about the Chapel's serene octagonal enclosure, the reinstalled skylight better reveals the nuances of Rothko's powerful panels and allows for better connection to the outdoors as conditions shift, such as when clouds pass above. 9780847867516 Inventory Number: I00210309 -
FRANÇOIS HALARD — 56 DAYS IN ARLES
(HALARD, FRANÇOIS). Libraryman, I00210307, 2020. 21,5 x 28 cm. 68 pages. Hardbound. New/No Jacket - As Issued.
“This book consists of polaroids taken during François Halard’s 56 days of confinement in his greatly unimitative hôtel particulier in Arles, France. Foreword written by art dealer and curator Oscar Humphries. 9789188113405 Inventory Number: I00210307 -
YAYOI KUSAMA: EVERY DAY I PRAY FOR LOVE
(KUSAMA, YAYOI). David Zwirner Books, I00210304, 2021. 7 x 8 inches, 304 pages. Hardbound. New/No Jacket - As Issued.
In her most personal book to date, Yayoi Kusama brings us into her private world through poetic recollections, giving insight into her creative process and the essential role language plays in her paintings, sculptures, and daily life.
With a new focus on Kusama’s use of language, this book features an impressive overview of her poetry, which the artist creates alongside her work in other mediums. Highlighting the importance of words to the artist, the book draws special attention to the captivating poetic titles of her paintings, such as in I WOULD LIKE TO SHOW YOU THE INFINITE SPLENDOR OF STARDUST IN THE UNIVERSE and FIGURE OF THE MIDNIGHT DARKNESS OF THE UNIVERSE THAT I DEDICATED ALL MY HEART. These visionary titles are a quintessential part of Kusama’s eye-catching artworks, but also hold their own as unique aphorisms and appealing statements of cosmic spirituality. The poetry collected here touches on Kusama’s personal trials, her human ideals, and her heroic pursuit of art above all else.
Centered around EVERY DAY I PRAY FOR LOVE, Kusama’s acclaimed exhibition at David Zwirner, New York, in 2019, this book features more than 300 pages of new paintings, sculptures, and Infinity Mirrored Rooms. It also includes photographs of Kusama over time, offering a unique visual timeline of this iconic artist. 9781644230459 Inventory Number: I00210304 -
INDIA TWO
(ANSARI, AZIZ) . Dashwood Books, I00210303, 2020. 5 x 8 inches, 20 pages. New/No Jacket - As Issued.
One of a pair of a zines by actor/director/writer/standup comic Aziz Ansari. India Two features street vendors in India. Inventory Number: I00210229 -
DEANNA TEMPLETON: WHAT SHE SAID - SIGNED + STAMPED BY THE PHOTOGRAPHER!
(TEMPLETON, DEANNA). MACK, I00210419, 2021. 8 x 10 in., 168 pages. Hardbound. New/No Jacket - As Issued. 9781913620059
'All I look forward to is the weekends, and sometimes they suck just as bad as the week does. God it’s so god damn boring!! When I wake up in the morning I feel like I’m 99 years old!! I’m so tired and lazy and unhappy. I’m only 15 years old, what’s wrong with me, why am I so UNhappy? This world is so fucked! People are so fucked! I’m so fucked or as my brother would say "Your a freak!"'What She Said takes its title from a song by The Smiths: “What she said was sad / But then, all the rejection she’s had / To pretend to be happy / Could only be idiocy.” The work originates in portraits Deanna Templeton made on the streets of the US, Europe, Australia and Russia, in which she captured women in their adolescence: punks and outcasts whose ripped jeans and tights, tattoos, and hairstyles stand as testament to this transitional moment in their lives as they navigate the intensity of teenage life. Templeton grew up in an ostensibly different environment in 1980s youth, but she recognised in them something of the universality of female adolescence, as they struggled with similar disappointments and challenges she encountered as a young woman. The book combines these modern portraits with gig flyers and Templeton’s own teenage journal entries from the mid to late 80s, in which the familiar experience of growing up is laid bare in all its antagonism, humour and pathos.Inventory Number: I00210220
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THE MOTHERLODE: 100+ WOMEN WHO MADE HIP-HOP
(HOPE, CLOVER) with illustrations by Rachelle Baker. ABRAMS, I00210218, 2021. 8 x 9 in., 240 pages. Paperback. New/No Jacket - As Issued.
An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process
The Motherlode highlights more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shanté, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo—as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. This book profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap. 9781419742965 Inventory Number: I00210218 -
Ramen Forever: An Artist’s Guide To Ramen
(SLAPS, YARROW). Luggage Store Gallery, I00210216, 2021. 9 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
Is the ramen craze over? While Lucky Peach’s Chris Ying might think it’s waning, and says so in the preface to this book, the new compendium RAMEN FOREVER: AN ARTIST’S GUIDE TO RAMEN is a resounding rebuttal to that claim. Over a decade after gourmet noodle shops began opening throughout the United States, ramen is here to stay and has never looked or tasted better!
More than a cookbook, RAMEN FOREVER is an illustrated love letter to this deceptively simple dish initiated by San Francisco-based artist and SWIM Gallery director Yarrow Slaps, whose obsession with ramen of all kinds has led to his visiting ramen shops around the world and to having deep conversation with top chefs, foodies and food bloggers, and the artists that have lived off of instant noodle soup packets before ramen became a trend. Interviews with ramen heroes including Moe Kuroki (Boston’s Oisa Ramen), Yoshihiro Sakaguchi (Taishoken, San Mateo), Hans Lienesch aka “The Ramen Rater,” Esther Choi (Mokbar - NY), and Sam White (Ramen Shop Oakland) give an insider’s view into gourmet ramen spots across the global diaspora. For those that can’t travel to all of these ramen spots, this book will inspire major mouth envy!
Don’t fear, however, because RAMEN FOREVER has plenty of inspiration for creative home cooks. Over 80 of the urban art scene’s most celebrated artists, including Justin Hager and Kristen Liu-Wong, contribute their own illustrated instant noodle recipes that have gotten them through struggle times. The recipes range from playful (“Hot Trash Ramen—best when you’re drunk”) to critical (“Opium War Lamian—a rustic and flavorful noodle soup enjoyed by belligerents during an unjust, cruel, and brutal colonial conflict”) to restorative (“Radiant Recovery Ramen”), showcasing the true versatility of ramen as a dish for every occasion, for people of every background and every budget.
A feast for the eyes and the belly, RAMEN FOREVER should be your next coffee table book, and makes a great gift for the art lover and ramen eater in your life—and that can be you, too. 9780578661575 Inventory Number: I00210216 -
WHERE ART MIGHT HAPPEN: THE EARLY YEARS OF CALARTS
. Prestel, I00210212, 2021. 7 x 10 in., 392 pages. Flexibound. New/No Jacket - As Issued.
From Fluxus to conceptualism and feminism, an inside look at how California's legendary school nurtured a generation of exciting, experimental artists.
Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney's original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multifaceted exhibition catalog focuses on the school's early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements.
Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, “art can happen. "It follows the institutional establishment of Baldessari's" Post-Studio "course and Miriam Schapiro and Judy Chicago's Feminist Art Program. It explores the school's unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works — many never before published — from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education. 9783791378091 Inventory Number: I00210212 -
WALTER CHANDOHA: DOGS
(CHANDOHA, WALTER). Taschen, I00210211, 2021. 9 x 12 in., 296 pages. Hardbound. New/No Jacket - As Issued.
Walter Chandoha’s remarkable legacy as the 20th century’s greatest pet photographer lives on in this sequel to his critically acclaimed Cats. Featuring over 60 breeds, photographed in a variety of styles and locations, the book includes color studio and environmental portraits, black-and-white street scenes, dogs roaming free in the countryside, and vintage dog shows. Each image brims with Chandoha’s tenderness and empathy for these charming canines.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures. 9783836584296 Inventory Number: I00210211 -
CUBA: ORIGINAL ALBUM COVER ART OF CUBAN MUSIC
Compiled by Gilles Peterson and Stuart Baker. Soul Jazz Books, I00210109, 2021. 12 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.
‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.
Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.
These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba. 9781916359802 Inventory Number: I00210109 -
WOMEN IN CONCRETE POETRY 1959–1979
Edited by Alex Balgiu, Mónica de la Torre. Primary Information, I00210107, 2021. 8 x 9 in., 384 pages. Paperback. New/No Jacket - As Issued.
A massive, groundbreaking, international anthology of concrete poetry by women, from Mira Schendel to Susan Howe
This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page.
Owing, perhaps, to the fact that concrete poetry’s attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume—Ilse Garnier or Giulia Niccolai, for instance—were active in the movement’s epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams’s Anthology of Concrete Poetry (1967) and Mary Ellen Solt’s Concrete Poetry: A World View (1968).
This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany). 9781734489729 Inventory Number: I00210107 -
MEDIA BURN: ANT FARM AND THE MAKING OF AN IMAGE
(ANT FARM) Text by Steve Seid. Inventory Press/RITE Editions, I00210106. 9 x 12 in., 128 pages. Hardbound. New/No Jacket - As Issued.
A detailed account of Ant Farm’s 1975 Media Burn performance, a legendary act of consumerist critique
This book examines the complex set of cultural references and art-making strategies informing Ant Farm’s seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.
Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).
In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.
Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself. 9781941753354 Inventory Number: I00210106 -
THE ROLLING STONES: UPDATED EDITION
(STONES, THE ROLLING) edited by Reuel Golden. Taschen, I00210102, 2020. 12 x 12 in., 466 pages. Hardbound. New.
Produced in collaboration with the band, who gave unprecedented access to their archives in London and New York, this is a book to get you infinite satisfaction. More than 450 richly illustrated pages chart the remarkable scope of the Stones’ almost 60-year history and mesmerizing on- and off-stage presence—featuring the work of legendary photographers David Bailey, Herb Ritts, Peter Beard, Andy Warhol, David LaChapelle, Albert Watson, Annie Leibovitz, Ethan Russell, Gered Mankowitz, Cecil Beaton, Anton Corbijn, and many more.
The kind of fame and success The Rolling Stones have achieved in their almost 60-year career is without parallel; their most famous riffs and catchiest lyrics are indelibly engraved in our collective memory. With their mesmerizing on- and off-stage presence, the Stones set the standard for how a rock band should sound, pose, pout, and behave. They were the first to instinctively understand that what you looked like was as important as the music, and that photography had a vital role in promoting that image. “The clothes and the hair are always impeccable,” describes author Luc Sante. “They were playing themselves, but with such consistent finesse you knew they were instinctively aware of the camera and how good they will look in the photos.” Unsurprisingly many of the greatest photographers in the history of the medium wanted to take their picture.
Produced in close collaboration with the band, this updated edition charts the Stones’ remarkable history and outrageously cool lifestyle in over 450 pages of photographs and illustrations, gathered from archives all over the world. Unprecedented access to the Rolling Stones’ own archives in New York and London adds an equally extraordinary, more private side to their story. For Mick, Keith, Charlie, and Ronnie this is their official photographic record. 9783836582087 Inventory Number: I00210102 -
AFRICOBRA: Messages to the People
Edited by Jeffreen Hayes. Foreword by Chana Sheldon. Text by Leslie Guy. Gregory Miller/Museum of Contemporary Art, North Miami, I00201231. 9 x 11 in., 176 pages. Hardbound. New/No Jacket - As Issued.
A major publication about the revolutionary art collective that defined a new Black aesthetic in late 1960s Chicago and whose influence today is stronger than ever
AfriCOBRA (African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a group of five young Black artists. Today, it is one of the oldest continuously active American art collectives. The pronunciation—Af-FREE-co-bruh—emphasizes the second syllable, signaling the group’s central principle grounded in Black liberation: creative expression reflecting the Black experience and Black influences.
AfriCOBRA’s founding artists—Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu and Gerald Williams—differed in disciplines and artistic vocabularies but were brought together by the common aspiration to create work that speaks directly to Black people utilizing an identifiably Black aesthetic. This publication celebrates the fifty-year anniversary of AfriCOBRA’s founding and marks the collective’s powerful relevance today. AfriCOBRA: Messages to the People documents two exhibitions curated by Jeffreen M. Hayes, PhD: one at the Museum of Contemporary Art, North Miami, and another as an official collateral event of the 58th Venice Biennale. It features more than 80 works by the original members as well as those by Sherman Beck, Napoleon Jones-Henderson, Omar Lama, Carolyn Mims Lawrence and Nelson Stevens.
More than a historical overview of AfriCOBRA, this book is a response to the artists’ continuing contributions and influence, connecting their works to the contemporary moment through essays, archival photographs and ephemera, exhibition views, and contemporary photographs that celebrate the impact of this revolutionary art collective. As their name states, the artists and artworks of AfriCOBRA were as relevant in 1968 as they are today in the continued struggle for Black liberation. 9781941366301 Inventory Number: I00201231 -
PETE THOMPSON: ’93 TIL
(THOMPSON, PETE). Goff Books, I00201229, 2020. 9 x 12, 250 pages. Hardbound. New.
With this year’s 2021 Summer Olympics hosted in Tokyo, Japan, skateboarding will make its Olympic debut; augmenting both park and street competitions for men and women. As this book is a culmination and photographic collection of the past three decade’s growth of skateboarding throughout the US focusing in on the pivotal decade of the 1990s, the addition of this sport in the summer’s upcoming games is of considerable relevance to the skateboarding pioneers featured in this work.
To be a skateboarder today is a much different experience than it was for much of the 1990s. The photographs, quotes, and anecdotal text in ’93 til captures a time in skateboarding when making a livable income as a professional skater was a rare luxury and public understanding of skateboarding was at an all-time low. It was a time when skateboarding was searching for an identity, a time before Instagram and big corporate influences. Street skating was coming of age, testing its limitations and aligning itself with a new and innovative style of hip-hop culture that was emerging. Looking back, many skaters today feel as though the ’90s were the golden years of skateboarding. ’93 til is a captivating portal into a decade and a culture that is remembered with warmth and nostalgia. Much of the photography that Pete has unearthed for ’93 til was buried in boxes for close to two decades and has never been seen or published before. The 230-page book also contains several timeless images from his years shooting for SLAP and Transworld Skateboarding Magazine that will be familiar to the initiated. In addition to his stunning action shots are plenty of portraits and unguarded, candid moments that span from the late ’80s up through 2004. The book reveals a raw, unapologetic perspective of a world that no longer exists.
Also included in the book alongside Pete Thompson’s imagery are quotes and anecdotes from legends like Tony Hawk, Arto Saari, Jamie Thomas, Guy Mariano, Nyjah Huston, Geoff Rowley, Stevie Williams and others. Although still a working photographer, Pete moved on from his career in skate photography in 2004 and is currently living in Brooklyn. 9781951541460 Inventory Number: I00201229 -
HARVEY STEIN: THEN AND THERE - MARDI GRAS 1979 (SIGNED)
(STEIN, HARVEY). Zatara Press, I00201226, 2020. 7 x 9 in., 88 pages. Hardbound. New/No Jacket - As Issued.
In Then and There, the well-known photographer Harvey Stein documents a crucial aspect of public behavior at the 1979 New Orleans Mardi Gras. Shooting with an instant SX-70 Polaroid camera, the process allowed Stein to directly interact with his subjects, who perform, observe, and even share in the photographic process. The 47 portraits are made just feet away from each person, mostly at dusk, sharply revealed by the light of the camera’s flash bar. His subjects creatively present themselves in diverse colorful masks, makeup, and revelry. Each portrait is a glimpse into a layered and hidden personal identity made possible by the collaborative choices of the photographer and the subjects acting in front of the camera. The raw excitement of Mardi Gras flows through each portrait with the people physically filling the entire frame of the Polaroid as if the print itself were a stage just for them. Mardi Gras allows both the subject and the photographer a moment of freedom to observe a transformation into another reality of being. Stein investigates these many themes throughout the book, and captures those flamboyant moments of lightning in a bottle with each Polaroid. 9781733840613 Inventory Number: I00201226 -
TEENAGE STYLES AND TRENDS 1967–71: A RETROSPECT
(BERRY, BURTON YOST) . Grafisches Centrum Cuno GmbH & Co., 2020. 9 x 12 in., 78 pages. Hardbound. New. Privately printed in a limited edition of 300 copies in Switzerland, the photo book “Teenage Styles and Trends 1967–71: A Retrospect” by American diplomat and art collector Burton Yost Berry (1901-1985) drew little attention back in 1972. Close to 50 years later, though, it is a sought-after icon of early street photography, rare and expensive, not at last due to its being featured in Parr’s & Badger’s “The Photobook: A History, Volume III.” A new reprint makes this gem of a photobook available again. Grafisches Centrum Cuno in Calbe/Germany digitized the original book, retouched it with an eye for detail, and printed it using latest Ultra HD technology – achieving brilliant images thanks to intelligent dot positioning and modulation. In terms of printing quality, the reprint may easily surpass the original of 1972. The English text remains untouched except for corrections of some smaller typos. Printed on Profisilk paper, coated, 170 g/qm, which slightly stronger grammage prevents images from showing through. The reprint’s dust jacket has a poster printed on the inside and the book has been printed in a limited edition of 500 copies. 9783935971980 Inventory Number: I00201221
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ALL-AMERICAN XX: COMING HOME
(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1500. 4to. Pictorial Paperback. Photography Monograph. As new./No Jacket - As Issued.
To everything, there is a season: a time to remain in place, a time for racial reckoning. A time of conflagration, a time for healing. A time of contagion, a time for hope. Quite a year for this twentieth edition of Bruce Weber’s All-American journal. But if the past two decades have illuminated anything, it’s that the promise of this country—and a journal dedicated to its eclectic tapestry—lies in its struggle and striving.
All-American Volume XX: Coming Home finds Bruce Weber doing what many did as the pandemic kept us home: reflecting on those beliefs and ideals held most dear. While it continues to ask big questions of America, Coming Home is in many ways the most personal edition in this series, celebrating important relationships that have guided Weber’s artistic journey. There’s his long-time collaboration with the model and artist Juan Heredia, who Weber has photographed for over 15 years—and a wide-ranging tribute to Donald Sterzin, the art director whose work help shaped Weber’s early career. Family ties continue to be a central concern, considered this year through an intimate portrait of Martina Navratilova and her wife Julia Lemigova at home with their daughters—and the dramatic story of Miguel Chavez, a DACA immigrant from Peru trying to realize his American dreams. A portfolio of Black Lives Matter protest photos paired with Civil Rights era images starkly highlights our perpetual quest for racial justice, with the educator and activist Jane Elliott offering discomforting insights from her home in Osage, IA. And to remind readers of adventures beyond the horizon when travel becomes possible again, Volume XX presents an in-depth consideration of Eliot Elisofon, a lesser-known but astonishingly prolific LIFE photographer who made the world his home. All-American Volume XX: Coming Home also includes texts by Yousuf Karsh, E.B. White and Alfred Stieglitz. 9780970574589 Inventory Number: I00201202 -
CALIFORNIA LOVE: A VISUAL MIXTAPE
(RABABY, MICHAEL). Cali Editions, I00201201, 2020. 10 x 10 in., 320 pages. Hardbound. New/No Jacket - As Issued.
Curated by Michael Rababy this book features the work of 110 photographers from all over California – celebrating what makes our diverse, inclusive, forward-thinking state so great. This is Rababy’s visual mixtape, featuring the greatest hits of friends’ and colleagues’ work that I’ve enjoyed through my years as a curator. I hope to share the excitement I have for great images the way I’ve shared my favorite rare grooves, B-sides, and bootleg recordings over my lifetime. All proceeds from sales of this book benefit the Los Angeles Center of Photography (LACP) 9780578763859 Inventory Number: I00201201 -
MAGIC PAPERS
(TREECE, PHILIP DAVID). CentreCentre, I00201119, 2020. 10 x 13 in., 144 pages. Hardbound. New/No Jacket - As Issued.
Magic is largely a solitary endeavour, but the channels of its tips and tricks had a little ‐ known heyday around a hundred years ago. That golden era circulated secrets in printed matter packed with flamboyant custom lettering, sensational language and mystifying illustrations — largely made by and for its own community, compiled and consumed by dedicated practitioners and hobbyists. Often unregulated and infrequently archived beyond private collections, these magic papers collided with cults of personality, unshakable passion, and a thirst for notoriety.
The book features a huge assembly of printed material from the collection of Philip David Treece, a magic expert dedicated to preserving a golden era of magic publishing. This collection celebrates journals, periodicals, books and other ephemera created for the magic community between 1890 and 1960. Each book includes a 16 page gloss insert featuring a collection of magical apparatus. 9781916412149 Inventory Number: I00201119 -
GAS AND GLAMOUR: ROADSIDE ARCHITECTURE IN LOS ANGELES
(SINHA, ASHOK) . Kehrer, I00201118, 2020. 11 x 9 in., 72 pages. Hardbound. New/No Jacket - As Issued.
*Please note! Quantities are limited and subject to real-time availability.*
“I love cars and I love Los Angeles for being a city of cars. Over the last decade or so, I have been intrigued by L. A.’s love affair with the automobile, tracing back to a time when cars themselves were objects of beauty. Those cars are no longer on the streets today but the buildings from that era remain. As an architectural photographer, I wanted to capture L. A.’s car-culture-induced optimism and ambition reflected in polychromatic, starspangled coffee shops, gas stations, and car washes, that once lured the gaze of passing motorists.” – Ashok Sinha
Ashok Sinha is an architectural and fine art photographer whose large-scale photographs capture a sense of place tied to both natural landscapes and built environments. His photographs have been published by editorial outlets such as The New York Times, Architectural Digest, Interior Design, and exhibited at The Museum of the City of New York, the International Center of Photography, and The Royal Photographic Society. 9783868289749 Inventory Number: I00201118 -
FUTURA: THE ARTIST'S MONOGRAPH
(FUTURA) Texts by Takashi Murakami, Virgil Abloh, Agnès b, Jeffrey Dietch. Rizzoli, I00201112, 2020. 9 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
The most in-depth and comprehensive survey of the life and career of one of the pioneering artists of the original graffiti generation.
Having forged his graphic style painting subways in New York in the late 1970s, Futura was among the first graffiti artists to be shown in contemporary galleries in the early 1980s, where his paintings shared space with works by Keith Haring, Jean-Michel Basquiat, and Kenny Scharf. As the commercialization of street culture in the 1990s inspired collaborations with fashion and lifestyle brands, Futura's work moved toward a more refined expression of his abstract graffiti style. Commissions from era-defining brands such as A Bathing Ape, Stüssy, Supreme, and Mo' Wax saw his artwork canonized as an elemental component of the street aesthetic.
Collected here, among never-before-published reproductions of earlier paintings and drawings, is an archive of personal photography and ephemera that reveals how integral Futura has been to the evolution of street art and culture. Guided through more than forty years of work, and with interviews with key players in Futura's career, this is at once a definitive monograph of a legend of contemporary art and an indispensable chapter in the history of graffiti. 9780847866021 Inventory Number: I00201112 -
DESIGN COMMUNE
(COMMUNE) Roman Alonso and Steven Johanknecht. ABRAMS, I00201106, 2020. 8.5 x 11, 288 pages. Hardbound. New/No Jacket - As Issued.
A journey through the acclaimed design studio’s effortless California aesthetic, ethos, and lifestyle
Design Commune reveals the evolution story of an acclaimed design studio rooted firmly in the California aesthetic, ethos, and lifestyle. Truly multidisciplinary in practice, Commune has, since its inception in 2004, tackled all areas of design. The work featured in this second book highlights all disciplines that Commune engages in, including interior design projects for private and commercial spaces, artist collaborations, product designs, packaging, and graphics. Its projects share many common threads, such as the influence of handcrafted materials, but each remains deeply personal and unique. 9781419747748 Inventory Number: I00201106 -
TEXTURES: THE HISTORY AND ART OF BLACK HAIR
Edited by Tameka Ellington and Joseph L. Underwood. HIRMER, I00201104, 2020. 8 x 10, 200 pages. Hardbound. New/No Jacket - As Issued. Textures synthesizes research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent. Long a fraught topic for African Americans and others in the diaspora, Black hair is here addressed by artists, barbers, and activists in both its historical perceptions and its ramifications for self and society today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired here with masterworks from artists like Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. Exploring topics such as the preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display, Textures is a landmark exploration of Black hair and its important, complicated place in the history of African American life and culture. 9783777435541 Inventory Number: I00201104
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HOLLYWOOD ARENSBERG: AVANT-GARDE COLLECTING IN MIDCENTURY L.A.
(NELSON, MARK) Texts by William H. Sherman, and Ellen Hoobler. Getty Publications, I00201103, 2020. 9 x 11 in., 448 pages. Hardbound. New/No Jacket - As Issued.
This comprehensive reconstruction and interpretation of Louise and Walter Arensberg’s groundbreaking collection of modern and pre-Columbian art takes readers room by room, wall by wall, object by object through the couple’s Los Angeles home in which their collection was displayed.
Following the Armory Show of 1913, Louise and Walter Arensberg began assembling one of the most important private collections of art in the United States, as well as the world’s largest private library of works by and about the philosopher Sir Francis Bacon. By the time Louise and Walter died—in 1953 and 1954, respectively—they had acquired some four thousand rare books and manuscripts and nearly one thousand works of art, including world-class specimens of Cubism, Surrealism, and Primitivism, the bulk of Marcel Duchamp’s oeuvre, and hundreds of pre-Columbian objects. These exceptional works filled nearly all available space in every room of their house—including the bathrooms.
The Arensbergs have long had a central role in the histories of Modernism and collecting, but images of their collection in situ have never been assembled or examined comprehensively until now. Presenting new research on how the Arensbergs acquired pre-Columbian art and featuring never-before-seen images, Hollywood Arensberg demonstrates the value of seeing the Arensbergs’ collection as part of a single vision, framed by a unique domestic space at the heart of Hollywood’s burgeoning artistic scene. 9781606066669 Inventory Number: I00201103 -
QUEEN: THE NEAL PRESTON PHOTOGRAPHS
(PRESTON, NEAL). Reel Art Press, I00201031, 2020. 10 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
The official book on Queen, one of the greatest ever rock bands, photographed by one of the greatest ever rock photographers―with text by Brian May and Roger Taylor and intimate accounts from Neal Preston revealing the stories behind the pictures
Neal Preston is one of the most prolific and highly regarded rock photographers of all time. He began working with Queen in the mid 1970s as their tour photographer. He was present on the legendary South America tour in 1981, Live Aid in 1985, and the band’s last tour with Freddie Mercury in 1986, among others. Brian May has commented, “Neal just has the knack, the skill, to always be in the right place at the right time.”
This official book, produced in collaboration with the band, features over 200 images and is an exhilarating ride through their years on the road together. It is the first time Preston and Queen have collated this work in one volume: glimpses of life backstage, live performances, post-performance highs and lows, and outtakes―many of which have never been seen before―are accompanied by memories and anecdotes from Preston with forewords by Queen guitarist Brian May and drummer Roger Taylor. The pages vibrate with a palpable energy. 9781909526716 Inventory Number: I00201031 -
THADDEUS MOSLEY
(MOSLEY, THADDEUS) Foreword by Ingrid Schaffner. Text by Brett Littman, Jessica Bell Brown, Ed Roberson, Connie Choi. Interview by Hans Ulrich Obrist. Poetry by Sam Gilliam. KARMA, I00201022, 2020. 7 x 9 in., 312 pages. Hardbound. New/No Jacket - As Issued.
Long needed, and already out of print, this is the first full overview of American abstract sculptor Thad Mosley
Since 1959, the monumental, freestanding sculptures of Pittsburgh-based artist Thad Mosley, crafted with reclaimed building materials and felled trees, have occupied the forefront of abstraction in American sculpture. This book surveys his career.
Using only a mallet and chisel, he reworks salvaged timber into biomorphic forms. With influences ranging from Isamu Noguchi to Constantin Brâncuși—and the Bamum, Dogon, Baoulé, Senufo, Dan, and Mossi works of his personal collection—Mosley’s sculptures mark an inflection point in the history of American abstraction. These “sculptural improvisations,” as he calls them, take cues from the modernist traditions of jazz. “The only way you can really achieve something is if you’re not working so much from a pattern,” Mosley says of his improvisational method. “That’s also the essence of good jazz.” 9781949172379 Inventory Number: I00201022 -
MIRA CALLIGRAPHIAE MONUMENTA
(BOCSKAY, GEORG) Illuminated by Joris Hoefnagel. Getty Publications, I00201021, 2020. 5 x 7 in., 424 pages. Hardcover in Slipcase. New/No Jacket - As Issued.
A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel, Second Edition
In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image.
Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.
Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists, to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers. 9781606066584 Inventory Number: I00201021 -
ANGELA DAVIS: SEIZE THE TIME
(DAVIS, ANGELA) Edited by Gerry Beegan and Donna Gustafson. HIRMER, I00201020, 2020. 8 x 10 in., 192 pages. Hardbound. New/No Jacket - As Issued.
Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic, and political policy. Beginning in 1970 with her arrest in connection with a courtroom shootout, then moving through her trial and acquittal, the book traces Davis’s life and work during the subsequent decades and her influential career as a public intellectual. Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. 9783777435749 Inventory Number: I00201020 -
KIM GORDON: NO ICON
(GORDON, KIM) Foreward by Carrie Brownstein. Rizzoli, I00201016, 2020. 8 x 10 in., 272 pages. Hardbound. New/No Jacket - As Issued.
An edgy and evocative visual self-portrait by musician and artist Kim Gordon, indie-underground cultural icon and muse of style for four decades.
As cofounder of legendary rock band Sonic Youth, best-selling author, and celebrated artist, Kim Gordon is one of the most singular and influential figures of the modern era.
This personally curated scrapbook includes a foreword by Carrie Brownstein and is an edgy and evocative portrait of Gordon's life, art, and style. Spanning from her childhood on Californian surf beaches in the '60s and '70s to New York's downtown art and music scene in the '80s and '90s where Sonic Youth was born. Through unpublished personal photographs, magazine and newspaper clippings, fashion editorials, and advertising campaigns, interspersed with Gordon's song lyrics, writings, artworks, private objects, and ephemera, this book demonstrates how Kim Gordon has been a role model for generations of women and men. 9780847865819 Inventory Number: I00201016 -
SNACKY TUNES: MUSIC IS THE MAIN INGREDIENT, CHEFS AND THEIR MUSIC
(BRESNITZ, DARIN & GREG). Phaidon, I00201014, 2020. 9 x 6 in., 320 pages. New/No Jacket - As Issued.
The team behind the podcast presents a one-of-a-kind book exploring the influential relationship between chefs and music
This first-of-its-kind anthology of personal stories from over 75 of the world's most acclaimed chefs chronicles how music has been a constant force throughout their lives, helping to define themselves individually, opening gateways to understanding their cultures and igniting the creativity behind their work. Featuring all-new candid interviews, never-before-published recipes and custom playlists from each chef, this book provides readers with intimate insights and a wholly fresh perspective on some of today's top culinary minds. 9781838661366 Inventory Number: I00201014 -
WARD LONG: SUMMER SUBLET
(LONG, WARD). Deadbeat Club, I00201013, 2020. 8.5 x 11 in., 80 pages. Hardbound. New/No Jacket - As Issued.
Alice, Hannah, Sarah, Bianca, and Kate lived in the hundred-year-old house on Montgomery Street, near the art school and the women's college. They mixed teas and tinctures, dyed fabrics in the backyard, designed costumes for children’s plays, gave each other late-night tattoos, smithed jewelry, and stitched leather. They read tarot, talked aura, charted horoscopes, and parked their dirt bikes in the basement. They smoked on the porch in their underwear and wore whatever the fuck they wanted. It had been forty-four roommates since the old family had moved out.
Ward Long used to live alone. When he lost his lease at the start of summer, his friend Ara said there might be an open room on Montgomery Street for a few months. At first, he wondered why they let him live there. His new housemates had an everyday physical, emotional, and spiritual closeness; it was infectious.
He was infatuated with their friendships, in love with their strength and grace, enchanted with everything. The house was full of the mismatched belongings of so many long gone roommates, but eventually he fit in just fine. When nothing matches, everything belongs. Though intimate and private, Summer Sublet welcomes us to a space filled with kindness, humanity, ease, and self-possession. The clutter makes room for us too.
That December, Ara died with thirty-five others in the Ghost Ship warehouse fire. Ward writes that "She had given me such a tremendous gift. In the wake of her death, the home that we had created for each other seemed so much more precious and vulnerable. The house on Montgomery Street was a world of care, strength, and tenderness, and the pictures in Summer Sublet work to see that place clearly." 9780999829875 Inventory Number: I00201013 -
BARKLEY L. HENDRICKS: BASKETBALL
(HENDRICKS, BARKLEY) Text by Terry Myers. SKIRA and Jack Shainman Gallery, I00201007, 2020. 7 x 10 in., 96 pages. Hardbound. New/No Jacket - As Issued.
The court, the ball and the hoop: Barkley Hendricks paints basketball
The third installment in Skira and Jack Shainman Gallery’s five-volume overview of American artist Barkley L. Hendricks (1945-2017) explores the artist’s relationship to basketball, which provided a significant source of artistic inspiration throughout his life.
In his Basketball series, Hendricks applied his keen compositional sense and stylish use of color to depictions of the sport’s essential elements: hoops, nets, backboards and, of course, basketballs themselves. In one painting, the image of a basketball about to make its way into a hoop is repeated twice on a round canvas; on another circular canvas, the iconic black ribs of a basketball are rendered in a bold orange to create a minimalistic yet instantly recognizable pattern.
A study in movement and geometry, Hendricks’ paintings offer a uniquely compelling perspective on the sport as an artistic pursuit. This book’s focus on this aspect of Hendricks’ work allows for a detail-oriented study of the artist’s techniques as a painter. 9788857241487 Inventory Number: I00201007 -
TO MAKE THEIR OWN WAY IN THE WORLD: THE ENDURING LEGACY OF THE ZEALY DAGUERREOTYPES
By Ilisa Barbash, Molly Rogers, and Deborah Willis. Foreword by Henry Louis Gates, Jr.. Contributions by Carrie Mae Weems. Aperture and Peabody Museum Press, I00201006, 2020. 9 x 7 in., 488 pages. Hardbound. New/No Jacket - As Issued.
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.
Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects.
With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. 9781597114783 Inventory Number: I00201006 -
SWAMP MONSTERS: PHOTOGRAPHS FROM THE 2020 REPUBLICAN NATIONAL CONVENTION
(ZIMMERMANN, PHIL). The Ice Plant and Spaceheater Editions, I002009, 2020. 10 x 15 in., 56 pages. Tabloid folded in half and polybagged. New/No Jacket - As Issued.
SWAMP MONSTERS commemorates the historically frightful 2020 Republican National Convention with a series of photographs made by Tucson-based artist and publisher Phil Zimmermann as the spectacle unfolded on his television screen from August 24-27. This rogues’ gallery of hideous video portraits is printed in garish full color in an unbound tabloid newspaper format, and published in a limited edition of 666 copies. A portion of the proceeds will be donated to the Arizona Democratic Party. 9781636496696 Inventory Number: I00200929 -
ARCHITECTURAL DIGEST: THE MOST BEAUTIFUL ROOMS IN THE WORLD
Edited by Marie Kalt. Rizzoli, I00200925, 2020. 9 x 12 in., 336 pages. Hardbound. New/No Jacket - As Issued.
An unrivaled survey of the most exciting contemporary interior design across the globe, curated by the editors of ten international editions of Architectural Digest.
Since 1920, Architectural Digest has celebrated design talents, innovative homes, and products--providing endless decoration, lifestyle, and travel inspiration. With ten global editions, the magazine is an authority renowned all over the world for publishing only the very best of today's interior design.
In this new volume--spearheaded by AD France's editor in chief, Marie Kalt--the editors of Architectural Digest's international editions have teamed up to thoughtfully curate a collection of today's most exceptional interiors around the globe. These diverse residential spaces span from the United States and China, to France, Italy, Germany, Russia, Spain, India, Mexico, and the Middle East, presenting each country's unique "AD style manifesto" and the work of design luminaries such as Peter Marino, Martyn Lawrence Bullard, Jacques Grange, Joseph Dirand, and Bijoy Jain, to name a few. The featured projects range from Marc Jacobs's New York townhouse to Tommy Hilfiger's Connecticut abode and Seth Meyers's Manhattan duplex; a sumptuous eighteenth-century Italian villa and a Moroccan palace; Pierre Bergé's apartment and a hôtel particulier in Paris; a Majorca summer home; and a country house in Russia. Brimming with stunning images and rich international inspirations, this unparalleled compendium of global interiors is a must for every library of interior design. 9780847868483 Inventory Number: I00200925 -
KAWS: HE EATS ALONE
(KAWS). Silvana Editoriale/Qatar Museums, I00200919, 2020. 8 x 10 in., 322 pages. Hardbound. New.
A clothbound collection of KAWS’ instantly recognizable riffs on pop culture, featuring bold graphics and a familiar cast of characters
Few artists have managed to bridge the gap between high and low culture as seamlessly as KAWS has since his career took off in the 1990s: his iconic cartoon-inspired designs have graced fashion collections, vinyl figurines, and skateboards as well as canvases sold for millions of dollars. Frequently portraying familiar figures such as Mickey Mouse and Spongebob Squarepants with cauliflower ears and X’ed-out eyes, KAWS employs a sophisticated dark humor throughout his work, exploring the relationship between art and consumerism.
This publication documents the artist’s first exhibit in the Middle East, with more than 40 key pieces in sculpture and painting from the last two decades. The exhibit in Doha, Qatar, and its accompanying catalog also feature a number of KAWS’ commercial collaborations alongside his 5-meter-tall sculpture Companion (Passing Through) and his inflatable 40-meter-tall piece Holiday. Bound in cloth, this volume is a gorgeous collection of KAWS’ most exciting work. 9788836645602 Inventory Number: I00200919 -
LUIGI GHIRRI: CARDBOARD LANDSCAPES (PAESAGGI DI CARTONE).
(GHIRRI, LUIGI) Introduction by Sarah Hermanson Meister. The Museum Of Modern Art, New York, I00200917, 2020. 9.5 x 9.5 in., 112 pages. Hardbound. New/No Jacket - As Issued.
A handsome facsimile of conceptualist Luigi Ghirri’s poetic narrative of 1970s pop culture
Italian photographer Luigi Ghirri (1943–92) made Cardboard Landscapes (Paesaggi di cartone) during his travels around Europe, coining the term “sentimental geography” to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic color prints pasted onto the pages of a blank book, and was gifted by Ghirri to John Szarkowski, then the Director of the Department of Photography at the Museum of Modern Art, in the 1970s.
A singular work of art, Cardboard Landscapes is now being published for the first time. The collection is an anomaly within Ghirri’s overall oeuvre, as it prioritizes complex composition rather than the sweeping tableaux for which he is best known. In this series of works, he regards the printed image as the subject, framing a kaleidoscope of photographs and advertisements to tell a poetic visual narrative that reflects at once regional, personal and popular culture, revealing a fascinating impulse to investigate his role within his own medium. 9781633451025 Inventory Number: I00200917 -
YOU NEXT: REFLECTIONS IN BLACK BARBERSHOPS
(JOHNSON, ANTONIO M.) . Lawrence Hill Books, I00200916, 2020. 9 x 9 in., 240 pages. Hardbound. New.
An intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness
There's something about a fresh haircut that can change a Black man's outlook on the world, change his outlook on himself. The experience extends beyond just the cut but to the environment of the barber shop. Grow-ing up, getting a hair cut was a weekly event Antonio M. Johnson looked forward to more than anything. His uncle Jason was a barber and embodied everything cool. There in that tilted chair, under the hand of his uncle, surrounded by members of his community and totems of a shared experience, Johnson felt safe—felt like anything was possible. Over the years, he came to understand that barber shops are more than places simply to get a cut. They are about the only spaces in Ameri-can life created where Black men can speak and receive feedback about who we are, who we want to be, and what we believe to be true about the world around us. The interpretation of the barber shop as community center falls short of capturing what they really are for so many Black men: sanctuaries in a hostile land. You Next is an intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness in major US cities—Gary, Indi-ana; Washington DC; New York City; Oakland; Atlanta; Los Angeles; Detroit; New Orleans; Montgomery; Memphis, and Johnson's home-town of Philadelphia. These photos, interviews, and essays tell the full story of the Black barber shop in America. "You next" is what a barber says to customers to communicate that they're on deck for a haircut; it's the question between customers to determine where they are in line. Thus, it is an invitation, an invocation, an affirmation. Because after waiting your turn in a barber shop, sharing, laughing, debating, those magic words signify you are about to be transformed. 9781641602853 Inventory Number: I00200916 -
CHARLIE ENGMAN: MOM
(ENGMAN, CHARLIE) Text by Rachel Cusk, Miranda July. Edition Patrick Frey, I00200915, 2020. 8 x 11 in., 220 pages. Hardbound. New/No Jacket - As Issued.
Featuring a luxurious cloth cover and texts by Rachel Cusk and Miranda July, MOM is Charlie Engman’s homage to his mother’s many selves
Brooklyn-based photographer Charlie Engman (born 1987) has been shooting portraits of his mother Kathleen McCain Engman since 2009. Collected into a single monograph for the first time, Engman’s striking series portrays the artist’s mother in a variety of surreal scenes, sometimes nude and at other times dressed in a furry red jumpsuit, in the photographer’s studio or in a field on the side of a road.
Engman’s work depicts an intense collaboration between photographer and subject that challenges the conventions of portraiture. In addition to Engman’s photography, this publication also includes an essay by novelist Rachel Cusk and a conversation between Kathleen McCain Engman and writer-filmmaker-artist Miranda July, who writes: “I look at Charlie and Kathleen and realize I could dream a little bigger. A little weirder. But how does one raise a child so confident that he can create a world of groundbreaking possibility with his own mother" 9783907236048 Inventory Number: I00200915 -
TAROT
Edited by Jessica Hundley with texts by Johannes Fiebig and Marcella Kroll. Taschen, I00200909, 2020. 7 x 9 in., 520 pages. Hardbound. New/No Jacket - As Issued.
Trace the hidden history of Tarot in the first volume from TASCHEN’s Library of Esoterica, a series documenting the creative ways we strive to connect to the divine. Artfully arranged according to the sequencing of the Major and Minor Arcana, this visual compendium gathers more than 500 cards and works of original art from around the world in the ultimate exploration of a centuries-old art form.
To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story.
For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium.
Author Jessica Hundley traces this fascinating history in Tarot, the debut volume in TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind more than 500 cards and works of original art, two thirds of which have never been published outside of the decks themselves. It's the first ever visual compendium of its kind, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of nearly 100 diverse contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward. Rounding out the volume are excerpts from thinkers such as Éliphas Lévi, Carl Jung, and Joseph Campbell; a foreword by artist Penny Slinger; a guide to reading the cards by Johannes Fiebig; and an essay on oracle decks by Marcella Kroll. 9783836579872 Inventory Number: I00200909 -
ADAM & EVE IN THE 21ST CENTURY: PHOTOGRAPHS BY FRANKIE NORRIS
(NORRIS, FRANKIE). Norris, Frankie. NP (Los Angeles): Blue Horse Cove Preservation Trust, 2020. First Edition 1/300. 4to. Pictorial Boards. Erotic Photography Monograph. As New/No Jacket - As Issued.
181pp, profusely illustratrated in color. Taking Albrecht Durer's iconic 1504 engraving of biblical lovers Adam and Eve's as a starting point, Frankie Norris has spent the past eleven years documenting American couples spanning the ever-expanding spectrum of sexual identity and orientation. The photographer's first book, "Adam & Eve in the 21st Century" captures unguarded moments of attraction and intimacy between scores of couples that encompass virtually every permutation of gender, age, and race. A brand new, pristine example of this striking document limited to three hundred unnumbered copies still sealed in the publisher's shrinkwrap. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 0-9862045-1-X Inventory Number: I00200907 -
LISA YUSKAVAGE: WILDERNESS
(YUSKAVAGE, LISA) Text by Christopher Bedford, Helen Molesworth, Heidi Zuckerman. Interview by Mary Weatherford.. Gregory R. Miller & Co., I00200905, 2020. 11 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.
A new focus on the sublime landscapes in Lisa Yuskavage’s voluptuous figure paintings
Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage’s work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings.
Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage’s paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford. 9781941366271 Inventory Number: I00200905 -
MARK FLOOD: PROTEST SIGNS FROM 1992
(FLOOD, MARK) With text by Bob Nickas. KARMA, I00200901, 2020. 10 x 12 in., 56 pages. Hardbound. New/No Jacket - As Issued.
Collecting Mark Flood’s irreverent reinventions of the protest sign
Houston-based artist Mark Flood’s (born 1957) 1992 protest signs were first deployed outside the Republican National Convention of that year. With cardboard, foam core upcycled from the Menil Collection and vintage stencils gifted by a relative of Jackson Pollock, Flood’s signs display ironic slogans beside silkscreened images of Reagan, Bush and Schwarzenegger.
“Flood’s Protest Signs may similarly be regarded as a form of history painting, as markers of where some stood, of what they stood against, of what they stood for. Flood’s Signs can be seen in clear relation to all of his text-based works, articulated in a way that is by turns acerbic, bemused, and irreverent, a voice that yet echoes from a year that was a year and a day.” – Bob Nickas
9781949172386 Inventory Number: I00200901 -
LINA BO BARDI: HABITAT
(BO BARDI, LINA) By José Esparza Chong Cuy, with contributions by Thomas Toledo, Adriano Pedrosa and Julieta Gonzalez. Prestel/MASP/Museo Jumex/Museum of Contemporary Art Chicago, I00200828, 2020. 8 x 11 in., 352 pages. New.
From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi’s multidisciplinary work is showcased in this richly illustrated book.
Lina Bo Bardi is regarded as one of the most important architects in Brazil’s history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed “Casa de Vidro” (“Glass House”), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de São Paulo (São Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi’s overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi’s life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator’s projects. 9783791359649 Inventory Number: I00200828 -
INTERIORITIES: NJIDEKA AKUNYILI CROSBY, LEONOR ANTUNES, HENRIKE NAUMANN, ADRIANA VAREJÃO
Edited by Anna Schneider, with contributions by Briony Fer, Marietta Kesting, Ugochukwu-Smooth C. Nzewi and Lilia Moritz Schwarcz. Prestel, I00200827, 2020. 9 x 11 in., 176 pages. New/No Jacket - As Issued.
An international coterie of contemporary female artists give form to the political and aesthetic facets of our interior lives.
The artists featured in this book proffer a radical and innovative formal language that positions interiority as both political and aesthetic. The work of Njideka Akunyili Crosby comprises vibrantly patterned paintings on paper that negotiate the complex cultural terrain of a life formed between two worlds: her adopted home in America and her native Nigeria. Inspired by photography, fashion, architecture, and design, as well as her own family history, Akunyili Crosby’s works often feature domestic spaces that function as physical, conceptual, and emotional points of arrival and departure. Conversely, the Portuguese sculptor Leonor Antunes focuses on migration and the transformation of form and ideas beyond temporal and geographical spaces. The starting point for her elegant site-specific sculptures is the exploration of art, design, and architectural history. Adriana Varejão addresses the colonial history of Brazil in her visceral sculptures and paintings. She often deploys the motif of the wall, the boundary between inside and outside, in her work. The omnipresence of the past also colors the work of trained stage designer Henrike Naumann, whose immersive installations engage with the history of East-West German relations, as well as contemporary instances of right-wing ideology. Naumann explores the mechanisms of radicalization and explores how they manifest themselves in space. 9783791359557 Inventory Number: I00200827 -
MODERN ARCHITECTURE AND INTERIORS
(STECH, ADAM). Prestel, I00200821, 2020. 6 x 9 in., 1000 pages. New/No Jacket - As Issued.
This atlas of more than one thousand Modernist architectural masterpieces uncovers hidden gems while offering new perspectives on old favorites.
In 2006, architecture and design curator Adam Stech embarked on a photographic project to document the best Modernist architecture around the globe. More than thirty countries and more than a decade later, the fruits of that monumental project are gathered in this impressive collection covering nearly a century of architectural history. Driven by a passion for rediscovering forgotten or lesser known architectural treasures of Modernism, Stech took thousands of diverse photographs of exteriors and interiors. This survey features often overlooked details and hidden projects that Stech helps bring to light. His brief commentary on each featured building reveals insights into his vast collection of images that includes treasures of Italian Modernism, American mid-century classics, South American Art Deco, Belgian organic architecture, French Brutalism, forgotten Australian modern houses, and much more. This expansive and inspiring book is the definitive guide to architecture in the 20th century in all its different forms and tendencies from its strict rationalist to flamboyant decorative styles. 9783791386096 Inventory Number: I00200821 -
HOLDING THE CAMERA
Edited by Alberto Vieceli. Text by Nadine Olonetzky. Spector Books, I00200820, 2020. 8 x 11 in., 304 pages. New/No Jacket - As Issued.
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device
Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective.
Holding the Camera shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now. 9783959053495 Inventory Number: I00200820 -
TYLER MITCHELL: I CAN MAKE YOU FEEL GOOD
(MITCHELL, TYLER) Contribution by Hans Ulrich Obrist and Deborah Willis. Prestel/ICP, I00200819, 2020. 9 x 12 in., 208 pages. New/No Jacket - As Issued.
In his first published monograph, Tyler Mitchell, one of America’s distinguished photographers, imagines what a Black utopia could look like.
I Can Make You Feel Good, is a 206-page celebration of photographer and filmmaker Tyler Mitchell’s distinctive vision of a Black utopia. The book unifies and expands upon Mitchell’s body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York.
Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell’s signature candy-colored palette. With no white space visible, the book’s design mirrors the photographer’s all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism.
The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam) and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell’s reimagining of the Black experience.
Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. He is regularly published in avant- garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at many such institutions including Harvard University, Paris Photo and the International Center of Photography (ICP), on the politics of image making. 9783791386089 Inventory Number: I00200819 -
LUCHITA HURTADO: I LIVE, I DIE, I WILL BE REBORN
(HURTADO, LUCHITA) Edited by Joseph Constable, Rebecca Lewin. Text by Andrea Bowers, Michael Govan, Juan A. Gaitán, Sarah Lehrer-Graiwer, Marie Heilich, Matt Mullican, Yana Peel, Barbara Stauffacher Solomon. Interview by Hans Ulrich Obrist. Hauser and Wirth, I00200814, 2020. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
The first monograph on Los Angeles legend Luchita Hurtado, whose colorful, surrealist paintings are now garnering recognition after decades on the fringes
At 98 years old, Luchita Hurtado (born 1929) is finally gaining mainstream recognition for the bright, geometric patterns and the surrealist nature scenes of her virbant paintings, but the Venezuela-born, California-based artist is no stranger to the art world. Though she once rubbed elbows with the likes of Frida Kahlo and Marcel Duchamp early on in her career, Hurtado now has the spotlight to herself, with solo exhibitions in Los Angeles and London, and this very first comprehensive, fully illustrated monograph detailing her artistic process and the prolific output of work from throughout her career.
In addition to reproductions of Hurtado's strikingly contemporary drawings and paintings, Luchita Hurtado: I Live I Die I Will Be Reborn also includes a series of vignettes penned by Hurtado's son, the artist Matt Mullican, as well as an interview between the artist and Hans Ulrich Obrist. 9783960985938 Inventory Number: I00200814 -
CONGO AS FICTION: ART WORLDS BETWEEN PAST AND PRESENT
Edited by Nanina Guyer and Michaela Oberhofer. Museum Rietberg, I00200813, 2020. 9 x 11 in., 328 pages. Hardbound. New/No Jacket - As Issued.
There is no single voice of the Democratic Republic of Congo but a multitude of diverse cultures and voices, contributing to a vibrant art scene that attracts interest from around the world. Nowhere in Africa is there an art scene more varied in form, media, and material.
Published to accompany an exhibition at Museum Rietberg in Zurich, Congo as Fiction: Art Worlds between Past and Present juxtaposes objects collected and photographs by the German anthropologist Hans Himmelheber during his journey to the Congo from 1938 to 1939 with works by contemporary Congolese artists and essays that investigate the fictions of Congo in both African and Western imaginations. The colorful masks and richly decorated everyday objects collected by Himmelheber reflect the extraordinary creativity and innovativeness of Congolese artists of the period but also the collector’s own idea of Congo. The book links the past with contemporary artistic production, showing how for many years Congolese artists like Sammy Baloji and Sinzo Aanza have been exploring in their work the effects of colonialism and globalized trade. 9783858818355 Inventory Number: I00200813 -
ELECTRONIC: FROM KRAFTWERK TO THE CHEMICAL BROTHERS
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. The Design Museum, I00200812, 2020. 9 x 6 in., 192 pages. Hardbound. New.
The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal
With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.
Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project.
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. 9781872005492 Inventory Number: I00200812 -
NOAH DAVIS
(DAVIS, NOAH) Edited with text by Helen Molesworth. Interviews with Lindsay Charlwood, Dagny Corcoran, Daniel DeSure, Thomas Houseago, Deana Lawson, Henry Taylor, and Venus X by Helen Molesworth. David Zwirner Books, I00200811, 2020. 10 x 12 in., 176 pages. Hardbound. New/No Jacket - As Issued.
Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators.
Despite his exceedingly premature death at the age of 32, Noah Davis created emotionally charged work that places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, Mark Rothko, and Luc Tuymans.
This catalogue is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, curator Helen Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist. 9781644230374 Inventory Number: I00200811 -
SENGA NENGUDI: TOPOLOGIES
(NENGUDI, SENGA). Mühling, Matthias & Stephanie Weber, Editors. München, GERMANY: Hirmer Verlag, I00200809, 2020. First Edition. 4to. Cloth with Pictorial Pastedown. Artist Monograph. As New/No Jacket - As Issued.
“For almost fifty years, Senga Nengudi (b. 1943, USA) has shaped an œuvre that inhabits a specific and unique place between sculpture, dance and performance. Her iconic R.S.V.P sculptures – performative objects made from pantyhose and materials such as sand and stone – have been acquired by important American museums. The publication accompanies the first solo exhibition of Nengudi in Germany at the Lenbachhaus, Munich.
Thanks to newly researched material that lay fallow until now, the publication will bring to light an astonishing early work by an artist who has consistently striven to expand the definition of what sculpture can be. Among the bodies of work presented in the book are the Water Compositions (1969–70), interactive vinyl and water sculptures that Nengudi understood as an organic rebuttal to the reign of Minimalism; early fabric works that Nengudi strung up in the back alleys of Harlem, New York; the suggestive R.S.V.P. sculptures (1976–today), some of which were activated in choreographed performances.” 978-3777433684 Inventory Number: I00200809 -
ENNIO MORRICONE: MASTER OF THE SOUNDTRACK
(MORRICONE, ENNIO) Texts by Dario Argento, Bernardo Bertolucci, Liliana Cavani, Lisa Gastoni, Franco Nero, Quentin Tarantino. Gingko Press, I00200807, 2020. 9 x 12 in., 368 pages. Hardbound. New/No Jacket - As Issued.
The first major work dedicated entirely to the discography of the maestro Ennio Morricone.
Unique in its genre, Ennio Morricone: Master of the Soundtrack originates from the idea of the collector, author, and cinema expert Maurizio Baroni. Baroni draws on his own archive to give life to a rich selection highlighting over fifty years of a prestigious career, largely unseen before, which includes handwritten scores by the maestro himself, the original album and single cover sleeves from his soundtracks, and much more.
This book is a definite homage to this great Italian composer of film soundtracks, probably the most famous in the world. 9783943330335 Inventory Number: I00200807 -
HELEN LEVITT: A WAY OF SEEING
(LEVITT, HELEN) Text by James Agee. Walther König/Film Documents LLC, I00200806, 2020. 9 x 8 in., 120 pages. New.
The ultimate edition of Helen Levitt’s classic of New York City street photography, with new high-quality reproductions
Ever since it was first published in 1965, Helen Levitt’s collection of photographs taken on the streets of 1940s New York City has been revered as a classic of its genre. Made in collaboration with writer James Agee, who provided the book’s introduction, A Way of Seeing was published twice more with modifications during Levitt’s lifetime. This volume seeks to provide a definitive edition of the book with oversight from Levitt’s former assistant Marvin Hoshino, who has taken pains to include the best available prints and negatives of Levitt’s images.
Returned to its original compact size, this edition contains all 50 original photographs in addition to several other images meant to represent Levitt’s later understanding of herself as an artist and visual storyteller. Levitt’s photography has stood the test of time and now provides compelling insight into the daily lives of New York’s youngest denizens long after they have grown up. 9781733601801 Inventory Number: I00200806 -
CHARLOTTE PERRIAND: COMPLETE WORKS. VOLUME 4: 1968–1999
(PERRIAND, CHARLOTTE) Jacques Barsac with a preface by Michelle Perrot. Scheidegger und Spiess, I00200725, 2020. 9 x 12 in., 528 pages. New.
Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators, such as Pierre Jeanneret, Le Corbusier, and Jean Prouvé—she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and ’30s.
The concluding fourth volume of this definitive monograph on Charlotte Perriand covers the last three decades of her long career. At its core is the Les Arcs ski resort in the French Alps, where Perriand played a key role in the project development. A pioneer of bioclimatic architecture, she oversaw the architectural and urban design of Arc 1600 and Arc 1800 and created the interiors and entire outfitting down to cutlery and china for the more than 4,500 apartments. Les Arcs, an extraordinary undertaking both in sheer size and the extent of Perriand’s contribution, marks the culmination of her research on alpine housing in unison with nature. The book also features a number of projects—housing and art spaces—from Paris to Tokyo, in which she aimed once more to push the borders of a specific modern, cultivated way of living. It also offers a comprehensive appraisal of seven decades’ work that manifests the creative force and vision of this extraordinary woman, one of the most eminent protagonists of modern architecture and design.
Covering these important moments and many others, Charlotte Perriand completes the four-volume exploration of this key figure, complete with annotations and a bibliography for further research. 9783858817785 Inventory Number: I00200725 -
MADE IN L.A. 2020: A VERSION
Written by Myriam Ben Salah, Lauren Mackler. Hammer Museum/Prestel, I00200724, 2020. 9 x 12 in., 308 pages. Hardbound. New/No Jacket - As Issued.
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene.
Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. 9783791359106 Inventory Number: I00200724 -
SYNERGETIC STEW: EXPLORATIONS IN DYMAXION DINING
(FULLER, R. BUCKMINSTER FULLER) Foreword by Jaime Snyder. Lars Muller Publishers, I00200723, 2020. 6 x 9 in., 128 pages. Spiral Binding. New.
A delightful dymaxion cookbook homage to Buckminster Fuller, featuring John Cage’s macrobiotic recipes, Margaret Mead’s cucumber salad and more
Buckminster Fuller is globally known as a design scientist, architect, author, poet, engineer and a true visionary. On his 86th birthday he received the cookbook Synergetic Stew as a surprise present from his friends and admirers, who share recipes along with personal anecdotes and humorous recollections of Fuller (for example, a reminiscence about Bucky’s love for tea in all its variations). Scattered throughout the book are enticing texts and poems from Fuller himself, including even a recipe for tomato ice cream.
Constructed around 100 achievable recipes, this book is a glimpse into Fuller’s life, as told by his peers. A few of the recipes are a joyful ode to Fuller’s oeuvre, such as Shirley Sharkey’s “GEODESICANDY,” the “Macrobiotic Diet” by John Cage or Amy Edmondson’s “Allspace-Filling Whole Wheat Bread.”
In addition to the facsimile, Jamie Snyder reflects upon often-overlooked facets of Bucky’s character, as revealed through anecdotes of his relationship to food.
With contributions by Bil Baird, Peter Brown, John Cage, Lim Chong Keat, Elizabeth Choy, John Ciardi, John Denver, Amy Edmondson, Ted Ehmann, Werner Erhard, Ronald Feldman, John and Isobel Fistere, Medard Gabel, Eugene Garfield, Neva Goodwin, d'Arcy Hayman, Henry J. Heimlich, Miranda Kaiser, Anne Kordus, Kuyoshi Kuromiya, Mae Lee, Paula Martin, Margaret Mead, Karl Menninger, Yehudi Menuhin, Martin and Margy Meyerson, Ann Mintz, Don Moore, Ed Muskie, Libby Newman, Isamu Noguchi, Gerard K. O'Neill, Steve Parker, Eleanor and George Pavloff, Cedric Price, Kariska Pulchalski, Harrison Salisbury, Shirley and Bill Sharkey, Peter Simoneaux, Jamie Snyder, Hester Stearns, Connie Thelander, Thomas Tse-Kwai Zung, Dennis Tyler, Amei Wallach, Hope Watts, Kathryn Withlow 9783037786437 Inventory Number: I00200723 -
WILLI SMITH: STREET COUTURE
(SMITH, WILLI) Edited by Alexandra Cunningham Cameron. Cooper Hewitt/Rizzoli Electa, I00200722, 2020. 8 x 12 in., 256 pages. New/No Jacket - As Issued.
African-American fashion designer Willi Smith, pioneer of streetwear and visionary collaborator, finally gets his due in an exuberant celebration of his life and work.
Before Off-White, before Hood By Air, before Supreme, there was WilliWear. Willi Smith created inclusive and liberating fashion: "I don't design clothes for the queen, but the people who wave at her as she goes by," he said. A rising star from the time he left Parsons, Smith went on to found WilliWear with Laurie Mallet in 1976 and became one of the most successful designers of his era by his untimely death in 1987. Smith broke boundaries with his streetwear, or "street couture," and trailblazed the collaborations between artists, performers, and designers commonplace today in projects with SITE Architects, Nam June Paik, Christo and Jeanne-Claude, Spike Lee, Dan Friedman, Bill T. Jones, and Arnie Zane. Essays by leading figures from the worlds of fashion, art, architecture, and cultural studies paired with never before-seen images and ephemera make Willi Smith essential reading for the history of streetwear culture and the evolution of fashion from the 1970s to today. 9780847868193 Inventory Number: I00200722 -
GORDON PARKS: THE ATMOSPHERE OF CRIME, 1957
(PARKS, GORDON) Text by Nicole Fleetwood and Bryan Stevenson, Edited by Sarah Hermanson Meister. Steidl/The Gordon Parks Foundation, I00200718, 2020. 10 x 11 in., 120 pages. New.
Gordon Parks’ ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs
When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay “The Atmosphere of Crime” was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor.
Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and afforded a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to record reality so vividly and compellingly that it would allow Life’s readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks’ original reportage. 9783958296961 Inventory Number: I00200718 -
PUBLIC ISSUE 3
(McWHIRTER, ALEX) with work by features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood. McWhirter Studio, I00200715. 9 x 12, 136 pages. New/No Jacket - As Issued.
Public is a biannual arts and fashion journal with an emphasis on experimental work. Offering a unique perspective on subjects in life, each subject is archived and its theme never repeated. Issue 3 features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood.
In a unique collaboration, Siân Davey works with stylist Gary David Moore to cover youth and innocence. She revisits her daughter Martha as a subject, now aged 21, in a series of portraits at their family home in Devon (Siân's original series ‘Martha’ was displayed at The National Portrait Gallery in London, and captured her daughter at age 16). Frank Lebon covers family, having documented an intimate family holiday last summer in Spain for the issue. Iconic supermodel turned photographer Guinevere van Seenus collaborates with stylist Roxane Danset to capture a series of self portraits that form a reflective study on herself as a strong, middle aged women. Tom Wood casts his eye on the relationship between men and women through decades of covering communities in Liverpool, England. And finally, Jack Webb explores the emotional highs and lows between a group of friends and family on a night out in a Yorkshire pub, captured in 1996. Inventory Number: I00200715 -
DEATH MAGICK ABUNDANCE
(RABUT, AKASHA). Anthology Editions, I00200623, 2020. 11 x 10 in. Hardbound. New/No Jacket - As Issued.
More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world. 9781944860271 Inventory Number: I00200623 -
TEJU COLE: FERNWEH
(COLE, TEJU). MACK, I00200620. 8.25 x 12 in. Hardbound. New/No Jacket - As Issued.
The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubünden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing. 9781912339549 Inventory Number: I00200620 -
THE CANDY BOOK OF TRANSVERSAL CREATIVITY
(VENEGAS, LUIS) Foreword by Jefferson Hack. Rizzoli, I00200616, 2020. 8.5 x 11 in.. Hardbound. New.
A celebration of the transversal community from the iconic magazine.
The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve
