Book of the Day > Joseph Rodriguez LAPD 1994
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NIKE: BETTER IS TEMPORARY
Nike. New York: Phaidon, 2020. First Edition. 12 1/4 x 9", 320 pages, Profusely illustrated in color and b&w. Hardbound. Sportswear Monograph. As New. 978-1838660512
At Nike, the desire to be the best is a journey, not a destination - better is always temporary.
Phaidon commemorates the company’s influence with Nike: Better is Temporary, a landmark publication that charts Nike’s transformation from rebellious upstart to global phenomenon.
This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.
Beginning with “Breaking2,” an introduction detailing Nike’s 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike’s focus on performance, brand expression, collaboration, inclusive design, and sustainability.
The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike’s proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book’s spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages and which are referenced in the book’s bonus chapter, “Crafting Color.”
Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.
Inventory Number: NIKE
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The Best of Nest: Celebrating the Extraordinary Interiors from Nest Magazine
Todd Oldham (Author), Joe Holtzman (Contributor). Phaidon. 9 x 11 in., 542 pages. Hardbound. New/No Jacket - As Issued.
The first comprehensive collection of Nest, the magazine that revolutionized the way we look at interior space and decoration
Published from 1997 to 2004 by artist Joe Holtzman, Nest magazine eschewed the conventionally beautiful luxury interiors of other magazines and instead featured non-traditional, exceptional, and unusual environments. The Best of Nest, created by master bookmaker and former fashion designer Todd Oldham, includes selections from all 26 issues in a series of portfolios featuring the work of iconic writers and photographers such as Michael Cunningham, Patti Smith, Nan Goldin, and Derry Moore.
The book includes an introduction by Oldham, as well as an extensive essay by Holtzman, filled with new observations and a behind-the-scenes look at each issue's creation. Arranged chronologically, The Best of Nest presents each issue in a 16-page portfolio. An edit of the best stories, the best photographs, and the best design treatments have been selected and amplified in this lavish volume.
Replicating many of the clever and singular design elements that endeared Nest to its passionate fans around the world, The Best of Nest including gatefolds, foldouts, diecuts, and covers with silver foil and glitter.
The Best of Nest includes visual and written contributions to the magazine by Tina Barney, Michael Cunningham, Lydia Davis, Barbara Gallucci, Nan Goldin, Matt Groening, Rem Koolhaas, Catherine Opie, Stephen Sondheim, Amy Sedaris, Matthew Stadler, and the legendary British interiors photographer Derry Moore. Photographs by Candida Höfer, David Seidner, Horst P. Horst, Martin Parr, Antoine Bootz, and Jason Schmidt are also highlighted throughout. 9781838661854 Inventory Number: Ioo201230 -
AGE OF COLLAGE 3: CONTEMPORARY COLLAGE IN MODERN ART
. Gestalten, I00210407, 2021. 10 x 12 in., 320 pages. Hardbound. New/No Jacket - As Issued.
Dive into an art form existing at the intersection of design, commerce, and abstract expression.
Cut, paste, create: while collage was conceived in the early 1900's, it seems to be the perfect form of expression for the 21st-century, with all its juxtapositions, eclecticism, and strange bedfellows. In our present age of collage, the simple act of mixing together different elements allows us to question our reality and make new worlds.
The Age of Collage showcases a new crop of artistic vanguards advancing the medium’s possibilities, piece-by-piece. Equipped with a craft knife, paintbrush, stylus, scissors, or tablet, a collage artist’s toolkit is as varied as their creations and this book brings their work back to the paper page.
From the poignant and provocative to the comic and curious, The Age of Collage features the creations of more than 60 artists. Packed with visuals and a number of in-depth profiles revealing what drives the hands behind the pieces, this comprehensive volume is a celebration of the enduring power of collage. 9783899551105 Inventory Number: I0210407 -
JOSEPH RODRIGUEZ LAPD 1994 -- SIGNED
(RODRIGUEZ, JOSEPH) . Artist Edition, I00210409, 2021. 10 x 13 in., 158 pages. Hardbound. New/No Jacket - As Issued.
In the mid-nineties, the LAPD was in search of a public image make-over after the Rodney King uprisings. The City Charter was reformed by increasing civilian oversight of the LAPD, the militant police chief of the moment, Daryl Gates, was forced to resign and Willie Williams became the first African-American chief of the department. I was no stranger to this type of assignment. At that time I had already published two books, Spanish Harlem and East Side Stories, which depicted life in impoverished neighborhoods. Covering LAPD gave me a chance to show how police operated in marginalized communities, and how those communities were affected by individual cops and the department as a whole.
As part of these efforts, the LAPD gave photographer Joseph Rodriguez unprecedented access to document the officers in the field for The New York Times, hoping to give the public an image of a “kinder, gentler cop”, as the headline put it. For weeks, he immersed himself in the daily workings of the 77th Street, Pacific and Rampart Divisions. Four years after Rodriguez rode along with Rampart officers, the station became notorious when the biggest scandal in LAPD history erupted in an astonishing spectacle of officer corruption that included the murder of a fellow cop, a bank robbery, unprovoked shootings of alleged gang members, drugs stolen from the evidence room, and other crimes.
In 2020, the year of Black Lives Matter, a generation after these photos were taken, new uprisings demand reform yet again and the same questions about policing – what are they for, who do they serve, and who do they protect – shape the public discussion. 9788797072424 Inventory Number: I00210409 -
KRISTIN BEDFORD: CRUISE NIGHT
(BEDFORD, KRISTIN). Damiani, I00210408, 2021. 12 x 12 in., 144 pages. Hardbound. New/No Jacket - As Issued.
Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture
Known for her quiet portraits of American cultural movements, Los Angeles–based photographer Kristin Bedford’s new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles’ Mexican American lowrider car culture.
From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford’s photos explore the nuances of cars as mobile canvases and the legendary community that creates them.
With bright color photography and a unique female vantage point, Cruise Night is an original look at a prolific American movement set against the Los Angeles cityscape. 9788862087278 Inventory Number: I00210408 -
ALICE NEEL: PEOPLE COME FIRST
(NEEL, ALICE) by Kelly Baum and Randall Griffey with contributions by Meredith A. Brown, Julia Bryan-Wilson, and Susanna V. Temkin. The Metropolitan Museum of Art, I00210402, 2021. 8 x 11 in., 256 pages. Hardbound. New/No Jacket - As Issued.
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist's erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century. 9781588397256 Inventory Number: I00210402 -
THE CHEMARTS COOKBOOK
Edited by Pirjo Kaarianen, Liisa Tervinen. Aalto University, I00210401, 2021. 7 x 10 in., 192 pages. Flexibound. New/No Jacket - As Issued.
Inspiration for Material Enthusiasts
How can we make flexible, transparent wood-based materials? What kinds of materials can we derive from trees, while still respecting the preciousness of nature? Could the innovative use of renewable cellulosic materials change our material world?
The CHEMARTS Cookbook offers both simple and more advanced ideas and recipes for hands-on experiments with wood-based materials. The book showcases interesting results, focusing on raw materials that are processed either chemically or mechanically from trees or other plants: cellulose fibres, micro- or nano-structured fibrils, cellulose derivatives, lignin, bark, and wood extractives.
Find inspiration, test our recipes at home, in workshops or chemistry labs, and develop your own experiments! Have fun! 9789526088020 Inventory Number: I00210401 -
DEAR ELIO: A MARVELOUS JOURNEY INTO THE WORLD OF FIORUCCI
(FIORUCCI, ELIO) Edited by Franco Marabelli. Rizzoli, I00210327, 2021. 9 x 12 in., 400 pages. Paperback. New/No Jacket - As Issued.
The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure.
The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers.
Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies.
This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s.
It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners. 9788891830470 Inventory Number: I00210327 -
MARK TEMPLETON: OCEAN FRONT PROPERTY
(TEMPLETON, MARK) texts by Brad Feuerhelm and Ezekiel Honig. The Ice Plant, I00210326, 2021. 9 x 12 in., 98 pages. Paperback. New/No Jacket - As Issued.
“I was in search of water and the effect its absence had on me,” writes Canadian sound artist and photographer Mark Templeton about his second photobook, Ocean Front Property. From this sense of absence and geographic isolation grew a new body of work with two components: A book of color photographs, made entirely in the landlocked province of Alberta (“where the nearest ocean is a thousand kilometers away”), and an Audio Experience (a ‘soundtrack’ to the book, included as a digital download or available on a limited edition cassette). Rooted in the same sense of longing — for the imagined comfort of warm blue water and an escape from one’s familiar surroundings — these complementary sensory worlds form a kind of mirage: a prism of banal surfaces, spaces, and sonic textures through which the fragments of an intangible fantasy can be glimpsed, a circular psychic journey from the desolate to the sublime. The photobook also contains an 8-page supplement, compiling selections by eight artists whom Templeton invited to choose pairings of sound and image, suggesting possible feedback loops and alternative readings between the eight audio tracks and his photographs. 9780999265567 Inventory Number: I00210326 -
DAVID HAMMONS: BODY PRINTS, 1968–1979
(HAMMONS, DAVID) Introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210324, 2021. 6 x 9 in., 136 pages. Paperback. New/No Jacket - As Issued.
The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.
More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art. The book features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented Hammons at work in his Los Angeles studio in 1974. 9780942324419 Inventory Number: I00210324 -
LEE FRIEDLANDER
(FRIEDLANDER, LEE) Text by Carlos Gollonet, Nicholas Nixon, Jeffrey Fraenkel, Maria Friedlander, Giancarlo T. Roma.. RM, I00210323, 2021. 10 x 12 in., 384 pages. Hardbound. New/No Jacket - As Issued.
A new, up-to-date retrospective on photography legend Lee Friedlander
One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs—and later car windows and telephone poles—as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander’s career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon.
The volume serves as a comprehensive guide to Friedlander’s body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist’s life by his grandson Giancarlo T. Roma. 9788417975449 Inventory Number: I00210323 -
CARLO SCARPA: BEYOND MATTER
(SCARPA, CARLO) Text by Patrizia Piccinini, Photographed by Lorenzo Pennati. Rizzoli, I00210320, 2021. 9 x 11 in, 224 pages. Hardbound. New/No Jacket - As Issued.
A tribute to a great master of postwar Italian architecture, through a photographic journey with high visual impact.
Carlo Scarpa was one of the great masters of postwar Italian architecture. This book proposes a photographic itinerary that unfurls through Venice, Treviso, Verona and Bologna, before reaching the Dolomites,
His most significant projects have been photographed specifically for the book, including constructions and installations in public spaces, such as museums, shops and offices. Each example illustrates Scarpa's ability to approach the architectural volume as a whole while at the same time tending to its interior layout down to the smallest details, exploring the potential of the material, giving rhythm to the volumes through light, and expressing the poetics of the shape, even in its simplest lines.
The projects featured in the book alternate between overviews and close-ups, with a very high photographic quality. They are all briefly introduced by a text that describes their genesis, explains the context in which they were made and focuses on the details that best represent Scarpa's style, with a summary and clear key to understanding the architect's work.
The volume ends with a postscript by his son, Tobia Scarpa, who is currently designing the forthcoming Scarpa Museum in Treviso. 9788891829122 Inventory Number: I00210320 -
TOM SACHS: HANDMADE PAINTINGS
(SACHS, TOM) Texts by David Rimanelli and Naomi Fry. Rizzoli, I00210319, 2021. 10 x 12 in., 180 pages. Hardbound. New.
The most recent body of paintings of this New York-based artist, featuring the artist's examination of consumer culture in his handmade, "do-it- yourself " aesthetic.
This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology.
Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture. 9780847870288 Inventory Number: I00210319 -
MARTINE SYMS: SHAME SPACE
(SYMS, MARTINE). Primary Information, I002103, 2021. 6 x 8 in., 240 pages. Hardbound. New/No Jacket - As Issued.
Shame Space is an artist book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project Ugly Plymouths (2020). The diaristic commentary in Shame Space is gathered into fifteen chapters that stage narrative as a process of being in the making.
Text entries in Shame Space have formed the voiceover of Mythiccbeing (pronounced ‘my thick being’), a “black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme” digital avatar who has iterated across several of Syms’s recent exhibitions. In the artist’s dense, multi-channel media installations, Mythiccbeing manifests variously in video, in pre-programmed audio recordings of the artist’s voice, and as an interactive chatbot, which responds to the viewer’s communications with images, messages, and animations.
Shame Space’s design mimics the bible form, with its A5 size, embossed leather-textured cover, and gold edge painting. Translating Syms’s ongoing research and interest in new media technologies to the page, the book’s still images were coded using a programming script, such that the design, like the chatbot’s SMS responses, is an exercise in machine automation.
Martine Syms is an artist who has earned wide recognition for a practice that combines conceptual grit, humor, and social commentary. She has shown extensively including solo exhibitions at the Museum of Modern Art, the Art Institute of Chicago, and ICA London. She is in a band called Aunt Sister and hosts CCartalkLA, a monthly radio show on NTS. She also runs Dominica, a publishing imprint for artists’ books. 9781734489743 Inventory Number: I00210317 -
DIANA MARKOSIAN: SANTA BARBARA - Signed
(MARKOSIAN, DIANA). Aperture, I00210316, 2021. 9 x 11, 216 pages. Hardbound. New/No Jacket - As Issued.
Santa Barbara is the debut monograph by Diana Markosian, a talented artist who works at the intersection of photography and film. The series recreates the story of Markosian’s family’s journey from post-Soviet Russia to the U.S. in the 1990s.
The project pulls together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In it, the artist grapples with the reality that her mother, seeking a better life for herself and her two young children, escaped Russia and came to America. Markosian’s family settled in Santa Barbara, a city made famous in Russia when the 1980s soap opera of that name became the first American television show broadcast there. Weaving together reenactments by actors, archival images, stills from the original Santa Barbara TV show, Markosian reconsiders her family’s story from her mother’s perspective, relating to her for the first time as a woman, and coming to terms with the profound sacrifices she made to become an American.
Picturing the hopes of Markosian’s mother to provide a different future for her children, the project emphasizes the hypercharged symbolism of the opportunities of America and the West, while serving as a personal reflection of the artist’s family history. Images are woven together with a script written by Markosian in collaboration with one of the original Santa Barbara writers, Lynda Myles, and is the basis for a new short film directed by the artist. Encapsulating different styles and storytelling techniques, Markosian proves to be at the forefront of a new generation of photographers pushing the boundaries of documentary. 9781597114721 Inventory Number: I00210316 -
ERIK MADIGAN HECK: THE GARDEN
(MADIGAN HECK, ERIC). Text by Leanne Shapton. Damiani, I00210315, 2021. 1.0" H x 13.0" L x 10.6" W (3.65 lbs) 184 pages. Hardbound. New/No Jacket - As Issued.
“A sumptuous clothbound portrayal of a family in Edenic reverie. In The Garden, American photographer Erik Madigan Heck portrays his wife and two young sons in a variety of richly colorful surrounds. The photographs draw upon Catholic iconography and other mythic pictorial traditions to develop a color-based narrative evocative of spiritual archetypes and the processes of dissolution and rebirth.
The series moves through a singular world—a fairy tale in which figures and settings become tableaux for hyper-concentrated tonal arrangements. Images are composited and oversaturated to create painterly and surreal compositions in which the familiar and fantastic are merged. Completing its aesthetic fantasy through lavish clothes, gestures of dreamlike poignancy and an Edenic environment, The Garden expresses the supramundane innocence and spontaneity that art makes possible—a life lived in the direct, immediate experience of beauty. Shot predominantly at the family’s home in New England, the series initially elicits comparisons with other contemporary photography confronting family life, such as Sally Mann’s Immediate Family or the work of Elinor Carucci. But although the subjects of Heck’s photographs are ostensibly his family, The Garden's real subject matter is color and the aesthetic possibilities of photography to create what it captures."
Flip through a few pages here: https://issuu.com/damianiflip/docs/erik_madigan_heck_the_garden_issuu 9788862087254 Inventory Number: I00210315 -
RITA ACKERMANN: MAMA
(ACKERMANN, RITA) Text by Gianni Jetzer, Harmony Korine, Scott Griffin, Rita Ackermann. Hauser & Wirth Publishers, I00210312, 2021. 10 x 11 in., 178 pages. Hardbound. New.
Tensions of creation and destruction in the latest paintings from Rita Ackermann, shifting between representation and abstraction
Rita Ackermann’s vibrant, large-scale Mama paintings layer drawings with applications and scrapings of impasto and oil stick, expressing complex histories and emotions. The immersive nature of the Mama suite is fully illustrated and expressed in this book, with a critical essay by Gianni Jetzer that explores and contextualizes Rita’s evolution as an artist and the significance of the Mama works, complementing filmmaker Harmony Korine’s fake interview with Ackermann and a tribute to the artist by Scott Griffin. The importance of Ackermann’s drawings in her painting practice is elucidated in a poem by the artist and seen in the book’s robust plate section, which features all of the Mama paintings made to date. 9783906915593 Inventory Number: I00210312 -
BRIDGET RILEY: THE COMPLETE PRINTS 1962-2020
(RILEY, BRIDGET). Thames and Hudson, I00210310, 2021. 10 x 11 in., 296 pages. Hardbound. New/No Jacket - As Issued.
Bridget Riley has made screenprints throughout her career, extending the principles of her paintings into a new, reproducible medium. Bringing together the complete, updated inventory of this substantial body of work, this volume explores Riley's development as a printmaker and her relationship to the screenprint medium.
Newly revised, updated and designed, this catalogue raisonné richly illustrates Bridget Riley's graphic work in a larger, enhanced format. Alongside a full-colour inventory of the prints are updated essays by Lynn MacRitchie and Craig Hartley and an additional essay by Robert Kudielka, which provide a greater context for Riley's work. This revised volume, a co-publication with The Bridget Riley Art Foundation, also benefits from supplemental material including an artist biography and selected solo and group exhibition history. 9780500971093 Inventory Number: I00210310 -
ROTHKO CHAPEL: AN OASIS FOR REFLECTION
(ROTHKO, MARK) Texts by Stephen Fox and Pamela Smart. Rizzoli, I00210309, 2021. 11 x 10 in., 132 pages. Hardbound. New/No Jacket - As Issued.
A first look at the recently restored Rothko Chapel, a world-renowned destination for spiritual renewal, with all-new photography and scholarship of the renovated building and campus, published on the occasion of its 50th anniversary.
The Rothko Chapel--home to 14 monumental modernist paintings by the pioneer Abstract Expressionist Mark Rothko--is an interfaith sacred space dedicated to global human rights, art, and spirituality, located in Houston. The Chapel was founded in 1971 by arts patrons and philanthropists Dominique and John de Menil, who placed their utmost faith in Rothko's vision to express the profound, the miraculous, and regard for the sanctity of the human spirit in this oasis for the intellect and the spirit. Through photographic testimony and the insights of scholars, this large-format volume gives an intimate look at this sacred space, where visitors seek solace and inspiration within this truly ecumenical sanctuary featuring Rothko's iconic paintings. Pamela Smart discusses the spiritual side and Stephen Fox puts the architecture in the context of Houston. The Chapel has been reworked within an expanded campus to enhance the experience for its many visitors. As viewers sit in stillness or move about the Chapel's serene octagonal enclosure, the reinstalled skylight better reveals the nuances of Rothko's powerful panels and allows for better connection to the outdoors as conditions shift, such as when clouds pass above. 9780847867516 Inventory Number: I00210309 -
INDIA TWO
(ANSARI, AZIZ) . Dashwood Books, I00210303, 2020. 5 x 8 inches, 20 pages. New/No Jacket - As Issued.
One of a pair of a zines by actor/director/writer/standup comic Aziz Ansari. India Two features street vendors in India. Inventory Number: I00210229 -
LYNETTE YIADOM-BOAKYE: FLY IN LEAGUE WITH THE NIGHT
(YIADOM-BOAKYE, LYNETTE). D.A.P. / Tate, I00210226, 2021. 9 x 11 in., 192 pages. Hardbound. New.
Dramatically reinventing the lineage of Goya, Sargent and Manet, Lynette Yiadom-Boakye imbues the Black subjects in her paintings with atmospheric grace and elegance
Taking inspiration from the techniques of historic European portraiture, Lynette Yiadom-Boakye’s oil paintings could almost be from a much older era if it were not for the contemporary details of the Black subjects that populate her work. Though her subjects are people conjured in her imagination, Yiadom-Boakye imbues her portraits with a near-tangible spirit through her deliberate brush strokes and rich dark tones.
The result is paintings that seem to exist outside of time while still remaining grounded in reality. This lavishly illustrated volume of nearly 80 paintings and drawings—some of which have never been exhibited before—accompanies the first major survey of Yiadom-Boakye’s work, shown at Tate Britain. In addition to new fiction writing by the artist, this publication includes in-depth thematic essays on Yiadom-Boakye’s artistic development, reflecting the dual aspects of the artist’s career as both a painter and a writer and offering an intimate insight into her creative process. 9781942884651 Inventory Number: I00210226 -
JOAN MITCHELL
(MITCHELL, JOAN) Texts by Sarah Roberts and Katy Siegel. Yale University Press / San Francisco Museum of Modern Art, I00210224, 2021. 10 x 12 in., 384 pages. Hardbound. New/No Jacket - As Issued.
A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her
Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist’s sketchbooks, and photographs of Mitchell’s life, social circle, and surroundings.
Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell’s admirers and those just discovering her work. 9780300247275 Inventory Number: I00210224 -
THE MOTHERLODE: 100+ WOMEN WHO MADE HIP-HOP
(HOPE, CLOVER) with illustrations by Rachelle Baker. ABRAMS, I00210218, 2021. 8 x 9 in., 240 pages. Paperback. New/No Jacket - As Issued.
An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process
The Motherlode highlights more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shanté, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo—as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. This book profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap. 9781419742965 Inventory Number: I00210218 -
TEN CITIES
Edited with text by Johannes Hossfeld, Joyce Nyairo, Florian Sievers. Text by Rui Miguel Abreu, Vitor Belanciano, Tony Benjamin, Danilo Capasso, Vincenzo Cavallo, Iain Chambers, Kateryna Dysa, Maha ElNabawi, Michelle Henning, Rehan Hyder, Rangoato Hlasane, Ângela Mingas, Ali Abdel Mohsen, et al.. Spector Books, I00210217, 2021. 8 x 11 in., 560 pages. Paperback. New/No Jacket - As Issued.
A nocturnal journey through local histories of clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Berlin, Naples, Luanda, Lagos, Bristol, Lisbon, 1960–Present
The image of the DJ dragging his record case through international “non-places” and deejaying in clubs around the globe is a contemporary cliché. But these club scenes have rich, geographically differentiated local histories and cultures. This book expands the focus beyond the North Atlantic clubbing axis of Detroit–Chicago–Manchester–Berlin.
It looks at ten club capitals in Africa and Europe, reporting on different scenes in Bristol, Johannesburg, Cairo, Kyiv, Lagos, Lisbon, Launda, Nairobi and Naples. The local music stories, the scenes, the subcultures and their global networks are reconstructed in 21 essays and photo sequences.
The tale they tell is one of clubs as laboratories of otherness, in which people can experiment with new ways of being and assert their claim to the city. Ten Cities is a nocturnal, sound-driven journey through ten social and urban stories from 1960 through to the present. 9783944669793 Inventory Number: I00210217 -
Ramen Forever: An Artist’s Guide To Ramen
(SLAPS, YARROW). Luggage Store Gallery, I00210216, 2021. 9 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
Is the ramen craze over? While Lucky Peach’s Chris Ying might think it’s waning, and says so in the preface to this book, the new compendium RAMEN FOREVER: AN ARTIST’S GUIDE TO RAMEN is a resounding rebuttal to that claim. Over a decade after gourmet noodle shops began opening throughout the United States, ramen is here to stay and has never looked or tasted better!
More than a cookbook, RAMEN FOREVER is an illustrated love letter to this deceptively simple dish initiated by San Francisco-based artist and SWIM Gallery director Yarrow Slaps, whose obsession with ramen of all kinds has led to his visiting ramen shops around the world and to having deep conversation with top chefs, foodies and food bloggers, and the artists that have lived off of instant noodle soup packets before ramen became a trend. Interviews with ramen heroes including Moe Kuroki (Boston’s Oisa Ramen), Yoshihiro Sakaguchi (Taishoken, San Mateo), Hans Lienesch aka “The Ramen Rater,” Esther Choi (Mokbar - NY), and Sam White (Ramen Shop Oakland) give an insider’s view into gourmet ramen spots across the global diaspora. For those that can’t travel to all of these ramen spots, this book will inspire major mouth envy!
Don’t fear, however, because RAMEN FOREVER has plenty of inspiration for creative home cooks. Over 80 of the urban art scene’s most celebrated artists, including Justin Hager and Kristen Liu-Wong, contribute their own illustrated instant noodle recipes that have gotten them through struggle times. The recipes range from playful (“Hot Trash Ramen—best when you’re drunk”) to critical (“Opium War Lamian—a rustic and flavorful noodle soup enjoyed by belligerents during an unjust, cruel, and brutal colonial conflict”) to restorative (“Radiant Recovery Ramen”), showcasing the true versatility of ramen as a dish for every occasion, for people of every background and every budget.
A feast for the eyes and the belly, RAMEN FOREVER should be your next coffee table book, and makes a great gift for the art lover and ramen eater in your life—and that can be you, too. 9780578661575 Inventory Number: I00210216 -
WHERE ART MIGHT HAPPEN: THE EARLY YEARS OF CALARTS
. Prestel, I00210212, 2021. 7 x 10 in., 392 pages. Flexibound. New/No Jacket - As Issued.
From Fluxus to conceptualism and feminism, an inside look at how California's legendary school nurtured a generation of exciting, experimental artists.
Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney's original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multifaceted exhibition catalog focuses on the school's early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements.
Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, “art can happen. "It follows the institutional establishment of Baldessari's" Post-Studio "course and Miriam Schapiro and Judy Chicago's Feminist Art Program. It explores the school's unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works — many never before published — from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education. 9783791378091 Inventory Number: I00210212 -
WALTER CHANDOHA: DOGS
(CHANDOHA, WALTER). Taschen, I00210211, 2021. 9 x 12 in., 296 pages. Hardbound. New/No Jacket - As Issued.
Walter Chandoha’s remarkable legacy as the 20th century’s greatest pet photographer lives on in this sequel to his critically acclaimed Cats. Featuring over 60 breeds, photographed in a variety of styles and locations, the book includes color studio and environmental portraits, black-and-white street scenes, dogs roaming free in the countryside, and vintage dog shows. Each image brims with Chandoha’s tenderness and empathy for these charming canines.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures. 9783836584296 Inventory Number: I00210211 -
THE FIRST PAIR
(POURHABIB, CHRISTYNA). Twenty Eight Ink, I00210210, 2021. 8 x 8 in., 176 pages. New.
In The First Pair, Christyna Pourhabib sits down with sneaker enthusiasts as they remember the first pair of sneakers that made them feel fly. Featuring interviews and photographs taken on the streets of Los Angeles and New York, The First Pair considers how shoes embody and evoke the past. It brings to life the dynamic and diverse world of sneaker culture and considers how sneakers transcend cultural boundaries. 9780692024898 Inventory Number: I00210210 -
RAYMOND MEEKS: CIPRIAN HONEY CATHEDRAL
(MEEKS, RAYMOND). MACK, I00210122, 2021. 9 x 12 in., 96 pages. Hardbound. New.
Raymond Meeks is renowned for his use of photography and the book form to poetically distill the liminal junctures of vision, consciousness and comprehension. In ciprian honey cathedral, he brings this scrutiny close to home, delicately probing at the legibility of our material surroundings and the people closest to us.
Meeks has long been fascinated by the way we construct the world around us; how we carry our possessions, these accumulated comforts, inheritances, markers of material success; how we adorn homes with trees and shrubs, a mantle clock to count the hours. Stumbling across an abandoned house or unkempt lawn becomes a search for common clues to tiny hidden transgressions.
This question of knowledge and understanding is perhaps most drastic in our solipsistic reality. Meeks also photographed his partner, Adrianna Ault, in the early mornings before she awoke, on the threshold at which daily domestic life converges with the deepest state of sleep. This plight of supine trance is a place of reprieve beneath the surface of consciousness, free from the chaos and uncertainty of the sentient world above, and alludes to the veiled threat that, ultimately, we are utterly unknowable to one another. 9781913620011 Inventory Number: I00210122 -
PURPLE #34 THE LOVE ISSUE
Edited by Oliver Zahm. Purple Institute, I00210121, 2021. 10 x 13, 450 pages. Hardbound. New.
'Purple Fashion' is the avant-garde reference for fashion, style, and contemporary culture with the usual big names. In the 'love issue kenzo' contributions by Camille Henrot, Virgil Abloh, Philippe Parreno, Louis Vuitton, Chanel, Saint Laurent, and many more. 17668832 Inventory Number: I00210121 -
RICHARD MISRACH ON LANDSCAPE AND MEANING
(MISRACH, RICHARD) Introduction by Lucas Foglia and Meghann Riepenhoff. Aperture, I00210119, 2021. 10 x 8 in., 128 pages. Paperback. New/No Jacket - As Issued.
In the sixth installment of The Photography Workshop Series, Richard Misrach—well known for sublime and expansive landscapes that focus on the relationship between humans and their environment—offers his insight into creating photographs that are visually beautiful and contain cultural implications.
Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of color photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction. 9781597114776 Inventory Number: I00210119 -
CUBA: ORIGINAL ALBUM COVER ART OF CUBAN MUSIC
Compiled by Gilles Peterson and Stuart Baker. Soul Jazz Books, I00210109, 2021. 12 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.
‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.
Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.
These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba. 9781916359802 Inventory Number: I00210109 -
WOMEN IN CONCRETE POETRY 1959–1979
Edited by Alex Balgiu, Mónica de la Torre. Primary Information, I00210107, 2021. 8 x 9 in., 384 pages. Paperback. New/No Jacket - As Issued.
A massive, groundbreaking, international anthology of concrete poetry by women, from Mira Schendel to Susan Howe
This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page.
Owing, perhaps, to the fact that concrete poetry’s attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume—Ilse Garnier or Giulia Niccolai, for instance—were active in the movement’s epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams’s Anthology of Concrete Poetry (1967) and Mary Ellen Solt’s Concrete Poetry: A World View (1968).
This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany). 9781734489729 Inventory Number: I00210107 -
MEDIA BURN: ANT FARM AND THE MAKING OF AN IMAGE
(ANT FARM) Text by Steve Seid. Inventory Press/RITE Editions, I00210106. 9 x 12 in., 128 pages. Hardbound. New/No Jacket - As Issued.
A detailed account of Ant Farm’s 1975 Media Burn performance, a legendary act of consumerist critique
This book examines the complex set of cultural references and art-making strategies informing Ant Farm’s seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.
Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).
In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.
Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself. 9781941753354 Inventory Number: I00210106 -
ANDY WARHOL: LOVE, SEX, AND DESIRE DRAWINGS 1950–1962
(WARHOL, ANDY). Taschen, I00210105, 2021. 13 x 11 in., 392 pages. Hardbound. New/No Jacket - As Issued.
Well before Andy Warhol’s rise to the pinnacle of Pop Art, he created and exhibited seductive drawings celebrating male beauty. Andy Warhol Love, Sex, & Desire: Drawings 1950-1962 features over three hundred drawings rendered primarily in ink on paper portraying young men, many of them nude, some sexually charged, and occasionally adorned with whimsical black hearts and delightful embellishments. They lounge or preen, proud of or even bored by their beauty, while the artist sketches them, rapt. They rarely engage with their keen observer, and likewise Warhol’s focus is on their form, their erotic qualities, and unbridled sexuality. If his subjects are content to revel in their attractiveness, so too is Warhol. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist.
Warhol was already a booming commercial illustrator when he exhibited studies from this body of work at the Bodley Gallery on New York’s Upper East Side in 1956.He mistakenly saw these illustrations as his way of breaking into the New York art scene, underestimating the pervading homophobia of the time. While he never saw through his plan to publish the drawings as a monograph, he did produce more than a thousand elegant, seemingly effortless drawings from life. This volume finally brings his project to fruition by gathering his most striking images, published here for the first time in a comprehensive book and chosen by the Andy Warhol Foundation for the Visual Arts. Edited and featuring an introduction by the Foundation’s Michael Dayton Hermann, and essays by Warhol biographer Blake Gopnik and art critic Drew Zeiba. The inclusion of poems by James Baldwin, Thom Gunn, Harold Norse, Essex Hemphill and Allen Ginsberg create moments of introspection, which expand on the themes and moods present in the drawings.
In style, the drawings evoke the sketches of Jean Cocteau and even Matisse: highly distilled and sure of line, yet loose. The sly voyeurism, meanwhile, is entirely Warhol’s own, and even the most risqué drawings contain a kind of droll humor—a sense of ironic detachment—that would become a Warhol trademark. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist. 9783836574471 Inventory Number: I00210105 -
THE ROLLING STONES: UPDATED EDITION
(STONES, THE ROLLING) edited by Reuel Golden. Taschen, I00210102, 2020. 12 x 12 in., 466 pages. Hardbound. New.
Produced in collaboration with the band, who gave unprecedented access to their archives in London and New York, this is a book to get you infinite satisfaction. More than 450 richly illustrated pages chart the remarkable scope of the Stones’ almost 60-year history and mesmerizing on- and off-stage presence—featuring the work of legendary photographers David Bailey, Herb Ritts, Peter Beard, Andy Warhol, David LaChapelle, Albert Watson, Annie Leibovitz, Ethan Russell, Gered Mankowitz, Cecil Beaton, Anton Corbijn, and many more.
The kind of fame and success The Rolling Stones have achieved in their almost 60-year career is without parallel; their most famous riffs and catchiest lyrics are indelibly engraved in our collective memory. With their mesmerizing on- and off-stage presence, the Stones set the standard for how a rock band should sound, pose, pout, and behave. They were the first to instinctively understand that what you looked like was as important as the music, and that photography had a vital role in promoting that image. “The clothes and the hair are always impeccable,” describes author Luc Sante. “They were playing themselves, but with such consistent finesse you knew they were instinctively aware of the camera and how good they will look in the photos.” Unsurprisingly many of the greatest photographers in the history of the medium wanted to take their picture.
Produced in close collaboration with the band, this updated edition charts the Stones’ remarkable history and outrageously cool lifestyle in over 450 pages of photographs and illustrations, gathered from archives all over the world. Unprecedented access to the Rolling Stones’ own archives in New York and London adds an equally extraordinary, more private side to their story. For Mick, Keith, Charlie, and Ronnie this is their official photographic record. 9783836582087 Inventory Number: I00210102 -
AFRICOBRA: Messages to the People
Edited by Jeffreen Hayes. Foreword by Chana Sheldon. Text by Leslie Guy. Gregory Miller/Museum of Contemporary Art, North Miami, I00201231. 9 x 11 in., 176 pages. Hardbound. New/No Jacket - As Issued.
A major publication about the revolutionary art collective that defined a new Black aesthetic in late 1960s Chicago and whose influence today is stronger than ever
AfriCOBRA (African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a group of five young Black artists. Today, it is one of the oldest continuously active American art collectives. The pronunciation—Af-FREE-co-bruh—emphasizes the second syllable, signaling the group’s central principle grounded in Black liberation: creative expression reflecting the Black experience and Black influences.
AfriCOBRA’s founding artists—Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu and Gerald Williams—differed in disciplines and artistic vocabularies but were brought together by the common aspiration to create work that speaks directly to Black people utilizing an identifiably Black aesthetic. This publication celebrates the fifty-year anniversary of AfriCOBRA’s founding and marks the collective’s powerful relevance today. AfriCOBRA: Messages to the People documents two exhibitions curated by Jeffreen M. Hayes, PhD: one at the Museum of Contemporary Art, North Miami, and another as an official collateral event of the 58th Venice Biennale. It features more than 80 works by the original members as well as those by Sherman Beck, Napoleon Jones-Henderson, Omar Lama, Carolyn Mims Lawrence and Nelson Stevens.
More than a historical overview of AfriCOBRA, this book is a response to the artists’ continuing contributions and influence, connecting their works to the contemporary moment through essays, archival photographs and ephemera, exhibition views, and contemporary photographs that celebrate the impact of this revolutionary art collective. As their name states, the artists and artworks of AfriCOBRA were as relevant in 1968 as they are today in the continued struggle for Black liberation. 9781941366301 Inventory Number: I00201231 -
HARVEY STEIN: THEN AND THERE - MARDI GRAS 1979 (SIGNED)
(STEIN, HARVEY). Zatara Press, I00201226, 2020. 7 x 9 in., 88 pages. Hardbound. New/No Jacket - As Issued.
In Then and There, the well-known photographer Harvey Stein documents a crucial aspect of public behavior at the 1979 New Orleans Mardi Gras. Shooting with an instant SX-70 Polaroid camera, the process allowed Stein to directly interact with his subjects, who perform, observe, and even share in the photographic process. The 47 portraits are made just feet away from each person, mostly at dusk, sharply revealed by the light of the camera’s flash bar. His subjects creatively present themselves in diverse colorful masks, makeup, and revelry. Each portrait is a glimpse into a layered and hidden personal identity made possible by the collaborative choices of the photographer and the subjects acting in front of the camera. The raw excitement of Mardi Gras flows through each portrait with the people physically filling the entire frame of the Polaroid as if the print itself were a stage just for them. Mardi Gras allows both the subject and the photographer a moment of freedom to observe a transformation into another reality of being. Stein investigates these many themes throughout the book, and captures those flamboyant moments of lightning in a bottle with each Polaroid. 9781733840613 Inventory Number: I00201226 -
TEENAGE STYLES AND TRENDS 1967–71: A RETROSPECT
(BERRY, BURTON YOST) . Grafisches Centrum Cuno GmbH & Co., 2020. 9 x 12 in., 78 pages. Hardbound. New. Privately printed in a limited edition of 300 copies in Switzerland, the photo book “Teenage Styles and Trends 1967–71: A Retrospect” by American diplomat and art collector Burton Yost Berry (1901-1985) drew little attention back in 1972. Close to 50 years later, though, it is a sought-after icon of early street photography, rare and expensive, not at last due to its being featured in Parr’s & Badger’s “The Photobook: A History, Volume III.” A new reprint makes this gem of a photobook available again. Grafisches Centrum Cuno in Calbe/Germany digitized the original book, retouched it with an eye for detail, and printed it using latest Ultra HD technology – achieving brilliant images thanks to intelligent dot positioning and modulation. In terms of printing quality, the reprint may easily surpass the original of 1972. The English text remains untouched except for corrections of some smaller typos. Printed on Profisilk paper, coated, 170 g/qm, which slightly stronger grammage prevents images from showing through. The reprint’s dust jacket has a poster printed on the inside and the book has been printed in a limited edition of 500 copies. 9783935971980 Inventory Number: I00201221
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BARBARA KASTEN: WORKS
(KASTEN, BARBARA) Text by Carol S. Eliel, Elena Engelbrechter, Anette Hüsch, Alex Klein, Magdalena Kröner. Interview by Andreas Beitin. Koenig Books, I00201208, 2020. 10 x 13 in., 252 pages. Hardbound. New.
Over the past five decades, the American artist Barbara Kasten has created an impressive multimedia oeuvre, centred around her compelling photographs. Her works can be found in some of the most important museum collections worldwide (including The Museum of Modern Art, New York, Tate Modern, London, and Centre Pompidou, Paris).
This bilingual publication produced in close collaboration with the artist, presents a comprehensive overview of her oeuvre on more than 250 pages with numerous large-format illustrations – from early sculptures and photograms to her usually colourful, concrete photographs and the most recent video installations. 9783960987741 Inventory Number: I00201208 -
ALL-AMERICAN XX: COMING HOME
(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1500. 4to. Pictorial Paperback. Photography Monograph. As new./No Jacket - As Issued.
To everything, there is a season: a time to remain in place, a time for racial reckoning. A time of conflagration, a time for healing. A time of contagion, a time for hope. Quite a year for this twentieth edition of Bruce Weber’s All-American journal. But if the past two decades have illuminated anything, it’s that the promise of this country—and a journal dedicated to its eclectic tapestry—lies in its struggle and striving.
All-American Volume XX: Coming Home finds Bruce Weber doing what many did as the pandemic kept us home: reflecting on those beliefs and ideals held most dear. While it continues to ask big questions of America, Coming Home is in many ways the most personal edition in this series, celebrating important relationships that have guided Weber’s artistic journey. There’s his long-time collaboration with the model and artist Juan Heredia, who Weber has photographed for over 15 years—and a wide-ranging tribute to Donald Sterzin, the art director whose work help shaped Weber’s early career. Family ties continue to be a central concern, considered this year through an intimate portrait of Martina Navratilova and her wife Julia Lemigova at home with their daughters—and the dramatic story of Miguel Chavez, a DACA immigrant from Peru trying to realize his American dreams. A portfolio of Black Lives Matter protest photos paired with Civil Rights era images starkly highlights our perpetual quest for racial justice, with the educator and activist Jane Elliott offering discomforting insights from her home in Osage, IA. And to remind readers of adventures beyond the horizon when travel becomes possible again, Volume XX presents an in-depth consideration of Eliot Elisofon, a lesser-known but astonishingly prolific LIFE photographer who made the world his home. All-American Volume XX: Coming Home also includes texts by Yousuf Karsh, E.B. White and Alfred Stieglitz. 9780970574589 Inventory Number: I00201202 -
CALIFORNIA LOVE: A VISUAL MIXTAPE
(RABABY, MICHAEL). Cali Editions, I00201201, 2020. 10 x 10 in., 320 pages. Hardbound. New/No Jacket - As Issued.
Curated by Michael Rababy this book features the work of 110 photographers from all over California – celebrating what makes our diverse, inclusive, forward-thinking state so great. This is Rababy’s visual mixtape, featuring the greatest hits of friends’ and colleagues’ work that I’ve enjoyed through my years as a curator. I hope to share the excitement I have for great images the way I’ve shared my favorite rare grooves, B-sides, and bootleg recordings over my lifetime. All proceeds from sales of this book benefit the Los Angeles Center of Photography (LACP) 9780578763859 Inventory Number: I00201201 -
DESIGN COMMUNE
(COMMUNE) Roman Alonso and Steven Johanknecht. ABRAMS, I00201106, 2020. 8.5 x 11, 288 pages. Hardbound. New/No Jacket - As Issued.
A journey through the acclaimed design studio’s effortless California aesthetic, ethos, and lifestyle
Design Commune reveals the evolution story of an acclaimed design studio rooted firmly in the California aesthetic, ethos, and lifestyle. Truly multidisciplinary in practice, Commune has, since its inception in 2004, tackled all areas of design. The work featured in this second book highlights all disciplines that Commune engages in, including interior design projects for private and commercial spaces, artist collaborations, product designs, packaging, and graphics. Its projects share many common threads, such as the influence of handcrafted materials, but each remains deeply personal and unique. 9781419747748 Inventory Number: I00201106 -
HOLLYWOOD ARENSBERG: AVANT-GARDE COLLECTING IN MIDCENTURY L.A.
(NELSON, MARK) Texts by William H. Sherman, and Ellen Hoobler. Getty Publications, I00201103, 2020. 9 x 11 in., 448 pages. Hardbound. New/No Jacket - As Issued.
This comprehensive reconstruction and interpretation of Louise and Walter Arensberg’s groundbreaking collection of modern and pre-Columbian art takes readers room by room, wall by wall, object by object through the couple’s Los Angeles home in which their collection was displayed.
Following the Armory Show of 1913, Louise and Walter Arensberg began assembling one of the most important private collections of art in the United States, as well as the world’s largest private library of works by and about the philosopher Sir Francis Bacon. By the time Louise and Walter died—in 1953 and 1954, respectively—they had acquired some four thousand rare books and manuscripts and nearly one thousand works of art, including world-class specimens of Cubism, Surrealism, and Primitivism, the bulk of Marcel Duchamp’s oeuvre, and hundreds of pre-Columbian objects. These exceptional works filled nearly all available space in every room of their house—including the bathrooms.
The Arensbergs have long had a central role in the histories of Modernism and collecting, but images of their collection in situ have never been assembled or examined comprehensively until now. Presenting new research on how the Arensbergs acquired pre-Columbian art and featuring never-before-seen images, Hollywood Arensberg demonstrates the value of seeing the Arensbergs’ collection as part of a single vision, framed by a unique domestic space at the heart of Hollywood’s burgeoning artistic scene. 9781606066669 Inventory Number: I00201103 -
QUEEN: THE NEAL PRESTON PHOTOGRAPHS
(PRESTON, NEAL). Reel Art Press, I00201031, 2020. 10 x 12 in., 304 pages. Hardbound. New/No Jacket - As Issued.
The official book on Queen, one of the greatest ever rock bands, photographed by one of the greatest ever rock photographers―with text by Brian May and Roger Taylor and intimate accounts from Neal Preston revealing the stories behind the pictures
Neal Preston is one of the most prolific and highly regarded rock photographers of all time. He began working with Queen in the mid 1970s as their tour photographer. He was present on the legendary South America tour in 1981, Live Aid in 1985, and the band’s last tour with Freddie Mercury in 1986, among others. Brian May has commented, “Neal just has the knack, the skill, to always be in the right place at the right time.”
This official book, produced in collaboration with the band, features over 200 images and is an exhilarating ride through their years on the road together. It is the first time Preston and Queen have collated this work in one volume: glimpses of life backstage, live performances, post-performance highs and lows, and outtakes―many of which have never been seen before―are accompanied by memories and anecdotes from Preston with forewords by Queen guitarist Brian May and drummer Roger Taylor. The pages vibrate with a palpable energy. 9781909526716 Inventory Number: I00201031 -
MATTHEW WONG: POSTCARDS
(WONG, MATTHEW) Text by Winnie Wong. Poem by Henri Cole. KARMA, I00201027, 2020. 8 x 10 in., 52 pages. Hardbound. New/No Jacket - As Issued.
An intimate clothbound volume compiling the exquisite postcard paintings of Matthew Wong
This fully illustrated volume collects Matthew Wong’s small-scale postcard paintings made during the last year of his life in 2019. As Winnie Wong writes in her newly commissioned essay for the book, “Art critics have observed that Matthew Wong's landscapes are ‘uncannily familiar,’ and they do prompt viewers to search our own memories, but he almost never titled them as places. Instead, he consistently named them as moments in time: midnight, 5:00am, dawn, daybreak, 12:30am, Autumn, Winter, the first snow, the gloaming, the moon rise … For the postcard is a genre that seems to consciously elude a sense of stable locus, yet marks the times of our lives when we tried to grasp it. Matthew Wong painted at home, on the road, and in the studio. He spoke of the compulsion to finish each of his paintings in a single sitting, and talked of them always as process, rather than subject matter. Standing before paintings he finished years ago, he could recall every stroke and mark as if he had placed them just moments before.” 9781949172508 Inventory Number: I00201027 -
GREGORY HALPERN: LET THE SUN BEHEADED BE
(HALPERN, GREGORY) Text by Clément Chéroux. Interviewer Stanley Wolukau-Wanambwa. Aperture and Fondation d’entreprise Hermès, I00201024, 2020. 8.5 x 11 in., 120 pages. Hardbound. New.
In Let the Sun Beheaded Be, photographer Gregory Halpern focuses on the French Caribbean archipelago of Guadeloupe, a French overseas region with a complicated and violent colonial history.
Renowned for his photographic meditations on place, Halpern presents a compelling portrait of Guadeloupe and its inhabits, focusing on local histories and experiences. Let the Sun Beheaded Be commingles life and death, nature and culture, and beauty and decay in enigmatic color images of the archipelago’s residents and lush landscape, as well as monuments related to the brutality of its past.
The project is part of Immersion, a program of the Fondation d’entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson. 9781597114905 Inventory Number: I00201024 -
BLACK MOON
(BURKE, TRICIA-NOËL). Self-Published, I00201023, 2020. 12 x 10 in., 110 pages. Hardbound. New/No Jacket - As Issued.
In the year 2020, we are bearing witness to over 40 million jobs lost. Over 100 thousands lives lost. A viral and racial pandemic across the globe. Far beneath the devastation lies a transformational future that could be unfolding faster than we think.
Since the age of ancient Native American tribes, each full moon was an opportunity to set intentions for the next cycle, establish fresh goals, or conduct rituals that wipe the slate clean. Much like the microevolutionary process of our lives, this magical ball of light piercing the night sky is a mother icon of constant change and cyclical patterns.
One of the most powerful celestial phenomenons is the rare Black Moon. A second new moon that occurs within one calendrical month. It is said that the Black Moon amplifies a cleansing energy, dragging our deepest strengths and desires to the forefront, uninhibited. Just like the dark side of the moon, there is a side to each of us that we don’t reveal to others.
Mirroring a lunar experience in contemporary dance form, this book is a collection of inspirational messages and some of the most vulnerable stories revealed by women from around the world.
2020. This is Black Moon. 9780578562230 Inventory Number: I00201023 -
ANGELA DAVIS: SEIZE THE TIME
(DAVIS, ANGELA) Edited by Gerry Beegan and Donna Gustafson. HIRMER, I00201020, 2020. 8 x 10 in., 192 pages. Hardbound. New/No Jacket - As Issued.
Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic, and political policy. Beginning in 1970 with her arrest in connection with a courtroom shootout, then moving through her trial and acquittal, the book traces Davis’s life and work during the subsequent decades and her influential career as a public intellectual. Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism. 9783777435749 Inventory Number: I00201020 -
KIM GORDON: NO ICON
(GORDON, KIM) Foreward by Carrie Brownstein. Rizzoli, I00201016, 2020. 8 x 10 in., 272 pages. Hardbound. New/No Jacket - As Issued.
An edgy and evocative visual self-portrait by musician and artist Kim Gordon, indie-underground cultural icon and muse of style for four decades.
As cofounder of legendary rock band Sonic Youth, best-selling author, and celebrated artist, Kim Gordon is one of the most singular and influential figures of the modern era.
This personally curated scrapbook includes a foreword by Carrie Brownstein and is an edgy and evocative portrait of Gordon's life, art, and style. Spanning from her childhood on Californian surf beaches in the '60s and '70s to New York's downtown art and music scene in the '80s and '90s where Sonic Youth was born. Through unpublished personal photographs, magazine and newspaper clippings, fashion editorials, and advertising campaigns, interspersed with Gordon's song lyrics, writings, artworks, private objects, and ephemera, this book demonstrates how Kim Gordon has been a role model for generations of women and men. 9780847865819 Inventory Number: I00201016 -
SNACKY TUNES: MUSIC IS THE MAIN INGREDIENT, CHEFS AND THEIR MUSIC
(BRESNITZ, DARIN & GREG). Phaidon, I00201014, 2020. 9 x 6 in., 320 pages. New/No Jacket - As Issued.
The team behind the podcast presents a one-of-a-kind book exploring the influential relationship between chefs and music
This first-of-its-kind anthology of personal stories from over 75 of the world's most acclaimed chefs chronicles how music has been a constant force throughout their lives, helping to define themselves individually, opening gateways to understanding their cultures and igniting the creativity behind their work. Featuring all-new candid interviews, never-before-published recipes and custom playlists from each chef, this book provides readers with intimate insights and a wholly fresh perspective on some of today's top culinary minds. 9781838661366 Inventory Number: I00201014 -
WARD LONG: SUMMER SUBLET
(LONG, WARD). Deadbeat Club, I00201013, 2020. 8.5 x 11 in., 80 pages. Hardbound. New/No Jacket - As Issued.
Alice, Hannah, Sarah, Bianca, and Kate lived in the hundred-year-old house on Montgomery Street, near the art school and the women's college. They mixed teas and tinctures, dyed fabrics in the backyard, designed costumes for children’s plays, gave each other late-night tattoos, smithed jewelry, and stitched leather. They read tarot, talked aura, charted horoscopes, and parked their dirt bikes in the basement. They smoked on the porch in their underwear and wore whatever the fuck they wanted. It had been forty-four roommates since the old family had moved out.
Ward Long used to live alone. When he lost his lease at the start of summer, his friend Ara said there might be an open room on Montgomery Street for a few months. At first, he wondered why they let him live there. His new housemates had an everyday physical, emotional, and spiritual closeness; it was infectious.
He was infatuated with their friendships, in love with their strength and grace, enchanted with everything. The house was full of the mismatched belongings of so many long gone roommates, but eventually he fit in just fine. When nothing matches, everything belongs. Though intimate and private, Summer Sublet welcomes us to a space filled with kindness, humanity, ease, and self-possession. The clutter makes room for us too.
That December, Ara died with thirty-five others in the Ghost Ship warehouse fire. Ward writes that "She had given me such a tremendous gift. In the wake of her death, the home that we had created for each other seemed so much more precious and vulnerable. The house on Montgomery Street was a world of care, strength, and tenderness, and the pictures in Summer Sublet work to see that place clearly." 9780999829875 Inventory Number: I00201013 -
TO MAKE THEIR OWN WAY IN THE WORLD: THE ENDURING LEGACY OF THE ZEALY DAGUERREOTYPES
By Ilisa Barbash, Molly Rogers, and Deborah Willis. Foreword by Henry Louis Gates, Jr.. Contributions by Carrie Mae Weems. Aperture and Peabody Museum Press, I00201006, 2020. 9 x 7 in., 488 pages. Hardbound. New/No Jacket - As Issued.
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.
Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects.
With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. 9781597114783 Inventory Number: I00201006 -
PLANET WAX: SCI-FI/FANTASY SOUNDTRACKS ON VINYL
(LUPTON, AARON AND JEFF SZPIRGLAS). 1984 Publishing, I00200931. 8.5 x 11 in., 240 pages. Hardbound. New/No Jacket - As Issued.
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Do you crank up your stereo and conduct air symphonies to John Williams' Star Wars? Know all of the lyrics to "The NeverEnding Story" or "Xanadu?" Have a burgeoning collection of space disco albums? Well, pluck those Ceti Alpha eels out of your ears and open this book – we've got you covered.
From the orchestral bombast of Jerry Goldsmith's Star Trek: The Motion Picture score, to the muscle-flexing might of Basil Poledouris' Conan the Barbarian, to the dreamy electronic soundscapes of Vangelis' Blade Runner and the pop styling of the Flash Gordon soundtrack, science fiction and fantasy films have inspired some of the most beloved and memorable soundtracks in film history.
Planet Wax covers the best, as well as the most unique and underrated scores the sci-fi and fantasy genres have to offer, while showcasing their original vinyl LP artwork over 240 pages. Franchises like Mad Max, The Terminator, and even the Indiana Jones films are spotlighted, along with television classics such as Doctor Who and Star Trek, making Planet Wax the definitive discography of soundtracks from the films and shows of the '60s, '70s, '80s, and '90s that shaped multiple generations.
Featuring over twenty interviews, including composers Stu Phillips (Battlestar Galactica), Laurence Rosenthal (Clash of the Titans), and directors Richard Donner (Superman) and Nicholas Meyer (Star Trek II), Planet Wax chronicles an era in film and music when the sounds were given as much prominence as the interstellar imagery. 9781948221146 Inventory Number: I00200931 -
SWAMP MONSTERS: PHOTOGRAPHS FROM THE 2020 REPUBLICAN NATIONAL CONVENTION
(ZIMMERMANN, PHIL). The Ice Plant and Spaceheater Editions, I002009, 2020. 10 x 15 in., 56 pages. Tabloid folded in half and polybagged. New/No Jacket - As Issued.
SWAMP MONSTERS commemorates the historically frightful 2020 Republican National Convention with a series of photographs made by Tucson-based artist and publisher Phil Zimmermann as the spectacle unfolded on his television screen from August 24-27. This rogues’ gallery of hideous video portraits is printed in garish full color in an unbound tabloid newspaper format, and published in a limited edition of 666 copies. A portion of the proceeds will be donated to the Arizona Democratic Party. 9781636496696 Inventory Number: I00200929 -
PHILIP GUSTON: A LIFE SPENT PAINTING
(STORR, ROBERT). Laurence King, I00200926, 2020. 13 x 12 in., 348 pages. Hardbound. New.
Philip Guston: A Life Spent Painting is an authoritative and comprehensive survey of the life and work of the visionary and influential painter Philip Guston.
Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and the Abstract Expressionist works of the 1950s and early 1960s to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston’s entire career in one definitive volume, providing a substantial, accessible, and revealing analysis of his work.
With more than 900 images, the book illustrates Guston’s key works, many unpublished paintings and drawings, and photographs showing the artist’s life at home, his work in the studio, and his relationship with fellow artists. An illustrated chronology, drawn from the Guston Foundation’s archives, contextualizes Guston’s life and provides in-depth coverage of his many exhibitions.
Guston was also able to speak about art with unrivalled passion and fluency. In celebration of this, the book features a final section devoted to Guston’s own thoughts on his drawing and one of his great heroes—Piero della Francesca. 9781786274168 Inventory Number: I00200926 -
SKATE LIKE A GIRL
(AMELL, CAROLINA) . Prestel, I00200924, 2020. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.
In ever-increasing numbers, girls and women are gathering at skate parks and competing in skateboarding events on nearly every continent. In stunning photographs of remarkable female skaters in action, this book celebrates the incredible range of styles, ethnicities, and ages that make up a rapidly growing community.
Skate Like a Girl features professional skaters, pioneers and newcomers, skate photographers and filmmakers, downhill skateboarders, longboarders, and gold medalists. You’ll meet skaters who are moms, models, artists, and engineers. What they all have in common is that skating is their way of life. Hailing from all over the world, each woman is profiled in her own words of wisdom about going after her dreams, falling hard, and getting right back up. Filled with empowering images and inspiring words, this book will encourage girls and women of every age to get on a board and shred! 9783791387079 Inventory Number: I00200924 -
KAWS: HE EATS ALONE
(KAWS). Silvana Editoriale/Qatar Museums, I00200919, 2020. 8 x 10 in., 322 pages. Hardbound. New.
A clothbound collection of KAWS’ instantly recognizable riffs on pop culture, featuring bold graphics and a familiar cast of characters
Few artists have managed to bridge the gap between high and low culture as seamlessly as KAWS has since his career took off in the 1990s: his iconic cartoon-inspired designs have graced fashion collections, vinyl figurines, and skateboards as well as canvases sold for millions of dollars. Frequently portraying familiar figures such as Mickey Mouse and Spongebob Squarepants with cauliflower ears and X’ed-out eyes, KAWS employs a sophisticated dark humor throughout his work, exploring the relationship between art and consumerism.
This publication documents the artist’s first exhibit in the Middle East, with more than 40 key pieces in sculpture and painting from the last two decades. The exhibit in Doha, Qatar, and its accompanying catalog also feature a number of KAWS’ commercial collaborations alongside his 5-meter-tall sculpture Companion (Passing Through) and his inflatable 40-meter-tall piece Holiday. Bound in cloth, this volume is a gorgeous collection of KAWS’ most exciting work. 9788836645602 Inventory Number: I00200919 -
LUIGI GHIRRI: CARDBOARD LANDSCAPES (PAESAGGI DI CARTONE).
(GHIRRI, LUIGI) Introduction by Sarah Hermanson Meister. The Museum Of Modern Art, New York, I00200917, 2020. 9.5 x 9.5 in., 112 pages. Hardbound. New/No Jacket - As Issued.
A handsome facsimile of conceptualist Luigi Ghirri’s poetic narrative of 1970s pop culture
Italian photographer Luigi Ghirri (1943–92) made Cardboard Landscapes (Paesaggi di cartone) during his travels around Europe, coining the term “sentimental geography” to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic color prints pasted onto the pages of a blank book, and was gifted by Ghirri to John Szarkowski, then the Director of the Department of Photography at the Museum of Modern Art, in the 1970s.
A singular work of art, Cardboard Landscapes is now being published for the first time. The collection is an anomaly within Ghirri’s overall oeuvre, as it prioritizes complex composition rather than the sweeping tableaux for which he is best known. In this series of works, he regards the printed image as the subject, framing a kaleidoscope of photographs and advertisements to tell a poetic visual narrative that reflects at once regional, personal and popular culture, revealing a fascinating impulse to investigate his role within his own medium. 9781633451025 Inventory Number: I00200917 -
YOU NEXT: REFLECTIONS IN BLACK BARBERSHOPS
(JOHNSON, ANTONIO M.) . Lawrence Hill Books, I00200916, 2020. 9 x 9 in., 240 pages. Hardbound. New.
An intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness
There's something about a fresh haircut that can change a Black man's outlook on the world, change his outlook on himself. The experience extends beyond just the cut but to the environment of the barber shop. Grow-ing up, getting a hair cut was a weekly event Antonio M. Johnson looked forward to more than anything. His uncle Jason was a barber and embodied everything cool. There in that tilted chair, under the hand of his uncle, surrounded by members of his community and totems of a shared experience, Johnson felt safe—felt like anything was possible. Over the years, he came to understand that barber shops are more than places simply to get a cut. They are about the only spaces in Ameri-can life created where Black men can speak and receive feedback about who we are, who we want to be, and what we believe to be true about the world around us. The interpretation of the barber shop as community center falls short of capturing what they really are for so many Black men: sanctuaries in a hostile land. You Next is an intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness in major US cities—Gary, Indi-ana; Washington DC; New York City; Oakland; Atlanta; Los Angeles; Detroit; New Orleans; Montgomery; Memphis, and Johnson's home-town of Philadelphia. These photos, interviews, and essays tell the full story of the Black barber shop in America. "You next" is what a barber says to customers to communicate that they're on deck for a haircut; it's the question between customers to determine where they are in line. Thus, it is an invitation, an invocation, an affirmation. Because after waiting your turn in a barber shop, sharing, laughing, debating, those magic words signify you are about to be transformed. 9781641602853 Inventory Number: I00200916 -
ANTON CORBJIN: MOOD/MODE
(CORBIJN, ANTON) With an essay by Karen Van Godtsenhoven, associate curator of The Costume Institute of the Metropolitan Museum of Art, New York. Hannibal, I00200910, 2020. 13 x 11 in., 240 pages. Hardbound. New/No Jacket - As Issued.
In MOOD/MODE, leading international photographer and filmmaker Anton Corbijn presents images from his extensive body of work in which he explores the crossover between photography and the world of fashion - in the broadest sense of the word.
Corbijn's portraits of figures such as Alexander McQueen, Tom Waits and Naomi Campbell have now achieved iconic status. As visual director behind Depeche Mode and through his decades-long collaboration with U2 and others, he has made his mark on the way we look at an important aspect of contemporary culture.
With MOOD/MODE, Anton Corbijn shows that fashion is everywhere. The book contains some 150 photographs, many of them published for the first time, and its world première was in Knokke-Heist, summer 2020. 9789463887373 Inventory Number: I00200910 -
TAROT
Edited by Jessica Hundley with texts by Johannes Fiebig and Marcella Kroll. Taschen, I00200909, 2020. 7 x 9 in., 520 pages. Hardbound. New/No Jacket - As Issued.
Trace the hidden history of Tarot in the first volume from TASCHEN’s Library of Esoterica, a series documenting the creative ways we strive to connect to the divine. Artfully arranged according to the sequencing of the Major and Minor Arcana, this visual compendium gathers more than 500 cards and works of original art from around the world in the ultimate exploration of a centuries-old art form.
To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story.
For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium.
Author Jessica Hundley traces this fascinating history in Tarot, the debut volume in TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind more than 500 cards and works of original art, two thirds of which have never been published outside of the decks themselves. It's the first ever visual compendium of its kind, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of nearly 100 diverse contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward. Rounding out the volume are excerpts from thinkers such as Éliphas Lévi, Carl Jung, and Joseph Campbell; a foreword by artist Penny Slinger; a guide to reading the cards by Johannes Fiebig; and an essay on oracle decks by Marcella Kroll. 9783836579872 Inventory Number: I00200909 -
ORHAN PAMUK: ORANGE
(PAMUK, ORHAN). Steidl, I00200908, 2020. 7 x 10 in., 184 pages. Hardbound. New/No Jacket - As Issued.
The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition
The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood—from the Istanbul of 50 years ago, as he mentions in his introduction.
But Pamuk also observes that the homely, cosy orange light is slowly being replaced by a new, bright and icy white light from new lightbulbs. His photographs from the backstreets of Istanbul record and preserve the cosy effect of this old, disappearing orange light, as well as the recognition of this new white vision.
Whether reflected in well-trodden snow, concentrated as a glaring ball atop a lamppost or subtly present as a diffuse haze, orange literally and aesthetically gives shape to Pamuk's pictures, which reveal to us the unseen corners of his home city. 9783958296534 Inventory Number: I00200908 -
LISA YUSKAVAGE: WILDERNESS
(YUSKAVAGE, LISA) Text by Christopher Bedford, Helen Molesworth, Heidi Zuckerman. Interview by Mary Weatherford.. Gregory R. Miller & Co., I00200905, 2020. 11 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.
A new focus on the sublime landscapes in Lisa Yuskavage’s voluptuous figure paintings
Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage’s work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings.
Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage’s paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford. 9781941366271 Inventory Number: I00200905 -
YOUNG, GIFTED AND BLACK: A NEW GENERATION OF ARTISTS
Edited with essay by Antwaun Sargent. Text by Graham C. Boettcher, Jessica Bell Brown, Connie H. Choi, Anthony Graham, Lauren Haynes, Jamillah James, Thomas J. Lax, Hallie Ringle, Adeze Wilford, Gordon Dearborn Wilkins, Matt Wycoff. Interview with Bernard Lumpkin by Thelma Golden. D.A.P., I00200904, 2020. 10 x 11 in., 256 pages. Hardbound. New/No Jacket - As Issued.
What’s new, now and next from contemporary Black artists
This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.
Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.
Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art.
Artists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more. 9781942884590 Inventory Number: I00200904 -
DEBI CORNWALL: NECESSARY FICTIONS
(CORNWALL, DEBI) Text by Sarah Sentilles, Makeda Best, Nomi Stone, Roy Scranton. Radius Books, I00200903, 2020. 8 x 11in., 172 pages. Hardbound. New/No Jacket - As Issued.
From the author of Welcome to Camp America, an eerie exploration of America’s performance of power and identity in the post-9/11 era
What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictions documents mock-village landscapes in the fictional country of “Atropia” and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios.
Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in “moulage”—fake wounds—as they prepare to deploy.
Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality—the artifice of war—presented in the book with a variety of texts to provoke critical inquiry about America’s fantasy industrial complex. The book includes an essay by PEN Award–winning critical theorist Sarah Sentilles. 9781942185697 Inventory Number: I00200903 -
LINA BO BARDI: HABITAT
(BO BARDI, LINA) By José Esparza Chong Cuy, with contributions by Thomas Toledo, Adriano Pedrosa and Julieta Gonzalez. Prestel/MASP/Museo Jumex/Museum of Contemporary Art Chicago, I00200828, 2020. 8 x 11 in., 352 pages. New.
From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi’s multidisciplinary work is showcased in this richly illustrated book.
Lina Bo Bardi is regarded as one of the most important architects in Brazil’s history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed “Casa de Vidro” (“Glass House”), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de São Paulo (São Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi’s overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi’s life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator’s projects. 9783791359649 Inventory Number: I00200828 -
INTERIORITIES: NJIDEKA AKUNYILI CROSBY, LEONOR ANTUNES, HENRIKE NAUMANN, ADRIANA VAREJÃO
Edited by Anna Schneider, with contributions by Briony Fer, Marietta Kesting, Ugochukwu-Smooth C. Nzewi and Lilia Moritz Schwarcz. Prestel, I00200827, 2020. 9 x 11 in., 176 pages. New/No Jacket - As Issued.
An international coterie of contemporary female artists give form to the political and aesthetic facets of our interior lives.
The artists featured in this book proffer a radical and innovative formal language that positions interiority as both political and aesthetic. The work of Njideka Akunyili Crosby comprises vibrantly patterned paintings on paper that negotiate the complex cultural terrain of a life formed between two worlds: her adopted home in America and her native Nigeria. Inspired by photography, fashion, architecture, and design, as well as her own family history, Akunyili Crosby’s works often feature domestic spaces that function as physical, conceptual, and emotional points of arrival and departure. Conversely, the Portuguese sculptor Leonor Antunes focuses on migration and the transformation of form and ideas beyond temporal and geographical spaces. The starting point for her elegant site-specific sculptures is the exploration of art, design, and architectural history. Adriana Varejão addresses the colonial history of Brazil in her visceral sculptures and paintings. She often deploys the motif of the wall, the boundary between inside and outside, in her work. The omnipresence of the past also colors the work of trained stage designer Henrike Naumann, whose immersive installations engage with the history of East-West German relations, as well as contemporary instances of right-wing ideology. Naumann explores the mechanisms of radicalization and explores how they manifest themselves in space. 9783791359557 Inventory Number: I00200827 -
HILMA AF KLINT: ARTIST, RESEARCHER, MEDIUM
(KLINT, HILMA AF) Text by Ernst Peter Fischer, Ylva Hillström, Milena Hoegsberg, Anne Sophie Joergensen, Caroline Levander, Hedvig Martin, Iris Müller-Westermann, Tim Rudboeg. Hatje Cantz/Moderna Museet, I00200825, 2020. 11 x 9 in., 280 pages. New/No Jacket - As Issued.
With new scholarship, this volume casts af Klint as a pioneering cosmonaut of inner space
For decades a relatively unknown artist, Hilma af Klint has posthumously claimed her rightful place in art history recently but dramatically: her 2019 exhibition at the Guggenheim Museum was seen by more than half a million visitors. In 2013, curator Iris Muller-Westermann organized the first retrospective exhibition of af Klint’s work. Now she presents us with an extensive survey show, curated with Milena Høgsberg, at the Moderna Museet in Malmö, which this volume accompanies, supplementing reproductions with the latest information and research on af Klint.
Hilma af Klint: Artist, Researcher, Medium investigates, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by art historians, a quantum physicist, a spiritual teacher and an historian of theosophy and esotericism, among others, provide insights into a world beyond the visible which fascinates us now even more than ever. 9783775747400 Inventory Number: I00200825 -
HOLDING THE CAMERA
Edited by Alberto Vieceli. Text by Nadine Olonetzky. Spector Books, I00200820, 2020. 8 x 11 in., 304 pages. New/No Jacket - As Issued.
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device
Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective.
Holding the Camera shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now. 9783959053495 Inventory Number: I00200820 -
CONGO AS FICTION: ART WORLDS BETWEEN PAST AND PRESENT
Edited by Nanina Guyer and Michaela Oberhofer. Museum Rietberg, I00200813, 2020. 9 x 11 in., 328 pages. Hardbound. New/No Jacket - As Issued.
There is no single voice of the Democratic Republic of Congo but a multitude of diverse cultures and voices, contributing to a vibrant art scene that attracts interest from around the world. Nowhere in Africa is there an art scene more varied in form, media, and material.
Published to accompany an exhibition at Museum Rietberg in Zurich, Congo as Fiction: Art Worlds between Past and Present juxtaposes objects collected and photographs by the German anthropologist Hans Himmelheber during his journey to the Congo from 1938 to 1939 with works by contemporary Congolese artists and essays that investigate the fictions of Congo in both African and Western imaginations. The colorful masks and richly decorated everyday objects collected by Himmelheber reflect the extraordinary creativity and innovativeness of Congolese artists of the period but also the collector’s own idea of Congo. The book links the past with contemporary artistic production, showing how for many years Congolese artists like Sammy Baloji and Sinzo Aanza have been exploring in their work the effects of colonialism and globalized trade. 9783858818355 Inventory Number: I00200813 -
ELECTRONIC: FROM KRAFTWERK TO THE CHEMICAL BROTHERS
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. The Design Museum, I00200812, 2020. 9 x 6 in., 192 pages. Hardbound. New.
The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal
With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.
Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project.
Edited by Jean-Yves Leloup, Gemma Curtin, Maria McLintock. Introduction by Jean-Yves Leloup. Foreword by Tim Marlow. Interviews with Yuri Suzuki, Jeff Mills, James Hyman, Adrian Shaughnessy, Ian Anderson, Patrick Thévenin, Kiddy Smile. 9781872005492 Inventory Number: I00200812 -
NOAH DAVIS
(DAVIS, NOAH) Edited with text by Helen Molesworth. Interviews with Lindsay Charlwood, Dagny Corcoran, Daniel DeSure, Thomas Houseago, Deana Lawson, Henry Taylor, and Venus X by Helen Molesworth. David Zwirner Books, I00200811, 2020. 10 x 12 in., 176 pages. Hardbound. New/No Jacket - As Issued.
Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators.
Despite his exceedingly premature death at the age of 32, Noah Davis created emotionally charged work that places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, Mark Rothko, and Luc Tuymans.
This catalogue is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, curator Helen Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist. 9781644230374 Inventory Number: I00200811 -
HELEN LEVITT: A WAY OF SEEING
(LEVITT, HELEN) Text by James Agee. Walther König/Film Documents LLC, I00200806, 2020. 9 x 8 in., 120 pages. New.
The ultimate edition of Helen Levitt’s classic of New York City street photography, with new high-quality reproductions
Ever since it was first published in 1965, Helen Levitt’s collection of photographs taken on the streets of 1940s New York City has been revered as a classic of its genre. Made in collaboration with writer James Agee, who provided the book’s introduction, A Way of Seeing was published twice more with modifications during Levitt’s lifetime. This volume seeks to provide a definitive edition of the book with oversight from Levitt’s former assistant Marvin Hoshino, who has taken pains to include the best available prints and negatives of Levitt’s images.
Returned to its original compact size, this edition contains all 50 original photographs in addition to several other images meant to represent Levitt’s later understanding of herself as an artist and visual storyteller. Levitt’s photography has stood the test of time and now provides compelling insight into the daily lives of New York’s youngest denizens long after they have grown up. 9781733601801 Inventory Number: I00200806 -
SEAN SCULLY: THE SHAPE OF IDEAS
(SCULLY, SEAN) With texts by Timothy Rub and Amanda Sroka. Yale University Press/Philadelphia Museum of Art, I00200805, 2020. 10 x 12 in., 256 pages. Hardbound. New/No Jacket - As Issued.
An extraordinary retrospective of one of the leading abstract painters of our time, surveying the artist’s career from the early 1970s to the present
In a sustained exploration of the possibilities of abstraction, Sean Scully (b. 1945) has created a rich body of work throughout his 50-year career. Sean Scully: The Shape of Ideas sets his entire output within a detailed biographical framework, closely examining the relationship between the artist’s paintings and his lesser-known drawings, pastels, watercolors, and prints—areas of Scully’s production that are rarely considered together. At the heart of the book is an investigation of the development and reception of Scully’s work based on historical and contemporary reviews as well as extensive interviews with the artist. Featured contributions include a preface by Marla Price, author of Scully’s multivolume catalogue raisonné, and an essay by the poet and art critic Kelly Grovier on the unique contribution Scully has made to the history of abstraction. Published to coincide with the artist’s touring retrospective exhibition, this publication presents sumptuous illustrations and detailed accounts of his most significant bodies of work, offering new insight into his practice. It is an indispensable resource to understanding Scully’s wide-ranging oeuvre and his influential place in contemporary art history. 9780876332955 Inventory Number: I00200805 -
SAMUEL FOSSO: AUTOPORTRAIT
(FOSSO, SAMUEL) Edited with text and interview by Okwui Enwezor. Foreword by Artur Walther, Jean-Marc Patras. Text by Quentin Bajac, Yves Chatap, Elvira Dyangani Ose, Chika Okeke-Agulu, Oluremi C. Onabanjo, Terry Smith, Claire Staebler, James Thomas. Steidl/The Walther Collection, I00200731, 2020. 10 x 11 in, 188 pages. New.
Autoportrait is the first comprehensive survey of the multifaceted oeuvre of Nigerian photographer Samuel Fosso (born 1962). Since the mid-1970s, Fosso has focused on self-portraiture and performance, envisioning variations of identity in the postcolonial era. From Fosso’s early black-and-white self-portraits from the 1970s to his recent exercises in self-presentation, highlights include the vibrant series Tati (1997), in which he playfully inhabits African and African American characters and archetypes; and the magisterial portraits of African Spirits (2008), where he poses as icons of the pan-African liberation and Civil Rights movements, such as Angela Davis, Martin Luther King, Jr., Patrice Lumumba and Nelson Mandela.
This landmark monograph demonstrates Fosso’s unique departure from the traditions of West African studio photography, established in the 1950s and ’60s by modern masters Seydou Keïta and Malick Sidibé. By charting his conceptual practice of self-portraiture, and sustained engagement with notions of sexuality, gender and self-representation, this book reveals an unprecedented photographic project. 9783958296121 Inventory Number: I00200731 -
DAVID BENJAMIN SHERRY: AMERICAN MONUMENTS
(SHERRY, DAVID BENJAMIN) Texts by Terry Tempest Williams and Bill McKibben. Radius, I00200730, 2020. 11 x 14 in., 160 pages, 31 plates tipped-in by hand. New/No Jacket - As Issued.
A vivid portrait of the assault on America's parks and forests
David Benjamin Sherry: American Monuments is a landscape photography project that captures the spirit and intrinsic value of America’s threatened system of national monuments. In April 2017 an executive order called for the review of the 27 national monuments created since January 1996. In December 2017 the final report called on the president to shrink four national monuments and change the management of six others, recommending that areas in Maine, Nevada, New Mexico, Utah and the Atlantic and Pacific Oceans be offered for sale, specifically for oil drilling and coal and uranium mining. American Monuments focuses on the areas under review, with special emphasis on those that have already been decimated. Sherry documents these pristine, sacred and wildly diverse areas using the traditional, historic 8x10" large format. The resulting 31 photographs—all tipped in to the book by hand—not only convey the beauty of these important and ecologically diverse sites, but also shed light upon the plight of the perennially exploited landscape of the American West. 9781942185611 Inventory Number: I00200730 -
JOSEF KOUDELKA: RUINS
(KOUDELKA, JOSEF) Essays by Alain Schnapp, Hélöise Conésa and Bernard Latarjet. Thames and Hudson, I00200729. 9 x 12 in., 368 pages. New/No Jacket - As Issued.
A record of Magnum photographer Josef Koudelka’s grand tour around ancient Mediterranean sites
Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world.
Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence and so little assistance. Koudelka’s aim was to use art to re-appropriate a world that is escaping us and that we could lose – a world where the mind alternates between reason and faith, law and liberty. 9780500545348 Inventory Number: I00200729 -
CHARLOTTE PERRIAND: COMPLETE WORKS. VOLUME 4: 1968–1999
(PERRIAND, CHARLOTTE) Jacques Barsac with a preface by Michelle Perrot. Scheidegger und Spiess, I00200725, 2020. 9 x 12 in., 528 pages. New.
Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators, such as Pierre Jeanneret, Le Corbusier, and Jean Prouvé—she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and ’30s.
The concluding fourth volume of this definitive monograph on Charlotte Perriand covers the last three decades of her long career. At its core is the Les Arcs ski resort in the French Alps, where Perriand played a key role in the project development. A pioneer of bioclimatic architecture, she oversaw the architectural and urban design of Arc 1600 and Arc 1800 and created the interiors and entire outfitting down to cutlery and china for the more than 4,500 apartments. Les Arcs, an extraordinary undertaking both in sheer size and the extent of Perriand’s contribution, marks the culmination of her research on alpine housing in unison with nature. The book also features a number of projects—housing and art spaces—from Paris to Tokyo, in which she aimed once more to push the borders of a specific modern, cultivated way of living. It also offers a comprehensive appraisal of seven decades’ work that manifests the creative force and vision of this extraordinary woman, one of the most eminent protagonists of modern architecture and design.
Covering these important moments and many others, Charlotte Perriand completes the four-volume exploration of this key figure, complete with annotations and a bibliography for further research. 9783858817785 Inventory Number: I00200725 -
MADE IN L.A. 2020: A VERSION
Written by Myriam Ben Salah, Lauren Mackler. Hammer Museum/Prestel, I00200724, 2020. 9 x 12 in., 308 pages. Hardbound. New/No Jacket - As Issued.
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene.
Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. 9783791359106 Inventory Number: I00200724 -
SYNERGETIC STEW: EXPLORATIONS IN DYMAXION DINING
(FULLER, R. BUCKMINSTER FULLER) Foreword by Jaime Snyder. Lars Muller Publishers, I00200723, 2020. 6 x 9 in., 128 pages. Spiral Binding. New.
A delightful dymaxion cookbook homage to Buckminster Fuller, featuring John Cage’s macrobiotic recipes, Margaret Mead’s cucumber salad and more
Buckminster Fuller is globally known as a design scientist, architect, author, poet, engineer and a true visionary. On his 86th birthday he received the cookbook Synergetic Stew as a surprise present from his friends and admirers, who share recipes along with personal anecdotes and humorous recollections of Fuller (for example, a reminiscence about Bucky’s love for tea in all its variations). Scattered throughout the book are enticing texts and poems from Fuller himself, including even a recipe for tomato ice cream.
Constructed around 100 achievable recipes, this book is a glimpse into Fuller’s life, as told by his peers. A few of the recipes are a joyful ode to Fuller’s oeuvre, such as Shirley Sharkey’s “GEODESICANDY,” the “Macrobiotic Diet” by John Cage or Amy Edmondson’s “Allspace-Filling Whole Wheat Bread.”
In addition to the facsimile, Jamie Snyder reflects upon often-overlooked facets of Bucky’s character, as revealed through anecdotes of his relationship to food.
With contributions by Bil Baird, Peter Brown, John Cage, Lim Chong Keat, Elizabeth Choy, John Ciardi, John Denver, Amy Edmondson, Ted Ehmann, Werner Erhard, Ronald Feldman, John and Isobel Fistere, Medard Gabel, Eugene Garfield, Neva Goodwin, d'Arcy Hayman, Henry J. Heimlich, Miranda Kaiser, Anne Kordus, Kuyoshi Kuromiya, Mae Lee, Paula Martin, Margaret Mead, Karl Menninger, Yehudi Menuhin, Martin and Margy Meyerson, Ann Mintz, Don Moore, Ed Muskie, Libby Newman, Isamu Noguchi, Gerard K. O'Neill, Steve Parker, Eleanor and George Pavloff, Cedric Price, Kariska Pulchalski, Harrison Salisbury, Shirley and Bill Sharkey, Peter Simoneaux, Jamie Snyder, Hester Stearns, Connie Thelander, Thomas Tse-Kwai Zung, Dennis Tyler, Amei Wallach, Hope Watts, Kathryn Withlow 9783037786437 Inventory Number: I00200723 -
JOHN CURRIN: MEN
(CURRIN, JOHN) Edited by Alison M. Gingeras, Text by Jamieson Webster and Naomi Fry. Gagosian/Rizzoli, I00200721, 2020. 10 x 13 in., 208 pages. New/No Jacket - As Issued.
A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation.
Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well.
This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics. 9780847868131 Inventory Number: I00200721 -
PUBLIC ISSUE 3
(McWHIRTER, ALEX) with work by features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood. McWhirter Studio, I00200715. 9 x 12, 136 pages. New/No Jacket - As Issued.
Public is a biannual arts and fashion journal with an emphasis on experimental work. Offering a unique perspective on subjects in life, each subject is archived and its theme never repeated. Issue 3 features work by Roxane Danset, Sian Davey, Frank Lebron, Gary David Moore, Guinevere van Seenus, Jack Webb, and Tom Wood.
In a unique collaboration, Siân Davey works with stylist Gary David Moore to cover youth and innocence. She revisits her daughter Martha as a subject, now aged 21, in a series of portraits at their family home in Devon (Siân's original series ‘Martha’ was displayed at The National Portrait Gallery in London, and captured her daughter at age 16). Frank Lebon covers family, having documented an intimate family holiday last summer in Spain for the issue. Iconic supermodel turned photographer Guinevere van Seenus collaborates with stylist Roxane Danset to capture a series of self portraits that form a reflective study on herself as a strong, middle aged women. Tom Wood casts his eye on the relationship between men and women through decades of covering communities in Liverpool, England. And finally, Jack Webb explores the emotional highs and lows between a group of friends and family on a night out in a Yorkshire pub, captured in 1996. Inventory Number: I00200715 -
Soviet Signs and Street Relics
(GUILBEAU, JASON) Edited by Damon Murray, Stephen Sorrell. Fuel, I00200711, 2020. 8 x 7 in., 192 pages. New/No Jacket - As Issued.
Russia’s forgotten world of avant-garde public signage—the latest in Fuel’s collectible Soviet series
For this volume, French photographer Jason Guilbeau has used Google Street View to virtually navigate Russia and the former USSR, searching for examples of a forgotten Soviet empire. The subjects of these unlikely photographs are incidental to the purpose of Google Street View—captured by serendipity, rather than design, they are accorded a common vernacular. Once found, Guilbeau strips the images of their practical use by removing the navigational markers, transforming them according to his own vision.
From remote rural roadsides to densely populated cities, the photographs reveal traces of history in plain sight: a brutalist hammer and sickle stands in a remote field; a jet fighter is anchored to the ground by its concrete exhaust plume; a skeletal tractor sits on a cast-iron platform; a village sign resembles a constructivist sculpture. Passersby seem oblivious to these objects. Relinquished by the present they have become part of the composition of everyday life, too distant in time and too ubiquitous in nature to be recorded by anything other than an indiscriminate automaton.
This collection of photographs portrays a surreal reality: it is a document of a vanishing era, captured by an omniscient technology that is continually deleting and replenishing itself—an inadvertent definition of Russia today. 9781916218406 Inventory Number: I00200711 -
Beauford Delaney and James Baldwin: Through the Unusual Door
(DELANEY, BEAUFORD) with James Baldwin. The Knoxville Museum of Art, I00200710, 2020. 8 x 10 in., 206 pages. New/No Jacket - As Issued.
Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two.
The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
9780998825236 Inventory Number: I00200710 -
ROCKERS: THE MAKING OF REGGAE’S MOST ICONIC FILM
(BAFALOUKOS, TED) With texts by Seb Carayol, Cherry Kaoru Hulsey, Eugenie Bafaloukos. Gingko Press, I00200701, 2020. 9 x 12 in., 300 pages. Hardbound. New/No Jacket - As Issued.
Set amongst the reggae scene of late 70s Jamaica, the film Rockers achieved instant cult status among music and cinema fans. Rockers’ director, Ted Bafaloukos, has received many accolades for his work on the film, but the fact that he was also a fine writer and undercover photographer is often overlooked. In 2005, just before his death, Bafaloukos penned this vivid and never-before-published autobiography.
Beyond Bafaloukos’ fascinating story of the “making-of” Rockers, it tells the tale of a Greek immigrant from a family of sailors and his move to New York, eventually rubbing shoulders with the likes of The Velvet Underground, Robert Frank, Jessica Lange and Philippe “Man on Wire” Petit. But there’s a twist to this 1970s’ New York story: Bafaloukos fell in love with reggae when it was still just an underground facet of Jamaican culture in the City. His experiences in New York eventually led him to shoot Rockers, praised for the portrait it paints of Kingston’s late 70s music scene along with its unique style, mentality and fashion.
The director’s intense experiences in Jamaica and New York between ’75 – ’78 provide the substance of the scorching stories within, including; gunshots at his first ever reggae concert in Brooklyn, the director’s bizarre arrest for suspicion of being a CIA operative, paranoia at the Bob Marley compound, musicians-turned actors’ “rude boy” antics, and naturally, sympathetic, highly descriptive recollections of the music that first drew Bafaloukos into Jamaica’s music and culture.
An invaluable collection of photographs taken during the conception, writing and production of the film captures the zeitgeist and breathes life into the book. Production stills and photos taken during the era by Bafaloukos form the visual, cinematic backbone of the tome, faithfully rendering the amazing people, styles, and locations in living, breathing color. Taken all together, the text and images within Rockers will uncover new facets of this all-important era in Reggae music for even the most seasoned reggae aficionados. Beyond reggae circles, this new anthology offers an unparalleled snapshot of a highly fantasized and sought after je-ne sais-quoi: the all-time Jamaican cool. 9783943330489 Inventory Number: I00200701 -
MASCULINITIES: LIBERATION THROUGH PHOTOGRAPHY
(PARDO, ALONA) With contributions from Tim Clark, Edwin Coomasaru, Ekow Eshun, Jonathan D. Katz. Prestel, I00200630, 2020. 9 x 13 in, 320 pages. Hardbound. New/No Jacket - As Issued.
Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world’s most celebrated photographers.
This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists—Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex—explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle Pérez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity. 9783791359519 Inventory Number: I00200630 -
HOME COMPUTERS: 100 ICONS THAT DEFINED A DIGITAL GENERATION
(WILTSHIRE, ALEX). MIT Press, I00200625. 8 x 10 in. Hardbound. New/No Jacket - As Issued. A celebration of the early years of the digital revolution, when computing power was deployed in a beige box on your desk.
Today, people carry powerful computers in our pockets and call them “phones.” A generation ago, people were amazed that the processing power of a mainframe computer could be contained in a beige box on a desk. This book is a celebration of those early home computers, with specially commissioned new photographs of 100 vintage computers and a generous selection of print advertising, product packaging, and instruction manuals. Readers can recapture the glory days of fondly remembered (or happily forgotten) machines including the Commodore 64, TRS-80, Apple Lisa, and Mattel Aquarius—traces of the techno-utopianism of the not-so-distant past.
Home Computers showcases mass-market success stories, rarities, prototypes, one-offs, and never-before-seen specimens. The heart of the book is a series of artful photographs that capture idiosyncratic details of switches and plugs, early user-interface designs, logos, and labels. After a general scene-setting retrospective, the book proceeds computer by computer, with images of each device accompanied by a short history of the machine, its inventors, its innovations, and its influence. Readers who inhabit today's always-on, networked, inescapably connected world will be charmed by this visit to an era when the digital revolution could be powered down every evening. 9780262044011 Inventory Number: I00200625 -
DEATH MAGICK ABUNDANCE
(RABUT, AKASHA). Anthology Editions, I00200623, 2020. 11 x 10 in. Hardbound. New/No Jacket - As Issued.
More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world. 9781944860271 Inventory Number: I00200623 -
TEJU COLE: FERNWEH
(COLE, TEJU). MACK, I00200620. 8.25 x 12 in. Hardbound. New/No Jacket - As Issued.
The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubünden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing. 9781912339549 Inventory Number: I00200620 -
SOLANGE PESSOA
(PESSOA, SOLANGE) Edited with text by Alex Bacon. Text by Cecilia Fajardo-Hill, Eduardo Jorge de Oliveira. Interview by Liz Munsell.. Circle Books, I00200618, 2020. 8 x 10 in. Hardbound. New/No Jacket - As Issued.
The first English-language monograph on seminal Brazilian artist Solange Pessoa (born 1961), this substantial volume is also the artist’s most comprehensive to date. Pessoa’s sculptural work, which often mobilizes materials like human hair, leather, wax and animal blood, evokes issues related to human and animal bodies, vacillates between beauty and abjection and forges formal connections between indigenous Brazilian traditions and international postminimal art.
Surveying work from throughout Pessoa’s career, from her beginnings in the late 1980s through to the present, with selections from the artist’s sketchbooks and archives, this volume argues for Pessoa’s unique contribution to Brazilian art. Including texts by international scholars Cecilia Fajardo-Hill, Eduardo Jorge de Oliveira and Alex Bacon, as well as an interview with Pessoa by Liz Munsell, Solange Pessoa introduces English-language readers to the artist’s compelling body of work from the past three decades. 9780578475103 Inventory Number: I00200618 -
THE CANDY BOOK OF TRANSVERSAL CREATIVITY
(VENEGAS, LUIS) Foreword by Jefferson Hack. Rizzoli, I00200616, 2020. 8.5 x 11 in.. Hardbound. New.
A celebration of the transversal community from the iconic magazine.
The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero.
Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun.
This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future. 9780847865833 Inventory Number: I00200616 -
JOHN HILTUNEN
(HILTUNEN, JOHN). New York: Books for All Press, I00200614, 2016. 9" x 8", 96 pp. Paperback. Artist Monograph. New.
A facsimile (edition of 500) of John Hiltunen's original artist's book published by Books for All Press ( @bfa_press ), a non-profit publisher working solely with artists with mental illnesses and developmental disabilities to publish artists' books. "John Hiltunen began making collages in 2006. Before this time, John focused on rug making, wood work, and ceramics. After participating in Paul Butler’s “Collage Party” in 2007, John’s collage work became a consistent artistic pursuit. His clever juxtapositions, which typically combine animal and human subjects mostly derived from fashion and natural history magazines, are provocative in their humor and yet surprisingly earnest in intention. Straightforward in their absurdity, John’s collages are naturally uncanny with cats, dogs, reptiles, and other wild animals looking posh in the latest fashions. In 2012, John’s work was the focus of a major group exhibition curated by Matthew Higgs at Gallery Paule Anglim, San Francisco. He has also exhibited at White Columns, New York, Rachel Uffner Gallery, New York, the San Francisco International Airport, #goodluckgallery and had his work represented at contemporary art fairs like NADA Miami, the Independent, and Frieze New York. In 2013, he was honored as a recipient of the Louis Comfort Tiffany Foundation award, given to those artists whose work show promise, talent, and individual artistic strength but who have not yet received widespread recognition. John’s work is also in the private collection of Cindy Sherman." 9780997940312 Inventory Number: I00200613 -
PUNK SHIRTS: A PERSONAL COLLECTION - SIGNED
(TURCOTTE, BRYAN RAY). Gingko Press, I00200612 2020. 8.8 x 1.1 x 10.7 inches, 300 p. Paperback. New.
Signed copies -- while they last!
Hundreds of examples from the author’s personal collection of well-worn vintage punk shirts line the pages of bestselling author Bryan Ray’s latest book. Amazing one-of-a-kind pieces including internationally famous t-shirts such as Sid Vicious’ personal Sex Pistols shirt, Joe Strummer’s, ‘Rude Boy’, hand painted red brigade Tee and Darby Crash’s personal Vivian Westwood ‘Boobs’ seditionaries T-Shirt. Turcotte’s collection also features gems such as a hand drawn Ric Clayton (RxCx) Suicidal Tendencies button-up featured on the back of the band’s first LP, dozens of Malcolm McLaren / Vivienne Westwood creations and loads of very rare band tees including Misfits, The Cramps, The Clash, Sex Pistols, The Screamers, Germs, Mentors and more. SIGNED by Bryan Ray Turcotte! 9781584237198 Inventory Number: I00200612 -
THE CHIFFON TRENCHES - A MEMOIR BY ANDRE LEON TALLEY
(TALLEY, ANDRE LEON).. Ballantine Books, I00200611, 2020. New.
“During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella.
There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion.
The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion.
Woven throughout the book are also André’s own personal struggles that have impacted him over the decades, along with intimate stories of those he has turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and ongoing faith, which have guided him since childhood.
The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about." 9780593129258 Inventory Number: I00200611 -
MELVIN EDWARDS: LYNCH FRAGMENTS
(EDWARDS, MELVIN) Edited by Adriano Pedrosa, Rodrigo Moura. Text by Hamid Irbouh, Rebecca Wolff, Renata Bittencourt, Rodrigo Moura. MASP, I00200603. 7 x 10 in. / 256 pages. Hardbound. New/No Jacket - As Issued.
Ominous and angular, the acclaimed steel sculptures of Melvin Edwards convey racial violence with edgy ingenuity
This volume brings together a significant selection of works from the titular series by the New York–based sculptor Melvin Edwards (born 1937), created between 1963 and 2016, comprising more than 50 years of what is considered the artist's central body of work.
Edwards started to produce the Fragments series when he lived in Los Angeles, at a crucial time of the civil rights movement in the United States. The works directly reference the practice of lynching after the abolition of slavery. Denouncing violence against African Americans, Edwards created these steel sculptures as forms between bodies and machines that can also be interpreted as weapons, given the sense of violence and danger suggested by their blunt, angular and protruding shapes. The selection of works in this book reflects the multiplicity of thematic interests and the formal variations across the series. 9788531000515 Inventory Number: I00200603 -
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin
Lise Ragbir (Editor), Cherise Smith (Editor). University of Texas Press, I00200601.
Book of the day > Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin. “What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon. Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings—including costumes, jewelry, paintings, sculptures, works on paper, and photography—and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts—artists with deep relationships to Texas—contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.” 9781477320051 Inventory Number: I00200601 -
GIACOMO COSTA: A HELPFUL GUIDE TO NOWHERE
(COSTA, GIACOMO). Damiani, I00200528, 2020. 9.5 x 11 in., 258 pages. Hardbound. New/No Jacket - As Issued.
Further adventures in dystopian and fantastical cities with Giacomo Costa, virtuoso of digitally manipulated, ultra-detailed photography
Since the mid-1990s, when he debuted his Agglomerati series, Florentine photographer Giacomo Costa (born 1970) has been creating large-format photographs that employ Hollywood blockbuster–style digital techniques to portray unreal, fantastical cityscapes straight out of science fiction.
In 2009 Damiani published The Chronicles of Time, with an introduction by Norman Foster. By turns historical and contemporary, real and imagined, the images in The Chronicles of Time could be the result of natural catastrophe or nuclear war. His latest monograph, A Helpful Guide to Nowhere, presents his latest fascinating, majestic and terrifying images of ominous yet nondidactic dystopias and cityscapes, focusing on work from the last ten years, with numerous previously unpublished images.
9788862087155 Inventory Number: I00200528 -
SUPER 8: AN ILLUSTRATED HISTORY
(PLOTNICK, DANNY). Rare Bird Books, I00200527, 2020. 10 x 10 in., 160 pages. Hardbound. New/No Jacket - As Issued.
Super 8: An Illustrated History is a coffee table art book showcasing the history of Super 8 filmmaking. In addition to featuring stunning photography documenting the sleek mid-century design of Super 8 cameras and projectors, the book also offers a detailed history of the beloved medium—one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include, Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney. Thanks in part to a renewed interest in analog technologies, Kodak will be bringing a new Super 8 camera to market in 2019, their first new camera to roll off the assembly line in over thirty years.
Super 8 also features interviews from filmmakers who got their start in Super 8 and individuals who were instrumental in the development of the medium. Interviews include filmmakers Richard Linklater (Slacker, Boyhood, Dazed and Confused), Dave Markey (1991: The Year Punk Broke), Rocky Schenk (music videos for Adele, Devo, Nick Cave, The Cramps, Robert Plant), James Mackay on Derek Jarman (Last of England, Jubilee), Lenny Lipton (The Super 8 Book), James Nares (Rome ’78), G.B. Jones (The Lollipop Generation), Bruce LaBruce (Hustler White, The Misandrists), Peggy Ahwesh (Martina's Playhouse), Paul Sheptow (Super-8 Filmmaker magazine), Ed Sayers (The Straight 8 Film Festival), Melinda Stone (Super Super 8 Film Festival), Jonathan Tyman (Ann Arbor 8mm Film Festival), Norwood Cheek (Flicker zine and screening series), Martha Colburn, Narcisa Hirsch, slit, Matthias Müller, John Porter, and Karissa Hahn. On the technical front, the book features interviews with Roland Zavada (Kodak), Bob Doyle (Super8 Sound), Phil Vigeant (Pro8mm), Frank Bruinsma (Super8 Reversal Lab), and Tommy Madsen (Logmar Camera Solutions). 9781644280324 Inventory Number: I00200527 -
THE WAY WE WALK BY JILL HOFFMAN-KOWAL
HOFFMAN-KOWAL, JILL. Los Angeles: Cash Machine , I00200522. 4.25 x 7 inch . Paperback. New.
From the co-founder of Target Video and the host of The Spirit Of Punk radio show comes over 100 pages of photos from the birth of the San Francisco punk scene, Los Angeles and a dash of NYC spanning 1977-1980. Many never seen before. Featuring The Mutants, The Cramps, Crime, The Screamers, The Zeros, Dils and more. Inventory Number: I00200522 -
CLAUDIA ANDUJAR: THE YANOMAMI STRUGGLE
(ANDUJAR, CLAUDIA) Texts by Thyago Nogueira, Curator of the exhibition, and Bruce Albert, Anthropologist. Published by Fondation Cartier pour l'art contemporain, I00200520, 2020. 9 x 12 in., 336 pages. Paperback. New/No Jacket - As Issued.
This book is published to accompany “Claudia Andujar, The Yanomami Struggle” at the Fondation Cartier pour l’art contemporain in Paris, one of the most ambitious exhibitions devoted to the Brazilian photographer. Since the 1970s, Claudia Andujar has dedicated her life to photography and the protection of the Yanomami Indians, one of the largest Amerindian communities in the Brazilian Amazon.
Claudia Andujar features over 200 black-and-white and color photographs, historical documents, and drawings produced by Yanomami artists. The fruit of several years’ research into the photographer’s archives, this exhibition catalog reflects the two inseparable aspects of Andujar’s approach: aesthetic and political. This catalog also shows Andujar’s significant contribution to art photography and the essential role she has played in the defense of Yanomami rights and the forest where they live. 9782869251540 Inventory Number: I00200520 -
HELLO MUDDAH, HELLO FADDAH: ANDY SWEET'S SUMMER CAMP 1977
(SWEET, ANDY) Edited with foreword by Brett Sokol. Introduction by Naomi Fry. Letter16 Press, I00200515, 2020. 9 x 9 in.. Hardbound. New.
The golden days of tube socks, bunk beds, marshmallows and first crushes: 1970s summer camp, from the photographer behind Shtetl in the Sun
A companion volume to Shtetl in the Sun, Andy Sweet's love letter to the colorful Jewish community of late 1970s South Beach, Hello Muddah, Hello Faddah chronicles the summer of 1977 at Camp Mountain Lake, serving up a knowing portrait of the era's fashion, pop culture and frank expressions of adolescent sexuality.
Set against the cherished rituals of camp life—from the parade of trunks as 300 campers arrive at Mountain Lake's rural North Carolina setting to the end-of-August Dionysian frenzy of "Color War"—Sweet's photos tell a classic coming-of-age story, one full of awkward crushes, intense friendships and the kind of deep truths that emerge over late-night, campfire-toasted marshmallows.
As the camp's photography instructor and one of its counselors, Sweet brings an intimate familiarity to his subject, capturing the rhythms of the camp's daily life through both posed compositions and spontaneous images. By turns nostalgic, poignant and laugh-out-loud funny, this collection includes a foreword by award-winning Miami arts journalist Brett Sokol and an introductory essay by New Yorker staff writer Naomi Fry. 9780989381192 Inventory Number: I00200515 -
JB BLUNK
(BLUNK, JB) Edited by Mariah Nielson, Åbäke. Foreword by Mariah Nielson. Text by Lucy R. Lippard, Louise Allison Cort, Fariba Bogzaran, Isamu Noguchi, Alyssa Ballard, Rene Bustamante, Glenn Adamson, Rick Yoshimoto. Interview by Rita Lawrence. Blunk Books / Dent-De-Leone, I00200511, 2020. 8 x 10 in. Hardbound. New/No Jacket - As Issued.
The first survey of the ceramics and sculptures of beloved Californian artist JB Blunk, in a handsome foil-stamped hardcover volume
This is the first publication to explore the entire oeuvre of the great American sculptor JB Blunk, with previously unseen examples of his work in stone, clay, painting and jewelry. The design beautifully combines archival images of Blunk’s work in situ, and his studio, with color plates of newly photographed pieces. In an essay, Lucy R. Lippard discusses Blunk’s reverence for ancient art and places, while Smithsonian Curator of Ceramics Louise Allison Cort details Blunk’s formative years in Japan. Glenn Adamson, Senior Scholar at the Yale Center for British Art, contributes an essay that explores the essence of Blunk himself along with his artwork.
Blunk maintained a Midwestern sensibility of hard work and plainspokenness throughout his career, with little regard for the distinction between art, craft and design. Rather, he was guided by the materials with which he worked to create large sculptural pieces that seem to exude their own powerful energy unique to organic matter. 9781907908552 Inventory Number: I00200511 -
BEASTIE BOYS
(JONZE, SPIKE) Written by Spike Jonze, Text by Mike Diamond and Adam Horovitz . Rizzoli, I00200508, 2020. 9.25 x 10.75 in. Hardbound. New/No Jacket - As Issued.
The first book of photography to be published by the Academy Award-winning film director and photographer Spike Jonze. Will appeal to every fan of Beastie Boys and golden-era hip hop, as well as photography and Spike Jonze's own focused audiences.
Spike Jonze and Beastie Boys met for the first time in Los Angeles in 1991, when Jonze went out to photograph the band for the cover of Dirt magazine. A connection formed between the three MCs and the young photographer, which has lasted throughout their careers.
Almost thirty years later--published to coincide with the release on Apple+ of a new documentary, Beastie Boys Story--this book collects for the first time more than two hundred of Spike Jonze's personal photographs of his time spent with the group. Edited and with an afterword by Jonze, and including new writing by Mike Diamond and Adam Horovitz themselves, this book shows an intimate look at the greatest act of the hip-hop generation in their truest colors as only a close friend could see them--from performing live onstage to writing together at Mike's apartment; getting into character for a video to dressing up as old men to hit the basketball court; recording music in the studio to goofing around on the streets of New York.
From the music video for "Sabotage" to the cover of the Sounds of Science album, Spike Jonze is responsible for some of the most iconic images of the band ever made. But here, the emphasis is on the candid, the unexpected, and the real--just pictures of friends who like making stuff together. 9780847868384 Inventory Number: I00200508 -
ADRIAN GHENIE: PAINTINGS 2014 TO 2019
(GHENIE, ADRIAN) Edited by Juerg Judin. Texts by Juerg Judin, Pamela Kort, Michael Peppiatt. Hatje Cantz, I00200507, 2020. 10.5 x 11 in. Hardbound. New/No Jacket - As Issued.
Ever since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest, Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works—painted in oil, etched, troweled, or thrown—have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie’s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the “century of humiliation,” as Ghenie calls the twentieth century—its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits. 9783775743525 Inventory Number: I00200507 -
Jason Fulford: Picture Summer on Kodak Film
(FULFORD, JASON). MACK, I00200506, 2020. 8 x 11 in. Hardbound. New/No Jacket - As Issued.
In Picture Summer on Kodak Film, a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford. 9781912339747 Inventory Number: I00200506 -
JUSTINE KURLAND: GIRL PICTURES
(KURLAND, JUSTINE) Story by Rebecca Bengal. Aperture, I00200505, 2020. 9 x 11 in. Hardbound. New/No Jacket - As Issued.
*Please note! Quantities are limited and subject to real-time availability.*
The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth — cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes—paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images. 9781597114745 Inventory Number: I00200505 -
CECIL BEATON’S BRIGHT YOUNG THINGS
(BEATON, CECIL) Text by Robin Muir.. National Portrait Gallery, I00200504, 2020. 9.75 x 11 in.. Hardbound. New/No Jacket - As Issued.
The stylish and extravagant world of the “Bright Young Things” of 1920s and ’30s London, seen through the eye of renowned British photographer Cecil Beaton
In 1920s and ‘30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the “Bright Young Things.” Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit.
In a series of themed chapters, covering Beaton’s first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 50 leading figures who sat for Beaton are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton’s socialite sisters Baba and Nancy Beaton, Stephen Tennant, Siegfried Sassoon, Evelyn Waugh and Daphne du Maurier. Beaton’s photographs are complemented by a wide range of letters, drawings, book jackets and ephemera, and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb. 9781855147720 Inventory Number: I00200504 -
CHERYL DUNN: LET THEM EAT CAKE
(DUNN, CHERYL). Deadbeat Club, I00200430, 2020. 6 x 9 in.. Saddle Stiched. New/No Jacket - As Issued.
Cheryl Dunn’s Let Them Eat Cake has been made in conjunction with Subliminal Projects for the exhibit “Let Them Eat Cake” (postponed because Corona) — As we face the 2020 election year, Let Them Eat Cake, provides an arching photo survey of the current American political climate and the Americana landscape as it withstands the story of a divided country, not from the perspective of politicians and their agenda, but from the people in the streets. Inventory Number: I00200430b -
MAUDE ARSENAULT: ENTANGLED
(ARSENAULT, MAUDE). Deadbeat Club, I00200430, 2020. 9.4 x 12.25 in.. Paperback. New/No Jacket - As Issued.
Maude Arsenault’s Entangled encapsulates a pivotal moment for her work, representing a shift in perspective and personal responsibility. “After years dedicated to creating glorified images of women,” she says of her success in fashion photography, “I came to question my role and influence in the transmission of models of femininity.” Albeit informed by a progressive, non-binary upbringing, this introspection is ultimately necessary now – in the context of motherhood as she raises three children including a young woman.
When speaking about Entangled, Arsenault invokes the French word carcan – meaning “ploy,” or “ambush,” or “ideological trap” – to explain the underlying motivation for making the spare and evocative pictures in this debut monograph. By which she means that becoming an adult and a parent have given her distance and perspective on the cultural demands made on the bodies and societal roles of young women, and particularly on life choices which have been constricted or even foreordained. Arsenault calls the work “a poem, an ode, a shout out,” and one senses that the quiet power of the book lies in contradictions still unresolved even as the author gains in experience and independence. “I feel often trapped in the person I have been trying to be my entire life,” she says in a touching and revealing statement, one that perfectly echoes the finely calibrated tensions and the tentative triumphs evoked in these pages. “Now I stand, shaky but alive, looking away at my world as a female with the best possible hope.”
9780999829851 Inventory Number: I00200430 -
PAUL MPAGI SEPUYA
(SEPUYA, PAUL MPAGI) Interview with the artist by Wassan Al-Khudhairi. Contributions by Malik Gaines, Lucy Gallun, Ariel Goldberg, Evan Moffitt, and Grace Wales Bonner. APERTURE, I00200613, 2020. 8 x 10 in. / 96 pages. Paperback. New/No Jacket - As Issued.
Paul Mpagi Sepuya presents the work of one of the most prominent up-and-coming photographers working today. Sepuya makes photographs of friends, artists, collaborators, and himself. He chal¬lenges and deconstructs traditional portraiture by way of collage, layering, fragmentation, mirror imagery, and the perspective of a Black, queer gaze. Although the creation of artist books has been a long-standing part of his practice, Paul Mpagi Sepuya is the first publication of his work to be released widely, co-published with the Contemporary Art Museum St. Louis on the occasion of a major solo exhibition. 9781597114806 Inventory Number: I00200428 -
VIRGIL ABLOH. NIKE. ICONS
(ABLOH, VIRGIL) (NIKE). Abloh, Virgil, Nicholas Schonberger, Troy Patterson & Glenn Adamson. Koln, GERMANY: Benedikt Taschen Verlag, I000ABLOHNIKE, 2021. First Edition. 4to. Illustrated Boards. Fashion Monograph. New/No Jacket - As Issued. 9783836585095
The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind "one shoe." One story. - Virgil Abloh
ICONS is a dynamic retrospective of the extensive collaborative project between NIKE, Inc. and Virgil Abloh. Underpinned by "The Ten," ICONS explores how the partnership works to unify all the intangible cultural threads connected to sneakers. The book traces Abloh’s investigative, creative process through documentation of prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives.
Within ICONS, readers will find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s quotation marks trialed on Nike Air Force 1s and Converse All Stars cut into pieces. The effect is a behind-the-scenes witness to The Ten’s DIY approach, which gives each model in the Off-White™ c/o Nike collection its own unique touch. "The foundation of my practice isn’t nearly the end result - it’s rigor and process of the logic. The archive is the paper trail of those artifacts," says Abloh. "The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind 'one shoe.' One story."
Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A lexicon in the second part of the book explains the scene from which the project grew and introduces the people, places, objects, ideas, materials and expressions that form the foundation of sneaker culture as a whole.
The book builds upon Abloh's printed matter practice — archiving, documenting and storytelling through books and ephemera in service of preserving important cultural stories. As an extension of this practice, ICONS will enjoy an initial early release period through select Black-owned bookshops and independent retailers, demonstrating a shared belief in the vitality of print and the importance of local bookstores as hubs of community, culture and civic memory.
Published by Taschen, Art directed by Virgil Abloh, and designed by Zak Group, ICONS, as an object, honors the industrial DIY aesthetic of The Ten.
Inventory Number: I000ABLOHNIKE
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THE HUMAN PLANET: EARTH AT THE DAWN OF THE ANTHROPOCENE
(STEINMETZ, GEORGE) Text by Andrew Revkin. ABRAMS, I00200420, 2020. 11 x 11.5 in.. Hardbound. New/Boards in Pictorial Jacket.
A dynamic aerial exploration of our changing planet, published on the 50th anniversary of Earth Day
The Human Planet is a sweeping visual chronicle of the Earth today from a photographer who has circled the globe to report on such urgent issues as climate change, sustainable agriculture, and the ever-expanding human footprint. George Steinmetz is at home on every continent, documenting both untrammeled nature and the human project that relentlessly redesigns the planet in its quest to build shelter, grow food, generate energy, and create beauty through art and architecture. In his images, accompanied by authoritative text by renowned science writer Andrew Revkin, we are encountering the dramatic and perplexing new face of our ancient home. Inventory Number: I00042220 -
EVA HESSE AND HANNAH WILKE: EROTIC ABSTRACTION
(HESSE, EVA; WILKE, HANNAH) Text by Eleanor Nairne and Jo Applin and Anne Wagner, Contribution by Amy Tobin. Rizzoli, I00042120. 2020. 12 x 10 in. Hardbound. New/No Jacket - As Issued.
This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke. Both artists found themselves drawn to unconventional materials, such as latex, plastics, erasers, and laundry lint, which they used to make work that was viscerally related to the body. They shared an interest in repetition to amplify the absurdity of their work. These repeated forms--whether Hesse's spiraling breast or Wilke's labial fold--sought to confront the phallo-centricism of twentieth-century sculpture with a texture that might capture a more intimate, psychologically charged experience. Eleanor Nairne, the curator of the exhibition, writes the lead essay, followed by texts by Jo Applin and Anne Wagner. An extensive chronology by Amy Tobin includes primary-source materials, which bring a new history of how both artists' work sits in relation to the wider New York scene. Also included are excerpts of both artists' writing. 9780847868100 Inventory Number: I00042120 -
Trejo's Tacos
(TREJO, DANNY). Clarkson Potter, I00041620. 7.5 x 9.75 / 224 pages. Hardbound. New/No Jacket - As Issued.
Hollywood’s baddest good guy shares 75 recipes that make Trejo’s Tacos the Los Angeles go-to for award-winning tacos, donuts, and more.
Long before he was a Hollywood star, Danny Trejo used to joke with his mom that they should open a restaurant. A few arrests, a couple boxing championships, and more than 300 movies later, Hollywood’s favorite bad guy did just that with Trejo’s Tacos. His unexpected journey from ex-con to actor to Narcotics Anonymous/Alcoholics Anonymous counselor to successful restaurateur is a true rags-to-riches story.
Now, in Trejo’s Tacos, Trejo not only shares 75 recipes for cantina favorites like succulent carnitas, vegan cauliflower tacos, and pillowy-sweet cinnamon-sugar lowrider donuts, but offers insights into his life and pays respect to his hometown, his roots, and all of the colorful characters who helped him along the way, creating a delicious tribute to L.A. and the city’s vibrant Latino culture. 9781984826855 Inventory Number: I00041620 -
NERI OXMAN: MATERIAL ECOLOGY
(OXMAN, NERI) Edited with text by Paola Antonelli. Text by Anna Burckhardt, Hadas A. Steiner. Museum of Modern Art, New York, I00041520. 9.5 x 12 in. / 192 pgs / 220 color. Paperback. New/No Jacket - As Issued.
The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology
Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary—and interspecies—collaborations. She coined the term “material ecology” to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing.
Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman’s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.
This book—designed by Irma Boom and published to accompany a midcareer retrospective of Oxman’s work—highlights the interdisciplinary nature of the designer’s practice. It demonstrates how Oxman’s contributions allow us to question and redefine the idea of modernism—a concept in constant evolution—and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions. 9781633451056 Inventory Number: I00041520 -
POOLS
Edited by Lou Stoppard. Foreward by Leanne Shapton. Rizzoli, I00040720. 2020. Paperback. New.
Lounging, Diving, Floating, Dreaming: Picturing Life at the Swimming Pool.
A celebratory ode to the joy and enduring allure of the swimming pool, and a gorgeous photography book to accompany poolside daydreaming.
Glamorous, seductive, and fun, made for lounging, frolicking, splashing, dipping, diving, floating, and escaping, swimming pools are symbols of both sport and leisure and conjure images of well-oiled bodies, colorful bikinis, and glimmering blue waters on hot summer days. Muse to writers, artists, photographers, and filmmakers, the swimming pool's careless opulence is splashed across the pages of this book in gorgeous images by contemporary photographers. In her second book for Rizzoli, curator, writer, and avid swimmer Lou Stoppard offers the promise of sunshine and the seduction of youth in her edit of some of the best contemporary swimming-pool photography.
Organized by theme, from the glamour of the poolside party to the simple, meditative pleasure of being in the water, the selected photographs are as inspiring as they are moving. Photographers whose images are featured in this book include Sølve Sundsbø, Glen Luchford, Stephen Shore, Mert & Marcus, Diana Markosian, Martin Parr, Martine Franck, Alex Webb, Alice Hawkins, and Nick Knight. This is the perfect gift purchase for photography fans, swimmers, and lovers of leisure.
9 x 1 x 11 inches
240 pages 9780847865864 Inventory Number: I00040720 -
DEBAUCHED: WITCHERY AND DEVILRY VOL. 1 (1ST SPELL)
S.S.C. GRIM ROAR (Sweden), I00040620. 2020. Hardbound. New/No Jacket - As Issued.
During the height of the turned-on 1960s and '70s Occult explosion, even the under-the-counter men's magazines got in on the act and began a surreal exploration of the haunting netherworld of Witchcraft and Satanism. This monumental art book reveals a world of diabolical smut that was so compelling and obscure that many people today would question whether or not the magazines were real or just an elaborate and detailed modern photo editing invention.
A few salacious titles and images on the internet sparked imaginations, and strongly inspired bands in the doom/black/heavy metal genre, eventually these alluring images found their way to record covers and T-shirts, but mostly remaining shadowy, mysterious, and elusive. Magazines so impossible to hunt down that their very existence seemed an urban myth. Well, they are real and they are spectacular! These magazines are in fact, out there in the world. They are collecting dust in attics, basements, and garages. Hidden away from sight. Unsavory treasures deemed too filthy and then forgotten by their lustful owners.
This massive 384 pages deluxe hardcover book is a glimpse into a vast and shocking world that remains virtually unknown and unexplored. These artifacts come from a bygone era promoting sexual revolution and freedom with overt and unholy occult themes. If you have any issues with hardcore witchcraft and Satanism, body hair or nudity, don't pick this book up and quickly get it out of your sight, and forget everything we've mentioned.
Just remember life's too short to take everything so seriously. Flesh is beautiful. It's time to descend into the infernal witches' cauldron and deep down into the hellish pit for a real Black Mass. Includes a thorough review and collector's guide of each rare publication as well as illuminating essays on the subject.
384 Pages
11.5 x 8.5 x 1 inches 769791975262 Inventory Number: I00040620 -
Yoshitomo Nara
(NARA, YOSHITOMO) Text by Yeewan Koon. Phaidon, I00040220. 2020. 11 3/8 x 9 7/8 in. Hardbound. New/No Jacket - As Issued.
Yoshitomo Nara rose to prominence in the mid-1990s, a star in a generation of avant-garde Japanese artists associated with the neo-Pop ‘Superflat' movement. This book, made in close collaboration with Nara himself, explores more than three decades of his work - and is the first truly authoritative monograph on the artist in more than a decade. Written by art historian Yeewan Koon and featuring texts by Nara himself, it includes his most recent work in painting, drawing, sculpture, and ceramics. 9780714879949 Inventory Number: I00040220 -
Manuel Álvarez Bravo: In Color
(ÁLVAREZ, MANUEL) Edited by Aurelia Álvarez Bravo, James Oles, Ramón Reverté. Text by James Oles. RM, I00033120. 2020. Hardbound. New/No Jacket - As Issued.
This book is the first devoted entirely to Alvarez Bravo color photographs. Although the language of Alvarez Bravo was black and white, he produced around 3,000 photographs in color.
Of this body of work, this book presents over 80 of the most significant images, many of them published for the first time, covering a broad spectrum, from his classic photographs to his little-known color experiments. Alvarez Bravo (1902-2002) is a key figure in Latin American photography in the XX Century. Born in Mexico and self-taught, his career spanned 80 years.
Influenced by European masters first, Avant-garde photography and the Mexican Muralist movement later, he developed a very personal style that has been considered as the beginning of a true Mexican photography. His work is part of the collection of the most important Museums in the world. 9788417975180 Inventory Number: I00033120 -
Offline Activities By Tamara Shopsin & Jason Fulford
(FULFORD, JASON and SHOPSIN, TAMARA). I00031920. 2020. Paperback. New.
*Please note! Quantities are limited and subject to real-time availability.*
Return to the real world! A coupon-style booklet of 52 activities for offline fun, from Jason Fulford and Tamara Shopsin
Jason Fulford and Tamara Shopsin's Offline Activities is a book of 52 suggestions for things you can do in real life. Rearrange your furniture; invite an old friend to lunch; bring something home from the supermarket and treat it as sculpture. Part novelty, part self-help guide, Offline Activities encourages you to seek out the chance and mystery that is often lacking in the digital age.
Featuring the kind of ingenious, charming design you expect from a Jason Fulford and Tamara Shopsin project, Offline Activities is designed as a coupon book with tear-out pages, with one inspirational suggestion and quote per page. You are encouraged to physically do the activity and rip the page out of the book as proof. If you do one offline activity per week, the book will last a year. Offline Activities is a delightfully analog, pleasantly practical guide to shaking up your offscreen life.
Tamara Shopsin (born 1979) is an illustrator, graphic designer, writer and part-time cook in her family’s New York restaurant. She is the author of two memoirs, Mumbai New York Scranton (2013) and Arbitrary Stupid Goal (2017), designer of the 5 Year Diary and coauthor, with Jason Fulford, of the children's book This Equals That (2014), among many other projects.
Jason Fulford (born 1973) is a photographer and cofounder of J&L Books. He is a Guggenheim Fellow, a frequent lecturer at universities and has led workshops across the globe. His numerous monographs include The Mushroom Collector (2011) and Hotel Oracle (2013).
Paperback, 5 x 2.5 in. / 112 pgs / 52 color 9780999265543 Inventory Number: I00031920 -
SITTIN' IN: JAZZ CLUBS OF THE 1940s AND 1950s - SIGNED BY AUTHOR JEFF GOLD
Gold, Jeff, Sonny Rollins, Quincy Jones, Robin Givhan, Jason Moran & Dan Morgenstern. New York: Harper Design, 2020. First Edition. Oblong Small 4to. Boards in Illustrated Jacket. Music Monograph. As New/As New. 0-06-291470-7
"Sittin’ In: Jazz Clubs of the 1940s and 1950s" is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre - Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others - were headlining acts across the country. In many of the clubs, black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.
"Sittin’ In" tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; legendary tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; artist, musician, and creative director of the Kennedy Center, Jason Moran; and Jazz critic Dan Morgenstern.
Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). Its collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.Inventory Number: E201122JGSI
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CHERRY HILL: A CHILDHOOD REIMAGINED - SIGNED BY PHOTOGRAPHER JONA FRANK
(FRANK, JONA). Frank, Jona. With contributions by Laura Dern and Imogene Wolodarsky. New York: The Monacelli Press, 2020. First Edition. 4to. Illustrated Boards. Photography Monograph. As New/No Jacket - As Issued.
PLEASE NOTE: WE ARE EXCITED TO BE COLLABORATING WITH JONA FRANK ON SUNDAY AFTERNOON, NOVEMBER 15th BETWEEN NOON AND 2:00 PM FOR A PIE-ENHANCED, SOCIALLY-DISTANCED, OUTDOOR PRESENTATION AND BOOK SIGNING FOR "CHERRY HILL" AT SANTA MONICA'S RUSTIC CANYON PARK, 601 LATIMER ROAD!!!
FOR THOSE UNABLE TO ATTEND, OR WAIT TO GET THEIR HANDS ON JONA'S FABULOUS NEW BOOK, WE ARE OFFERING A LIMITED NUMBER OF SIGNED - OR PERSONALIZED IF YOU PREFER - ADVANCE COPIES AVAILABLE TO SHIP THIS WEEK, SO ORDER AWAY!!!
224pp, 200 illustrations in color and b&w.
"Cherry Hill" is a multimedia memoir of photographic artist Jona Frank’s upbringing in - and flight from - a stifling suburban household. Told in words and evocative photographs, Frank’s account of her childhood struggles with a repressive mother, mentally ill brother, and overwhelming expectations is leavened with episodes from her rich interior world.
Akin to a graphic novel, this hybrid of personal essay and photography breaks open the memoir format, detailing the life of a young artist as she spends her days dreaming of a friendship with Emily Dickinson, longing for Bruce Springsteen, and eschewing the rules of femininity. Frank employs a cinematic approach to construct vivid scenes from her youth. Using elaborately dressed sets, era-specific wardrobes, and multiple actors to portray herself as a child, Frank refashions her memories into vibrant tableaux. Strikingly, Frank cast Academy Award-winning actor Laura Dern in the role of her strict and complicated mother in a performance as bravura as her film and television work.
As Frank outgrows the confines of her environment and suffocating domestic life, discovering art and photography as the path to her personal fulfillment, she plots her ultimate escape. A unique photographic storytelling project reminiscent of such classics as "Fun Home" and "The Best We Could Do", "Cherry Hill" is an intimate self-portrait of what it takes to break free of convention and answer the question, “Who am I meant to be?”
"Jona Frank grew up in Cherry Hill, New Jersey, the daughter of an accountant and homemaker. Her previous books include "High School" (2004), "Right: Portraits from the Evangelical Ivy League" (2008), and "The Modern Kids" (2016). Frank's photographs have appeared in print and online publications including Newsweek, The New York Times Magazine, The New Yorker, and Mother Jones. Her films and photographs have been exhibited internationally and are held in the collections of the J. Paul Getty Museum, SFMOMA, and the Museum of Fine Arts, Houston, among others. She lives in Santa Monica, California, where she is beloved for her cherry pie."
978-1580935586 Inventory Number: E201115JFCH -
Architecture Is a Social ACT: Lorcan O'Herlihy Architects - SIGNED by Lorcan O'Herlihy
(O'HERILY, LORCAN), Anderton, Frances (Introduction by), Goldin, Greg (Author), Finnerty-Pyne, Sinéad (Author). Frame Publishers, I00210214, 2021. First Edition. Architecture Monograph. As New. 9789492311450
On Thursday, February 18th from 6:30 to 7:30PM, please join Lorcan O’Herlihy, FAIA, and Frances Anderton for a livestream discussion hosted by HELMS about LOHA’s latest monograph Architecture Is a Social Act. Click here for details about this free on-line event!
Good architecture is no longer about simply designing buildings, but about meeting head-on the forces that are shaping today’s world. Architecture is a Social Act addresses how the discipline can be used as a tool to engage in politics, economics, aesthetics, and smart growth by promoting social equity, human interaction, and cultural evolution. This book features 28 projects drawn from across LOHA’s nearly 30-year history, a selection that underscores the direct connection between the development of consciously designed buildings and wider efforts to tackle issues that are relevant in a rapidly changing world. LOHA’s projects are small, medium, large, and extra-large, from tiny Santa Monica storefronts to vast urban plans in Detroit, Michigan, and Raleigh, North Carolina. Each case study is evidence of LOHA’s mastery of scale, form, light, and space that gives people a true sense of place and belonging. Architecture is a Social Act points the way ahead for both people and architecture.
SIGNED by Lorcan O'Herily!
Inventory Number: E000LOHA
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PETER BEARD: 1977 EXHIBITION POSTER FOR "THE END OF THE GAME: THE LAST WORD FROM PARADISE" - A UNIQUE FRAMED EXAMPLE INSCRIBED BY PETER BEARD TO ICONIC NEW YORK RESTAURANTEUR ELAINE KAUFMAN THAT HUNG IN "ELAINE'S" UNTIL ITS CLOSING IN 2011
(BEARD, PETER). Beard, Peter. New York: Peter Beard, 1977. First Edition Thus. Elephant Folio. Printed Poster. Exhibition Poster. Near Fine.. One 25 x 18" heavy paper sheet printed photo-lithographically recto only, 1 illustration. Designed by Ruth Ansel and Peter Beard. This is the striking poster produced in conjunction with Peter Beard's 1977 "The End of the Game" exhibition at New York's International Center for Photography. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", Beard's groundbreaking first book from 1965 weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. This gripping body of work was presented twelve years afterwards at the ICP in a massive, elaborately staged installation designed by Marvin Israel. Along with hundreds of photographs, it integrated the artist's diaries, collages, animal skeletons, and more throughout the entire Fifth Avenue space. Its poster featuring a collaged array of images of Kenyan wildlife was a collaboration between Beard his "The End of the Game" graphic designer Ruth Ansel. The venue's commercially produced version measures 27 ½ x 20 ½", and includes the ICP logo in large type across the bottom edge. This however is a slightly smaller - we believe earlier - prototype variant lacking any reference to the ICP whose borders and grid of nine photographs are significantly different. Additionally, the first word in the title had been cut and pasted in the artwork to read "Tthe". A remarkably similar, yet different variant is pictured in photographs by Orin Langelle who documented the installation of the exhibition, and whose work - including images of that poster - are reproduced on the photographer's website. A most handsome example of this uncommon, unique item additionally bearing the BOLDLY SIGNED PRESENTATION "For Elaine in memory of the hot summer of '77 (two hearts) Peter B" vertically in orange crayon across the left margin. "Elaine" is Elaine Kaufman - the late, legendarily feisty proprietor of fabled Manhattan bar and eatery "Elaine's". The opening scene of Woody Allen's "Manhattan" was filmed there, Billy Joel name-checked it in "Big Shot", and the list of bold-faced names that favored her watering hole from the sixties through the new millennium reads as a virtual who's who of the New York literary, entertainment, and cultural elite. Woody, Andy, Truman, Jack, Jackie O., and Beard - known for his love of nightlife - were regulars for whom Elaine reserved her best tables each evening. The inscription refers to the record-breaking July 1977 heatwave that spawned New York's great blackout and "The Summer of (the Son of) Sam". The poster is still housed in its slightly weathered vintage black wooden frame with a glass face (from the still-extant Bark Frameworks on Wooster Street) that adorned the restaurant's memorabilia-cluttered walls for more than thirty years. Boasting impeccable provenance, this remarkable object was acquired in 2011 at the New York auction of Ms. Kaufman's personal belongings and "Elaine's" keepsakes following her death in 2010. 0-87701-521-X Inventory Number: 026361
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HALE WOODRUFF: "THE TRAVELERS" - AN EARLY COLOR LINOLEUM BLOCK PRINT
(WOODRUFF, HALE). Woodruff, Hale. NP. ND (Circa 1935).: Self-Published. First Edition. 4to. Printed Paper. Color Linoleum Block Print. Near Fine.. One 8 x 10 ¼" sheet of cream wove paper printed in colors recto only, neatly folded vertically to make 8 x 5 1/8" mounted with archival photo corners in a heavy white 14 x 11" beveled mat, 1 color illustration. This is the vibrant linoleum block print in colors entitled "The Travelers" self-published in the 1930s by the noted muralist, painter, and printmaker Hale Woodruff. Sent to a friend as a holiday card, it features three doves flying above three riders on asses underneath a brilliant star, in what was likely a stylized depiction of the three wise men. The recipient was Ms. Marjorie Green, a modest art collector and employee of Los Angeles' Golden State Mutual Insurance Company, the city's largest black-owned insurer for most of the twentieth century. Golden State Mutual collected work by many of the major "negro artists" of the period, and in 1949 commissioned a mural from Woodruff in collaboration with Charles "Spinky" Alston entitled "The Negro in California History". A native of Cairo, Illinois, Hale Aspacio Woodruff began his career as a political cartoonist, first for a high school newspaper in Nashville, Tennessee, and later for an African American newspaper in Indianapolis. In 1926 he won an award from the Harmon Foundation that enabled him to study art in Paris from 1927 to 1931, where he met Henry Ossawa Tanner, leading figures of the French avant-garde, and began collecting African art. Returning to the U.S., Woodruff secured work as an art teacher to support himself, and subsequently became the art director at Atlanta University - a Historically black college - where he taught classes at the university's Laboratory High School, as well as for students at Morehouse and Spelman, a related college for black women. He founded the annual competition, "Atlanta University Annual Exhibition of Paintings, Sculpture, and Prints by Negro Artists". In 1936 Woodruff traveled to Mexico to study as an apprentice under the renowned muralist Diego Rivera, learning his fresco technique and becoming interested in portrayal of figures. Keenly aware of the racism and poverty African Americans in the South faced during the Great Depression, the artist turned to painting and printmaking for social advocacy. Woodruff returned to Atlanta later that same year to his teaching position, and began traveling to Talladega College in Alabama to teach and work on a commission for what became his "Amistad Mutiny" murals. In 1946, Woodruff joined the faculty at New York University in Manhattan, where he helped establish the Spiral Group (with fellow artists Romare Bearden, Charles Alston, and Norman Lewis) and taught for more than twenty years before retiring in 1968. Woodruff died in New York City on September 6, 1980. A bright, unfaded, most handsome example of this exceedingly uncommon artwork - identified by the African-American Art department at Swann Auction Galleries as the earliest example located of a graphic work in color by Hale Woodruff - TITLED AND SIGNED "The Travelers" / "H. Woodruff" in pencil along the lower margin, as issued. Inventory Number: 026310
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"MY ESCAPE": A PRESENTATION OF THE ART OF KATHARINE HEPBURN 1907-2003 - AN INSCRIBED COPY FROM AUTHORS CARLTON MADDOX AND STEVE CAMPBELL
(HEPBURN, KATHARINE). Maddox, Carlton L. & Steve Campbell. Burbank, CA: Carlton L. Maddox & Steve Campbell, 2004. First Edition. 4to. Velobound Wrappers. Artist Monograph. Fine.. np (290pp), 134 color illustrations. Published as what seems to be a labor of love, "this tribute to Katharine Hepburn by a long-time fan is presented with the desire to record the artistic efforts of an important figure of the 20th Century." "My Escape" collects one hundred and twenty-eight full page color reproductions with details of Hepburn's paintings and drawings drawn substantially from the June 11th, 2004 Sotheby's auction of the renowned late actor's estate. A brand new, most handsome example of this exceedingly uncommon, unstated limited edition - this is copy # 22 - additionally BOLDLY SIGNED AND INSCRIBED "Enjoy! / Steve Campbell / Carlton Maddox" in black ink by the authors. Inventory Number: 026200
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SÜDDEUTSCHE ZEITUNG MAGAZIN NO. 46 - 13.11.92 - WITH A COVER AND INSERT BY JEFF KOONS - SIGNED AND DATED BY THE ARTIST
(KOONS, JEFF). Koons, Jeff. Andreas Lebert, Editor. München, GERMANY: Magazin Verlagsgesellschaft Süddeutsche Zeitung mbH, 1992. First Edition. 4to. Stapled Illustrated Wrappers. Artist's Multiple. Near Fine.. 94pp, profusely illustrated in color and b&w. Text in German. In a protective clear acetate dustwrapper. This 1992 issue of the Munich-based Sunday arts and culture magazine "Süddeutsche Zeitung" contains a commissioned cover and twenty-six page kitsch-adjacent artist's project entitled "Baby & Eimer, Ein Bilderzyklus von Jeff Koons für das Magazin der Süddeutsche Zeitung (Baby & Bucket, A Picture Cycle...)" that appears here for the first time, and which has not been subsequently reprinted elsewhere. A bright, most handsome example of this ephemeral item additionally BOLDLY SIGNED AND DATED "J / '92" in the year of publication in silver marker on the front cover. Inventory Number: 026195
$500.00 InquireFiled Under: Artist Monographs, Artists' Books, Periodicals, Signed Books, Graphics + Multiples, Original Art -
JENNY HOLZER: SET OF TEN TRUISM STAMPS
(HOLZER, JENNY). Holzer, Jenny & Marianne Weems. New York: Art Matters, 1995. First Edition. Small Oblong 8vo. Printed Paper in an Envelope. Artist's Multiple. Fine. (But Incomplete). One 3 ½ x 8 ½" mucilage-backed paper sheet printed offset recto only, perforated to make ten individual stamps. This is the set of black on silver postage-style stamps reproducing ten phrases drawn from Jenny Holzer's "Truisms" series produced to be included in with 1995 fundraising letter to benefit the New York non-profit arts organization, Art Matters. The artist's thought-provoking phrases are RAISE BOYS AND GIRLS THE SAME WAY, DRAMA OFTEN OBSCURES THE REAL ISSUES, A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER, ACTION CAUSES MORE TROUBLE THAN THOUGHT, CHANGE IS VALUABLE WHEN THEY OPPRESSED BECOME TYRANTS, ANY SURPLUS IN IMMORAL, SLOPPY THINKING GETS WORSE OVER TIME, A LOT OF PROFESSIONALS ARE CRACKPOTS, BOREDOM MAKES YOU DO CRAZY THINGS, and WISHING THINGS AWAY IS NOT EFFECTIVE. A most handsome example of this artist's multiple only - not accompanied by the printed fundraising letter - in its opened Art Matters glassine mailing envelope. Inventory Number: 026191
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$ 500 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-500
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$ 50 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-50
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$ 250 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-250
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$ 25 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-25
-
$ 200 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-200
-
$ 150 Gift Certificate
.
Beautiful letter-pressed gift certificates designed by Tom Adler.
Please let us know in the NOTES section of the checkout page:
- if you'd like it mailed to you or directly to the recipient
and
- if/how you'd like us to fill out the "to" and "from".Need it right away? We'll send you a PDF that you can print and mail the original as well.
Please note that sales tax will not be charged upon the redemption of any gift certificate or credit.
Inventory Number: Z-GC-150
