Arcana:

(ABLOH, VIRGIL) (NIKE). Abloh, Virgil, Nicholas Schonberger, Troy Patterson & Glenn Adamson. Koln, GERMANY: Benedikt Taschen Verlag, I000ABLOHNIKE, 2021. First Edition. 4to. Illustrated Boards. Fashion Monograph. New/No Jacket - As Issued. 9783836585095

The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind "one shoe." One story. - Virgil Abloh

ICONS is a dynamic retrospective of the extensive collaborative project between NIKE, Inc. and Virgil Abloh. Underpinned by "The Ten," ICONS explores how the partnership works to unify all the intangible cultural threads connected to sneakers. The book traces Abloh’s investigative, creative process through documentation of prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives.

Within ICONS, readers will find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s quotation marks trialed on Nike Air Force 1s and Converse All Stars cut into pieces. The effect is a behind-the-scenes witness to The Ten’s DIY approach, which gives each model in the Off-White™ c/o Nike collection its own unique touch. "The foundation of my practice isn’t nearly the end result - it’s rigor and process of the logic. The archive is the paper trail of those artifacts," says Abloh. "The ICONS book is, in a way, the only revealing lens to understand that the catalog of the fifty-plus Nike shoes I have designed are in my mind 'one shoe.' One story." 

Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A lexicon in the second part of the book explains the scene from which the project grew and introduces the people, places, objects, ideas, materials and expressions that form the foundation of sneaker culture as a whole.

The book builds upon Abloh's printed matter practice — archiving, documenting and storytelling through books and ephemera in service of preserving important cultural stories. As an extension of this practice, ICONS will enjoy an initial early release period through select Black-owned bookshops and independent retailers, demonstrating a shared belief in the vitality of print and the importance of local bookstores as hubs of community, culture and civic memory.

Published by Taschen, Art directed by Virgil Abloh, and designed by Zak Group, ICONS, as an object, honors the industrial DIY aesthetic of The Ten.

Inventory Number: I000ABLOHNIKE

(ANDREWS, BENNY). Andrews, Benny. Los Angeles: Ankrum Gallery, 1975. First Edition. Small 4to. Pictorial Wrappers. Artist Monograph. Very Good.. np (8pp), 4 b&w illustrations. With an exhibition history. This is the slender eight page catalog published in conjunction with Benny Andrews' 1975 Ankrum Gallery exhibition; the noted late African-American artist/illustrator's first Los Angeles one-person show. A handsome example of this uncommon ephemeral item that was the only printed documentation of the event showing a tiny area of white-out at the bottom of the front cover. It has been priced accordingly. Inventory Number: 024232

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one continuous accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") additionally SIGNED by Edgar Arceneaux in black ink on the rear endpaper of the text volume. 3-934823-82-3 Inventory Number: 019107

(BASQUIAT, JEAN-MICHEL). Basquiat, Jean-Michel. Paris, FRANCE. ND (circa 1990s).: Galerie Enrico Navarra. Edition Not Stated - Presumed First. Oblong 8vo. Printed Card Stock. Promotional Postcard. As New.. One 4 1/8 x 8 ¼" glossy cardstock sheet printed offset recto and verso, 1 color illustration. This an undated promotional postcard produced by Jean-Michel Basquiat's primary Parisian gallerist, Galerie Enrico Navarra that reproduces a detail from the artist's 1983 acrylic on canvas painting "Florence." A brand new, unmailed example of this uncommon ephemeral item perfect for the Basquiat completeist. While not indicated in any way, this was acquired from the library of the artist's close friend and ally, curator Diego Cortez. Inventory Number: 027016

(BASQUIAT, JEAN-MICHEL). Basquiat, Jean-Michel. Santa Monica, CA. ND (2005).: Ikon Gallery. First Edition. Oblong 12mo. Printed Card Stock. Exhibition Announcement. Fine.. One 5 x 7" glossy cardstock sheet printed offset recto and verso, 4 color illustrations. This is the postcard announcement for a 2005 Jean-Michel Basquiat gallery exhibition that reproduces three artworks as well as a photographic portrait of the artist in full color. A brand new, pristine unmailed example of this uncommon ephemeral item. Inventory Number: 026330

(BASQUIAT, JEAN-MICHEL) (HARING, KEITH) (SCHARF, KENNY). Basquiat, Jean-Michel, Keith Haring & Kenny Scharf. New York: Malca Fine Art, 1997. First Edition. Oblong Folio. Printed Poster. Exhibition Poster. Near Fine.. One 11 x 17" heavy textured paper sheet printed color offset recto only, machine-folded once. This is the festive, brightly colored poster published in conjunction with a 1997 Malca Fine Art gallery exhibition of works by Jean-Michel Basquiat, Keith Haring, and Kenny Scharf - the undisputed stars of the East Village scene of the early eighties - entitled "In Your Face". A most handsome unmailed example of this uncommon ephemeral item that was folded by the printer and subsequently flattened that reproduces one artwork in color by each of the trio of artists. Inventory Number: 026464

(BASQUIAT, JEAN-MICHEL). Hoffman, Fred. New York: Enrico Navarra Gallery, 2017. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 256pp, profusely illustrated in color and b&w. "The Art of Jean-Michel Basquiat" is the authoritative, copiously illustrated 2017 monograph on the late, great New York artist published by his longtime gallerist, Enrico Navarra. It was authored by noted Basquiat scholar Fred Hoffman, who was a friend, confidant, and print publisher to the artist during his brief but stellar career; and who has written several significant catalogue essays for exhibitions over the past several decades. A brand new, most handsome example of this uncommon - only six copies are currently cited in OCLC WorldCat - and important document additionally SIGNED by author Fred Hoffman in ink on the title page. 2-911596-53-6 Inventory Number: 027050

(BASQUIAT, JEAN-MICHEL). Marshall, Richard & Franklin Sirmans. Los Angeles: DeSanctis Carr Fine Art, 2001. First Edition 1/2000. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 32pp, 14 b&w and 8 color illustrations + cover. Designed by Hanna Alderfer of HHA Design. With an annotated chronology. This is the slender yet elegant catalogue produced as the prospectus for the 2001 estate-authorized portfolio of four hand-pulled limited screenprints based on four of Jean-Michel Basquiat's favorite paintings that he refused to sell during his lifetime. A brand new, most handsome example of this uncommon item limited to two thousand unnumbered copies. 0-9712924-0-X Inventory Number: 026325

(BASQUIAT, JEAN-MICHEL). Marshall, Richard, Ingrid Sischy & Fred Braithwaite (aka "Fab 5 Freddy"). London: Serpentine Gallery, 1996. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (16pp) + np (6pp), profusely illustrated in color and b&w. Designed by Area. With an exhibition checklist. This is the slender catalogue featuring an essay by Richard Marshall published in conjunction with a posthumous 1996 Serpentine Gallery exhibition of twenty-five works by Jean-Michel Basquiat that subsequently traveled to Malaga. A brand new, most handsome example of this exceedingly uncommon item with the inclusion of the separate eight page booklet of a transcribed reminiscence of the artist between Fred "Fab 5 Freddy" Braithwaite and Ingrid Sischy. Inventory Number: 026324

(BASQUIAT, JEAN-MICHEL) (TWOMBLY, CY). Pellizzi, Francisco. Los Angeles: Michael Kohn Gallery, 2004. First Edition. 4to. Printed Wrappers. Artists Monograph. Fine.. np (36pp), 20 color illustrations. This is the slender yet elegant catalogue produced in conjunction with a 2004 gallery exhibition of drawings and paintings by Cy Twombly and Jean-Michel Basquiat. Each of the twenty works shown - five by Twombly, fifteen by Basquiat - is illustrated. A brand new most handsome example. 1-880086-14-X Inventory Number: 027028

(BASQUIAT, JEAN-MICHEL) (WARHOL, ANDY). Als, Hilton. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artists Monograph. Fine.. np (36pp), 24 color and 1 b&w illustration. Designed by Bruce Mau Design, Inc. This is the slender yet elegant catalogue produced in conjunction with a 2002 Gagosian Gallery New York exhibition of twenty-four of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1984 and 1985. A most handsome example of this uncommon item. 1-880154-78-1 Inventory Number: 026264

(BEARDEN, ROMARE). M(iller)-K(eller), Andrea. Hartford, CT: Wadsworth Atheneum, 1975. First Edition. 8vo. Printed Wrappers. Artist Monograph. Fine.. np (4pp), 1 b&w illustration. With an exhibition checklist, exhibition history and bibliography. This is the slender four page brochure published in conjunction with a 1975 exhibition of six collages by the venerable African-American artist Romare Bearden held at Hartford's Wadsworth Atheneum. A most handsome copy of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 026736

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CASTEEL, JORDAN). Casteel, Jordan, Massimiliano Gioni. Dawoud Bey, Lauren Haynes, Amanda Hunt & Thelma Golden. Foreword by Lisa Phillips. New York: New Museum, 2020. First Edition. Small Folio. Illustrated Wrappers. Artist Monograph. As New.. 410pp, profusely illustrated in color and b&w. "This is the nicely appointed catalogue published in conjunction with artist Jordan Casteel’s first solo museum exhibition in New York. It surveys forty large-scale paintings from throughout her career, including works from the celebrated series "Visible Man" (2013-14) and "Nights in Harlem" (2017), along with recent cropped "subway paintings" and portraits of her students at Rutgers University-Newark. Whether depicting former classmates from Yale, nude and in serene repose; street vendors near her home in Harlem; anonymous New Yorkers huddled on the subway; or her own students, posed largely in domestic interiors among their personal belongings, she explores how both public and private spheres can serve as frames for an inner life. This generously illustrated, oversized publication is the first comprehensive monographic publication on Casteel’s work, and includes texts by Dawoud Bey, Amanda Hunt and Lauren Haynes as well as conversations conducted with the artist by Massimiliano Gioni and Thelma Golden." A brand new, most handsome example of this lovely, already out of print document. Inventory Number: 026896

(COSBY, BILL). Cosby, Bill. NP: Bill Cosby, 1966. Edition Not Stated - Presumed First. 4to. Stapled Pictorial Wrappers. Near Fine.. np (16pp), profusely illustrated in duotone and b&w. This is a very cool, vintage Bill Cosby promotional booklet that was most likely sold as a program at the comedian's performance venues in the mid-sixties. It contains studio, performance, and candid photographs (even one by Dennis Hopper) of Cosby and his family, a section on "I Spy", and a 33 1/3 rpm Eva-Tone flexi-disc of the bit "Noah" excerpted from his then current album; "Bill Cosby is a Very Funny Fellow, Right?". A most handsome example of this uncommon ephemeral item. Inventory Number: 010557

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042

(DAVIDSON, BRUCE). Davidson, Bruce & Barney Simon. Koln, GERMANY: Galerie am Dom, Burkhard Arnold & Verlag Locher, 1999. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. 48pp, 28 duotone illustrations. Text in English and German. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. This elegantly produced hardbound catalogue was issued in conjunction with a 1999 Koln gallery exhibition of twenty-eight of Davidson's arresting "East 100th Street" images. A brand new, most handsome example of this uncommon item (whose 1970 Harvard University Press predecessor is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-97 of "The Book of 101 Books", and pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné") additionally BOLDLY SIGNED "Bruce Davidson" in black ink on the title page along with an adhesive label bearing the photographer's New York address and phone number affixed to the inside rear cover. 3-930054-33-7 Inventory Number: 024914

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by Mildred Feliciano. West Hollywood, CA: St. Ann's Press, 2003. First Edition 1/100 Deluxe. Large Square 4to. Cloth in Slipcase. Photography Monograph. As New/As New. np (165pp), 140 tritone illustrations. Designed by Paul McMenamin at SPINE. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" is one of the classic volumes of Post-War American photography. After more than twenty years of unavailability, it has been lavishly republished by the redoubtable St. Ann's Press, with thirty-five new images, all beautifully reproduced. A brand new, pristine example of the deluxe 2003 St. Ann's Press edition (whose 1970 Harvard University Press first hardbound printing is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") limited to one hundred copies NUMBERED (86/100) AND SIGNED "Bruce Davidson" in black ink on the half title page with an original 10 x 8" gelatin silver print of the image of two children peering out a fire escape window that is reproduced in the book SIGNED by Bruce Davidson in pencil on the verso laid into a portfolio and housed in the publisher's slipcase, as issued. 0-9713681-4-7 Inventory Number: 022755

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by U.S. Congressman John Lewis. Introduction by Deborah Willis. West Hollywood, CA: St. Ann's Press, 2002. First Edition 1/100 Deluxe. Large Square 4to. Cloth w/Pastedown in Slipcase. Photography Monograph. As New/As New. np (172pp), 144 tritone illustrations. Designed by Paul McMenamin at SPINE. Photographed during the height of the American Civil Rights struggle (with most of these images uncollected in book form until this undertaking), Bruce Davidson's moving portraits of social change from the rural South to the streets of Harlem and Chicago are a revelation some forty years later. Pictured here are the Reverend Dr. Martin Luther King, the Freedom Riders, National Guardsmen, Cracker lawmen, Klansmen, and the African-American populace undergoing their "Time of Change". A brand new, pristine example of the Deluxe edition of the 2002 first St. Ann's Press (cited on page 223 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred slipcased copies SIGNED with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Mother Brown" by Bruce Davidson. 0-9713681-2-0 Inventory Number: 019576

(DELANEY, BEAUFORD). Miller, Henry. New York: The Studio Museum in Harlem, 1978. First Edition Thus. 8vo. Stapled Illustrated Wrappers. Artist Monograph. Fine.. 24pp, 8 b&w illustrations + b&w cover. This is literary titan Henry Miller's charming illustrated essay on the noted late African-American artist Beauford Delaney that was originally published in 1945 by the Alicat Book Shop in Yonkers. A most handsome example of the 1978 facsimile reprint by The Studio Museum in Harlem. Inventory Number: 026737

(DOUGLAS, AARON). Ater, Renee, Kinshasa Houston Conwill, David C. Driskell, Susan Earle, Robert E. Hemenway, Amy Helene Kirschke, Stephanie Fox Knappe, Richard J. Powell & Cheryl R. Ragar. Susan Earle, Editor. Lawrence, KS & New Haven, CT: The Spencer Museum of Art, The University of Kansas in Conjunction with Yale University Press, 2007. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 254pp, 139 color and 50 b&w illustrations. With a chronology and bibliography. This is the substantial catalogue published in conjunction with the comprehensive posthumous 2007 traveling retrospective exhibition of work by artist Aaron Douglas circulated by The Spencer Museum of Art at The University of Kansas. With contributions by Susan Earle, Renee Ater, Kinshasa Houston Conwill, David C. Driskell, Robert E. Hemenway, Amy Helene Kirschke, Stephanie Fox Knappe, Richard J. Powell, and Cheryl R. Ragar and featuring nearly two hundred reproductions, it remains the major monograph on this pioneer of the Harlem Renaissance. A brand new, most handsome example of the hardbound edition. 9780300121803 Inventory Number: 027048

(GILLIAM, SAM). Gilliam, Sam, Peter Halley & Janelle Porter. Foreword by Jonathan P. Binstock. Los Angeles: David Kordansky Gallery, 2017. First Edition. 4to. Illustrated Boards. Artist Monograph. Near Fine./No Jacket - As Issued. 116pp, profusely illustrated in color + color cover. Designed by Purtill Family Business. With an exhibition checklist. This is the beautifully designed, lavishly produced hardbound catalogue published in conjunction with a 2017 exhibition of thirty-eight works executed between 1968 and 1973 by renowned African-American artist Sam Gilliam held at Los Angeles' David Kordansky Gallery. In addition to dozens of stunning reproductions, it contains texts by Janelle Porter and Jonathan P. Binstock along with a transcribed interview between Sam Gilliam and artist Peter Halley. A most handsome example of this uncommon - only ten copies are currently cited in OCLC WorldCat - document that sold out immediately upon publication. 0-9891598-5-X Inventory Number: 027006

(HAMMONS, DAVID). Hammons, David, Gary Garrels, Fred Moten, Tongo Eisen-Martin & Anthony Huberman. San Francisco: CCA Wattis Institute for Contemporary Arts, 2017. First Edition. 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. As New/As New. np, profusely illustrated in color and b&w. Designed by Scott Ponik. "The CCA Wattis Institute for Contemporary Arts, an exhibition space and research institute in San Francisco, dedicates year-long seasons of discussions and public events to a single artist. In 2016-17, the American artist David Hammons was "on our mind." The book begins with the previously unpublished transcript of a rare artist talk given by Hammons in 1994 at the San Francisco Museum of Modern Art, on the occasion of his exhibition there. It then introduces a series of photographs the artist sent to the Wattis Institute in 2017, interspersed with texts by the Bay Area poet Tongo Eisen-Martin and the writer and critic Fred Moten. Much like Hammons' work, this publication raises more questions than it answers. Rather than functioning as a comprehensive introduction to the artist, "David Hammons Is on Our Mind" offers visual and textual elements that relate obliquely to the enigmatic artist's oeuvre." A brand new, most handsome example of this uncommon item limited to seven hundred and fifty copies of which the majority were withdrawn from distribution shortly following its publication. 0-9849609-4-5 Inventory Number: 026626

(HAMMONS, DAVID). Heiss, Alanna, Kellie Jones, Steve Cannon & Tom Finkelpearl. New York & Cambridge, MA: The Institute for Contemporary Art, P.S. 1 Museum & MIT Press, 1991. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 96pp, profusely illustrated in color and b&w. Designed by Bethany Johns. Published in conjunction with a traveling 1991 retrospective of works by David Hammons, this remains the major reference on the noted socially and politically active African-American artist. A most handsome example of this uncommon item showing just a bit of sunning to the extremities of the dust jacket.. 0-262-03184-1 Inventory Number: 026595

(JOHNSON, RASHID). Rodrigues Widholm, Julie, Paul Beatty, Ian Bourland & Toure. Chicago: Museum of Contemporary Art, 2012. First Edition. 4to. Boards in Illustrated Jacket. Artist Monograph. As New/As New. 104pp, profusely illustrated in color and b&w. With a biography, exhibition history, bibliography and exhibition checklist. Designed by James Guggin. This is the nicely appointed hardbound catalogue published in conjunction with the 2012 Museum of Contemporary Art, Chicago survey exhibition of work by Rashid Johnson that subsequently traveled to the Miami Art Museum and Atlanta's High Museum of Art. The first major Museum retrospective for the noted African-American contemporary artist, it features essays by Julie Rodrigues Widholm, Paul Beatty, Ian Bourland, and Touré. A brand new, most handsome example still in the publisher's shrinkwrap. 0-933856-93-8 Inventory Number: 026625

(JOHNSON, WILLIAM H.). Taylor, Joshua C., Adelyn D. Breeskin & Jan K. Muhlert. Washington, D.C.: Smithsonian Institution Press, 1971. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 208pp, 161 b&w illustrations. With a bibliography, exhibition checklist, and index of titles. This is the substantial catalogue published in conjunction with a posthumous 1971 exhibition of one hundred and sixty works by the pioneering African-American artist William H. Johnson held at Washington, D.C.'s Smithsonian Institution. A bright, most handsome example of this vital document published on the occasion of Johnson's first Museum retrospective. LC 70-172991 Inventory Number: 026087

(KH MAGAZINE). Harry, Kevin. New York. 2014-2018: Self-Published. First Editions. 8vo. Stapled Pictorial Wrappers. Photography Monographs. As New.. Each 48 to 64pp, profusely illustrated in color. "KH" magazine is the colorful, under-the-radar annual (maga)'zine self-published by the amazing New York chronicler of style, Kevin Harry. With an eye for beauty and flair, "KH" captures the vibrant adornment, hair styles, and latest fashions of the five boroughs' African-American community, often at an open air festival or street carnival. A brand new, pristine set of all six hard to find installments published to date - issues 1 through 5 plus the "KH 2016 Special" - of this prescient document of ever-evolving innovative cultural style each of which has been additionally SIGNED by Kevin Harry in pencil on the rear cover. Inventory Number: 026674

(MARSHALL, KERRY JAMES). Marshall, Kerry James. Los Angeles: Museum of Contemporary Art, Los Angeles, 2017. First Edition. Small Folio. Printed Poster. Exhibition Poster. As New.. One 17 x 11" sheet printed offset recto and verso, machine folded in fourths, 3 color and 1 b&w illustration. This is the poster cum exhibition brochure issued for the Museum of Contemporary Art Los Angeles' 2017 presentation of Kerry James Marshall's traveling retrospective "Mastry". Folded as issued, one side reproduces Marshall's 1999 work "Rhythm Mastr" with typographic details for the exhibition, while the other reproduces three color images along with a schedule of the Museum's associated lectures and events. A brand new, most handsome example of this ephemeral item. PLEASE NOTE: This is the 11 x 17" MoCA exhibition poster for "Mastry" - NOT the hardbound exhibition catalogue of the same name. Inventory Number: 025675

(MITCHELL, TYRONE). Mitchell, Tyrone & Stephen Westfall. New York: Cyrus Gallery, 1988. First Edition 1/2000. 4to. Stapled Printed Wrappers. Artist Monograph. Near Fine.. 22pp, profusely, 7 color and 1 b&w illustration. With a biography, bibliography, and exhibition history. This is the catalogue published in conjunction with a 1988 New York gallery exhibition of then-recent sculptural work by the noted African-American sculptor Tyrone Mitchell. A most handsome example of this uncommon item. Inventory Number: 026741

(NENGUDI, SENGA). Mühling, Matthias & Stephanie Weber, Editors. München, GERMANY: Hirmer Verlag, I00200809, 2020. First Edition. 4to. Cloth with Pictorial Pastedown. Artist Monograph. As New/No Jacket - As Issued.

“For almost fifty years, Senga Nengudi (b. 1943, USA) has shaped an œuvre that inhabits a specific and unique place between sculpture, dance and performance. Her iconic R.S.V.P sculptures – performative objects made from pantyhose and materials such as sand and stone – have been acquired by important American museums. The publication accompanies the first solo exhibition of Nengudi in Germany at the Lenbachhaus, Munich.

Thanks to newly researched material that lay fallow until now, the publication will bring to light an astonishing early work by an artist who has consistently striven to expand the definition of what sculpture can be. Among the bodies of work presented in the book are the Water Compositions (1969–70), interactive vinyl and water sculptures that Nengudi understood as an organic rebuttal to the reign of Minimalism; early fabric works that Nengudi strung up in the back alleys of Harlem, New York; the suggestive R.S.V.P. sculptures (1976–today), some of which were activated in choreographed performances.” 978-3777433684 Inventory Number: I00200809

(NORTH DRIVE PRESS). Keegan, Matt & Sara Greenberger Rafferty, Editors. Brooklyn, NY: North Drive Press, 2008. First Edition 1/1000. 4to. Loose Contents in a Box. Periodical. As New.. np, profusely illustrated in color and b&w. Designed by Susan Barber. "North Drive Press" was founded by Matt Keegan and Lizzy Lee in 2003. The name refers to the street connecting the parallel blocks on which Matt and Lizzy - childhood friends - lived as adolescents. The impetus for the creation of NDP, as it is affectionately known, was to produce a mobile group exhibition. Beginning with issue #3, Sara Greenberger Rafferty (also an artist committed to collaboration and artist-produced publications) joined North Drive Press as co-editor of the project. Tokion said "It's a magazine but it comes in a box. No, not a magazine in a box, but a bunch of stuff in a box that's a magazine. Which turns out to have some distinct advantages over old-fashion printed-and-bound publications, such as the happy inclusion of posters, matches, original photos, stickers, cards, CDs, 7"s, booklets and even a sew-on patch". The New York Times said "The multiples are a delight, the interviews a gold mine." Limited to one thousand copies, this fourth annual edition features interviews and texts by Becca Albee and Kathleen Hanna, Fia Backstrom and Wade Guyton, Jennifer Bornstein and Jonathan Horowitz, Sarah Charlesworth and Sara VanDerBeek, Ken Gonzales-Day and Edgar Arceneaux, Alice Konitz and Michael Ned Holte, Eileen Quinlan and Liz Deschenes, Frances Stark and Amy Yao, Erika Vogt and Nancy de Holl, Matias Faldbakken, Kristina Kite, Andrew Lampert, Rose Oluronke Ojo, and Kevin Zucker. Artwork and multiples are contributed by Tobias Bernstrup, Laurel Broughton, Xavier Cha, Zoe Crosher, Andre Ethier, Danny Gordon, Corin Hewitt, Vlatka Horvat, Mark Klassen, Justin Lowe with Saleem Dhamee, Dane Mitchell, Jesse Reed, Alex Robbins, Jani Ruscica, Sara VanDerBeek, and Amy Yao. A brand new, pristine example (cited on pages 276-279 of Phillip E. Aarons' "In Numbers: Serial Publications by Artists Since 1955") of the first edition limited to one thousand unnumbered copies still in the publisher's shrinkwrap. 1-933045-71-X Inventory Number: 026819

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661

(PENDLETON, ADAM). Pendleton, Adam. New York: Zucker Art Books, 2018. First Edition #8/24. Elephant Folio. Wrappers in Clamshell Box. Artist's Book. As New./No Jacket - As Issued.. np (200pp), profusely illustrated in monochrome silkscreen. "Anthology" is Adam Pendleton's massive - 18 ½ x 14 ¼ x 2", elaborately produced 2018 artist book featuring two hundred compositions and a unique cover. Isolated photographs and fragments photocopied from the pages of books in the artist's personal library are layered with marks, dashes, patterns, shapes, and handwriting that frequently verges on abstraction. Each composition is unique, but many elements iterate and recombine throughout the series: masks, ceramics, phrases ("WHAT A DAY WAS THIS"; "IF THE FUNCTION"), and historical images related to the visual culture of decolonization. The compositions are directly related to Pendleton's ongoing series of works on Mylar, and the book translates and indexes these source collages, which are usually printed on transparent film. In "Anthology" they have been silkscreened onto delicate Japanese Shoji paper. Reflecting the combinatorial nature of the compositions, each book has a unique canvas fabric cover with a black-and-white pattern, screen printed with one of four handwritten texts. Pendleton has collated the works in this large volume in chronological sequence, encouraging readers to track the recurring components of the series as they phase in and out across the book's two hundred pages. A brand new, most handsome example of the book from an edition limited to twenty-four SIGNED AND NUMBERED copies each with a unique silkscreened cover housed in the publisher's debossed black cloth clamshell box, as issued. Inventory Number: 026872

(PHOTOGRAPHY AT THE CORCORAN). Livingston, Jane & Roy Slade. Washington, D.C.: The Corcoran Gallery of Art. First Editions. Square 8vo. Stapled Wrappers in Slipcase. Photography Monographs. Near Fine. or Better. np (each circa 24pp), profusely illustrated. With an exhibition checklist, bibliography, biography and exhibition history. This is the boxed set of slender 8 x 8" catalogues issued in conjunction with fifteen one-person photographic exhibitions held at Washington DC's Corcoran Gallery of Art between 1976 and 1980. These include all eight documents from the historic 1976 Bicentennial project "The Nation's Capital in Photographs" ("Lewis Baltz: Maryland", "Joe Cameron: The Extended Mall", Robert Cumming, Roy DeCarava, Lee Friedlander, John R. Gossage: The Better Neighborhoods of Greater Washington", Jan Groover, and Anthony Hernandez) along with "The Historic Photographs of Addison N. Scurlock" (1976), "Frank Di Perna: Color Photographs", "Sally Mann / The Lewis Law Photographs", "Mike Mitchell: Other Lights" (1977), Jerry Burchard, "Arnold Kramer / Interior Views" (1978), and Helen Levitt (1980). A most handsome group - each individual example is Near Fine or better - whose printed silver paper-over-boards slipcase shows some notable overall wear and rubbing. It has been priced accordingly. Inventory Number: 019949

(POPE.L, WILLIAM). Pope.L, William, Lisa Melandri, Wade Graham & Lauri Firstenberg. Santa Monica, CA: Santa Monica Museum of Art, 2007. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. 40pp, profusely illustrated in color and b&w. This is the catalogue issued in conjunction with three recent Santa Monica Museum of Art multi-media installations "the Grove", "A Personal History of Videography" and "The Semen Pictures" by William Pope.L - the mysterious self-proclaimed "Friendliest Black Artist in America". A brand new, most handsome example. 0-9745108-3-1 Inventory Number: 026742

(PORTER, JAMES A.). Breeskin, Adelyn D.. Washington, D.C.: The Barnett Aden Gallery, 1948. Edition Not Stated - Presumed First. 8vo. Illustrated Wrappers. Exhibition Brochure. Fine.. One 9 x 12" sheet printed offset recto and verso, machine folded in half vertically to make 4pp, one monochrome cover illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a February 1948 exhibition of twenty-six works by Howard University's noted African-American art historian, artist, and educator James A. Porter held at Washington D.C.'s pioneering Barnett Aden Gallery - the first successful Black-owned private art gallery in the United States. In addition to a complete checklist, it includes a brief essay on Porter by the then director of The Baltimore Museum of Art, Adelyn D. Breeskin. A bright, most handsome example of this exceedingly uncommon - only a single copy is currently cited in OCLC WorldCat - ephemeral item that was the only printed documentation of the event. Inventory Number: 026977

(PURYEAR, MARTIN). Davies, Hugh M. & Helaine Posner. Amherst, MA: University Gallery, University of Massachusetts at Amherst, 1984. First Edition. Square 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 44pp, 33 b&w and 20 color illustrations + cover. With a chronology, bibliography, and checklist of the exhibition. This is the catalogue published in conjunction with the 1984 touring Museum exhibition of works by the noted African-American sculptor Martin Puryear - his first comprehensive retrospective. It includes an extensive interview with the artist by curators Hugh M. Davies and Helaine Posner. A handsome example showing some light overall wear, creasing, and soiling to its white covers. LC 83-51797 Inventory Number: 026557

(ROBERTS, RICHARD SAMUEL). Johnson, Thomas L. & Phillip C. Dunn. Columbia, SC & Chapel Hill, NC: Bruccoli Clark & Algonquin Books of Chapel Hill, 1986. First Edition #91/100. 4to. Cloth in Jacket, Slipcased. Photography Monograph. Fine/Fine. 202pp, 200 duotone illustrations. Cover designed by Quentin Fiore. Published in 1986, this is the first issue of this important survey of the work of Richard Samuel Roberts. Roberts was a black photographer who operated a studio in Columbia, South Carolina from 1920 until his death in 1936, primarily documenting his mostly middle-class community. Following Roberts' passing, the studio's archive of over three thousand glass plate negatives remained safely stored away by his family for another forty years. This exquisite book showing a rare view the black South of the era of the Great Depression is the result of the archive's rediscovery in 1977. A most handsome example of the "Collector's Issue" limited to one hundred hardbound, slipcased copies each containing a NUMBERED 10 x 8" silver gelatin print of the book's cover image on whose verso is hand written "Copyright © 1986 / by the / Estate of Richard Samuel Roberts / 91/100" in a calligraphic script and signed by editor Phillip Dunn. The book is housed in the publisher's tan paper over boards slipcase that shows some light wear and soiling with a facsimile of a Roberts studio brochure laid in, as issued. 0-912697-47-4 Inventory Number: 027067

(SAAR, BETYE). Sims, Lowery. Fullerton, CA: Art Gallery, California State University, Fullerton, 1988. First Edition. Square 8vo. Wrappers in Pictorial Jacket. Artist Monograph. Fine./Fine.. 36pp, profusely illustrated in color and b&w. With a biography, bibliography, exhibition checklist and a color illustration of each of the 10 installations. This is the catalogue produced in conjunction with a 1988 exhibition of renowned Los Angeles-based African-American artist Betye Saar's ritualistic objects and altars on which viewers were invited to add "offerings". A most handsome example in dust jacket. 0-935314-37-7 Inventory Number: 026610