Arcana:

(ABBAS). Attar, Abbas. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1986. First Edition 1/3000. Oblong 4to. Pictorial Self Wrappers. Photography Monograph. Very Good.. np, profusely illustrated in b&w. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted to the haunting black and white images of the rural Mexican city of San Agustin Oapan taken by noted Iranian-born, Paris-based Magnum member Abbas (Attar). A handsome example of the photographer's uncommon second book (cited on page 20 of Horacio Fernandez' "The Latin American Photobook" and page 215 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") showing a flattened diagonal soft crease across the upper foredge corner of the rear cover and last several pages of the textblock. It has been priced accordingly. 968-16-2359-2 Inventory Number: 017778

(ADAMS, ANSEL). Senf, Rebecca A. Foreword by Anne Breckenridge Barrett. New Haven, CT & Tucson, AZ: Yale University Press in association with the Center for Creative Photography, 2020. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/As New. 288pp, 175 color illustrations. "One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’ career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’ artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice - beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.

Rebecca A. Senf is chief curator at the Center for Creative Photography, University of Arizona. Anne Breckenridge Barrett is associate vice president for the arts at the University of Arizona and director of the Center for Creative Photography."

PLEASE NOTE: We will begin shipping copies to PAC/LA members the week of July 13th. 0-300-24394-4 Inventory Number: E000AAMAP

(ADAMS, BRYAN). Adams, Bryan. Foreword by Margaret Atwood. Toronto, CANADA: Key Porter Books, 1999. First Edition (Second Printing). 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, profusely illustrated in b&w. "In some ways, this book started when Flare magazine published my photograph of model Linda Evangelista in 1998, promoting a concert she and I were co-sponsoring to raise money for a breast cancer screening clinic in St. Catharine's, Ontario. Previously, I had recorded some music for a CD and performed at a concert in Los Angeles both for breast cancer research, so the idea of continuing to raise awareness was forefront in my mind. I approached Flare with the idea of continuing to promote awareness, hence this book. I am extremely grateful to all those who gave both time and money to help make each photo happen and especially to all the women photographed here who were Made in Canada". This book of musician and photographer Bryan Adams' images of inspiring Canadian women includes portraits of Margaret Atwood - who contributed the foreword, Shalom Harlow, Kim Cattrall, Catherine O'Hara, Margaret Trudeau, Sarah McLachlan, Joni Mitchell, Silken Laumann, Natalie and Nicole Appleton, Alison Sydor, Shannon Tweed, Carolyn Waldo, Jane Sibbery, Eve Salvail, Floria Sigismondi, Dayle Haddon, K.D. Lang, Genevieve Bujold, Celine Dion, Natasha Henstridge, Margo Timmins, Pamela Anderson Lee, Anne Murray and Dawn Langstroth, Sarah Polley, Jill Hennessy, Melissa Auf Der Maur, Tricia Helfer, Stacey MacKenzie, Linda Evangelista, Margot Kidder, Alanis Moris7sette, Angela Featherstone, Neve Campbell, Carrie-Anne Moss, Shania Twain, Diana Krall, Estella Warren, and many, many more. A brand new, pristine example of the 1999 Key Porter Books second printing additionally BOLDLY SIGNED WITH A SMILEY-FACE DRAWING by Bryan Adams in black marker on the title page. 1-55263-071-4 Inventory Number: 020358

(ADAMS, ROBERT). Adams, Robert. New York: Matthew Marks Gallery, 2003. First Edition. 4to. Pictorial Self-Wrappers. Photography Monograph. As New.. (np) 116pp, 52 duotone illustrations. Designed by Catherine Mills. Produced in conjunction with a 2003 New York gallery exhibition, this is a somber volume that reproduces fifty-two photographs taken by Robert Adams between 1974 and 1984 of everyday folks traversing parking lots and city streets in the metropolitan Denver area. A brand new, pristine example still in the publisher's shrinkwrap. 1-880146-42-8 Inventory Number: 022913

(ADAMS, ROBERT). Adams, Robert. Introduction by Thomas N. Maytham. Hannover, GERMANY: Stiftung Niedersachsen, 1995. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in duotone. Text in English and German. This is the beautifully designed and illustrated hardbound catalogue published in conjunction with a 1995 Stiftung Niedersachsen exhibition of Robert Adams' early seventies photographs of the blight wreaked on the Colorado landscape by the hand of man. Shopping Malls, Tract Housing Developments, Used Car Lots - they're all here! A pristine copy of the 1995 first edition. 3-89169-094-0 Inventory Number: 022216

(ADAMS, ROBERT). Adams, Robert. Introduction by Thomas N. Maytham. Hannover, GERMANY: Stiftung Niedersachsen, 1995. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone. Text in English and German. This is the beautifully designed and illustrated hardbound catalogue published in conjunction with a 1995 Stiftung Niedersachsen exhibition of Robert Adams' early seventies photographs of the blight wreaked on the Colorado landscape by the hand of man. Shopping Malls, Tract Housing Developments, Used Car Lots - they're all here! A handsome copy of the 1995 first edition showing a bit of wear to the dust jacket along the extremities. It has been priced accordingly. 3-89169-094-0 Inventory Number: 022188

(AFANADOR, RUVEN). Afanador, Ruven. Introduction by Hector Abad Faciolince. Poems by Gloria Maria Pardo Vargas. Thalwil, SWITZERLAND: Edition Stemmle, 2001. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Near Fine. np, profusely illustrated in duotone. "Torero" is the exquisitely produced first book by noted Colombian-born, New York-based fashion photographer Ruven Afanador. It consists of highly stylized black and white portraits of Spanish and Latin American matadors in the studio, dressing room, and in the ring. Afanador shows an always keen eye for their masculine beauty, capturing some awfully tight talleguillas here. A most handsome example of this uncommon item additionally BOLDLY SIGNED "Ruven Afanador" in black ink across the half title page showing some typical slight pulling to the textblock along with some light sunning to the lettering along the spine of the dust jacket. 3-908163-48-X Inventory Number: 025309

(AGENT PROVOCATEUR) (MOSS, KATE). Saxton, Salima, Mike Figgis & Rowan Pelling. London. ND (2006).: Agent Provocateur. First Edition. Folio. Stapled Tabloid Wrappers. Fashion Trade Catalog. Fine.. 20pp, 19 color illustrations + color cover. In a protective clear acetate dustwrapper. "This astounding collaboration between Agent Provocateur and Kate Moss breaks new ground. Genius innovators in haute couture, Agent Provocateur have commissioned renowned film director Mike Figgis to portray Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist", and "Narcissus" - the Four Dreams of Miss X. Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences". A brand new, most handsome example of this uncommon object of desire. Inventory Number: 025134

(AKIYAMA, MAHOKO). Akiyama, Mahoko. Tokyo: Pan-Exotica & Treville Co. Ltd., 2004. First Edition. 12mo. Wrappers in Die Cut Slipcase. Photography Monograph. As New.. np, profusely illustrated in duotone plates. Text in English and Japanese. "I have always created dolls in accordance with the dictates of my heart at the time. Then I spend long hours in my room with the dolls I have finished creating or those that are unfinished, and photograph the various doll stories that float up in my imagination... In this manner, for several years, I have shot and collected one photo after another". From renowned Japanese doll maker/photographer Mahoko Akiyama comes this creepy little gem of a book that documents and reveals his very sexually charged creations. The follow-up to his 1991 title "Ange", these shadowy images provide a mysterious and brooding atmosphere that strongly evokes Hans Bellmer (especially in the hand-colored pastel images that pay homage to "La Poupee"), Bernard Faucon, David Hamilton, The Brothers Quay, and Katan Amano. A brand new, pristine example of this gorgeously designed and printed book housed in the publisher's printed, die-cut slipcase, bound with a baby blue ribbon, as issued. 4-309-90568-4 Inventory Number: 016121

(ALEXANDRE, CLAUDE). Iizawa, Kohtaro & Claude Alexandre. Tokyo: Treville Co. Ltd., 1992. First Edition. Folio. Pictorial Boards in Jacket. Photography Monograph. Fine/Very Good. np, profusely illustrated in duotone. Text in Japanese and English. Designed by Hideyuki Taguchi. Claude Alexandre's intense fetish and bondage images are well-known in the realm of photographic erotica. Published only in Japan, this beautifully designed and printed volume remains the most comprehensive compendium of her work. A most handsome example of this uncommon item showing just a bit of overall wear and handling. 4-8457-0700-4 Inventory Number: 008721

(ÁLVAREZ, MANUEL) Edited by Aurelia Álvarez Bravo, James Oles, Ramón Reverté. Text by James Oles. RM, I00033120. 2020. Hardbound. New/No Jacket - As Issued.

This book is the first devoted entirely to Alvarez Bravo color photographs. Although the language of Alvarez Bravo was black and white, he produced around 3,000 photographs in color.

Of this body of work, this book presents over 80 of the most significant images, many of them published for the first time, covering a broad spectrum, from his classic photographs to his little-known color experiments. Alvarez Bravo (1902-2002) is a key figure in Latin American photography in the XX Century. Born in Mexico and self-taught, his career spanned 80 years.

Influenced by European masters first, Avant-garde photography and the Mexican Muralist movement later, he developed a very personal style that has been considered as the beginning of a true Mexican photography. His work is part of the collection of the most important Museums in the world. 9788417975180 Inventory Number: I00033120

(ALVENG, DAG). Alveng, Dag & Susan Kismaric. Oslo, NORWAY: Koks Forlag & Preus Fotomuseum, 1986. First Edition 1/400. 4to. Boards in Printed Dust Jacket. Photography Monograph. Near Fine/Good. np (60pp), 26 duotone illustrations. Designed by Per Maning. Text in English and Norwegian. In a protective clear acetate dustwrapper. "Asylum" is noted Oslo-based photographer Dag Alveng's haunting look at a Norwegian Mental Institution as evidenced by its interiors and objects - devoid of its residents. It features beautifully reproduced black and white plates whose halftone negatives were prepared by the esteemed Richard Benson. An internally bright, most handsome example of the exceedingly uncommon 1986 first edition (cited on page 298 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to four hundred unnumbered copies bearing the SIGNED PRESENTATION "For Holly / Love, Dag" in ink on the title page whose notoriously fragile printed vellum dust jacket shows chips, closed tears, and paper loss to the front panel, and has adhered in spots to the glue-impregnated covers along the front and rear panels, as is typical. The inscription is to the much-loved late New York collector-turned-gallerist Holly Solomon, who gave the photographer his second US exhibition in 1993, and from whose library we acquired this significant tome directly. Inventory Number: 022501

(ALVENG, DAG). Alveng, Dag & Susan Kismaric. Oslo, NORWAY: Koks Forlag & Preus Fotomuseum, 1986. First Edition 1/400. 4to. Boards in Printed Dust Jacket. Photography Monograph. Near Fine/Very Good. np (60pp), 26 duotone illustrations. Designed by Per Maning. Text in English and Norwegian. In a protective clear acetate dustwrapper. "Asylum" is noted Oslo-based photographer Dag Alveng's haunting look at a Norwegian Mental Institution as evidenced by its interiors and objects - devoid of its residents. It features beautifully reproduced black and white plates whose halftone negatives were prepared by the esteemed Richard Benson. An internally bright, most handsome example of the exceedingly uncommon 1986 first edition (cited on page 298 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to four hundred unnumbered copies whose notoriously fragile printed vellum dust jacket shows a few slight chips, ripples and closed tears, and has adhered in spots to the glue-impregnated covers along the spine and rear panel, as is typical. The striking front cover image of an empty seating arrangement in the forest is unimpaired. Inventory Number: 022500

(ANDUJAR, CLAUDIA) Texts by Thyago Nogueira, Curator of the exhibition, and Bruce Albert, Anthropologist. Published by Fondation Cartier pour l'art contemporain, I00200520, 2020. 9 x 12 in., 336 pages. Paperback. New/No Jacket - As Issued.

This book is published to accompany “Claudia Andujar, The Yanomami Struggle” at the Fondation Cartier pour l’art contemporain in Paris, one of the most ambitious exhibitions devoted to the Brazilian photographer. Since the 1970s, Claudia Andujar has dedicated her life to photography and the protection of the Yanomami Indians, one of the largest Amerindian communities in the Brazilian Amazon.

Claudia Andujar features over 200 black-and-white and color photographs, historical documents, and drawings produced by Yanomami artists. The fruit of several years’ research into the photographer’s archives, this exhibition catalog reflects the two inseparable aspects of Andujar’s approach: aesthetic and political. This catalog also shows Andujar’s significant contribution to art photography and the essential role she has played in the defense of Yanomami rights and the forest where they live. 9782869251540 Inventory Number: I00200520

(ANTOLA, JESSICA). Antola, Jessica. Bologna, ITALY: Damiani Editore, 2018. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New.

Jessica Antola’s first monograph entitled Circadian Landscape is a vibrant journey through Sub-Saharan Africa. Traveling mostly by car, she captures the distinctive style and beauty of everyday life in Benin, Burkina Faso, Cote d'Ivoire, Ghana, Ethiopia, Senegal, and Togo. Her striking portraits, landscapes, and vignettes offer an intimate view of life lived in rural villages, big cities and along the remote roadways between the two. Men dressed head to toe in elaborate African wax textiles share a motorcycle; ancestral spirits bridge earthly and supernatural worlds in masked dances; the rich red soil dusts the lush tropical jungle; a girl in an over-sized straw hat steers her boat with a boldly patterned patchwork sail; and a gold jewelry-clad Kumasi King performs a warrior dance.

Antola is captivated by how people around the world express themselves in relation to their environments, and her images reflect the astonishing variety of ways people create and define themselves daily through dress and ritual, work and play.


PLEASE NOTE: Copies of "Circadian Landscapes" will be signed by Ms. Antola will be signing books at Arcana on Saturday April 21st and shipped beginning Tuesday, April 24th. If you would like to pre-order a signed copy and collect it at the event, please indicate this in the "notes" section of your order.


. 978-8862085809 Inventory Number: E000JACL

(APERTURE) (SOMMER, FREDERICK). White, Minor, Editor. Rochester, NY: Aperture Inc., 1962. First Edition. 8vo. Stapled Printed Wrappers. Photography Periodical. Very Good -.. 42pp, 30 duotone illustrations + rear cover. Designed by Frederick Sommer. In a protective clear acetate dustwrapper. This fortieth installment of Aperture from 1962 is designed and edited by, and devoted entirely to the writings and images of Frederick Sommer. The very first monograph on his work, it contains a portfolio of twenty-nine beautifully reproduced full page photographs by the venerable late American proponent of the Surrealist image. An internally bright, most handsome example of this surprisingly uncommon item (cited on pages 162-163 of "The Book of 101 Books") showing some faint spotting to the glossy white surface of the front cover. It has been priced accordingly. Inventory Number: 019948

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Ettore Sottsass, Tetsuo Ishida, Junichi Shioda, Jakucho Setouchi, Ua & Issey Miyake. Tokyo: Museum of Contemporary Art, Tokyo & Asahi Shimbun, 1999. First Edition. 4to. Stapled Pictorial Wrappers. Photography Monograph. Fine.. 152pp, profusely illustrated in color and b&w. Text in English and Japanese. Designed by Seichi Suzuki Design Office. With a biography, exhibition history, and bibliography. Published in conjunction with a 1999 Tokyo Museum exhibition, this excellent survey of Nobuyoshi Araki's eroticized lifestyle includes an interview with the photographer as well as texts by the likes of Ettore Sottsass, Tetsuo Ishida, Junichi Shioda, Jakucho Setouchi, and Issey Miyake. A most handsome example (entry number 254 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania"). Inventory Number: 022754

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi & Jerome Sans. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition 1/2500 Deluxe. Elephant Folio. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. 636pp, profusely illustrated in color and duotone. Text in English, German and French. With a biography and bibliography. "Known best for his intimate, snapshot-style images of women often tied up with ropes and of colorful, sensual flowers, Araki is an artist who reacts strongly to his emotions and uses photography to experience them more fully. Obsessed with women, Araki seeks to come closer to them through photography, using ropes like an embrace and the click of the shutter like a kiss. His work is at once shocking and mysteriously tender". Limited to two-thousand, five hundred copies worldwide, this massive volume (the first of Taschen's XXXL series) pares down decades of Nobuyoshi Araki's oeuvre into a thousand or so images that tell the story of the renowned Japanese photographer and comprise the ultimate retrospective collection of his work. A brand new, pristine example NUMBERED AND BOLDLY SIGNED by Araki in black ink on the title page housed in a clamshell box still sealed in the publisher's printed shipping box, as issued. 3-8228-1292-7 Inventory Number: 014522

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Osamu Wataya, Toshio Shiratani & Takayuki Ishii. Tokyo: Hysteric Glamour, 1999. First Edition. Folio. Illustrated Wrappers. Photography Monograph. Fine.. np, profusely illustrated in b&w. Text in English. In a protective clear acetate dustwrapper. Published as the tenth installment of Nobuhiko Kitamura's "Hysteric" monographs, this massive, beautifully printed Nobuyoshi Araki book surveys in black and white the architecture, facades, and modes of transportation of a densely populated urban Japanese neighborhood. A bright white, most handsome example (entry number 255 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania"). Inventory Number: 023971

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Osamu Wataya, Toshio Shiratani & Takayuki Ishii. Tokyo: Hysteric Glamour, 1999. First Edition. Folio. Illustrated Wrappers. Photography Monograph. Very Good -.. np, profusely illustrated in b&w. Text in English. Published as the tenth installment of Nobuhiko Kitamura's "Hysteric" monographs, this massive, beautifully printed Nobuyoshi Araki book surveys in black and white the architecture, facades, and modes of transportation of a densely populated urban Japanese neighborhood. A bright white, handsome example (entry number 255 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania") showing a slight crimp through a portion of the lower foredge corner. It has been priced accordingly. Inventory Number: 022265

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Seiko Tanabe & Akihito Yasumi. Tokyo: Heibonsha Co., 1996. Later Printing. 4to. Wrappers in Dust Jacket. Photography Monograph. Fine./Fine.. 200pp, profusely illustrated in b&w. Text in Japanese. Designed by Seiichi Suzuki Design Office. This third volume (of twenty) of "The Works of Nobuyoshi Araki" is subtitled "Yoko", and focuses on the iconic Japanese photographer's images of his late wife. A brand new, most handsome example of the 1996 printing of this uncommon item (entry number 163 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania") issued less than a month after the original. 4-582-66403-2 Inventory Number: 024450

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Seiko Tanabe & Akihito Yasumi. Tokyo: Heibonsha Co., 1996. First Edition. 4to. Wrappers in Dust Jacket. Photography Monograph. Fine./Fine.. 190pp, profusely illustrated in b&w and color. Text in Japanese. Designed by Seiichi Suzuki Design Office. This fifth volume (of twenty) of "The Works of Nobuyoshi Araki" is subtitled "Chrysalis", and focuses on the iconic Japanese photographer's provocative portraits of pre-pubescent Japanese models in varying poses, and states of dress. A brand new, most handsome example of the exceedingly uncommon 1996 first printing (entry number 167 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania"). PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 4-582-66405-9 Inventory Number: 023202

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi, Seiko Tanabe & Akihito Yasumi. Tokyo. 1996 (2001).: Heibonsha Co.. Later Printing. 4to. Wrappers in Dust Jacket. Photography Monograph. Fine./Fine.. 190pp, profusely illustrated in b&w and color. Text in Japanese. Designed by Seiichi Suzuki Design Office. This fifth volume (of twenty) of "The Works of Nobuyoshi Araki" is subtitled "Chrysalis", and focuses on the iconic Japanese photographer's provocative portraits of pre-pubescent Japanese models in varying poses, and states of dress. A brand new, most handsome example of a 2001 later printing of this uncommon item (entry number 167 of the Complete List of Nobuyoshi Araki Publications, 1979-2012 in the Izu Photo Museum's "Ararchy Photobook Mania"). PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 4-582-66405-9 Inventory Number: 022899

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one continuous accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") additionally SIGNED by Edgar Arceneaux in black ink on the rear endpaper of the text volume. 3-934823-82-3 Inventory Number: 019107

(ARGENTINI, GUIDO). Argentini, Guido. NP: Self-Published, 2011. First Edition 1/100 Deluxe. Square 4to. Padded Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 128pp, 104 color and 78 duotone illustrations. Text in English, French, German, Spanish and Italian. The sculpture of Michelangelo, Rodin, and Brancusi, serve as the inspiration for Guido Argentini's masterly images of the female nude. Published by the Italian-born, Los Angeles-based photographer himself, "Shades of a Woman" is a sumptuously produced collection of nearly twenty years of work including his striking "Silvereye" series of statuesque models completely covered in metallic pigment a la Shirley Eaton in "Goldfinger". A brand new, pristine example of the deluxe edition limited to one hundred copies BOLDLY NUMBERED (42/100), SIGNED AND DATED "Guido Argentini '11" in ink on the front pastedown accompanied by a NUMBERED, SIGNED AND DATED 10 ¾ x 10 ¾" silver gelatin photographic print housed in the publisher's gilt-embossed blue silk-over-boards slipcase, as issued. 0-615-41928-3 Inventory Number: 020789

(ARSENAULT, MAUDE). Deadbeat Club, I00200430, 2020. 9.4 x 12.25 in.. Paperback. New/No Jacket - As Issued.

Maude Arsenault’s Entangled encapsulates a pivotal moment for her work, representing a shift in perspective and personal responsibility. “After years dedicated to creating glorified images of women,” she says of her success in fashion photography, “I came to question my role and influence in the transmission of models of femininity.” Albeit informed by a progressive, non-binary upbringing, this introspection is ultimately necessary now – in the context of motherhood as she raises three children including a young woman.

When speaking about Entangled, Arsenault invokes the French word carcan – meaning “ploy,” or “ambush,” or “ideological trap” – to explain the underlying motivation for making the spare and evocative pictures in this debut monograph. By which she means that becoming an adult and a parent have given her distance and perspective on the cultural demands made on the bodies and societal roles of young women, and particularly on life choices which have been constricted or even foreordained. Arsenault calls the work “a poem, an ode, a shout out,” and one senses that the quiet power of the book lies in contradictions still unresolved even as the author gains in experience and independence. “I feel often trapped in the person I have been trying to be my entire life,” she says in a touching and revealing statement, one that perfectly echoes the finely calibrated tensions and the tentative triumphs evoked in these pages. “Now I stand, shaky but alive, looking away at my world as a female with the best possible hope.”
9780999829851 Inventory Number: I00200430

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A handsome example showing a bit of curling to the textblock at the foredge tips. 0-920089-52-6 Inventory Number: 024666

(ATGET, EUGENE). Naef, Weston. Malibu, CA: The J. Paul Getty Museum, 1991. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Near Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany "Atget's Magical Analysis"; a 1991 exhibition of vintage prints by the noted Parisian street and architectural photographer drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 021429

(AVEDON, RICHARD). Avedon, Richard. New York & Rochester, NY: Random House, Inc. & Eastman Kodak, 1993. First Edition. Small Folio. Cloth in Acetate Dust Jacket. Photography Monograph. Fine/Fine. np, 284 duotone illustrations. Designed by Mary Shanahan. "An Autobiography" is Richard Avedon's magnum opus. It collects nearly fifty years of masterful fashion, celebrity and portrait photography in a single massive, beautifully designed and printed volume. A brand new, most handsome example of the 1993 first printing BOLDLY SIGNED AND DATED "Avedon 1993" in black ink across the entire front pastedown in the year of publication whose fragile printed acetate jacket is in lovely condition and bears a "Rizzoli Autographed Copy" label on the front panel still housed in the publisher's well-preserved printed white cardboard shipping carton, as issued. 0-679-40921-1 Inventory Number: 025967

(AVEDON, RICHARD) (BALDWIN, JAMES). Avedon, Richard & James Baldwin. Lucerne, SWITZERLAND: C.J. Bucher, 1964. First Edition. Small Folio. Silver Gilt Debossed Boards. Photography Monograph. Fair./No Jacket - As Issued. np, profusely illustrated in b&w gravure. Designed by Marvin Israel. Text in English. "Nothing Personal" is Richard Avedon's strikingly beautiful 1964 collaboration with noted literary lion James Baldwin. The photographer's second book, its images primarily hail from "Harper's Bazaar" and other magazine editorial work from the fifties and sixties. With figures from politics, society, fashion, literature, and the arts, it is a veritable who's who of power of the mid-Twentieth Century containing many of Avedon's most famous portraits including Dwight David Eisenhower in close up, the fragile Marilyn Monroe, a smug George Wallace, the pregnant Ted Kennedys in the surf, and many, many more. These are beautifully reproduced in stark black and white gravure, with Marvin Israel's book design here every bit the equal of the legendary Alexey Brodovitch's contribution for Avedon's first work, "Observations". An internally clean and sound example of the 1964 C.J. Bucher first Swiss edition with an English language text lacking the publisher's slipcase additionally bearing the BOLDLY SIGNED PRESENTATION "For Dear ... with gratitude ever, Dick Avedon -" in black fountain pen on the verso of the front pastedown showing some mild brown staining to a few pages along the foredge of the textblock. The binding has a bit of play, and the glossy white boards show some overall wear, soiling and light age-toning with abrasions through to the cardboard at the tips. In addition, the paper covering the spine seems to have separated and subsequently been non-professionally repaired with two overlapping strips of black linen library tape run along its length. All in all, this is a sharper copy of this classic volume in hand than it describes here. It has been priced accordingly. Inventory Number: 020143

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. Inventory Number: 020629

(BALDESSARI, JOHN). Baldessari, John, Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, Gertrud Koch, Christopher Williams & Ann Goldstein. Koln, GERMANY & Graz, AUSTRIA: Verlag Der Buchhandlung Walther Konig & Kunsthaus Graz, 2005. First Edition. 4to. Wrappers in Plastic Jacket. Artist Monograph. Fine./Fine.. 240pp, profusely illustrated in b&w and color. Text in English and German. With an exhibition checklist, bibliography and exhibition history. This is the comprehensive catalogue published in conjunction with a 2005 Kunsthaus Graz exhibition surveying the primarily photographically based conceptual work of John Baldessari created between 1984 and 2004. It includes essays by Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, and Gertrud Koch as well as a transcribed conversation with the artist by Christopher Williams and Ann Goldstein. A brand new, pristine example of this uncommon document in the publisher's printed translucent vinyl jacket, as issued. 3-88375-937-6 Inventory Number: 021880

(BALDESSARI, JOHN). Sterne, Laurence, Melvyn New & John Baldessari. San Francisco: Arion Press, 1988. First Edition 1/400. Stout 8vo. Full Leather in Slipcase. Livre D'Artiste. Fine/No Jackets - As Issued. 624 + 46 + np, profusely illustrated in color and b&w. This twenty-sixth publication of Andrew Hoyem's esteemed Arion Press is a beautifully constructed and executed hand-letterpress reprinting of Lawrence Sterne's classic of English literature, "The Life and Opinions of Tristram Shandy, Gentleman" that has been newly-illustrated by the noted Conceptual artist John Baldessari. Remaining faithful to the delightful typographic eccentricities and variant spellings of Sterne's own self-published editions from the 1760s, the main text of the novel has been set in Caslon Old Style - the typeface utilized by Sterne for the original printings - and bound in a single, substantial three-quarter green goatskin over lovely hand-marbled boards volume. This is accompanied by literary scholar Melvyn New's informative forty-six page essay "Lawrence Sterne and Tristram Shandy" separately bound in boards. The crowning achievement of this ambitious undertaking however is the third volume which contains John Baldessari's wry visual commentary of photo-collaged and altered found photographs and film stills in the form of a lengthy accordion-fold leporello that is anchored between green gilt-stamped boards. The three volumes are housed in a gilt-stamped green paper over board slipcase along with the additional Arion Press pre-publication prospectus laid in. A brand new, most handsome example of standard edition of this exquisite, uncommon item limited to four hundred unnumbered copies BOLDLY SIGNED "John Baldessari" in pencil on the colophon of illustrated volume, as issued. Inventory Number: 025136