Arcana:

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(FERUS GALLERY). McKenna, Kristine. Gottingen, GERMANY: Steidl, 2009. First Edition. 4to. Pictorial Boards. Art Monograph. Fine/No Jacket - As Issued. 320pp, profusely illustrated in color and b&w. Designed by Lorraine Wild with Lauren Harden, Annessa Braymer and Xiaoqing Wang, Green Dragon Office. With artists' biographies and a bibliography. This is Kristine McKenna's extraordinary new history of Ed Kienholz, Walter Hopps, and Irving Blum's visionary Ferus Gallery. Between 1957 and 1966 the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay De Feo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of the first Los Angeles exhibitions by Andy Warhol, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Kurt Schwitters. "The Ferus Gallery: A Place to Begin" recounts the gallery's history chronologically in transcribed interviews with the Ferus artists, wives and girlfriends, collectors, and other well-placed Los Angeles denizens; featuring hundreds of vintage images of the artists and friends, artworks, installation photographs, posters, and much more - including many published here for the first time. A brand new, most handsome example of the 2009 Steidl first - and only - edition of this exceedingly uncommon, incredibly vital document. 3-86521-610-2 Inventory Number: 026436

(FERUS GALLERY). Turnbull, Betty & Walter Hopps. Newport Beach, CA: Newport Harbor Art Museum, 1976. First Edition. 4to. Pictorial Wrappers. Exhibition Catalog. Very Good.. np, profusely illustrated in b&w. Designed by Jerry McMillan. With a complete Ferus Gallery chronology. In a protective clear acetate dustwrapper. This invaluable reference catalogue was produced in conjunction with a 1976 Newport Harbor Art Museum exhibition of sixty-two artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year run, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair,, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibone, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Joseph Cornell. The publication reproduces thirty-six of the gallery's highly sought-after announcement posters - many featuring photographs by Dennis Hopper - as well as vintage documentary and installation images. A handsome example of this exceedingly uncommon and important document. Inventory Number: 027190

(FERUS GALLERY). Turnbull, Betty & Walter Hopps. Newport Beach, CA: Newport Harbor Art Museum, 1976. First Edition. 4to. Pictorial Wrappers. Exhibition Catalog. Very Good -.. np, profusely illustrated in b&w. Designed by Jerry McMillan. With a complete Ferus Gallery chronology. In a protective clear acetate dustwrapper. This invaluable reference catalogue was produced in conjunction with a 1976 Newport Harbor Art Museum exhibition of sixty-two artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year run, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair,, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibone, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Joseph Cornell. The publication reproduces thirty-six of the gallery's highly sought-after announcement posters - many featuring photographs by Dennis Hopper - as well as vintage documentary and installation images. An otherwise tight, handsome example of this exceedingly uncommon item showing some mild foxing to the edges and extremities of the textblock. Inventory Number: 026617

(FERUS GALLERY). Varnedoe, Kirk. Interview with Irving Blum by Roberta Bernstein. New York: Gagosian Gallery, 2002. First Edition. 4to. 1/4 Cloth Over Boards. Exhibition Catalog. As New/No Jacket - As Issued. 146pp, profusely illustrated in color and b&w. Designed by Bruce Mau Design Inc. With a Ferus Gallery chronology. This invaluable reference catalogue was produced in conjunction with a 2002 Gagosian Gallery exhibition of forty-four artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year life, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, Kurt Schwitters, and Joseph Cornell. The publication reproduces sixty-six of the gallery's highly sought-after announcement posters as well as vintage documentary and installation photographs, including many by Dennis Hopper. A brand new, most handsome example of the uncommon 2002 first Gagosian printing that sold out during the show's run still in the publisher's shrinkwrap. 1-880154-74-9 Inventory Number: 026637

(MONICK, DAN). Monick, Dan. NP (Los Angeles): Self-Published, 2012. First Edition 1/500. 4to. Printed Wrappers. Artist's Book. Fine.. np (64pp), 60 color illustrations. Limited five hundred copies, this charming little artist's book is Los Angeles-based photographer Dan Monick's play on Edward Ruscha's famous "Every Building on the Sunset Strip". On March 4th, 2012 the author drove the length of Sunset Boulevard from downtown to the Pacific Coast Highway photographing sixty payphones - each of which is reproduced on a full page. A brand new, most handsome example of the uncommon first and only printing limited to five hundred copies additionally BOLDLY SIGNED "Dan Monick" in black marker on the first preliminary. Inventory Number: 027425

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363

(OLDENBURG, CLAES). Oldenburg, Claes. Los Angeles: Margo Leavin Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 24 x 17 ½" sheet printed color offset recto only, 1 color illustration, machine-folded in fourths, as issued. This is the striking poster produced for the 1991 exibition of "20th Century Collage" organized by Los Angeles' Margo Leavin Gallery. The show featured ninety-one significant practitioner of the medium - from Kurt Schwitters to Edward Ruscha and Joseph Cornell to Richard Prince - and subsequently traveled to the Centro Cultural Arte Contemporaneo, Mexico City, and the Musée d'Art Moderne et d'Art Contemporain, Nice, France. The image reproduced is Claes Oldenburg's 1961 ink and newspaper collage on paper entitled "Street Figure (Using Movie Section, with Manhole)". A brand new, most handsome example of this uncommon item folded for mailing, as issued. Inventory Number: 026192

(RUSCHA, EDWARD). Banham, Reyner & Peter Wollen. Robert Dean & Erin Wright, Editors. New York & Gottingen, GERMANY: Gagosian Gallery & Steidl Verlag, 2005. First Edition 1/3500. 4to. Printed Boards in Slipcase. Catalogue Raisonné. As New/No Jacket - As Issued. 528pp, 304 color and 14 b&w illustrations. Designed by Bruce Mau Design, Inc. With an index, chronology, exhibition history and bibliography. This is the lavishly produced second volume (of a projected seven) on the works on canvas by noted Los Angeles via Oklahoma icon Edward Ruscha. Impeccably designed with a beautiful full page color reproduction for each painting, this is one of the most beautiful catalogues raisonné yet published for a major artist! A brand new, pristine example in the publisher's silver embossed chipboard slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-86521-138-0 Inventory Number: 019002

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024819

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artist's Book. Very Good./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") showing a slight dent to the heel of the spine and some wear and creasing along the spine and extremities of the faux wood veneer wrappers. Its latigo leather thong is complete and still-supple and the mounted front cover photograph is present and uncompromised - though its corner mounts show some sunning. Both business cards are stapled to the recto of the rear leaf, as issued. It additionally bears the BOLDLY INSCRIBED PRESENTATION "For Christopher Finch / Apt 412, 333 Oak Grove Street / Minneapolis Minnesota / 55403 / with much affection / B. A. B." as a thought balloon in black ink and "E Ruschay" in blue ink on the front cover. Chris Finch is a noted artist and writer who prominently included Ruscha's work in his 1968 survey "Pop Art: Object and Image" published by Studio Vista. He was a curator at Minneapolis' Walker Art Center at the time of "Business Cards"' publication, and from whom we obtained this significant tome directly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022374

(RUSCHA, EDWARD). Bois, Yve-Alain & Walter Hopps. New York: Gagosian Gallery & Rizzoli International Publications, Inc., 1993. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. As New.. 110pp, 28 b&w and 27 color illustrations. Tony Morgan / Step Graphics. This is the beautifully produced catalogue issued in conjunction with a 1993 Gagosian show of late sixties liquiform word paintings by Ed Ruscha. Each of the twenty-seven exhibited works is reproduced, and it includes the transcript of an interview between the artist and the late, great Walter Hopps. A brand new, pristine example still in the publisher's shrinkwrap. 0-8478-1730-X Inventory Number: 021500

(RUSCHA, EDWARD). Cathcart, Linda L. Foreword By Robert T. Buck. Buffalo, NY: Albright-Knox Art Gallery, 1976. First Edition. Square 8vo. Stapled Illustrated Wrappers. Artist Monograph. Very Good - .. 40pp, 22 b&w and 4 color illustrations + cover. With an exhibition checklist, exhibition history, and bibliography. This is the catalogue published in conjunction with Edward Ruscha's 1976 Albright-Knox Art Gallery exhibition of ninety-seven paintings, drawings, prints, and books - the artist's second ever major American Museum retrospective. An internally most handsome example showing some mild rubbing and soiling to its white wrappers. 0-914782-05-3 Inventory Number: 026694

(RUSCHA, EDWARD). Dean, Robert. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine.. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, most handsome example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 025792

(RUSCHA, EDWARD) (DEMAND, THOMAS) (GURSKY, ANDREAS). Gronert, Stefan, Diedrich Diederichsen & Ralph Rugoff. Preface by Dieter Ronte & Bonnie Clearwater. Bonn, GERMANY & North Miami, FL: Kunstmuseum Bonn & Museum of Contemporary Art, North Miami, 1999. First Edition. Oblong 4to. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Text in English. Designed by Kuhle und Mozer. With an exhibition checklist and biographies. In a protective clear acetate dustwrapper. "Great Illusions" is the beautifully designed hardbound catalogue published in conjunction with a traveling 1999 Museum survey exhibition of images by Thomas Demand, Andreas Gursky and Edward Ruscha - each of whose work straddles the boundaries of fine art and photography - dealing with the issue of "the fundamental question of reality in the picture". A brand new, pristine example of the uncommon English language edition still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-888708-07-7 Inventory Number: 024288

(RUSCHA, EDWARD). De Salvo, Donna and Linda Norden, Joan Didion & Frances Stark. Ostfildern, GERMANY: Hatje Cantz Verlag, 2005. First Edition. Oblong 8vo. Printed Wrappers. Artist Monograph. Fine.. np (64pp), 10 color illustrations. Text in English and Italian. Designed by Green Dragon Office (Lorraine Wild with Stuart Smith). This is the elegant little catalogue issued in conjunction with the 2005 selection of Ed Ruscha as the representative for the American Pavilion at the fifty-first Venice Biennale. Included are reproductions of each of the ten exhibited large-scale paintings on canvas from his series "Course of Empire", as well as a brief but nifty foreword by the late, great literary icon Joan Didion. A brand new, most handsome example. 3-7757-1654-8 Inventory Number: 026754

(RUSCHA, EDWARD). Hickey, Dave. Beverly Hills, CA & New York: Gagosian Gallery, 1998. First Edition. Oblong 4to. Embossed Boards. Artist Monograph. As New/No Jacket - As Issued. np, 20 color illustrations (including 8 folding plates). Designed by Patricia Moritz. This is the innovatively designed, beautifully produced catalogue issued in conjunction with a 1998 Gagosian show of recent paintings and drawings by Ed Ruscha. Each of the twenty exhibited works - eighteen representing map details and two combining glacial mountain backgrounds with text - is reproduced. A brand new, most handsome example of this elegant item still in the publisher's shrinkwrap. 1-880154-24-2 Inventory Number: 026748

(RUSCHA, EDWARD). Hopkins, Henry & Fumio Nanjo. Nagoya, JAPAN: Institute of Contemporary Arts, Nagoya, 1988. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Very Good.. 60pp, 34 illustrations in color. Text in English and Japanese. This is the well-illustrated catalogue published in conjunction with the Nagoya installation of a 1988 touring Japanese Museum survey of Ed Ruscha's paintings from the eighties. A handsome copy of this uncommon item showing a bit of light wear as well as some mild soiling to its matte white covers. It has been priced accordingly. Inventory Number: 016409

(RUSCHA, EDWARD). Hopkins, Henry T.. New York: Alexandre Iolas Gallery, 1970. First Edition. 8vo. Printed Wrappers. Artist Monograph. Near Fine.. np (36pp), 13 color and 1 b&w illustration, Designed by Sergio Tosi. In a protective clear acetate dustwrapper. This is the exceptionally stylishly designed document published in conjunction with Ed Ruscha's second solo exhibition in New York at Alexandre Iolas Gallery - his first gallery exhibition catalogue. It features a brief essay by the artist's longtime friend, curator extraordinaire Henry T. Hopkins, with each of the thirteen exhibited oil on canvas paintings from the two previous years beautifully reproduced on thick handmade paper stock. A most handsome example of this incredibly elusive little gem showing some typical light wear and soiling to its matte white covers. Inventory Number: 021883

(RUSCHA, EDWARD). Hopper, Dennis & John Berggruen. San Francisco & Los Angeles, CA: John Berggruen Gallery & James Corcoran Gallery, 2000. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 12 color and 17 b&w illustrations. This is the catalogue issued in conjunction with a 2000 San Francisco gallery exhibition by Los Angeles' favorite transplanted Oklahoman, Ed Ruscha. Twenty-five of the exhibited works on paper executed between 1965 and 1981 are illustrated here, in addition to a transcribed conversation about the artist between John Berggruen and Dennis Hopper. A most handsome example. Inventory Number: 022358

(RUSCHA, EDWARD). Hulten, Pontus & Dan Cameron. With an Interview by Bernard Blistene. Rotterdam, THE NETHERLANDS: Museum Boymans-van-Beuningen, 1990. First Edition 1/3000. 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine.. 152pp, 51 color and 20 b&w illustrations. Text in English and Dutch. With an exhibition checklist, biography, exhibition history, bibliography, and filmography. In a protective clear acetate dustwrapper. This is the beautifully designed catalogue published in conjunction with a comprehensive 1990 traveling Museum retrospective of paintings by Edward Ruscha. Each of the fifty-one works exhibited is reproduced in color. A most handsome example showing just a bit of light rubbing to the covers. 90-6918-048-0 Inventory Number: 026747

(RUSCHA, EDWARD). Hulten, Pontus & Dan Cameron. With an Interview by Bernard Blistene. Barcelona, SPAIN: Fundacio Caixa De Pensions, 1990. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 148pp, 51 color and 30 b&w illustrations + color cover. With an exhibition checklist, biography, exhibition history, bibliography, and filmography. Text in Spanish and Catalan. This is the beautifully designed catalogue published in conjunction with a comprehensive 1990 traveling Museum retrospective of paintings by Edward Ruscha. Each of the fifty-one works exhibited is reproduced in color. A brand new, pristine example still in the publisher's shrinkwrap. 84-7664-269-5 Inventory Number: 023619

(RUSCHA, EDWARD) (KLEE, PAUL). Crone, Rainer, Joseph Leo Koerner & Alexandra Grafin Stosch. Petrus Schaesberg, Editor. Regensburg, GERMANY: Iccarus & Verlag Schnell & Steiner GmbH, 1998. First Edition. 8vo. Illustrated Self-Wrappers. Artists Monograph. Near Fine.. 256pp, 35 b&w and 18 color illustrations. Text in German. This is a scholarly German monograph featuring essays by Rainer Crone, Joseph Leo Koerner, and Alexandra Grafin Stosch that examine, compare, and contrast the use of language and symbol in the paintings, drawings, and graphic works of Edward Ruscha and Paul Klee, and their combined influence in expanding the vocabulary of twentieth century modernism. A brand new, most handsome example still in the publisher's shrinkwrap. 3-7954-1206-4 Inventory Number: 020298

(RUSCHA, EDWARD). Lloyd, Jill. London: Karsten Schubert Ltd., 1988. First Edition 1/1200. 4to. Printed Wrappers. Artist Monograph. Very Good.. 24pp, 8 color illustrations. Designed by Tamar Burchill. With an exhibition history and bibliography. This is the slender catalogue issued in conjunction with a 1988 London gallery exhibition of eight recent dry-pigment on paper works by Ed Ruscha. A handsome example of this uncommon item showing some minor wear and creasing to the rear cover along the spine. 1-870590-06-6 Inventory Number: 026756

(RUSCHA, EDWARD). Lloyd, Jill. London: Karsten Schubert Ltd., 1988. First Edition 1/1200. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 24pp, 8 color illustrations. Designed by Tamar Burchill. With an exhibition history and bibliography. This is the slender catalogue issued in conjunction with a 1988 London gallery exhibition of eight recent dry-pigment on paper works by Ed Ruscha. A handsome example of this uncommon item limited to one thousand, two hundred unnumbered copies showing some minor wear and handling to the covers. 1-870590-06-6 Inventory Number: 015218

(RUSCHA, EDWARD) (MCMILLAN, JERRY). McMillan, Jerry. Santa Monica, CA: Craig Krull Gallery, 2004. First Edition 1/1200. 12mo. Pictorial Wrappers. Photography Monograph. Fine.. 82pp, 48 b&w illustrations + covers. Designed by Craig Krull. This is a charming little catalogue published in conjunction with a recent exhibition of forty-seven vintage photographic images of Edward Ruscha taken over the years by his good friend (and fellow Oklahoma City to L.A. transplant) Jerry McMillan. Trimmed to the size of one of Ruscha's self-published artist's books of the sixties and seventies, this contains an abundance of sweet and sexy pix of Ed the artist, friend, husband, and dad. A brand new, most handsome example (featured on pages 92-93 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 1-889195-52-9 Inventory Number: 027467

(RUSCHA, EDWARD). Ruscha, Ed. Edited and with an Introduction by Alexandra Schwartz. Cambridge, MA: An October Book / The MIT Press, 2002. First Edition. 8vo. Printed Cloth. Artist Monograph. Fine/No Jacket - As Issued. 455pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. A lovingly assembled compendium of Edward Ruscha's writings and thoughts, "Leave Any Information at the Signal" is divided into three parts - each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist". A brand new, most handsome example additionally BOLDLY SIGNED "Ed Ruscha" in black ink on the half title page. 0-262-18220-3 Inventory Number: 026743

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/3900. 12mo. Printed Wrappers. Artist's Book. Fine./No Jacket - As Issued.. np (64pp), 14 b&w illustrations. In a protective clear acetate dustwrapper. "A Few Palm Trees" is Edward Ruscha's thirteenth photographically illustrated artist book - a charming black and white survey of fourteen palm trees inhabiting the City of Angels. A bright, most handsome example of the 1971 first and only edition (entry B13 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 104 of "From Fair to Fine 2", and page 224 of "From Fair to Fine 3") limited to three thousand, nine hundred copies issued without a glassine wrapper additionally SIGNED "Ed Ruscha" in blue ink across the top of the front free endpaper showing just the most minute bit of wear and handling to its still-glossy black covers. Inventory Number: 027243

(RUSCHA, EDWARD). Ruscha, Edward. New York: Harry N. Abrams, Inc., 1980. First Edition. Oblong 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 96pp, 51 b&w and 33 color illustrations. "Guacamole Airlines" is the charming 1980 compendium of reproductions of eighty-four drawings executed by Edward Ruscha between 1962 and 1979. Ruscha himself classified this as an artist's book in his self-compiled bibliography for the catalogue published in conjunction with his 1982 touring Museum retrospective entitled "The Works of Edward Ruscha". A most handsome example additionally BOLDLY SIGNED "Ed Ruscha" in pencil across the top of the front pastedown. 0-8109-1580-4 Inventory Number: 026744

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Very Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! A most presentable example of the 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, four hundred and thirteen unnumbered copies additionally stamped by the artist in red ink "JAN 28 1968" and bearing the BOLDLY SIGNED PRESENTATION "To Sid & Rosamund / Ed Ruscha" in blue ink across the front free endpaper. Rosamund and Sidney Felsen are co-founders of Gemini G.E.L. - the legendary fine art printers that have published numerous editions with the artist since the seventies - and two of the most dynamic supporters of contemporary art in Los Angeles durin the past half century. Sid Felsen contributed photographs to Ruscha's 1970 artist book, "Babycakes". The book itself shows light overall age-appropriate wear, handling and some soiling at the head of the spine along with some typical light sunning to the lettering along the spine. The publisher's fragile glassine wrapper is age-toned with some short closed tears, chipping, and some minor paper loss along its edges. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025234

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1967 (1974).: Self-Published. Second Edition 1/2000. 4to. Printed Wrappers. Artist's Book. Fine./No Jacket - As Issued.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! A spectacularly bright and fresh example of the 1974 second edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand unnumbered copies issued without a glassine wrapper additionally BOLDLY SIGNED "Ed Ruscha" in black marker across the top of the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025066

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025061

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1969. First Edition 1/5000. 8vo. Wrappers in Printed Jacket. Artist's Book. As New./As New.. np (240pp), 115 b&w illustrations. This is Ed Ruscha's photo-illustrated narrative featuring noted Los Angeles fashion designer Rudi Gernreich, his frequent model Leon Bing, artist Larry Bell, and Tommy Smothers as models based on Mason Williams' text "How to Derive the Maximum Enjoyment from Crackers" (which is printed on the inside rear flap of the dust jacket). Intentionally photographed as if a collection of film stills, this project served as the basis for Ruscha's 1971 film "Premium". A brand new, spectacularly bright white example (entry B10 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") showing none of the age-toning or sunning typically associated with this title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025060

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Very Good/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. An internally most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (35/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued, showing some very mild wear to the front and rear boards along with some rubbing and slight discoloration to the leather spine. The slipcase bears some rubbing and abrading to the leather trim at the heel and crown of the opening along with some minor wear to the linen along the seam of the bottom edge. It has been priced accordingly. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 024157

(RUSCHA, EDWARD). Ruscha, Edward. New York: Leo Castelli Gallery, 1997. First Edition 1/2000. 12mo. Printed Wrappers. Artist Monograph. Fine.. 64pp, 37 color illustrations. With an exhibition checklist. Published in 1997 by the Leo Castelli Gallery in celebration of the twenty-fifth anniversary of their working relationship with Ed Ruscha, this charming little catalogue cum artist's book reproduces each of the seventeen "Cityscape" paintings and twenty exhibited books emblazoned with either paint or bleach by the artist to reveal the letter "O". A brand new, pristine example. Inventory Number: 021753