Arcana:

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one continuous accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") additionally SIGNED by Edgar Arceneaux in black ink on the rear endpaper of the text volume. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 3-934823-82-3 Inventory Number: 019107

(BROUWS, JEFFREY). Brouws, Jeffrey. Santa Barbara, CA: Handjob Press & National Gas-N-Go Publications, 1992. First Edition 1/1000 Copies. 8vo. Printed Wrappers with Glassine. Photography Monograph. Fine./Near Fine.. 48pp, 26 b&w illustrations. "Twentysix Abandoned Gasoline Stations" is Jeffrey Brouws' first book - an exquisite little paean to Edward Ruscha's own first volume of virtually the same title. Designed and typeset as if a Ruscha publication, its photographs nicely illustrate America's crumbling autopia in lush duotone reproduction thirty years later. An internally most handsome example of this self-published gem (featured on pages 52-55 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") limited to one thousand numbered copies (963/1000) bearing the BOLDLY SIGNED PRESENTATION "For Jonathan: All the Best: Jeffrey Brouws 1997" in black ink on the rear colophon in the publisher's slightly worn unprinted vellum wrapper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023183

(BROUWS, JEFFREY). Brouws, Jeffrey. Santa Barbara, CA: Handjob Press & National Gas-N-Go Publications, 1992. First Edition 1/1000 Copies. 8vo. Printed Wrappers with Glassine. Photography Monograph. As New./As New.. 48pp, 26 b&w illustrations. "Twentysix Abandoned Gasoline Stations" is Jeffrey Brouws' first book - an exquisite little paean to Edward Ruscha's own first volume of virtually the same title. Designed and typeset as if a Ruscha publication, its photographs nicely illustrate America's crumbling autopia in lush duotone reproduction thirty years later. A brand new, pristine example of the first printing of this self-published gem (featured on pages 52-55 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") acquired directly from the photographer HAND-NUMBERED "HC II" at the rear colophon and additionally SIGNED "Jeffrey Brouws" in black ink on the title page in the publisher's immaculate unprinted vellum wrapper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023182

(FERUS GALLERY). McKenna, Kristine. Gottingen, GERMANY: Steidl, 2009. First Edition. 4to. Pictorial Boards. Art Monograph. As New/No Jacket - As Issued. 320pp, profusely illustrated in color and b&w. Designed by Lorraine Wild with Lauren Harden, Annessa Braymer and Xiaoqing Wang, Green Dragon Office. With artists' biographies and a bibliography. This is Kristine McKenna's extraordinary new history of Ed Kienholz, Walter Hopps, and Irving Blum's visionary Ferus Gallery. Between 1957 and 1966 the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay De Feo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of the first Los Angeles exhibitions by Andy Warhol, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, and Kurt Schwitters. "The Ferus Gallery: A Place to Begin" recounts the gallery's history chronologically in transcribed interviews with the Ferus artists, wives and girlfriends, collectors, and other well-placed Los Angeles denizens; featuring hundreds of vintage images of the artists and friends, artworks, installation photographs, posters, and much more - including many published here for the first time. A brand new, most handsome example of the 2009 first Steidl edition of this exceedingly uncommon, incredibly vital document. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-86521-610-2 Inventory Number: 025630

(FERUS GALLERY). Varnedoe, Kirk. Interview with Irving Blum by Roberta Bernstein. New York: Gagosian Gallery, 2002. First Edition. 4to. 1/4 Cloth Over Boards. Exhibition Catalog. Fine/No Jacket - As Issued. 146pp, profusely illustrated in color and b&w. Designed by Bruce Mau Design Inc. With a Ferus Gallery chronology. This invaluable reference catalogue was produced in conjunction with a 2002 Gagosian Gallery exhibition of forty-four artworks celebrating Ed Kienholz and Walter Hopps' visionary Ferus Gallery. During its ten year life, the gallery was home to such influential California artists as Robert Alexander, John Altoon, Billy Al Bengston, Wallace Berman, Streeter Blair, Bruce Conner, Jay DeFeo, Richard Diebenkorn, Llyn Foulkes, Sonia Gechtoff, Robert Irwin, Craig Kauffman, James Kelly, Edward Kienholz, Frank Lobdell, John Mason, Edward Moses, Richard Pettibon, Kenneth Price, Philip Rich, Arthur Richer, Richards Ruben, Edward Ruscha, Paul Sarkisian, Hassel Smith, and Julius Wasserstein. It was also the site of Los Angeles exhibitions by Andy Warhol, Jasper Johns, Roy Lichtenstein, Frank Stella, Ellsworth Kelly, Kurt Schwitters, and Joseph Cornell. The publication reproduces sixty-six of the gallery's highly sought-after announcement posters as well as vintage documentary and installation photographs, including many by Dennis Hopper. A brand new, pristine example of the uncommon first printing that sold out during the show's run still in the publisher's shrinkwrap accompanied by a copy of the Gagosian opening announcement featuring a wry William Claxton photo of Irving Blum aboard the Ferus yacht. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-880154-74-9 Inventory Number: 016646

(HAFIF, MARCIA). Hafif, Marcia. NP. ND (1972).: Mother Lode Editions. First Edition. 12mo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (114pp), 45 b&w illustrations. In a protective clear acetate dustwrapper. Published in 1972 with no knowledge of Ed Ruscha's small photo books of architectural typologies endemic to the Southern California landscape, Marcia Hafif's "Pomona Houses" pays uncannily similar homage to the disappearing wooden framed, peaked roofed houses of her grandmother's residential neighborhood. An internally bright, handsome example of this charming rarity (cited on page 284 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") showing some typical age-toning along the spine. It has been priced accordingly. Inventory Number: 025840

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Very Good. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! An internally most handsome example of the first edition limited to four thousand unnumbered copies showing two short closed tears near the spine of the dust jacket. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-942642-25-2 Inventory Number: 024194

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! A most handsome example of the first edition limited to four thousand unnumbered copies. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-942642-25-2 Inventory Number: 023098

(HOPPER, DENNIS). Hopper, Dennis, Michael McClure & Walter Hopps. Pasadena, CA: Twelvetrees Press, 1986. First Edition 1/4000. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 with gravure plates and the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! A bright, most handsome example of the first edition limited to four thousand unnumbered copies additionally bearing the BOLDLY SIGNED PRESENTATION "To the Woelffers / all of my Love of art to you / Dennis Hopper" in the year of publication in black ink below the photographer's introductory text accompanied by a post card announcement for the book's 11/5/86 publication party at West Hollywood's Book Soup. This was acquired by us directly from the library of the late, great Los Angeles artist and educator Emerson Woelffer who was a good friend and something of a mentor to the younger Dennis Hopper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-942642-25-2 Inventory Number: 021094

(HOPPER, DENNIS). Hopper, Dennis, Victor Bockris, Walter Hopps, Jessica Hundley & Tony Shafrazi. Koln, GERMANY: Benedikt Taschen Verlag, 2011. First Edition Thus. Large 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (546pp), profusely illustrated in b&w and color. "During the 1960s, Dennis Hopper carried a camera everywhere - on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. From a selection of images compiled by Hopper and gallerist Tony Shafrazi - more than a third of them previously unpublished - this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris' interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America's most fascinating personalities". A most handsome example of the massive 2011 first trade edition. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-8365-2726-X Inventory Number: 024686

(HOPPER, DENNIS). Hopper, Marin. Introduction by Brooke Hayward. Los Angeles: Greybull Press, 2001. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np, 129 b&w illustrations. Designed by Dmitri Levas. Dennis Hopper was the young man with a camera in the right place at the right time in the New Hollywood. Published in 2001 by the late, great Greybull Press, "1712 North Crescent Heights" is the beautifully designed and printed successor to Hopper's "Out of the Sixties". Compiled by Dennis and Brooke Hayward's daughter Marin, it provides an incredible glimpse into the art, music, film and fashion scenes of Sixties L.A. as documented by a very talented observer. Candid photographs of the Hopper home and family are accompanied by portraits of Peter Fonda, Roger Vadim and Jane Fonda, Teri Garr and Toni Basil, Dianne Baker, Tuesday Weld, Bill Cosby, Sandy Dennis and George Segal, Steve McQueen, Bob Rafelson, The Buffalo Springfield, The Jefferson Airplane, The Byrds, Phil and Ronnie Spector, Ike and Tina Turner, James Brown, Peggy Moffitt, Rudi Gernreich and Leon Bing, Bruce Conner, Irving Blum and Jasper Johns, Virginia Dwan, Claes Oldenburg, Robert Rauschenberg, Roy Lichtenstein, Judd Marmor, and even 1967's "Riot on Sunset Strip". Virtually all of the images in this must-have for any cultured bedside or coffee table are previously unpublished! A most handsome example from the deluxe edition of one hundred copies containing the 14 x 11" black and white photographic print "Love In Twins at 1712...1966" SIGNED AND NUMBERED (63/100) by Dennis Hopper in pencil on the verso in the publisher's orange linen clamshell box that shows just a bit of light wear and soiling. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-9672366-5-7 Inventory Number: 021901

(JOHNSON, RAY). Johnson, Ray & William S. Wilson. Raleigh, NC: North Carolina Museum of Art, 1976. First Edition. 4to. Loose Contents in a Portfolio. Artist Monograph. Very Good -.. np, loose 8 ½ x 11" sheets printed offset recto and verso, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with "Correspondence: An Exhibition of the Letters of Ray Johnson" held at The North Carolina Museum of Art from October 31st through December 5th 1976. It reproduces in facsimile eighty-four groups of artworks and letters by the late Fluxus and Correspondence Art titan sent to the likes of Shusaku Arakawa, Anna Banana, Lynda Benglis, Christo and Jeanne-Claude, Paula Cooper, Robert Cumming, Richard L. Feigen, Charles Henri Ford, Ken Friedman, Henry Geldzahler, General Idea, Dick Higgins, Lil Picard, James Rosenquist, Ed Ruscha, Arturo Schwarz, Davi Det Hompson, Jan Van Der Marck, Ben Vautier, William T. Wiley, John Willenbecher, Jonathan Williams, Karl Wirsum, William S. Wilson, and many more. A complete, internally most handsome example of this uncommon and charming item showing some typical wear, delamination, and age-toning as well as a one inch closed tear to the Ray Johnson-illustrated outer portfolio. It has been priced accordingly. Inventory Number: 025808

(MERRILD, KNUD). Dailey, Victoria. Introduction by Ed Ruscha. Beverly Hills, CA: Steve Turner Gallery, 2001. First Edition. 12mo. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (16pp), 9 color illustrations + b&w cover. Designed by Victoria Dailey. With an exhibition history and collections listing. This is the slender sixteen page catalogue issued in conjunction with a 2001 Los Angeles gallery exhibition of "Flux" works from the thirties and forties by the noted California Modernist artist Knud Merrild that features an introduction by none other than Ed Ruscha. A most handsome example. Inventory Number: 024675

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1988. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. As New.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the unavailable eighteenth issue of this influential Swiss visual arts quarterly still in the publisher's original shrinkwrap. 3-907509-68-4 Inventory Number: 023891

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND. 1984-2014.: Parkett. First Editions. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good or Better.. Each approximately 150pp, profusely illustrated in color and b&w. Parallel Text in English and German. Since its inception in 1984, the Swiss quarterly Parkett has established itself as the world's premier contemporary art magazine. Each number focuses in depth on two or three individual artists, who in turn contribute in the form of artworks created especially for that issue. This is an absolutely complete run from 1984 through 2012 comprising ninety-one numbers (in eighty-nine issues - as two are double numbers): No. 1: Enzo Cucchi - Collaboration + Edition; No. 2: Sigmar Polke - Collaboration + Edition; No. 3: Martin Disler - Collaboration + Edition; No. 4: Meret Oppenheim - Collaboration + Edition; No. 5: Eric Fischl - Collaboration + Edition; No. 6: Jannis Kounellis - Collaboration + Edition: Lothar Baumgarten - Insert; No. 7: Brice Marden - Collaboration + Edition: John Baldessari - Insert; No. 8: Markus Raetz - Collaboration + Edition: Robert Mapplethorpe - Insert; No. 9: Francesco Clemente - Collaboration + Edition: Edward Ruscha - Insert; No. 10: Bruce Nauman - Collaboration + Edition: A.R. Penck - Insert; No. 11: Georg Baselitz - Collaboration + Edition: Barbara Kruger - Insert; No. 12: Andy Warhol - Collaboration + Edition: Gunther Forg - Insert; No. 13: Rebecca Horn - Collaboration + Edition: Sigmar Polke - Insert; No. 14: Gilbert & George - Collaboration + Edition: Rosemarie Trockel - Insert; No. 15: Mario Merz - Collaborations + Editions: General Idea - Insert; No. 16: Robert Wilson - Collaboration + Edition: Sherrie Levine - Insert; No. 17: Peter Fischli & David Weiss - Collaboration + Edition: Louise Bourgeois - Insert; No. 18: Edward Ruscha - Collaboration + Edition: Boyd Webb - Insert; No. 19: Martin Kippenberger, Jeff Koons - Collaborations + Editions: Anselm Stalder - Insert; No. 20: Tim Rollins + K.O.S. - Collaboration + Edition: Andreas Gursky - Insert; No. 21: Alex Katz - Collaboration + Edition: William Wegman - Insert; No. 22: Jeff Wall, Christian Boltanski - Collaborations + Edition: Christopher Wool - Insert; No. 23: Richard Artschwager - Collaboration + Edition: David Byrne - Insert; No. 24: Alighiero E Boetti - Collaboration + Edition: Cindy Sherman - Insert; No. 25: Katharina Fritsch, James Turrell - Collaborations + Editions: Beat Streuli - Insert; No. 26: Gunther Forg, Philip Taaffe - Collaborations + Editions: Peter Greenaway - Insert; Parkett No. 27: Louise Bourgeois, Robert Gober - Collaborations + Editions: Ernst Caramelle - Insert; No. 28: Franz Gertsch, Thomas Ruff - Collaborations + Editions: Liz Larner - Insert; No. 29: John Baldessari, Cindy Sherman - Collaborations + Editions: Niele Toroni - Insert; No. 30: Sigmar Polke - Collaboration + Edition: Glenn Ligon - Insert; No. 31: David Hammons, Mike Kelley - Collaborations + Editions: Candida Hofer - Insert; No. 32: Imi Knoebel, Sherrie Levine - Collaborations + Editions: Damien Hirst - Insert; No. 33: Rosemarie Trockel, Christopher Wool - Collaborations + Editions: Adrian Scheiss - Insert; No. 34: Ilya Kabakov, Richard Prince - Collaborations + Editions: Tatsuo Miyajima - Insert; No. 35: Gerhard Richter - Collaboration + Edition: Barbara Bloom - Insert; No. 36: Stephan Balkenhol, Sophie Calle - Collaborations + Editions: Richmond Burton - Insert; No. 37: Charles Ray, Franz West - Collaborations + Editions: Pipilotti Rist - Insert; No. 38: Ross Bleckner, Marlene Dumas - Collaborations + Editions: Rudi Molacek - Insert; No. 39: Felix Gonzalez-Torres, Wolfgang Laib - Collaborations + Editions: Roni Horn - Insert; No. 40/41 (Double Issue) : Francesco Clemente, Peter Fischli & David Weiss, Gunther Forg, Damien Hirst, Jenny Holzer, Rebecca Horn, Sigmar Polke - Collaborations + Editions; No. 42: Lawrence Weiner, Rachel Whiteread - Collaborations + Editions: Nan Goldin - Insert; No. 43: Juan Munoz, Susan Rothenberg - Collaborations + Editions: Robert Smithson - Insert; No. 44: Vija Celmins, Andreas Gursky, Rirkrit Tiravanija - Collaborations + Editions: Hans Danuser - Insert; No. 45: Matthew Barney, Sarah Lucas, Roman Signer - Collaborations + Editions: Elliott Puckette - Insert; No. 46: Hiroshi Sugimoto, Cady Noland, Richard Artschwager - Collaborations + Editions: John M. Armleder - Insert; No. 47: Tony Oursler, Raymond Pettibon, Thomas Schutte - Collaborations + Editions: Cheryl Dunye, Zoe Leonard - Inserts; No. 48: Gary Hume, Gabriel Orozco, Pipilotti Rist - Collaborations + Editions: Rudy Burckhardt - Insert; No. 49: Douglas Gordon, Jeff Wall, Laurie Anderson - Collaborations + Editions: Silvia Bachli - Insert; No. 50/51(Double Issue): John M. Armleder, Jeff Koons, Jean-Luc Mylayne, Thomas Struth, Sue Williams - Collaborations + Editions: Tacita Dean, Toba Khedoori - Inserts; No. 52: Karen Kilimnik, Malcolm Morley, Ugo Rondinone - Collaborations + Editions: Thomas Bayrle - Insert; No. 53: Tracey Moffatt, Elizabeth Peyton, Wolfgang Tillmans - Collaborations + Editions: David Shrigley - Insert; No. 54: Roni Horn, Mariko Mori, Beat Streuli - Collaborations + Editions: Matthew Ritchie - Insert; No. 55: Edward Ruscha, Andreas Slominski, Sam Taylor-Wood - Collaborations + Editions: Kara Walker - Insert; No. 56: Ellsworth Kelly, Vanessa Beecroft, Jorge Pardo - Collaborations + Editions; No. 57: Doug Aitken, Nan Goldin, Thomas Hirschhorn - Collaborations + Editions: Doug Aitken, Thomas Hirschhorn - Inserts; No. 58: James Rosenquist, Sylvie Fleury, Jason Rhodes - Collaborations + Editions: Henry Bond - Insert; No. 59: Maurizio Cattelan, Yayoi Kusama, Kara Walker - Collaborations + Editions: Andreas Zust - Insert; No. 60: Chuck Close, Diana Thater, Luc Tuymans - Collaborations + Editions: Shirana Shahbazi - Insert; No. 61: Liam Gillick, Bridget Riley, Sarah Morris, Matthew Ritchie - Collaborations + Editions; No. 62: Tacita Dean, Thomas Demand, John Wesley - Collaborations + Editions: Steiner Gerda, Lenzlinger Jorg - Inserts; No. 63: Tracey Emin, William Kentridge, Gregor Schneider - Collaborations + Editions: Jeremy Blake - Insert; No. 64: Olafur Eliasson, Tom Friedman, Rodney Graham - Collaborations + Editions: Amy Sillman - Insert; No. 65: John Currin, Laura Owens, Michael Raedecker - Collaborations + Editions: Lou Reed - Insert; No. 66: Angela Bulloch, Daniel Buren, Pierre Huyghe - Collaborations + Editions: Daniel Buren - Insert; No. 67: John Bock, Peter Doig, Fred Tomaselli - Collaborations + Editions: Marcel Dzama - Insert; No. 68: Franz Ackermann, Eija-Liisa Ahtila, Dan Graham - Collaborations + Editions: Jonathan Monk - Insert; No. 69: Francis Alys, Isa Genzken, Anish Kapoor - Collaborations + Editions: Robert Crumb - Insert; No. 70: Franz West, Christian Marclay, Wilhelm Sasnal, Gillian Wearing - Collaborations + Editions: Nic Hess - Insert; No. 71: Pipilotti Rist, Olaf Breuning, Richard Phillips, Keith Tyson - Collaborations + Editions: Dan Perjovschi - Insert; No. 72: Alex Katz, Monica Bonvicini, Urs Fischer, Richard Prince - Collaborations + Editions: Loredana Sperini - Insert; No. 73: Ellen Gallagher, Paul McCarthy, Anri Sala - Collaborations + Editions: Matthew Brannon - Insert; No. 74: Bernard Frize, Katharina Grosse, Richard Serra - Collaborations + Editions; No. 75: Kai Althoff, Glenn Brown, Dana Schutz - Collaborations + Editions: Balthasar Burkhard - Insert; No. 76: Lucy McKenzie, Julie Mehretu, Yang Fudong - Collaborations + Editions: Steven Shearer - Insert; No. 77: Trisha Donnelly, Carsten Holler, Rudolf Stingel - Collaborations + Editions: Beth Coleman + Howard Goldkrand - Insert; No. 78: Rebecca Warren, Ernesto Neto, Olaf Nicolai - Collaborations + Editions: Anne Collier - Insert; No. 79: Albert Oehlen, Jon Kessler, Marilyn Minter - Collaborations + Editions: Nate Lowman - Insert; No. 80: Allora + Calzadilla, Dominique Gonzalez-Foerster, Mark Grotjahn - Collaborations + Editions: Ryan Gander - Insert; No. 81: Ai Weiwei, Christian Jankowski, Cosima von Bonin - Collaborations + Editions: Heimo Zobernig - Insert; No. 82: Pawel Althamer, Louise Bourgeois, Rachel Harrison - Collaborations + Editions: Sadie Benning - Insert; No. 83: Robert Frank, Wade Guyton, Christopher Wool - Collaborations + Editions: Kerstin Bratsch - Insert; No. 84: Tomma Abts, Zoe Leonard, Mai-Thu Perret - Collaborations + Editions: John Stezaker - Insert; No. 85: Jean-Luc Mylayne, Beatriz Milhazes, Maria Lassnig, Josh Smith - Collaborations + Editions: Markus Uhr - Insert; No. 86: John Baldessari, Carol Bove, Josiah McElheny, Philippe Parreno - Collaborations + Editions: Frances Stark - Insert; No. 87: Katharina Fritsch, Annette Kelm, Kelley Walker, Cerith Wyn Evans - Collaborations + Editions: Allen Ruppersberg - Insert; No. 88: Kerstin Bratsch, Paul Chan, Elaine Sturtevant, Andro Wekua - Collaborations + Editions: Silke Otto-Knapp - Insert; No. 89: Charline von Heyl, Haegue Yang, Mark Bradford, Oscar Tuazon - Collaborations + Editions: Karl Holmqvist - Insert; No. 90: El Anatsui, Nathalie Djurberg, Rashid Johnson, R.H. Quaytman - Collaborations + Editions: Boris Mikhailov - Insert; No. 91: Yto Barrada, Nicole Eisenman, Liu Xiaodong, Monika Sosnowska - Collaborations + Editions: Nick Relph - Insert. No. 92: Jimmie Durham, Helen Marten, Paulina Olowska, Damian Ortega - Collaborations + Editions: Mickalene Thomas - Insert, No. 93: Valentin Carron, Frances Stark, Adrian Villar Rojas, Danh Vo - Collaborations + Editions: Tala Madani - Insert, No. 94: Tauba Auerbach, Urs Fischer, Cyprien Gaillard, Ragnar Kjartansson, Shirana Shahbazi - Collaborations + Editions: Charles Atlas - Insert, No. 95: Jeremy Deller, Wael Shawky, Dayanita Singh, Rosemarie Trockel - Collaborations + Editions. A most handsome complete set with virtually all in Fine condition and many still in the publisher's original shrinkwrap. Inventory Number: 023802

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1986. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. 132pp + advertisements, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the ninth issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907509-59-5 Inventory Number: 019379

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1999. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the fifty-fifth issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-05-5 Inventory Number: 011827

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1986. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. 132pp + advertisements, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the unavailable of the ninth issue of this influential Swiss visual arts quarterly. 3-907509-59-5 Inventory Number: 010243

(PIERCY, CLIVE). Piercy, Clive. San Francisco & Santa Monica, CA: Chronicle Books & Clive Piercy, 2003. First Edition 1/75 Deluxe. Stout Oblong 8vo. Pictorial Boards in Slipcase. Artist's Book. As New./No Jacket - As Issued. np (448pp), profusely illustrated in b&w and color. Designed by Ph.D. In essence a rectangular stucco box, the dingbat apartment building exploded in popularity during Los Angeles' housing boom of the fifties and sixties. Typically, they eschew ornamentation and details on three sides in order to focus the viewer's attention to the facade - often incorporating florid signage, elaborate window treatments, and carports. These now-decaying buildings are mostly ignored and/or reviled by locals, while revered by strangers to the city. Arriving there from the U.K. in 1982, Clive Piercy (a partner in the noted graphic design firm Ph.D), began traversing the city, and taking roll after roll of film of these unique monuments. Inspired by both Oklahoma native Ed Ruscha's "Some Los Angeles Apartments" and the late British architectural critic Reyner Banham's "Los Angeles: The Architecture of Four Ecologies", Piercy has artfully combined his photo-documentation cum artist's book of these multi-unit dwellings (duly noting their often hilarious names) with a constantly changing, collage-like design ethos to create another great outsider meditation on L.A.'s urban sprawl. A brand new, pristine example of the author's self-published deluxe edition of seventy-five copies housed in a printed orange silk slipcase containing a NUMBERED AND BOLDLY SIGNED book with a NUMBERED AND SIGNED 4 ¾ x 6 ¾" photographic print by Clive Piercy laid in, as issued. 0-8118-4024-7 Inventory Number: 014308

(RUSCHA, EDWARD). Banham, Reyner & Peter Wollen. Robert Dean & Erin Wright, Editors. New York & Gottingen, GERMANY: Gagosian Gallery & Steidl Verlag, 2005. First Edition 1/3500. 4to. Printed Boards in Slipcase. Catalogue Raisonné. As New/No Jacket - As Issued. 528pp, 304 color and 14 b&w illustrations. Designed by Bruce Mau Design, Inc. With an index, chronology, exhibition history and bibliography. This is the lavishly produced second volume (of a projected seven) on the works on canvas by noted Los Angeles via Oklahoma icon Edward Ruscha. Impeccably designed with a beautiful full page color reproduction for each painting, this is one of the most beautiful catalogues raisonné yet published for a major artist! A brand new, pristine example in the publisher's silver embossed chipboard slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-86521-138-0 Inventory Number: 019002

(RUSCHA, EDWARD). Benezra, Neal, Kerry Brougher & Phyllis Rosenzweig. Washington, D.C., Oxford, UK & Zurich, SWITZERLAND: Hirshhorn Museum and Sculpture Garden, Museum of Modern Art, Oxford & Scalo, 2000. First Edition. 4to. Boards in Illustrated Jacket. Artist Monograph. Fine/Fine. 208pp, profusely illustrated in color and b&w. With a bibliography and exhibition history. This is the comprehensive hardbound catalogue published in conjunction with the 2000 Edward Ruscha retrospective that traveled from Washington, D.C.'s Hirshhorn Museum and Sculpture Garden to the Museum of Modern Art, Oxford. A brand new, most handsome example additionally bearing the BOLDLY SIGNED PRESENTATION "For Artie, / T O P S / in my book - / Ed Ruscha" in black ink across the entire front pastedown. "Artie" is the incomparable late clarinetist, composer, bandleader, author, and actor Artie Shaw, whose discreet bookplate imprinted "from among the books of artie Shaw" is affixed to the inside front board. The two were good friends, and Ruscha created the 2000 painting "Artie's 90" for Shaw. They are pictured together in the artist's studio on page 488 of "Ed Ruscha: A Catalogue Raisonné of the Paintings Volume Five 1995-1997". PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-908247-33-0 Inventory Number: 025099

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. In a protective clear acetate dustwrapper. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "B. A. B" in black ink and "Ed Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the verso of the rear free endpaper showing overall wear and soiling to the faux wood veneer wrappers, a bit of creasing along the spine, and wear and fading to the corner mounts of the cover photograph. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025723

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024819

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artist's Book. Very Good./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") showing a slight dent to the heel of the spine and some wear and creasing along the spine and extremities of the faux wood veneer wrappers. Its latigo leather thong is complete and still-supple and the mounted front cover photograph is present and uncompromised - though its corner mounts show some sunning. Both business cards are stapled to the recto of the rear leaf, as issued. It additionally bears the BOLDLY INSCRIBED PRESENTATION "For Christopher Finch / Apt 412, 333 Oak Grove Street / Minneapolis Minnesota / 55403 / with much affection / B. A. B." as a thought balloon in black ink and "E Ruschay" in blue ink on the front cover. Chris Finch is a noted artist and writer who prominently included Ruscha's work in his 1968 survey "Pop Art: Object and Image" published by Studio Vista. He was a curator at Minneapolis' Walker Art Center at the time of "Business Cards"' publication, and from whom we obtained this significant tome directly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022374

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Lindsley, Carol. San Francisco: Reese Palley Gallery, 1969. First Edition. 4to. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good +.. np (6pp), 7 b&w illustrations. With an exhibition checklist. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. One of the very earliest publications for both of these seminal Los Angeles artists, this slender six-page catalogue documents a 1969 exhibition of nineteen works each by Billy Al Bengston and Edward Ruscha held at San Francisco's Reese Palley Gallery. The gallery was located at the site originally designed by Frank Lloyd Wright in 1948 for the V.C. Morris Gift Shop, and the cover photograph by Ruscha's good friend Patrick Blackwell shows the two artists contemplating the brass plaque crediting Wright with the design of The Guggenheim Museum. A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of unobtrusive foxing to the inside covers and endpapers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024948

(RUSCHA, EDWARD). Bogle, Andrew. Preface By Henry Geldzahler. Auckland, NEW ZEALAND: Auckland City Art Gallery, 1978. First Edition. 8vo. Pictorial Wrappers. Catalogue Raisonné. Near Fine.. 144pp, profusely illustrated in b&w, with 6 tipped-in color plates. With an exhibition checklist, chronology, bibliography and exhibition history. Published in conjunction with a 1978 Australian exhibition of the artist's drawings and prints, this is a fully illustrated catalogue raisonné of Edward Ruscha's prints from 1966-76, as well as thirty word drawings. A bright, most handsome example showing a few trivial soft creases to the upper foredge corner of the rear cover. Inventory Number: 025224

(RUSCHA, EDWARD). Bogle, Andrew. Preface By Henry Geldzahler. Auckland, NEW ZEALAND: Auckland City Art Gallery, 1978. First Edition. 8vo. Pictorial Wrappers. Catalogue Raisonné. Very Good -.. 144pp, profusely illustrated in b&w, with 6 tipped-in color plates. With an exhibition checklist, chronology, bibliography and exhibition history. Published in conjunction with a 1978 Australian exhibition of the artist's drawings and prints, this is a fully illustrated catalogue raisonné of Edward Ruscha's prints from 1966-76, as well as thirty word drawings. An internally most handsome example showing a slight dent to the crown of the spine along with some light wear and handling to its wrappers. It has been priced accordingly. Inventory Number: 022442

(RUSCHA, EDWARD). Bois, Yve-Alain & Walter Hopps. New York: Gagosian Gallery & Rizzoli International Publications, Inc., 1993. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. As New.. 110pp, 28 b&w and 27 color illustrations. Tony Morgan / Step Graphics. This is the beautifully produced catalogue issued in conjunction with a 1993 Gagosian show of late sixties liquiform word paintings by Ed Ruscha. Each of the twenty-seven exhibited works is reproduced, and it includes the transcript of an interview between the artist and the late, great Walter Hopps. A brand new, pristine example still in the publisher's shrinkwrap. 0-8478-1730-X Inventory Number: 021500

(RUSCHA, EDWARD). Bois, Yve-Alain & Walter Hopps. Pat Poncy & Robert Dean, Editors. New York & Gottingen, GERMANY: Gagosian Gallery & Steidl Verlag, 2003. First Edition. 4to. Printed Boards in Slipcase. Catalogue Raisonné. As New/No Jacket - As Issued. 436pp, 161 color and 10 b&w illustrations. Designed by Bruce Mau Design, Inc. With an index, chronology, exhibition history and bibliography. This is the lavishly produced first volume (of a projected seven) on the works on canvas by noted Los Angeles via Oklahoma icon Edward Ruscha. Impeccably designed with a beautiful full page color reproduction for each painting, this is one of the most beautiful catalogues raisonné yet published for a major artist! A brand new, pristine example in the publisher's silver embossed chipboard slipcase additionally BOLDLY SIGNED "Ed Ruscha" in black ink on the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-88243-972-6 Inventory Number: 014530

(RUSCHA, EDWARD). Coplans, John & A(ndrea) M(iller)-K(eller). Hartford, CT: Wadsworth Atheneum, 1976. First Edition. 8vo. Printed Wrappers. Artist Monograph. Fine.. np (4pp), 1 b&w illustration. With an exhibition history and bibliography. These is the slender four page exhibition brochure published in conjunction with a 1976 Ed Ruscha exhibition of ten paintings, prints, works on paper, and artist books as part of Hartford's Wadsworth Atheneum Matrix series. A brand new, most handsome example of this exceedingly uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025085

(RUSCHA, EDWARD). Coupland, Douglas, W.S. Di Piero & Beatrice Von Bismarck. Yilmaz Dwezior, Editor. Bregenz, GERMANY: Kunsthaus Bregenz, 2012. First Edition. 4to. Illustrated Cloth. Artist Monograph. Very Good -/No Jacket - As Issued. 286pp, profusely illustrated in color and b&w. Text in English and German. With a biography, exhibition checklist and biblography. Published in conjunction with a 2012 Kunsthaus Bregenz exhibition, this is a beautifully produced comprehensive hardbound survey of Edward Ruscha's artist's books, hand-painted books, and artwork incorporating book imagery. In addition to images of the exhibited objects it features dozens of photographs of the show's installation, essays by Douglas Coupland, W.S. Di Piero, and Beatrice Von Bismarck along with a significant bibliography. An otherwise bright, most handsome example of the first printing showing a dent through the boards and textblock at the head of the spine. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-86335-232-7 Inventory Number: 025396

(RUSCHA, EDWARD). Coupland, Douglas, W.S. Di Piero & Beatrice Von Bismarck. Yilmaz Dwezior, Editor. Bregenz, GERMANY: Kunsthaus Bregenz, 2012. First Edition. 4to. Illustrated Cloth. Artist Monograph. As New/No Jacket - As Issued. 286pp, profusely illustrated in color and b&w. Text in English and German. With a biography, exhibition checklist and biblography. Published in conjunction with a 2012 Kunsthaus Bregenz exhibition, this is a beautifully produced comprehensive hardbound survey of Edward Ruscha's artist's books, hand-painted books, and artwork incorporating book imagery. In addition to images of the exhibited objects it features dozens of photographs of the show's installation, essays by Douglas Coupland, W.S. Di Piero, and Beatrice Von Bismarck along with a significant bibliography. A brand new, pristine example of the first printing still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-86335-232-7 Inventory Number: 025395

(RUSCHA, EDWARD). Dean, Robert. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine.. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, pristine example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 025792

(RUSCHA, EDWARD). Demand, Thomas & Diedrich Diederichsen. Munchen, GERMANY: Monika Spruth Philomene Magers Galerie, 2000. First Edition. Oblong 4to. Boards Over Linen Spine. Artist Monograph. Fine/No Jacket - As Issued. 72pp, 22 color illustrations. Text in English and German. With an exhibition checklist, bibliography, filmography and exhibition history. This is the beautifully produced catalogue issued in conjunction with a 2000 German gallery show reproducing each of the twenty-two exhibited word drawings and paintings executed between 1971 and 1980 by Ed Ruscha. A brand new, most handsome example. 3-88375-431-5 Inventory Number: 019032

(RUSCHA, EDWARD) (DEMAND, THOMAS) (GURSKY, ANDREAS). Gronert, Stefan, Diedrich Diederichsen & Ralph Rugoff. Preface by Dieter Ronte & Bonnie Clearwater. Bonn & Koln, GERMANY: Kunstmuseum Bonn & Wienand Verlag, 1999. First Edition. Oblong 4to. Printed Boards. Photography Monograph. Very Good/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Text in German. Designed by Kuhle und Mozer. With an exhibition checklist and biographies. In a protective clear acetate dustwrapper. "Grosse Illusionen" is the beautifully designed hardbound catalogue published in conjunction with a traveling 1999 Museum survey exhibition of images by Thomas Demand, Andreas Gursky and Edward Ruscha - each of whose work straddles the boundaries of fine art and photography - dealing with the issue of "the fundamental question of reality in the picture". A most handsome example of the 1999 German language first edition showing some abrading to the botom edges of the boards along with some surface scratches to the rear cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-87909-676-7 Inventory Number: 025084

(RUSCHA, EDWARD) (DEMAND, THOMAS) (GURSKY, ANDREAS). Gronert, Stefan, Diedrich Diederichsen & Ralph Rugoff. Preface by Dieter Ronte & Bonnie Clearwater. Bonn, GERMANY & North Miami, FL: Kunstmuseum Bonn & Museum of Contemporary Art, North Miami, 1999. First Edition. Oblong 4to. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Text in English. Designed by Kuhle und Mozer. With an exhibition checklist and biographies. In a protective clear acetate dustwrapper. "Great Illusions" is the beautifully designed hardbound catalogue published in conjunction with a traveling 1999 Museum survey exhibition of images by Thomas Demand, Andreas Gursky and Edward Ruscha - each of whose work straddles the boundaries of fine art and photography - dealing with the issue of "the fundamental question of reality in the picture". A brand new, pristine example of the uncommon English language edition still in the publisher's shrinkwrap. 1-888708-07-7 Inventory Number: 024288

(RUSCHA, EDWARD). De Salvo, Donna and Linda Norden, Joan Didion & Frances Stark. Ostfildern, GERMANY: Hatje Cantz Verlag, 2005. First Edition. Oblong 8vo. Printed Wrappers. Artist Monograph. As New.. np (64pp), 10 color illustrations. Text in English and Italian. Designed by Green Dragon Office (Lorraine Wild with Stuart Smith). This is the elegant little catalogue issued in conjunction with the 2005 selection of Ed Ruscha as the representative for the American Pavilion at the fifty-first Venice Biennale. Included are reproductions of each of the ten exhibited large-scale paintings on canvas from his series "Course of Empire", as well as a brief but nifty foreword by Joan Didion. A brand new, pristine example still in the publisher's shrinkwrap. 3-7757-1654-8 Inventory Number: 022288