Arcana:

(ADLER, TOM). Adler, Tom. Santa Barbara, CA & New York: T. Adler & Danziger Projects, 2002. First Edition 1/500. Oblong 4to. Printed Poster. Exhibition Announcement. Fine.. One 10 x 15" white cardstock sheet printed offset and letterpress recto only, 1 color illustration. Designed and printed by noted Santa Barbara graphic designer and publisher Tom Adler, this is the small poster issued to publicize his 2002 exhibition at Danziger Projects in New York that featured a then-new selection of Adler's own works comprising photographs he had worked with in his career in fashion and surf editorial edited and reproduced as paired images hung on the gallery walls. The amalgam of anonymous and vernacular seaside studies abutting the likes of Don James and Tom Blake's historical views from the shore produced a joyous and sophisticated body of work, which has yet to be reproduced in book form. A brand new, bright white example of this uncommon, elegant object limited to five hundred copies individually NUMBERED by rubber stamp that has been additionally BOLDLY SIGNED "Tom Adler" for us in black ink across the lower right margin. These were produced hors commerce - never commercially for sale - and sadly only a handful were ever distributed. Inventory Number: 027026

(ANP QUARTERLY) (JOHANSON, CHRIS) (TEMPLETON, ED). Templeton, Ed, Brendan Fowler & Aaron Rose, Editors. Costa Mesa, CA: RVCA, 2005. First Edition. Folio. Stapled Pictorial Wrappers. Periodical. Fine.. 48pp, profusely illustrated in color and b&w. Published as part of Costa Mesa-based surf and skate clothing company RVCA's "Artist Network Program", ANP Quarterly was a wonderfully irreverent, informative labor of love on the part of editorial troika Ed Templeton, Aaron Rose and Brendan Fowler. This third issue from 2005 contains an in-depth interview with cover icons Chris Johanson and Jo Jackson as well as features on or by Megawords Magazine, Little Cakes, Dog & Pony Store, Proyectos Monclova, skate designer Sean Cliver, Matt Leines, Azita Youseffi, Steve Powers on Coney Island's "Dreamland Artist Club", Niki de St. Phalle, Printed Matter, Reading Frenzy, Arcana: Books on the Arts, Dave Schubert, and more. A brand new, most handsome example of this graphically striking cultural journal that was distributed hors commerce on an irregular basis in a rather haphazard fashion and not offered commercially for sale. Inventory Number: 027608

(APERTURE) (SOMMER, FREDERICK). White, Minor, Editor. Rochester, NY: Aperture Inc., 1962. First Edition. 8vo. Stapled Printed Wrappers. Photography Periodical. Very Good -.. 42pp, 30 duotone illustrations + rear cover. Designed by Frederick Sommer. In a protective clear acetate dustwrapper. This fortieth installment of Aperture from 1962 is designed and edited by, and devoted entirely to the writings and images of Frederick Sommer. The very first monograph on his work, it contains a portfolio of twenty-nine beautifully reproduced full page photographs by the venerable late American proponent of the Surrealist image. An internally bright, most handsome example of this surprisingly uncommon item (cited on pages 162-163 of "The Book of 101 Books") showing some faint spotting to the glossy white surface of the front cover. It has been priced accordingly. Inventory Number: 019948

(APERTURE). White, Minor, Editor. Rochester, NY: Aperture Inc., 1959. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Periodical. Near Fine.. 40pp, profusely illustrated in b&w. This is the twenty-seventh installment of Minor White's venerable photography journal "Aperture". The cover images are by Brett Weston and Nicholas Dean, the portfolios by Alfred Monner and Ruth Bernhard, with additional plates by Aaron Siskind and Imogen Cunningham. A bright, most handsome copy showing just a bit of light wear and soiling to the rear cover. Inventory Number: 020431

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(BLIND SPOT PHOTOGRAPHY). Caputo, Kim Zorn, Michael A. Capotosto & Vik Muniz, Editors. New York: Blind Spot Photography, Inc., 1996. First Edition. 4to. Pictorial Wrappers. Periodical. Fine.. np, profusely illustrated in color and b&w. Cover Image by Alberto Caputo. This seventh installment of the stylish quarterly photography magazine "Blind Spot" features contributions and/or portfolios by Roy Arden, Uta Barth, Peter Bartlett, Ross Bleckner, Bill Burke, Andrew Bush, Alberto Caputo, Robert Flynt, Nan Goldin, Stuart Klipper, Per Maning, David Mosconi, Roger Newton, Lorna Simpson, Tom Wood, Kim Zorn Caputo, A.M. Homes, Gregory Crewdson, Ross Bleckner, and Eward Robinson. A brand new, most handsome example of this uncommon issue. Inventory Number: 008454

(BLIND SPOT PHOTOGRAPHY). Caputo, Kim Zorn & Vik Muniz, Editors. New York: Blind Spot Photography, Inc., 1995. First Edition. 4to. Pictorial Wrappers. Periodical. Fine.. np, profusely illustrated in color and b&w. Cover image by Masao Yamamoto. This fifth installment of the stylish quarterly photography magazine "Blind Spot" features contributions and/or portfolios by Christopher H. Bailey, Tina Barney, Cindy Bernard, Catherine Chalmers, Peter Garfield, David Goldes, Jan Groover, Kinuyo Hagiwara, Ed Kashi, Mike Kelley, John Milisenda, Richard Misrach, Abelardo Morell, Gary Schneider, Larry Sultan, Philip Taaffe, Brian Wood, Masao Yamamoto, Kim Zorn Caputo, Jim Lewis, and Adam Fuss. A brand new, most handsome example of this uncommon issue. Inventory Number: 007610

(BRANQUINHO, VERONIQUE) (A MAGAZINE). Branquinho, Veronique, Guest Editor. Debo Kaat, Editor. Antwerp, BELGIUM: A Magazine & The Flanders Fashion Institute, 2008. First Edition. 4to. Pictorial Wrappers. Fashion Periodical. As New.. 192pp, profusely illustrated in color and b&w. Text in English. Designed by Paul Boudens. "A Magazine is a biannual publication, exploring the creative sphere of a selected designer in each issue. We invite a guest curator - an international fashion designer, group or house - to develop innovative, personalized content that expresses their aesthetic and cultural values. Each issue celebrates this designer's ethos: their people, their passion, their stories, emotions, fascinations, spontaneity and authenticity". This sixth installment from 2008 of the luxe Belgian fashion periodical was guest-curated by "Pin Cushion Queen " Veronique Branquinho, and contains contributions on or by Tim Burton, Alex Salinas, Michael Borremans, Oscar Van Den Boogaard, Luc Tuymans, David Lynch, Manon De Boer, Marc Meulemans, Serge Leblon, and many, many more. A brand new, most handsome example of this uncommon item. 90-77745-02-5 Inventory Number: 025756

(BROTHERHOOD OF THE SOURCE, THE). Aquarian, Isis, Charlie Kitchings and Jodi Wille. Los Angeles, CA + Brooklyn, NY: )therworld + Sacred Bones Books, I00230314. 2022. First Edition. 11 x 12". Pictorial Boards. Photographic History. New./No Jacket - As Issued. 220pp, profusely illustrated in color and black and white. 978-0999609989

Inventory Number: E000IAFTSFS

(CALLAHAN, HARRY). Callahan, Harry. Providence, RI: The Photographic Education Society, 1971. First Edition 1/150. Folio. Loose Prints in Clamshell Box. Photographic Portfolio. Near Fine (But Incomplete)/No Jacket - As Issued. iii, twenty-six (of twenty-seven) original b&w photographic prints mounted onto 13 ½ x 11" archival boards; housed in the publisher's gilt-debossed brown clamshell box, as issued. This is the fifth in a series of annual portfolios published during this period by the participants of Harry Callahan's photography class at The Rhode Island School of Design. These are all original photographs, not reproductions. Published in an edition of one hundred and fifty copies only, the contributors are Harry Callahan, Henry Horenstein, Bert Beaver, Richard Lebowitz, Paul Krot, John Femino, Chester Michalik, Alan Metnick, Lee Post, Roy DiTosti, Stephen Frank, Robert Richfield, Sean Wilkinson, Lyn Whitaker, Jay Seeley, Lawson Little, Eve Becklund, Lauren Shaw, Mariah Hughs, Susan Hacker, Peter Schlessinger, Hugh Talman, Alma Davenport, Dewey Janney, Joan Sussman, Patrick McNeally, and Frank Poplawski Jr. A most handsome copy of this uncommon item LACKING the plate by Callahan whose contents are all in Fine condition, and whose clamshell box shows only the most minimal wear and scuffing. PLEASE NOTE: Due to this condition issue, we have priced this example accordingly and are offering it for sale strictly "AS IS", with no returns. If you have any questions or concerns about these details, please voice them before purchasing this - we will be happy to answer any inquiry. Inventory Number: 003571

(CALLAHAN, HARRY). Callahan, Harry. Providence, RI: The Photographic Education Society, 1970. First Edition 1/150. Folio. Loose Prints in Clamshell Box. Photographic Portfolio. Near Fine (But Incomplete)/No Jacket - As Issued. iii, twenty (of twenty-three) original b&w photographic prints mounted onto 13 ½ x 11" archival boards; housed in the publisher's unprinted black clamshell box, as issued. This is the fourth in a series of annual portfolios published during this period by the participants of Harry Callahan's photography class at The Rhode Island School of Design. These are all original photographs, not reproductions. Published in an edition of one hundred and fifty copies only, the contributors are Harry Callahan, William (Bill) Burke, Jeffrey Silverthorne, Bert Beaver, Richard Lebowitz, Paul Krot, John Femino, Dicran Derderian, Lee DeJasu, Chester Michalik, Lawson Little, Brian Pelletier, John Benson, David Campbell, Lee Post, Steven Liebman, Roy Zimmerman, Roy DiTosti, Charles Matter, Stephen Frank, WIlliam Joseph Carner, Roz Gerstein, and Alan Metnick. A most handsome copy of this uncommon item LACKING the three plates by Callahan, Burke and Carner whose contents are all in Fine condition, and whose clamshell box shows only the most minimal wear and scuffing. PLEASE NOTE: Due to this condition issue, we have priced this example accordingly and are offering it for sale strictly "AS IS", with no returns. If you have any questions or concerns about these details, please voice them before purchasing this - we will be happy to answer any inquiry. Inventory Number: 003570

(CALLAHAN, HARRY). Callahan, Harry. Providence, RI: The Photographic Education Society, 1969. First Edition 1/150. Folio. Loose Prints in Clamshell Box. Photographic Portfolio. Near Fine (But Incomplete)/No Jacket - As Issued. iii, twenty-two (of twenty-four) original b&w photographic prints mounted onto 13 ½ x 11" archival boards; housed in the publisher's unprinted black clamshell box, as issued. This is the third in a series of annual portfolios published during this period by the participants of Harry Callahan's photography class at The Rhode Island School of Design. These are all original photographs, not reproductions. Published in an edition of one hundred and fifty copies only, the contributors are Harry Callahan, William (Bill) Burke, Jeffrey Silverthorne, Ed Grazda, Bert Beaver, Richard Lebowitz, Paul Krot, Dicran Derderian, Chester Michalik, Brian Pelletier, John Benson, Steven Liebman, Douglas Sandhage, Walter Rabetz, Rosalyn Gerstein, Mark Sandrof, David Campbell, Giuseppe Rozzo, Marcia Lee Macdonald, Bart Parker, Robert Richfield, Eugene Dwiggins, Reed Estabrook, and Julius Neelley. A most handsome copy of this uncommon item LACKING the two plates by Callahan and Burke whose contents are all in Fine condition, and whose clamshell box shows only the most minimal wear and scuffing. PLEASE NOTE: Due to this condition issue, we have priced this example accordingly and are offering it for sale strictly "AS IS", with no returns. If you have any questions or concerns about these details, please voice them before purchasing this - we will be happy to answer any inquiry. Inventory Number: 003569

(CALLAHAN, HARRY). Callahan, Harry. Foreword by Hugo Weber. Providence, RI: Arkwright-Interlaken, Inc., 1970. First Edition. Folio. Loose Prints in Clamshell Box. Photographic Portfolio. Fine. ii, twenty-three 12 x 10" offset reproductions, printed recto only, of b&w photographs housed in the publisher's unprinted green clamshell box, as issued. A variant of the annual Harry Callahan class portfolios published at RISD during this period, this is slightly smaller in size, and contains offset printed images rather than original photographs. The contributors Harry Callahan ("Eleanor", 1953), William (Bill) Burke, Jeffrey Silverthorne, Bert Beaver, Richard Lebowitz, Paul Krot, John Femino, Dicran Derderian, Lee De Jasu, Chester Michalik, Lawson Little, Brian Pelletier, John Benson, David Campbell, Lee Post, Steven Liebman, Roy Zimmerman, Roy DiTosti, Charles Matter, Stephen Frank, WIlliam Joseph Carner, Roz Gerstein, and Alan Metnick. A most handsome complete example of this uncommon item whose contents are all in Fine condition, and whose clamshell box shows only the most minimal wear and scuffing with a few minor brown spots on the interior. Inventory Number: 003568

(CHILDS RESTAURANT). Pruitt & Brown Architects. New York: Pruitt & Brown Architects, 1930. First Editions. Folio. Gilt-Stamped Buckram. Architecture Monographs. Near Fine/No Jackets - As Issued. 36pp + 48pp + 72pp, each profusely illustrated with original 7 ¼ x 9 ½" photographs and contemporary publication clippings. In protective clear acetate dustwrappers. This is a group of three unique, lavishly hand-assembled 14 x 12 ½" project documentation books produced in 1930 by Pruitt & Brown Architects to showcase their design work for recently opened showpieces for the Childs Restaurant chain. Founded in New York in the 1880s, Childs became one of the first national dining chains, with over one hundred venues at its height. The firm's ownership changed hands just as the US slipped into the Great Depression, and Childs optimistically opened a series of elegant Manhattan dining establishments each differentiated by a distinct architectural theme presented as if one were stepping onto a glamorous Hollywood back lot set. These hefty volumes have been produced in the manner of a scrapbook with original sepia-toned silver gelatin photographs by the Peyser & Patzig firm affixed to thick linen-hinged pages throughout liberally supplemented by menus, correspondence, and newspaper, magazine, and press coverage of the projects. The first is devoted to the Childs Restaurant at 425 Lexington Avenue which was a jaw-dropping showpiece of Art Deco elegance. The second covers Childs "Old England" at 9 East 40th Street, which presented a Robin Hood-like décor. The third - and most comprehensive of these books - details William Child's "Old Algiers" at 102nd Street and Broadway, which simulated an exotic night at the Kasbah. The three are bound in differing hues of buckram over boards with still-bright gilt-stamped titles on their front covers and spines. Each is internally in Fine condition, and bears a typed label on the inside front board noting that the volume was issued by the Pruitt & Brown Architects office at 342 Madison Avenue for use at the firm's Charlottesville, VA office. The exteriors show varying degrees of wear, rubbing, and some light discoloration, but are still sound and in no way detract from the remarkable contents. These are stunning, near-unique documents of another time, place, and dining experience that must be seen in hand to be fully appreciated. Inventory Number: 026957

(COPPOLA, SOFIA) (DAY, CORINNE). Howe, Susanna, Editor. With Contributions by Jeffrey Eugenides, Amy Sohn, Ethan Smith, Michael Mills, Karen Kilimnik, Mark Gonzales, Paul Clemens & Philip Frost. Los Angeles: NP, 1999. First Edition. 9 1/2 x 7 1/2", 4to. Stapled Pictorial Wrappers. Film Monograph. Very Good.. 46pp, profusely illustrated in color. Designed by Kenneth Pope. In a protective clear acetate dustwrapper. An incredibly charming promotional companion to director Sofia Coppola's debut film "The Virgin Suicides," this glossy promotional magazine cum fanzine is filled with dreamy photographs that evoke the tenuous innocence of the movie. Interviews with Kirsten Dunst, Josh Hartnett, the director, and key creative contributors compliment the behind the scenes photos by Coppola and Corinne Day in a manner so endearing and subtle, that the line between reality and fiction are deliciously blurred. An internally most handsome example of this uncommon item additionally SIGNED "Sofia Coppola" at Arcana in black marker on the rear cover whose spine shows a bit of light wear, fraying, and pulling at the staples. Inventory Number: 027736

(DAGUERREIAN SOCIETY NEWSLETTER, THE). Graf, John F., Editor. Green Bay, WI: The Daguerreian Society, 1992. First Edition. 4to. Illustrated Wrappers. Photography Periodical. Very Good -.. 12pp, 6 b&w illustrations. This is the July 1993 issue of "The Daguerreian Society Newsletter" - the slender bi-monthly compendium of news, reviews, and research queries devoted to the important early photographic process popularized by Frenchman Louis Daguerre. A handsome copy showing some minor wear and soiling to the covers. Inventory Number: 012760

(DAGUERREIAN SOCIETY NEWSLETTER, THE). Graf, John F., Editor. Green Bay, WI: The Daguerreian Society, 1993. First Edition. 4to. Illustrated Wrappers. Photography Periodical. Very Good -.. 12pp, 17 b&w illustrations. This is the July 1993 issue of "The Daguerreian Society Newsletter" - the slender bi-monthly compendium of news, reviews, and research queries devoted to the important early photographic process popularized by Frenchman Louis Daguerre. A handsome copy showing some minor wear and creasing to the covers. Inventory Number: 012759

(FETTERMAN, PETER). Fetterman, Peter. ACC Art Books, I00220809, 2022. First Edition. 8 x 9 inches, 256 Pages. Hardcover. Photography Survey. New/No Jacket - As Issued. 978-1788841221

Inventory Number: I00220602

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of sixty-two of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Laszlo Moholy-Nagy, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", The Art of The Daguerreotype", "Capturing Time: A Celebration of Photography:, "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Strange Days: Photographs From The Sixties by Winogrand, Eggleston, and Arbus:", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(GUESS?) (MARCIANO, GEORGES & PAUL). Marciano, Paul, et al.. Los Angeles. 1991, 2002 & 2012.: Guess?, Inc.. First Editions. Folio. Gilt-Embossed Boards in Jacket. Fashion Monographs. Fine/Fine. 244 + 264 + 244pp, profusely illustrated in b&w and color. Creative Direction by Paul Marciano and Leslie Oki Yoshimura. This is a complete set of the three extravagantly produced, massive volumes of publicity and marketing photos appearing in the Guess? clothing company's provocative quarterly catalogues. Culled from each decade between 1981-2011, these feature images by photographers Sydney Baldwin, Dominick Guillemot, Mark Hispard, Neil Kirk, Wayne Maser, Perry Ogden, Herb Ritts, Ellen Von Unwerth, Raphael Mazzuco, Pablo Alfaro, Daniela Federici, Dewey Nicks, Dominique Issermann, Dean Isidro, Dah Len, Raphael Buchler, Odette Sugerman, Igor Borisov, Esther Haase, Yu Tsai, and Bryan Adams. The (super)models cum celebrities oh-so-tantalizingly pictured here include Estelle Lefebure, Carla Bruni, Yasmin Le Bon, Claudia Schiffer, Drew Barrymore, Naomi Campbell, Eva Herzigova, Carré Otis, Anna Nicole Smith, Shana Zadrick, Laetitia Casta, Bridget Hall, Larissa Bondarenko, Ingrid, Valeria Mazza, Lonneke Engel, Victoria Silvstedt, Josie Maran, Kim Smith, Alessandra Ambrosio, Adriana Lima, Megan Ewing, Bree Condon, Paris Hilton, Tori Praver, Irina Shayk, Elsa Hosk, Alyssa Miller, Amber Heard, Kate Upton, Tom Skerrit, Werner Schreyer, Alex Lundqvist, Jason Lewis, Mark Vanderloo, Tyrese Gibson, Philippe Reynaud, Chris Brown, Brandon and Brody Jenner, and many, many more. A bright, most handsome set of all three editions issued to date. Inventory Number: 021720

(GUESS?) (MARCIANO, GEORGES & PAUL). Sischy, Ingrid. Los Angeles: Guess? Inc., 1991. First Edition. Folio. Gilt-Embossed Boards in Jacket. Fashion Monograph. Near Fine/Near Fine. 244pp, profusely illustrated in b&w and color. Creative Direction by Paul Marciano. This is the extravagantly produced, self-published volume of publicity and marketing photos culled from the first decade of Guess? clothing company's provocative quarterly catalogues issued between 1981 and 1991. It features the work of photographers Sydney Baldwin, Dominick Guillemot, Mark Hispard, Neil Kirk, Wayne Maser, Perry Ogden, Herb Ritts, and Ellen Von Unwerth giving life to the designers' self-proclaimed "fashion revolution" in a glossy cavalcade of teased hair, collagen injected lips, breasts, and denim. Relive the birth of Claudia Schiffer fully grown from the brows of Paul Marciano and Ellen Von Unwerth, the fantasy of Tom Skerritt's cigar chompin' Bayou trumpeter, and Wayne Maser's cowgirl on Quaaludes chic - they're all here! A most handsome copy of this massive tome that was issued hors commerce as a sales tool, and never commercially distributed. Inventory Number: 021769

(HARDING, THOMAS). Harding, Thomas & Cyrus Sutherland. Fayetteville, AR: University of Arkansas Press, 1993. First Edition. Oblong 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. 112pp, profusely illustrated in b&w. Designed by John Coghlan. This is Thomas Harding's unusually thoughtful photographic essay on the aging, mostly archaic schoolhouses of rural Arkansas. Both interiors and exteriors are pictured (printed one to a page on the right, with a commentary on the facing page) with the pinhole camera used to capture these images giving them a hauntingly beautiful quality. A most handsome copy showing a minor indentation at the foredge of the rear cover 1-55728-272-2 Inventory Number: 010006

(HUGHES, HOWARD). Sederberg, Arelo, Lawrence A. Hyland, General Ira C. Eaker, Frank Risch, Ph.D., James Bacon, et. al,. Los Angeles: EPI-HAB, L.A., Inc., 1976. First Edition 1/500. 4to. Pictorial Wrappers. Cinema Monograph. Near Fine.. np (92pp), profusely illustrated in b&w. "Howard Robard Hughes Jr. was an American business magnate, investor, record-setting pilot, engineer, film director and studio magnate, and philanthropist, known during his lifetime as one of the most financially successful individuals in the world. He first became prominent as a film producer, and then as an influential figure in the aviation industry." EPI-HAB Inc. was founded in 1958 as a non-profit organization with the mission to provide meaningful employment to individuals with epilepsy by performing valued work for customers. On February 19th 1977, the Los Angeles chapter of the organization produced a posthumous, celebrity-studded "tribute Ball for Howard Hughes" at The Century Plaza Hotel to celebrate the life and accomplishments of Howard Hughes. "EPI-HAB LA Salutes Howard Hughes (!905-1976)" is the souvenir program that was published a few months after the actual event. It features dozens of tribute ads (most from the Hughes Corporation, its Hotels, and various subsidiaries), scores of historical Hughes photos and press clippings (none from later than 1952), and most interestingly, nearly one hundred photographs of the civic movers and shakers that organized and attended the event. These included John Wayne, Jimmy Stewart, Jayne Russell. Virginia Mayo, Mel Torme, Lorne Greene, Ann Miller, Cyd Charisse, Carlotta Monti, Mrs. Harry (Sybil) Brand, Mrs. Jackie (Barbara) Cooper, Mrs. Jack (Emily) LaLanne, Mrs. Mervyn (Kitty) LeRoy, Mrs. Lloyd (Mell) Nolan, Mrs. David (Barbara) Simmons, Mrs. Rudy (Eleanor) Vallee, Mrs. Del (Toni) Webb, and many, many more. A bright, most handsome example of this exceedingly uncommon item stated as having been limited to five hundred unnumbered copies which were seemingly never meaningfully distributed that is neither in the holdings of the Margaret Herrick Library of The Academy of Motion Picture Arts and Sciences nor does it appear in OCLC WorldCat. Inventory Number: 026403

(ICKX, JACKY). Van Vliet, Pierre. Introduction by Jacky Ickx. Foreword by Eddie Merckx. Gottingen, GERMANY: Cannibal Publishers, 2012. First Edition. 4to. Pictorial Boards. Auto Racing Monograph. Fine/No Jacket - As Issued. 242pp, profusely illustrated in color and duotone. Text in English. "Jacky Ickx has been to the front and back. Miraculously, he survived a period in which death lurked behind every corner, like when his Ferrari caught fire in 1970 during a race in Jarama. Jacky Ickx's career is one of the richest in the history of racing: two-time vice-world champion Formula 1, winner of eight grands prix, six-time winner of the 24 hours of Le Mans, two-time world endurance champion with victories in the Paris-Dakar Rally and the American Can Am-championship. This book presents the twenty-four defining moments of Ickx' career, illustrated with exclusive photography from the best archives and photo collections in the world". Long retired, Jacky Ickx is widely regarded as the greatest Belgian F1 and sports car driver of the twentieth century, and this lavish book - which includes his own introduction along with a foreword by legendary Belgian cycling champion Eddie Merckx - authored by noted motorsports journalist Pierre Van Vliet is a fitting tribute. A bright, most handsome example of the uncommon 2012 English language edition. 9-49137-614-4 Inventory Number: 024513

(JUNIOR LEAGUE OF PASADENA). Junior League of Pasadena. Pasadena, CA: Junior League of Pasadena, 1927. First Edition. 4to. Stapled Illustrated Wrappers. Good.. np (110 + 6pp), profusely illustrated in sepia tone. In a protective clear acetate dustwrapper. Published at the height of The Roaring Twenties, this is the heavily illustrated program for the 1927 fundraising "Frolic" presented by the Junior League of Pasadena. Reflecting both the status of its blue-blooded members of Southern California's elite and the look of The Jazz Age, this is a fascinating early "advertorial" in which the wives and daughters of Pasadena's toniest families are photographed flapperishly styled and posed admiring of the wares of its paid advertisers. Featured in the highly staged portraits - primarily by Ray Huff-Richter's studio - are the likes of silent-era star Colleen Moore, Mmes. Donald and Stuart O'Melveny, Hancock Banning, Stephen W. Royce, Stanley Robinson, Franklin Baldwin, Miss Marion Williams, and scores of others. Amongst the more than one hundred businesses touting their wares in support of the Junior League are The Biltmore, Ambassador, Alexandria, Fairmont, Flintridge, and Huntington hotels; May Company, Barker Bros., Hales, and Crown Emporium department stores; E.F Hutton, Bond & Goodwin & Tucker, Wilcox Drake & Co., The House of Rollins, E.A. Pierce & Co., and Francis P. Graves & Company brokerages; Richfield and Union Oil companies; Roland E Coate and Florence Yoch & Lucile Council, Architects; The Hal Roach Studios, Vroman's Books, The Pig 'N Whistle restaurant, and many of the local luxury car dealerships. Additionally bound in with a silk tie is the detailed six page program for the December 6th, 1927 "Topics of the Day" benefit theatrical Frolic - "with a book and original lyrics to popular tunes by Madeline Blackmore and Charles Crouch" - featuring a bevy of Junior League of Pasadena beauties of all ages joined by Mrs. Forrest Tucker as "Miss America!" An internally most presentable example of this exceptionally uncommon item - not a single copy appears in either OCLC WorldCat or the holdings of the Los Angeles Public Library - starting to pull from the wrappers at the staples showing a dent at the head of the spine, notable wear and creasing, some dampstaining, and minor paper loss along the extremities of its illustrated pale blue cardstock covers. It has been priced accordingly. Inventory Number: 026727

(KING, DAVID). Ades, Dawn, Richard Francis & David King. London & Oxford, UK. ND (1980).: Arts Council of Great Britain & Oxford Museum of Modern Art. Edition Not Stated - Presumed First. Folio. Stapled Pictorial Wrappers. Exhibition Catalog. Fine.. np (16pp), 27 duotone illustrations. Designed by David King. This is the strikingly designed, oversized sixteen page brochure produced to accompany "Experimental Photography" - an exhibition of European Modernist photography sponsored by the Arts Council of Great Britain. A most handsome example of this gorgeous publication designed by the late, great David King that was the only printed documentation of the event. 0-7287-0241-X Inventory Number: 027138

(KOONS, JEFF) (TASCHEN, BENEDIKT). Paz, Marga & Benedikt Taschen. Koln, GERMANY: Benedikt Taschen Verlag, 2004. First Edition. Folio. Boards in Illustrated Jacket. Exhibition Catalog. As New/As New. 256pp, profusely illustrated in color and b&w. Text in English, German and Spanish. With an exhibition checklist and bibliography. This is the beautifully produced, oversized hardbound catalogue published in conjunction with the 2004 Reina Sofia Madrid exhibition of works from the extraordinary contemporary art holdings amassed over the previous two decades by legendary publisher Benedikt Taschen. "Benedikt Taschen began seriously building his personal collection in 1985, through his involvement in the contemporary art world. It is limited to a small number of artists by whom he owns a great number of pieces. This concentration both traces the development of the work of a few over time and allows us to explore their scope and vision in greater depth. Among the best-represented artists of the collection are Germans Albert Oehlen and Martin Kippenberger (with more than a hundred works each), and the American artists Jeff Koons and Mike Kelley. Additionally, Taschen owns many quality pieces representing key artists from the generation that emerged in the 1980s and is still active today. Among them: Thomas Struth, Gunther Forg, Cindy Sherman, Christopher Wool, Darren Almond, Werner Buttner, Andre Butzer, and Wolfgang Tillmans, not to forget photography doyens Julius Shulman and Helmut Newton, and Elmer Batters and Eric Stanton. A brand new, most handsome example acquired directly from the publisher additionally BOLDLY SIGNED AND DATED "Jeff Koons / 12/3/04" WITH A FLOWER DRAWING executed at Art Basel Miami 2004 in black marker across the title page. 3-8228-4011-4 Inventory Number: 026516

(MANDEL, MIKE) (SULTAN, LARRY). Mandel, Mike & Larry Sultan. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. New York. 1977 (2003).: D.A.P. (Distributed Art Publishers). First Edition Thus. Small Oblong 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np (92pp), 61 duotone and 25 b&w illustrations. Designed by Victor Mingovits. Quite simply one of the most innovative, entertaining and thought-provoking photography books yet published, Mike Mandel and Larry Sultan's 1977 collection of uncaptioned evidentiary images has rightfully gained a legendary status in the thirty-five years since its initial publication. Now, "Evidence" is available once again in its original format, with the addition of a dust jacket, a new essay by SFMoMA curator Sandra Phillips on the book's impact and significance, and a two page layout of eighteen previously unpublished images entitled "Outtakes from Evidence, 1977-2003". A brand new, most handsome example of this wonderful tome (whose 1977 first printing is cited on pages 220-221 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 314-315 of The Hasselblad Center's "The Open Book", and pages 140-141 of "The Book of 101 Books") BOLDLY SIGNED by both Larry Sultan and Mike Mandel in black ink on the title page. 1-891024-62-0 Inventory Number: 024508

(MCCLOSKEY, RICK). McCloskey, Rick. Zurich, SWITZERLAND: Sturm and Drang, I00200717, 2020. 3rd Printing. 9 x 11 in., 132 pages. Hardbound. Photography Monograph. New/No Jacket - As Issued.

American car culture at its vibrant best

Wednesday night was Cruise Night in the San Fernando Valley, a suburb of Los Angeles. The stretch on Van Nuys Boulevard between Ventura Boulevard on the southern end, and well past Sherman Way to the north, teemed with kids and cars from all over Southern California on Wednesday nights. It was a terrific place to both see and be seen, and to show off your ride as well.

Gas was cheap, times were great, and the boulevard hummed with life during the evenings. Even the draft during the Vietnam War did not dampen the street scene. By 1972, the year Rick McCloskey went to Van Nuys to shoot his series of photographs, the culture on the boulevard had become an amalgamation of divergent lifestyles, automobiles – used and new – and some very different looks and styles. There were tribes of van kids – surfers mostly – low-riders, muscle cars, street racers, Volkswagen owners, and many more, and of course, thousands of young people. The idea of retro had arrived as well, with some young people emulating the look and style of the 1950s. Of course, there were individuals who had to be there for work. In making these images, Rick McCloskey set about portraying the young people, their cars, and the iconic background settings.

Today, young people no longer have anything similar to the past boulevard gathering places, where so many people can enjoy just being there together. Akin to starlight still trickling in from a long vanished world, these photographic images are what we have left. A brand new, most handsome example of this sadly out of print gem. 978-1910164761 Inventory Number: I00200717

(MCFADDEN, JOSHUA RASHAAD) Contributions by LaCharles Ward and Lyle Ashton Harris. George Eastman Museum and Yale University Press, I00220511, 2022. 10 x 12 inches, 304 Pages. Hardcover. New/No Jacket - As Issued.

American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I’ll Run On demonstrates his mastery of a wide range of photographic genres—social documentary, reportage, portraiture, and fine art—and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020.

Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden’s meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden’s key role in shaping the art and visual culture of the United States. 9780300264265 Inventory Number: I00220511

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1982. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? - Annette Michelson; The Judgment Seat of Photography - Christopher Phillips; The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic - Linda Nochlin; Alienating Alienation: Fredric Jameson's Revisionary Romance - Perry Meisel; When Words Fail Rosalind Krauss; Documenta 7: A Dictionary of Received Ideas - Benjamin H.D. Buchloh. A most handsome copy. ISSN 0162-2870 Inventory Number: 018146

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. 0-262-75282-4 Inventory Number: 026769

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. 0-262-75283-2 Inventory Number: 023563

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. 0-262-75259-X Inventory Number: 012282

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. 0-262-75254-9 Inventory Number: 014348

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 021231

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. 0-262-75266-2 Inventory Number: 013786

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. 0-262-75263-8 Inventory Number: 013277

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. ISSN 0162-2870 Inventory Number: 012280