Arcana:

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. 0-262-75259-X Inventory Number: 012282

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. 0-262-75254-9 Inventory Number: 014348

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 021231

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. 0-262-75266-2 Inventory Number: 013786

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. 0-262-75263-8 Inventory Number: 013277

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. ISSN 0162-2870 Inventory Number: 012280

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. ISSN 0162-2870 Inventory Number: 021652

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Homi Bhabha & Melissa Mathis, Editors. Cambridge, MA: MIT Press Journals, 1996. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome example. ISSN 0162-2870 Inventory Number: 013122

(PAGE, BETTY). Essex, Karen & James L. Swanson. Santa Monica, CA: General Publishing Group, 1996. First Edition. 4to. Boards in Pictorial Jacket. Erotic Photography Monograph. Fine/Near Fine. 288pp, profusely illustrated in b&w and color. With a bibliography. Compiled with the assistance of the reclusive Ms. Page herself, "Bettie Page: The Life of a Pin-Up Legend" is a lavish visual tribute to legendary late cult model and object of affection. Included are hundreds of photographs (including family snapshots as well as images by Bunny Yeager, Andre De Dienes, Irving Klaw, Art Amsie, Bill Hamilton, 1950s Camera Clubs, etc.), Betty inspired artwork (Eric Stanton, Robert Blue, Olivia De Berardinis, Denis Sire, Dave Stevens, and more), book, magazine, and advertisement reproductions, and contemporary homages by the likes of Todd Oldham, Chantal Thomass, Joey Arias, Debi Mazar, Shalom Harlow, Janice Dickinson, Ellen Von Unwerth, Eva Herzigova, Christy Turlington, and Demi Moore. A most handsome copy of the 1996 hardbound first edition showing a diagonal soft crease through the front flap of the dust jacket. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 1-881649-62-8 Inventory Number: 021892

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1989. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good,. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the unavailable twentieth issue of this influential Swiss visual arts quarterly showing some light wear and handling. 3-907509-70-6 Inventory Number: 023818

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1989. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good./OUT OF PRINT. ca. 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the nineteenth issue of this influential Swiss visual arts quarterly. 3-907509-69-2 Inventory Number: 023703

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1988. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good -.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the unavailable seventeenth issue of this influential Swiss visual arts quarterly showing some light creasing and wear to the wrappers. It has been priced accordingly. 3-907509-67-6 Inventory Number: 020000

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2008. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. 300pp, profusely illustrated in color and b&w. Parallel Text in English and German. A pristine copy of the eighty-second issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-42-X Inventory Number: 014910

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2007. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. 300pp, profusely illustrated in color and b&w. Parallel Text in English and German. A pristine copy of the eighty-first issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-41-1 Inventory Number: 014446

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1989. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the twenty-first issue of this influential Swiss visual arts quarterly. 3-907509-71-4 Inventory Number: 013684

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1997. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 300pp, profusely illustrated in color and b&w. Parallel Text in English and German. A pristine copy of the fifty and fifty-first (double) issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-00-4 Inventory Number: 013657

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1991. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable copy of the unavailable twenty-ninth issue of this influential Swiss visual arts quarterly showing showing a significant dent to the lower foredge corner that runs through a portion of the textblock. 3-907509-79-X Inventory Number: 013136

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1990. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good +.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable example of the unavailable twenty-fifth issue of this influential Swiss visual arts quarterly showing light wear and rubbing to the covers. 3-907509-75-7 Inventory Number: 012444

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1996. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the forty-eighth issue of this influential Swiss visual arts quarterly. 3-907509-98-6 Inventory Number: 012288

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2000. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the fifty-eighth issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-08-X Inventory Number: 011784

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2004. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A pristine copy of the seventy-second issue of this influential Swiss visual arts quarterly. 3-907582-32-2 Inventory Number: 011236

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2004. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the seventy-first issue of this influential Swiss visual arts quarterly. 3-907582-31-4 Inventory Number: 011235

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2001. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the sixty-second issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-12-8 Inventory Number: 001354

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1990. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome copy of the unavailable twenty-sixth issue of this influential Swiss visual arts quarterly. 3-907509-76-5 Inventory Number: 001328

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1999. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most handsome example of the fifty-seventh issue of this influential Swiss visual arts quarterly. 3-907582-07-1 Inventory Number: 001299

(PHOTOGRAPH COLLECTOR, THE). Persky, Robert S., Editor. New York. 1980-1984.: The Photograph Collector's Newsletter Ltd.. First Edition. 4to. Printed Wrappers. Photography Newsletter. Near Fine or Better.. Each 8-16pp, no illustrations. "The Photograph Collector: The Newsletter of Photography as Art and Investment" is the slender yet highly important monthly compendium of news of photographic gallery sales and exhibitions, Museum acquisitions, auctions, edition and portfolio releases, and book reviews first published in 1980 that continues to this day. This run is comprised of forty-five of the first forty-six issues (it is lacking only Volume II, No. 2 - October 15, 1980), and is a deeply insightful reference to the evolution of the modern photographic marketplace at the beginning of the eighties. A most handsome, well preserved set whose individual numbers have been hole-punched and stored in a vintage National black vinyl three-ring binder that contains an additional twenty ephemeral items and enclosures from the publisher (including "The State of New York Multiples Disclosure Law" pamphlet and several "Marketreach©" listings of photographs for sale) laid into its front pocket. ISSN 0271-0838 Inventory Number: 022502

(RABABY, MICHAEL). Delancey Street Press, 2018. 9 x 9 in., 64 pages. Softcover. New/No Jacket - As Issued.

Folsom street food court is a documentary photography monograph that captures San Francisco's infamous Folsom street fair. the images feature people in various states of dress and undress meandering around the street fair food court. although the city of San Francisco has gentrified much over this span, the Folsom street fair seems to maintain its authenticity. 0692183736 Inventory Number: Rab002

(RABABY, MICHAEL). Arenas Street Publishing, 2003. 10 x 10 in., 138 pages. Hardbound. New/No Jacket - As Issued.

Bachelor is a state of mind, it's about the freedom to be yourself, and to do exactly what you want to do. Bachelor is a feeling of young and free, inspired and uninhibited. Michael Rababy has his camera and shoots from the hip. His photos chronicle the highs and lows of the American Bachelor. 0972995404 Inventory Number: Rab001

(RABABY, MICHAEL). Cali Editions, I00201201, 2020. 10 x 10 in., 320 pages. Hardbound. New/No Jacket - As Issued.

Curated by Michael Rababy this book features the work of 110 photographers from all over California – celebrating what makes our diverse, inclusive, forward-thinking state so great. This is Rababy’s visual mixtape, featuring the greatest hits of friends’ and colleagues’ work that I’ve enjoyed through my years as a curator. I hope to share the excitement I have for great images the way I’ve shared my favorite rare grooves, B-sides, and bootleg recordings over my lifetime. All proceeds from sales of this book benefit the Los Angeles Center of Photography (LACP) 9780578763859 Inventory Number: I00201201

(RAY, CHARLES) (PARKETT). Ray, Charles. Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1993. First Edition #IX/XXIII Deluxe. Small 4to. Wrappers + Color Photographs. Contemporary Art Periodical. Fine.. ca 200pp + nine 4 x 6" color C prints, profusely illustrated in color and b&w. Parallel Text in English and German. This thirty-seventh issue of the late, great influential Swiss visual arts quarterly "Parkett" focuses on the work of Charles Ray, Franz West, and Pipilotti Rist. This example from the "Artist Edition" series features Charles Ray's limited edition contribution "The Most Beautiful Woman in the World" consisting of nine informal snapshots of nineties fashion icon Tatjana Patitz taken by Ray at her Pacific Palisades home. A brand new, most handsome example of the magazine still in the publisher's shrinkwrap accompanied by the publisher's printed envelope SIGNED "Charles Ray" AND NUMBERED (IX) in black ink containing nine 4 x 6" color C prints of supermodel Patitz each stamped "CHARLES RAY, 1993 / EDITION FOR PARKETT NO. 37" in black ink on the verso, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 3-907509-87-0 Inventory Number: 027437

(RICHARDSON, TERRY) (TEMPLETON, ED) (WRAPAROUND MAGAZINE). Gachot, Paul, Editor. Los Angeles: Advertising Photographers of America, 2003. First Edition. 4to. Pictorial Wrappers. Photography Periodical. Fine.. 64pp, profusely illustrated in color and b&w. Cover by Terry Richardson. This second installment of the stylish, sadly defunct photography magazine "Wraparound" was devoted to the theme "Raw Youth". It features a ten page interview/layout with provocateur Terry Richardson, and a nine page spread on photographer/artist/skateboard god Ed Templeton that was art directed by Ed himself. The rest of the issue contains contributions by Ben Watts, Neil Abramson, Hans Neleman, Lauren Greenfield, Stefan Gerard and Elena Hale, Paul Gachot, and others. A most handsome example of this uncommon item that was issued hors commerce to ASMP members only and had no newsstand distribution. Inventory Number: 027460

(RODARTE) (A MAGAZINE). Mulleavy, Kate & Laura, Guest Editors. Van Den Eynden, Dirk, Editor. Antwerp, BELGIUM: A Publishe BVBA, 2011. First Edition. 4to. Pictorial Wrappers. Fashion Periodical. Fine.. 200pp, profusely illustrated in color and b&w. Text in English. Designed by Madelein Wermenbol. "A Magazine is a biannual publication, exploring the creative sphere of a selected designer in each issue. We invite a guest curator - an international fashion designer, group or house - to develop innovative, personalized content that expresses their aesthetic and cultural values. Each issue celebrates this designer's ethos: their people, their passion, their stories, emotions, fascinations, spontaneity and authenticity". This eleventh installment from 2011 of the luxe Belgian fashion periodical was guest curated by Rodarte designers Kate and Laura Mulleavy, and contains contributions on or by Autumn De Wilde, Tom Petty, Jay DeFeo, Kirsten Dunst photographed by David Armstrong, Lake Tahoe, the California Grizzly Bear, John Baldessari, Mt. Wilson Observatory, Todd Cole, The LA River, Frank Wiedmann and Andrew Durhams's "Shark", Elle Fanning photographed by Bill Owens, Joss Whedon, The Garbage Pail KIds, and many, many more. A most handsome example. 90-77745-10-6 Inventory Number: 025757

(SANDER, AUGUST) (FURUYA, SEIICHI) (DEJA-VU). Sawada, Yoko, Editor-In-Chief. Tokyo: Photo-planete Co., Ltd., 1994. First Edition. 4to. Pictorial Wrappers. Photography Periodical. Near Fine.. 121pp, profusely illustrated in color and b&w. Text in Japanese and English. This is the seventeenth installment (of twenty published) of the beautifully produced Japanese photographic quarterly "Deja-Vu". The issue is devoted to two lengthy portfolios of portraiture by August Sander and Seiichi Furuya, as well as work by Hajime Sawatari and Tsuguya Inoue. Much more book than magazine, it's elegantly appointed with many full bleed pictures. A handsome example showing a tiny bit of wear and handling to the covers. 4-309-903-37-1 Inventory Number: 001502

(SCEMAMA, MARION AND DAVID WOJNAROWICZ). Is-land Editions, I00210810, 2021. 6 x 9 inches, 156 Pages. Hardbound. New/No Jacket - As Issued.

While working as a reporter photographer in the mid-1980s, Marion Scemama was sent to New York. There she met David Wojnarowicz at the Christopher Street Pier, where he was painting his first frescoes. He introduced her to his friends, gave her access to the New York underground scene she wanted to document. From that moment on, until David's death in 1992, they maintained a passionate friendship that took the form of artistic collaborations on several occasions, with Marion taking pictures or making films that David Wojnarowicz used in his work.

In 1991, David was invited to San Francisco for the launch of his book, Close to the Knives. He wanted to get there by land, traveling through the desert, which he had already done alone several times. He loved those landscapes, the extreme loneliness they made him feel, the physical enjoyment and excitement he felt on the road, feeling weighed down by the sun.

When David wrote his long-time friend and asked her to join him that trip, he had known for several years that he was HIV-positive and sensed that this trip may very well be the last one he would ever have the strength to take. The photographs show what this trip meant to the two friends. Like a silent farewell, but in a moment when the knowledge of his impending death, no matter how clear and profound, never suppressed the heightened life force that grew within David in the midst of these desert landscapes.

During this weeks-long journey, Marion took about one hundred photographs that have been kept hidden until now. The book follows the two friends on the roads, from shabby motels to deserted villages, against the backdrop of the Death Valley's shadowless landscapes, amidst the white rocks of Zabriskie Point, where the old emblems of American mythology live on.

To accompany the account of this journey and tie it to David Wojnarowicz's life and oeuvre, two texts, one written by Thibault Boulvain and Elisabeth Lebovici, will close the collection. The contribution of these researchers, who are in France two important figures in the current research in queer studies, will make it possible to introduce David Wojnarowicz's work in France, where there has only been a translation of Close to the Knives —albeit out of print now—and where no major exhibition of his work is yet to be announced. 9791097544027 Inventory Number: I00210810

(SEARCH & DESTROY). Vale, V., Editor. San Francisco: Search & Destroy, 1977. First Edition. Folio. Tabloid Pictorial Wrappers. Periodical. As New.. 24pp, profusely illustrated in b&w. "Search & Destroy" was V. Vale's short-lived, highly revered late seventies 'zine notable for its coverage of the Bay Area punk and transgressive cultural movements that was the precursor to RE/Search. This fourth installment from 1977 includes contributions on or by Death, Iggy Pop, Hunt and Tony Sales, Jordan, De Sade, Patti Smith, Lance Loud and The Mumps, Dead Boys, Metal Urbain, Helen Wheels, The Spitfire Boys, Liars, Sham 69, Charles Gatewood, and great period advertisements. A bright, most handsome example of this uncommon and important document neatly folded in half, as issued. Inventory Number: 024577

(SEARCH & DESTROY). Vale, V., Editor. San Francisco: Search & Destroy, 1978. First Edition. Folio. Tabloid Pictorial Wrappers. Periodical. As New.. 24pp, profusely illustrated in b&w. "Search & Destroy" was V. Vale's short-lived, highly revered late seventies 'zine notable for its coverage of the Bay Area punk and transgressive cultural movements that was the precursor to RE/Search. This fifth installment from 1978 includes contributions on or by The Sex Pistols, The Screamers, Nico, Helen Wheels, Suicide, The Masque and Mabuhay Gardens, Crime, Crisis, The Nuns, The Dils, Talking Heads, The Dickies, Devo, Bruce Conner, and great period advertisements. A bright, most handsome example of this uncommon and important document neatly folded in half, as issued. Inventory Number: 023771

Simon, Harper. Los Angeles: Hat & Beard Press, 2023. 9 in. x 12.25 in., 352 p. New.

“Everyone is fascinated by crime,” says Harper Simon. “When you look at the history of song, romantic love songs may be the dominant mode of songwriting, but second would probably be songs involving crime—murder ballads for one. Crime is a major theme in all songwriting.”

Simon offers a new and expansive contribution to this legacy with Meditations on Crime, an ambitious multi-media project that includes an album he produced of musical collaborations with a sweeping range of contributors (Julia Holter, Gang Gang Dance, King Khan, the Sun Ra Arkestra) and a book he edited featuring essays by such notables as Miranda July, Hooman Majd, and Jerry Stahl, alongside artwork from giants like Cindy Sherman, Tracey Emin, Julian Schnabel, and Raymond Pettibon.

The genesis of Meditations on Crime came in 2016 as a confluence of several ideas. Simon was interested in collaborating with musicians he knew and admired on the creation of a vinyl LP with an accompanying book, which would be “a beautiful physical object to stand outside the digital world.” Given what America was going through during that particular election year, though, he thought the times called for something more politically charged.

“I was trying to come up with a collective, curated project that had political content, but wouldn’t be so obvious and agenda-driven,” says Simon. Something “that would give people the freedom to express some ideas that might meet that volatile period in culture and in politics. One of the titles I came up with was Meditations on Crime—if you get down to it, crime is politics and politics is crime, so crime can go a lot of different ways. It seemed to be a way of approaching the moment that was a little more subtle and left space to explore.”

The songs were developed in a variety of ways: Sometimes Simon sent his collaborators guitar tracks or demos he was working on and had them write over them, sometimes he collaborated on lyrics. On the Sun Ra Arkestra track, he composed melodic themes and went to the group’s home base of Philadelphia with the legendary producer Hal Willner, where they fleshed out two songs. (Willner passed away in 2020 from Covid. “To have that creative moment with him makes it really touching for me,” says Simon.)

“Since I wasn’t out in front singing, it freed me up to go into a lot of different styles and genres that I wouldn’t attempt on a solo project,” says Simon. “It was liberating and fun—that was part of what I wanted to do, and it turned out to be gratifying in all sorts of ways.”

As he reached out to more musicians (“I kind of just went with my gut, and one person led to the next”), he retained a consistent backing band for most of the tracks, allowing for some cohesion. He played most of the guitars, with Paz Lenchantin from the Pixies on bass and Carla Azar, who has played with everyone from Jack White to PJ Harvey to The Who, on drums, as well as members of Ariel Pink’s band and Nick Zinner from the Yeah Yeah Yeah’s.

For the book, Simon points to “On Crime,” the essay by Nigerian novelist and poet Ben Okri, as a central piece. “It almost felt like an introduction because it was so philosophical,” he says. “It set the tone. The book started to become less political and more interesting. Once the tone was set, you could go to this beautiful essay on war crimes by Janine di Giovanni, the famous foreign correspondent. You could see it go to a humorous place in a piece by Jerry Stahl or an interview with Kenneth Anger. Wayne Kramer from the MC5 has a foundation called Jail Guitar Doors that brings musical instruments and songwriting to prisoners, and has spent time in prison himself, so I thought he would have an interesting perspective.”

Simon was committed to including visual art that investigated the idea of crime, so he enlisted his friend Jonah Freeman, from the art team Freeman-Lowe, as a co-curator. “He brought in a great deal of artists and really became my partner,” says Simon. “Julian Schnabel came on, Nate Lowman, Laurie Anderson, just so many great people. And then Jonah got Raymond Pettibon, who made this original portrait of John Dillinger, and we put that on the cover—which I loved, because I grew up listening to albums with Raymond Pettibon covers, like Black Flag and Sonic Youth.”

Though the concept sprang from Simon’s inspiration, he emphasizes the collaborative aspect of Meditations on Crime. “This is a counterculture project that integrates different areas of creativity into a collective effort,” he says. In the end, 38 artists contributed across the various media, three of whom remained part of the endeavor despite facing online controversies after their collaborations were recorded. “I made the decision not to cut them,” says Simon. “One of the reasons being that I think canceling, in quotes, is blacklisting, and blacklisting, in my view, is wrong whether it comes from the left or the right.”

Meditations on Crime is already expanding into other areas, as Simon and Freeman are completing a short film based on Okri’s essay, narrated by actress Katherine Waterston. There’s talk of possible art shows and benefit concerts in the future based around the theme.

“A lot of the old models of how things are done in the music world are becoming more and more obsolete and uninteresting,” says Simon. “Make an album and make an album cover and put it out and get a review in the music press and go on tour and make a poster—I don't know if it's just been exhausted creatively or made obsolete due to technology. It’s time to play with different ways of approaching how to put things out, and how to play with different areas of creativity and weave them together in new ways and create new models. I don't think people even have the language yet to know how to speak to this transitional moment in culture.”

“This project allowed me to explore different worlds other than the music world,” he says. “To have different platforms for different audiences, and to do a whole bunch of things that people don't normally do when they make an album.” 9781955125284 Inventory Number: I00230827

(SNOW, MICHAEL) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. 0-262-75264-6 Inventory Number: 012636

(SOTH, ALEC). Bordignon, Elena, Alec Soth, Jona Frank, Tanyth Berkeley & Alix Smith. Milano, ITALY: TH INSIDE, 2005. First Edition #333/400. Square 8vo. Debossed Cloth. Exhibition Catalog. As New/No Jacket - As Issued. np, profusely illustrated in color. Text in Italian and English. With photographers' biographies, exhibition histories, and bibliographies. In a protective clear acetate dustwrapper. This is the elegant hardbound catalogue published in conjunction with a 2005 Tommy Hilfiger-sponsored exhibition held in Milan of Fashion-inflected color portrait photography by Alec Soth, Jona Frank, Tanyth Berkeley, and Alix Smith. A brand new, pristine example of this exceedingly uncommon item - only a single copy is currently cited in OCLC WorldCat - limited to four hundred NUMBERED (333/400) copies additionally BOLDLY SIGNED by Alec Soth and Jona Frank in black ink on the title page at our shop with the business card of the director of Minneapolis' Weinstein Gallery - Alec Soth's representatives at the time - laid in. Inventory Number: 025743

(STIVERS, ROBERT). Stivers, Robert. Introduction by A.D. Coleman. Santa Fe, NM: Arena Editions, 1997. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (106pp), 44 b&w illustrations. This is the first book of Robert Stivers' dark, ghostly images published by the late, lamented Arena Press. A pristine copy BOLDLY SIGNED in ink by the photographer on the half title page. 0-9657280-0-5 Inventory Number: 011471