Arcana:

(APERTURE) (SOMMER, FREDERICK). White, Minor, Editor. Rochester, NY: Aperture Inc., 1962. First Edition. 8vo. Stapled Printed Wrappers. Photography Periodical. Very Good -.. 42pp, 30 duotone illustrations + rear cover. Designed by Frederick Sommer. In a protective clear acetate dustwrapper. This fortieth installment of Aperture from 1962 is designed and edited by, and devoted entirely to the writings and images of Frederick Sommer. The very first monograph on his work, it contains a portfolio of twenty-nine beautifully reproduced full page photographs by the venerable late American proponent of the Surrealist image. An internally bright, most handsome example of this surprisingly uncommon item (cited on pages 162-163 of "The Book of 101 Books") showing some faint spotting to the glossy white surface of the front cover. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019948

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(CORNELL, JOSEPH). Coplans, John. Akron, OH: Akron Art Institute, 1978. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Fine.. 32pp, 21 b&w illustrations. This slender catalogue published in conjunction with a 1978 Joseph Cornell retrospective held at the Akron Art Institute is small and elegant, just like the artist's work. A brand new, most handsome example. Inventory Number: 026780

(CORNELL, JOSEPH). McShine, Kynaston. Zurich, SWITZERLAND: Gimpel & Hanover Galerie, 1972. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (12pp), 10 b&w illustrations. Text in German. With an exhibition checklist and biography. This is the slender twelve page catalogue published in conjunction with a 1972 Swiss gallery exhibition of seventeen boxes and six collages by the late, iconoclastic American artist Joseph Cornell. A handsome example of this uncommon item showing some slight sunning and soiling to the covers. Inventory Number: 013167

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Very Good. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a posthumous 1983 New York gallery exhibition of Joseph Cornell boxes and collages whose imagery reflects his lifelong obsession with the ballet. An internally most handsome example of the exceedingly uncommon clothbound edition whose matte white dust jacket shows some mild age-toning and soiling along with a tiny missing chip along the bottom edge of the rear panel. LC 83-73032 Inventory Number: 026069

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Fine.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a posthumous 1983 New York gallery exhibition of Joseph Cornell boxes and collages whose imagery reflects his lifelong obsession with the ballet. A most handsome example. LC 83-73032 Inventory Number: 024628

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Very Good -.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a 1983 New York gallery exhibition of Joseph Cornell's boxes and collages whose imagery reflects his lifelong obsession with the ballet. A handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... - Love, Hugs, kisses / Sandy / 12.16.83" from the author - noted Cornell dealer and scholar Sandra "Sandy" Starr - in black ink in the year of publication on the first preliminary showing a bit of wear and soiling to its white covers. LC 83-73032 Inventory Number: 005860

(CORNELL, JOSEPH). Starr, Sandra Leonard & Takashi Hiraide. Tokyo: Shigeru Yokota Inc., 2003. First Edition 1/500. 8vo. Loose Contents in a Portfolio. Artist Monograph. As New.. np, 5 color & 1 b&w illustrations. Text in English and Japanese. With an exhibition checklist, exhibition history and bibliography. This is the slender yet elegant document consisting of loose enclosures housed in a printed paper portfolio published in conjunction with a posthumous 2003 Tokyo gallery exhibition of Joseph Cornell's box constructions, collages, and publications. A brand new, pristine example of this exceedingly uncommon item limited to five hundred NUMBERED (466/500) copies. Inventory Number: 025429

(DALI, SALVADOR). Dali, Salvador. New York: Carstairs Gallery, 1958. First Edition. Large 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good -.. One 14 x 21" cardstock sheet printed offset recto and verso folded in half vertically to make 14 x 11 ½", 4pp, 1 b&w cover illustration. Cover Designed by Salvador Dali. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the slender four page catalogue published in conjunction with Salvador Dali's 1959 exhibition of thirteen watercolors and drawings at New York's Carstairs Gallery. Stating "This, my best exhibition, I dedicate to Gala, my Sistine Madonna", it features a cover illustration by the Surrealist icon along with his brief "Anti-Matter Manifesto". A most presentable example of this exceedingly uncommon item additionally BOLDLY INSCRIBED "Monsieur Alexandre ELIOT" in blue ballpoint pen across the rear cover plus "Hommages de Dali / 1959" in blue fountain pen on the inside front cover showing light soiling and spotting, some stray pigment marks, and minor insect damage to the covers. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025563

(DUCHAMP, MARCEL). Duchamp, Marcel. Mathieu Mercier, Editor. Köln, GERMANY: Verlag Der Buchhandlung Walther Konig, 2016. First Edition. Folio. Loose Contents in a Box. Artist Monograph. As New/No Jacket - As Issued. Sixty-nine loose components housed in a box. Text in English. "Everything important that I have done can be put into a little suitcase," Marcel Duchamp said in 1952. Finally, that suitcase is available to all! One of the most important and enigmatic pieces of modernist art, the Boîte-en-valise (Box in a Valise) was assembled by Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made three hundred copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier, and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains sixty-nine reproductions of Duchamp's most celebrated creations, including the famous "Fountain", "Nude Descending a Staircase", and "The Large Glass". Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system." A brand new, pristine example of the quickly sold out 2016 Walther König first populist edition of this monumental undertaking unopened in the publisher's printed shipping carton."Everything important that I have done can be put into a little suitcase," Marcel Duchamp said in 1952. Finally, that suitcase is available to all! One of the most important and enigmatic pieces of modernist art, the Boîte-en-valise (Box in a Valise) was assembled by Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made three hundred copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier, and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains sixty-nine reproductions of Duchamp's most celebrated creations, including the famous "Fountain", "Nude Descending a Staircase", and "The Large Glass". Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system." A brand new, pristine example of the quickly sold out 2016 Walther König first edition of this monumental undertaking unopened in the publisher's printed shipping carton. 3-86335-518-0 Inventory Number: 026435

(DUCHAMP, MARCEL). Hopps, Walter. Pasadena, CA: Pasadena Art Museum, 1963. First Edition 1/2000. 4to. Wrappers in Acetate Jacket. Artist Monograph. Fine./Fine.. 56pp, profusely illustrated in b&w with three tipped-in color plates. Designed by Marcel Duchamp. In protective clear acetate dustwrapper. This graphically striking publication was designed by Marcel Duchamp in conjunction with his 1963 Pasadena Art Museum exhibition - his very first Museum retrospective. It takes the form of a then newly-deconstructed version of Robert Lebel's Trianon/Grove Press catalogue raisonné of the artist's work through 1963. A bright, spectacularly well-preserved example of this uncommon gem limited to two thousand unnumbered copies whose fragile acetate dust jacket shows none of the usual chipping, cracking, or splitting typically seen with this title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027563

(DUCHAMP, MARCEL). Paz, Octavio & Marcel Duchamp. Mexico City: Ediciones ERA, 1968. First Edition 1/3000. 4to. Cloth Portfolio in Slipcase. Artist Monograph. Very Good/No Jacket - As Issued. Seven components housed in a slipcased green cloth folio. Text in Spanish. This unique Marcel Duchamp item was produced in the spirit of the "Boite en Valise", and as such is a portfolio containing several smaller items related to the maestro's oeuvre, They are as collated: 1. "Marcel Duchamp o el Castello de la Pureza" - the first appearance of Octavio Paz's notable essay on the Large Glass (62pp, cloth, 8vo, 4 b&w, 8 tipped color plates), 2. "Marcel Duchamp - Textos" (69pp, wrappers, 8vo, illustrated in b&w), 3. "El Gran Vidrio" - a color transparency of "The Bride Stripped Bare by Her Bachelors, Even" with a printed cardboard enclosure, 4. Color reproductions of each of the three versions of "Nude Descending a Staircase" - printed on heavy stock, 5. Nine postcard sized reproductions of various readymades - again on heavy stock, laid into a printed envelope, 6. "Album Fotografico / Texto Autografo / Nota Biografica" (10pp, wrappers, 8vo), and one unnumbered item, a white cardboard stand-up bust of Duchamp printed in blue ink. The contents of this copy are all in Near Fine condition or better but for the stand-up, whose cardboard has age-toned somewhat. The internal cloth portfolio shows starting and cracking of the inner hinges due to the use of cheap animal glue. The slipcase shows minor browning, abrading, fraying, and a bit of the insect damage that typically afflicts this ambitious but inexpensively produced undertaking. All in all, this is a handsome, complete example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - limited to three thousand unnumbered copies that looks nicer in hand than it describes. Inventory Number: 026433

(ERNST, MAX).. Tokyo. ND (Circa 1958).: Misuzu. First Edition. 8vo. Cloth in Dust Jacket. Artist Monograph. Very Good/Good +. 106pp, 44 b&w and 26 color illustrations. Text in Japanese. Published as part of a Japanese series of monographs on European and American modern artists, this volume is devoted to the work of noted Dada and Surealist icon Max Ernst. While we cannot make out the publication details in Kanji, this is a nicely illustrated survey of paintings, collages, and frottages dating to the late fifties. A most presentable example of this uncommon item showing a bit of handling to the textblock, some chips and closed tears to the dust jacket, and the previous owner's stamp of noted artist Sam Francis on the inside rear cover. Inventory Number: 008868

(ERNST, MAX). Ernst, Max. With brief texts by Andre Breton, Piet Mondrian, Rene Crevel, Paul Eluard, Dorthea Tanning, J.F.P., Benjamin Peret, Man Ray, Robert Desnos & Nicolas Calas. Beverly Hills, CA: The Copley Galleries, 1949. First Edition #121/513. 8vo. ¼ Cloth Over Pictorial Boards. Artist Monograph. Very Good/No Jacket - As Issued. 39pp, 24 monochrome illustrations. Designed by Max Ernst. Printed by Lynton Kistler. Frontispiece photograph by Frederick Sommer. With an exhibition checklist. In a protective clear acetate dustwrapper. This charming, elaborately designed and produced exhibition catalogue cum artist's book was published in conjunction with a 1949 show of sixty-six works executed between 1918 and 1948 by renowned Dada and Surrealist artist Max Ernst at the Beverly Hills gallery of William Nelson Copley - a.k.a artist Cply. The first portion - "At Eye Level" - contains brief Surrealist and Ernst-related texts and quotes by a stellar array of artists and literary figures that includes Andre Breton, Piet Mondrian, Rene Crevel, Paul Eluard, Dorothea Tanning, J.F.P., Benjamin Peret, Man Ray, Robert Desnos, and Nicolas Calas. The second - "Paramyths" - is a series of eight poems and collages executed by the artist especially for this volume. A handsome, tightly bound example of this fragile, uncommon item limited to five hundred and thirteen copies NUMBERED (121/513) in ink on the rear colophon, as issued, showing some typical soiling and slight discoloration to its matte, textured boards, unobtrusive mottling to the blue cloth of the spine, and a small area of surface paper abrasion to the rear board. Internally, there is a tiny bit of mild foxing to a few pages throughout along with occasional discoloration and perished glue at the gutter of some of the pages. Inventory Number: 026378

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of sixty-one of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", The Art of The Daguerreotype", "Capturing Time: A Celebration of Photography:, "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Strange Days: Photographs From The Sixties by Winogrand, Eggleston, and Arbus:", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(KING, DAVID). Ades, Dawn, Richard Francis & David King. London & Oxford, UK. ND (1980).: Arts Council of Great Britain & Oxford Museum of Modern Art. Edition Not Stated - Presumed First. Folio. Stapled Pictorial Wrappers. Exhibition Catalog. Fine.. np (16pp), 27 duotone illustrations. Designed by David King. This is the strikingly designed, oversized sixteen page brochure produced to accompany "Experimental Photography" - an exhibition of European Modernist photography sponsored by the Arts Council of Great Britain. A most handsome example of this gorgeous publication designed by the late, great David King that was the only printed documentation of the event. 0-7287-0241-X Inventory Number: 027138

(MAN RAY) (PAOLINI, GIULIO) (BOLAFFIARTE). Man Ray & Giulio Paolini. Torino, ITALY: Bolaffi & Mondadori Editori, 1973. First Edition 1/5000. 4to. Illustrated Wrappers. Periodical. Very Good -.. 136pp, profusely illustrated in color and b&w, with two 11 ¾ x 9 ¼" original graphics laid in. Text in Italian. This is the thirty-first installment of the Italian Arts magazine "BolaffiArte". Amongst the more interesting articles here are features on American Land Art (Michael Heizer and Robert Smithson) and Hippie Communes in the Southwest - both with photographs by Gianfranco Gorgoni, collectors Dorothy and Herbert Vogel, Conceptual Art and Arte Povera 1966 - 1969, and a section devoted to Man Ray. For the issue, Man Ray was commissioned to create an original work of art utilizing the letter "R" (as part its "L'Alfabebeto di BolaffiArte" series), which was then reproduced utilizing the photolithographic process and included as a loose insert. It consists of an embossed sheet of cardstock which has been overprinted with a stylized "Man Ray" in dark green, save for the "R" printed in red. In addition, noted Italian Arte Povera/Conceptual artist Giulio Paolini has contributed an original insert entitled "Vedo, 1969 (la decifrazione del mio campo visivo)". A most presentable example with like inserts showing a bit of overall light wear along with a slight dent at the heel of the spine. It has been priced accordingly. Inventory Number: 009218

(MAN RAY). Ware, Katherine. Los Angeles: The J. Paul Getty Museum, 1998. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. As New.. One 7 ½ x 24 inch continuous sheet printed recto and verso, folded neatly in fourths to make 8pp, 4 duotone illustrations. This is the slender eight page brochure produced to accompany a 1998 exhibition of vintage prints by Man Ray from the J. Paul Getty Museum Department of Photography's vast holdings. A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the exhibition. Inventory Number: 025597

(MATTA ECHAURREN). Matta (Roberto Sebastian Antonio Matta Echaurren) & Alain Sayag. New York: Maxwell Davidson Gallery & Jeffrey Loria & Co., Inc., 1977. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (48pp), 23 color and 2 b&w illustrations + color cover. With an exhibition checklist, collections listing, biography and bibliography. This is the beautifully illustrated catalogue published in conjunction with two concurrent 1977 New York gallery exhibitions of twenty-one works on canvas executed between 1994 and 1996 by the Chilean-born Surrealist artist Roberto Sebastian Antonio Matta Echaurren. A brand new, most handsome example of this uncommon item. Inventory Number: 024402

(MIRO, JOAN) (ARTIGAS, JOSEP LLORENS I). Bernier, Rosamond, Joan Miro & Josep Llorens i Artigas. New York: Pierre Matisse Gallery, 1956. First Edition. 8vo. Illustrated Wrappers. Artists Monograph. Very Good -.. np (32pp), profusely illustrated in b&w with two color lithographs. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the charming catalogue published in conjunction with a 1956 exhibition of twenty five collaborative ceramic sculptures by the Catalonian masters Joan Miro and Josep Llorens i Artigas held at Miro's longtime New York gallery, Pierre Matisse. It features a lithograph in colors that wraps around both covers along with a gatefold two sided color lithograph - both printed by Mourlot Freres - bound in, as issued. The black and white photographs are by Sabine Weiss, and the text is a transcribed interview with Miro and Artigas by Rosamond Bernier that first appeared in "The Selective Eye". A handsome example (entry number thirty-eight in Patrick Cramer's "Joan Mirò: The Illustrated Books - Catalogue Raisonné") showing some mild insect damage along the edges of the textblock. It has been priced accordingly. Inventory Number: 024733

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Jacques Dupin & Rene Char. Paris. 1948, 1950, 1953 & 1956.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Fine/No Jacket - As Issued. np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of four issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 14-15 (Novembre - Decembre 1948): "Joan Miro"; 29-30 (Mai - Juin 1950): "Miro"; 57-58-59 (Juin - Julliet - Aout 1953): "Miro"; and 87-88-89 (Juin - Julliet - Aout 1956): "Miro Artigas". An internally spectacularly bright, most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total thirty-four original color lithographs. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022340

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Joan Gardy Artigas, Rene Char, Jacques Dupin, Josep Luis Sert, Joan Brossa, Joan Prats & Andre Pieyre de Mandiargues. Paris. 1961, 1961, 1961, 1963 & 1965.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Fine/No Jacket - As Issued. np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1965, it collects the complete contents of DLM numbers 123 (Fevrier 1961): "Joan Miro: Ceramique Murale Pour Harvard"; 125-126 (Avril 1961): "Miro"; 128 (Juin 1961): "Miro: Peintures Murales"; 139-140 (Juin-Juillet 1963): "Miro et Artigas"; and 151-152 (Mai 1965): "Miro Cartons." A most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total fifty-one original color lithographs showing some faint brown spotting to the edges of the textblock and endpapers that does not affect the internal lithographs in any meaningful way. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024990

(MIRO, JOAN). Miro, Joan. Geneva, SWITZERLAND: Galerie Gerald Cramer, 1969. First Edition 1/1650. Oblong 4to. Color Lithographic Wrappers. Artist Monograph. Very Good.. 25pp, 9 b&w tipped illustrations. Text in French. Issued in conjunction with a 1969 Geneva gallery exhibition of fifty-one graphic works by Joan Miro, the cover of this elegant exhibition catalogue is an original gatefold color lithograph executed by the artist especially for this publication. A handsome example (entry number one hundred and twenty-seven in Patrick Cramer's "Joan Mirò: The Ilustrated Books - Catalogue Raisonné") showing a slight dent to the lower edge of the front cover. Inventory Number: 007882

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome example. 0-262-75180-1 Inventory Number: 021674

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A most handsome example. 0-262-75187-9 Inventory Number: 018280

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. 0-262-75281-6 Inventory Number: 021215

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. 0-262-75253-0 Inventory Number: 014992

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Malcolm Turvey & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 1998. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly ISSN 0162-2870 Inventory Number: 021654

(PARRY, ROGER). Fargue, Leon-Paul & Roger Parry. Paris: Editions de la Nouvelle Revue Francaise, 1930. First Edition 1/300. 4to. Printed Wrappers. Livre D'Artiste. Near Fine./No Jacket - As Issued.. 84pp + xvi, 16 full page monochrome gravure illustrations. Text in French. In a protective clear acetate dustwrapper. "Banalité" is one of the most striking collaborations of word and image in the realm of the photographically illustrated Surrealist book. It marries Leon-Paul Fargue's previously-published 1922 volume of prose and poems with sixteen dramatic, then-new full page images reproduced in lush sepia-toned gravure by the noted French photographer and cinematographer Roger Parry. An exceptionally bright, well-preserved example of this stunning modernist collaboration (cited on pages 100-101 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I") from the standard trade edition limited to three hundred NUMBERED (214/300) copies on Imperial Japon paper showing just a bit of wear to the extremities of the wrappers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024548

(SCHWITTERS, KURT). Steinitz, Kate Trauman. Introduction by John Coplans and Walter Hopps. Berkeley & Los Angeles, CA: University of California Press, 1968. First Edition. 8vo. Boards in Illustrated Jacket. Artist Monograph. Fine/Very Good. 226pp, profusely illustrated in b&w. Designed by Douglas Nicholson. With a list of biographies. Kate Trauman Steinitz was a Hannover-based colleague, close associate, and here the posthumous biographer of Kurt Schwitters. The first English language memoir of the renowned Dada and collage pioneer, it features an introduction co-authored by former Pasadena Art Museum curators Walter Hopps and John Coplans and includes translations of numerous prose and performance pieces - including the libretto for Schwitters and Steinitz' unpublished 1928 collaborative "science-fiction opera", "Zusammenstoss" ("Collision"). A most handsome example whose dust jacket shows just a bit of light wear and soiling. 0-520-01219-4 Inventory Number: 024470

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Fine.. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A bright, most handsome example showing virtually none of the typically seen rubbing and handling to its silver covers additionally SIGNED by Frederick Sommer in black ink on the title page at the time of publication. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019501

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Very Good -.. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A most presentable example showing some typical light rubbing and handling to its silver covers as well as a short lengthwise tear along the spine at the rear cover. It has been priced accordingly. Inventory Number: 017105

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Good.. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A presentable example only showing some typical rubbing and handling to its silver covers as well as a crease across the textblock near the heel of the spine. It has been priced accordingly. Inventory Number: 017104

(SOMMER, FREDERICK). Nordland, Gerald. Philadelphia, PA: Philadelphia College of Art, 1968. First Edition. 4to. Stapled Printed Wrappers. Photography Monograph. Good -.. 28pp, 14 b&w illustrations. Designed by Richard Hood. With a chronology, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the elegantly designed catalogue for Frederick Sommer's 1968 show of one hundred and twenty-seven photographs held at the Philadelphia College of Art. Printed locally at the renowned Falcon Press, it is the first comprehensive Sommer publication issued in conjunction with an exhibition. An otherwise most presentable example of this exceedingly uncommon item showing some light wear and creasing to its black printed wrappers along with a one inch closed tear into the foredge of the textblock. It has been priced accordingly. Inventory Number: 024918

(SOMMER, FREDERICK). Nordland, Gerald. Philadelphia, PA: Philadelphia College of Art, 1968. First Edition. 4to. Printed Wrappers. Photography Monograph. Near Fine.. 28pp, 14 b&w illustrations. Designed by Richard Hood. With a chronology, bibliography and exhibition checklist. This is the elegantly designed catalogue for Frederick Sommer's 1968 show of one hundred and twenty-seven photographs held at the Philadelphia College of Art. Printed locally at the renowned Falcon Press, it is the first comprehensive Sommer publication issued in conjunction with an exhibition. A handsome example of this exceedingly uncommon item showing some light scuffing and a few tiny spots of insect damage to its black printed wrappers. While neither signed nor inscribed, this example was acquired by us directly from the estate of the noted late Los Angeles artist / educator / collector Emerson Woelffer, and bears his discreet ownership label on the verso of the rear endpaper. Woelffer was close friends with both Sommer and curator Gerald Nordland, and is the subject of the full page image titled "Emerson Woelfer (sic) 1965" reproduced on page twenty-five of the catalogue. Inventory Number: 021636

(SOMMER, FREDERICK). Sommer, Frederick, in collaboration with Stephen Aldrich. Stockton, NJ: Designed and Printed at the Carolingian Press, 1972. First Edition. Small Square 8vo. Printed Stapled Wrappers. Photography Monograph. Very Good.. np (40pp), no illustrations. In a protective clear acetate dustwrapper. "The Poetic Logic of Art and Aesthetics" is Frederick Sommer's self-published item containing no photographic images that reproduces the text of his 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics" along with the eulogy "'Words Spoken in Memory of Richard Nickell at a Gathering of His Friends". A handsome example additionally SIGNED by Frederick Sommer in black ink in a spidery hand on the title page showing some typical light age patination and slight discoloration along the rear of the spine. It has been priced accordingly. Inventory Number: 020357

(SOMMER, FREDERICK). Torosian, Michael & Frederick Sommer. Toronto, CANADA: Lumiere Press, 1992. First Edition 1/200. 8vo. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued.. 36pp, 4 tipped-in b&w silver-gelatin prints. Designed by Michael Torosian. With a biography. In a protective clear acetate dustwrapper. Published in 1992 as the sixth installment of Toronto's Lumiere Press "Homage" series, this is an exquisitely produced monograph on the late American Surrealist photographer Frederick Sommer. It was designed and printed by author and publisher Michael Torosian on Mohawk Superfine paper, bound in one-quarter oatmeal linen over grey paper boards with a printed spine label, and contains three small tipped-in gelatin-silver prints of images by Sommer as well as a tipped-in gelatin-silver portrait of the photographer by Edward Weston as the frontispiece. A brand new, pristine example (cited on page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") of this uncommon gem limited to two hundred copies. 0-921542-06-2 Inventory Number: 015155