Arcana:

(ALTOON, JOHN). Nye, Tim, Robert Creeley, Walter Hopps, Klaus Kertess & Dr. Milton Wexler. New York: Nyehaus Gallery and the Monacelli Press, 2013. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Kyle Lamar. With a biography, exhibition history and collections listing. Published to coincide with a 2014 retrospective at the Los Angeles County Museum of Art, "The Astonishing Works of John Altoon" surveys the colorful paintings and virtuosic drawings of this larger-than-life personality exhibited at New York's Nyehaus in 2013. Altoon's art is intimate, haunting, and erotic - capturing a magical moment in California art between the Beat Generation and the sexual and psychedelic revolutions. The work is put in context through essays and remembrances from those who knew him best: the poet Robert Creeley; psychiatrist and fan Dr. Milton Wexler; pioneering West Coast curator Walter Hopps; and curator, gallerist, and critic Klaus Kertess. This lavishly produced original collection also features a juxtaposition of Altoon's lithographs with a selection of Creeley's poems that the longtime friends originally published as "About Women" in 1965, a facsimile of his Ed Kienholz-published memorial exhibition catalog, and posthumously addressed letters from friends. A brand new, pristine example of this exquisite document. 1-58093-386-6 Inventory Number: 025206

(ANDRE, CARL). Delahunty, Gavin, Lynn Kost & Valerie Mavridorakis. Lynn Kost, Editor. Zurich & Schaffenhausen, SWITZERLAND: JRP Ringier & Museum zu Allerheiligen Schaffhausen, 2014. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 152pp, profusely illustrated in color and b&w. Text in English and German. Designed by Nicolas Eigenheer and Vera Kaspar. With an exhibition checklist. "Carl Andre was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11" paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost". A brand new, pristine hardbound example of this scholarly yet lively study published in conjunction with a 2014 Swiss Museum exhibition still in the publisher's shrinkwrap. 3-03-764364-1 Inventory Number: 026555

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

(BAZAINE, JEAN) (DERRIERE LE MIROIR). Bazaine, Jean & Marcel Arland. Paris: Maeght Editeur, 1953. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. np (8pp), 2 color and 4 b&w illustrations. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Jean Bazaine's 1953 exhibition of paintings. It contains two color lithographs (the front cover, and one massive four page spread), and four additional illustrations. A most presentable example showing a bit of wear and a single closed tear along the extremities. It has been priced accordingly. Inventory Number: 023559

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Glicksman, Hal, Walter Hopps, Robert Duncan & David Meltzer. Los Angeles: Fellows of Contemporary Art & Otis Art Institute Gallery, 1978. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 118pp, profusely illustrated in b&w and color. Designed by Jerry McMillan. This is the comprehensive catalogue on the work of the beloved pioneering Los Angeles beat, collage, and assemblage artist Wallace Berman published in conjunction with a posthumous 1978 retrospective exhibition sponsored by the Fellows of Contemporary Art and the Otis Art Institute Gallery that traveled to The Fort Worth Art Museum, University Art Museum at UC Berkeley, and the Seattle Art Museum. A most handsome example of this important document showing some soft creasing to the bottom foredge tips of the textblock. It has been priced accordingly. LC 78-70599 Inventory Number: 025866

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERMAN, WALLACE) (SEMINA). Berman, Wallace & George Herms. Venice, CA: Love Press (George Herms), 1992. First Edition Thus 1/300. Small 4to. Loose Booklets in a Box. Artists' Books. As New./No Jackets - As Issued.. np, nine individual facsimile reproductions of "Semina" magazine plus a loose colophon laid into a box. Truly a labor of Love, this meticulous facsimile recreation of Wallace Berman's legendary - and legendarily scarce - handmade literary and art anthology from the late '50s through early '60s took four years to bring to fruition. Its stellar list of Beat-inflected contributors include Berman first and foremost, along with John Altoon, Antonin Arthaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, John Weiners, and many others. This edition has been painstakingly printed and assembled in the manner of the originals utilizing handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman's close friend and fellow assemblage artist George Herms at his Love Press. A brand new, most handsome example of the extraordinary 1992 facsimile reprint authorized by Wallace Berman's family limited to three hundred copies NUMBERED (34/300) AND SIGNED by George Herms on the colophon, laid into the publisher's printed chipboard box, as issued. Inventory Number: 027156

(BERMAN, WALLACE) (SEMINA). Kugelberg, Johan & Wallace Berman. New York: Boo-Hooray Gallery, 2014. First Edition 1/700. 4to. Illustrated Wrappers. Artist Monograph. As New.. 174 + 12pp, profusely illustrated in color. In a protective clear acetate dustwrapper. "Wallace Berman was the quintessential artist of the Californian counterculture - connecting the disparate artistic, literary, music, and film scenes of Los Angeles and San Francisco with his pioneering mail-art magazine Semina. Hand-printed on a tabletop at Berman's house in editions ranging from 150 to 350 copies, it was sent through the mail to his friends, its contributors, and to those he admired. Its nine issues between 1955 and 1964 contain original works by the likes of John Altoon, Charles Brittin, William Burroughs, Cameron, Jean Cocteau, Bruce Conner, Jay DeFeo, Robert Duncan, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Dennis Hopper, Walter Hopps, Jess, Michael McClure, Taylor Mead, Henry Miller, Jack Smith, Dean Stockwell, Russell Tamblyn, Edmund Teske, John Wieners, Berman himself, and many, many more. With its loose-leaf poetry, collages, and photography, Semina has become a defining document of its period. Published in collaboration with the Berman family and the artist's gallerist Michael Kohn, "Art is Love is God" reproduces in full color every component of every issue of the magazine along with a twelve page booklet of annotations and texts by Johan Kugelberg, Adam Davis, Tosh Berman, Shirley Berman, and Philip Aarons." A brand new, most handsome example of the unavailable first trade edition of this elegant publication limited to seven hundred unnumbered copies with the publisher's errata slip additionally laid in. 1-938265-18-1 Inventory Number: 027032

(BLAKE, WILLIAM). Blake, William, David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, Bo Lindberg, Charles Ryskamp & John Commander. David Bindman, Editor. London: The William Blake Trust, 1987. First Edition #61/250 Deluxe. Folio. Leather over Boards, Slipcased. Artist Monograph. Fine/No Jackets - As Issued. 148pp + np, profusely illustrated in collotype. Published in 1987 by the William Blake Trust, this lavish two volume undertaking is devoted solely to William Blake's "Illustrations of the Book of Job". The first volume combines a facsimile reprint in collotype of the 1826 first edition as well as additional plates reproducing scores of variant illustrations related to Blake's spectacular work. It includes "an introduction and plate-by-plate commentary by Bo Lindberg". The second volume is subtitled "The Engravings and Related Material, with Essays, Catalogue of States and Printings, Commentary on the Plates, and Documentary Record by David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, and Bo Lindberg. Edited by David Bindman". In addition, it contains an introduction by Charles Ryskamp, and a preface by Bindman and John Commander. It is a scholarly work that illuminates virtually all aspects of the creation and subsequent history of this epic illustrated book. According to the colophon, "Plates and illustrations printed in the collotype process by The Trianon Press, Paris under the supervision of the late Arnold Fawcus. Typesetting by Ronset of Darwen, Lancashire. Printing, binding and case-making by Smith Settle of Otley, Yorkshire. Printed on Arches pure rag papers made for the edition. Edited, designed and produced by John Commander". The text volume is bound in ¼ Morocco over hand marbled boards with a gilt-stamped spine and leather front cover pastedown. The plate volume contains twenty-three signatures gathered in a ¼ Morocco over boards chemise with a letterpress front cover pastedown. The chemise is housed in a ¼ Morocco over hand marbled boards solander box with a gilt-stamped spine and leather front cover pastedown. A brand new, exceptionally handsome example of this uncommon item from the standard edition limited to two hundred and fifty NUMBERED (61/250) copies in the publisher's Morocco over cloth fitted presentation case. Inventory Number: 025540

(BRAQUE, GEORGES) (DERRIERE LE MIROIR). Braque, Georges, Rene Char, Jacques Kober, Henri Maldiney, Alberto Giacometti, Jean Grenier, Georges Limbour & Jacques Dupin. Paris. 1947, 1950, 1952, 1954 & 1956.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Very Good -/No Jacket - As Issued. np + np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Georges Braque. Bound by Maeght in brown cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 4 (Juin 1947): "Braque", 25-26 (Janvier 1950): "G. Braque", 48-49 (Juin-Julliet 1952): "G. Braque", 71-72 (Decembre 1954-Janvier 1955): "G. Braque: Theogoni d'Hesiode", and 85-86 (Avril-Mai 1956): "Braque". An otherwise bright, most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total twelve original color lithographs showing some sunning to the cloth primarily along the spine. In addition, the top inch of its spine has broken off and is not present. It has been priced accordingly. Inventory Number: 024991

(BRAVERMAN, KATE). Braverman, Kate. Los Angeles: Illuminati, 1990. First Edition. Tall 8vo. Illustrated Wrappers. Prose Monograph. Fine.. 78pp, no illustrations. Cover Illustration by Jan Zaremba. "Postcard From August" is a book-length prose work divided into six segments by the noted late Los Angeles writer and educator Kate Braverman, author of the tour-de-force novel "Lithium For Medea." A bright, most handsome example of the 1990 first Illuminati edition of this uncommon item 0-89807-262-X Inventory Number: 026968

(BRAVO, MANUEL ALVAREZ). Bravo, Manuel Alvarez & Juan Garcia Ponce. Miguel Cervantes, Editor. Mexico City, MEXICO: Departmento de Publicaciones, Comite Organizador De Los Juegos De La XIX, 1968. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Very Good -./No Jacket - As Issued. 114pp, 84 b&w and 3 color illustrations. Text in Spanish, English and French. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the substantial hardbound catalogue published in conjunction with the 1968 exhibition "Manuel Alvarez Bravo: Photographies / Photographs / Fotografias 1928 - 1968" that was held as part of the cultural programming for the games of the XIX Olympiad held in Mexico City. The show consisted of two hundred and fifty images by the venerable photographer, eighty-seven of which are reproduced here in gravure. An internally most handsome example of the - and only - edition of this uncommon and important document additionally bearing the BOLDLY SIGNED PRESENTATION "Para el senor / Jim Bullowa, dese an dole (?) un / feliz ano 1971 / M. Alvarez Bravo. / Coyoacan decembre de 1970" in blue ink across page 5 along with "El prefacio y la seleccione de poesia, / por Juan Garcia Ponce; el retrato por Miguel Cervantes. / Pag. 51 L'oiseau... esta puesto al reves / Asparicion.. fuera de registro el / duotuno (?) / 85 Dice: Tehuantepec, Chiapas, / Oaxaca / dese decio" across the title page in the same blue ink. Additionally laid in is a torn scrap of butcher paper bearing Bravo's name, return address, and "libros / books" written in the photographer's hand. There is a mild dent to the textblock at the head of the spine, and the edges of the pages show some soiling and a bit of spotting along the top. The white glazed boards show overall light soiling and age-toning along with some notable pitting and a bit of surface wear to the rear cover. It has been priced accordingly. Inventory Number: 026734

(BROWN, CECILY). Homes, A.M. Introduction by Robert Evren. London: Gagosian Gallery, 2000. First Edition. Oblong 4to. Wrappers in Dust Jacket. Artist Monograph. As New.. 76pp, 27 color illustrations. Designed by Dan Miller Design. This is the elegant catalogue produced in conjunction with the 2000 Gagosian London exhibition of British painter Cecily Brown - her first one-person show at the gallery. Each of her twenty-seven large-scale works shown is reproduced along with A.M. Homes' essay "Motion Pictures". A brand new, pristine example of this uncommon item in its wrappers printed with metallic ink still in the publisher's shrinkwrap. 1-880154-36-6 Inventory Number: 014715

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURLIUK, DAVID). Dreier, Katherine S. Foreword by Duncan Phillips. Mary Burliuk, Editor. New York: The Société Anonyme and Color and Rhyme, 1944. First Edition. Small 4to. Printed Wrappers. Artist Monograph. Good +.. xvi, 182pp, 53 b&w illustrations. Text in English. In a protective clear acetate dustwrapper. Compiled by the Société Anonyme's Katherine S. Dreier and Marcel Duchamp with assistance from Nicholas and Mary Burliuk, this comprehensive 1944 publication was for more than fifty years the major monograph on David Davidovich Burliuk - the Kharkov-born founding father of Russian Futurism. A prolific painter, poet, critic, and publisher, Burliuk started the literary group Hylea, was a participant in the pioneering 1910 "Jack of Diamonds" exhibition in Moscow, and a member of "Der Blaue Reiter" group. In 1922, he emigrated to the United States where he continued his artistic output until his passing in 1967. A most presentable example of the paperbound first edition of this uncommon item showing overall wear, handling, and soiling along with a small patch of surface paper abrasion along the top edge of the rear cover. It has been priced accordingly. Inventory Number: 024453

(BUTTURINI, GIAN). Butturini, Gian, Martin Parr, Luciano Mondini & Allen Ginsberg. Martin Parr, Editor. Bologna, ITALY: Damiani Editore, 2017. First Edition Thus. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Text in English. This is the recently published, revised edition of Italian photographer Gian Butturini's prescient "London" book. Originally published in 1969, it is a gritty, high-contrast black and white look at the city's streets and residents as the Swingin' Sixties drew to a close. A brand new, most handsome example of the now uncommon 2017 first - and only - Damiani printing (whose first edition is cited on pages 154-155 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") overseen by Martin Parr that was withdrawn from distribution following a somewhat ginned-up controversy regarding the sequencing of the book's images, with all of the publisher's remaining copies subsequently destroyed. 88-6208-558-3 Inventory Number: 026857

(CAGE, JOHN). Cage, John. Russell Ferguson, Editor.. New York & Los Angeles: Rizzoli International Publications & Museum of Contemporary Art, 1993. First Edition. Oblong 4to. Silkscreened Aluminum Box. Music Monograph. As New/No Jacket - As Issued. np, loose printed contents laid into an Aluminum Box. Designed by Catherine Lorenz. This is the spirited exhibition catalogue for a huge traveling retrospective that celebrated John Cage, his collaborators, influences, and influence on twentieth Century culture. Composer, lecturer, musician, artist, theoretician, Zen student, mycologist - all aspects of his life and art are represented here in a patchwork quilt of texts and images jammed into a sleek, mirror-like metal case. Every day in each of the show's venues (MOCA, the Menil Collection, the Guggenheim, Art Tower Mito Contemporary Art Center in Japan, and the Philadelphia Museum of Art) the art objects shifted in placement and installation - a nod to Cage's pioneering use of chance, and randomization as compositional elements. This catalogue/object functions much the same way, with nearly fifty pieces of printed ephemera laid in, with no hierarchical order. The primary texts here include; "Paying Attention" by Anne d'Harnoncourt, "nothingtoseeness" by Julie Lazar, "John Cage in the Social Realm" by Laura Kuhn, "UNCAGEDWORDS" by Joan Retallack, "Cage and Counting" by Mark Swed, "Anarchy" by John Cage, "An Autobiographical Statement" by John Cage, "Macrobiotic Cooking" by John Cage, "The Agenbite of Outwit" by Marshall McLuhan, "What Should I Eat?" by Andrew Weil, M. D., "Chronological Table of John Cage's Life" by Ellsworth Snyder, "Zen and Dhyana" by Daisetz T. Suzuki, "The Dancer and the Dance" by Merce Cunningham in conversation with Jacqueline Lesschaeve, and "The Director's Forward" by Richard T. Koshalek of MOCA. Artists' work in the show (but not necessarily in the catalogue) included Cage, Josef Albers, Antonin Arthaud, Joseph Beuys, George Brecht, William S. Burroughs, Joseph Cornell, Willem De Kooning, Maya Deren, Jean Dubuffet, Marcel Duchamp, Buckminster Fuller, Allen Ginsberg, Arshile Gorky, Peter Greenaway, Richard Hamilton, Jasper Johns, Allan Kaprow, Ellsworth Kelly, Yves Klein, Franz Kline, Sol LeWitt, Kasimir Malevich, Robert Motherwell, Barnett Newman, Isamu Noguchi, Yoko Ono, Nam June Paik, Harry Partch, Robert Rauschenberg, Man Ray, Ad Reinhardt, Mark Rothko, Robert Ryman, Erik Satie, Jean Tinguely, David Tudor, Cy Twombly, Edgar Varese, La Monte Young, and many, many others. A brand new, most handsome example of this cleverly designed book object still in the publisher's shrinkwrap and obi showing none of the fine surface scratches to the mirror-like finish of its box one typically finds. 0-8478-1772-5 Inventory Number: 026634

(CARNWATH, SQUEAK). Tsujimoto, Karen & John Yau. Oakland & San Francisco, CA: Oakland Museum of California & Pomegranate Books, 2009. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. As New/As New. 160pp, profusely Illustrated in color and b&w. With a chronology, bibliography, exhibition history, and exhibition checklist. This is the comprehensive catalogue issued in conjunction with a 2009 Oakland Museum of California retropsective exhibition of eighty-one paintings executed by the popular Bay Area artist Squeak Carnwath between 1979 and 2008. A brand new, most handsome example of the first printing of the uncommon hardbound edition still in the publisher's shrinkwrap. 0-7649-4888-1 Inventory Number: 025964

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CERVENKA, EXENE). Cervenka, Exene. NP: Self Published, 2006. First Black and White Edition 1/250. 4to. Artwork on Archival Board. Original Artwork. Fine.. One 10 x 8" archival white card sheet with a unique collage on the recto, 1 illustration. This is an original artwork by legendary X vocalist, poet, and visual practitioner Exene Cervenka. Executed in 2006 and donated by her to a local Museum benefit sale, it depicts a smiling lord and savior offering salvation, and the prospect of sanitary toilet seat protectors. Noted critic Kristine McKenna has written of Exene's collages "There is an ineffable melancholy that permeates Cervenka's art, and a haunting power to evoke a childhood lost. In the work you will find a scent of longing and nostalgia that is invariably tempered with the essential spirit of her art, which is tender and lyrical. In the end, each piece she's made is a Valentine to a fragile America that's disappearing before our very eyes, and an homage to the indomitable persistence of beauty." A brand new, most handsome example of this charming work SIGNED AND DATED "Exene 2006" in black marker on the verso along with the Museum's event label. Inventory Number: 026942

(CHRISTIAN, ANTON). Christian, Anton. With texts by H.C. Artmann, Suzanne Bloom, Helmut Eisendle, Erich Fried, Hans Haid, Ed Hill, Felix Mitterer, Ezra Pound, Alexander Schwarz, Turi Werkner, and "funf Sagen aus dem Reich der Fanes". Innsbruck, AUSTRIA: Haymon Verlag, 1989. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine (But Incomplete)/Fine. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. 3-85218-050-3 Inventory Number: 005063

(CLAMPITT, AMY). Clampitt, Amy. New York: The Reed Foundation Poetry Chapbook Series & The DIA Art Foundation, 1988. First Edition 1/350. 12mo. Illustrated Wrappers. Poetry Chapbook. Near Fine.. 32pp, no illustrations. Designed by Jean Foos. Published in conjunction with a 1988 reading at New York's DIA Art Foundation, this seventh volume in The Reed Foundation Poetry Chapbook Series "Readings in Contemporary Poetry" is devoted to nine short works by Amy Clampitt. A handsome example of this compact chapbook limited to three hundred and fifty copies. 0-944521-10-X Inventory Number: 012701

(CLEMENTE, FRANCESCO). Clemente, Francesco & Robert Creeley. New York: Gagosian Gallery, 1994. First Edition. 8vo. Wrappers in Printed Jacket. Artist Monograph. Near Fine.. np (14pp), 5 color illustrations. Designed by Step Graphics. Limited to one thousand copies, this is the slender fourteen page catalogue published in conjunction with Francesco Clemente's 1994 Gagosian Gallery New York exhibition that reproduces five of the artist's pigment on canvas works amongst short poems by Robert Creeley. A most handsome example showing a tiny dent to the upper foredge tip of the external paper portfolio. Inventory Number: 021355

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Very Good -.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. An otherwise most handsome example showing some barely noticeable rippling to a portion of the textblock at the lower foredge corner. It has been priced accordingly. 0-8478-1469-6 Inventory Number: 024236

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. A most handsome example bearing the BOLDLY SIGNED PRESENTATION "For .... Some Words & Pictures XXX Michael" from author McClure in gold marker on the title page. 0-8478-1469-6 Inventory Number: 020439

(CLEMENTE, FRANCESCO). Rushdie, Salman. London: Gagosian Gallery, 2005. First Edition. Tall 4to. Illustrated Wrappers. Artist Monograph. Fine.. 42pp, 14 color illustrations. Designed by Dan Miller Design. With an exhibition checklist. This is the elegantly designed catalogue featuring an essay by literary lion Salman Rushdie published in conjunction with a 2005 Gagosian Gallery London exhibition of self portraits by Francesco Clemente. A brand new, most handsome example still in the publisher's shrinkwrap. 1-932598-24-3 Inventory Number: 022237

(CLEMENTE, FRANCESCO) (SAVINIO, ALBERTO). Savinio, Alberto & Francesco Clemente. New York & London: Petersburg Press, 1986. First Edition Thus. 4to. Wrappers in Dust Jacket. Illustrated Book. Near Fine./Near Fine.. np, profusely illustrated. This is a facsimile of the Petersburg Press deluxe Livre D'Artiste for which Francesco Clemente produced a series of forty-eight lithographs - each embellishing every double-page spread of the text. This is the is the first English translation of the wartime diary cum travelogue of Alberto Savinio - brother of Giorgio de Chirico - and himself one of the seminal figures of 20th Century Italian literature. A most handsome example. Inventory Number: 019624

(COE, SUE). Metz, Holly & Sue Coe. London: Knockabout Comics, 1983. First British Edition. Folio. Stapled Illustrated Wrappers. Graphic Novel. Fine.. 44pp, profusely illustrated in duotone. Designed by Francoise Mouly and Art Spiegelman. Published in 1983 as RAW Magazine One-Shot #2, "How to Commit Suicide in South Africa" is Holly Metz and Sue Coe's chilling collaborative investigation of the fate of South African political prisoners during the reign of apartheid. A bright, most handsome example of the 1983 Knockabout Comics first British edition with glossy covers. 0-86166-013-7 Inventory Number: 026155

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(CORNELL, JOSEPH). Starr, Sandra Leonard & Takashi Hiraide. Tokyo: Shigeru Yokota Inc., 2003. First Edition 1/500. 8vo. Loose Contents in a Portfolio. Artist Monograph. As New.. np, 5 color & 1 b&w illustrations. Text in English and Japanese. With an exhibition checklist, exhibition history and bibliography. This is the slender yet elegant document consisting of loose enclosures housed in a printed paper portfolio published in conjunction with a posthumous 2003 Tokyo gallery exhibition of Joseph Cornell's box constructions, collages, and publications. A brand new, pristine example of this exceedingly uncommon item limited to five hundred NUMBERED (466/500) copies. Inventory Number: 025429

(D'AGATA, ANTOINE). D'Agata, Antoine. Cherbourg-Octeville & Lyon, FRANCE: Galerie Le Bleu de Ciel & Le Point du Jour, Editeur, 2005. First Edition. 4to. Pictorial Wrappers. Photography Monograph. As New.. 48pp, 30 duotone illustrations. Text in French. Published in conjunction with 2005 exhibition held at Lyon's Galerie Le Bleu de Ciel, "Manifeste" is an elegantly designed and printed survey of Antoine D'Agata's dark and ofttimes tortured images accompanied by writings by the noted French Magnum Photos member and his selection of brief texts by noted literary and cultural figures. A brand new, pristine example of this uncommon item (cited on page 216 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné"). 2-912132-48-7 Inventory Number: 024429

(DEFEO, JAY). Rubin, David S. & Michael McClure. Preface by Thomas Albright. San Francisco, CA: San Francisco Art Institute, 1984. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. 32pp, 14 b&w and 2 color illustrations + color cover. With an exhibition checklist, biography and exhibition history. This is the catalogue published in conjunction with the 1984 retrospective exhibition of forty-four works by noted Bay Area artist Jay DeFeo held at the San Francisco Art Institute's Emanuel Walter and Atholl McBean Galleries. It coincided with the presentation of the annual Adeline Kent Award to the creator of the legendary, monumental 2,300 pound painting "the Rose" (as immortalized in Bruce Conner's film of the same name). Included is Michael McClure's paean to the artist, "SONG for Jay". A handsome example of this uncommon document showing just a bit of handling and age-toning to its white covers. Inventory Number: 021356

(DE KOONING, WILLEM). Inge, William. Beverly Hills, CA: Paul Kantor Gallery, 1965. First Edition. 8vo. Stapled Wrappers in Jacket. Artist Monograph. Fine./Fine.. np (28pp), 8 color and 8 b&w illustrations. This is the lovely catalogue published in conjunction with a 1965 Paul Kantor Gallery exhibition of sixteen then-recent figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. It reproduces each of the works shown along with a brief essay by noted playwright William Inge. A most handsome example of this uncommon item. Inventory Number: 016397

(DINE, JIM). Dine, Jim & Neil Curry. London: Enitharmon Editions Ltd., 1993. First Edition 1/75 Deluxe. 4to. Cloth in Slipcase. Illustrated Book. As New.. 64pp, with an individual signed lithograph, a lithographic frontispiece and four photogravures bound into the book. Beautifully illustrated by Jim Dine, this is the deluxe edition of author Neil Curry's colloquial version of the closing books of Homer's Odyssey in which he has "scrubbed the story free from all its side-tracks and digressions so as to leave clear one thread of Odysseus's final journey: from the shores of Ithaca to the marriage-bed where he is finally reunited with Penelope". It is hand-printed in 14 point Monotype Baskerville on Canaletto 160gsm (fine) and bound and slipcased by The Fine Bindery. Jim Dine's signed original 12 ½ x 9 ¾" etching of "The Head of Homer" (contained loose in a wallet in the slipcase) was printed on 300gsm Hahnemuhle at the Spring Street Workshop in New York. The lithographic frontispiece and four photogravures bound into the book all reproduce drawings made by the artist in 1987-8 from Greek and Roman statuary at the Glyptotek in Munich, and were printed in London by Pauper's Press and Hope Sufferance Press. A brand new, pristine example of the deluxe edition limited to seventy-five copies SIGNED by the author, as issued. 1-870612-09-4 Inventory Number: 013858

(DRUKS, RENATE) (NIN, ANAIS). Nin, Anais & Renate Druks. NP (Malibu, CA): Concentric Circle Press, 1979. First Edition #15/100. 8vo. Cloth with Pastedowns. Illustrated Book. Fine/No Jacket - As Issued. 96pp, 9 tipped color illustrations. In a protective clear acetate dustwrapper. The late Malibu-based, Viennese expatriate artist Renate Druks was among many things a confidante and occasional muse to legendary literary figure Anais Nin. In 1979, Druks self-published Nin's memoir of their friendship illustrated with nine tipped-in reproductions of her ethereal paintings in the vein of Leonora Carrington and Remedios Varo along with a cover collage. A brand new, most handsome example of the exceedingly uncommon first - and only - hardbound Concentric Circle Press edition limited to one hundred copies NUMBERED (15/100) AND SIGNED "Renate Druks" in black ink on the verso of the title page, as issued. LC 79-53873 Inventory Number: 026669

(DUCHAMP, MARCEL). Paz, Octavio & Marcel Duchamp. Mexico City: Ediciones ERA, 1968. First Edition 1/3000. 4to. Cloth Portfolio in Slipcase. Artist Monograph. Very Good/No Jacket - As Issued. Seven components housed in a slipcased green cloth folio. Text in Spanish. This unique Marcel Duchamp item was produced in the spirit of the "Boite en Valise", and as such is a portfolio containing several smaller items related to the maestro's oeuvre, They are as collated: 1. "Marcel Duchamp o el Castello de la Pureza" - the first appearance of Octavio Paz's notable essay on the Large Glass (62pp, cloth, 8vo, 4 b&w, 8 tipped color plates), 2. "Marcel Duchamp - Textos" (69pp, wrappers, 8vo, illustrated in b&w), 3. "El Gran Vidrio" - a color transparency of "The Bride Stripped Bare by Her Bachelors, Even" with a printed cardboard enclosure, 4. Color reproductions of each of the three versions of "Nude Descending a Staircase" - printed on heavy stock, 5. Nine postcard sized reproductions of various readymades - again on heavy stock, laid into a printed envelope, 6. "Album Fotografico / Texto Autografo / Nota Biografica" (10pp, wrappers, 8vo), and one unnumbered item, a white cardboard stand-up bust of Duchamp printed in blue ink. The contents of this copy are all in Near Fine condition or better but for the stand-up, whose cardboard has age-toned somewhat. The internal cloth portfolio shows starting and cracking of the inner hinges due to the use of cheap animal glue. The slipcase shows minor browning, abrading, fraying, and a bit of the insect damage that typically afflicts this ambitious but inexpensively produced undertaking. All in all, this is a handsome, complete example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - limited to three thousand unnumbered copies that looks nicer in hand than it describes. Inventory Number: 026433