Arcana:

(ADAMS, BRYAN). Adams, Bryan. Foreword by Margaret Atwood. Toronto, CANADA: Key Porter Books, 1999. First Edition (Second Printing). 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, profusely illustrated in b&w. "In some ways, this book started when Flare magazine published my photograph of model Linda Evangelista in 1998, promoting a concert she and I were co-sponsoring to raise money for a breast cancer screening clinic in St. Catharine's, Ontario. Previously, I had recorded some music for a CD and performed at a concert in Los Angeles both for breast cancer research, so the idea of continuing to raise awareness was forefront in my mind. I approached Flare with the idea of continuing to promote awareness, hence this book. I am extremely grateful to all those who gave both time and money to help make each photo happen and especially to all the women photographed here who were Made in Canada". This book of musician and photographer Bryan Adams' images of inspiring Canadian women includes portraits of Margaret Atwood - who contributed the foreword, Shalom Harlow, Kim Cattrall, Catherine O'Hara, Margaret Trudeau, Sarah McLachlan, Joni Mitchell, Silken Laumann, Natalie and Nicole Appleton, Alison Sydor, Shannon Tweed, Carolyn Waldo, Jane Sibbery, Eve Salvail, Floria Sigismondi, Dayle Haddon, K.D. Lang, Genevieve Bujold, Celine Dion, Natasha Henstridge, Margo Timmins, Pamela Anderson Lee, Anne Murray and Dawn Langstroth, Sarah Polley, Jill Hennessy, Melissa Auf Der Maur, Tricia Helfer, Stacey MacKenzie, Linda Evangelista, Margot Kidder, Alanis Moris7sette, Angela Featherstone, Neve Campbell, Carrie-Anne Moss, Shania Twain, Diana Krall, Estella Warren, and many, many more. A brand new, pristine example of the 1999 Key Porter Books second printing additionally BOLDLY SIGNED WITH A SMILEY-FACE DRAWING by Bryan Adams in black marker on the title page. 1-55263-071-4 Inventory Number: 020358

(ALTOON, JOHN). Nye, Tim, Robert Creeley, Walter Hopps, Klaus Kertess & Dr. Milton Wexler. New York: Nyehaus Gallery and the Monacelli Press, 2013. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Kyle Lamar. With a biography, exhibition history and collections listing. Published to coincide with a 2014 retrospective at the Los Angeles County Museum of Art, "The Astonishing Works of John Altoon" surveys the colorful paintings and virtuosic drawings of this larger-than-life personality exhibited at New York's Nyehaus in 2013. Altoon's art is intimate, haunting, and erotic - capturing a magical moment in California art between the Beat Generation and the sexual and psychedelic revolutions. The work is put in context through essays and remembrances from those who knew him best: the poet Robert Creeley; psychiatrist and fan Dr. Milton Wexler; pioneering West Coast curator Walter Hopps; and curator, gallerist, and critic Klaus Kertess. This lavishly produced original collection also features a juxtaposition of Altoon's lithographs with a selection of Creeley's poems that the longtime friends originally published as "About Women" in 1965, a facsimile of his Ed Kienholz-published memorial exhibition catalog, and posthumously addressed letters from friends. A brand new, pristine example of this exquisite document. 1-58093-386-6 Inventory Number: 025206

(ANDRE, CARL). Delahunty, Gavin, Lynn Kost & Valerie Mavridorakis. Lynn Kost, Editor. Zurich & Schaffenhausen, SWITZERLAND: JRP Ringier & Museum zu Allerheiligen Schaffhausen, 2014. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 152pp, profusely illustrated in color and b&w. Text in English and German. Designed by Nicolas Eigenheer and Vera Kaspar. With an exhibition checklist. "Carl Andre was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11" paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost". A brand new, pristine hardbound example of this scholarly yet lively study published in conjunction with a 2014 Swiss Museum exhibition still in the publisher's shrinkwrap. 3-03-764364-1 Inventory Number: 026555

(ART-RITE). Robinson, Walter & Edit deAk, Editors. New York: Art-Rite Publishing Company, 1976. First Edition. 4to. Pictorial Stapled Wrappers. Art Periodical. Near Fine.. 78pp, illustrated in b&w. Cover by Carl Andre. This fourteenth installment of cutting-edge '70s New York art rag "Art-Rite Magazine" features a cover designed by Carl Andre along with contributions on or by Kathy Acker, John Baldessari, Daniel Buren, Robert Cumming, Agnes Denes, Peter Downsbrough, Jon Gibson, Judith Hoffberg, Allan Kaprow, Richard Kostalanetz, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Robert Morgan, Maurizio Nannucci, Richard Nonas, Adrian Piper, Lucio Pozzi, Marcia Resnick, Carolee Schneeman, Pat Steir, Richard Tuttle, Lawrence Weiner, Robin Winters, Douglas Huebler, David Salle, Rosalee Goldberg, A.A. Bronson, Naomi Spector, Eve Sonneman, Peter Frank, and a lengthy survey of artists' books. There are also several pages of advertisements from virtually all of the New York Galleries showing Conceptual Art at the time. A most handsome example of this uncommon item showing some typical slight age-toning to the edges of the newsprint pages along with a tiny nick and short closed tear to the covers. Inventory Number: 026580

(ASPEN MAGAZINE). O'Doherty, Brian, Guest Editor. New York: Roaring Fork Press, Inc., 1967. First Edition. Small 4to. Illustrated Portfolio. Arts Periodical. Good +.. np (nineteen printed components + advertisements, one film reel, and five flexi-discs housed in a printed paper-over-boards box, profusely illustrated in b&w. Designed by Brian O'Doherty, David Dalton, and Lynn Letterman. Edited by Irish-born, New York-based artist and critic Brian O'Doherty, this combined fifth and sixth installment of "Aspen" magazine from 1967 is an elaborate collection of commissioned projects by avant-garde artists, writers, composers, and filmmakers - heavy on the Minimal and Conceptual. Dedicated by the editor to Stephane Mallarme, among its notable components are a recording of William S. Burroughs reading an excerpt from "Nova Express", "Smoke" - a miniature assemble-it-yourself sculptural multiple by Tony Smith, and "Serial Project #1, 1966" - the very first artist book by Sol LeWitt (cited on page 28 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books" as well as entry number one in Alicia Legg's "Books by the Artist" bibliography in MoMA's 1979 "Sol LeWitt). The sole double issue of eleven total published, it includes contributions by or about Sigmund Bode, Roland Barthes, George Kubler, Susan Sontag, Samuel Beckett, Jack MacGowan, Burroughs, Alain Robbe-Grillet, Max Neuhaus, Morton Feldman, Smith, Hans Richter, Laszlo Moholy-Nagy, Stan VanDerBeek, Robert Rauschenberg, Merce Cunningham, Marcel Duchamp, Richard Huelsenbeck, Naum Gabo, Noton Pevsner, Douglas MacAgy, Michel Butor, Dan Graham, LeWitt, Brian O'Doherty, and Mel Bochner. An internally most presentable example of this exceedingly uncommon item complete with the usually missing film reel and advertisement folder showing a bit of age-toning and occasional mild foxing to some of the printed sections. The copy of LeWitt's "Serial Project #1, 1966"" is exceptionally crisp and white. The publisher's printed exterior box exhibits the usual overall wear, creasing, age-toning, and soiling along with some mild insect damage and compression. Still in all this is a complete and intact copy of this sixties gem that looks better in hand than it describes that has been priced accordingly. Inventory Number: 026561

(AVEDON, RICHARD) (BALDWIN, JAMES). Avedon, Richard & James Baldwin. Lucerne, SWITZERLAND: C.J. Bucher, 1964. First Edition. Small Folio. Silver Gilt Debossed Boards. Photography Monograph. Fair./No Jacket - As Issued. np, profusely illustrated in b&w gravure. Designed by Marvin Israel. Text in English. "Nothing Personal" is Richard Avedon's strikingly beautiful 1964 collaboration with noted literary lion James Baldwin. The photographer's second book, its images primarily hail from "Harper's Bazaar" and other magazine editorial work from the fifties and sixties. With figures from politics, society, fashion, literature, and the arts, it is a veritable who's who of power of the mid-Twentieth Century containing many of Avedon's most famous portraits including Dwight David Eisenhower in close up, the fragile Marilyn Monroe, a smug George Wallace, the pregnant Ted Kennedys in the surf, and many, many more. These are beautifully reproduced in stark black and white gravure, with Marvin Israel's book design here every bit the equal of the legendary Alexey Brodovitch's contribution for Avedon's first work, "Observations". An internally clean and sound example of the 1964 C.J. Bucher first Swiss edition with an English language text lacking the publisher's slipcase additionally bearing the BOLDLY SIGNED PRESENTATION "For Dear ... with gratitude ever, Dick Avedon -" in black fountain pen on the verso of the front pastedown showing some mild brown staining to a few pages along the foredge of the textblock. The binding has a bit of play, and the glossy white boards show some overall wear, soiling and light age-toning with abrasions through to the cardboard at the tips. In addition, the paper covering the spine seems to have separated and subsequently been non-professionally repaired with two overlapping strips of black linen library tape run along its length. All in all, this is a sharper copy of this classic volume in hand than it describes here. It has been priced accordingly. Inventory Number: 020143

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

(BARRAGAN, LUIS). van den Bergh, Wim, Federica Zanco, Sari Bermudez, Saul Juarez, Sara Topelson de Grinberg & Kim Zwart. Foreword by Carlos Fuentes. Colima, MEXICO: Landucci Editores, 2002. First Mexican Edition. Small Folio. Pictorial Self-Wrappers. Architecture Monograph. Fine.. 208pp, 129 illustrations in color and b&w. Text in Spanish. Photographs by Kim Zwarts. This is the spectacularly beautiful, photographically illustrated 2002 monograph on the colorful, highly aesthetically refined body of work by the late Mexican architect Luis Barragan. Filled with lavish interior and exterior views by Kim Zwarts of both public and residential projects, this massive volume also contains brief textual contributions by Wim van den Bergh, Federica Zanco, Sari Bermudez, Saul Juarez, Sara Topelson de Grinberg, and Carlos Fuentes. A most handsome example of this uncommon item. 968-5059-62-4 Inventory Number: 026537

(BAZAINE, JEAN) (DERRIERE LE MIROIR). Bazaine, Jean & Marcel Arland. Paris: Maeght Editeur, 1953. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. np (8pp), 2 color and 4 b&w illustrations. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Jean Bazaine's 1953 exhibition of paintings. It contains two color lithographs (the front cover, and one massive four page spread), and four additional illustrations. A most presentable example showing a bit of wear and a single closed tear along the extremities. It has been priced accordingly. Inventory Number: 023559

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Glicksman, Hal, Walter Hopps, Robert Duncan & David Meltzer. Los Angeles: Fellows of Contemporary Art & Otis Art Institute Gallery, 1978. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 118pp, profusely illustrated in b&w and color. Designed by Jerry McMillan. This is the comprehensive catalogue on the work of the beloved pioneering Los Angeles beat, collage, and assemblage artist Wallace Berman published in conjunction with a posthumous 1978 retrospective exhibition sponsored by the Fellows of Contemporary Art and the Otis Art Institute Gallery that traveled to The Fort Worth Art Museum, University Art Museum at UC Berkeley, and the Seattle Art Museum. A most handsome example of this important document showing some soft creasing to the bottom foredge tips of the textblock. It has been priced accordingly. LC 78-70599 Inventory Number: 025866

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). McKenna, Kristine & David Meltzer. London: Camden Arts Centre, 2008. First Edition. 8vo. Stapled Pictorial Wrappers. Artist Monograph. As New.. np (12pp), 5 color illustrations + b&w covers. This is the slender twelve page brochure published in conjunction with a 2008 British exhibition of works by the legendary Los Angeles beat artist entitled "All is Personal: The Art of Wallace Berman". It features an essay by Kristine McKenna along with a brief text by poet David Meltzer. A brand new, most handsome example of this uncommon ephemeral item (number thirty-four in the Camden Arts Centre's "file notes" series) that was the only printed documentation of the event. Inventory Number: 023737

(BERMAN, WALLACE) (PRINCE, RICHARD). McKenna, Kristine & Richard Prince. Introduction by Michael Kohn. Los Angeles: Michael Kohn Gallery, 2009. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 112pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office. With an exhibition checklist. "The use of heterosexual pornography or soft erotica in collage and assemblage is often all too uncritical, but for a few of the California artists who came of age in the early 1950s, Wallace Berman for example, its applications were much more nuanced. This approach to "girlie magazine" imagery and its polar opposite - the impulse to decommodify sexuality - can both be found in the photographs, paintings and books of Richard Prince, an artist whose fondness for the era of Berman is well-known. "She" traces these overlaps and sympathies with reproductions of previously unseen works by Berman and new images from Prince's "Girlfriends" and "de Kooning" series. Also included is an interview with Prince and editor Kristine McKenna, whose ongoing work on Wallace Berman and his contemporaries continues to yield exciting discoveries". A brand new, pristine example (catalogue entry 59 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of this beautiful hardbound catalogue published in conjunction with a 2009 Los Angeles gallery exhibition still in the publisher's shrinkwrap. 1-880086-20-4 Inventory Number: 021100

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERMAN, WALLACE) (SEMINA). McKenna, Kristine, Michael Duncan, Stephen Fredman & Raymond Foye. Foreword by Elsa Longhauser. New York & Santa Monica, CA. 2005 (2015).: D.A.P. (Distributed Art Publishers) & Santa Monica Museum of Art, 2005. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 384pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Stuart Smith, Green Dragon Office. With a chronology and exhibition checklist. "The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of "Semina Culture: Wallace Berman & His Circle", the hardbound catalogue to a traveling exhibition organized by the Santa Monica Museum of Art including previously unexhibited works by fifty-two artists. Anchoring this publication is "Semina", a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, it was a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reproduced here are works by various artists and writers who appear in Berman's own photographs - many of which were recently developed from vintage negatives and will be seen here for the first time. Edited by Michael Duncan and Kristine McKenna, it includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan". A brand new, pristine example of the uncommon 2005 first edition of this beautifully designed, extraordinary document still in the publisher's shrinkwrap. 1-933045-10-8 Inventory Number: 023223

(BLAKE, WILLIAM). Blake, William, David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, Bo Lindberg, Charles Ryskamp & John Commander. David Bindman, Editor. London: The William Blake Trust, 1987. First Edition 1/250 Deluxe. Folio. Leather over Boards, Slipcased. Artist Monograph. Fine/No Jackets - As Issued. 148pp + np, profusely illustrated in collotype. Published in 1987 by the William Blake Trust, this lavish two volume undertaking is devoted solely to William Blake's "Illustrations of the Book of Job". The first volume combines a facsimile reprint in collotype of the 1826 first edition as well as additional plates reproducing scores of variant illustrations related to Blake's spectacular work. It includes "an introduction and plate-by-plate commentary by Bo Lindberg". The second volume is subtitled "The Engravings and Related Material, with Essays, Catalogue of States and Printings, Commentary on the Plates, and Documentary Record by David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, and Bo Lindberg. Edited by David Bindman". In addition, it contains an introduction by Charles Ryskamp, and a preface by Bindman and John Commander. It is a scholarly work that illuminates virtually all aspects of the creation and subsequent history of this epic illustrated book. According to the colophon, "Plates and illustrations printed in the collotype process by The Trianon Press, Paris under the supervision of the late Arnold Fawcus. Typesetting by Ronset of Darwen, Lancashire. Printing, binding and case-making by Smith Settle of Otley, Yorkshire. Printed on Arches pure rag papers made for the edition. Edited, designed and produced by John Commander". The text volume is bound in ¼ Morocco over hand marbled boards with a gilt-stamped spine and leather front cover pastedown. The plate volume contains twenty-three signatures gathered in a ¼ Morocco over boards chemise with a letterpress front cover pastedown. The chemise is housed in a ¼ Morocco over hand marbled boards solander box with a gilt-stamped spine and leather front cover pastedown. A brand new, exceptionally handsome example of this uncommon item from the standard edition limited to two hundred and fifty NUMBERED (61/250) copies in the publisher's Morocco over cloth fitted presentation case. Inventory Number: 025540

(BRAQUE, GEORGES) (DERRIERE LE MIROIR). Braque, Georges, Rene Char, Jacques Kober, Henri Maldiney, Alberto Giacometti, Jean Grenier, Georges Limbour & Jacques Dupin. Paris. 1947, 1950, 1952, 1954 & 1956.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Very Good -/No Jacket - As Issued. np + np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Georges Braque. Bound by Maeght in brown cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 4 (Juin 1947): "Braque", 25-26 (Janvier 1950): "G. Braque", 48-49 (Juin-Julliet 1952): "G. Braque", 71-72 (Decembre 1954-Janvier 1955): "G. Braque: Theogoni d'Hesiode", and 85-86 (Avril-Mai 1956): "Braque". An otherwise bright, most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total twelve original color lithographs showing some sunning to the cloth primarily along the spine. In addition, the top inch of its spine has broken off and is not present. It has been priced accordingly. Inventory Number: 024991

(BRAVO, MANUEL ALVAREZ). Bravo, Manuel Alvarez & Juan Garcia Ponce. Miguel Cervantes, Editor. Mexico City, MEXICO: Departmento de Publicaciones, Comite Organizador De Los Juegos De La XIX, 1968. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Very Good -./No Jacket - As Issued. 114pp, 84 b&w and 3 color illustrations. Text in Spanish, English and French. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the substantial hardbound catalogue published in conjunction with the 1968 exhibition "Manuel Alvarez Bravo: Photographies / Photographs / Fotografias 1928 - 1968" that was held as part of the cultural programming for the games of the XIX Olympiad held in Mexico City. The show consisted of two hundred and fifty images by the venerable photographer, eighty-seven of which are reproduced here in gravure. An internally most handsome example of the - and only - edition of this uncommon and important document additionally bearing the BOLDLY SIGNED PRESENTATION "Para el senor / Jim Bullowa, dese an dole (?) un / feliz ano 1971 / M. Alvarez Bravo. / Coyoacan decembre de 1970" in blue ink across page 5 along with "El prefacio y la seleccione de poesia, / por Juan Garcia Ponce; el retrato por Miguel Cervantes. / Pag. 51 L'oiseau... esta puesto al reves / Asparicion.. fuera de registro el / duotuno (?) / 85 Dice: Tehuantepec, Chiapas, / Oaxaca / dese decio" across the title page in the same blue ink. Additionally laid in is a torn scrap of butcher paper bearing Bravo's name, return address, and "libros / books" written in the photographer's hand. There is a mild dent to the textblock at the head of the spine, and the edges of the pages show some soiling and a bit of spotting along the top. The white glazed boards show overall light soiling and age-toning along with some notable pitting and a bit of surface wear to the rear cover. It has been priced accordingly. Inventory Number: 026734

(BROWN, CECILY). Homes, A.M. Introduction by Robert Evren. London: Gagosian Gallery, 2000. First Edition. Oblong 4to. Wrappers in Dust Jacket. Artist Monograph. As New.. 76pp, 27 color illustrations. Designed by Dan Miller Design. This is the elegant catalogue produced in conjunction with the 2000 Gagosian London exhibition of British painter Cecily Brown - her first one-person show at the gallery. Each of her twenty-seven large-scale works shown is reproduced along with A.M. Homes' essay "Motion Pictures". A brand new, pristine example of this uncommon item in its wrappers printed with metallic ink still in the publisher's shrinkwrap. 1-880154-36-6 Inventory Number: 014715

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURLIUK, DAVID). Dreier, Katherine S. Foreword by Duncan Phillips. Mary Burliuk, Editor. New York: The Société Anonyme and Color and Rhyme, 1944. First Edition. Small 4to. Printed Wrappers. Artist Monograph. Good +.. xvi, 182pp, 53 b&w illustrations. Text in English. In a protective clear acetate dustwrapper. Compiled by the Société Anonyme's Katherine S. Dreier and Marcel Duchamp with assistance from Nicholas and Mary Burliuk, this comprehensive 1944 publication was for more than fifty years the major monograph on David Davidovich Burliuk - the Kharkov-born founding father of Russian Futurism. A prolific painter, poet, critic, and publisher, Burliuk started the literary group Hylea, was a participant in the pioneering 1910 "Jack of Diamonds" exhibition in Moscow, and a member of "Der Blaue Reiter" group. In 1922, he emigrated to the United States where he continued his artistic output until his passing in 1967. A most presentable example of the paperbound first edition of this uncommon item showing overall wear, handling, and soiling along with a small patch of surface paper abrasion along the top edge of the rear cover. It has been priced accordingly. Inventory Number: 024453

(CAGE, JOHN). Cage, John. Russell Ferguson, Editor.. New York & Los Angeles: Rizzoli International Publications & Museum of Contemporary Art, 1993. First Edition. Oblong 4to. Silkscreened Aluminum Box. Music Monograph. As New/No Jacket - As Issued. np, loose printed contents laid into an Aluminum Box. Designed by Catherine Lorenz. This is the spirited exhibition catalogue for a huge traveling retrospective that celebrated John Cage, his collaborators, influences, and influence on twentieth Century culture. Composer, lecturer, musician, artist, theoretician, Zen student, mycologist - all aspects of his life and art are represented here in a patchwork quilt of texts and images jammed into a sleek, mirror-like metal case. Every day in each of the show's venues (MOCA, the Menil Collection, the Guggenheim, Art Tower Mito Contemporary Art Center in Japan, and the Philadelphia Museum of Art) the art objects shifted in placement and installation - a nod to Cage's pioneering use of chance, and randomization as compositional elements. This catalogue/object functions much the same way, with nearly fifty pieces of printed ephemera laid in, with no hierarchical order. The primary texts here include; "Paying Attention" by Anne d'Harnoncourt, "nothingtoseeness" by Julie Lazar, "John Cage in the Social Realm" by Laura Kuhn, "UNCAGEDWORDS" by Joan Retallack, "Cage and Counting" by Mark Swed, "Anarchy" by John Cage, "An Autobiographical Statement" by John Cage, "Macrobiotic Cooking" by John Cage, "The Agenbite of Outwit" by Marshall McLuhan, "What Should I Eat?" by Andrew Weil, M. D., "Chronological Table of John Cage's Life" by Ellsworth Snyder, "Zen and Dhyana" by Daisetz T. Suzuki, "The Dancer and the Dance" by Merce Cunningham in conversation with Jacqueline Lesschaeve, and "The Director's Forward" by Richard T. Koshalek of MOCA. Artists' work in the show (but not necessarily in the catalogue) included Cage, Josef Albers, Antonin Arthaud, Joseph Beuys, George Brecht, William S. Burroughs, Joseph Cornell, Willem De Kooning, Maya Deren, Jean Dubuffet, Marcel Duchamp, Buckminster Fuller, Allen Ginsberg, Arshile Gorky, Peter Greenaway, Richard Hamilton, Jasper Johns, Allan Kaprow, Ellsworth Kelly, Yves Klein, Franz Kline, Sol LeWitt, Kasimir Malevich, Robert Motherwell, Barnett Newman, Isamu Noguchi, Yoko Ono, Nam June Paik, Harry Partch, Robert Rauschenberg, Man Ray, Ad Reinhardt, Mark Rothko, Robert Ryman, Erik Satie, Jean Tinguely, David Tudor, Cy Twombly, Edgar Varese, La Monte Young, and many, many others. A brand new, most handsome example of this cleverly designed book object still in the publisher's shrinkwrap and obi showing none of the fine surface scratches to the mirror-like finish of its box one typically finds. 0-8478-1772-5 Inventory Number: 026634

(CARNWATH, SQUEAK). Tsujimoto, Karen & John Yau. Oakland & San Francisco, CA: Oakland Museum of California & Pomegranate Books, 2009. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. As New/As New. 160pp, profusely Illustrated in color and b&w. With a chronology, bibliography, exhibition history, and exhibition checklist. This is the comprehensive catalogue issued in conjunction with a 2009 Oakland Museum of California retropsective exhibition of eighty-one paintings executed by the popular Bay Area artist Squeak Carnwath between 1979 and 2008. A brand new, most handsome example of the first printing of the uncommon hardbound edition still in the publisher's shrinkwrap. 0-7649-4888-1 Inventory Number: 025964

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CHRISTIAN, ANTON). Christian, Anton. With texts by H.C. Artmann, Suzanne Bloom, Helmut Eisendle, Erich Fried, Hans Haid, Ed Hill, Felix Mitterer, Ezra Pound, Alexander Schwarz, Turi Werkner, and "funf Sagen aus dem Reich der Fanes". Innsbruck, AUSTRIA: Haymon Verlag, 1989. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine (But Incomplete)/Fine. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. 3-85218-050-3 Inventory Number: 005063

(CLAMPITT, AMY). Clampitt, Amy. New York: The Reed Foundation Poetry Chapbook Series & The DIA Art Foundation, 1988. First Edition 1/350. 12mo. Illustrated Wrappers. Poetry Chapbook. Near Fine.. 32pp, no illustrations. Designed by Jean Foos. Published in conjunction with a 1988 reading at New York's DIA Art Foundation, this seventh volume in The Reed Foundation Poetry Chapbook Series "Readings in Contemporary Poetry" is devoted to nine short works by Amy Clampitt. A handsome example of this compact chapbook limited to three hundred and fifty copies. 0-944521-10-X Inventory Number: 012701

(CLEMENTE, FRANCESCO). Clemente, Francesco & Robert Creeley. New York: Gagosian Gallery, 1994. First Edition. 8vo. Wrappers in Printed Jacket. Artist Monograph. Near Fine.. np (14pp), 5 color illustrations. Designed by Step Graphics. Limited to one thousand copies, this is the slender fourteen page catalogue published in conjunction with Francesco Clemente's 1994 Gagosian Gallery New York exhibition that reproduces five of the artist's pigment on canvas works amongst short poems by Robert Creeley. A most handsome example showing a tiny dent to the upper foredge tip of the external paper portfolio. Inventory Number: 021355

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Very Good -.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. An otherwise most handsome example showing some barely noticeable rippling to a portion of the textblock at the lower foredge corner. It has been priced accordingly. 0-8478-1469-6 Inventory Number: 024236

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. A most handsome example bearing the BOLDLY SIGNED PRESENTATION "For .... Some Words & Pictures XXX Michael" from author McClure in gold marker on the title page. 0-8478-1469-6 Inventory Number: 020439

(CLEMENTE, FRANCESCO). Rushdie, Salman. London: Gagosian Gallery, 2005. First Edition. Tall 4to. Illustrated Wrappers. Artist Monograph. Fine.. 42pp, 14 color illustrations. Designed by Dan Miller Design. With an exhibition checklist. This is the elegantly designed catalogue featuring an essay by literary lion Salman Rushdie published in conjunction with a 2005 Gagosian Gallery London exhibition of self portraits by Francesco Clemente. A brand new, most handsome example still in the publisher's shrinkwrap. 1-932598-24-3 Inventory Number: 022237

(CLEMENTE, FRANCESCO) (SAVINIO, ALBERTO). Savinio, Alberto & Francesco Clemente. New York & London: Petersburg Press, 1986. First Edition Thus. 4to. Wrappers in Dust Jacket. Illustrated Book. Near Fine./Near Fine.. np, profusely illustrated. This is a facsimile of the Petersburg Press deluxe Livre D'Artiste for which Francesco Clemente produced a series of forty-eight lithographs - each embellishing every double-page spread of the text. This is the is the first English translation of the wartime diary cum travelogue of Alberto Savinio - brother of Giorgio de Chirico - and himself one of the seminal figures of 20th Century Italian literature. A most handsome example. Inventory Number: 019624

(COE, SUE). Metz, Holly & Sue Coe. London: Knockabout Comics, 1983. First British Edition. Folio. Stapled Illustrated Wrappers. Graphic Novel. Fine.. 44pp, profusely illustrated in duotone. Designed by Francoise Mouly and Art Spiegelman. Published in 1983 as RAW Magazine One-Shot #2, "How to Commit Suicide in South Africa" is Holly Metz and Sue Coe's chilling collaborative investigation of the fate of South African political prisoners during the reign of apartheid. A bright, most handsome example of the 1983 Knockabout Comics first British edition with glossy covers. 0-86166-013-7 Inventory Number: 026155

(COE, SUE). Metz, Holly & Sue Coe. New York: Raw Books & Graphics, 1983. First Edition. Folio. Stapled Illustrated Wrappers. Graphic Novel. Fine.. 44pp, profusely illustrated in duotone. Designed by Francoise Mouly and Art Spiegelman. Published in 1983 as RAW Magazine One-Shot #2, "How to Commit Suicide in South Africa" is Holly Metz and Sue Coe's chilling collaborative investigation of the fate of South African political prisoners during the reign of apartheid. A bright most handsome example of the 1983 Raw Books & Graphics first edition. Inventory Number: 026154

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(COPPOLA, SOFIA). Coppola, Sofia. Los Angeles. ND (1999): Paramount Classics. First Edition. Folio. Printed Poster. Theatrical Film Release Poster. Good.. One 17 x 11" sheet printed color offset recto only. This is the small format theatrical release poster produced by Paramount Classics for Sofia Coppola's 1999 directorial debut, "The Virgin Suicides". Based on the novel by Jeffrey Eugenides, it starred Kirsten Dunst, Josh Hartnett, Kathleen Turner, James Woods, Scott Glenn, Michael Paré and Danny DeVito. A most presentable example of this uncommon, vintage poster - not a reproduction - showing some rubbing, creasing along the extremities, and two short pieces of magic transparent tape covering pinholes affixed to the top and bottom edges. It has been priced accordingly. Inventory Number: 026263

(CORNELL, JOSEPH). Starr, Sandra Leonard & Takashi Hiraide. Tokyo: Shigeru Yokota Inc., 2003. First Edition 1/500. 8vo. Loose Contents in a Portfolio. Artist Monograph. As New.. np, 5 color & 1 b&w illustrations. Text in English and Japanese. With an exhibition checklist, exhibition history and bibliography. This is the slender yet elegant document consisting of loose enclosures housed in a printed paper portfolio published in conjunction with a posthumous 2003 Tokyo gallery exhibition of Joseph Cornell's box constructions, collages, and publications. A brand new, pristine example of this exceedingly uncommon item limited to five hundred NUMBERED (466/500) copies. Inventory Number: 025429

(CREWDSON, GREGORY). Crewdson, Gregory & Russell Banks. New York: Harry N. Abrams Incorporated, 2008. First Edition. Oblong Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 140pp, profusely illustrated in color and b&w. Designed by Miko McGinty and Rita Jules. Published in conjunction with the exhibition that traveled from London's White Cube to New York's Luhring-Augustine, then Gagosian Gallery in Beverly Hills, this elegant, large-format volume presents all forty-eight photographic images that comprise Gregory Crewdson's series "Beneath the Roses". In addition to the cinematically sweeping series itself, there is a section of production stills along the lines of a "making of Beneath the Roses" documentary, a full credits list of its cast and crew members, and an essay by Russell Banks. A most handsome example of the first printing additionally bearing the BOLDLY SIGNED PRESENTATION "For ..., / Gregory Crewdson" in black marker on the title page. 0-8109-9380-5 Inventory Number: 026786