Arcana:

(LEVINTHAL, DAVID) (ELLROY, JAMES). Ellroy, James & David Levinthal. Paris: Coromandel Express, 1998. First Edition 1/55. Small Square Folio. Loose Contents in a Box. Illustrated Book. Fine/No Jacket - As Issued. np, with six Cibachrome prints and one hand-painted gelatin silver print. Text in English and French. Designed by Olivier Andreotti and Penelope Monnet. "My Mother's Killer" is the luxe 1998 Coromandel Express collaborative interpretation of the events surrounding the unsolved 1958 Los Angeles murder of James Ellroy's mother Geneva as recreated by noted photographer David Levinthal in a series of stylized miniature tableaux. It features a highly graphic bi-lingual presentation of Ellroy's text juxtaposed across six tri-fold leaves - each of which contains an archivally housed 11 ½ x 10 ½" color Cibachrome print. The publisher's chemise contains a seventh print - a 7 ¾ x 9 ¾" hand-painted gelatin silver photograph SIGNED AND DATED "David Levinthal 1988/1998" in black ink on the verso. These are all housed in a printed slipcase. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to fifty-five copies BOLDLY SIGNED by Ellroy and Levinthal in pencil on the colophon with a Coromandel Express 1998 New Year's card cum publisher's announcement laid in. Inventory Number: 025053

(LEVITT, HELEN). Levitt, Helen & James Agee. New York: Horizon Press, 1981. First Edition Thus 1/250 Deluxe. 4to. 1/4 Vellum Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np, 90 b&w illustrations. Designed by Marvin Hoshino. "A Way of Seeing" is the late Helen Levitt's classic presentation of New York street photography accompanied by an incisive essay by James Agee. Limited to two hundred and fifty copies only, this example is from the 1981 Horizon Press deluxe edition that was completely redesigned from the 1965 Viking first printing; containing a revised text along with twenty-four additional images. It is bound in one quarter gilt-stamped-vellum-over-gilt-stamped blue boards, and is housed in a blue linen slipcase. A most handsome copy (whose 1965 first edition is cited on pages 252-253 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 214-215 of The Hasselblad Center's "The Open Book", pages 178-179 of "The Book of 101 Books", and pages 92-96 of Horacio Fernandez' "New York in Photobooks") NUMBERED (31/250) AND SIGNED "Helen Levitt" in black ink on the colophon, as issued, showing some sunning to the slipcase along its extremities. It has been priced accordingly. 0-8180-1422-9 Inventory Number: 016847

(MAPPLETHORPE, ROBERT). Mapplethorpe, Robert & Susan Sontag. Pasadena: Twelvetrees Press, 1985. First Edition 1/5000. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Very Good. np (112pp), 93 illustrations in monochrome gravure. Designed by Dimitri Levas. "Mapplethorpe’s portraits taken over the past ten years are exquisitely presented in gravure. His undeniable strength of vision is apparent in all styles of portraiture shown, ranging from stark studio shots of celebrities to environmental portraits of children. Here are many of his well-known images, including the self-portraits, as well as lesser-known work. Susan Sontag’s short essay on portraiture adds insight to the "Mapplethorpe mystique". A handsome example of the 1985 Twelvetrees Press first edition of what what was the first mnongraph on the iconic late photographer additionally INSCRIBED "for Nick - / Robert Mapplethorpe '86" in black ink on the half title page showing light soiling along with a tiny bit of insect damage to the edges of the textblock. 0-942642-14-7 Inventory Number: 026146

(MARCOPOULOS, ARI). Marcopoulos, Ari, Jeremy Sigler, Angelique Spaninks, Kate Fowle & Will Bradley. Eindhoven & Rotterdam, THE NETHERLANDS: Mu & Veenman Publishers, 2006. First Edition. 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. 182pp, profusely illustrated in color and b&w. "Whether photographing his wife and two young sons - sometimes sleeping tenderly together in a sun-drenched bed, other times spacing out by the pool or in the car - the international snowboarding scene, from Japan to Iran; or his peers in the world of outsider creativity, Ari Marcopoulos brings us all the way to the inside of an insider's world. This tight collection of sexy documentary portraits bites off exactly as much as it wants to chew, and features original writing by Will Bradley, Jeremy Sigler and Angelique Spaninks." A brand new, most handsome example of the 2006 first edition with the "Craig Kelly, Fernie BC, 1999 " image cover variant. 90-8690-005-4 Inventory Number: 026846

(MARTINEZ CELAYA, ENRIQUE). Martinez Celaya, Enrique, Mary Rakow & Matthew Biro. Barcelona, SPAIN: Ediciones Poligrafa, 2013. First Edition. 4to. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued. 176pp, 110 illustrations in color and b&w. Text in English and Catalan. With a biography, exhibition history and bibliography. "Enrique Martinez Celaya is one of the most intriguing and celebrated artists to emerge from the United States in recent years. Trained as artist and physicist, his practice embraces painting, sculpture, photography, and writing. His projects frequently take the form of multi-disciplinary environments that balance images with the immediacy of the material experience. In the first comprehensive study of Martinez Celaya's multifaceted process, Mary Rakow and Matthew Biro illuminate previously unaddressed aspects of the artist’s practice including his tendency to destroy his own work, his materials and approaches towards them, his literary influences, and the changes that led to pivotal moments in his career. "Working Methods" features new photography, archival images, and a number of previously unpublished works. Also included is an interview by Rakow with the artist that reveals his unique practice". A brand new, pristine example additionally SIGNED AND DATED "Enrique Martinez Celaya / 7-19/13" in the year of publication in black ink on the title page. 84-343-1316-2 Inventory Number: 023234

(MEYER, PEDRO). Meyer, Pedro. Mexico City, MEXICO: Petroleos Mexicanos, 1988. First Edition. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 148pp, profusely illustrated in b&w. Text in Spanish. "Los cohetes duraron todo el dia" is noted Mexican photographer Pedro Meyer's 1988 socially conscious photo essay commissioned by the national petroleum company Pemex to coincide with its fiftieth anniversary. Due however to Meyer's dedication of the volume to Lazaro Cardenas, the socialist-leaning former president who established Pemex in 1938 as part of his nationalization of Mexican oil production (whose son also happened to be an opposition candidate to then-current president Carlos Salinas earlier in the year), the newly elected government seized nearly all the copies printed to put a stop to the book's distribution. A bright. most handsome example of this uncommon and desirable document (cited on pages 198-199 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") acquired directly from Pedro Meyer. 968-6164-35-9 Inventory Number: 023060

(MEYER, PEDRO). Meyer, Pedro. Mexico City, MEXICO: Petroleos Mexicanos, 1988. First Edition. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 148pp, profusely illustrated in b&w. Text in Spanish. "Los cohetes duraron todo el dia" is noted Mexican photographer Pedro Meyer's 1988 socially conscious photo essay commissioned by the national petroleum company Pemex to coincide with its fiftieth anniversary. Due however to Meyer's dedication of the volume to Lazaro Cardenas, the socialist-leaning former president who established Pemex in 1938 as part of his nationalization of Mexican oil production (whose son also happened to be an opposition candidate to then-current president Carlos Salinas earlier in the year), the newly elected government seized nearly all the copies printed to put a stop to the book's distribution. A brand new, pristine example of this uncommon and desirable document (cited on pages 198-199 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") acquired directly from the photographer additionally BOLDLY SIGNED "Pedro Meyer" in black ink beneath the frontispiece image on the second preliminary. 968-6164-35-9 Inventory Number: 018260

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Jacques Dupin & Rene Char. Paris. 1948, 1950, 1953 & 1956.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Fine/No Jacket - As Issued. np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of four issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 14-15 (Novembre - Decembre 1948): "Joan Miro"; 29-30 (Mai - Juin 1950): "Miro"; 57-58-59 (Juin - Julliet - Aout 1953): "Miro"; and 87-88-89 (Juin - Julliet - Aout 1956): "Miro Artigas". An internally spectacularly bright, most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total thirty-four original color lithographs. Inventory Number: 022340

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Joan Gardy Artigas, Rene Char, Jacques Dupin, Josep Luis Sert, Joan Brossa, Joan Prats & Andre Pieyre de Mandiargues. Paris. 1961, 1961, 1961, 1963 & 1965.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Fine/No Jacket - As Issued. np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1965, it collects the complete contents of DLM numbers 123 (Fevrier 1961): "Joan Miro: Ceramique Murale Pour Harvard"; 125-126 (Avril 1961): "Miro"; 128 (Juin 1961): "Miro: Peintures Murales"; 139-140 (Juin-Juillet 1963): "Miro et Artigas"; and 151-152 (Mai 1965): "Miro Cartons." A most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total fifty-one original color lithographs showing some faint brown spotting to the edges of the textblock and endpapers that does not affect the internal lithographs in any meaningful way. Inventory Number: 024990

(MISRACH, RICHARD). Misrach, Richard & Susan Sontag. New York: Aperture Inc., 1992. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Fine. 95pp, profusely illustrated in color. Designed by Roger Gorman. This beautifully designed and printed book collects three bodies of work from Richard Misrach's "Desert Cantos" series accompanied by Susan Sontag's work of short fiction entitled "The View From the Ark". The photographs of Southwestern desert areas include the decaying remains of Utah's Wendover Air Base, wherein 1945 "bomb components were modified, assembled, and flight-tested for the Hiroshima and Nagasaki bombings"; county designated dead-animal pits in the West filled with the mummified and decaying carcasses of cattle and horses; and a startling series of images of the bullet-riddled pages of two "Playboy" magazines that had been used for target practice found by the photographer at a Nevada Nuclear Test site. It also includes a transcribed 1992 interview with the photographer by Melissa Harris. A most handsome example additionally BOLDLY SIGNED "Richard Misrach" in black ink on the half title page showing a small remainder mark on the bottom edge of the textblock at the heel of the spine. 0-89381-519-5 Inventory Number: 019741

(MORTENSEN, VIGGO). Mortensen, Viggo. Santa Monica, CA & Reykjavik, ICELAND: Perceval Press & The Reykjavik Museum of Photography, 2008. First Edition. 4to. Boards with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 118pp, profusely illustrated in color and b&w. Text in English. Designed by Michele Perez. "This book functions as a partial companion to the photography exhibit entitled "Skovbo" (which roughly translates from Danish as "home in the forest") by Viggo Mortensen at the Reykjavik Museum of Photography (Ljosmyndasafn Reykjavikur), opening on 31st May, 2008 and running until 31st August, 2008. In this new collection of images and poems are trees and the memory of trees, ghosts, words, nights, days, lives, deaths, and safe haven for them all in the place where "...the twigs become branches, / And the mist becomes make-believe... (Osip Emilyevich Mandelstam)". Dedicated to Howard Zinn and Dennis Kucinich, this substantial hardbound publication from actor/artist/musician/poet/activist Viggo Mortensen combines his recent images of foliage and greenery with the occasional prose-poem to create one of the loveliest surveys of his photography to date. A brand new, pristine example of the now unavailable first hardbound printing. 0-9763009-7-4 Inventory Number: 015447

(MORTENSEN, VIGGO). Mortensen, Viggo. Santa Monica, CA: Perceval Press, 2006. First Paperback Edition. Oblong 4to. Pictorial Self-Wrappers. Photography Monograph. As New.. 104pp, profusely illustrated in b&w. "New black and white photographs and words that look directly at loss, change, and renewal. In making Linger, he strives to find a still place from which to see and interpret the world around him. The imagery in this book deals frankly with family, strangers, and landscape that Mortensen has recently been able to spend extended time with, rather than hurriedly observe as just one more passing ghost with a camera and a notebook. Although we might occasionally find in these newer images hints of the chaotic abstractions that have recently dominated his work, Linger evidences a patience with things as they come to be and, consequently, a tranquility long-absent from both his photography and writing". A brand new, pristine example of the 2006 first paperback edition still in the publisher's shrinkwrap. 0-9774869-5-8 Inventory Number: 011448

(MULL, MARTIN). Mull, Martin & Thomas W. Styron. Greenville, SC: Greenville County Museum of Art, 1998. First Edition 1/1500. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 102pp, 40 color illustrations (including one foldover) + color frontispiece. Designed by Victoria Dailey. This is the substantial catalogue issued in conjunction with a 1998 Greenville County Museum of Art exhibition that features an essay by Thomas W. Styron that proves that the talented Mr. Mull is every bit as accomplished a painter as he is a thespian. A most handsome example additionally SIGNED "Martin Mull" in black ink at Arcana on the front free endpaper. 0-9657858-1-5 Inventory Number: 027689

(MULL, MARTIN). Mull, Martin & Thomas W. Styron. Greenville, SC: Greenville County Museum of Art, 1998. First Edition 1/1500. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 102pp, 40 color illustrations (including one foldover) + color frontispiece. Designed by Victoria Dailey. This is the substantial catalogue issued in conjunction with a 1998 Greenville County Museum of Art exhibition that features an essay by Thomas W. Styron that proves that the talented Mr. Mull is every bit as accomplished a painter as he is a thespian. A most handsome example additionally SIGNED "Martin Mull" in black ink at Arcana on the front free endpaper. 0-9657858-1-5 Inventory Number: 027688

(OLEA, VICTOR FLORES). Fuentes, Carlos. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1984. First Edition 1/3000. 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. 88pp, profusely illustrated in b&w. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted to the black and white images of Mexican writer, academician, diplomat and photojournalist Victor Flores Olea that also features an essay by the noted author Carlos Fuentes. A most handsome example of this uncommon item (cited on page 19 of Horacio Fernandez' "The Latin American Photobook"). 968-16-1764-9 Inventory Number: 020389

(OLSON, CHARLES). Olson, Charles. Stuttgart, GERMANY: Jonathan Williams, 1956. First Edition 1/350. 4to. Wrappers in Printed Jacket. Poetry Monograph. Near Fine./Very Good.. 54pp, no illustrations. Designed by Jonathan Williams. In a protective clear acetate dustwrapper. Published by Jonathan Williams in 1956 in Stuttgart as Jargon 9, this is the second and final installment of the first full publication of noted American literary figure Charles Olson's "Maximus Poems". Poems 1-10 were published in a similarly formatted volume by Williams in 1953; with both printed by hand letterpress in black ink with red headings by Dr. Cantz'sche Druckerei. An internally most handsome example of the second volume only whose jacket shows some minor wear, a few nicks, and a short closed tear to the extremities along with a clean partial separation along the rear foredge panel where it wraps around the stiff cardboard wrapper. While not indicated in any way, this was acquired directly from the library of Charles Olson's Black Mountain colleague and longtime close friend, artist and educator Emerson Woelffer. Inventory Number: 026915

(PARRY, ROGER). Fargue, Leon-Paul & Roger Parry. Paris: Editions de la Nouvelle Revue Francaise, 1930. First Edition 1/300. 4to. Printed Wrappers. Livre D'Artiste. Near Fine./No Jacket - As Issued.. 84pp + xvi, 16 full page monochrome gravure illustrations. Text in French. In a protective clear acetate dustwrapper. "Banalité" is one of the most striking collaborations of word and image in the realm of the photographically illustrated Surrealist book. It marries Leon-Paul Fargue's previously-published 1922 volume of prose and poems with sixteen dramatic, then-new full page images reproduced in lush sepia-toned gravure by the noted French photographer and cinematographer Roger Parry. An exceptionally bright, well-preserved example of this stunning modernist collaboration (cited on pages 100-101 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I") from the standard trade edition limited to three hundred NUMBERED (214/300) copies on Imperial Japon paper showing just a bit of wear to the extremities of the wrappers. Inventory Number: 024548

(PRINCE, RICHARD). Prince, Richard. New York, London, Rome & Hong Kong. 2007-2014.: Artists Space, 1980. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations. In a protective clear acetate dustwrapper. Modestly duplicated and completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the exceedingly uncommon first state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - limited to approximately one hundred "uncorrected proofs" showing a bit of mild handling and slight discoloration to its pale green bond wrappers. Inventory Number: 026682

(RAW GRAPHIX MAGAZINE). Spiegelman, Art and Francoise Mouly, Editor/Publishers. New York: Raw Books & Graphics, 1982. First Edition. Folio. Stapled Illustrated Wrappers. Periodical. Fine.. 42 + 32 (Maus) pp, profusely illustrated in b&w and color. Designed by Francoise Mouly. Cover by Charles Burns. This is the fourth issue (Volume 1, Number 4) of Mouly and Spiegelman's ground-breaking graphic magazine that single-handedly elevated comix to a new level of intellectual embrace. Contributors to this volume are Bruno Richard, Elwood Smith, Francis Masse, Doug Kahn and Sue Coe (and Ronald Reagan!), Milt Gross, Gary Panter, Joe Schwind, Jerry Moriarty, Charles Burns, Lynne Tillman and Scott Gillis, Jacque Tardi, Ever Meulen, Mariscal, Kiki Picasso, and Art Spiegelman. A bright, most handsome example with none of the typical tearing to the die cut front cover logo with both the "Reagan Speaks for Himself" Eva-Tone soundsheet and "Maus: Chapter 3" booklet still bound in. Inventory Number: 027672

(RAW GRAPHIX MAGAZINE). Spiegelman, Art and Francoise Mouly, Editor/Publishers. New York: Raw Books, 1980. First Edition. Folio. Stapled Tabloid Wrappers. Periodical. Fine.. 36 + 12 ("Two-Fisted Painters Action Adventures") pp, profusely illustrated in b&w and color. Designed by Francoise Mouly. Cover by Art Spiegelman. This is the inaugural issue (Volume 1, Number 1) of Mouly and Spiegelman's ground-breaking graphic magazine that single-handedly elevated comix to a new level of intellectual embrace. Contributors to this volume are Ray Gross and Winter, Alfred Jarry and Bruno Richard, Geoff Robison, Kaz, Jacques Tardi, Joost Swarte, Jerry Moriarty, Mark Newgarden, Bazooka, Patricia Caire and James Barth, Lynne Tillman and Mariscal, Mark Beyer, Josh Alan Friedman and Drew Friedman, Heinz Emigholz, David Marc and Gary Hallgren, Francoise Mouly, Windsor McKay, Gerry Capelle, George Griffin, and Art Spiegelman - whose "Two Fisted-Painters Action Adventures" is bound in as a separate booklet, as issued. A bright, most handsome example of this invigorating document with the publisher's adhesive-backed color illustration pasted over the black and white window on the front cover, as issued. ISSN 0742-4434 Inventory Number: 027671

(RAYSSE, MARTIAL). Ashbery, John & Pierre Restany. New York: Dwan Gallery, 1963. First Edition. Oblong Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. np (8pp), 3 b&w illustrations. With an exhibition history. This is the slender, charmingly designed six page catalogue featuring brief texts by John Ashbery and Pierre Restany published in conjunction with Martial Raysse's January 1963 exhibition at Los Angeles' legendary Virginia Dwan Gallery entitled "Mirrors and Portraits: 1962". Only the French Pop artist's second one-man show in the United States, it traveled to New York's Iolas Gallery the following month. A bright, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event showing a bit of light handling along with two tiny areas of white-out on the rear cover. Inventory Number: 024391

(REICHEL, HANS) (MILLER, HENRY). Miller, Henry & Karl Shapiro. Introduction by Lawrence Durrell. Louise and Jon Webb, Editors. Tucson, AZ: Loujon Press, 1966. First Edition 1/99 Deluxe. 48mo - over 3" - 4" tall. ¼ Leather Over Cloth Slipcased. Artist Monograph. Near Fine/Very Good. 106pp, illustrated in monochrome. Text in English and French. Designed by Louise and Jon Webb. "Order and Chaos Chez Hans Reichel" publishes for the first time Henry Miller's thoughtful 1938 essay on the underappreciated German-born, Parisian-based visual artist Hans Reichel. A typically elaborately designed and lavishly produced Loujon undertaking, it features an introduction by Lawrence Durrell along with beautiful reproductions of several of Reichel's Paul Klee-inspired works. A most handsome example of the uncommon "Oasis Edition" in gilt-stamped ½ leather over cloth housed in the publisher's printed cork-covered slipcase limited to ninety-nine copies SIGNED AND DATED "Henry Miller / 6/6/66" in black ink on a blank leaf at the rear, as issued, showing the smallest bit of brown spotting to its illustrated vellum dust jacket. LC 66-30442 Inventory Number: 027421

(REXROTH, NANCY). Rexroth, Nancy, Mark Power & Wayne Dodd. Rochester, NY: Violet Press, 1977. First Edition. 4to. Printed Wrappers. Near Fine.. np, 72 duotone illustrations. Blurry and diffuse at times, "Iowa" is Nancy Rexroth's beautifully designed and printed first book of haunting images of the Midwest taken with a molded plastic Diana camera. It features brief texts by Rexroth and Mark Power along with a poetic excerpt by Wayne Dodd. A most handsome example of the 1977 Violet Press first edition additionally SIGNED AND DATED "Nancy Rexroth / May, 1977" in blue ink on the half title page in the year of publication showing just a bit of the light wear and sunning along the spine frequently associated with this title. LC 76-42054 Inventory Number: 027667

(ROT, DIETER) aka (ROTH, DIETER). Roth, Dieter. Stuttgart, GERMANY. 1967-1968.: Edition Hansjorg Mayer. First Edition #70/230. Narrow 4to. Wrappers in Full Leather. Artist's Book. Near Fine/Near Fine. np, 2 b&w letterpress decorations + a color collage. Text in German. Published in 1968 by Dieter Roth's longtme collaborator Edition Hansjorg Mayer, this is the double issue comprising numbers 3 and 4 of "Poeterei" - the innovative Swiss artist's late sixties journal devoted to Poetry and Poesie. The first part consists of a single typographic text by Roth in German printed by letterpress on heavy handmade paper incorporating an original collaged postcard fragment that has been annotated "D.R. 68." beneath that in green ink. The second portion contains one hundred and sixty-three brief textual framents by Rorh also printed by letterpress on a much thinner stock. The volume is features green flocked endpapers reminiscent of Marcel Duchamp's "La Mariee mise a nu par ses Celibataires meme"i bound in full light grey full leather. A most handsome example of this exceedingly uncommon item limited to two hundred and thirty copies NUMBERED (70/230) AND SIGNED "Diter Roth" in green ink on the rear colophon, as issued. Inventory Number: 026709

(SANDBURG, CARL). Sandburg, Carl. Flat Rock, NC: Self Published, 1960. First Edition. 8vo. Matted and Framed Under Glass. Typed Letter Signed. Fine.. One 6 ¾ x 6 ¼" sheet printed recto only bearing a typed letter additionally signed by the author, no illustrations. This is a 1960 typed letter signed by noted American poet and historian Carl Sandburg clarifying an inquiry regarding his authoritative autobiography of US president Abraham Lincoln. Typed in black ink on stationery bearing the imprint of Sandburg's "CONNEMARA FARMS / FLAT ROCK, NC" estate, it reads" Dear Jean: You and Gen. Edmonds checked everything and everywhere except CS hisself. Page 562 Vol. III of The War Years has chapter titled "Election Day, November 8, 1864", each alternating page across 23 pages also headed like the chapter title. Try your eyes on it. You are sweetly courteous and I sign with affectionate regard -" SIGNED "Carl Sandburg" in black ink below. It is mounted on a woven linen backing housed in a modest 11 ½ x 11" dark wooden frame faced with non-reflective glass. A most handsome example of this unique missive. Inventory Number: 024762

(SAVILLE, JENNY) (LUCHFORD, GLEN). Saville, Jenny, Glen Luchford & Katherine Dunn. Beverly Hills, CA: Gagosian Gallery, 2002. First Edition. Folio. Printed Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 48pp, 15 b&w and 14 color illustrations. Designed by David James Associates. With biographies, exhibition histories and bibliographies. This is the opulently printed hardbound catalogue produced in conjunction with the 2002 Gagosian Gallery Beverly Hills exhibition of collaborative photographs by Jenny Saville and Glen Luchford. Each of the images shown was produced by Saville distorting and/or flattening her naked body against a sheet of glass, with Luchford capturing the result on camera. Originally intended as studies for the artist's large format figurative paintings, they became a body of work unto themselves. "Closed Contact" reproduces these photographs on heavy, ultra-glossy paper, and they are accompanied by an essay by Katherine Dunn. A most presentable example of this uncommon item (cited on pages 398-399 of The Hasselblad Center's "The Open Book") whose contents and textblock are immaculate, but whose covers show some noticeable wear, soiling and scuffing along with some abrading to the bottom edge of the front board. It has been priced accordingly. 1-880154-65-X Inventory Number: 020897

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Facsimile Dust Jacket. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A most handsome example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies LACKING the publisher's dust jacket but with a facsimile jacket supplied. It has been priced accordingly. 0-942642-35-X Inventory Number: 024206

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A brand new, pristine example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies. 0-942642-35-X Inventory Number: 023353

(SCHWITTERS, KURT). Steinitz, Kate Trauman. Introduction by John Coplans and Walter Hopps. Berkeley & Los Angeles, CA: University of California Press, 1968. First Edition. 8vo. Boards in Illustrated Jacket. Artist Monograph. Fine/Very Good. 226pp, profusely illustrated in b&w. Designed by Douglas Nicholson. With a list of biographies. Kate Trauman Steinitz was a Hannover-based colleague, close associate, and here the posthumous biographer of Kurt Schwitters. The first English language memoir of the renowned Dada and collage pioneer, it features an introduction co-authored by former Pasadena Art Museum curators Walter Hopps and John Coplans and includes translations of numerous prose and performance pieces - including the libretto for Schwitters and Steinitz' unpublished 1928 collaborative "science-fiction opera", "Zusammenstoss" ("Collision"). A most handsome example whose dust jacket shows just a bit of light wear and soiling. 0-520-01219-4 Inventory Number: 024470

(SEARCH & DESTROY). Vale, V., Editor. San Francisco. 1977-1979, 1988.: Search & Destroy + Searchlight Publishing. First Edition. Folio. Tabloid Format Wrappers. Periodical. Fine.. each 16-28pp, profusely illustrated in b&w. "Search & Destroy" was V. Vale's short-lived, highly revered late seventies 'zine notable for its coverage of the Bay Area punk and transgressive cultural movements that was the precursor to RE/Search. Each issue includes contributions on or by such innovators as Bruce Conner, The Sex Pistols, The Screamers, Nico, Helen Wheels, Suicide, Crime, The Nuns, The Dils, Talking Heads, The Dickies, Devo, Iggy Pop, Patti Smith, Lance Loud and The Mumps, Dead Boys, Sham 69, Charles Gatewood, The Feederz, The Plugz, Exene Cervenka, Russ Meyer, The Mutants, William S. Burroughs, J.G. Ballard, Jello Biafra, Dead Kennedys, The Ramones, Jon Savage, John Waters, David Lynch, Vivienne Westwood, The Buzzcocks, The Clash, The Cramps, Siouxsie and The Banshees, The Damned, Captain Beefheart, Throbbing Gristle, Cabaret Voltaire, Pere Ubu, Subway Sect, Television, The Avengers, The Weirdos, Blondie, The Residents, Roky Erickson, and many, many more as well as great period advertisements. A bright, crisp run of unmailed first printings of the tabloid newsprint issues of this uncommon and important document - with the exception of the tenth installment which is the 1988 Searchlight Publishing second printing - acquired directly fron the RE/Search archives neatly folded in half, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021330

(SHAHN, BEN). Shahn, Ben, Bernarda Bryson Shahn, Egal Feldman, Charles Westheimer & Emile Zola. Cincinnati, OH: Crossroads Books, 1984. First Edition 1/60 Deluxe. Folio. Prints in a Clamshell Box. Print Portfolio. Fine/No Jacket - As Issued. 28pp, 1 color and 4 b&w illustrations + eight 16 x 12" loose sheets printed in color offset lithography, recto only, in printed paper sleeves. Text in English and French. Designed by Noel Martin. This is the elegant portfolio reproducing eight color illustrations by Ben Shahn of the participants of the 1894 Dreyfus Affair. These exquisite oversized images are reproduced by offset lithography, signed by the artist in the plate, and individually housed in printed paper portfolios with tissue overlays. The prints are accompanied by a twenty-eight page hardbound book that typographically transcribes in French and English "J'Accuse...!" - Emile Zola's famous 1898 letter to French president Felix Faure in defense of Dreyfus - along with brief scholarly essays on Shahn, L'Affaire Dreyfus, and this project. A brand new, most handsome example of the deluxe, hors commerce 1984 first Crossroads Books edition of this significant undertaking limited to sixty NUMBERED (XXIII/XL) copies whose prints are on Grand Arches handmade pure rag verge paper - superior to the Arches paper of the trade edition. 0-9611380-1-7 Inventory Number: 025189

(SOTH, ALEC). Engberg, Siri, Geoff Dyer, August Kleinzahler, Bartholomew Ryan, Britt Salvesen, Barry Schwabsky & Alec Soth. Minneapolis, MN: Walker Art Center, 2010. First Edition. 8vo. Printed Cloth. Photography Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Emmet Byrne. Published in conjunction with a massive Walker Art Center retrospective of the work of Alec Soth, this is a beautifully designed and printed hardbound survey of the imagery of the noted Minneapolis-based Magnum photographer. A brand new, pristine example of the 2010 first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") with the photographer's 48 page artist book entitled "The Loneliest Man in Missouri:" housed in a pocket affixed to the rear inside board, as issued, additionally BOLDLY SIGNED "Alec Soth" in black ink on the title page. Inventory Number: 025745

(TAAFFE, PHILIP). Vidal, Gore. New York: Pat Hearn & Mary Boone Galleries, 1989. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (36pp), 13 color and 1 b&w illustration. Designed by Anthony McCall Associates. With an exhibition history and bibliography. This is the beautifully designed and printed catalogue featuring a brief essay by Gore Vidal (!) published in conjunction with Philip Taaffe's 1989 exhibition of then-recent works displayed concurrently at New York's Pat Hearn and Mary Boone galleries. A most handsome example of this uncommon item SIGNED "P. Taaffe" in black ink on the title page. 0-941863-08-5 Inventory Number: 024311

(TAAFFE, PHILIP). White, Edmund, David Moos & Marina Warner. New York: Gagosian Gallery, 2007. First Edition. 4to. Cloth in Glassine Jacket. Artist Monograph. Fine/Fine. 48pp, 17 color illustrations. Designed by Luc Derycke. Published in conjunction with Philip Taaffe's 2007 Gagosian Gallery New York exhibition, this beautiful hardbound catalogue features texts by Edmund White, David Moos, and Marina Warner, an elaborate design, and one of four different glassine dust jackets. A brand new, most handsome example with the brown jacket motif additionally BOLDLY SIGNED "P. Taaffe" in black ink on the title page. 1-932598-47-2 Inventory Number: 024308

(TAAFFE, PHILIP). White, Edmund, David Moos & Marina Warner. New York: Gagosian Gallery, 2007. First Edition. 4to. Cloth in Glassine Jacket. Artist Monograph. Fine/Fine. 48pp, 17 color illustrations. Designed by Luc Derycke. Published in conjunction with Philip Taaffe's 2007 Gagosian Gallery New York exhibition, this beautiful hardbound catalogue features texts by Edmund White, David Moos, and Marina Warner, an elaborate design, and one of four different glassine dust jackets. A brand new, most handsome example with the red jacket motif additionally BOLDLY SIGNED "Philip Taaffe" in black ink on the title page. 1-932598-47-2 Inventory Number: 021824

(TAAFFE, PHILIP). White, Edmund, David Moos & Marina Warner. New York: Gagosian Gallery, 2007. First Edition. 4to. Cloth in Glassine Jacket. Artist Monograph. Fine/Fine. 48pp, 17 color illustrations. Designed by Luc Derycke. Published in conjunction with Philip Taaffe's 2007 Gagosian Gallery New York exhibition, this beautiful hardbound catalogue features texts by Edmund White, David Moos, and Marina Warner, an elaborate design, and one of four different glassine dust jacket designs. A brand new, most handsome example with the brown jacket motif still in the publisher's shrinkwrap. 1-932598-47-2 Inventory Number: 020459

(TAAFFE, PHILIP). White, Edmund, David Moos & Marina Warner. New York: Gagosian Gallery, 2007. First Edition. 4to. Cloth in Glassine Jackets. Artist Monograph. Fine/Fine. 48pp, 17 color illustrations. Designed by Luc Derycke. Published in conjunction with Philip Taaffe's 2007 Gagosian Gallery New York exhibition, this beautiful hardbound catalogue features texts by Edmund White, David Moos, and Marina Warner, an elaborate design, and one of four different glassine dust jacket designs. A brand new, most handsome complete set of one example each of the blue, red, brown and green jacketed versions still in the publisher's shrinkwrap. 1-932598-47-2 Inventory Number: 020457

(TALLER DE GRAFICA POPULAR). Neruda, Pablo, Alberto Beltran & Mariana Yampolsky. Mexico City: Taller de Grafica Popular (TGP), 1949. Edition Not Stated - Presumed First. 4to. Printed Broadside. Livre D'Artiste. Very Good.. One 13 x 9" tissue sheet printed recto only, 2 black & white illustrations in woodcut. Text in Spanish. "Oratorio menor en la muerte de Silvestre Revueltas" is a 1949 broadside produced by the legendary Mexican Graphic Arts workshop Taller de Grafica Popular (TGP) featuring an homage to the influential late Mexican violinist, composer, and conductor Revueltas by poet Pablo Neruda. Printed on a delicate pale goldenrod tissue paper, it is illustrated with one original woodblock print each by TGP-affiliated artists Mariana Yampolsky and Alberto Beltran. A bright, well-preserved example of this exceedingly uncommon - only three copies are currently cited in OCLC WorldCat - ephemeral publication (entry 284 in Helga Prignitz' "El Taller de Gráfica Popular en México 1937-1977") that has been folded in quarters and subsequently flattened showing some mild creasing and a couple of tiny nicks along the extremities. Inventory Number: 026921

(TAPIES, ANTONI) (DERRIERE LE MIROIR). Tapies, Antoni and Joan Brossa. Paris: Maeght Editeur, 1969. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good -.. 38pp, profusely illustrated in color and b&w. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Antoni Tapies' 1969 exhibition of twenty-six paintings and collages. It contains a unique original color lithograph that extends continuously over both covers and twenty-six interior pages, sixteen additional black and white illustrations, and a complete exhibition checklist. A bright white, handsome example that shows a minor dent through the textblock at the upper foredge corner. Inventory Number: 012266

(VIEW: THE MODERN MAGAZINE). Ford, Charles Henri, Editor. New York: View, Inc., 1945. First Edition. 4to. Stapled Illustrated Wrappers. Surrealist Periodical. Very Good.. 22pp, profusely illustrated in b&w. Cover illustration by Andre Masson. This is the December 1945 installment of "View" - Charles Henri Ford's legendary American magazine of Surrealism and the avant-garde. The contributors to this issue include Kurt Seligmann, Paul Bowles, Ramon J. Sender, Jean Ferry, Gina Hohens, Rene Renne and Claude Serbanne, George Platt Lynes, Charles Henri Ford, Parker Tyler, Paul Goodman, Marius Bewley, Lou Harrison, etc. A handsome example of this uncommon item showing some overall light wear, handling and soiling to the wrappers. Inventory Number: 018355