Arcana:

(ALDRIDGE, ALAN) (WARHOL, ANDY). Aldridge, Alan & Andy Warhol. London: Motif Editions, 1970. First Edition. Double Elephant Folio. Printed Poster. Film Poster. Near Fine.. One 30 x 20" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the iconic poster designed by the late, great British illustrator Alan Aldridge to promote the 1970 screening of "Chelsea Girls" at the Drury Lane Arts Laboratory. Filmed by Andy Warhol and Paul Morrissey from a treatment by Ronnie Tavel on location inside Manhattan's fabled Chelsea Hotel, the film received upon its 1966 release an X certificate from the British Board of Film Censors, meaning it was unable to be theatrically released in the UK. It took another three years before the full three and a half hour split-screen version of "Chelsea Girls" - featuring Factory Superstars Nico, Brigid Berlin, Ondine, Gerard Malanga, Eric Emerson, Mary Woronov, Mario Montez, Ingrid Superstar, and International Velvet - would receive a London premiere. A bright, most handsome flat example of the 1970 Motif Editions London first commercially-produced version of the poster showing the tiniest bit of creasing at the lower left corner along with some unobtrusive handling indentations that can be seen in raking light. Inventory Number: 026863

(ARCANA: BOOKS ON THE ARTS).. Culver City, CA: Arcana: Books on the Arts, 2015. Oblong Folio. As New. Inventory Number: 20161109 - 1

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(ART ENSEMBLE OF CHICAGO, THE). Art Ensemble of Chicago, The. Los Angeles: Rhino Records & The Century City Educational Arts Project, 1976. First Edition. Small Folio. Printed Sheet. Concert Poster. Fine.. One 17 x 11" sheet printed offset, recto only. This is the striking poster for a series of June 1976 Art Ensemble of Chicago performances presented in Los Angeles by the Rhino Records store and The Century City Educational Arts Project. The concerts marked the first time the AACM stalwarts had brought their Great Black Music to the city, playing two completely different sets each of four evenings at the former ballroom that served as David Hammons' studio. A most handsome, guaranteed vintage example of the larger format version of this uncommon ephemeral item (featuring lettering by noted percussionist Alex Cline) of which only one hundred were printed. We know this because I personally produced these concerts and the posters! Inventory Number: 027468

(ATGET, EUGENE). Naef, Weston. Malibu, CA: The J. Paul Getty Museum, 1991. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Near Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany "Atget's Magical Analysis"; a 1991 exhibition of vintage prints by the noted Parisian street and architectural photographer drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 021429

(BARON, HANNELORE). Krens, Thomas. New York: The Solomon R. Guggenheim Museum, 1989. First Edition. 8vo. Pictorial Wrappers. Exhibition Brochure. Fine.. One 8 ½ x 15" cardstock sheet printed offset recto and verso, neatly folded in half to make 4pp, 1 b&w illustration. With an exhibition checklist. This is the brochure issued in conjunction with a 1989 The Solomon R. Guggenheim Museum exhibition of nineteen boxes and mixed media collages by Hannelore Baron. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 027382

(BASS, SAUL). Bass, Saul. NP (Los Angeles). ND (Circa 1960s): Saul Bass. Edition Not Stated - Presumed Firsts. Oblong 8vos. Printed Paper. Illustrated Greeting Cards. Fine.. Three folded paper greeting cards printed in colors on heavy paper stock recto only, 3 color illustrations. This is a group of three personal greeting cards designed by Saul Bass that were sent at the Holidays from the family - Ruth, Saul, Andy and Bobby - to a significant Los Angeles-based film creative for whose projects Saul Bass & Associates produced several iconic advertising posters. Each folds in half horizontally and incorporates the image of a dove. Opened fully, they measure 3 ½ x 12 ½", 6 ¼ x 14", and 5 ¼ x 15 ¾", and appear to date between the early sixties and early seventies. A bright, most handsome set of these three ephemeral hors commerce mementos from one of the titans of 20th Century graphic design. Inventory Number: 026460

(BEARDEN, ROMARE). M(iller)-K(eller), Andrea. Hartford, CT: Wadsworth Atheneum, 1975. First Edition. 8vo. Printed Wrappers. Artist Monograph. Fine.. np (4pp), 1 b&w illustration. With an exhibition checklist, exhibition history and bibliography. This is the slender four page brochure published in conjunction with a 1975 exhibition of six collages by the venerable African-American artist Romare Bearden held at Hartford's Wadsworth Atheneum. A most handsome copy of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 026736

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). L.A. Louver Gallery. Venice, CA: L.A. Louver Gallery, 1988. First Edition. 8vo. Pictorial Wrappers. Exhibition Announcement. Fine.. One 8 ½ x 11" cardstock sheet printed in color offset recto and verso, machine-folded half to make 4pp, 2 color illustrations. This is the slender announcement published in conjunction with a 1988 L.A. Louver Gallery exhibition of works by Wallace Berman. A brand new, most handsome example of this uncommon ephemeral item that is the only printed documentation of the event. Inventory Number: 027343

(BLUHM, NORMAN). Silverman Gallery, Manny. Los Angeles: Manny Silverman Gallery, 2007. First Edition. Oblong 8vo. Stapled Illustrated Wrappers. Artist Monograph. Good +.. np (20pp), 12 color and 1 b&w illustration + color cover. With a chronology and exhibition history. This is the slender twenty page brochure cum catalogue published in conjunction with a 2007 exhibition of paintings on canvas executed during the seventies by noted American Abstract Expressionist painter Norman Bluhm. A most presentable copy of this ephemeral item that was the only printed documentation of the event showing some creasing along the length of the spine. It has been priced accordingly. Inventory Number: 019097

(BLUHM, NORMAN). Silverman Gallery, Manny. Los Angeles: Manny Silverman Gallery, 2007. First Edition. Oblong 8vo. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. np (20pp), 12 color and 1 b&w illustration + color cover. With a chronology and exhibition history. This is the slender twenty page brochure cum catalogue published in conjunction with a 2007 exhibition of paintings on canvas executed during the seventies by noted American Abstract Expressionist painter Norman Bluhm. A handsome example of this ephemeral item that was the only printed documentation of the event showing a slight dent at the heel of the spine. Inventory Number: 015508

(BYRNE, ALEC). Uber Archives. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 36 x 24". Exhibition Poster. As New.. One 36 x 24" heavy paper sheet printed photolthographically recto only, 1 monochrome illustration.

This is the striking lithograph published in conjunction with "Rock & Roll Time Capsule" - the one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It features an image of Jimi Hendrix backstage at London's Saville Theatre from May 1967 that is the lead image for Byrne's new full-length book, "London Rock - The Unseen Archive". A brand new, pristine example of the 2012 first and only printing limited to one thousand copies NUMBERED AND SIGNED by the photographer rolled in a heavy poster tube, as issued.

PLEASE NOTE: These signed posters will be available at Arcana on Sunday, December 17th, and orders will ship beginning on Tuesday, December 19th.
Inventory Number: E000ABRRTC-LITHOGRAPH

(CAMERON, JULIA MARGARET). Cox, Julian. Los Angeles: The J. Paul Getty Museum, 2003. First Edition. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochure. As New.. np (8pp), 6 duotone illustrations. This is the slender eight page brochure produced to accompany "Julia Margaret Cameron: Photographer" - a 2003 exhibition of vintage prints drawn from the The J. Paul Getty Museum's vast holdings. A brand new, pristine example of this uncommon ephemeral item. Inventory Number: 025598

(CHRISTO). Rubin, William S., David Bourdon & Lawrence Alloway. New York: Museum of Modern Art, 1968. First Edition. Small 8vo. Stapled Pictorial Wrappers. Artist Monograph. Near Fine.. One 8 ½ x 14" cardstock sheet printed offset recto and verso machine-folded to make 4pp with an 8 x 35" sheet machine-folded in fifths to make 10pp, 10 b&w illustrations laid in. This is the slender fourteen page brochure cum exhibition catalogue issued by the Museum of Modern Art in conjunction with their 1968 exhibition "Christo Wraps the Museum: Scale Models, Photomontages, and Drawings for a Non-Event". The show presented preparatory materials generated for the artist's proposed wrapping of MoMA - a project that was ultimately abandoned due to safety and liability concerns. States the Museum's contemporaneous press release ""As an artist functioning more in the realm of 'events' than in that of painting and sculpture, it is not surprising that Christo should have dreamed that it was time to wrap up the Museum, and for that matter the trees, the sculptures, and even some of the spectators in its garden. The Museum staff found this a potentially lively and poetically strange project. But the more practical heads of the fire department, police department, and insurance agencies prevailed. Nevertheless, we felt that our public would enjoy seeing the models, photomontages, and drawings that Christo had prepared as sketches for this event, an event that was to have signaled the closing of the exhibition "Dada, Surrealism, and Their Heritage". A handsome example of this graphically striking item that was the only printed documentation of the exhibition. Inventory Number: 027514

(CLARK, LARRY). Clark Larry. Hancock, NH: Lustrum Limited Editions & Colloquium, Inc., 1974. First Edition. 16mo. Stapled Pictorial Wrappers. Publisher's Prospectus. Fine.. np (12pp), 9 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". A bright, most handsome example of this exceedingly uncommon, tiny (5 ½ x 4 ¼") ephemeral item that was the pre-publication prospectus for the 1974 Lustrum Limited Editions and Colloquium, Inc. portfolio limited to fifty copies containing ten photographic prints from Larry Clark's "Tulsa". Inventory Number: 025838

(CLOSE, CHUCK). Close, Chuck & Gail R. Scott. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Pictorial Wrappers. Artist Monograph. Fine.. One continuous 7 ½ x 11 ½" glossy cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 color illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of nine recent portraits by the still Bykert Gallery-affiliated Chuck Close. A glossy, most handsome example of this exceedingly uncommon ephemeral item - only four copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024813

(COLEMAN, ORNETTE). Coleman, Ornette. Pasadena, CA: Poo-Bah Records, 1982. First Edition. Large 4to. Printed Sheet. Concert Poster. Fine.. One 13 x 9 ½" sheet printed in black and white, recto only. This is the poster for two February 22nd, 1982 Ornette Coleman with Prime Time performances presented by the venerable Pasadena record store Poo-Bah at Los Angeles' Westwood Playhouse. Sharing the bill was Leroy Jenkins on solo violin. A most handsome, guaranteed vintage example of this uncommon ephemeral item. Inventory Number: 027034

(CONGRESS ON RACIAL EQUALITY). Rich, Marvin. New York: Congress on Racial Equality, 1965. Edition Not Stated - Presumed First. 4to. Brad-Bound Stiff Wrappers. Exhibition Checklist. Very Good.. np (16pp), no illustrations. This is the checklist cum catalogue for the 1965 exhibition and sale of works by nearly two hundred and fifty artists held at New York's Graham Gallery to benefit the Scholarship, Education, and Defense Fund of the noted Civil Rights organization, the Congress on Racial Equality. The primary committee chairs for the fifth installment of this annual event were Jack Tworkov, Lloyd Goodrich, Mrs. August Heckscher, and Mrs. Arthur Logan. Robert Rauschenberg is thanked for having created a color silkscreen print for the event, and virtually everyone who was every anyone of a liberal philanthropic bent in Manhattan is listed here as an organizer or patron. It begins with a explanatory text by executive director Marvin Rich followed by an eleven page unpriced checklist detailing the participating artists with a description of each work, and an eye-opening roster of supporters. Artists of color who contributed include Charles Alston, Romare Bearden, Felrath Hines, Jacob Lawrence, Joe Overstreet, Raymond Saunders, Thomas Sills, Bob Thompson, Jack(y) Whitten, and Walter Williams. The established artists include Milton Avery, Alexander Calder, Edwin Dickinson, Richard Diebenkorn, Helen Frankenthaler, Michael Goldberg, Philip Guston, Grace Hartigan, Hans Hofmann, Joan Mitchell, Alice Neel, Louise Nevelson, Isamu Noguchi, Fairfield Porter, Ad Reinhardt, Mark Rothko, Ben Shahn, David Smith, and Moses and Raphael Soyer, while the up and comers feature Arman, John Chamberlain, Jim Dine, Mark di Suvero, Leon Golub, Ron Gorchov, Red Grooms, Robert Indiana, Alex Katz, Roy Lichtenstein, Robert Mangold, Marisol, Claes Oldenburg, Rauschenberg, George Rickey, Larry Rivers, James Rosenquist, George Segal, Frank Stella, Tom Wesselmann, and Andy Warhol, who provided a 16 ½ x 20 "Blue Jackie" on canvas. A bright, most handsome example of this exceedingly uncommon - not a single copy is currently cited in OCLC WorldCat - item in brad-bound stiff printed wrappers documenting the fascinating intersection of the mid-sixties Civil Rights movement and the New York Art world with an invitation on letterhead to the May 4th 1965 "Broadway at the Gallery" showing laid in. Inventory Number: 027129

(COSBY, BILL). Cosby, Bill. NP: Bill Cosby, 1966. Edition Not Stated - Presumed First. 4to. Stapled Pictorial Wrappers. Near Fine.. np (16pp), profusely illustrated in duotone and b&w. This is a very cool, vintage Bill Cosby promotional booklet that was most likely sold as a program at the comedian's performance venues in the mid-sixties. It contains studio, performance, and candid photographs (even one by Dennis Hopper) of Cosby and his family, a section on "I Spy", and a 33 1/3 rpm Eva-Tone flexi-disc of the bit "Noah" excerpted from his then current album; "Bill Cosby is a Very Funny Fellow, Right?". A most handsome example of this uncommon ephemeral item. Inventory Number: 010557

(DE KOONING, WILLEM). M(iller)-K(eller), A(ndrea). Berkeley, CA: University Art Museum, the University of California Berkeley, 1978. First Edition. 8vo. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), 1 b&w illustration. With an exhibition checklist, exhibition history and bibliography. This is the slender four page exhibition brochure cum catalogue published in conjunction with a 1978 Matrix exhibition of Willem De Kooning's sculpture at the University Art Museum, the University of California Berkeley. A handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 019491

(DOW, JIM).. NP: Joseph E. Seagram & Sons, Inc., 1978. First Edition. 8vo. Printed Postcard. Fine.. One 6 x 4 ¼" glossy cardstock postcard printed offset recto and verso, 1 color illustration. To mark the 1976 Bicentennial of the United States of America, Joseph E. Seagram and Sons, Inc. commissioned twenty-four photographers to record more than one thousand County Court houses across the country using both color and black and white film. The project, directed by Phyllis Lambert and edited by Richard Pare, created the then-most comprehensive survey of an American building type. The Seagram County Court House Archives collection of photographic negatives and master prints was ultimately presented as a gift, with its copyright ownership, to the Library of Congress. In 1978 Horizon published the lovely Richard Pare-edited book of images from this undertaking entitled "Court House: A Photographic Document". This color postcard featuring Jim Dow's color image "Harlan County Court House, Harlan, Kentucky, c1918-21" was issued in conjunction with that release. A brand new, pristine unmailed example of this uncommon ephemeral item perfect for the Jim Dow completeist. Inventory Number: 024179

(ENVIRONMENTAL COMMUNICATIONS). Environmental Communications. Los Angeles & Venice, CA. ND (1977): Los Angeles County Museum of Art & Environmental Communications. First Edition. Folio. Printed Poster. Exhibition Poster. Near Fine.. One 20 x 13" heavy foil-coated paper sheet screenprinted recto only, 1 color illustration. Designed by Environmental Communications. This is the luxe, silkscreen-over-silver-foil-substrate poster issued by Environmental Communications in conjunction with their participation as part of the intriguing 1977 Los Angeles County Museum of Art show, "California: 5 Footnotes to Modern Art History." Their contribution was "Environmental Communications Looks at Los Angeles", a sprawling multi-media exhibition of hundreds of the free-form media cooperative's contemporary photographs of Southern California's recent architecture, murals, signage, and outdoor graphics. The Museum's catalogue included Tom Wolfe's essay on the firm entitled "Chester Gould Versus Roy Lichtenstein." A bright, shiny, most handsome example of this exceedingly uncommon poster depicting an aerial view of LA's iconic downtown freeway interchange showing a few minor nicks and scuffs. It will be mailed in a poster tube. Inventory Number: 027302

(FLYNT, LARRY) (DE NIRO, ROBERT). Flynt, Larry. Los Angeles: Hustler, 1983. First Edition. 4to. Typed Letter Signed (TLS). Fine.. One 10 ¼ x 7 ¼" sheet of gilt-debossed letterhead typewritten recto only, folded horizontally in thirds for mailing, no illustrations. This is a single page, six paragraph letter on HUSTLER letterhead from the noted late American publisher and freedom of the press advocate Larry Flynt to Robert De Niro attempting to secure the legendary actor's services "to direct a photo shooting for... a continuing series HUSTLER is launching which depicts sexual fantasies by top celebrities." Dated August 12, 1983, it offers "In return for your participation, HUSTLER will pay you $10,000.00 plus expenses." The letter was sent to Mr. Robert DeNiro (sic) in care of his longtime agent Harry J. Ufland, but whether or not there was a response on his behalf, no such pictorial ever appeared. A brand new, most handsome example of this unique document SIGNED "Larry Flynt" in black ink. Inventory Number: 026923

(FRANCIS, SAM). Francis, Sam. New York. ND (1957).: Martha Jackson Gallery. First Edition. Small Folio. Printed Paper. Exhibition Poster. Near Fine.. One 13 ½ x 9 ¾" sheet printed offset recto only in black, white and purple, 1 illustration. This is the striking poster published in conjunction with Sam Francis' second ever American one-man exhibition held at New York's Martha Jackson Gallery between November 25th and December 20th 1957. A most handsome, flat and unmailed example of this uncommon, lovely ephemeral object showing the slightest bit of age-toning. Inventory Number: 007749

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of sixty-one of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", The Art of The Daguerreotype", "Capturing Time: A Celebration of Photography:, "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Strange Days: Photographs From The Sixties by Winogrand, Eggleston, and Arbus:", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(GIBSON, RALPH). Gibson, Ralph. Hancock, NH: Lustrum Limited Editions & Colloquium, Inc., 1974. First Edition. 16mo. Stapled Pictorial Wrappers. Publisher's Prospectus. Fine.. np (12pp), 9 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. This is the pre-publication prospectus for the 1974 Lustrum Limited Editions and Colloquium , Inc. portfolio limited to fifty copies containing ten photographic prints from Ralph Gibson's "Days at Sea". A bright, most handsome example of this exceedingly uncommon, tiny (5 ½ x 4 ¼") ephemeral item. Inventory Number: 025839

(GORDON, DOUGLAS). Gordon, Douglas, Hal Hartley & Amy Taubin. New York: Gagosian Gallery, 1999. First Edition. 4to. Folded Poster. Artist Monograph. Near Fine.. One 48 x 70" sheet printed offset recto and verso, neatly folded in eighths to make 12 x 8 ¾", 1 color illustration. This is the massive poster cum exhibition catalogue issued in conjunction with the 1999 Gagosian Gallery New York installation of Turner Prize-winning Scottish video artist Douglas Gordon's "Through a Looking Glass" - "two large-scale video projections which quote one of Hollywood's most memorable scenes. Using a monologue from Martin Scorsese's "Taxi Driver", Gordon traps the viewer between two images of Travis Bickle, one 'real' and the other a 'reflection of the real'. The projections appear at first to be mirror images of one another but they quickly trip out of sync and into a manic dialogue which bounces around the gallery, both visually and audibly". It includes the six page screenplay "Adventure" by filmmaker Hal Hartley - comprised of e-mail correspondence between him and Douglas Gordon, an essay by film critic Amy Taubin, and a diptych of images of Robert De Niro from "Taxi Driver". A most handsome example of this innovative object that was the only printed documentation of the exhibition showing some light edge wear as is typical. 1-880154-27-7 Inventory Number: 017084

(GRAHAM, DAN) (HASEGAWA, ITSUKO) (POINT D'IRONIE). Obrist, Hans-Ulrich & Carrie Pitto, Editors. Paris: agnès b., 1998. First Edition. Folio. Illustrated Tabloid Wrappers. Artist's Periodical. Fine.. Two 17 x 24" sheets printed color and black and white offset recto and verso, neatly folded in half vertically to make 8pp, profusely illustrated. This eighth installment of "point d'ironie" - agnès b.'s Hans-Ulrich Obrist-edited tabloid format hybrid periodical - is a collaborative project between renowned American conceptual practitioner Dan Graham and the noted Japanese architect Itsuko Hasegawa published in conjunction with the exhibition "Cities on the Move". A most handsome example of this uncommon, fragile item that was issued hors commerce - never commercially for sale - showing only some minor handling marks to its lightweight paper stock. Inventory Number: 027094

(GRAHAM, ROBERT). Gemini G.E.L.. Los Angeles: Gemini G.E.L., 1974. First Edition. 8vo. Illustrated Wrappers. Print Prospectus. Fine.. One 9 ½ x 13" cardstock sheet printed offset recto and verso, neatly folded in half as issued to make 4pp, 2 b&w illustrations. This is one of Los Angeles-based Gemini G.E.L.'s print/multiple prospectuses announcing the publication of Robert Graham's seven 1974 "Untitled" screenprints. A most handsome example of this uncommon ephemeral item with the publisher's card announcing prices and availability laid in, as issued. Inventory Number: 019706

(GRIEGER, SCOTT). Grieger, Scott & Maurice Tuchman. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Illustrated Wrappers. Artist Monograph. Near Fine.. One continuous 7 ½ x 11 ½" cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 b&w illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of five recent "combination" works by Scott Grieger. Expanding on his earlier "Impersonations" series, the Los Angeles-based artist takes aim here at prevailing luminaries and tropes of Pop, Conceptual and Minimal Art with five works that marry the iconic imagery of Frank Stella with Donald Judd, Robert Morris with Larry Poons, Morris Louis with Sol LeWitt, Barnett Newman with Frank Stella, and Jasper Johns with Donald Judd to amusing effect. A brand new, pristine example of this exceedingly uncommon ephemeral item - only two copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024815

(HARING, KEITH). Haring, Keith. New York: Tony Shafrazi Gallery, 1991. First Edition. Square 8vo. Printed Cardstock. Exhibition Announcement. Fine.. One 7 x 14" card printed offset recto and verso, machine folded in half vertically to make 7 X 7", 1 color illustration. This is the striking announcement published in conjunction with a posthumous 1991 exhibition of works by Keith Haring held at Tony Shafrazi Gallery - the artist's primary dealer throughout his life. A brand new, most handsome vintage example of this exceedingly uncommon ephemeral item. Inventory Number: 026871

(HARING, KEITH). Haring, Keith. Dusseldorf, GERMANY: Galerie Hans Mayer, 1988. Edition Not Stated - Presumed First. Oblong 4to. Silkscreened Print. Artist's Multiple. Fine.. One 16 ½ x 10 ¼" art paper sheet silkscreened in gold ink, recto only, machine-folded vertically in half, 1 color illustration. Designed by Keith Haring. This is Keith Haring's New Year's greeting in the form of a silkscreen print commissioned by the artist's longtime German representative, Galerie Hans Mayer little more than a year before his untimely passing. It intones in gold ink "FROHE WEIHNACHTEN! / HAPPY NEW YEAR 1989! / GALERIE HANS MAYER" in the artist's hand with a bold "© Keith Haring" signature in the screen. The image depicts seven of his familiar interlinked dancing figures with lines radiating ringing in the holiday. A brand new, most handsome example of this uncommon ephemeral artist's multiple that has been folded in half vertically, as issued, housed in the gallery's similarly folded printed red cardstock sleeve, as issued. Inventory Number: 026870

(HARING, KEITH). Haring, Keith. Moirans-en-Montagne, FRANCE & New York: Vilac & Keith Haring Foundation, 2009. Edition Not Stated - Presumed First. Oblong 4to. Jigsaw Puzzle in Printed Box. Artist's Multiple. Fine./No Jacket - As Issued. One 8 ½ x 13" printed cardboard box containing ninety-six loose puzzle pieces printed recto only on wood, 1 color illustration. This is a ninety-six piece wooden jigsaw puzzle reproducing a whimsical 1986 Keith Haring drawing (licensed from the artist's Foundation in 2009) by the venerable French puzzle and toy maker, Vilac. A most handsome example of this currently unavailable object in the manufacturer's "Radiant Child''-shaped box, perfect for these self-isolating times. 3-048-700093233 Inventory Number: 026789

(HIDO, TODD). Hido, Todd. Oakland, CA: B-Sides Box Sets, 2017. First Edition 1/2000. 16mo. Loose Plates in Plexiglas Box. Photography Monograph. As New/No Jacket - As Issued. 50 loose 2 ½ x 3 ½" cardstock sheets printed offset recto and verso, 47 illustrations in color and b&w. "All photographers have a secret stash of photographs that float on the margins of published existence. Photographs that never quite fit into their current projects or are waiting to become the narrative of their next book or show, but that are too good to be left unused. They persist: the photographers pull them out, year after year, they recognize them as great images that should be shared, but the photos somehow frustratingly defy their years of shuffling into categorization or conventional use. This box set is those photographs, finally liberated from that file labeled "Orphans & Misfits". Todd Hido's second B-Sides Box Set, "Homing In", offers a new glimpse into Hido's highly prolific process and unveils unpublished "House Hunting" photographs, overlooked images of his muse Khrystyna, and brand new work made this year from the original set of David Lynch's "Twin Peaks". A brand new, most handsome example of this charming little set of fifty collector-type trading cards additionally BOLDLY SIGNED "Todd Hido" in silver ink on the title card housed in the publisher's Plexiglas box, as issued. 1-5323-5128-3 Inventory Number: 026721

(HIDO, TODD). Hido, Todd. Oakland, CA & Portland, OR: B-Sides Box Sets & Nazraeli Press, 2014. First Edition 1/500. 16mo. Loose Plates in Plexiglas Box. Photography Monograph. As New/No Jacket - As Issued. 50 loose 2 ½ x 3 ½" cardstock sheets printed offset recto and verso, 47 illustrations in color and b&w. Designed by Bob Awfuldish. "All photographers have a secret stash of photographs that float on the margins of published existence. Photographs that never quite fit into their current projects or are waiting to become the narrative of their next book or show, but that are too good to be left unused. They persist: the photographers pull them out, year after year, they recognize them as great images that should be shared, but the photos somehow frustratingly defy their years of shuffling into categorization or conventional use. This box set is those photographs, finally liberated from that file labeled "Orphans & Misfits". Todd Hido's first B-Sides Box Set, "Silver Meadows", is a follow-up publication to the artist's award-winning 2013 monograph "Excerpts from Silver Meadows". Designed to function as a companion to that title as well as a sovereign object in its own right, the selection includes alternate images that didn't make it into the book, as well as variations of images that did. It offers a behind-the-scenes look at how the photographer selects and arranges images in book form. 'Making good and interesting pictures is only half of what it takes to make a memorable visual book,' Hido explains. 'The way one organizes images to create a narrative sequence also plays an important role in creating something that people want to pick up and take home". A brand new, most handsome example of this charming little set of fifty collector-type trading cards additionally BOLDLY SIGNED "Todd Hido" in silver ink on the title card housed in the publisher's Plexiglas box, as issued. 1-59005-409-1 Inventory Number: 026720

(HILL, DAVID OCTAVIUS & ADAMSON, ROBERT). Lyden, Anne M.. Malibu, CA: The J. Paul Getty Museum, 1999. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Fine.. One 7 ½ x 12" cardstock sheet printed recto and verso, neatly folded in half as issued to make 4pp, 2 duotone illustrations. This is the slender four page brochure produced to accompany "Light and Darkness: The Photographs of Hill and Adamson"; a 1999 exhibition of early prints by the pioneering Scottish collaborators drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 017818

(HIRST, DAMIEN). Gagosian Gallery. London: Gagosian Gallery, 2006. First Edition. Small 4to. Printed Cardstock. Exhibition Announcement. As New.. One 10 x 24" cardstock sheet printed offset recto and verso, neatly folded in thirds to make 6pp, 3 duotone illustrations. This is the handsome announcement published in lieu of a catalogue for Damien Hirst's 2006 London gallery show entitled "A Thousand Years & Triptychs". "A Thousand Years, one of Hirst's most provocative and engaging works, contains an actual life cycle. Maggots hatch inside a white minimal box, turn into flies, then feed on a bloody, severed cow's head on the floor of a claustrophobic glass vitrine. Above, hatched flies buzz around in the closed space. Many meet a violent end in an insect-o-cutor; others survive to continue the cycle". A brand new, pristine example of this uncommon ephemeral item that was the only printed documentation of the exhibition. Inventory Number: 027486

(HOCKNEY, DAVID). Hockney, David. London: Buzzy Enterprises and Lagoon Enterprises, 1974. First Edition. Double Elephant Folio. Illustrated Wrappers. Cinema Poster. Near Fine.. One 40 x 30" sheet printed color offset recto only, 1 color illustration. This is the striking poster published in conjunction with the British theatrical release of Jack Hazan's 1974 full-length documentary on artist David Hockney and his then-muse Peter Schlesinger entitled "A Bigger Splash." A bright, most handsome guaranteed vintage example of this uncommon item that was originally acquired from one of the film's production staff showing a few light handling creases. Inventory Number: 027081

(HOLZER, JENNY). Holzer, Jenny & Marianne Weems. New York: Art Matters, 1995. First Edition. Small Oblong 8vo. Printed Paper in an Envelope. Artist's Multiple. As New.. One 3 ½ x 8 ½" mucilage-backed paper sheet printed offset recto only, perforated to make ten individual stamps + two machine-folded 11 x 8 ½" offset sheets printed in duotone offset, recto and verso. This is the set of black on silver postage-style stamps reproducing ten phrases drawn from Jenny Holzer's "Truisms" series produced to be included in with 1995 fundraising letter to benefit the New York non-profit arts organization, Art Matters. The artist's thought-provoking phrases are RAISE BOYS AND GIRLS THE SAME WAY, DRAMA OFTEN OBSCURES THE REAL ISSUES, A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER, ACTION CAUSES MORE TROUBLE THAN THOUGHT, CHANGE IS VALUABLE WHEN THEY OPPRESSED BECOME TYRANTS, ANY SURPLUS IN IMMORAL, SLOPPY THINKING GETS WORSE OVER TIME, A LOT OF PROFESSIONALS ARE CRACKPOTS, BOREDOM MAKES YOU DO CRAZY THINGS, and WISHING THINGS AWAY IS NOT EFFECTIVE. A brand new, unopened example of this artist's multiple with all printed enclosures present in the Art Matters glassine envelope, as issued. Inventory Number: 027124