Arcana:

(ANDRE, CARL). Andre, Carl. Portland, OR: Portland Center for the Visual Arts, 1973. First Edition. Square 8vo. Stapled Pictorial Wrappers. Artist's Book. Very Good -.. np (36pp), 36 b&w illustrations. In a protective clear acetate dustwrapper. This is the austerely designed artist's book cum exhibition catalogue that photographically documents noted minimalist sculptor Carl Andre's February 11th through March 11th 1973 Portland Center for the Visual Arts installation entitled "144 Blocks and Stones" that was dedicated to his colleague, the late Robert Smithson. A most presentable example of the uncommon first edition with the publisher's loose vellum title page laid in, as issued, showing some mild overall handling and light rubbing with traces of a few water droplets to the covers. It has been priced accordingly. Inventory Number: 025996

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPLEBROOG, IDA). Applebroog, Ida. NP (New York): Self-Published, 1981. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (20pp), 7 monochrome illustrations. "A Performance: The End" is seventh and final artist book printed in blue ink on heavy stock that comprises Ida Applebroog's 1981 series entitled "Blue Books". A handsome example offered individually additionally bearing the SIGNED AND DATED INSCRIPTION "End of magnum opus, Ida Applebroog 1982" in pencil under the volume's final illustration showing some light handling creases along the spine. Inventory Number: 022308

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase, there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") in the publisher's slipcase, as issued. 3-934823-82-3 Inventory Number: 027507

(ASHER, MICHAEL). Dick, Leslie & Adriano Pedrosa. Valencia, CA: Golden Spike Press, 2013. First Edition 1/500. 12mo. Printed Wrappers. Artist's Book. As New.. 138pp, 4 b&w illustrations. Designed by Michael Ray-Von. With appendices. Published in conjunction with the California Institute for the Arts, this posthumous tribute to the influential late Los Angeles-based conceptual artist and educator Michael Asher consists primarily of typographically transcribed class enrollment forms for each of the fifty-two semesters he taught at CalArts over a thirty-three year span. Amongst the notable students listed here are Stephen Prina, Christopher Williams, Tony Oursler, B. Wurtz, Jim Isermann, Kate Ericson, Mel Ziegler, Ashley Bickerton, Richard Hawkins, Jody Zellen, Sam Durant, Lyle Ashton Harris, Gary Simmons, Dave Muller, Edgar Arceneaux, Zoe Crosher, Lesley Vance, Carter Mull, Tomory Dodge, and many more. A brand new, most handsome example of this uncommon (only five copies are currently cited in OCLC WorldCat) and unavailable, rigorous-yet-sentimental gem limited to five hundred unnumbered copies. 0-9886694-2-0 Inventory Number: 027512

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020629

(BALTZ, LEWIS) (PERKOVIC, SLAVICA). Baltz, Lewis & Slavica Perkovic. Braunschweig, GERMANY: Museum Fur Photographie Braunschweig & Scalo, 1995. First Edition 1/1500. 4to. Cloth Spine Over Boards, Boxed. Photography Monographs. Near Fine/No Jacket - As Issued. 60pp + 48pp, profusely illustrated in b&w. Text in German with English translations laid in. This unusual title is actually two separate exhibition catalogues in the form of artists' books - Lewis Baltz's "Die Toten Von Newport Beach" ("The Deaths in Newport"), and Slavica Perkovic's "Seche Geschichten Fur Vier Manner" ("Six Stories for Four Men") - housed in a printed chipboard box. Each is illustrated with photographs and text - in Baltz's case, the photos all appear to be found images relating to a murder and trial in California in the 1940s. A most handsome example of this unusual collaborative undertaking in the publisher's printed chipboard box, as issued. 3-931141-15-2 Inventory Number: 001166

(BIRGISSON, JON THOR) (SIGUR ROS). Birgisson, Jon Thor & Alex Somers. NP (Reykjavik, ICELAND). ND (2008).: Moss Stories. First Edition Thus. 12mo. Embossed Boards. Artists' Book. As New/No Jacket - As Issued. np (52pp), profusely illustrated in color. "This powerful and enigmatic small volume is a facsimile reprint of the first artist's book "Riceboy Sleeps" from Sigur Ros frontman Jon "Jonsi" Thor Birgisson and his boyfriend Alex Somers, which was originally released only in Iceland. Birgisson designs Sigur Ros' album sleeves, and garnered the band a Grammy-nomination for his artwork. "Riceboy Sleeps" is beautifully produced, bearing faux taped and tattered edges, hand drawing, and distressed and collaged elements. Every detail of production has been exquisitely refined, from the softly rounded corners to the paper stock, from the print quality to the subtle embossing both inside and out. It contains no text, just Birgisson and Somers' highly expressionistic works created from found photographs and layers of textures". A brand new, pristine example of the 2008 Moss Stories edition of this must-have object. 1-933045-80-9 Inventory Number: 026969

(BIRGISSON, JON THOR) (SIGUR ROS). Birgisson, Jon Thor & Alex Somers. NP (Reykjavik, ICELAND). ND (2009).: Parlophone. First Edition #1970/3500. 12mo. Loose Contents in a Box. Artists' Books + Audio CDs. Fine (But Incomplete)/No Jacket - As Issued. np (52pp) + np (32pp), profusely illustrated in color. "This powerful and enigmatic small volume is a facsimile reprint of the first artist's book "Riceboy Sleeps" from Sigur Ros frontman Jon "Jonsi" Thor Birgisson and his boyfriend Alex Somers, which was originally released only in Iceland. Birgisson designs Sigur Ros' album sleeves, and garnered the band a Grammy-nomination for his artwork. "Riceboy Sleeps" is beautifully produced, bearing faux taped and tattered edges, hand drawing, and distressed and collaged elements. Every detail of production has been exquisitely refined, from the softly rounded corners to the paper stock, from the print quality to the subtle embossing both inside and out. It contains no text, just Birgisson and Somers' highly expressionistic works created from found photographs and layers of textures". A most handsome example of the deluxe 2009 Parlophone edition of this must-have object limited to three thousand, five hundred NUMBERED (1970/3500) copies containing the "Riceboy Sleeps" book, two Jonsi & Alex Audio CDs - "Riceboy Sleeps" and "All Animals", and their collaborative coloring book accompanied by a tiny box of six colored pencils housed in a pictorial paper-over-boards box reroducing the CD cover, as issued. PLEASE NOTE: This copy is lacking its small pin-backed badge component, and is priced accordingly. 1-933045-80-9 Inventory Number: 026380

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023062

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Inventory Number: 022011

(BOCHNER, MEL). Bochner, Mel. Paris: Ileana Sonnabend, 1971. First Edition. 12mo. Printed Wrappers. Artist's Book. Fine.. np (32pp), no illustrations. Text in English and French. In a protective clear acetate dustwrapper. "11 Excerpts (1967-1970)" is renowned Conceptual practitioner Mel Bochner's 1971 artist's book consisting of eleven brief, somewhat didactic statements about "Art" and its production. As he states here, "I do not make art. I do art". A bright white, most handsome example of this exceedingly uncommon item. Inventory Number: 024452

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. Dijon, FRANCE: Art & Art, 1988. First Edition 1/300. 8vo. Printed Wrappers. Artist's Book. Very Good.. np (24pp), 9 monochrome illustrations. Text in French. Limited to three hundred copies only, this charming artist's book by Christian Boltanski presents nine sepia-toned portraits of the title's protagonist Georges Harly found in a cigar box. A handsome example of entry number sixty-five in Jennifer Flay's "Christian Boltanski: Catalogue - Books, Printed Matter, Ephemera 1966-1991" showing some slight sunning along the length of the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 017920

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. Koln, GERMANY: Salon Verlag (Edition Separee 26), 1999. First Edition 1/1000. 12mo. Printed Wrappers with DJ. Artist's Book. As New.. np (32pp), illustrated in b&w. Text in German. "So Schnell" is Christian Boltanski's cryptic 1999 artist's book that presents thirty passport-style portraits of French youth with accompanying birth dates juxtaposed against graph paper grids. A brand new, pristine example of the first edition limited to one thousand copies 3-932189-26-4 Inventory Number: 013402

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. München & Darmstadt, GERMANY: Gina Kehayoff Verlag & Hessisches Landesmuseum, Darmstadt, 1996. First Edition. 4to. Stapled Pictorial Wrappers. Artist's Book. Fine.. np (48 pp), 40 b&w illustrations + cover. Text in German. Published in conjunction with a 1996 German museum exhibition, "Sterblich" is a Christian Boltanski artist book containing forty dark, grainy photographic images of death. A most handsome example. 3-929078-58-9 Inventory Number: 010973

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. Madrid, SPAIN: Centro De Arte Reina Sofia, 1988. First Edition. Oblong 4to. 1/4 Linen Over Printed Boards. Artist's Book. Very Good -.. 63pp, profusely illustrated in b&w. Text in Spanish and French. With a chronology. Published in conjunction with a 1998 Spanish exhibition, this contains an artist's project by Christian Boltanski consisting of grainy photographic images of "Escenarios Del Crimen". A most presentable example (entry number sixty-four in Jennifer Flay's "Christian Boltanski: Catalogue - Books, Printed Matter, Ephemera 1966-1991" and cited on page 42 of "From Fair to Fine 3") showing a few minor surface indentations and some light browning (as is typical with this title) as well as some minor foxing to the chipboard covers. It has been priced accordingly. Inventory Number: 003646

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. Munich, GERMANY: Gina Kehayoff Verlag, 1996. First Edition. 8vo. Printed Wrappers. Artist's Book. Near Fine.. np (64pp), 63 b&w illustrations. Text in German. This artist's book by Christian Boltanski presents contrasting sets of childhood and adult portraits of thirty-one participants, plus two additional images of the artist himself. A most handsome example of the 1996 Gina Kehayoff Verlag first edition. 3-929078-57-0 Inventory Number: 003644

(BOURGEOIS, LOUISE). Bourgeois, Louise. New York: Zucker Art Books, 2007. First Edition 1/1800. Oblong Folio. Linen Over Boards, Slipcased. Artist's Book. As New/No Jacket - As Issued. 52pp, 25 color illustrations. Designed by Louise Bourgeois. "When Louise Bourgeois was eight years old in 1919, her family moved to the Parisian suburb of Antony where the Bievre River cut across the garden in a straight line. The river was key to their relocation as it was imperative to the family's business of tapestry restoration for the washing of the tapestries. In 2002, Bourgeois would distill her emotions and memories of the river and the garden in an important unique fabric book entitled "Ode a la Bievre". In the book she reminisces through images and text, "with the soil from that river we planted geraniums, masses of peonies, and beds of asparagus and honeysuckle that smelled so sweet in the rain". Using her own garments as raw material to make sewn fabric collages, she evoked feelings and memories through lines, shapes and colors. Years later, the artist was to go back to the house with her own family only to find the river to no longer exist - "only the trees that my father had planted along its edge remained as a witness". Published in 2007, this edition faithfully reproduces all twenty-five pages of that original fabric work in vivid, beautifully printed color on heavy stock, along with a two page text by Louise Bourgeois. It is bound in debossed linen over boards, and housed in the publisher's blindstamped, unprinted cardboard slipcase, as issued. A brand new, most handsome example of this elegant item still in the publisher's shrinkwrap. 0-9790321-2-1 Inventory Number: 027354

(BURDEN, CHRIS). Burden, Chris. Los Angeles: Chris Burden, 1977. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Very Good.. 96pp, profusely illustrated in b&w. Designed by Chris Burden. In a protective clear acetate dustwrapper. This is the second of two early catalogues raisonné cum artist books privately published by Chris Burden detailing his own conceptually based performance work. It presents copious photographic documentation accompanied by the artist's own notes for each of thirty-one projects executed between 1974 and 1977. An internally bright, most handsome example of this uncommon item showing a flattened diagonal soft crease through the upper foredge corner of the front cover along with a bit of wear and soiling along the spine and extremities. It has been priced accordingly. Inventory Number: 027411

(BURDEN, CHRIS). Burden, Chris. Los Angeles: Chris Burden, 1974. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Good +.. 96pp, profusely illustrated in b&w. Designed by Chris Burden. In a protective clear acetate dustwrapper. This is the first of two early catalogues raisonné cum artist books privately published by Chris Burden detailing his own conceptually based performance work. It presents copious photographic documentation accompanied by the artist's own notes for each of twenty-three projects executed between 1971 and 1973. A most presentable example of this uncommon item showing noticeable overall wear, scuffing, and handling to its covers along with some mild soiling to the edges of the textblock. It has been priced accordingly. Inventory Number: 021312

(BURDEN, CHRIS). Burden, Chris & Alexis Smith. Los Angeles: CHOKE Publications, 1977. First Edition. Oblong 12mo. Stapled Pictorial Wrappers. Artist's Book. Fine.. 24pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the charming little self-published document of Chris Burden's 1975 project to design and construct a one passenger automobile capable of traveling over one hundred miles per hour while achieving one hundred miles per gallon fuel efficiency. A most handsome example of this uncommon item. Inventory Number: 021129

(CALLE, SOPHIE). Calle, Sophie. New York, London, Rome & Hong Kong. 2007-2014.: Thea Westreich, 1991. First Edition #117/230. 4to. Decorative Boards, Boxed. Artist's Book. Fine/No Jacket - As Issued. np, 18 b&w illustrations. Text in French and English. The most visually spectacular of her artist's books to date, "La Fille Du Docteur" is yet another exploration of the part autobiographical, part fictional personae of Sophie Calle. The work consists of sixteen facsimile cards of congratulation (purportedly) from colleagues of the artist's father upon the announcement of her birth. This was traditional amongst the French medical profession, and Calle's father was a physician. Or was he? Each of these cards is housed in a glassine envelope that faces a sequential photographic image printed on vellum of the artist performing a drunken striptease. These images conclude with the naked, comatose Sophie (who "will be a source of joy to her parents") sprawled in a heap. The book is bound as a faux leopard-skin album, which is in turn housed in a paper covered, chipboard box with a printed label. A brand new, most handsome example of the uncommon 1991 first - and only - Thea Westreich edition (cited on pages 166-167 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 352-353 of The Hasselblad Center's "The Open Book") limited to two hundred and thirty copies SIGNED AND NUMBERED (117/230) in black ink on the publisher's label of limitation affixed to the final leaf, as issued. Inventory Number: 026681

(CHAMBERLAIN, JOHN). Chamberlain, John. NP (Los Angeles ?): Self-Published, 1971. First Edition. 4to. Plastic Report Cover. Artist's Book. Near Fine.. Thirty-five individual 8 ½ x 11" bond sheets printed offset recto only, in a translucent fluorescent orange plastic report cover with a blue plastic clamp spine (as issued), no illustrations. "Rand Piece" is the printed form of John Chamberlain's contribution to the historic 1971 Los Angeles County Museum of Art exhibition "Art and Technology". It consists of excerpted responses by employees of the noted Southern California think-tank The Rand Corporation to a questionnaire submitted by the artist. The piece was mounted on the walls during the exhibition, with Chamberlain subsequently self-publishing an extremely limited edition of these responses to be distributed to the Rand participants. For further details, see the catalog "Art and Technology" by Maurice Tuchman. Edition size is not known, but surviving copies are truly rare. A most handsome example of this elusive conceptual document whose plastic binder remains remarkably fresh additionally BOLDLY SIGNED "John Chamberlain" in purple ink on the title page at the time of publication. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023336

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A brand new, most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") additionally BOLDLY SIGNED "Larry Clark" in black ink at the lower foredge corner of the title page. Inventory Number: 024362

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press paperbound edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") whose dust jacket shows a tiny nick along the bottom edge of the front cover. Inventory Number: 024039

(CLARK, LARRY). Clark Larry. London: LCB (Larry Clark Books in association with Thea Westreich), 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in color and b&w. Designed by Hans Werner Holzwarth and Design pur. Text in English. Published in Switzerland 1995, Larry Clark's "The Perfect Childhood" caused quite a stir when the attorneys for its American distributor upon seeing their first copy refused to let it be imported due to the prevailing moral climate. The successor to "Tulsa" and "Teenage Lust", it continues the notorious photographer/director's fascination with the American teen through wall-to-wall photos, collages, video stills and re-photographed press clippings - most of which are previously unpublished. Highly voyeuristic in nature, there is no shortage here of sex, violence, skateboarders and Matt Dillon! A brand new, most handsome example of the uncommon true first edition (cited on page 245 of Alessandro Bertolotti's "Books of Nudes") issued by Larry Clark Books in association with Thea Westreich. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 0-302-00644-3 Inventory Number: 020754

(CLARK, LARRY). Clark Larry. New York: Grove Press, Inc., 2000. First Edition Thus 1/250 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in b&w. Nearly thirty years after the 1971 Lustrum Press publication of this landmark book, Larry Clark's taboo breaking "Tulsa" is once again available. Long before "Kids", "Another Day in Paradise" and "Bully", this was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, this book forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 Lustrum Press first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". This example is from the Grove Press 2000 limited slipcased edition of two hundred and fifty copies only SIGNED by Larry Clark, with a SIGNED 8 x 10" black and white photographic print (of an image that is not reproduced in the book) laid in. A brand new, pristine example in the publisher's shrinkwrap, as issued. 0-8021-1678-7 Inventory Number: 020125

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025036

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers. Inventory Number: 026499

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Very Good -.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers along with a bit of subtle rippling due to contact with moisture. It has been priced accordingly. Inventory Number: 025594

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 026837

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 025704

(DEMETRIOS, EAMES). Demetrios, Eames. Los Angeles: Kcymaerxthaere, 2017. First Edition 1/1415. Stout Small 4to + 8vo. Decorative Ring Binder + Illustrated Wrappers. Artist's Books. As New/No Jackets - As Issued. 792pp, profusely illustrated in color and b&w. Text in English. Designed by Eames Demetrios, Tim McQuaide, Simona Szabados, and Cyrus Hawkes.

"Kcymaerxthaere: The Story So Far… (Folio 1)" is a limited edition compendium documenting the first one hundred and thirty-eight Kcymaerxthaere installations, as well as a few in progress. The Folio is a two volume set organizing the markers and historical sites in story order. Volume I begins with a visual overture. After that you'll find images and text for each of the markers and historical sites as they are installed in twenty-seven countries arranged in order of the unfolding story. Great for browsing and exploring. In the next part, you can take in the stories as words alone for ease of that special flow of reading. The folio also includes appendices and indices as well as an extensive glossary of over six hundred Kcymaerxthaereal words in myriad languages and even Kcy writing systems. Volume II is a handy portable version of the stories told as well as the text from the markers so far - sized perfectly for the plane or bedtime reading. Together, the two books that make up this Folio are definitely the most complete Kcymaerxthaere-related publication to date. A brand new, pristine example of this mind-bending two volume set limited to one thousand, four hundred and fifteen overall examples - most not for sale - NUMBERED AND SIGNED by author, artist, and Geographer-at-Large Eames Demetrios.

PLEASE NOTE: Copies of "Kcymaerxthaere: The Story So Far… (Folio 1)" will be signed Saturday, March 3rd and shipped starting on Tuesday, March 5th. Inventory Number: E000EDKTSSF