Arcana:

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition. Small 4to. 1/4 Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 110pp, profusely illustrated in color and b&w. Designed by Susan Silton. With an exhibition checklist and bibliography. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example additionally bearing the SIGNED PRESENTATION "Dearest ... - Thank you for your friendship and support. Fondly, Kim Abeles 1993" in the year of publication to a noted Los Angeles gallerist and collector in blue ink underneath the artist's photographic portrait on page 110. 0-911291-22-9 Inventory Number: 022208

(ABELES, KIM). Abeles, Kim, Patterson Sims & Michael McMillan. William S. Bartman & Lucinda Barnes, Editors. Los Angeles: A.R.T. Press, 1988. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 32pp, 25 b&w and 7 color illustrations + covers. Designed by Lausten / Cossuta Design. With an exhibition history. This was the first monograph on noted Los Angeles contemporary artist Kim Abeles. A brand new, pristine example of the 1988 first paperbound edition additionally SIGNED "Kim Abeles" in black ink on the title page. 0-923183-01-9 Inventory Number: 009355

(ADAMS, BRYAN). Adams, Bryan. Foreword by Margaret Atwood. Toronto, CANADA: Key Porter Books, 1999. First Edition (Second Printing). 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. np, profusely illustrated in b&w. "In some ways, this book started when Flare magazine published my photograph of model Linda Evangelista in 1998, promoting a concert she and I were co-sponsoring to raise money for a breast cancer screening clinic in St. Catharine's, Ontario. Previously, I had recorded some music for a CD and performed at a concert in Los Angeles both for breast cancer research, so the idea of continuing to raise awareness was forefront in my mind. I approached Flare with the idea of continuing to promote awareness, hence this book. I am extremely grateful to all those who gave both time and money to help make each photo happen and especially to all the women photographed here who were Made in Canada". This book of musician and photographer Bryan Adams' images of inspiring Canadian women includes portraits of Margaret Atwood - who contributed the foreword, Shalom Harlow, Kim Cattrall, Catherine O'Hara, Margaret Trudeau, Sarah McLachlan, Joni Mitchell, Silken Laumann, Natalie and Nicole Appleton, Alison Sydor, Shannon Tweed, Carolyn Waldo, Jane Sibbery, Eve Salvail, Floria Sigismondi, Dayle Haddon, K.D. Lang, Genevieve Bujold, Celine Dion, Natasha Henstridge, Margo Timmins, Pamela Anderson Lee, Anne Murray and Dawn Langstroth, Sarah Polley, Jill Hennessy, Melissa Auf Der Maur, Tricia Helfer, Stacey MacKenzie, Linda Evangelista, Margot Kidder, Alanis Moris7sette, Angela Featherstone, Neve Campbell, Carrie-Anne Moss, Shania Twain, Diana Krall, Estella Warren, and many, many more. A brand new, pristine example of the 1999 Key Porter Books second printing additionally BOLDLY SIGNED WITH A SMILEY-FACE DRAWING by Bryan Adams in black marker on the title page. 1-55263-071-4 Inventory Number: 020358

(AFANADOR, RUVEN). Afanador, Ruven. Introduction by Hector Abad Faciolince. Poems by Gloria Maria Pardo Vargas. Thalwil, SWITZERLAND: Edition Stemmle, 2001. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Near Fine. np, profusely illustrated in duotone. "Torero" is the exquisitely produced first book by noted Colombian-born, New York-based fashion photographer Ruven Afanador. It consists of highly stylized black and white portraits of Spanish and Latin American matadors in the studio, dressing room, and in the ring. Afanador shows an always keen eye for their masculine beauty, capturing some awfully tight talleguillas here. A most handsome example of this uncommon item additionally BOLDLY SIGNED "Ruven Afanador" in black ink across the half title page showing some typical slight pulling to the textblock along with some light sunning to the lettering along the spine of the dust jacket. 3-908163-48-X Inventory Number: 025309

(ALECHINSKY, PIERRE). Alechinsky, Pierre & Eugene Ionesco. Foreword by Leon A. Arkus. New York: Harry N. Abrams, Inc., 1977. First Edition 1/100 Deluxe. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 260pp, profusely illustrated in color and b&w. With a chronology and exhibition history. Published in conjunction with Pierre Alechinsky's receiving the first Andrew W. Mellon Prize, and an attendant exhibition at Pittsburgh's Carnegie-Mellon University, this was the first comprehensive English monograph on the noted Belgian artist. It is copiously illustrated (including "sixteen pages especially produced by the artist"), and features numerous texts by Alechinsky as well as an introduction by renowned playwright Eugene Ionesco. Limited to one hundred copies only, this is from the edition that is SIGNED AND NUMBERED by the artist with a SIGNED AND NUMBERED color lithograph laid in, as issued. A most handsome copy. 0-8109-0656-2 Inventory Number: 014343

(ALVENG, DAG). Alveng, Dag. NP (Oslo, NORWAY): Self-Published, 1993. First Edition 1/20. Oblong 4to. Debossed Cloth Over Boards. Photography Monograph. Near Fine/No Jacket - As Issued. np (64pp), 30 b&w silver gelatin photographs. In a protective clear acetate dustwrapper. Self-published in 1993 by noted Oslo-based photographer Dag Alveng, "New York" features thirty beautiful 3 ¾ x 4 5/8" tipped-in black and white silver gelatin contact prints of double-exposed images of New York that give the appearance of street scenes being reflected in shop windows. The photographs have been mounted on heavy art paper and hand-bound by Bjorn's Bokbinderi of Roa, Norway in titled cloth-covered boards. In recent correspondence with the photographer about the book, Mr. Alveng shared that while "New York" was supposed to be an edition of twenty copies, far fewer were actually printed and bound, and that this is likely the only one in existence outside his studio. An internally bright, most handsome example of this stunning, near-unique edition NUMBERED (5/20), DATED "1993" AND SIGNED "Dag Alveng" in pencil on the recto of the rear leaf, as issued, showing a bit of minor wear and rubbing to its dark grey cloth covers. Inventory Number: 025686

(ALVENG, DAG). Alveng, Dag & Susan Kismaric. Oslo, NORWAY: Koks Forlag & Preus Fotomuseum, 1986. First Edition 1/400. 4to. Boards in Printed Dust Jacket. Photography Monograph. Near Fine/Good. np (60pp), 26 duotone illustrations. Designed by Per Maning. Text in English and Norwegian. In a protective clear acetate dustwrapper. "Asylum" is noted Oslo-based photographer Dag Alveng's haunting look at a Norwegian Mental Institution as evidenced by its interiors and objects - devoid of its residents. It features beautifully reproduced black and white plates whose halftone negatives were prepared by the esteemed Richard Benson. An internally bright, most handsome example of the exceedingly uncommon 1986 first edition (cited on page 298 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to four hundred unnumbered copies bearing the SIGNED PRESENTATION "For Holly / Love, Dag" in ink on the title page whose notoriously fragile printed vellum dust jacket shows chips, closed tears, and paper loss to the front panel, and has adhered in spots to the glue-impregnated covers along the front and rear panels, as is typical. The inscription is to the much-loved late New York collector-turned-gallerist Holly Solomon, who gave the photographer his second US exhibition in 1993, and from whose library we acquired this significant tome directly. Inventory Number: 022501

(ANDO, TADAO). Ando, Tadao. Tokyo, JAPAN. 1999 (2002) + 2001 (2002): Tokyo University Press. Later Printings. 8vo. Cloth in Printed Dust Jackets. Architecture Monographs. Fine/Fine. 268 + 232pp, profusely illustrated in b&w. Text in Japanese. Issued in 2001 and 2002 only in Japanese, these two copiously illustrated volumes gather the complete typographic transcriptions of a series of lectures by renowned architect Tadao Ando held at Tokyo University. A bright, most handsome set of the two in dust jacket and obi with each additionally BOLDLY SIGNED WITH AN ARCHITECTURAL DRAWING in aqua colored marker on the front pastedown. The first volume features a rendering of Ando's iconic cruciiform window illuminating his 1989 Chapel of the Ibaraki Kasugaoka Church, known as "The Church of the Light". The second volume presents a sketch of an often proposed but never built structure for the city of Paris. 4-13-063800-9 Inventory Number: 026314

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPEL, KEVIN). Ostrander, Tobias & Elizabeth A.T. Smith. Mexico City: Museo Tamayo Arte Contemporaneo, 2004. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 72pp, profusely illustrated in color and b&w. Text in English and Spanish. With a chronology, exhibition history and bibliography. "Description Sin Lugar" is the handsome catalogue issued in conjunction with a 2004 exhibition of Los Angeles-based artist Kevin Appel's modernist architecturally-inflected work at Mexico City's Fundacion Olga y Rufino Tamayo. A brand new, pristine example of the first edition limited to one thousand unnumbered copies.additionally SIGNED AND DATED by Kevin Appel. 968-5979-02-2 Inventory Number: 019463

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED by Kevin Appel in black marker on the title page. 0-914357-72-7 Inventory Number: 019462

(APPLEBROOG, IDA). Applebroog, Ida. NP (New York): Self-Published, 1981. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (20pp), 7 monochrome illustrations. "A Performance: The End" is seventh and final artist book printed in blue ink on heavy stock that comprises Ida Applebroog's 1981 series entitled "Blue Books". A handsome example offered individually additionally bearing the SIGNED AND DATED INSCRIPTION "End of magnum opus, Ida Applebroog 1982" in pencil under the volume's final illustration showing some light handling creases along the spine. Inventory Number: 022308

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi & Jerome Sans. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition 1/2500 Deluxe. Elephant Folio. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. 636pp, profusely illustrated in color and duotone. Text in English, German and French. With a biography and bibliography. "Known best for his intimate, snapshot-style images of women often tied up with ropes and of colorful, sensual flowers, Araki is an artist who reacts strongly to his emotions and uses photography to experience them more fully. Obsessed with women, Araki seeks to come closer to them through photography, using ropes like an embrace and the click of the shutter like a kiss. His work is at once shocking and mysteriously tender". Limited to two-thousand, five hundred copies worldwide, this massive volume (the first of Taschen's XXXL series) pares down decades of Nobuyoshi Araki's oeuvre into a thousand or so images that tell the story of the renowned Japanese photographer and comprise the ultimate retrospective collection of his work. A brand new, pristine example NUMBERED AND BOLDLY SIGNED by Araki in black ink on the title page housed in a clamshell box still sealed in the publisher's printed shipping box, as issued. 3-8228-1292-7 Inventory Number: 014522

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one continuous accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") additionally SIGNED by Edgar Arceneaux in black ink on the rear endpaper of the text volume. 3-934823-82-3 Inventory Number: 019107

(ARGENTINI, GUIDO). Argentini, Guido. NP: Self-Published, 2011. First Edition 1/100 Deluxe. Square 4to. Padded Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 128pp, 104 color and 78 duotone illustrations. Text in English, French, German, Spanish and Italian. The sculpture of Michelangelo, Rodin, and Brancusi, serve as the inspiration for Guido Argentini's masterly images of the female nude. Published by the Italian-born, Los Angeles-based photographer himself, "Shades of a Woman" is a sumptuously produced collection of nearly twenty years of work including his striking "Silvereye" series of statuesque models completely covered in metallic pigment a la Shirley Eaton in "Goldfinger". A brand new, pristine example of the deluxe edition limited to one hundred copies BOLDLY NUMBERED (42/100), SIGNED AND DATED "Guido Argentini '11" in ink on the front pastedown accompanied by a NUMBERED, SIGNED AND DATED 10 ¾ x 10 ¾" silver gelatin photographic print housed in the publisher's gilt-embossed blue silk-over-boards slipcase, as issued. 0-615-41928-3 Inventory Number: 020789

(ARMAN). Geldzahler, Henry. New York: Marisa Del Re Gallery, 1986. First Edition. 4to. Illustrated Die-Cut Wrappers. Artist Monograph. Fine.. 18pp, 14 illustrations in color and b&w. With an exhibition checklist, chronology, exhibition history and bibliography. Published in conjunction with a 1986 Marisa Del Re Gallery exhibition, this slender eighteen page catalogue features images of Greek and Roman Gods and Goddesses in Arman's characteristic "sliced" methodology. A most handsome copy featuring a BOLDLY SIGNED DRAWING of a God in profile by Arman in purple ink whose intricately die-cut front cover is perfectly intact. A gallery announcement for the exhibition's Los Angeles premiere where this was acquired has been laid in. LC 86-062323 Inventory Number: 020578

(ARTSCHWAGER, RICHARD). Armstrong, Richard. New York: Whitney Museum of American Art in Association with W.W. Norton, 1988. First Edition. 4to. Cloth in Printed Dust Jacket. Artist Monograph. Fine/Near Fine. 166pp, profusely illustrated in color and b&w. Designed by Anita Meyer. With an exhibition checklist, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with the massive 1998 Richard Artschwager retrospective that traveled from the Whitney Museum of American Art to Los Angeles' Museum of Contemporary Art. It reproduces each of the one hundred and twelve exhibited paintings and sculptures executed by the pioneering late New York artist between 1962 and 1987. A most handsome example of the uncommon hardbound edition additionally BOLDLY SIGNED "Richard Artschwager" in black ink on the front pastedown. 0-393-02596-9 Inventory Number: 021823

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp), profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued, additionally BOLDLY SIGNED "Richard Artschwager" in blue ink across the title page of the "(With) Drawn from Life" volume. 1-880154-73-0 Inventory Number: 024303

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(AVEDON, RICHARD). Avedon, Richard. New York & Rochester, NY: Random House, Inc. & Eastman Kodak, 1993. First Edition. Small Folio. Cloth in Acetate Dust Jacket. Photography Monograph. Fine/Fine. np, 284 duotone illustrations. Designed by Mary Shanahan. "An Autobiography" is Richard Avedon's magnum opus. It collects nearly fifty years of masterful fashion, celebrity and portrait photography in a single massive, beautifully designed and printed volume. A brand new, most handsome example of the 1993 first printing BOLDLY SIGNED AND DATED "Avedon 1993" in black ink across the entire front pastedown in the year of publication whose fragile printed acetate jacket is in lovely condition and bears a "Rizzoli Autographed Copy" label on the front panel still housed in the publisher's well-preserved printed white cardboard shipping carton, as issued. 0-679-40921-1 Inventory Number: 025967

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BACON, FRANCIS). Sylvester, David & Francis Bacon. New York: Pantheon Books, 1975. First American Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Fine. 128pp, 94 b&w illustrations + color cover. Originally issued in 1975, this landmark volume of David Sylvester's transcribed interviews with Francis Bacon is notable for the length, detail, and frankness in which the late, great artist discusses his history, influences, and working methods. A most handsome example of the hardbound Pantheon Books first American edition of this oft-reprinted document additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Donald / With My Affection / Francis Bacon / New York 15/3/75" in the year of publication in blue marker on the front pastedown showing some trivial brown spotting along the top and foredge. While this supposition cannot be confirmed, we are of the mind that given the warm inscription dating from the week the artist was in New York for the opening of his Marlborough Gallery-assisted exhibition at The Metropolitan Museum of Art, this originated from the library of Donald McKinney - the vice-president for seventeen years of Bacon's longtime New York dealers. 0-394-49763-5 Inventory Number: 024529

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. Inventory Number: 023142

(BALLEN, ROGER). Ballen, Roger. London & New York. 2001 (2009).: Phaidon Press Ltd.. Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. 120pp, 61 duotone illustrations. Designed by SMITH. "Outland" is the culmination of almost twenty years' work for artist-photographer Roger Ballen. After beginning in the early 1980s by documenting the small dorps (or villages) of rural South Africa, by the late 1980s and early 1990s Ballen moved on to photographing their inhabitants: isolated rural whites, scarred by history, in the process of losing the privileges of apartheid which had provided them livelihoods and sustained their identity for a generation. The results were shocking, both powerful social statements and disturbing psychological studies". A brand new, pristine example of the 2009 printing (whose first edition is cited on page 124 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally SIGNED "Roger Ballen" in black ink on the title page. 0-7148-4058-0 Inventory Number: 017887

(BALLEN, ROGER). Ballen, Roger & David Travis. London & New York. 2009 (2010).: Phaidon Press Ltd.. Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. 128pp, 67 b&w illustrations. Designed by Lucy Newell. "Boarding House" captures an imaginary space of transient residence, of comings and goings, focusing on the evocative drawings and sculptural objects as well as the people and animals found there. Compelling and thought-provoking, the sixty-seven photographs (many of them previously unpublished) are like images from a waking dream; with layers of rich detail, flashes of dark humour and an altered sense of place". A brand new, pristine example of the hardbound 2010 Phaidon printing additionally BOLDLY SIGNED "Roger Ballen" in black marker on the title page. 0-7148-4952-9 Inventory Number: 020494

(BANKS, STEVE). Banks, Steve. Los Angeles: Deadbeat Club Press, 2018. First Edition 1/300. 4to. Stapled Wrappers with Pictorial Pastedown. Photography Monograph. As New.. np (32pp), 30 b&w illustrations + b&w cover. Designed by Clint Woodside.

"In February 1967 I won a spot in Richard Avedon and Marvin Israel’s eight-week photography master class. These meetings took place at Avedon’s New York Upper East Side studio. Everyone, including invited guests (photographers Diane Arbus, Hiro, Lee Friedlander) would gather around two sheets of plywood set up on sawhorses and critique each week’s assignments. I had decided to photograph beauty parlors..." These gritty images were captured in 1967 at Stamford, Connecticut's "New Vogue Beauty Salon" A brand new, pristine example of this charming volume - the sixty-third installment of Deadbeat Club Press' publications - limited to three hundred copies additionally BOLDLY SIGNED "Steve Banks" in black ink on the rear colophon.

PLEASE NOTE: Copies of “New Vogue Beauty Salon” will be signed by Steve Banks at our event on Saturday, July 27th, and shipped beginning Tuesday, July 30th. 978-0999829837 Inventory Number: E000SBNVBS

(BANKS, STEVE). Banks, Steve. Paso Robles, CA: Nazraeli Press, 2019. First Edition 1/350. Small Folio. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np (60pp), 28 duotone illustrations.

np, profusely illustrated in tritone. "In 1964, a young Steve Banks bought one of the most coveted ‘Muscle Cars’ on the market - a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day after arriving at Nobo’s Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to ‘speed shift’ while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport’s modest beginnings, almost every weekend from coast-to-coast one can find "nostalgia racing" events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964-1966." A brand new, pristine specially-priced SIGNED AND SLIPCASED AP example of this stunning volume from the fourth and final set of the NZ Library editions limited to three hundred and fifty copies.

Inventory Number: E000SBN

(BANKS, STEVE). Banks, Steve. Paso Robles, CA: Nazraeli Press, 2019. First Edition 1/350. Small Folio. Cloth in Slipcase. Photography Monograph. As New./No Jacket - As Issued. np (60pp), 28 duotone illustrations. "In 1964, a young Steve Banks bought one of the most coveted ‘Muscle Cars’ on the market - a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day after arriving at Nobo’s Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to ‘speed shift’ while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport’s modest beginnings, almost every weekend from coast-to-coast one can find "nostalgia racing" events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964-1966." A brand new, pristine specially-priced SIGNED AND SLIPCASED AP example of this stunning volume from the fourth and final set of the NZ Library editions limited to three hundred and fifty copies. 1-59005-480-6 Inventory Number: 026181

(BANKS, STEVE) (JOPLIN, JANIS). Banks, Steve. Los Angeles: Bugiganga Press, 1998. First Edition. Oblong 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np (33 pp), profusely illustrated in b&w. With a biography, bibliography, discography, and videography. This is handsomely produced, photographic documentation of Janis Joplin's concert at New York's Madison Square Garden on Friday, December 19th, 1969. Shot less than a year before her untimely demise, this features Janis, Janis, and more Janis, with brief appearances by guests Johnny Winter and Paul Butterfield. A most handsome example additionally BOLDLY SIGNED AND DATED by photographer Steve banks in felt-tip pen on the first preliminary. 0-9658205-0-5 Inventory Number: 026631

(BARTH, UTA). Conkelton, Sheryl, Russell Ferguson & Timothy Martin. Seattle, WA & New York: The Henry Art Gallery & Distributed Art Publishers, 2000. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine./No Jacket - As Issued. 176pp, profusely illustrated in color throughout. Published in conjunction with a 2002 Henry Art Gallery retrospective, this major monograph on Los Angeles-based artist/photographer Uta Barth is designed much like an artist's book - its text intertwined amongst Barth's diffuse, sensuous images of the late 20th Century man-made environment. A brand new, most handsome example additionally SIGNED "Uta Barth" in black marker on the first preliminary. 0-935558-37-3 Inventory Number: 017127

(BARTH, UTA). Martin, Timothy & Uta Barth. Los Angeles: Uta Barth, 2000. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. 39pp, profusely illustrated in color. Designed by Michael Worthington. "...And of Time" is the gorgeous artist's book cum catalogue published by Uta Barth as a component of the photographer's 2000 exhibition project commissioned by the J. Paul Getty Museum in Los Angeles. An internally most handsome example additionally SIGNED AND DATED "Uta Barth 2000" in the year of publication in black ink on the rear colophon showing some light sunning to the spine and rear cover. It has been priced accordingly. 0-9675404-1-0 Inventory Number: 023106

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. Second Edition (First Thus) 1/1800. 8vo. Pictorial Self-Wrappers. Photography Monograph. As New.. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example additionally SIGNED AND DATED "Uta Barth" in black ink on the front free endpaper. 0-9713681-0-4 Inventory Number: 017401

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles: Museum of Contemporary Art & RAM Publications, 1995. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 54pp, 25 color illustrations. Designed by Cindy Estes. Published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. An internally most handsome example of the first MoCA edition additionally SIGNED AND DATED "Uta Barth - 1996" in black ink on the title page showing a small indentation to the front cover along with some barely noticeable sunning along the spine. It has been priced accordingly. 0-914357-41-7 Inventory Number: 004353

(BAUMGARTEN, LOTHAR). Baumgarten, Lothar & Thomas Wagner. Dusseldorf, GERMANY: Richter Verlag, 1997. First Edition 1/650 Deluxe. Small Folio. Illustrated Wrappers. Artist Monograph. Near Fine.. 70pp, profusely illustrated in color and b&w. Text in German. This nicely designed and illustrated Lothar Baumgarten monograph copiously documents three early nineties German Museum installations by the artist. From the deluxe limited signed edition of six-hundred and fifty copies (of one thousand total), this is SIGNED AND NUMBERED by Baumgarten in pencil on the colophon at the rear, as issued. A most handsome copy. 3-928762-80-X Inventory Number: 011817

(BEARD, PETER). Beard, Peter. New York: Peter Beard, 1977. First Edition Thus. Elephant Folio. Printed Poster. Exhibition Poster. Near Fine.. One 25 x 18" heavy paper sheet printed photo-lithographically recto only, 1 illustration. Designed by Ruth Ansel and Peter Beard. This is the striking poster produced in conjunction with Peter Beard's 1977 "The End of the Game" exhibition at New York's International Center for Photography. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", Beard's groundbreaking first book from 1965 weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. This gripping body of work was presented twelve years afterwards at the ICP in a massive, elaborately staged installation designed by Marvin Israel. Along with hundreds of photographs, it integrated the artist's diaries, collages, animal skeletons, and more throughout the entire Fifth Avenue space. Its poster featuring a collaged array of images of Kenyan wildlife was a collaboration between Beard his "The End of the Game" graphic designer Ruth Ansel. The venue's commercially produced version measures 27 ½ x 20 ½", and includes the ICP logo in large type across the bottom edge. This however is a slightly smaller - we believe earlier - prototype variant lacking any reference to the ICP whose borders and grid of nine photographs are significantly different. Additionally, the first word in the title had been cut and pasted in the artwork to read "Tthe". A remarkably similar, yet different variant is pictured in photographs by Orin Langelle who documented the installation of the exhibition, and whose work - including images of that poster - are reproduced on the photographer's website. A most handsome example of this uncommon, unique item additionally bearing the BOLDLY SIGNED PRESENTATION "For Elaine in memory of the hot summer of '77 (two hearts) Peter B" vertically in orange crayon across the left margin. "Elaine" is Elaine Kaufman - the late, legendarily feisty proprietor of fabled Manhattan bar and eatery "Elaine's". The opening scene of Woody Allen's "Manhattan" was filmed there, Billy Joel name-checked it in "Big Shot", and the list of bold-faced names that favored her watering hole from the sixties through the new millennium reads as a virtual who's who of the New York literary, entertainment, and cultural elite. Woody, Andy, Truman, Jack, Jackie O., and Beard - known for his love of nightlife - were regulars for whom Elaine reserved her best tables each evening. The inscription refers to the record-breaking July 1977 heatwave that spawned New York's great blackout and "The Summer of (the Son of) Sam". The poster is still housed in its slightly weathered vintage black wooden frame with a glass face (from the still-extant Bark Frameworks on Wooster Street) that adorned the restaurant's memorabilia-cluttered walls for more than thirty years. Boasting impeccable provenance, this remarkable object was acquired in 2011 at the New York auction of Ms. Kaufman's personal belongings and "Elaine's" keepsakes following her death in 2010. 0-87701-521-X Inventory Number: 026361

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the second printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "Salaams + regards / and elephantine memories / from Peter Beard" in blue ink WITH A MULTI-COLORED INK HAND PRINT AND WATERCOLOR FLOURISH across the entire half title page showing just a bit of light sunning along the spine. 0-87701-521-X Inventory Number: 026365

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the third printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "infinite Salaams Richard! / elephantine memories / and all best / over the last / 4 years * * * * / inestimables / Peter (Beard) / Box 47616 / Nairobi" in red and blue ink to a colleague accompanied by a full watercolor hand and forearm print across the entire half title page and a portion of the verso of the front pastedown. 0-87701-521-X Inventory Number: 026347

(BEARD, PETER) (BLIXEN, KAREN). Beard, Peter, Kamante & Karen Blixen (aka Isak Dinesen). San Francisco: Chronicle Books, 1990. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone and b&w. Designed by Peter Beard and Marvin Israel. ""Isak Dinesen and the land and people she loved are nowhere so real and compelling as in "Longing For Darkness", written by Dinesen's majordomo, Kamante. Readers familiar with "Out of Africa" may recognize many of these enchanting stories - retold here from Kamante's perspective to famed photographer Peter Beard - and enhanced with his drawings, letters, Dinesen's words and snapshots, and photographs by Beard throughout." A most handsome example of the 1990 first Chronicle Books hardbound edition additionally bearing the UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "Salaams / from / Peter / Beard / '94" in blue ink accompanied by a full hand print in blue ink across the half title page showing a bit of sunning to the spine and extremities of the dust jacket. 0-87701-724-7 Inventory Number: 026351