Arcana:

(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition. Small 4to. 1/4 Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 110pp, profusely illustrated in color and b&w. Designed by Susan Silton. With an exhibition checklist and bibliography. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A most handsome example additionally bearing the SIGNED PRESENTATION "Dearest ... - Thank you for your friendship and support. Fondly, Kim Abeles 1993" in the year of publication to a noted Los Angeles gallerist and collector in blue ink underneath the artist's photographic portrait on page 110. 0-911291-22-9 Inventory Number: 022208

(ABELES, KIM). Abeles, Kim, Patterson Sims & Michael McMillan. William S. Bartman & Lucinda Barnes, Editors. Los Angeles: A.R.T. Press, 1988. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 32pp, 25 b&w and 7 color illustrations + covers. Designed by Lausten / Cossuta Design. With an exhibition history. This was the first monograph on noted Los Angeles contemporary artist Kim Abeles. A brand new, pristine example of the 1988 first paperbound edition additionally SIGNED "Kim Abeles" in black ink on the title page. 0-923183-01-9 Inventory Number: 009355

(ADLER, TOM). Adler, Tom. Santa Barbara, CA & New York: T. Adler & Danziger Projects, 2002. First Edition 1/500. Oblong 4to. Printed Poster. Exhibition Announcement. Fine.. One 10 x 15" white cardstock sheet printed offset and letterpress recto only, 1 color illustration. Designed and printed by noted Santa Barbara graphic designer and publisher Tom Adler, this is the small poster issued to publicize his 2002 exhibition at Danziger Projects in New York that featured a then-new selection of Adler's own works comprising photographs he had worked with in his career in fashion and surf editorial edited and reproduced as paired images hung on the gallery walls. The amalgam of anonymous and vernacular seaside studies abutting the likes of Don James and Tom Blake's historical views from the shore produced a joyous and sophisticated body of work, which has yet to be reproduced in book form. A brand new, bright white example of this uncommon, elegant object limited to five hundred copies individually NUMBERED by rubber stamp that has been additionally BOLDLY SIGNED "Tom Adler" for us in black ink across the lower right margin. These were produced hors commerce - never commercially for sale - and sadly only a handful were ever distributed. Inventory Number: 027026

(ALVENG, DAG). Alveng, Dag. NP (Oslo, NORWAY): Self-Published, 1993. First Edition 1/20. Oblong 4to. Debossed Cloth Over Boards. Photography Monograph. Near Fine/No Jacket - As Issued. np (64pp), 30 b&w silver gelatin photographs. In a protective clear acetate dustwrapper. Self-published in 1993 by noted Oslo-based photographer Dag Alveng, "New York" features thirty beautiful 3 ¾ x 4 5/8" tipped-in black and white silver gelatin contact prints of double-exposed images of New York that give the appearance of street scenes being reflected in shop windows. The photographs have been mounted on heavy art paper and hand-bound by Bjorn's Bokbinderi of Roa, Norway in titled cloth-covered boards. In recent correspondence with the photographer about the book, Mr. Alveng shared that while "New York" was supposed to be an edition of twenty copies, far fewer were actually printed and bound, and that this is likely the only one in existence outside his studio. An internally bright, most handsome example of this stunning, near-unique edition NUMBERED (5/20), DATED "1993" AND SIGNED "Dag Alveng" in pencil on the recto of the rear leaf, as issued, showing a bit of minor wear and rubbing to its dark grey cloth covers. Inventory Number: 025686

(ALVENG, DAG). Alveng, Dag & Susan Kismaric. Oslo, NORWAY: Koks Forlag & Preus Fotomuseum, 1986. First Edition 1/400. 4to. Boards in Printed Dust Jacket. Photography Monograph. Near Fine/Good. np (60pp), 26 duotone illustrations. Designed by Per Maning. Text in English and Norwegian. In a protective clear acetate dustwrapper. "Asylum" is noted Oslo-based photographer Dag Alveng's haunting look at a Norwegian Mental Institution as evidenced by its interiors and objects - devoid of its residents. It features beautifully reproduced black and white plates whose halftone negatives were prepared by the esteemed Richard Benson. An internally bright, most handsome example of the exceedingly uncommon 1986 first edition (cited on page 298 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to four hundred unnumbered copies bearing the SIGNED PRESENTATION "For Holly / Love, Dag" in ink on the title page whose notoriously fragile printed vellum dust jacket shows chips, closed tears, and paper loss to the front panel, and has adhered in spots to the glue-impregnated covers along the front and rear panels, as is typical. The inscription is to the much-loved late New York collector-turned-gallerist Holly Solomon, who gave the photographer his second US exhibition in 1993, and from whose library we acquired this significant tome directly. Inventory Number: 022501

(ANDO, TADAO). Ando, Tadao. Tokyo, JAPAN. 1999 (2002) + 2001 (2002): Tokyo University Press. Later Printings. 8vo. Cloth in Printed Dust Jackets. Architecture Monographs. Fine/Fine. 268 + 232pp, profusely illustrated in b&w. Text in Japanese. Issued in 2001 and 2002 only in Japanese, these two copiously illustrated volumes gather the complete typographic transcriptions of a series of lectures by renowned architect Tadao Ando held at Tokyo University. A bright, most handsome set of the two in dust jacket and obi with each additionally BOLDLY SIGNED WITH AN ARCHITECTURAL DRAWING in aqua colored marker on the front pastedown. The first volume features a rendering of Ando's iconic cruciiform window illuminating his 1989 Chapel of the Ibaraki Kasugaoka Church, known as "The Church of the Light". The second volume presents a sketch of an often proposed but never built structure for the city of Paris. 4-13-063800-9 Inventory Number: 026314

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPEL, KEVIN). Ostrander, Tobias & Elizabeth A.T. Smith. Mexico City: Museo Tamayo Arte Contemporaneo, 2004. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 72pp, profusely illustrated in color and b&w. Text in English and Spanish. With a chronology, exhibition history and bibliography. "Description Sin Lugar" is the handsome catalogue issued in conjunction with a 2004 exhibition of Los Angeles-based artist Kevin Appel's modernist architecturally-inflected work at Mexico City's Fundacion Olga y Rufino Tamayo. A brand new, pristine example of the first edition limited to one thousand unnumbered copies.additionally SIGNED AND DATED by Kevin Appel. 968-5979-02-2 Inventory Number: 019463

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED by Kevin Appel in black marker on the title page. 0-914357-72-7 Inventory Number: 019462

(APPLEBROOG, IDA). Applebroog, Ida. NP (New York): Self-Published, 1981. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (20pp), 7 monochrome illustrations. "A Performance: The End" is seventh and final artist book printed in blue ink on heavy stock that comprises Ida Applebroog's 1981 series entitled "Blue Books". A handsome example offered individually additionally bearing the SIGNED AND DATED INSCRIPTION "End of magnum opus, Ida Applebroog 1982" in pencil under the volume's final illustration showing some light handling creases along the spine. Inventory Number: 022308

(ARAKI, NOBUYOSHI). Araki, Nobuyoshi & Jerome Sans. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition 1/2500 Deluxe. Elephant Folio. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. 636pp, profusely illustrated in color and duotone. Text in English, German and French. With a biography and bibliography. "Known best for his intimate, snapshot-style images of women often tied up with ropes and of colorful, sensual flowers, Araki is an artist who reacts strongly to his emotions and uses photography to experience them more fully. Obsessed with women, Araki seeks to come closer to them through photography, using ropes like an embrace and the click of the shutter like a kiss. His work is at once shocking and mysteriously tender". Limited to two-thousand, five hundred copies worldwide, this massive volume (the first of Taschen's XXXL series) pares down decades of Nobuyoshi Araki's oeuvre into a thousand or so images that tell the story of the renowned Japanese photographer and comprise the ultimate retrospective collection of his work. A brand new, pristine example NUMBERED AND BOLDLY SIGNED by Araki in black ink on the title page housed in a clamshell box still sealed in the publisher's printed shipping box, as issued. 3-8228-1292-7 Inventory Number: 014522

(ARGENTINI, GUIDO). Argentini, Guido. NP: Self-Published, 2011. First Edition 1/100 Deluxe. Square 4to. Padded Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 128pp, 104 color and 78 duotone illustrations. Text in English, French, German, Spanish and Italian. The sculpture of Michelangelo, Rodin, and Brancusi, serve as the inspiration for Guido Argentini's masterly images of the female nude. Published by the Italian-born, Los Angeles-based photographer himself, "Shades of a Woman" is a sumptuously produced collection of nearly twenty years of work including his striking "Silvereye" series of statuesque models completely covered in metallic pigment a la Shirley Eaton in "Goldfinger". A brand new, pristine example of the deluxe edition limited to one hundred copies BOLDLY NUMBERED (42/100), SIGNED AND DATED "Guido Argentini '11" in ink on the front pastedown accompanied by a NUMBERED, SIGNED AND DATED 10 ¾ x 10 ¾" silver gelatin photographic print housed in the publisher's gilt-embossed blue silk-over-boards slipcase, as issued. 0-615-41928-3 Inventory Number: 020789

(ARMAN). Geldzahler, Henry. New York: Marisa Del Re Gallery, 1986. First Edition. 4to. Illustrated Die-Cut Wrappers. Artist Monograph. Fine.. 18pp, 14 illustrations in color and b&w. With an exhibition checklist, chronology, exhibition history and bibliography. Published in conjunction with a 1986 Marisa Del Re Gallery exhibition, this slender eighteen page catalogue features images of Greek and Roman Gods and Goddesses in Arman's characteristic "sliced" methodology. A most handsome copy featuring a BOLDLY SIGNED DRAWING of a God in profile by Arman in purple ink whose intricately die-cut front cover is perfectly intact. A gallery announcement for the exhibition's Los Angeles premiere where this was acquired has been laid in. LC 86-062323 Inventory Number: 020578

(ARTSCHWAGER, RICHARD). Armstrong, Richard. New York: Whitney Museum of American Art in Association with W.W. Norton, 1988. First Edition. 4to. Cloth in Printed Dust Jacket. Artist Monograph. Fine/Near Fine. 166pp, profusely illustrated in color and b&w. Designed by Anita Meyer. With an exhibition checklist, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with the massive 1998 Richard Artschwager retrospective that traveled from the Whitney Museum of American Art to Los Angeles' Museum of Contemporary Art. It reproduces each of the one hundred and twelve exhibited paintings and sculptures executed by the pioneering late New York artist between 1962 and 1987. A most handsome example of the uncommon hardbound edition additionally BOLDLY SIGNED "Richard Artschwager" in black ink on the front pastedown. 0-393-02596-9 Inventory Number: 021823

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp), profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued, additionally BOLDLY SIGNED "Richard Artschwager" in blue ink across the title page of the "(With) Drawn from Life" volume. 1-880154-73-0 Inventory Number: 024303

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BACON, FRANCIS). Sylvester, David & Francis Bacon. New York: Pantheon Books, 1975. First American Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Fine. 128pp, 94 b&w illustrations + color cover. Originally issued in 1975, this landmark volume of David Sylvester's transcribed interviews with Francis Bacon is notable for the length, detail, and frankness in which the late, great artist discusses his history, influences, and working methods. A most handsome example of the hardbound Pantheon Books first American edition of this oft-reprinted document additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Donald / With My Affection / Francis Bacon / New York 15/3/75" in the year of publication in blue marker on the front pastedown showing some trivial brown spotting along the top and foredge. While this supposition cannot be confirmed, we are of the mind that given the warm inscription dating from the week the artist was in New York for the opening of his Marlborough Gallery-assisted exhibition at The Metropolitan Museum of Art, this originated from the library of Donald McKinney - the vice-president for seventeen years of Bacon's longtime New York dealers. 0-394-49763-5 Inventory Number: 024529

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. Inventory Number: 023142

(BALLEN, ROGER). Ballen, Roger. London & New York. 2001 (2009).: Phaidon Press Ltd.. Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. 120pp, 61 duotone illustrations. Designed by SMITH. "Outland" is the culmination of almost twenty years' work for artist-photographer Roger Ballen. After beginning in the early 1980s by documenting the small dorps (or villages) of rural South Africa, by the late 1980s and early 1990s Ballen moved on to photographing their inhabitants: isolated rural whites, scarred by history, in the process of losing the privileges of apartheid which had provided them livelihoods and sustained their identity for a generation. The results were shocking, both powerful social statements and disturbing psychological studies". A brand new, pristine example of the 2009 printing (whose first edition is cited on page 124 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally SIGNED "Roger Ballen" in black ink on the title page. 0-7148-4058-0 Inventory Number: 017887

(BALLEN, ROGER). Ballen, Roger & David Travis. London & New York. 2009 (2010).: Phaidon Press Ltd.. Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. 128pp, 67 b&w illustrations. Designed by Lucy Newell. "Boarding House" captures an imaginary space of transient residence, of comings and goings, focusing on the evocative drawings and sculptural objects as well as the people and animals found there. Compelling and thought-provoking, the sixty-seven photographs (many of them previously unpublished) are like images from a waking dream; with layers of rich detail, flashes of dark humour and an altered sense of place". A brand new, pristine example of the hardbound 2010 Phaidon printing additionally BOLDLY SIGNED "Roger Ballen" in black marker on the title page. 0-7148-4952-9 Inventory Number: 020494

(BANKS, STEVE). Banks, Steve. Paso Robles, CA: Nazraeli Press, 2019. First Edition 1/350. Small Folio. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np (60pp), 28 duotone illustrations.

np, profusely illustrated in tritone. "In 1964, a young Steve Banks bought one of the most coveted ‘Muscle Cars’ on the market - a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day after arriving at Nobo’s Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to ‘speed shift’ while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport’s modest beginnings, almost every weekend from coast-to-coast one can find "nostalgia racing" events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964-1966." A brand new, pristine specially-priced SIGNED AND SLIPCASED AP example of this stunning volume from the fourth and final set of the NZ Library editions limited to three hundred and fifty copies.

Inventory Number: E000SBN

(BANKS, STEVE) (JOPLIN, JANIS). Banks, Steve. Los Angeles: Bugiganga Press, 1998. First Edition. Oblong 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np (33 pp), profusely illustrated in b&w. With a biography, bibliography, discography, and videography. This is handsomely produced, photographic documentation of Janis Joplin's concert at New York's Madison Square Garden on Friday, December 19th, 1969. Shot less than a year before her untimely demise, this features Janis, Janis, and more Janis, with brief appearances by guests Johnny Winter and Paul Butterfield. A most handsome example additionally BOLDLY SIGNED AND DATED by photographer Steve banks in felt-tip pen on the first preliminary. 0-9658205-0-5 Inventory Number: 026631

(BARTH, UTA). Martin, Timothy & Uta Barth. Los Angeles: Uta Barth, 2000. First Edition. Square 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. 39pp, profusely illustrated in color. Designed by Michael Worthington. "...And of Time" is the gorgeous artist's book cum catalogue published by Uta Barth as a component of the photographer's 2000 exhibition project commissioned by the J. Paul Getty Museum in Los Angeles. An internally most handsome example additionally SIGNED AND DATED "Uta Barth 2000" in the year of publication in black ink on the rear colophon showing some light sunning to the spine and rear cover. It has been priced accordingly. 0-9675404-1-0 Inventory Number: 023106

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles: Museum of Contemporary Art & RAM Publications, 1995. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 54pp, 25 color illustrations. Designed by Cindy Estes. Published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. An internally most handsome example of the first MoCA edition additionally SIGNED AND DATED "Uta Barth - 1996" in black ink on the title page showing a small indentation to the front cover along with some barely noticeable sunning along the spine. It has been priced accordingly. 0-914357-41-7 Inventory Number: 004353

(BASQUIAT, JEAN-MICHEL). Hoffman, Fred. New York: Enrico Navarra Gallery, 2017. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 256pp, profusely illustrated in color and b&w. "The Art of Jean-Michel Basquiat" is the authoritative, copiously illustrated 2017 monograph on the late, great New York artist published by his longtime gallerist, Enrico Navarra. It was authored by noted Basquiat scholar Fred Hoffman, who was a friend, confidant, and print publisher to the artist during his brief but stellar career; and who has written several significant catalogue essays for exhibitions over the past several decades. A brand new, most handsome example of this uncommon - only six copies are currently cited in OCLC WorldCat - and important document additionally SIGNED by author Fred Hoffman in ink on the title page. 2-911596-53-6 Inventory Number: 027230

(BAUMGARTEN, LOTHAR). Baumgarten, Lothar & Thomas Wagner. Dusseldorf, GERMANY: Richter Verlag, 1997. First Edition 1/650 Deluxe. Small Folio. Illustrated Wrappers. Artist Monograph. Near Fine.. 70pp, profusely illustrated in color and b&w. Text in German. This nicely designed and illustrated Lothar Baumgarten monograph copiously documents three early nineties German Museum installations by the artist. From the deluxe limited signed edition of six-hundred and fifty copies (of one thousand total), this is SIGNED AND NUMBERED by Baumgarten in pencil on the colophon at the rear, as issued. A most handsome copy. 3-928762-80-X Inventory Number: 011817

(BEARD, PETER). Beard, Peter. New York: Peter Beard, 1977. First Edition Thus. Elephant Folio. Printed Poster. Exhibition Poster. Near Fine.. One 25 x 18" heavy paper sheet printed photo-lithographically recto only, 1 illustration. Designed by Ruth Ansel and Peter Beard. This is the striking poster produced in conjunction with Peter Beard's 1977 "The End of the Game" exhibition at New York's International Center for Photography. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", Beard's groundbreaking first book from 1965 weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. This gripping body of work was presented twelve years afterwards at the ICP in a massive, elaborately staged installation designed by Marvin Israel. Along with hundreds of photographs, it integrated the artist's diaries, collages, animal skeletons, and more throughout the entire Fifth Avenue space. Its poster featuring a collaged array of images of Kenyan wildlife was a collaboration between Beard his "The End of the Game" graphic designer Ruth Ansel. The venue's commercially produced version measures 27 ½ x 20 ½", and includes the ICP logo in large type across the bottom edge. This however is a slightly smaller - we believe earlier - prototype variant lacking any reference to the ICP whose borders and grid of nine photographs are significantly different. Additionally, the first word in the title had been cut and pasted in the artwork to read "Tthe". A remarkably similar, yet different variant is pictured in photographs by Orin Langelle who documented the installation of the exhibition, and whose work - including images of that poster - are reproduced on the photographer's website. A most handsome example of this uncommon, unique item additionally bearing the BOLDLY SIGNED PRESENTATION "For Elaine in memory of the hot summer of '77 (two hearts) Peter B" vertically in orange crayon across the left margin. "Elaine" is Elaine Kaufman - the late, legendarily feisty proprietor of fabled Manhattan bar and eatery "Elaine's". The opening scene of Woody Allen's "Manhattan" was filmed there, Billy Joel name-checked it in "Big Shot", and the list of bold-faced names that favored her watering hole from the sixties through the new millennium reads as a virtual who's who of the New York literary, entertainment, and cultural elite. Woody, Andy, Truman, Jack, Jackie O., and Beard - known for his love of nightlife - were regulars for whom Elaine reserved her best tables each evening. The inscription refers to the record-breaking July 1977 heatwave that spawned New York's great blackout and "The Summer of (the Son of) Sam". The poster is still housed in its slightly weathered vintage black wooden frame with a glass face (from the still-extant Bark Frameworks on Wooster Street) that adorned the restaurant's memorabilia-cluttered walls for more than thirty years. Boasting impeccable provenance, this remarkable object was acquired in 2011 at the New York auction of Ms. Kaufman's personal belongings and "Elaine's" keepsakes following her death in 2010. 0-87701-521-X Inventory Number: 026361

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the second printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "Salaams + regards / and elephantine memories / from Peter Beard" in blue ink WITH A MULTI-COLORED INK HAND PRINT AND WATERCOLOR FLOURISH across the entire half title page showing just a bit of light sunning along the spine. 0-87701-521-X Inventory Number: 026365

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the third printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "infinite Salaams Richard! / elephantine memories / and all best / over the last / 4 years * * * * / inestimables / Peter (Beard) / Box 47616 / Nairobi" in red and blue ink to a colleague accompanied by a full watercolor hand and forearm print across the entire half title page and a portion of the verso of the front pastedown. 0-87701-521-X Inventory Number: 026347

(BEARD, PETER) (BLIXEN, KAREN). Beard, Peter, Kamante & Karen Blixen (aka Isak Dinesen). San Francisco: Chronicle Books, 1990. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone and b&w. Designed by Peter Beard and Marvin Israel. ""Isak Dinesen and the land and people she loved are nowhere so real and compelling as in "Longing For Darkness", written by Dinesen's majordomo, Kamante. Readers familiar with "Out of Africa" may recognize many of these enchanting stories - retold here from Kamante's perspective to famed photographer Peter Beard - and enhanced with his drawings, letters, Dinesen's words and snapshots, and photographs by Beard throughout." A most handsome example of the 1990 first Chronicle Books hardbound edition additionally bearing the UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "Salaams / from / Peter / Beard / '94" in blue ink accompanied by a full hand print in blue ink across the half title page showing a bit of sunning to the spine and extremities of the dust jacket. 0-87701-724-7 Inventory Number: 026351

(BEARD, PETER) (BLIXEN, KAREN). Beard, Peter, Kamante & Karen Blixen (aka Isak Dinesen). San Francisco: Chronicle Books, 1990. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone and b&w. Designed by Peter Beard and Marvin Israel. ""Isak Dinesen and the land and people she loved are nowhere so real and compelling as in "Longing For Darkness", written by Dinesen's majordomo, Kamante. Readers familiar with "Out of Africa" may recognize many of these enchanting stories - retold here from Kamante's perspective to famed photographer Peter Beard - and enhanced with his drawings, letters, Dinesen's words and snapshots, and photographs by Beard throughout." A most handsome example of the 1990 first Chronicle Books hardbound edition additionally bearing the UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "warm Salaams / from Peter Beard / July 1994" in blue ink accompanied by a full hand print in blue ink across the half title page showing a bit of sunning to the spine and extremities of the dust jacket. 0-87701-724-7 Inventory Number: 026350

(BEARD, PETER). Bowermaster, Jon & Peter Beard. New York: Bulfinch Press / Little, Brown & Company, 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 200pp, 153 b&w and 13 color illustrations. "The Adventures and MisAdventures of Peter Beard in Africa" is Jon Bowermaster's copiously illustrated, semi-salacious 1993 biography of the noted photographer, adventurer, and liver of the high life. A brand new, most handsome example of the 1993 first edition additionally bearing a UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "July 12, '94 / from Peter Beard" in dark blue ink WITH A LARGE WATERCOLOR HAND PRINT WITH FLOURISHES in blue and red across the entire half title and facing pastedown. 0-8212-1907-3 Inventory Number: 026366

(BEARD, PETER). Bowermaster, Jon & Peter Beard. New York: Bulfinch Press / Little, Brown & Company, 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 200pp, 153 b&w and 13 color illustrations. "The Adventures and MisAdventures of Peter Beard in Africa" is Jon Bowermaster's copiously illustrated, semi-salacious 1993 biography of the noted photographer, adventurer, and liver of the high life. A brand new, most handsome example of the 1993 first edition additionally with a UNIQUE, BOLDLY SIGNED TWO PAGE INSCRIPTION "To Lee / infinitely from PB / .... reaching from one / cement jungle / to another / gasp / etc -" in dark grey watercolor ink accompanied by a HAND-ASSEMBLED COLLAGE BY PETER BEARD comprising three 4 x 6" color c-prints from the sequence of images of the photographer famously being tossed by a charging Rhinoceros along with some fragments of snakeskin. 0-8212-1907-3 Inventory Number: 026348

(BEARD, PETER). Graham, Alistair & Peter Beard. San Francisco: Chronicle Books, 1990. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 260pp, profusely illustrated in color and b&w. Designed by Peter Beard and John Brogna. The subtitle of Peter Beard's "Eyelids of Morning" says it all: "Being a description of the origins, history, and prospects of Lake Rudolf, its peoples, deserts, rivers, mountains and weather; A narrative of our investigations into the natural history, habits, and mode of life of the fearsome Nile crocodile, most formidable of reptiles, the legendary leviathan; Including a full, authentic and thrilling account of the stirring explorations and discoveries of Count Samuel Teleki von Sjek, as chronicled by his companion and fellow stalwart, Lieutenant Ludwig von Hohnel, in which the fabled lake of Rudolf was brought to light; Replete with astounding incidents, wonderful adventures, mysterious providences, grand achievements and glorious deeds in the pursuit of knowledge; Enlivened with stories of heroism and unparalleled daring, marvelous hunts and incredible adventures among savage saurians, giant fish, monstrous behemoths and strange an curious tribes; And comprehending whatever is curious and remarkable in the works of art or nature; The whole enriched with upwards of two hundred and twenty photographs, sixteen magnificent colored plates, one hundred and sixty-five well-executed engravings, and numerous maps, being all finely drawn according to the latest discoveries; For the use of all gentlemen, mariners, merchants & others who delight in travel and adventure". A brand new, most handsome example of the first printing of the 1990 Chronicle books hardbound edition additionally bearing the UNIQUE, BOLDLY SIGNED TWO PAGE INSCRIPTION "Salaams from Peter Beard / July 12th 1994" in red and blue ink accompanied by a small drawing and a full hand print across the entire half title page and verso of the front pastedown. 0-87701-554-6 Inventory Number: 024041

(BEARD, PETER). Turle, Gillies, Mark Greenberg & Peter Beard. New York: Alfred A. Knopf, Inc., 1992. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 164pp, 115 b&w and 80 color illustrations. Designed by Virginia Tan. "The Art of the Maasai" presents for the first time three hundred extraordinary ceremonial artifacts - discovered by Gillies Turle and never before seen outside the villages to which they belong - that were created over many generations by members of the Maasai tribe of Kenya. What makes their discovery particularly exciting is that high art has been found in a part of the world in which, until now, it was believed no art had ever been created. The ceremonial objects brought together here are extraordinary, and Peter Beard's photographs of them are in themselves works of art. This is a book whose publication is an event in the worlds of art and African culture". A brand new, most handsome example of the 1992 Alfred A. Knopf first hardbound edition additionally BOLDLY SIGNED AND INSCRIBED "to Lee with gruntings and / greetings / (infinite)Ly / Peter / Beard" in black ink across the title page with Peter Beard's thumbprint in dark grey ink under which he has annotated "#37610" OVER A COLLAGED 4 x 6" color c-print from the sequence of images of the photographer famously being tossed by a charging Rhinoceros along with a piece of snakeskin. 0-394-58323-X Inventory Number: 026349

(BEE, OLIVIA). Bee, Olivia & Tavi Gevinson. New York: Aperture, 2015. First Edition. Small 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 136pp, 73 color illustrations, full edge silver gilt. Designed by Nitework. "Olivia Bee is celebrated for her dreamy, evocative portraits and landscapes rich with implied narratives of intimacy, freedom, and adventure. Her first book, "Kids in Love" showcases two bodies of photographic work. "Enveloped in a Dream" is the series that first brought Bee recognition as a teenager. It offers a visual diary of girlhood friendship and the exploration of self, showcasing the photographer's unique ability to convey the bittersweet nostalgia of adolescence on the brink of adulthood and new possibilities. The second body of work, "Kids in Love", is drawn from recent work and continues Bee's chronicle of her circle of friends and new loves, capturing both the pleasures and terrors of the fleeting passage of romanticized youth. "Rookie" editor and Bee's frequent collaborator and model, Tavi Gevinson writes about the role of Bee's photographs as social currency in today's image-driven world". A brand new, pristine example of this charming edition additionally BOLDLY SIGNED "Olivia Bee" with drawings of two hearts in silver marker on the title page. 1-59711-345-X Inventory Number: 025493

(BENGLIS, LYNDA). Benglis, Linda. New York. ND (1974): Paula Cooper Gallery. First Edition #27/100 Deluxe. Small 4to. Printed Postcard. Artist's Multiple. Very Good -.. One 10 × 6 ¾" cardstock sheet printed offset recto and verso, 1 color illustration. This announcement for Lynda Benglis' 1974 exhibition of "Metallized Knots" at New York's Paula Cooper Gallery features a color photograph of the artist naked but for a pair of jeans pulled down around her calves. Taken by the illustrious Annie Leibovitz, the charged image of Benglis gazing back over her shoulder at the viewer invokes Betty Grable's iconic World War II pinup portrait, and was produced at the time the artist was purchasing her series of iconic Feminist self-portrait advertisements for Artforum magazine. An otherwise most handsome example of the exceedingly uncommon artist's multiple edition of this ephemeral item limited to one hundred copies NUMBERED (#27/100) AND SIGNED in blue ink showing some brown spotting on the on the face. Inventory Number: 026269