Arcana:

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURKE, BILL). Burke, Bill. Santa Fe, NM. 1987 (2007): Twin Palms Publishers. First Edition Thus 1/35 Deluxe. Folio. Boards in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. np (60pp), profusely illustrated in color and duotone. "In 1982, years after Viet Nam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with The International Rescue Committee, which was working at the Thai-Cambodian border". Published in 1987, "I Want to Take Picture" features black and white images which Burke shot during several trips through Southeast Asia in the early eighties, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia. A pristine copy of the deluxe 2007 first Twin Palms printing (whose 1987 first Nexus Press edition is cited on page 19 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 40-41 of The Hasselblad Center's "The Open Book", and pages 258-259 of "The Book of 101 Books") limited to thirty-five copies SIGNED AND NUMBERED (#15/35) in a debossed black linen clamshell box with a SIGNED AND NUMBERED BLACK AND WHITE SILVER GELATIN PHOTOGRAPHIC PRINT entitled ""KPNLF Fighter With Lake Ampil RPG, Thai Cambodia Border, 1984". 1-931885-63-X Inventory Number: 022181

(BYRNE, ALEC). Evans, Drew. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 4to. Pictorial Wrappers. Music Photography Monograph. As New.. np (54pp), profusely illustrated in b&w and color. "Rock & Roll Time Capsule" is the catalogue published in conjunction with a one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It presents amazing vintage shots of The Jimi Hendrix Experience, Bob Dylan, The Beatles, Mick Jagger, The Rolling Stones, David Bowie, The Who, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, Chuck Berry, and Roy Orbison - most being seen in print for the very first time! A brand new, pristine example of the first edition limited to one thousand copies NUMBERED AND SIGNED by the photographer, as issued.

PLEASE NOTE: These signed catalogues will be available at Arcana on Saturday, December 17th, and orders will ship beginning on Tuesday, December 19th.
0-615-90223-5 Inventory Number: 022934

(BYRNE, ALEC). Uber Archives. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 36 x 24". Exhibition Poster. As New.. One 36 x 24" heavy paper sheet printed photolthographically recto only, 1 monochrome illustration.

This is the striking lithograph published in conjunction with "Rock & Roll Time Capsule" - the one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It features an image of Jimi Hendrix backstage at London's Saville Theatre from May 1967 that is the lead image for Byrne's new full-length book, "London Rock - The Unseen Archive". A brand new, pristine example of the 2012 first and only printing limited to one thousand copies NUMBERED AND SIGNED by the photographer rolled in a heavy poster tube, as issued.

PLEASE NOTE: These signed posters will be available at Arcana on Sunday, December 17th, and orders will ship beginning on Tuesday, December 19th.
Inventory Number: E000ABRRTC-LITHOGRAPH

(CALLE, SOPHIE). Calle, Sophie. New York, London, Rome & Hong Kong. 2007-2014.: Thea Westreich, 1991. First Edition #117/230. 4to. Decorative Boards, Boxed. Artist's Book. Fine/No Jacket - As Issued. np, 18 b&w illustrations. Text in French and English. The most visually spectacular of her artist's books to date, "La Fille Du Docteur" is yet another exploration of the part autobiographical, part fictional personae of Sophie Calle. The work consists of sixteen facsimile cards of congratulation (purportedly) from colleagues of the artist's father upon the announcement of her birth. This was traditional amongst the French medical profession, and Calle's father was a physician. Or was he? Each of these cards is housed in a glassine envelope that faces a sequential photographic image printed on vellum of the artist performing a drunken striptease. These images conclude with the naked, comatose Sophie (who "will be a source of joy to her parents") sprawled in a heap. The book is bound as a faux leopard-skin album, which is in turn housed in a paper covered, chipboard box with a printed label. A brand new, most handsome example of the uncommon 1991 first - and only - Thea Westreich edition (cited on pages 166-167 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 352-353 of The Hasselblad Center's "The Open Book") limited to two hundred and thirty copies SIGNED AND NUMBERED (117/230) in black ink on the publisher's label of limitation affixed to the final leaf, as issued. Inventory Number: 026681

(CAPA, CORNELL). Whelan, Richard. Introduction by Peter Fetterman. Afterword by Cornell Capa. Santa Monica, CA: Peter Fetterman Gallery, 2002. First Edition 1/50 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 64pp, 27 duotone illustrations. "Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful clothbound book filled with twenty-seven of his most intelligent, compassionate, formally striking images promises to bring the photographer his due. He once told "Camera" magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specific situations or person that they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called a "concerned photographer" - one who is passionately dedicated to doing work that will contribute to the understanding and well-being of humanity". A brand new, pristine example of the deluxe 2002 first printing issued by the Peter Fetterman Gallery limited to fifty copies NUMBERED (38/50) AND SIGNED "Cornell Capa" accompanied by a cloth chemise containing the matted 7 ½ x 5 ¼ silver print entitled "Bolshoi Ballet School" similarly NUMBERED (38/50) AND SIGNED on the verso housed in the publisher's silver gilt-stamped slipcase still in its original shrinkwrap. 0-9712765-0-1 Inventory Number: 025483

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CHRISTIAN, ANTON). Christian, Anton. With texts by H.C. Artmann, Suzanne Bloom, Helmut Eisendle, Erich Fried, Hans Haid, Ed Hill, Felix Mitterer, Ezra Pound, Alexander Schwarz, Turi Werkner, and "funf Sagen aus dem Reich der Fanes". Innsbruck, AUSTRIA: Haymon Verlag, 1989. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine (But Incomplete)/Fine. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. 3-85218-050-3 Inventory Number: 005063

(CHRISTO). Javacheff, Christo, Jeanne-Claude & Jonathan Henery. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 2005. First Edition #4377/5000 Deluxe. Stout 4to. Cloth in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 968pp, profusely illustrated in color and b&w. Text in English. Designed by Christo and Jeanne Claude. "February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City's Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg's administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park's walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambiance of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This special collector's volume documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, this limited-edition volume is the ultimate book object for fans and collectors who want a lasting and unique souvenir of this remarkable work of art." A brand new, most handsome example of the Taschen "Collector's Edition" NUMBERED (4377) AND SIGNED by Volz, Christo, and Jeanne-Claude in pencil on the front colophon with a tipped-in swatch of the saffron-colored Gates fabric bound in housed in the publisher's pictorial slipcase, as issued, still in the publisher's printed cardboard shipping carton. 3-8228-3562-5 Inventory Number: 027024

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A brand new, most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") additionally BOLDLY SIGNED "Larry Clark" in black ink at the lower foredge corner of the title page. Inventory Number: 024362

(CLARK, LARRY). Clark Larry. New York: Grove Press, Inc., 2000. First Edition Thus 1/250 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in b&w. Nearly thirty years after the 1971 Lustrum Press publication of this landmark book, Larry Clark's taboo breaking "Tulsa" is once again available. Long before "Kids", "Another Day in Paradise" and "Bully", this was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, this book forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 Lustrum Press first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". This example is from the Grove Press 2000 limited slipcased edition of two hundred and fifty copies only SIGNED by Larry Clark, with a SIGNED 8 x 10" black and white photographic print (of an image that is not reproduced in the book) laid in. A brand new, pristine example in the publisher's shrinkwrap, as issued. 0-8021-1678-7 Inventory Number: 020125

(CLAXTON, WILLIAM). Claxton, William. Koln, GERMANY: Benedikt Taschen Verlag, 2005. First Edition. Small Folio. Cloth in Printed Dust Jacket. Music Photography Monograph. As New/As New. 720pp, profusely illustrated in color and b&w. "In 1960, photographer William Claxton and noted musicologist Joachim E. Berendt traveled the United States hot on the trail of jazz. Through music halls and marching bands, side streets and subways, they sought to document this living, breathing, beating musical phenomenon that enraptured America across social, economic, and racial lines. The result of Claxton and Berendt’s collaboration was Jazzlife, much sought after by collectors and now revived in this fresh Taschen volume. From coast to coast, from unknown street performers to legends of the genre, this defining jazz journey explores just what made up this most original of American art forms. In New Orleans and New York, in St. Louis, Biloxi, Jackson, and beyond, Claxton’s rapturous yet tender images and accompanying texts examine jazz’s regional diversity as much as its pervasive vitality and soul. They show the music makers and the many spaces and people this music touched, from funeral parades to concert stages, from an elderly trumpet player to kids who hung from windows to catch a glimpse of a passing band. With portraits of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charles Mingus, Thelonious Monk, John Coltrane, and many more, this is as much a compelling slice of history as it is a loving personal tribute". A brand new example of the massive 2005 Taschen XL first printing of this remarkable document additionally BOLDLY SIGNED by the late, great photographer William Claxton still in the publisher's shipping carton. 3-8228-3066-6 Inventory Number: 027705

(CLAXTON, WILLIAM). Claxton, William. Köln, GERMANY: Benedikt Taschen Verlag, 1997. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in English, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example additionally BOLDLY SIGNED "William Claxton" in black marker on the inside front cover.. 3-8228-6652-0 Inventory Number: 020849

(CLAXTON, WILLIAM) (GERNREICH, RUDI). Moffitt, Peggy & William Claxton. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition Thus. 4to. Cloth in Illustrated Jacket. Fashion Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Text in English, German and French. A labor of love by Peggy Moffitt and husband William Claxton, this is the coolest tribute to Los Angeles' visionary fashion designer - the man that brought us see-through, unisex garb, the topless swimsuit, and so much more! Moffitt was Gernreich's frequent model, collaborator, and muse. Claxton, best known for his Jazz and Hollywood work was also the primary photographer of the designer's collections for almost two decades; virtually all of the images here were taken by him. If you really want to know who made sixties fashion mod, op, pop and groovy, check this extraordinary book out. A most handsome example of the 1999 first Taschen edition additionally BOLDLY SIGNED "William Claxton" in black ink on the title page. 3-8228-7197-4 Inventory Number: 022022

(CLEMENTE, FRANCESCO). Eccher, Danilo, Francesco Pellizzi & Francesco Clemente. Bologna & Torino, ITALY: Galleria D'Arte Moderna Di Bologna & Umberto Allemandi & C., 1999. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 180pp, profusely 153 color and 7 b&w illustrations. Text in Italian and English. With an exhibition checklist, biography, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with a 1999 Galleria D'Arte Moderna Di Bologna exhibition of one hundred and fifty-three drawings, watercolors, and pastels executed by Francesco Clemente between 1980 and 1998. In addition to lovely color reproductions of each of the works on paper, it features a lengthy transcribed interview with the artist by Francesco Pellizzi, and curator Danilo Eccher. A most handsome example additionally BOLDLY INSCRIBED "Thank You! / Francesco Clemente / Bologna 29 Maggio 1999" on the day of the Museum opening in pencil across the title page. 88-422-0917-1 Inventory Number: 024002

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. A most handsome example bearing the BOLDLY SIGNED PRESENTATION "For .... Some Words & Pictures XXX Michael" from author McClure in gold marker on the title page. 0-8478-1469-6 Inventory Number: 020439

(CLOSE, CHUCK). Close, Chuck. Gottingen, GERMANY: Little Steidl, 2017. First Edition #65/100 Deluxe. 4to. Cloth in a Clamshell Box. Artist Monograph. As New/No Jackets - As Issued. np (18pp) + np (18pp) + 8pp. Two individually bound 110 ½ x 13 ½" nine-sheet leporellos printed by color offset lithography recto only, 18 color illustrations. Designed by Chuck Close and Nina Holland. "The idea of a book without words had resonance for Chuck Close. As a child, his severe dyslexia stood in the way of reading, making images all the more important. He remembers a visual encyclopedia from his early years and the feeling of being overtaken by the intensity of its pictures. The idea also resonated with his ongoing interest in revealing the process of his work, which he accomplishes largely through visual presentation, using very few words, if any. "Scribble Book" is a self-portrait that emerges step-by-step out of the printing process, one plate and one color at a time. The viewer follows a series of nine individual plate proofs - volume one - along with a corresponding series of nine progressive proofs - volume two. By comparing the plate proofs against the progressives, the viewer may ascertain not only the effect as one color is added to another to create the final nine-color portrait, but also the compositional decisions and careful modifications made by the artist at each stage of the project. A similar work was made with twelve plates and included in the exhibition "Chuck Close Prints: Process and Collaboration" at the Metropolitan Museum of Art in 2004 and was an immediate success. "Scribble Book" is presented in this deluxe edition as two accordion-fold books. The first shows the series of plate proofs, and the second the series of progressive proofs, culminating with a nine-color self-portrait. For those seeking a more detailed understanding of the process, these books are accompanied by a separate text in which the artist gives a personal account of his drawing process as recorded through printmaking." A brand new, pristine NUMBERED (65/100) AND SIGNED example of the 2017 first deluxe edition this exquisite undertaking consisting of three volumes in a silkscreened clamshell box limited to one hundred copies. 3-944630-00-9 Inventory Number: 026507

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. Inventory Number: 025036

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(COPPOLA, SOFIA). Coppola, Sofia & Takashi Homma. Tokyo: Magazine House Co., Ltd., 2003. First Japanese Edition. Oblong 8vo. Printed Wrappers. Photography Monograph. Near Fine.. np (36pp), 15 color illustrations. Text in English and Japanese. Designed by nana. "SC 2003 (Some Pictures) is a slender-yet-charming collection of fifteen intimate color images of friends and family (including mother Eleanor, brother Roman, niece Gia, then-husband Spike Jonze, Kirsten Dunst, Marc Jacobs, Jason Schwartzman, etc.) taken by noted director Sofia Coppola. Published only in Japan, it includes a brief text by her frequent collaborator, photographer Takashi Homma. A most handsome example of this uncommon, sweet little gem additionally BOLDLY SIGNED "Sofia" in black marker at Arcana on the front endpaper. Inventory Number: 027633

(COPPOLA, SOFIA) (DAY, CORINNE). Howe, Susanna, Editor. With Contributions by Jeffrey Eugenides, Amy Sohn, Ethan Smith, Michael Mills, Karen Kilimnik, Mark Gonzales, Paul Clemens & Philip Frost. Los Angeles: NP, 1999. First Edition. 9 1/2 x 7 1/2", 4to. Stapled Pictorial Wrappers. Film Monograph. Very Good.. 46pp, profusely illustrated in color. Designed by Kenneth Pope. In a protective clear acetate dustwrapper. An incredibly charming promotional companion to director Sofia Coppola's debut film "The Virgin Suicides," this glossy promotional magazine cum fanzine is filled with dreamy photographs that evoke the tenuous innocence of the movie. Interviews with Kirsten Dunst, Josh Hartnett, the director, and key creative contributors compliment the behind the scenes photos by Coppola and Corinne Day in a manner so endearing and subtle, that the line between reality and fiction are deliciously blurred. An internally most handsome example of this uncommon item additionally SIGNED "Sofia Coppola" at Arcana in black marker on the rear cover whose spine shows a bit of light wear, fraying, and pulling at the staples. Inventory Number: 027736

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Very Good -.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a 1983 New York gallery exhibition of Joseph Cornell's boxes and collages whose imagery reflects his lifelong obsession with the ballet. A handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... - Love, Hugs, kisses / Sandy / 12.16.83" from the author - noted Cornell dealer and scholar Sandra "Sandy" Starr - in black ink in the year of publication on the first preliminary showing a bit of wear and soiling to its white covers. LC 83-73032 Inventory Number: 005860

(CRUMB, R.). Crumb, Robert. Dian Hanson, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2007. First Edition 1/1000 Deluxe. Stout 4to. Illustrated Boards in Slipcase. Artist Monographs. As New/No Jacket - As Issued. 258pp, profusely illustrated in color and b&w. Text in English. " R. Crumb has selected his most intimately revealing comic strips and single page drawings to create a two hundred and fifty-eight page encyclopedic trip through his sexual psyche. All images were created between 1980 and 2006, and all strips are hand-colored for a lush vibrancy never seen in his comic books. In total, "Robert Crumb's Sex Obsessions" features fourteen complete stories, including "My Troubles With Women", "If I Were a King", "A Bitchin' Bod", and "How To Have Fun With a Strong Girl", as well as sixty single page drawings. This signed slipcased edition limited to one thousand copies is a work of art in itself, with every part of the book - front and back covers, spine, and introductory pages - created for this project by Robert Crumb. Each book comes with an art print selected by Mr. Crumb. A brand new, pristine example sealed in shrinkwrap still in the publisher's printed cardboard shipping carton. 3-8228-2540-9 Inventory Number: 027636

(CUTRONE, RONNIE). Brougher, Nora Halpern. Introduction by Martin S. Blinder. Van Nuys, CA: Martin Lawrence Limited Editions, 1990. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 48pp, 44 color and 11 monochrome illustrations. With an exhibition history and bibliography. This is the nicely appointed hardbound catalogue issued in conjunction with a 1990 Los Angeles gallery exhibition of forty-four recent watercolor and graphite works on paper by East Village art scene mainstay and former Warhol Factory assistant Ronnie Cutrone. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED "Ronnie Cutrone / 90" WITH A "WOODY WOODPECKER" DRAWING executed in black marker on the front free endpaper. 0-929460-02-2 Inventory Number: 027360

(DALI, SALVADOR). Dali, Salvador. New York: Carstairs Gallery, 1958. First Edition. Large 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good -.. One 14 x 21" cardstock sheet printed offset recto and verso folded in half vertically to make 14 x 11 ½", 4pp, 1 b&w cover illustration. Cover Designed by Salvador Dali. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the slender four page catalogue published in conjunction with Salvador Dali's 1959 exhibition of thirteen watercolors and drawings at New York's Carstairs Gallery. Stating "This, my best exhibition, I dedicate to Gala, my Sistine Madonna", it features a cover illustration by the Surrealist icon along with his brief "Anti-Matter Manifesto". A most presentable example of this exceedingly uncommon item additionally BOLDLY INSCRIBED "Monsieur Alexandre ELIOT" in blue ballpoint pen across the rear cover plus "Hommages de Dali / 1959" in blue fountain pen on the inside front cover showing light soiling and spotting, some stray pigment marks, and minor insect damage to the covers. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. Inventory Number: 025563

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by Mildred Feliciano. West Hollywood, CA: St. Ann's Press, 2003. First Edition 1/100 Deluxe. Large Square 4to. Cloth in Slipcase. Photography Monograph. As New/As New. np (165pp), 140 tritone illustrations. Designed by Paul McMenamin at SPINE. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" is one of the classic volumes of Post-War American photography. After more than twenty years of unavailability, it has been lavishly republished by the redoubtable St. Ann's Press, with thirty-five new images, all beautifully reproduced. A brand new, pristine example of the deluxe 2003 St. Ann's Press edition (whose 1970 Harvard University Press first hardbound printing is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") limited to one hundred copies NUMBERED (86/100) AND SIGNED "Bruce Davidson" in black ink on the half title page with an original 10 x 8" gelatin silver print of the image of two children peering out a fire escape window that is reproduced in the book SIGNED by Bruce Davidson in pencil on the verso laid into a portfolio and housed in the publisher's slipcase, as issued. 0-9713681-4-7 Inventory Number: 022755

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by U.S. Congressman John Lewis. Introduction by Deborah Willis. West Hollywood, CA: St. Ann's Press, 2002. First Edition 1/100 Deluxe. Large Square 4to. Cloth w/Pastedown in Slipcase. Photography Monograph. As New/As New. np (172pp), 144 tritone illustrations. Designed by Paul McMenamin at SPINE. Photographed during the height of the American Civil Rights struggle (with most of these images uncollected in book form until this undertaking), Bruce Davidson's moving portraits of social change from the rural South to the streets of Harlem and Chicago are a revelation some forty years later. Pictured here are the Reverend Dr. Martin Luther King, the Freedom Riders, National Guardsmen, Cracker lawmen, Klansmen, and the African-American populace undergoing their "Time of Change". A brand new, pristine example of the Deluxe edition of the 2002 first St. Ann's Press (cited on page 223 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred slipcased copies SIGNED with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Mother Brown" by Bruce Davidson. 0-9713681-2-0 Inventory Number: 019576

(DAVIDSON, BRUCE). Davidson, Bruce. Introduction by Henry Geldzahler. New York: Agrinde Publications, 1978. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 168pp, profusely illustrated in black and white. The first major survey of the compelling photo essays of noted Magnum member Bruce Davidson, this well-illustrated monograph includes work from the "Widow of Montmartre", "The Dwarf", "Brooklyn Gang", "England and Scotland", "Sicily", "Black Americans", "The Bridge", "Los Angeles", "The New Jersey Meadows / A Trip West / Topless Restaurant", "Welsh Miners", "East 100th Street", and "The Cafeteria" series. A bright white, most handsome copy of the 1978 Agrinde first hardbound edition (cited on page 222 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally bearing the SIGNED PRESENTATION "To - / Cousin John / it's the genes! / Bruce Davidson / 79' " in black ink on the title page alongside the non-authorial inscription "For John / Love, Uncle Cork / '79". 0-671-40067-3 Inventory Number: 025638

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(DE GEER, KARL JOHAN).Kugelberg, Johan. New York: Ectoplasm Books, 2009. First Edition. Oblong Small 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. np (60pp), profusely illustrated in b&w. Designed by Taylor Brigode for Octopuss Limited. "Carl Johan De Geer, born in 1938, grew up in absurd privilege and abject unhappiness as a member of one of Sweden's most powerful aristocrat families. His parents showed no discernable interest in him or his siblings, and so he grew up on a grand country estate with his grandparents, went to art school in the late 1950s, and in an epic choice of rejection lived his life to this day as a perennial Swedish underground artist, working in counterpoint to the privilege of his surname. De Geer, as a masterful Leica M4 snapshot giant à la Van Der Elsken or Daido Moriyama, has the sacred ability to capture the monotone grit of everyday life and demand its reflection. He gives us a glimpse of a Sweden inhabited by people who are the other, whose life experience is impregnated with otherness, providing a visual cue into an unseen world. The visible scratches, fades and imperfections, the wabi-sabi of this collection of vintage prints, is reflected in the images". "The Camera as Consolation" is the hardbound catalogue published in conjunction with the Johan Kugelberg-curated 2009 Boo-Hooray Gallery exhibition of the gritty Vietnam-era social reportage of this unsung Swedish master that parallels the work Ed Van Der Elsken and Anders Peterson. A brand new, pristine example from a handful of ultra-deluxe copies BOLDLY SIGNED by Carl Johan De Geer in black ink on the front pastedown that comes with a 5 ¾ x 4 1/8" SIGNED VINTAGE B&W PHOTOGRAPHIC PRINT in a translucent archival envelope affixed to the inside front cover; and is housed in the publisher's handmade black linen over board slipcase with a SIGNED DRAWING in white marker on the front face by Carl Johan De Geer, as issued. Laid in is the gallery's printed exhibition invitation as well as a special NUMBERED (24/80) silkscreened opening invitation designed and SIGNED by the photographer. Inventory Number: 017909

(DEMAND, THOMAS). Demand, Thomas, Ralph Rugoff & Julia Franck. Eckhard Schneider, Editor. Munchen & Bregenz, GERMANY: Schirmer/Mosel Verlag & Kunsthaus Bregenz, 2004. First Edition 1/100 Deluxe. Oblong Folio. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 128pp, profusely illustrated in color. Text in English and German. Designed by Markus Weisbeck, Surface. "In his photographs of reconstructed rooms and places Thomas Demand explores a notion of reality that guides our perception of a media and technology-dominated world. For this purpose he produces life-size reconstructions then are perfectly lit and photographed with a large-size camera. What, at first sight, seems to be a hyperrealistic reproduction of reality proves, at a closer look, to be a model". This is a lovely catalogue that combines Demand's images interspersed with texts about, the artist was published in conjunction with a major 2004 exhibition held at the Kunsthaus Bregenz. A brand new, most handsome example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 12 x 14" digital color pigment print "Detail XII, 2005" - a tabletop still life tableaux - on handmade paper BOLDLY SIGNED AND NUMBERED by Thomas Demand on the verso, as issued. 3-829601-71-9 Inventory Number: 024086

(DEMETRIOS, EAMES). Demetrios, Eames. Los Angeles: Kcymaerxthaere, 2017. First Edition 1/1415. Stout Small 4to + 8vo. Decorative Ring Binder + Illustrated Wrappers. Artist's Books. As New/No Jackets - As Issued. 792pp, profusely illustrated in color and b&w. Text in English. Designed by Eames Demetrios, Tim McQuaide, Simona Szabados, and Cyrus Hawkes.

"Kcymaerxthaere: The Story So Far… (Folio 1)" is a limited edition compendium documenting the first one hundred and thirty-eight Kcymaerxthaere installations, as well as a few in progress. The Folio is a two volume set organizing the markers and historical sites in story order. Volume I begins with a visual overture. After that you'll find images and text for each of the markers and historical sites as they are installed in twenty-seven countries arranged in order of the unfolding story. Great for browsing and exploring. In the next part, you can take in the stories as words alone for ease of that special flow of reading. The folio also includes appendices and indices as well as an extensive glossary of over six hundred Kcymaerxthaereal words in myriad languages and even Kcy writing systems. Volume II is a handy portable version of the stories told as well as the text from the markers so far - sized perfectly for the plane or bedtime reading. Together, the two books that make up this Folio are definitely the most complete Kcymaerxthaere-related publication to date. A brand new, pristine example of this mind-bending two volume set limited to one thousand, four hundred and fifteen overall examples - most not for sale - NUMBERED AND SIGNED by author, artist, and Geographer-at-Large Eames Demetrios.

PLEASE NOTE: Copies of "Kcymaerxthaere: The Story So Far… (Folio 1)" will be signed Saturday, March 3rd and shipped starting on Tuesday, March 5th. Inventory Number: E000EDKTSSF

(DIJKSTRA, RINEKE). Visser, Helene & Urs Stahel. Amsterdam, THE NETHERLANDS & Munchen, GERMANY: The Stedelijk Museum & Schirmer/Mosel Verlag, 2005. First Edition #23/100 Deluxe. Large 4to. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 160pp, 69 color illustrations. Text in English and German. Designed by Lambert und Lambert. With a biography, exhibition history and bibliography. This is the lovely hardbound catalogue published in conjunction with a major 2004 European Museum retrospective of the engaging color portraits of Dutch photographer Rineke Dijkstra that was circulated by Amsterdam's Stedelijk Museum. A brand new, pristine example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 9 ¼ x 7"" color C-print "Chlopy, Poland, July 29, 1995" BOLDLY NUMBERED (23/100) AND SIGNED "Rineke Dijkstra / June 29, 2005" in pencil on the verso, as issued. 3-8296-0151-4 Inventory Number: 024759

(DINE, JIM). Dine, Jim & Neil Curry. London: Enitharmon Editions Ltd., 1993. First Edition 1/75 Deluxe. 4to. Cloth in Slipcase. Illustrated Book. As New.. 64pp, with an individual signed lithograph, a lithographic frontispiece and four photogravures bound into the book. Beautifully illustrated by Jim Dine, this is the deluxe edition of author Neil Curry's colloquial version of the closing books of Homer's Odyssey in which he has "scrubbed the story free from all its side-tracks and digressions so as to leave clear one thread of Odysseus's final journey: from the shores of Ithaca to the marriage-bed where he is finally reunited with Penelope". It is hand-printed in 14 point Monotype Baskerville on Canaletto 160gsm (fine) and bound and slipcased by The Fine Bindery. Jim Dine's signed original 12 ½ x 9 ¾" etching of "The Head of Homer" (contained loose in a wallet in the slipcase) was printed on 300gsm Hahnemuhle at the Spring Street Workshop in New York. The lithographic frontispiece and four photogravures bound into the book all reproduce drawings made by the artist in 1987-8 from Greek and Roman statuary at the Glyptotek in Munich, and were printed in London by Pauper's Press and Hope Sufferance Press. A brand new, pristine example of the deluxe edition limited to seventy-five copies SIGNED by the author, as issued. 1-870612-09-4 Inventory Number: 013858

(DRUKS, RENATE) (NIN, ANAIS). Nin, Anais & Renate Druks. NP (Malibu, CA): Concentric Circle Press, 1979. First Edition #15/100 Deluxe. 8vo. Cloth with Pastedowns. Illustrated Book. Fine/No Jacket - As Issued. 96pp, 3 b&w and 9 tipped color illustrations. In a protective clear acetate dustwrapper. The late Malibu-based, Viennese expatriate artist Renate Druks was among many things a confidante and occasional muse to legendary literary figure Anais Nin. In 1979, Druks self-published Nin's memoir of their friendship illustrated with nine tipped-in reproductions of her ethereal paintings in the vein of Leonora Carrington and Remedios Varo along with a cover collage. A brand new, most handsome example of the exceedingly uncommon first - and only - hardbound Concentric Circle Press edition limited to one hundred copies NUMBERED (15/100) AND SIGNED "Renate Druks" in black ink on the verso of the title page, as issued. LC 79-53873 Inventory Number: 026669

(DURANT, SAM). Ketchum-Heap of Birds, Shanna. Foreword by Jeffrey Keuogh. Boston: Stephen D. Paine Gallery, Massachusetts College of Art, 2007. First Edition 1/2000. 8vo. Illustrated Self-Wrappers. Artist Monograph. Fine.. 76pp, profusely illustrated in color and b&w. With a bibliography. This is the detailed catalogue issued in conjunction with the historically-themed 2007 exhibition by Los Angeles-based artist Sam Durant held at the Stephen D. Paine Gallery, Massachusetts College of Art entitled "Scenes from the Pilgrim Story: Myths, Massacres, and Monuments". A most handsome example additionally BOLDLY SIGNED "Sam Durant" in black ink on the title page. 0-9771419-3-4 Inventory Number: 019461

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A brand new, pristine example of this stunning tome from the edition of one hundred copies SIGNED AND NUMBERED by Michael Dweck housed in a debossed black linen solander box containing the SIGNED AND NUMBERED 8 x 10" chromogenic color print "Mermaid 37, Miami 2007". 0-9818465-0-5 Inventory Number: 016736

(EDSON, RICHARD). Edson, Richard. New York: Artvoices Art Books, I00230930, 2023. First Printing. 10 x 7 1/2". Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 979-8986841304

Inventory Number: E000REYZLJ

(EGGLESTON, WILLIAM). Morris, Willie & William Eggleston. Birmingham, AL: Oxmoor House, Inc., 1990. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 159pp, profusely illustrated in color. "In Faulkner's Mississippi, William Faulkner's life and work are revisited through the poetic mastery of Willie Morris, who brings to the subject a rare perspective - as both an aficionado of Faulkner's work and a native son of Mississippi. Of the many great biographies of Faulkner, Faulkner's Mississippi is the only portrait of the writer by another writer, touching on the fears, the frailties, and the courage of a man who chose to live in a land that loved and reviled him all in the same breath". A most handsome example of what is also one of the photographer's most haunting books additionally SIGNED "William Eggleston" in black ink on the title page. 0-8487-1052-5 Inventory Number: 021838