Arcana:

(BERMAN, WALLACE) (SEMINA). Berman, Wallace & George Herms. Venice, CA: Love Press (George Herms), 1992. First Edition Thus #34/300. Small 4to. Loose Booklets in a Box. Artists' Books. As New./No Jackets - As Issued.. np, nine individual facsimile reproductions of "Semina" magazine plus a loose colophon laid into a box. Truly a labor of Love, this meticulous facsimile recreation of Wallace Berman's legendary - and legendarily scarce - handmade literary and art anthology from the late '50s through early '60s took four years to bring to fruition. Its stellar list of Beat-inflected contributors include Berman first and foremost, along with John Altoon, Antonin Arthaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, John Weiners, and many others. This edition has been painstakingly printed and assembled in the manner of the originals utilizing handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman's close friend and fellow assemblage artist George Herms at his Love Press. A brand new, most handsome example of the extraordinary 1992 facsimile reprint authorized by Wallace Berman's family limited to three hundred copies NUMBERED (34/300) AND SIGNED by George Herms on the colophon, laid into the publisher's printed chipboard box, as issued. Inventory Number: 027156

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. 1-881138-04-6 Inventory Number: 023786

(BEUYS, JOSEPH). Beuys, Joseph. Munchen, GERMANY: Verlag Schellmann & Kluser, 1976. First Edition 1/500 Deluxe. 4to. Wrappers in Printed Jacket. Artist Monograph. Near Fine./Fine.. np (186pp), 90 color illustrations. "A Series of 90 Paintings..." documents Joseph Beuys' body of work subtitled "2 Schafskopfe (Loch)" issued as "unique multiples" by Verlag Schellmann & Kluser in 1976. Painted between 1961 and 1975, these abstracted images of two sheep heads were executed in oil paint and butter on a sheet of BFK Rives paper that had a circular hole torn from it. Each is reproduced here photomechanically as an individual full page blueprint and bound in wrappers. A bright white, most handsome example of this uncommon item limited to five hundred copies SIGNED "Joseph Beuys" in pencil on the title page and NUMBERED by stamp (162/500) in black ink on the rear free endpaper, as issued. Inventory Number: 022234

(BEUYS, JOSEPH). Beuys, Joseph. London: Anthony d'Offay Gallery, 1981. First Edition 1/250 Deluxe. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (48pp), 123 duotone illustrations. This is the catalogue published in conjunction with a 1981 exhibition of a 1975 series of Joseph Beuys drawings on calendar pages entitled "Words Which Can Hear" held at London's Anthony D'Offay Gallery. A pristine example of the uncommon deluxe hardbound edition limited to two hundred and fifty copies BOLDLY NUMBERED AND SIGNED by Joseph Beuys in brown ink at the rear, as issued. Inventory Number: 019917

(BEUYS, JOSEPH). de Vree, Paul & Sarenco, Editors. Brescia, ITALY: Lotta Poetica, 1975. First Edition. 4to. Stapled Pictorial Wrappers. Periodical. Fine.. np (24pp), 23 b&w illustrations + b&w cover. Text in Italian. Cover Designed by Joseph Beuys, This forty-sixth installment of Paul de Vree's prescient seventies art and literature periodical "Lotta Poetica" (Poetry War) is a special monographic issue devoted to Joseph Beuys. It features a cover and title page designed by the artist that is accompanied by Caroline Tisdall's photographic documentation of the 1974 piece "Three Pots Action in the Poor House". A bright, most handsome example additionally BOLDLY SIGNED "Joseph Beuys" in pencil on the front cover. Inventory Number: 019826

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062

(BOURGEOIS, LOUISE). Gorovoy, Jerry. New York: Bellport Press, 1986. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), profusely illustrated in monochrome. Designed by John Cheim, Jerry Gorovoy & Thomas Whitridge. This is the elegantly designed, beautifully printed 1986 catalogue published by John Cheim's Bellport Press on the sculptural work of Louise Bourgeois. A brand new, most handsome example of this uncommon item additionally bearing the SIGNED PRESENTATION "to Neil / Polen. / Best wishes / L." in the artist's spidery script in black ink on the title page. Neil Polen was the imposingly tall, shaven-headed New York art scene regular that used to attend virtually all the major gallery and museum openings in the eighties and nineties, approach the evening's artist(s) with an array of books and catalogues to sign, then offer the inscribed treasures for sale from his semi-permanent table in front of Dean & DeLuca in Soho. We obtained this directly from the late, great Mr. Polen prior to his passing. Inventory Number: 025400

(BRAKHAGE, STAN). Brakhage, Stan. Robert A. Haller, Editor. New Paltz, NY: Documentext, 1982. First Edition #144/200 Deluxe. 4to. Gilt-Debossed Cloth in Jacket. Film Monograph. Near Fine/Very Good. 262pp, 15 b&w and 1 color illustration. With a filmography and bibliography. Stan Brakhage is arguably the greatest single exponent of American experimental film. This collection publishes - mostly for the first time - notes, articles, essays, and most interestingly Brakhage's letters to the likes of Ed Dorn, James Broughton, Jonas Mekas, Michael McClure, Marie Menken, Bruce Baillie, P. Adams Sitney, and Donald Sutherland. As uncompromising as his cinematic work, these writings are insightful, intriguing, and frequently provocative. A most handsome example from the uncommon deluxe hardbound edition limited to two hundred copies NUMBERED (144/200) AND BOLDLY SIGNED "Stan Brakhage" on the copyright page, as issued, in the publisher's extremely fragile unprinted tissue dustwrapper and acetate dust jacket. 0-914232-47-9 Inventory Number: 024267

(BRAVO, MANUEL ALVAREZ). Bravo, Manuel Alvarez & Juan Garcia Ponce. Miguel Cervantes, Editor. Mexico City, MEXICO: Departmento de Publicaciones, Comite Organizador De Los Juegos De La XIX, 1968. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Very Good -./No Jacket - As Issued. 114pp, 84 b&w and 3 color illustrations. Text in Spanish, English and French. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the substantial hardbound catalogue published in conjunction with the 1968 exhibition "Manuel Alvarez Bravo: Photographies / Photographs / Fotografias 1928 - 1968" that was held as part of the cultural programming for the games of the XIX Olympiad held in Mexico City. The show consisted of two hundred and fifty images by the venerable photographer, eighty-seven of which are reproduced here in gravure. An internally most handsome example of the - and only - edition of this uncommon and important document additionally bearing the BOLDLY SIGNED PRESENTATION "Para el senor / Jim Bullowa, dese an dole (?) un / feliz ano 1971 / M. Alvarez Bravo. / Coyoacan decembre de 1970" in blue ink across page 5 along with "El prefacio y la seleccione de poesia, / por Juan Garcia Ponce; el retrato por Miguel Cervantes. / Pag. 51 L'oiseau... esta puesto al reves / Asparicion.. fuera de registro el / duotuno (?) / 85 Dice: Tehuantepec, Chiapas, / Oaxaca / dese decio" across the title page in the same blue ink. Additionally laid in is a torn scrap of butcher paper bearing Bravo's name, return address, and "libros / books" written in the photographer's hand. There is a mild dent to the textblock at the head of the spine, and the edges of the pages show some soiling and a bit of spotting along the top. The white glazed boards show overall light soiling and age-toning along with some notable pitting and a bit of surface wear to the rear cover. It has been priced accordingly. Inventory Number: 026734

(BRUCE OF LOS ANGELES). Bellas, Bruce aka Bruce of Los Angeles. Los Angeles. ND: Bruce of Los Angeles. First Edition. 4to. Silver Gelatin Photograph. Near Fine.. One 8 x 10" silver gelatin print printed recto only, mounted with archival photo corners in a heavy white 11 x 14" beveled mat. This is a classic male physique photograph by Bruce Bellas - better known as Bruce of Los Angeles - picturing the nude, dramatically lit muscular model John Hackett posing in Bruce's studio. A bright, most handsome vintage silver gelatin print on heavy fiber-based paper bearing the stamp BRUCE OF LOS ANGELES / Box 73505, Sanford Station / Los Angeles 5, Calif." in black ink on the verso along with the name of John Hackett handwritten in pencil along the bottom edge showing a bit of browning of the emulsion along the lower margin of the recto not affecting the image. Inventory Number: 026270

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURKE, BILL). Burke, Bill. Santa Fe, NM. 1987 (2007): Twin Palms Publishers. First Edition Thus 1/35 Deluxe. Folio. Boards in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. np (60pp), profusely illustrated in color and duotone. "In 1982, years after Viet Nam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with The International Rescue Committee, which was working at the Thai-Cambodian border". Published in 1987, "I Want to Take Picture" features black and white images which Burke shot during several trips through Southeast Asia in the early eighties, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia. A pristine copy of the deluxe 2007 first Twin Palms printing (whose 1987 first Nexus Press edition is cited on page 19 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 40-41 of The Hasselblad Center's "The Open Book", and pages 258-259 of "The Book of 101 Books") limited to thirty-five copies SIGNED AND NUMBERED (#15/35) in a debossed black linen clamshell box with a SIGNED AND NUMBERED BLACK AND WHITE SILVER GELATIN PHOTOGRAPHIC PRINT entitled ""KPNLF Fighter With Lake Ampil RPG, Thai Cambodia Border, 1984". 1-931885-63-X Inventory Number: 022181

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of The Who SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-WHO

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of John Lennon SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-LENNON

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 8vo. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of Jimi Hendrix with Mick Jagger SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" pre-orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-HENDRIX-JAGGER

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color. Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the "Signature Edition Deluxe" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by five matted 12 x 10" archival silver gelatin photographs of The Beatles, David Bowie, Jimi Hendrix with Mick Jagger, John Lennon, and The Who each SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-DELUXE-SIGNATURE

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of Jimi Hendrix with Mick Jagger SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-BOWIE

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of The Beatles SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD BEATLES

(BYRNE, ALEC). Evans, Drew. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 4to. Pictorial Wrappers. Music Photography Monograph. As New.. np (54pp), profusely illustrated in b&w and color. "Rock & Roll Time Capsule" is the catalogue published in conjunction with a one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It presents amazing vintage shots of The Jimi Hendrix Experience, Bob Dylan, The Beatles, Mick Jagger, The Rolling Stones, David Bowie, The Who, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, Chuck Berry, and Roy Orbison - most being seen in print for the very first time! A brand new, pristine example of the first edition limited to one thousand copies NUMBERED AND SIGNED by the photographer, as issued.

PLEASE NOTE: These signed catalogues will be available at Arcana on Saturday, December 17th, and orders will ship beginning on Tuesday, December 19th.
0-615-90223-5 Inventory Number: 022934

(BYRNE, ALEC). Uber Archives. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 36 x 24". Exhibition Poster. As New.. One 36 x 24" heavy paper sheet printed photolthographically recto only, 1 monochrome illustration.

This is the striking lithograph published in conjunction with "Rock & Roll Time Capsule" - the one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It features an image of Jimi Hendrix backstage at London's Saville Theatre from May 1967 that is the lead image for Byrne's new full-length book, "London Rock - The Unseen Archive". A brand new, pristine example of the 2012 first and only printing limited to one thousand copies NUMBERED AND SIGNED by the photographer rolled in a heavy poster tube, as issued.

PLEASE NOTE: These signed posters will be available at Arcana on Sunday, December 17th, and orders will ship beginning on Tuesday, December 19th.
Inventory Number: E000ABRRTC-LITHOGRAPH

(CALLE, SOPHIE). Calle, Sophie. New York, London, Rome & Hong Kong. 2007-2014.: Thea Westreich, 1991. First Edition #117/230. 4to. Decorative Boards, Boxed. Artist's Book. Fine/No Jacket - As Issued. np, 18 b&w illustrations. Text in French and English. The most visually spectacular of her artist's books to date, "La Fille Du Docteur" is yet another exploration of the part autobiographical, part fictional personae of Sophie Calle. The work consists of sixteen facsimile cards of congratulation (purportedly) from colleagues of the artist's father upon the announcement of her birth. This was traditional amongst the French medical profession, and Calle's father was a physician. Or was he? Each of these cards is housed in a glassine envelope that faces a sequential photographic image printed on vellum of the artist performing a drunken striptease. These images conclude with the naked, comatose Sophie (who "will be a source of joy to her parents") sprawled in a heap. The book is bound as a faux leopard-skin album, which is in turn housed in a paper covered, chipboard box with a printed label. A brand new, most handsome example of the uncommon 1991 first - and only - Thea Westreich edition (cited on pages 166-167 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 352-353 of The Hasselblad Center's "The Open Book") limited to two hundred and thirty copies SIGNED AND NUMBERED (117/230) in black ink on the publisher's label of limitation affixed to the final leaf, as issued. Inventory Number: 026681

(CANNONE, GARY). Cannone, Gary & Jamillah James. Los Angeles, CA: Campbell Hall Art Gallery, 2019. First Edition. 8vo. Pictorial Wrappers. Artist Monograph. As New.. np, profusely illustrated in color. Designed by Ivan Golinko.

"Albums by Conceptual Artists" originated as a crowd-sourced online project in which Gary Cannone encouraged like-minded artists to infiltrate popular and obscure album covers with content from the history of contemporary art in a communal act of parody. Begun as a Facebook comment thread, a Tumblr site of the project soon followed and grew to over five hundred album cover contributions ranging from transgressive to silly, from informative to obtuse. Cannone sees the series as a form of fan fiction, a positive creative act often using arcane minutiae linking the worlds of art and music done by and for art nerds. The artist’s formative influences include 70s comedy such as Norm Crosby, Wacky Packages, Carol Burnett, Mad Magazine, and the disembodied PA from M*A*S*H (the TV series). He is a 2019 recipient of a California Community Foundation’s Fellowship in Visual Arts grant and his artist’s book, Time Settings for a Microwave Oven with Broken Three, Four, and Nine Buttons was recently acquired by The Getty Museum. His current work explores the phenomenology of furniture in gallery spaces through the lens of a prop comic." A brand new, most handsome example additionally BOLDLY SIGNED by artist Gary Cannone in ink.

PLEASE NOTE: Copies of “Forever Now” will be signed by Gary Cannone at our event on Saturday, August 3rd, and shipped beginning Tuesday, August 6th. Inventory Number: E000GCFN

(CAPA, CORNELL). Whelan, Richard. Introduction by Peter Fetterman. Afterword by Cornell Capa. Santa Monica, CA: Peter Fetterman Gallery, 2002. First Edition 1/50 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 64pp, 27 duotone illustrations. "Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful clothbound book filled with twenty-seven of his most intelligent, compassionate, formally striking images promises to bring the photographer his due. He once told "Camera" magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specific situations or person that they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called a "concerned photographer" - one who is passionately dedicated to doing work that will contribute to the understanding and well-being of humanity". A brand new, pristine example of the deluxe 2002 first printing issued by the Peter Fetterman Gallery limited to fifty copies NUMBERED (38/50) AND SIGNED "Cornell Capa" accompanied by a cloth chemise containing the matted 7 ½ x 5 ¼ silver print entitled "Bolshoi Ballet School" similarly NUMBERED (38/50) AND SIGNED on the verso housed in the publisher's silver gilt-stamped slipcase still in its original shrinkwrap. 0-9712765-0-1 Inventory Number: 025483

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #5/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of ten copies only meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in blue ink on a white substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 5/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026231

(CHAMBERLAIN, JOHN). Chamberlain, John. NP (Los Angeles ?): Self-Published, 1971. First Edition. 4to. Plastic Report Cover. Artist's Book. Near Fine.. Thirty-five individual 8 ½ x 11" bond sheets printed offset recto only, in a translucent fluorescent orange plastic report cover with a blue plastic clamp spine (as issued), no illustrations. "Rand Piece" is the printed form of John Chamberlain's contribution to the historic 1971 Los Angeles County Museum of Art exhibition "Art and Technology". It consists of excerpted responses by employees of the noted Southern California think-tank The Rand Corporation to a questionnaire submitted by the artist. The piece was mounted on the walls during the exhibition, with Chamberlain subsequently self-publishing an extremely limited edition of these responses to be distributed to the Rand participants. For further details, see the catalog "Art and Technology" by Maurice Tuchman. Edition size is not known, but surviving copies are truly rare. A most handsome example of this elusive conceptual document whose plastic binder remains remarkably fresh additionally BOLDLY SIGNED "John Chamberlain" in purple ink on the title page at the time of publication. Inventory Number: 023336

(CHICAGO, JUDY). Chicago, Judy. New York: Anchor Books, 1979. First Paperback Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 256pp, profusely illustrated in b&w and color. Designed by Sheila Levrant de Bretteville. This is the comprehensive, self-illustrated 1979 monograph detailing the history and execution of Judy Chicago's iconic monumental installation devoted to the cultural achievements of women, "The Dinner Party". A handsome example of the first paperbound edition additionally BOLDLY INSCRIBED "For Molly - / and old + new times, / Judy Chicago / 1979" in the year of publication in blue ink on the half title page to noted a Los Angeles gallerist - from whom we acquired this directly - showing some light wear and handling to the covers and creasing along the spine. 0-385-14567-5 Inventory Number: 026550

(CHRISTIAN, ANTON). Christian, Anton. With texts by H.C. Artmann, Suzanne Bloom, Helmut Eisendle, Erich Fried, Hans Haid, Ed Hill, Felix Mitterer, Ezra Pound, Alexander Schwarz, Turi Werkner, and "funf Sagen aus dem Reich der Fanes". Innsbruck, AUSTRIA: Haymon Verlag, 1989. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine (But Incomplete)/Fine. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. 3-85218-050-3 Inventory Number: 005063

(CHRISTO). Javacheff, Christo, Jeanne-Claude & Jonathan Henery. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 2005. First Edition #4377/5000 Deluxe. Stout 4to. Cloth in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 968pp, profusely illustrated in color and b&w. Text in English. Designed by Christo and Jeanne Claude. "February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City's Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg's administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park's walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambiance of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This special collector's volume documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, this limited-edition volume is the ultimate book object for fans and collectors who want a lasting and unique souvenir of this remarkable work of art." A brand new, most handsome example of the Taschen "Collector's Edition" NUMBERED (4377) AND SIGNED by Volz, Christo, and Jeanne-Claude in pencil on the front colophon with a tipped-in swatch of the saffron-colored Gates fabric bound in housed in the publisher's pictorial slipcase, as issued, still in the publisher's printed cardboard shipping carton. 3-8228-3562-5 Inventory Number: 027024

(CHRISTO). Javacheff, Christo & Jeanne-Claude. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 1998. First Edition 1/2500 Deluxe. Small Folio. Cloth in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. 696 + 726pp, profusely illustrated in color and b&w. Text in English, German and Japanese. Designed by Christo and Jeanne Claude. "In 1991, 1340 blue six meter umbrellas were assembled and erected throughout a narrow valley in rural Japan. 7000 yellow umbrellas were similarly prepared across the Pacific in a dry expanse of Californian land. After months of grueling process, the two countries united as the forest of umbrellas were opened simultaneously on both continents. The umbrellas were removed after two weeks, but the memories of this unrepeatable and transient endeavor have now been collected in this official book of documentation designed by Christo and Jeanne-Claude. Thousands of photographs, plans, sketches, notes and a retrospective text provide the core source material, covering every stage of the project from inception to aftermath." A most handsome example of the two volume set housed in the publisher's pictorial slipcase NUMBERED AND SIGNED by Volz, Christo, and Jeanne-Claude containing swatches of both the blue and yellow umbrella fabrics bound in, in the publisher's printed cardboard shipping carton, as issued. 3-8228-7477-9 Inventory Number: 026505

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A brand new, most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") additionally BOLDLY SIGNED "Larry Clark" in black ink at the lower foredge corner of the title page. Inventory Number: 024362

(CLARK, LARRY). Clark Larry. New York: Grove Press, Inc., 2000. First Edition Thus 1/250 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in b&w. Nearly thirty years after the 1971 Lustrum Press publication of this landmark book, Larry Clark's taboo breaking "Tulsa" is once again available. Long before "Kids", "Another Day in Paradise" and "Bully", this was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, this book forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 Lustrum Press first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". This example is from the Grove Press 2000 limited slipcased edition of two hundred and fifty copies only SIGNED by Larry Clark, with a SIGNED 8 x 10" black and white photographic print (of an image that is not reproduced in the book) laid in. A brand new, pristine example in the publisher's shrinkwrap, as issued. 0-8021-1678-7 Inventory Number: 020125

(CLAXTON, WILLIAM). Claxton, William. Köln, GERMANY: Benedikt Taschen Verlag, 1997. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in English, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example additionally BOLDLY SIGNED "William Claxton" in black marker on the inside front cover.. 3-8228-6652-0 Inventory Number: 020849

(CLAXTON, WILLIAM) (GERNREICH, RUDI). Moffitt, Peggy & William Claxton. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition Thus. 4to. Cloth in Illustrated Jacket. Fashion Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Text in English, German and French. A labor of love by Peggy Moffitt and husband William Claxton, this is the coolest tribute to Los Angeles' visionary fashion designer - the man that brought us see-through, unisex garb, the topless swimsuit, and so much more! Moffitt was Gernreich's frequent model, collaborator, and muse. Claxton, best known for his Jazz and Hollywood work was also the primary photographer of the designer's collections for almost two decades; virtually all of the images here were taken by him. If you really want to know who made sixties fashion mod, op, pop and groovy, check this extraordinary book out. A most handsome example of the 1999 first Taschen edition additionally BOLDLY SIGNED "William Claxton" in black ink on the title page. 3-8228-7197-4 Inventory Number: 022022

(CLEMENTE, FRANCESCO). Eccher, Danilo, Francesco Pellizzi & Francesco Clemente. Bologna & Torino, ITALY: Galleria D'Arte Moderna Di Bologna & Umberto Allemandi & C., 1999. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 180pp, profusely 153 color and 7 b&w illustrations. Text in Italian and English. With an exhibition checklist, biography, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with a 1999 Galleria D'Arte Moderna Di Bologna exhibition of one hundred and fifty-three drawings, watercolors, and pastels executed by Francesco Clemente between 1980 and 1998. In addition to lovely color reproductions of each of the works on paper, it features a lengthy transcribed interview with the artist by Francesco Pellizzi, and curator Danilo Eccher. A most handsome example additionally BOLDLY INSCRIBED "Thank You! / Francesco Clemente / Bologna 29 Maggio 1999" on the day of the Museum opening in pencil across the title page. 88-422-0917-1 Inventory Number: 024002

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. A most handsome example bearing the BOLDLY SIGNED PRESENTATION "For .... Some Words & Pictures XXX Michael" from author McClure in gold marker on the title page. 0-8478-1469-6 Inventory Number: 020439

(CLERGUE, LUCIEN). Charles-Roux, Edmond. Marseille, FRANCE: Ancien Couvent Royal De Saint-Maximin, 1967. First Edition. Small Oblong 4to. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (10pp), 3 b&w illustrations with a tipped-in photograph. With an exhibition checklist, biography, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender ten page catalogue issued in conjunction with a 1967 exhibition of one hundred and twelve photographs by Lucien Clergue held at Marseille's Ancien Couvent Royal De Saint-Maximin. It features a 5 x 7" silver gelatin print of a female nude at water's edge we believe to be from the photographer's "Naissances D'Aphrodite" series stamped "PHOTOGRAPHIES / Lucien CLERGUE / ARLES-SUR-RHONE / REPRODUCTION INTERDITE" on the verso tipped to the inside front cover. A handsome example of this uncommon item BOLDLY SIGNED in black ink AND NUMBERED (000155) - from an unstated edition - on the inside front cover beneath the photo, as issued. Inventory Number: 026583

(CLOSE, CHUCK). Close, Chuck. Gottingen, GERMANY: Little Steidl, 2017. First Edition #65/100 Deluxe. 4to. Cloth in a Clamshell Box. Artist Monograph. As New/No Jackets - As Issued. np (18pp) + np (18pp) + 8pp. Two individually bound 110 ½ x 13 ½" nine-sheet leporellos printed by color offset lithography recto only, 18 color illustrations. Designed by Chuck Close and Nina Holland. "The idea of a book without words had resonance for Chuck Close. As a child, his severe dyslexia stood in the way of reading, making images all the more important. He remembers a visual encyclopedia from his early years and the feeling of being overtaken by the intensity of its pictures. The idea also resonated with his ongoing interest in revealing the process of his work, which he accomplishes largely through visual presentation, using very few words, if any. "Scribble Book" is a self-portrait that emerges step-by-step out of the printing process, one plate and one color at a time. The viewer follows a series of nine individual plate proofs - volume one - along with a corresponding series of nine progressive proofs - volume two. By comparing the plate proofs against the progressives, the viewer may ascertain not only the effect as one color is added to another to create the final nine-color portrait, but also the compositional decisions and careful modifications made by the artist at each stage of the project. A similar work was made with twelve plates and included in the exhibition "Chuck Close Prints: Process and Collaboration" at the Metropolitan Museum of Art in 2004 and was an immediate success. "Scribble Book" is presented in this deluxe edition as two accordion-fold books. The first shows the series of plate proofs, and the second the series of progressive proofs, culminating with a nine-color self-portrait. For those seeking a more detailed understanding of the process, these books are accompanied by a separate text in which the artist gives a personal account of his drawing process as recorded through printmaking." A brand new, pristine NUMBERED (65/100) AND SIGNED example of the 2017 first deluxe edition this exquisite undertaking consisting of three volumes in a silkscreened clamshell box limited to one hundred copies. 3-944630-00-9 Inventory Number: 026507

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. Inventory Number: 025036

(CONAL, ROBBIE). Rugoff, Ralph & Deborah Irmas. Pasadena, CA: Pasadena Art Alliance, 1990. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 56pp, profusely illustrated in color and b&w. Designed by Deborah Ross. This is the catalogue published in conjunction with the 1990 Pasadena Armory Center for the Arts retrospective of the work of wry political satirist Robbie Conal. Firmly in the lineage of such 20th Century political artists as John Heartfield, Hans Haacke, and Klaus Staeck, Conal is renowned for his midnight guerrilla postering raids of the Los Angeles urban landscape with such memorable images as "Contra-Diction (Ronald Reagan)" and "It Can't Happen Here (George Bush Sr.)". Other Reagan-era stalwarts skewered here include Nancy Reagan, Henry Kissinger, James Baker, Jesse Helms, Ed Meese, Oliver North, Dan Quayle, John Poindexter, Margaret Thatcher, Jimmy Swaggart, and Jim and Tammy Faye Bakker. This reproduces virtually his entire oeuvre of the eighties - both paintings and posters - including documentation of many defaced and in-situ works. A most handsome example additionally SIGNED "Robbie Conal" in black ink on the title page. 0-937042 Inventory Number: 020821