Arcana:

Bonner, Jennifer & Hanif Kara, Editors. Novato, CA: Applied Research and Design, 2021. First Edition. 11 1/4 x 8 1/4". Printed Boards. Architectural Survey. New/No Jacket - As Issued.

230pp, profusely illustrated in color and b&w. "Blank: Speculations on CLT" weaves a much needed and transformational narrative about making architecture through paying close attention to cross-laminated timber as a material for today. The material becomes the site of experimentation, innovation, and research in search of specific meanings of CLT in architecture at various scales by selecting the “CLT Blank” as the building unit. The structure of the book brings together work and texts from a diverse group of theorists and practitioners, who make material central to their inquiry, to suggest design approaches that will broaden the cultural, spatial, and technological significance for architecture, education, engineering, and industry.

The outcome focuses on materiality through fast slippages between art, architecture, and science, that we hope will invigorate and expand new discourse to act as an antidote to the current conversations about the material, that is fixated on its making and mass production, disappointingly portraying it as a bland and lifeless product—a notion we want to be distant from in preference to seeking areas we feel were not yet conceptualized or theorized . The potential to see the spatial properties of its use and what kind of world that might suggest is shown in the book, with selected striking visual materials, to reposition its architecture though new forms of representation and responses that continue to stay in touch with pragmatics. Aesthetics of CLT with a connection to wood and art practice is a central thread though the book." A brand new, most handsome example of this thought-provoking survey featuring work by Lauren Halsey additionally SIGNED by author Jennfer Bonner.

Jennifer Bonner is director of MALL and associate professor of architecture at the Harvard Graduate School of Design. She is the author of "A Guide to the Dirty South―Atlanta" and guest editor of a special issue of ART PAPERS on Los Angeles. Her design work, including Haus Gables, a single-family residence in Atlanta constructed of eighty-seven CLT panels, has been widely published and exhibited.


978-1954081024 Inventory Number: E000BSOCLT

(BOURGEOIS, LOUISE). Gorovoy, Jerry. New York: Bellport Press, 1986. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), profusely illustrated in monochrome. Designed by John Cheim, Jerry Gorovoy & Thomas Whitridge. This is the elegantly designed, beautifully printed 1986 catalogue published by John Cheim's Bellport Press on the sculptural work of Louise Bourgeois. A brand new, most handsome example of this uncommon item additionally bearing the SIGNED PRESENTATION "to Neil / Polen. / Best wishes / L." in the artist's spidery script in black ink on the title page. Neil Polen was the imposingly tall, shaven-headed New York art scene regular that used to attend virtually all the major gallery and museum openings in the eighties and nineties, approach the evening's artist(s) with an array of books and catalogues to sign, then offer the inscribed treasures for sale from his semi-permanent table in front of Dean & DeLuca in Soho. We obtained this directly from the late, great Mr. Polen prior to his passing. Inventory Number: 025400

(BRAVO, MANUEL ALVAREZ). Bravo, Manuel Alvarez & Juan Garcia Ponce. Miguel Cervantes, Editor. Mexico City, MEXICO: Departmento de Publicaciones, Comite Organizador De Los Juegos De La XIX, 1968. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Very Good -./No Jacket - As Issued. 114pp, 84 b&w and 3 color illustrations. Text in Spanish, English and French. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the substantial hardbound catalogue published in conjunction with the 1968 exhibition "Manuel Alvarez Bravo: Photographies / Photographs / Fotografias 1928 - 1968" that was held as part of the cultural programming for the games of the XIX Olympiad held in Mexico City. The show consisted of two hundred and fifty images by the venerable photographer, eighty-seven of which are reproduced here in gravure. An internally most handsome example of the - and only - edition of this uncommon and important document additionally bearing the BOLDLY SIGNED PRESENTATION "Para el senor / Jim Bullowa, dese an dole (?) un / feliz ano 1971 / M. Alvarez Bravo. / Coyoacan decembre de 1970" in blue ink across page 5 along with "El prefacio y la seleccione de poesia, / por Juan Garcia Ponce; el retrato por Miguel Cervantes. / Pag. 51 L'oiseau... esta puesto al reves / Asparicion.. fuera de registro el / duotuno (?) / 85 Dice: Tehuantepec, Chiapas, / Oaxaca / dese decio" across the title page in the same blue ink. Additionally laid in is a torn scrap of butcher paper bearing Bravo's name, return address, and "libros / books" written in the photographer's hand. There is a mild dent to the textblock at the head of the spine, and the edges of the pages show some soiling and a bit of spotting along the top. The white glazed boards show overall light soiling and age-toning along with some notable pitting and a bit of surface wear to the rear cover. It has been priced accordingly. Inventory Number: 026734

(BRUCE OF LOS ANGELES). Bellas, Bruce aka Bruce of Los Angeles. Los Angeles. ND: Bruce of Los Angeles. First Edition. 4to. Silver Gelatin Photograph. Near Fine.. One 8 x 10" silver gelatin print printed recto only, mounted with archival photo corners in a heavy white 11 x 14" beveled mat. This is a classic male physique photograph by Bruce Bellas - better known as Bruce of Los Angeles - picturing the nude, dramatically lit muscular model John Hackett posing in Bruce's studio. A bright, most handsome vintage silver gelatin print on heavy fiber-based paper bearing the stamp BRUCE OF LOS ANGELES / Box 73505, Sanford Station / Los Angeles 5, Calif." in black ink on the verso along with the name of John Hackett handwritten in pencil along the bottom edge showing a bit of browning of the emulsion along the lower margin of the recto not affecting the image. Inventory Number: 026270

(BUKOWSKI, CHARLES). Bukowski, Charles & Noel Rockmore. New York & New Orleans: Lyle Stuart Inc. & The Loujon Press, 1965. First Edition 1/3100. Tall 4to. Illustrated Wrappers. Poetry Monograph. Very Good./Very Good -.. 101pp. illustrated in b&w + b&w covers. With 4 b&w etchings bound in. In a protective clear acetate dustwrapper. "Crucifix in a Deathhand" is the elaborately designed and bound 1965 collection of poetry by hard-living Angeleno Charles Bukowski fabricated by Louise "Gypsy Lou" and Jon Webb at their Loujon Press in New Orleans, and published with the imprint of Lyle Stuart. The author's sixth book, it was issued as a "Loujon Press Award Book" (Gypsy Lou Series #2). Printed by hand-letterpress on seven shades of heavy Spectra Linweave paper with deckle edges and elaborately bound by the Press, it includes four black and white etchings with tissue overlays by New Orleans-based artist Noel Rockmore. An internally bright, most handsome example of this tour de force (a deluxe-but-unnumbered, uncatalogued variant of entry sixteen in Aaron Krumhansel's "A Descriptive Bibliography of the Primary Publications of Charles Bukowski") limited to three thousand, one hundred unnumbered copies SIGNED AND DATED "Charles Bukowski / 3-16-65" in red acrylic paint at the time of publication beneath a striking ACRYLIC PAINTING in silver and red on the verso of a blank page at the rear. There is very light soiling and wear to the top and bottom edges of the textblock, and its Noel Rockmore-illustrated covers shows mild wear, creasing, fraying, and age-toning to the extremities. The publisher's printed wraparound band is complete and present, though it has a clean separation and is somewhat worn, torn, and age-toned. Additionally laid in is a vintage xerox of Ormonde Plater's nine-paragraph interview with Jon Webb about the book's publication captioned "Tough Poems" from the May 28th, 1965 issue of New Orleans' "Vieux Carre Courier". All in all, this is a most desirable example of an important early Bukowski title with an impressive painting that looks nicer in hand than it describes. Inventory Number: 026504

(BURKE, BILL). Burke, Bill. Santa Fe, NM. 1987 (2007): Twin Palms Publishers. First Edition Thus 1/35 Deluxe. Folio. Boards in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. np (60pp), profusely illustrated in color and duotone. "In 1982, years after Viet Nam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with The International Rescue Committee, which was working at the Thai-Cambodian border". Published in 1987, "I Want to Take Picture" features black and white images which Burke shot during several trips through Southeast Asia in the early eighties, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia. A pristine copy of the deluxe 2007 first Twin Palms printing (whose 1987 first Nexus Press edition is cited on page 19 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 40-41 of The Hasselblad Center's "The Open Book", and pages 258-259 of "The Book of 101 Books") limited to thirty-five copies SIGNED AND NUMBERED (#15/35) in a debossed black linen clamshell box with a SIGNED AND NUMBERED BLACK AND WHITE SILVER GELATIN PHOTOGRAPHIC PRINT entitled ""KPNLF Fighter With Lake Ampil RPG, Thai Cambodia Border, 1984". PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-931885-63-X Inventory Number: 022181

(BYRNE, ALEC). Evans, Drew. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 4to. Pictorial Wrappers. Music Photography Monograph. As New.. np (54pp), profusely illustrated in b&w and color. "Rock & Roll Time Capsule" is the catalogue published in conjunction with a one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It presents amazing vintage shots of The Jimi Hendrix Experience, Bob Dylan, The Beatles, Mick Jagger, The Rolling Stones, David Bowie, The Who, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, Chuck Berry, and Roy Orbison - most being seen in print for the very first time! A brand new, pristine example of the first edition limited to one thousand copies NUMBERED AND SIGNED by the photographer, as issued.

PLEASE NOTE: These signed catalogues will be available at Arcana on Saturday, December 17th, and orders will ship beginning on Tuesday, December 19th.
0-615-90223-5 Inventory Number: 022934

(BYRNE, ALEC). Uber Archives. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 36 x 24". Exhibition Poster. As New.. One 36 x 24" heavy paper sheet printed photolthographically recto only, 1 monochrome illustration.

This is the striking lithograph published in conjunction with "Rock & Roll Time Capsule" - the one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It features an image of Jimi Hendrix backstage at London's Saville Theatre from May 1967 that is the lead image for Byrne's new full-length book, "London Rock - The Unseen Archive". A brand new, pristine example of the 2012 first and only printing limited to one thousand copies NUMBERED AND SIGNED by the photographer rolled in a heavy poster tube, as issued.

PLEASE NOTE: These signed posters will be available at Arcana on Sunday, December 17th, and orders will ship beginning on Tuesday, December 19th.
Inventory Number: E000ABRRTC-LITHOGRAPH

(CALLE, SOPHIE). Calle, Sophie. New York, London, Rome & Hong Kong. 2007-2014.: Thea Westreich, 1991. First Edition #117/230. 4to. Decorative Boards, Boxed. Artist's Book. Fine/No Jacket - As Issued. np, 18 b&w illustrations. Text in French and English. The most visually spectacular of her artist's books to date, "La Fille Du Docteur" is yet another exploration of the part autobiographical, part fictional personae of Sophie Calle. The work consists of sixteen facsimile cards of congratulation (purportedly) from colleagues of the artist's father upon the announcement of her birth. This was traditional amongst the French medical profession, and Calle's father was a physician. Or was he? Each of these cards is housed in a glassine envelope that faces a sequential photographic image printed on vellum of the artist performing a drunken striptease. These images conclude with the naked, comatose Sophie (who "will be a source of joy to her parents") sprawled in a heap. The book is bound as a faux leopard-skin album, which is in turn housed in a paper covered, chipboard box with a printed label. A brand new, most handsome example of the uncommon 1991 first - and only - Thea Westreich edition (cited on pages 166-167 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 352-353 of The Hasselblad Center's "The Open Book") limited to two hundred and thirty copies SIGNED AND NUMBERED (117/230) in black ink on the publisher's label of limitation affixed to the final leaf, as issued. Inventory Number: 026681

(CANNONE, GARY). Cannone, Gary & Jamillah James. Los Angeles, CA: Campbell Hall Art Gallery, 2019. First Edition. 8vo. Pictorial Wrappers. Artist Monograph. As New.. np, profusely illustrated in color. Designed by Ivan Golinko.

"Albums by Conceptual Artists" originated as a crowd-sourced online project in which Gary Cannone encouraged like-minded artists to infiltrate popular and obscure album covers with content from the history of contemporary art in a communal act of parody. Begun as a Facebook comment thread, a Tumblr site of the project soon followed and grew to over five hundred album cover contributions ranging from transgressive to silly, from informative to obtuse. Cannone sees the series as a form of fan fiction, a positive creative act often using arcane minutiae linking the worlds of art and music done by and for art nerds. The artist’s formative influences include 70s comedy such as Norm Crosby, Wacky Packages, Carol Burnett, Mad Magazine, and the disembodied PA from M*A*S*H (the TV series). He is a 2019 recipient of a California Community Foundation’s Fellowship in Visual Arts grant and his artist’s book, Time Settings for a Microwave Oven with Broken Three, Four, and Nine Buttons was recently acquired by The Getty Museum. His current work explores the phenomenology of furniture in gallery spaces through the lens of a prop comic." A brand new, most handsome example additionally BOLDLY SIGNED by artist Gary Cannone in ink.

PLEASE NOTE: Copies of “Forever Now” will be signed by Gary Cannone at our event on Saturday, August 3rd, and shipped beginning Tuesday, August 6th. Inventory Number: E000GCFN

(CAPA, CORNELL). Whelan, Richard. Introduction by Peter Fetterman. Afterword by Cornell Capa. Santa Monica, CA: Peter Fetterman Gallery, 2002. First Edition 1/50 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 64pp, 27 duotone illustrations. "Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful clothbound book filled with twenty-seven of his most intelligent, compassionate, formally striking images promises to bring the photographer his due. He once told "Camera" magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specific situations or person that they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called a "concerned photographer" - one who is passionately dedicated to doing work that will contribute to the understanding and well-being of humanity". A brand new, pristine example of the deluxe 2002 first printing issued by the Peter Fetterman Gallery limited to fifty copies NUMBERED (38/50) AND SIGNED "Cornell Capa" accompanied by a cloth chemise containing the matted 7 ½ x 5 ¼ silver print entitled "Bolshoi Ballet School" similarly NUMBERED (38/50) AND SIGNED on the verso housed in the publisher's silver gilt-stamped slipcase still in its original shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-9712765-0-1 Inventory Number: 025483

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #5/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of ten copies only meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-****" in blue ink on a white substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 3/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 027337

(CASTRANOVA, GIO). Castranova, Gio. Simon Ore, Editor. Los Angeles: Self-Published, I00220909, 2022. First Edition. 12 x 9 inches, 180 Pages. Hardcover. New/No Jacket - As Issued.

Featuring nearly two hundred pages of high quality full-color images and illustrations, "Still Missing" is a beautifully designed exploration of the folk art world of lost and found pet posters that combines graphic and visual arts, illustration, and photography in a poetic and cohesive collage of raw emotion. Art connoisseurs and casual observers of all backgrounds, interests, and ages will find their own deep resonance within its pages.

A collection of art by everyone, for everyone, this book truly speaks worlds about the human condition. It’s strange, it's weird, it's funny, it's beautiful, it's creative and yes...it's also sad. From toucans to tortoises, roosters to ferrets and dragons to unicorns, it will always keep you guessing with what’s coming next.

What is the largest reward for a cat? What is the smallest reward for a turtle? What's the strangest pet name? What's the most unique poster material? What's the biggest or the smallest poster I've ever found? It's all in the details... Still Missing will answer all of these questions, while provoking even more.

RULES
• All posters collected in Los Angeles County from 2010-2013 by Gio Castranova.
• Rules for collecting: to take a single poster, at least three identical posters must be observed within a given one block area, to not defeat the owners' quest of finding their animal.
• Respect, preserve and transmit the message of the poster as displayed when first encountered.

A brand new, most handsome example of this sadly now out of print gem additionally BOLDLY SIGNED by author Gio Castranova in black marker on the front pastedown. 9781645709022

100% of the author's proceeds go to animal charities!

Inventory Number: I00220909

(CHICAGO, JUDY). Chicago, Judy. New York: Anchor Books, 1979. First Paperback Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 256pp, profusely illustrated in b&w and color. Designed by Sheila Levrant de Bretteville. This is the comprehensive, self-illustrated 1979 monograph detailing the history and execution of Judy Chicago's iconic monumental installation devoted to the cultural achievements of women, "The Dinner Party". A handsome example of the first paperbound edition additionally BOLDLY INSCRIBED "For Molly - / and old + new times, / Judy Chicago / 1979" in the year of publication in blue ink on the half title page to noted a Los Angeles gallerist - from whom we acquired this directly - showing some light wear and handling to the covers and creasing along the spine. 0-385-14567-5 Inventory Number: 026550

(CHRISTIAN, ANTON). Christian, Anton. With texts by H.C. Artmann, Suzanne Bloom, Helmut Eisendle, Erich Fried, Hans Haid, Ed Hill, Felix Mitterer, Ezra Pound, Alexander Schwarz, Turi Werkner, and "funf Sagen aus dem Reich der Fanes". Innsbruck, AUSTRIA: Haymon Verlag, 1989. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine (But Incomplete)/Fine. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-85218-050-3 Inventory Number: 005063

(CHRISTO). Javacheff, Christo, Jeanne-Claude & Jonathan Henery. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 2005. First Edition #4377/5000 Deluxe. Stout 4to. Cloth in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 968pp, profusely illustrated in color and b&w. Text in English. Designed by Christo and Jeanne Claude. "February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City's Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg's administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park's walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambiance of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This special collector's volume documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, this limited-edition volume is the ultimate book object for fans and collectors who want a lasting and unique souvenir of this remarkable work of art." A brand new, most handsome example of the Taschen "Collector's Edition" NUMBERED (4377) AND SIGNED by Volz, Christo, and Jeanne-Claude in pencil on the front colophon with a tipped-in swatch of the saffron-colored Gates fabric bound in housed in the publisher's pictorial slipcase, as issued, still in the publisher's printed cardboard shipping carton. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-8228-3562-5 Inventory Number: 027024

(CHRISTO). Javacheff, Christo & Jeanne-Claude. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 1998. First Edition 1/2500 Deluxe. Small Folio. Cloth in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. 696 + 726pp, profusely illustrated in color and b&w. Text in English, German and Japanese. Designed by Christo and Jeanne Claude. "In 1991, 1340 blue six meter umbrellas were assembled and erected throughout a narrow valley in rural Japan. 7000 yellow umbrellas were similarly prepared across the Pacific in a dry expanse of Californian land. After months of grueling process, the two countries united as the forest of umbrellas were opened simultaneously on both continents. The umbrellas were removed after two weeks, but the memories of this unrepeatable and transient endeavor have now been collected in this official book of documentation designed by Christo and Jeanne-Claude. Thousands of photographs, plans, sketches, notes and a retrospective text provide the core source material, covering every stage of the project from inception to aftermath." A most handsome example of the two volume set housed in the publisher's pictorial slipcase NUMBERED AND SIGNED by Volz, Christo, and Jeanne-Claude containing swatches of both the blue and yellow umbrella fabrics bound in, in the publisher's printed cardboard shipping carton, as issued. 3-8228-7477-9 Inventory Number: 026505

(CLARK, LARRY). Clark Larry. NP (New York). ND 1979.: Self-Published. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in b&w. Long before "Kids", "Another Day in Paradise" and "Bully", Larry Clark's groundbreaking first book was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, "Tulsa" forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. A brand new, most handsome example of the first printing of Larry Clark's own 1979 self-published hardbound reprint of the original 1971 Lustrum press edition (the original is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books") additionally BOLDLY SIGNED "Larry Clark" in black ink at the lower foredge corner of the title page. Inventory Number: 024362

(CLARK, LARRY). Clark Larry. New York: Grove Press, Inc., 2000. First Edition Thus 1/250 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in b&w. Nearly thirty years after the 1971 Lustrum Press publication of this landmark book, Larry Clark's taboo breaking "Tulsa" is once again available. Long before "Kids", "Another Day in Paradise" and "Bully", this was the real thing. A gritty, voyeuristic photo essay of the author's life amongst youthful petty criminals and drug addicts in Oklahoma, this book forever changed the landscape of acceptability for the photographic book in the latter half of the 20th Century. The 1971 Lustrum Press first edition is cited on page 260 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 272-73 of The Hasselblad Center's "The Open Book", page 25 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 208-09 of "The Book of 101 Books". This example is from the Grove Press 2000 limited slipcased edition of two hundred and fifty copies only SIGNED by Larry Clark, with a SIGNED 8 x 10" black and white photographic print (of an image that is not reproduced in the book) laid in. A brand new, pristine example in the publisher's shrinkwrap, as issued. 0-8021-1678-7 Inventory Number: 020125

(CLAXTON, WILLIAM). Claxton, William. Köln, GERMANY: Benedikt Taschen Verlag, 1997. First Edition. 12mo. Illustrated Wrappers. Music Photography Monograph. Fine.. np (64pp), 26 b&w and 4 color illustrations. Text in English, German, French and Spanish. This is a Taschen Postcard book containing thirty bound (yet easily detached and ready to mail) jazz images by noted Los Angeles photographer William Claxton distilled from his full-length Taschen tome, "Jazz Seen". A most handsome, completely intact example additionally BOLDLY SIGNED "William Claxton" in black marker on the inside front cover.. 3-8228-6652-0 Inventory Number: 020849

(CLAXTON, WILLIAM) (GERNREICH, RUDI). Moffitt, Peggy & William Claxton. Koln, GERMANY: Benedikt Taschen Verlag, 1999. First Edition Thus. 4to. Cloth in Illustrated Jacket. Fashion Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Text in English, German and French. A labor of love by Peggy Moffitt and husband William Claxton, this is the coolest tribute to Los Angeles' visionary fashion designer - the man that brought us see-through, unisex garb, the topless swimsuit, and so much more! Moffitt was Gernreich's frequent model, collaborator, and muse. Claxton, best known for his Jazz and Hollywood work was also the primary photographer of the designer's collections for almost two decades; virtually all of the images here were taken by him. If you really want to know who made sixties fashion mod, op, pop and groovy, check this extraordinary book out. A most handsome example of the 1999 first Taschen edition additionally BOLDLY SIGNED "William Claxton" in black ink on the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-8228-7197-4 Inventory Number: 022022

(CLEMENTE, FRANCESCO). Eccher, Danilo, Francesco Pellizzi & Francesco Clemente. Bologna & Torino, ITALY: Galleria D'Arte Moderna Di Bologna & Umberto Allemandi & C., 1999. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 180pp, profusely 153 color and 7 b&w illustrations. Text in Italian and English. With an exhibition checklist, biography, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with a 1999 Galleria D'Arte Moderna Di Bologna exhibition of one hundred and fifty-three drawings, watercolors, and pastels executed by Francesco Clemente between 1980 and 1998. In addition to lovely color reproductions of each of the works on paper, it features a lengthy transcribed interview with the artist by Francesco Pellizzi, and curator Danilo Eccher. A most handsome example additionally BOLDLY INSCRIBED "Thank You! / Francesco Clemente / Bologna 29 Maggio 1999" on the day of the Museum opening in pencil across the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 88-422-0917-1 Inventory Number: 024002

(CLEMENTE, FRANCESCO). McClure, Michael. Introduction by Dieter Koepplin. New York: Gagosian Gallery & Rizzoli International Publications, 1991. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 122pp, 14 color illustrations. Designed by Jose Conde. With an exhibition history and bibliography. This is the catalogue published in conjunction with the 1991 Francesco Clemente exhibition entitled "Testa Coda" held at Gagosian Gallery New York. It features an essay as well as an interview with the artist by notable West Coast literary figure Michael McClure. A most handsome example bearing the BOLDLY SIGNED PRESENTATION "For .... Some Words & Pictures XXX Michael" from author McClure in gold marker on the title page. 0-8478-1469-6 Inventory Number: 020439

(CLERGUE, LUCIEN). Charles-Roux, Edmond. Marseille, FRANCE: Ancien Couvent Royal De Saint-Maximin, 1967. First Edition. Small Oblong 4to. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (10pp), 3 b&w illustrations with a tipped-in photograph. With an exhibition checklist, biography, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender ten page catalogue issued in conjunction with a 1967 exhibition of one hundred and twelve photographs by Lucien Clergue held at Marseille's Ancien Couvent Royal De Saint-Maximin. It features a 5 x 7" silver gelatin print of a female nude at water's edge we believe to be from the photographer's "Naissances D'Aphrodite" series stamped "PHOTOGRAPHIES / Lucien CLERGUE / ARLES-SUR-RHONE / REPRODUCTION INTERDITE" on the verso tipped to the inside front cover. A handsome example of this uncommon item BOLDLY SIGNED in black ink AND NUMBERED (000155) - from an unstated edition - on the inside front cover beneath the photo, as issued. Inventory Number: 026583

(CLOSE, CHUCK). Close, Chuck. Gottingen, GERMANY: Little Steidl, 2017. First Edition #65/100 Deluxe. 4to. Cloth in a Clamshell Box. Artist Monograph. As New/No Jackets - As Issued. np (18pp) + np (18pp) + 8pp. Two individually bound 110 ½ x 13 ½" nine-sheet leporellos printed by color offset lithography recto only, 18 color illustrations. Designed by Chuck Close and Nina Holland. "The idea of a book without words had resonance for Chuck Close. As a child, his severe dyslexia stood in the way of reading, making images all the more important. He remembers a visual encyclopedia from his early years and the feeling of being overtaken by the intensity of its pictures. The idea also resonated with his ongoing interest in revealing the process of his work, which he accomplishes largely through visual presentation, using very few words, if any. "Scribble Book" is a self-portrait that emerges step-by-step out of the printing process, one plate and one color at a time. The viewer follows a series of nine individual plate proofs - volume one - along with a corresponding series of nine progressive proofs - volume two. By comparing the plate proofs against the progressives, the viewer may ascertain not only the effect as one color is added to another to create the final nine-color portrait, but also the compositional decisions and careful modifications made by the artist at each stage of the project. A similar work was made with twelve plates and included in the exhibition "Chuck Close Prints: Process and Collaboration" at the Metropolitan Museum of Art in 2004 and was an immediate success. "Scribble Book" is presented in this deluxe edition as two accordion-fold books. The first shows the series of plate proofs, and the second the series of progressive proofs, culminating with a nine-color self-portrait. For those seeking a more detailed understanding of the process, these books are accompanied by a separate text in which the artist gives a personal account of his drawing process as recorded through printmaking." A brand new, pristine NUMBERED (65/100) AND SIGNED example of the 2017 first deluxe edition this exquisite undertaking consisting of three volumes in a silkscreened clamshell box limited to one hundred copies. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-944630-00-9 Inventory Number: 026507

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025036

(CONAL, ROBBIE). Rugoff, Ralph & Deborah Irmas. Pasadena, CA: Pasadena Art Alliance, 1990. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 56pp, profusely illustrated in color and b&w. Designed by Deborah Ross. This is the catalogue published in conjunction with the 1990 Pasadena Armory Center for the Arts retrospective of the work of wry political satirist Robbie Conal. Firmly in the lineage of such 20th Century political artists as John Heartfield, Hans Haacke, and Klaus Staeck, Conal is renowned for his midnight guerrilla postering raids of the Los Angeles urban landscape with such memorable images as "Contra-Diction (Ronald Reagan)" and "It Can't Happen Here (George Bush Sr.)". Other Reagan-era stalwarts skewered here include Nancy Reagan, Henry Kissinger, James Baker, Jesse Helms, Ed Meese, Oliver North, Dan Quayle, John Poindexter, Margaret Thatcher, Jimmy Swaggart, and Jim and Tammy Faye Bakker. This reproduces virtually his entire oeuvre of the eighties - both paintings and posters - including documentation of many defaced and in-situ works. A most handsome example additionally SIGNED "Robbie Conal" in black ink on the title page. 0-937042 Inventory Number: 020821

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Very Good -.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a 1983 New York gallery exhibition of Joseph Cornell's boxes and collages whose imagery reflects his lifelong obsession with the ballet. A handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... - Love, Hugs, kisses / Sandy / 12.16.83" from the author - noted Cornell dealer and scholar Sandra "Sandy" Starr - in black ink in the year of publication on the first preliminary showing a bit of wear and soiling to its white covers. LC 83-73032 Inventory Number: 005860

(CREWDSON, GREGORY). Crewdson, Gregory. New York: Gagosian Gallery, 2005. First Edition. Oblong 4to. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (8pp), 15 color illustrations + covers. Designed by Gianpietro + Smith. Published in conjunction with a traveling 2005 exhibition, this is the slender eight page illustrated catalogue that is a combined list of the crew members from the four productions between 2003 and 2005 that helped realize Gregory Crewdson's twenty image photographic work "Beneath the Roses". A most handsome example of this uncommon item (NOT to be confused with the comprehensive hardbound 2008 publication bearing the same title) additionally BOLDLY SIGNED "Gregory Crewdson" in black marker on the title page. Inventory Number: 026622

(CRUMB, R.). Crumb, R(obert).. Hamburg, GERMANY: Gingko Press, 1992. First Edition 1/500 Deluxe. Small Folio. Cloth w/Pastedown in Slipcase. Artist Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in b&w. "R. Crumb Comics" collects three short 1989 stories from everyone's favorite comix curmudgeon, R. Crumb that feature the artist as the protagonist - "The Story O' My Life", "People... Ya Gotta Love 'Em", and "I'm Grateful! I'm Grateful!". A brand new, pristine example of the deluxe edition limited to five hundred hardbound, numbered (# 8/500) slipcased copies BOLDLY SIGNED by R. Crumb in black ink on the rear colophon, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-927258-10-5 Inventory Number: 020035

(CRUMB, R.). Crumb, Robert. Dian Hanson, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2007. First Edition 1/1000 Deluxe. Stout 4to. Illustrated Boards in Slipcase. Artist Monographs. As New/No Jacket - As Issued. 258pp, profusely illustrated in color and b&w. Text in English. " R. Crumb has selected his most intimately revealing comic strips and single page drawings to create a two hundred and fifty-eight page encyclopedic trip through his sexual psyche. All images were created between 1980 and 2006, and all strips are hand-colored for a lush vibrancy never seen in his comic books. In total, "Robert Crumb's Sex Obsessions" features fourteen complete stories, including "My Troubles With Women", "If I Were a King", "A Bitchin' Bod", and "How To Have Fun With a Strong Girl", as well as sixty single page drawings. This signed slipcased edition limited to one thousand copies is a work of art in itself, with every part of the book - front and back covers, spine, and introductory pages - created for this project by Robert Crumb. Each book comes with an art print selected by Mr. Crumb. A brand new, pristine example sealed in shrinkwrap still in the publisher's printed cardboard shipping carton. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-8228-2540-9 Inventory Number: 022282

(CUTRONE, RONNIE). Brougher, Nora Halpern. Introduction by Martin S. Blinder. Van Nuys, CA: Martin Lawrence Limited Editions, 1990. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 48pp, 44 color and 11 monochrome illustrations. With an exhibition history and bibliography. This is the nicely appointed hardbound catalogue issued in conjunction with a 1990 Los Angeles gallery exhibition of forty-four recent watercolor and graphite works on paper by East Village art scene mainstay and former Warhol Factory assistant Ronnie Cutrone. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED "Ronnie Cutrone / 90" WITH A "WOODY WOODPECKER" DRAWING executed in black marker on the front free endpaper. 0-929460-02-2 Inventory Number: 027360

(DALI, SALVADOR). Dali, Salvador. New York: Carstairs Gallery, 1958. First Edition. Large 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good -.. One 14 x 21" cardstock sheet printed offset recto and verso folded in half vertically to make 14 x 11 ½", 4pp, 1 b&w cover illustration. Cover Designed by Salvador Dali. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the slender four page catalogue published in conjunction with Salvador Dali's 1959 exhibition of thirteen watercolors and drawings at New York's Carstairs Gallery. Stating "This, my best exhibition, I dedicate to Gala, my Sistine Madonna", it features a cover illustration by the Surrealist icon along with his brief "Anti-Matter Manifesto". A most presentable example of this exceedingly uncommon item additionally BOLDLY INSCRIBED "Monsieur Alexandre ELIOT" in blue ballpoint pen across the rear cover plus "Hommages de Dali / 1959" in blue fountain pen on the inside front cover showing light soiling and spotting, some stray pigment marks, and minor insect damage to the covers. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025563

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042

(DAVIDSON, BRUCE). Davidson, Bruce & Barney Simon. Koln, GERMANY: Galerie am Dom, Burkhard Arnold & Verlag Locher, 1999. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. 48pp, 28 duotone illustrations. Text in English and German. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. This elegantly produced hardbound catalogue was issued in conjunction with a 1999 Koln gallery exhibition of twenty-eight of Davidson's arresting "East 100th Street" images. A brand new, most handsome example of this uncommon item (whose 1970 Harvard University Press predecessor is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-97 of "The Book of 101 Books", and pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné") additionally BOLDLY SIGNED "Bruce Davidson" in black ink on the title page along with an adhesive label bearing the photographer's New York address and phone number affixed to the inside rear cover. 3-930054-33-7 Inventory Number: 024914

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by Mildred Feliciano. West Hollywood, CA: St. Ann's Press, 2003. First Edition 1/100 Deluxe. Large Square 4to. Cloth in Slipcase. Photography Monograph. As New/As New. np (165pp), 140 tritone illustrations. Designed by Paul McMenamin at SPINE. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" is one of the classic volumes of Post-War American photography. After more than twenty years of unavailability, it has been lavishly republished by the redoubtable St. Ann's Press, with thirty-five new images, all beautifully reproduced. A brand new, pristine example of the deluxe 2003 St. Ann's Press edition (whose 1970 Harvard University Press first hardbound printing is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") limited to one hundred copies NUMBERED (86/100) AND SIGNED "Bruce Davidson" in black ink on the half title page with an original 10 x 8" gelatin silver print of the image of two children peering out a fire escape window that is reproduced in the book SIGNED by Bruce Davidson in pencil on the verso laid into a portfolio and housed in the publisher's slipcase, as issued. 0-9713681-4-7 Inventory Number: 022755

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by U.S. Congressman John Lewis. Introduction by Deborah Willis. West Hollywood, CA: St. Ann's Press, 2002. First Edition 1/100 Deluxe. Large Square 4to. Cloth w/Pastedown in Slipcase. Photography Monograph. As New/As New. np (172pp), 144 tritone illustrations. Designed by Paul McMenamin at SPINE. Photographed during the height of the American Civil Rights struggle (with most of these images uncollected in book form until this undertaking), Bruce Davidson's moving portraits of social change from the rural South to the streets of Harlem and Chicago are a revelation some forty years later. Pictured here are the Reverend Dr. Martin Luther King, the Freedom Riders, National Guardsmen, Cracker lawmen, Klansmen, and the African-American populace undergoing their "Time of Change". A brand new, pristine example of the Deluxe edition of the 2002 first St. Ann's Press (cited on page 223 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred slipcased copies SIGNED with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Mother Brown" by Bruce Davidson. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-9713681-2-0 Inventory Number: 019576

(DAVIDSON, BRUCE). Davidson, Bruce. Introduction by Henry Geldzahler. New York: Agrinde Publications, 1978. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 168pp, profusely illustrated in black and white. The first major survey of the compelling photo essays of noted Magnum member Bruce Davidson, this well-illustrated monograph includes work from the "Widow of Montmartre", "The Dwarf", "Brooklyn Gang", "England and Scotland", "Sicily", "Black Americans", "The Bridge", "Los Angeles", "The New Jersey Meadows / A Trip West / Topless Restaurant", "Welsh Miners", "East 100th Street", and "The Cafeteria" series. A bright white, most handsome copy of the 1978 Agrinde first hardbound edition (cited on page 222 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally bearing the SIGNED PRESENTATION "To - / Cousin John / it's the genes! / Bruce Davidson / 79' " in black ink on the title page alongside the non-authorial inscription "For John / Love, Uncle Cork / '79". 0-671-40067-3 Inventory Number: 025638