Arcana:

(BENGSTON, BILLY AL). Donoghue, Mary Agnes. Hans Neuendorf, Editor. Frankfurt AM Main & Esslingen, GERMANY: Galerie Neuendorf & Edition Cantz, 2019. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. For more than sixty years Billy Al Bengston has been an innovative and integral part of the Southern California cultural scene. A member of the original group of Los Angeles artists to exhibit at Ferus Gallery, Mr. Bengston has made a name for himself over the decades in the varied worlds of contemporary art, surfing, and dirt-track motorcycle racing. From his early Dentos and Finish / Fetish pieces to delicate watercolors of Dracula Orchids and beyond, his work remains remarkably vibrant and ever-inventive. He has been the subject of several major museum retrospectives, but until now there has never been a single comprehensive book to fully do justice to his prolific body of work. At long last, from Neuendorf Gallery comes that tome - Billy Al Bengston: Paintings & Watercolors! Weighing in at five pounds, this lavishly illustrated hardbound volume illustrates hundreds of works spanning 1957 through 2016. A brand new, most handsome example of this comprehensive monograph additionally BOLDLY SIGNED by the artist. 978-3947563395 Inventory Number: E000BABP&W

(BERNHARD, RUTH). Mitchell, Margaretta K. Foreword By Ruth Bernhard. San Francisco: Chronicle Books, 2000. First Edition. Small Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 160pp, profusely illustrated in duotone. "Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard has lived a life that spans almost a century of passionate, ceaseless exploration of the magic of light to create form. "Between Art & Life" is the first biography of this charismatic woman who kept her personal promise to infuse her art with life, and live her life though art". Centered around a series of detailed interviews between Ruth Bernhard and author Margaretta Mitchell, this is a superbly illustrated survey of the photographer's seminal modernist work (including many of the famous female nudes) , personal life, correspondence, and quotations from the photographer regarding her inspirations, technique, and creative process. A brand new, pristine example (cited on page 202 of "From Fair to Fine 3") additionally BOLDLY SIGNED in Ruth Bernhard's unmistakable calligraphic hand in black fountain pen on the title page. 0-8118-2191-9 Inventory Number: 015275

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. 1-881138-04-6 Inventory Number: 023786

(BEUYS, JOSEPH). Beuys, Joseph. Munchen, GERMANY: Verlag Schellmann & Kluser, 1976. First Edition 1/500 Deluxe. 4to. Wrappers in Printed Jacket. Artist Monograph. Near Fine./Fine.. np (186pp), 90 color illustrations. "A Series of 90 Paintings..." documents Joseph Beuys' body of work subtitled "2 Schafskopfe (Loch)" issued as "unique multiples" by Verlag Schellmann & Kluser in 1976. Painted between 1961 and 1975, these abstracted images of two sheep heads were executed in oil paint and butter on a sheet of BFK Rives paper that had a circular hole torn from it. Each is reproduced here photomechanically as an individual full page blueprint and bound in wrappers. A bright white, most handsome example of this uncommon item limited to five hundred copies SIGNED "Joseph Beuys" in pencil on the title page and NUMBERED by stamp (162/500) in black ink on the rear free endpaper, as issued. Inventory Number: 022234

(BEUYS, JOSEPH). Beuys, Joseph. London: Anthony d'Offay Gallery, 1981. First Edition 1/250 Deluxe. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (48pp), 123 duotone illustrations. This is the catalogue published in conjunction with a 1981 exhibition of a 1975 series of Joseph Beuys drawings on calendar pages entitled "Words Which Can Hear" held at London's Anthony D'Offay Gallery. A pristine example of the uncommon deluxe hardbound edition limited to two hundred and fifty copies BOLDLY NUMBERED AND SIGNED by Joseph Beuys in brown ink at the rear, as issued. Inventory Number: 019917

(BEUYS, JOSEPH). de Vree, Paul & Sarenco, Editors. Brescia, ITALY: Lotta Poetica, 1975. First Edition. 4to. Stapled Pictorial Wrappers. Periodical. Fine.. np (24pp), 23 b&w illustrations + b&w cover. Text in Italian. Cover Designed by Joseph Beuys, This forty-sixth installment of Paul de Vree's prescient seventies art and literature periodical "Lotta Poetica" (Poetry War) is a special monographic issue devoted to Joseph Beuys. It features a cover and title page designed by the artist that is accompanied by Caroline Tisdall's photographic documentation of the 1974 piece "Three Pots Action in the Poor House". A bright, most handsome example additionally BOLDLY SIGNED "Joseph Beuys" in pencil on the front cover. Inventory Number: 019826

(BEUYS, JOSEPH). Tisdall, Caroline & Joseph Beuys. London: Anthony d'Offay Gallery, 1982. First Edition 1/500 Deluxe. Square 8vo. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (44pp), 30 b&w illustrations. In a protective clear acetate dustwrapper. This is catalogue published in conjunction with a 1982 exhibition of Joseph Beuys' sculptural objects entitled "dernier espace avec introspecteur 1964-1982" held at London's Anthony D'Offay Gallery. A brand new, most handsome example of the deluxe issue in boards of this uncommon item limited to five hundred copies BOLDLY SIGNED "Joseph Beuys" in pencil on the title page, as issued. Inventory Number: 026121

(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062

(BOLTANSKI, CHRISTIAN). Boltanski, Christian. Gent, BELGIUM: Imschoot, Uitgevers, 1990. First Edition 1/55 Deluxe. 8vo. Linen Over Boards in Jacket. Artist's Book. Fine/Fine. np (30pp), 148 duotone illustrations. Published in conjunction with an exhibition held as part of the 1990 "Antichambres, Affinities Selectives" in Brussels, this charming artist's book by Christian Boltanski reproduces vintage headshots from the fifties of youthful European members of the Mickey Mouse Club. A brand new, pristine example of the uncommon deluxe hardbound edition (entry number seventy-three in Jennifer Flay's "Christian Boltanski: Catalogue - Books, Printed Matter, Ephemera 1966-1991") limited to fifty-five copies only SIGNED AND NUMBERED by the artist in pencil at the rear colophon, as issued. 90-72191-22-6 Inventory Number: 019947

(BOURGEOIS, LOUISE). Gorovoy, Jerry. New York: Bellport Press, 1986. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), profusely illustrated in monochrome. Designed by John Cheim, Jerry Gorovoy & Thomas Whitridge. This is the elegantly designed, beautifully printed 1986 catalogue published by John Cheim's Bellport Press on the sculptural work of Louise Bourgeois. A brand new, most handsome example of this uncommon item additionally bearing the SIGNED PRESENTATION "to Neil / Polen. / Best wishes / L." in the artist's spidery script in black ink on the title page. Neil Polen was the imposingly tall, shaven-headed New York art scene regular that used to attend virtually all the major gallery and museum openings in the eighties and nineties, approach the evening's artist(s) with an array of books and catalogues to sign, then offer the inscribed treasures for sale from his semi-permanent table in front of Dean & DeLuca in Soho. We obtained this directly from the late, great Mr. Polen prior to his passing. Inventory Number: 025400

(BOWIE, ANGELA) (BOWIE, DAVID). Bowie, Angela & Patrick Carr. Koln, GERMANY: Benedikt Taschen Verlag, 2015. First Edition 1/1900. Folio. Pictorial Boards. Music Photography Monograph. As New/No Jacket - As Issued. 310pp, profusely illustrated in color and b&w. Text in English, French, and German. "In 1972, David Bowie released his groundbreaking album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" and unleashed his alter-ego: a glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down boundaries between male and female, straight and gay, fact and fiction. Together, Ziggy the album and Ziggy the stage spectacular propelled Bowie to stardom. A key passenger on this glam trip was photographer Mick Rock, who bonded with Bowie artistically and personally, immersed himself in the singer's inner circle, and, between 1972 and 1973, worked as Bowie's official photographer. This edition of 1972 numbered copies signed by David Bowie and Mick Rock brings together the best of Rock's Bowie portfolio of extraordinary stage shots as well as intimate backstage portraits, pictures for press, album jackets, and stills from promo movies - many published here for the first time. Featuring a lenticular front cover hologram, this lavish production rejoices in Bowie's experimentation and bursts with the energy of its unique star who defined, and defied, a generation". A brand new, pristine example of the 2015 first Taschen Collector's Edition limited to one thousand, seven hundred and seventy-two deluxe copies NUMBERED AND BOLDLY SIGNED "Bowie '15" and "Mick Rock" in black ink on the colophon paged housed in the publisher's turquoise clamshell box still in the publisher's original cardboard shipping carton. 3-8365-4905-0 Inventory Number: 024859

(BRAKHAGE, STAN). Brakhage, Stan. Robert A. Haller, Editor. New Paltz, NY: Documentext, 1982. First Edition 1/200 Deluxe. 4to. Gilt-Debossed Cloth in Jacket. Film Monograph. Near Fine/Very Good. 262pp, 15 b&w and 1 color illustration. With a filmography and bibliography. Stan Brakhage is arguably the greatest single exponent of American experimental film. This collection publishes - mostly for the first time - notes, articles, essays, and most interestingly Brakhage's letters to the likes of Ed Dorn, James Broughton, Jonas Mekas, Michael McClure, Marie Menken, Bruce Baillie, P. Adams Sitney, and Donald Sutherland. As uncompromising as his cinematic work, these writings are insightful, intriguing, and frequently provocative. A most handsome example from the uncommon deluxe hardbound edition limited to two hundred copies NUMBERED (144/200) AND BOLDLY SIGNED "Stan Brakhage" on the copyright page, as issued, in the publisher's extremely fragile unprinted tissue dustwrapper and acetate dust jacket. 0-914232-47-9 Inventory Number: 024267

(BRISKI, ZANA). Briski, Zana. New York: Mantis Editions, 2007. First Edition 1/1000. Oblong 4to. Silk Over Boards, Boxed. Photography Monograph. As New/No Jacket - As Issued. np (130pp), 54 tritone illustrations. Designed by Zana Briski with Nashima Gokani and Jeff Magness. Limited to one thousand copies only, "Brothel" is the exquisitely designed and printed volume of Zana Briski's original photographs of the Calcutta house of prostitution that led to her 2005 Academy Award winning feature documentary film (and accompanying book) "Born into Brothels". Noirish and dark, it presents the photographer/director's arresting images of the girls and women at work there, and the squalid conditions they endure. Printed in tritone throughout, it incorporates two tipped-in plates as well as hand-made and colored papers + inks in a beautiful debossed black raw silk-over-boards binding with full black edges. It is housed in a hand made clamshell box covered in scarlet raw silk from India. One of the most sumptuously produced books we've carried in recent years, Zana Briski's "Brothel" is a compelling companion volume to Mary Ellen Mark's classic "Falkland Road". A brand new, pristine example SIGNED "Zana Briski" in gold ink on the title page still sealed in the publisher's shipping box, as issued. 0-9788754-1-9 Inventory Number: 015351

(BROUWS, JEFFREY). Brouws, Jeffrey. Santa Barbara, CA: Handjob Press & National Gas-N-Go Publications, 1992. First Edition 1/1000 Copies. 8vo. Printed Wrappers with Glassine. Photography Monograph. Fine./Near Fine.. 48pp, 26 b&w illustrations. "Twentysix Abandoned Gasoline Stations" is Jeffrey Brouws' first book - an exquisite little paean to Edward Ruscha's own first volume of virtually the same title. Designed and typeset as if a Ruscha publication, its photographs nicely illustrate America's crumbling autopia in lush duotone reproduction thirty years later. An internally most handsome example of this self-published gem (featured on pages 52-55 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") limited to one thousand numbered copies (963/1000) bearing the BOLDLY SIGNED PRESENTATION "For Jonathan: All the Best: Jeffrey Brouws 1997" in black ink on the rear colophon in the publisher's slightly worn unprinted vellum wrapper. Inventory Number: 023183

(BROWN, CECILY). Ashton, Dore, Cecily Brown & Lari Pittman. New York: Gagosian Gallery & Rizzoli International Publications, Inc., 2008. First Edition. Oblong 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued.. 264pp, profusely illustrated in color and b&w. Designed by Studio Blackwell. With an exhibition history and bibliography. In a protective clear acetate dustwrapper. Published to coincide with a 2008 Gagosian Gallery New York exhibition of new paintings, this is the first full-fledged monograph devoted to the work of British painter Cecily Brown. Featuring over one hundred reproductions, this massive tome documents both finished paintings and the original source material utilized by Brown for much of their imagery, as well as an essay by Dore Ashton and a transcribed interview between the artist and Larry Pittman. A bright, most handsome example additionally BOLDLY SIGNED "Cecily Brown" in black ink on the title page. 0-8478-3092-6 Inventory Number: 022969

(BURKE, BILL). Burke, Bill. Santa Fe, NM. 1987 (2007): Twin Palms Publishers. First Edition Thus 1/35 Deluxe. Folio. Boards in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. np (60pp), profusely illustrated in color and duotone. "In 1982, years after Viet Nam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with The International Rescue Committee, which was working at the Thai-Cambodian border". Published in 1987, "I Want to Take Picture" features black and white images which Burke shot during several trips through Southeast Asia in the early eighties, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia. A pristine copy of the deluxe 2007 first Twin Palms printing (whose 1987 first Nexus Press edition is cited on page 19 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 40-41 of The Hasselblad Center's "The Open Book", and pages 258-259 of "The Book of 101 Books") limited to thirty-five copies SIGNED AND NUMBERED (#15/35) in a debossed black linen clamshell box with a SIGNED AND NUMBERED BLACK AND WHITE SILVER GELATIN PHOTOGRAPHIC PRINT entitled ""KPNLF Fighter With Lake Ampil RPG, Thai Cambodia Border, 1984". 1-931885-63-X Inventory Number: 022181

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of The Who SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-WHO

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of John Lennon SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-LENNON

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 8vo. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of Jimi Hendrix with Mick Jagger SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" pre-orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-HENDRIX-JAGGER

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color. Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the "Signature Edition Deluxe" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by five matted 12 x 10" archival silver gelatin photographs of The Beatles, David Bowie, Jimi Hendrix with Mick Jagger, John Lennon, and The Who each SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-DELUXE-SIGNATURE

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of Jimi Hendrix with Mick Jagger SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD-BOWIE

(BYRNE, ALEC). Byrne, Alec. Los Angeles: Uber Editions, 2017. First Edition 1/25 Deluxe. 4to. Pictorial Boards in a Pictorial Box. Music Photography Monograph. As New/No Jacket - As Issued. 254pp, profusely illustrated in b&w and color.

Photographer Alec Byrne covered the British rock and roll scene from the mid-1960s through the mid-1970s - the height of rock revolution. Legendary performers such as The Rolling Stones, The Beatles, The Who, The Jimi Hendrix Experience, Bob Dylan Led Zeppelin, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, The Hollies, and David Bowie passed through Swinging London and provided provocative fodder for the prolific young lensman. Byrne’s resulting archive of rock-and-roll photos disappeared out of sight and into storage for close to four decades before being reintroduced to the world in late 2012 with an acclaimed one-night show in Los Angeles attended by more than one thousand people. Since then, the work has been featured during the 2013 Rock and Roll Hall of Fame induction ceremony and acquired by London's National Portrait Gallery. Through rare live performance images, intimate portraits, and candid captures of the scene, "Alec Byrne: The Unseen Archive" – the photographer’s first feature-length book - brings the era into stunning focus, painting an evocative picture of an inimitable time and place. A brand new, pristine example of the deluxe "Signature Edition" limited to twenty-five SIGNED copies housed in the publisher's printed box accompanied by a matted 12 x 10" archival silver gelatin photograph of The Beatles SIGNED, NUMBERED, and affixed with Alec Byrne’s vintage studio stamp, as issued,

PLEASE NOTE: The silver gelatin photographic prints that accompany the limited "Signature Edition" copies of “London Rock - The Unseen Archive” are currently in production with scheduled delivery from Mr. Byrne's lab to Arcana on December 27th. We will ship all "Signature Edition" orders immediately thereafter, and do regret these almost certainly will not be available before the Holidays. Inventory Number: E000ABLR-LTD BEATLES

(BYRNE, ALEC). Evans, Drew. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 4to. Pictorial Wrappers. Music Photography Monograph. As New.. np (54pp), profusely illustrated in b&w and color. "Rock & Roll Time Capsule" is the catalogue published in conjunction with a one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It presents amazing vintage shots of The Jimi Hendrix Experience, Bob Dylan, The Beatles, Mick Jagger, The Rolling Stones, David Bowie, The Who, The Yardbirds, Bob Marley, T. Rex, The Doors, The Faces, Chuck Berry, and Roy Orbison - most being seen in print for the very first time! A brand new, pristine example of the first edition limited to one thousand copies NUMBERED AND SIGNED by the photographer, as issued.

PLEASE NOTE: These signed catalogues will be available at Arcana on Saturday, December 17th, and orders will ship beginning on Tuesday, December 19th.
0-615-90223-5 Inventory Number: 022934

(BYRNE, ALEC). Uber Archives. Los Angeles: Uber Archives, 2012. First Edition 1/1000. 36 x 24". Exhibition Poster. As New.. One 36 x 24" heavy paper sheet printed photolthographically recto only, 1 monochrome illustration.

This is the striking lithograph published in conjunction with "Rock & Roll Time Capsule" - the one-evening-only 2012 exhibition of the rediscovered sixties and seventies rock 'n' roll images of British photographer Alec Byrne. It features an image of Jimi Hendrix backstage at London's Saville Theatre from May 1967 that is the lead image for Byrne's new full-length book, "London Rock - The Unseen Archive". A brand new, pristine example of the 2012 first and only printing limited to one thousand copies NUMBERED AND SIGNED by the photographer rolled in a heavy poster tube, as issued.

PLEASE NOTE: These signed posters will be available at Arcana on Sunday, December 17th, and orders will ship beginning on Tuesday, December 19th.
Inventory Number: E000ABRRTC-LITHOGRAPH

(BYRNE, DAVID). Byrne, David. Gottingen, GERMANY & New York: Steidl & Pace/MacGill Gallery, 2003. First Edition. Oblong Folio. Die Cut Boards in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 96pp, 96 color illustrations. Designed by Danielle Spencer and David Byrne. "For more than a year David Byrne has been employing the ubiquitous sales and presentation program Microsoft PowerPoint as an art medium. "E.E.E.I (Envisioning Emotional Epistemological Information)" is a book of images and essays, plus a DVD which plays five of his PowerPoint presentations accompanied by his own original music. The book component contains a dozen new exploratory texts and a whole lot of bold, graphic images created with the help of the software program's built-in tools and visuals - not to mention the fun of plastic overlays and nifty foldout pages. And you may ask yourself, what is this about? It is about taking subjective, even emotional, information and presenting it in a familiar audiovisual form - using a medium in a way that is different, and possibly better, than for what was intended. It is about appropriating a contemporary, corporate staple and making something critical, beautiful and humorous with it". A brand new, pristine example in the publisher's printed die cut slipcase (as issued) BOLDLY SIGNED AND DATED "David Byrne 03" WITH A DRAWING of arrows in the year of publication in black ink on the title page. 3-88243-907-6 Inventory Number: 022254

(CALDER, ALEXANDER). Sweeney, James Johnson. New York: Museum of Modern Art, 1951. First Edition. Small 4to. Illustrated Boards in Jacket. Artist Monograph. Very Good/Very Good -. 80pp, profusely illustrated in b&w. With a chronology, exhibition history, collections listing, filmography and bibliography. This is the catalogue published in conjunction with the Museum of Modern Art's comprehensive 1951 Alexander Calder retrospective exhibition. It features a text by curator James Johnson Sweeney accompanied by reproductions of sculpture, mechanized works, mobiles, stabiles, drawings, jewelry, previous gallery installations, and more. A most presentable example of the hardbound first printing additionally bearing the BOLDLY SIGNED PRESENTATION "Mit freundlichsten grussen / fur der / guten freund / Bruno E. Werner / Sandy Calder / Washington D.C. / 25 Jan, '58" in his inimitable script in blue ink across the entire title page showing some overall wear to the book and its dust jacket as well as a mild dent through the upper foredge tip of the boards and textblock. Bruno Walter was a well-known German writer, art critic, and diplomat who served as his country's cultural attaché in Washington from 1952 through 1961. The date of the inscription coincides with the January 25th, 1958 opening of the artist's one-man exhibition as the twenty-seventh installment of the Corcoran Gallery's "Contemporary American Artists Series". Inventory Number: 024455

(CANNONE, GARY). Cannone, Gary & Jamillah James. Los Angeles, CA: Campbell Hall Art Gallery, 2019. First Edition. 8vo. Pictorial Wrappers. Artist Monograph. As New.. np, profusely illustrated in color. Designed by Ivan Golinko.

"Albums by Conceptual Artists" originated as a crowd-sourced online project in which Gary Cannone encouraged like-minded artists to infiltrate popular and obscure album covers with content from the history of contemporary art in a communal act of parody. Begun as a Facebook comment thread, a Tumblr site of the project soon followed and grew to over five hundred album cover contributions ranging from transgressive to silly, from informative to obtuse. Cannone sees the series as a form of fan fiction, a positive creative act often using arcane minutiae linking the worlds of art and music done by and for art nerds. The artist’s formative influences include 70s comedy such as Norm Crosby, Wacky Packages, Carol Burnett, Mad Magazine, and the disembodied PA from M*A*S*H (the TV series). He is a 2019 recipient of a California Community Foundation’s Fellowship in Visual Arts grant and his artist’s book, Time Settings for a Microwave Oven with Broken Three, Four, and Nine Buttons was recently acquired by The Getty Museum. His current work explores the phenomenology of furniture in gallery spaces through the lens of a prop comic." A brand new, most handsome example additionally BOLDLY SIGNED by artist Gary Cannone in ink.

PLEASE NOTE: Copies of “Forever Now” will be signed by Gary Cannone at our event on Saturday, August 3rd, and shipped beginning Tuesday, August 6th. Inventory Number: E000GCFN

(CAPA, CORNELL). Whelan, Richard. Introduction by Peter Fetterman. Afterword by Cornell Capa. Santa Monica, CA: Peter Fetterman Gallery, 2002. First Edition 1/50 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 64pp, 27 duotone illustrations. "Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful clothbound book filled with twenty-seven of his most intelligent, compassionate, formally striking images promises to bring the photographer his due. He once told "Camera" magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specific situations or person that they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called a "concerned photographer" - one who is passionately dedicated to doing work that will contribute to the understanding and well-being of humanity". A brand new, pristine example of the deluxe 2002 first printing issued by the Peter Fetterman Gallery limited to fifty copies NUMBERED (38/50) AND SIGNED "Cornell Capa" accompanied by a cloth chemise containing the matted 7 ½ x 5 ¼ silver print entitled "Bolshoi Ballet School" similarly NUMBERED (38/50) AND SIGNED on the verso housed in the publisher's silver gilt-stamped slipcase still in its original shrinkwrap. 0-9712765-0-1 Inventory Number: 025483

(CARPENTER, TIM). Carpenter, Tim. Los Angeles: The Ice Plant, 2017. First Edition 1/750. 4to. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. np (144pp), 74 duotone illustrations. "Borrowing its title from the Wallace Stevens poem in which “little existed for him but the few things / for which a fresh name always occurred,” Tim Carpenter’s "Local Objects" is a solid yet remarkably unassuming body of work: a calm, steady rhythm of seventy-four medium format photographs made in the semi-rural American Midwest. While each picture meticulously frames the seemingly random non-activity of a typical ‘street view’ image, Carpenter’s contemplative sequencing allows a surprising harmony of natural and geometric motifs to modulate quietly throughout the book - an interplay of minor chords that draw the viewer into this specific physical place (mostly central Illinois, where he grew up) and the subjective, literary space of the work. Detached from the urgency of current affairs, stripped of all excess, Carpenter’s photographs reflect a poetic attempt to see “the thing in itself,” to make meaning with the barest tools possible". A brand new, most handsome example of the first and only The Ice Plant edition limited to seven hundred and fifty unnumbered copies that sold out almost immediately additionally SIGNED AND DATED "Tim Carpenter / 2017" on the tile page. 978-0-9897859-9-0 Inventory Number: E000TCLO

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #5/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of ten copies only meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in blue ink on a white substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 5/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026231

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. #2/10 Deluxe. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example of the rare editioned version of only ten copies meant for sale in galleries acquired directly from the artist bearing the text "CASH for your WARHOL / Our prices are insane / (617) 553-1103" in black ink on a yellow substrate BOLDLY SIGNED, ANNOTATED "CFYW Crazy Eddie", NUMBERED 2/10, AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026230

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / 24-hr message service: / (617) 553-1103" in blue and brown ink on a yellow substrate BOLDLY SIGNED AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026229

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Global liquidity services / (617) 553-1103" in blue ink on a yellow substrate BOLDLY SIGNED AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026228

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2015. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media.  A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / You know us. We know you. / (617) 553-1103" in red ink on a white substrate BOLDLY SIGNED AND DATED 2015 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026223

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2020. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Spend your inheritance / (617) 553-1103" in blue ink on a white substrate BOLDLY SIGNED AND DATED 2020 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026222

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2011. First Edition. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / with a Cyrillic text that translates to "Avoid Bankruptcy" / (617) 553-1103" in red and blue ink on a white substrate BOLDLY SIGNED AND DATED 2011 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026221

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2018. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Recession is coming! / (617) 553-1103" in black ink on a yellow substrate BOLDLY SIGNED AND DATED 2018 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026220

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Recession is coming! / (617) 553-1103" in black ink on a yellow substrate BOLDLY SIGNED AND DATED 2018 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026219

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2019. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips. Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / Global liquidity services / (617) 553-1103" in red ink on a white substrate BOLDLY SIGNED AND DATED 2019 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026218

(CASH FOR YOUR WARHOL). Cash For Your Warhol, dba Geoff Hargadon. NP (Boston, MA): Cash For Your Warhol, 2016. Edition Not Stated - Presumed First. Oblong Folio. Silkscreened Plastic Sign. Artist's Multiple. As New. One 12 x 18" corrugated plastic sheet silkscreened with ink, recto only. Originally spawned from the fallout of 2008's Global Economic downturn, "Cash For Your Warhol" is Boston-based Geoff' Hargadon's take on art-as-commodity, an ongoing reference to financial crisis and the ubiquitous signage that responds to it. Introduced in 2009, his CFYW signs are screen-printed on corrugated plastic, mirroring the same materials and design principles used by the anonymous forces trying to profit on misfortune in order to acquire your house, car, and diabetic test strips., Hargadon's works bear an ever-evolving variety of wry phrases commingling the realms of art and finance. They are typically posted in the dead of night in the public sphere in proximity to Art exhibitions or Fairs, and gone by the next day: their temporal presence memorialized as hundreds of images posted to social media. A brand new, pristine example acquired directly from the artist bearing the text "CASH for your WARHOL / From Canada - call collect! / (617) 553-1103" in red and blue ink on a white substrate BOLDLY SIGNED AND DATED 2016 in black marker along the bottom edge of the verso, as issued. Inventory Number: 026217