
Sunday: Randi Malkin Steinberger
Please join us! SUNDAY, APRIL 26th, 4:00 - 6:00 PM RANDI MALKIN STEINBERGER: CONGO MISSION BOX and TENTED FOR TERMITES.
Book of the day > Airline Visual Identity. Callisto Publishers. " Airline Visual Identity: 1945-1975 chronicles the corporate images of the airline industry through visual advertising. The large format book carefully curates the best examples of commercial art from the period, taking the reader back in time to witness the glory days of the airline industry in a museum-like experience.
Accompanying the amazing artwork in Airline Visual Identity: 1945-1975 is a series of well researched case studies that provide unique insight into the design and advertising methods of an era when airlines were considered the most glamorous business sector and quality was the main criterion for selecting a flight. Forged by some of the best creative minds of the time, such as designers like Ivan Chermayeff, Otl Aicher, Massimo Vignellli, Academy Award winner Saul Bass, as well as advertising luminaries like Mary Wells Lawrence, the artwork found in Airline Visual Identity: 1945-1975 illustrates the shift from traditional methods of corporate design and advertising to comprehensive modern identity branding programs generally introduced in the 1960's.
To reproduce all of the images as precisely as possible, a total of seventeen different colors, five different varnishes, and two different methods of foil printing and embossing were used. The result is a book of exceptional vivacity that pushes the limits of modern art printing technology."
Please join us Wednesday, April 15th, 6:00 - 8:00 pm for a Book Signing:
OUT OF SIGHT: THE LOS ANGELES ART SCENE OF THE SIXTIES BY WILLIAM HACKMAN
Histories of modern art are typically centered in Paris and New York. Los Angeles is relegated to its role as the center of popular culture - a city of movie stars, tan lines, and surfers - but lacking the highbrow credentials of the chosen places. Until 1965, there was no art museum, few notable collectors, and - especially in terms of modern and contemporary work - even fewer galleries. Yet in the fifties and sixties, L.A. witnessed a burst of artistic energy and invention rivaling New York’s burgeoning art scene a half-century earlier. As New York Times art critic Roberta Smith has noted, it was “a euphoric moment,” at a “time when East and West coasts seemed evenly matched.”
Out of Sight: The Los Angeles Art Scene of the Sixties chronicles the rapid-fire rise, fall, and rebirth of the L.A. art scene - from the emergence of a small bohemian community in the fifties to the founding of the Museum of Contemporary Art in 1980 - and explains how artists such as Edward Ruscha, Robert Irwin, and Ken Price reshaped contemporary art. In it, noted author and historian William Hackman explores the ways in which Los Angeles reflected the hopes and fears of postwar America - in both the self-confidence of an increasingly affluent middle class, and the anxiety produced by violent upheavals at home and abroad. Most of all, he pays tribute to the unique city and moment in time that gave birth to a fascinating, and until now much-overlooked chapter in modern art.
Have a look at Christopher Knight's glowing review of "Out of Sight..." in The Los Angeles Times here.
Join us in celebrating the publication of this exciting new contribution to Southern California's art history by one of our oldest and dearest friends!
If you would like to purchase a signed copy (or two) of William Hackman's "Out of Sight: The Los Angeles Art Scene of the Sixties" but cannot attend, please click here, or call 310-458-1499.
Book of the day > Memento Mori: The Dead Among Us by Paul Koudounaris. Thames & Hudson. " The astonishing story of how the dead live on in memorials and traditions across the globe, from Ethiopia and Nepal to Cambodia and Rwanda, told through arresting images and captivating narration. Death is universal, but the human response to death varies widely. In Western society, death is usually medicalized and taboo, and kept apart from the world of the living, while in much of the rest of the world, and for much of human history, death has commonly been far more integrated into peoples’ daily existence, and human remains are as much a reminder of life, memento vitae, as of death, memento mori. Through photos taken at more than 250 sites in thirty countries over a decade, Paul Koudounaris has captured death around the world. From Bolivia’s “festival of the little pug-nosed ones,” where skulls are festooned with flowers and given cigarettes to smoke and beanie hats to protect them from the weather to Indonesian families who dress mummies and include them in their household routines; from naturally preserved Buddhist monks and memorials to genocide in Rwanda and Cambodia to the dramatic climax of Europe’s great ossuaries, Memento Mori defies taboo to demonstrate how the dead continue to be present in the lives of people everywhere. 500+ color illustrations."