Book Signing 2/15/20 > RYAN MUNGIA: DO YOU COMPUTE? - SELLING TECH FROM THE ATOMIC AGE TO THE Y2K BUG. 1950-1999
Please join us on Saturday, February 15th (4-6) for a book signing with Hat & Beard Press: DO YOU COMPUTE? SELLING TECH FROM THE ATOMIC AGE TO THE Y2K BUG, 1950-1999 BY RYAN MUNGIA!!!
"Before Alexa and the iPhone, there was the large and unwieldy mainframe computer. In the postwar 1950s, computers were mostly used for aerospace and accounting purposes. To the public at large, they were on a rung that existed somewhere between engineering and science fiction. Magazine ads and marketing brochures were designed to create a fantasy surrounding these machines for prospective clients: Higher profit margins! Creativity unleashed! Total automation! With the invention of the microchip in the 1970s came the PC and video games, which shifted the target of computer advertising from corporations to the individual. By the end of the millennium, the notion of selling tech burst wide open to include robots, cell phones, blogs, online dating services, and much, much more.
'Do You Compute?' is a broad survey featuring the very best of computer advertising in the 20th century. From the Atomic Age to the Y2K bug, this volume presents a connoisseur’s selection of graphic gems culled from museums, university archives, and private collections to illustrate the evolution of the computer from its early days as a hulking piece of machinery to its current state as a handheld device. Accompanied by two essays - one by cultural anthropologist Ryan Mungia and the other by graphic design historian Steven Heller - and including five different decade-long timelines that highlight some of the most influential moments in computer history, this fun yet meaningful volume is a unique look at the computer and how it has shaped our world."
Come to Arcana on Saturday, February 15th between 4:00 and 6:00 PM to meet and greet Ryan Mungia and celebrate the publication of his excellent Hat & Beard Press book. The afternoon will also include a DJ set from Palisded + Computer Love Records! If you cannot attend but wish to purchase a signed copy of Do You Compute, please place your order here or call us at 310-458-1499.
DO YOU COMPUTE? - SELLING TECH FROM THE ATOMIC AGE TO THE Y2K BUG. 1950-1999
Book of the Day > Vestoj: On Capital
Book of the Day > Vestoj: On Capital. “Vestoj On Capital looks at all forms of value or assets: financial, human, cultural, social – you name it. We explore how talent is developed and harnessed in fashion, and how this now intersects with branding (and self-branding) which has become so important in all aspects of culture. The issue also examines how value flows between symbolic assets like taste or beauty or cool and economic profit. And how the traditional schism between cultural and financial capital (cool versus money) has been replaced by a much more self-consciously positive – or nuanced and complex – relationship between art and fashion.”
Book of the Day > Postmodern Architecture: Less is a Bore
Book of the Day > Dorothy Ianonne: The Story of Bern
Book of the Day > Dorothy Ianonne: The Story of Bern, [or] Showing Colors. Published by JRP Editions. "A superb facsimile of Dorothy Ianonne’s 1970 comic-book tale of censorship, sexuality and female autonomy. 'As much as Love and Eros have defined my work since its beginnings, so too has censorship, or its shadow, accompanied it,' recalls Dorothy Iannone (born 1933) in her introduction to this facsimile publication of her legendary The Story of Bern, [or] Showing Colors. First published by Iannone and her then companion Dieter Roth in 1970, in an edition of 500, the book documents the censorship of Iannone's work The (Ta)Rot Pack (1968–69) and the subsequent removal of all his works by Roth, from a collective exhibition at the Kunsthalle Bern. For his exhibition titled Freunde, Friends, d'Fründe, legendary curator Harald Szeemann invited Karl Gerstner, Roth, Daniel Spoerri and André Thomkins to exhibit artist friends; Roth chose Iannone. The censorship of Iannone, and Roth's protest, eventually led to Harald Szeemann's resignation as the director of the institution. Telling the story of this act of censorship as well as the context of the exhibition in Bern and its iteration in a non-censored version in Düsseldorf, The Story of Bern is emblematic of Iannone's distinctive, explicit and comic-book style, and of her openness about sexuality and the strengthening of female autonomy."
Book of the day > The Obama Portraits
Book Signings at FRIEZE
FRIDAY, FEBRUARY 14th
ARCANA-HOSTED EVENTS AT FRIEZE LOS ANGELES
AT THE PARAMOUNT STUDIOS STREET FAIR
3:00 - 4:00 PM
JORI FINKEL: IT SPEAKS TO ME
BOOK SIGNING
4:00 - 5:00 PM
BRIGITTE NIEDERMAIR: ME AND FASHION
BOOK SIGNING
Book Signing 2/8/20 > Russell Hoover: Surf, A Photographer's Journey
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Book of the Day > Santu Mofokeng: Stories
Book of the Day > Agnes Denes: Absolutes & Intermediates
Book of the Day > Agnes Denes: Absolutes and Intermediates. Published by The Shed. “Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art” by the New York Times, famed for her iconic Wheatfield—A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition’s curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes’ multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert.“

