Book of the Day > Charles Gaines: Palm Trees and Other Works. Published by Hauser & Wirth. “Published alongside Charles Gaines’s 2019–20 exhibition at Hauser & Wirth Los Angeles, this monograph charts the evolution of the palm tree in Gaines’s work from the 1980s to the present. In a new text, David Platzker explores the cultural and art historical contexts of the series, particularly the recent ‘Numbers and Trees’ works, shown for the first time in Los Angeles, that take palm trees as their subject. Also featured is a conversation between Gaines and Cherise Smith, which delves into the conceptual underpinnings of the artist’s work. Additionally, this publication documents and discusses other works from Gaines’s decades-long career, including the ‘Manifestos’ series (2008–18), exploring the threads that unite various parts of his practice.”

Book of the Day > Donald Judd: Spaces. Published by Judd Foundation & Delmonico Prestel. “This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd's personal spaces, which are a crucial part of this revered artist's oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd's extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building's historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd's consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture. “

Please join us Saturday, March 7th between 4:00 and 6:00 PM for a very special afternoon with Bruce Licher and Karen Nielsen Licher of Independent Project Press & Records as we celebrate the release of Savage Impressions with a book signing, one-day exhibition and sale of printed matter, and a musical performance at 5:00 PM sharp by SR2. If you cannot attend but would like to purchase a copy of this exquisite new limited edition book, please place your order here!

Savage Impressions is the first extensive monograph on Bruce Licher's Independent Project Records and Independent Project Press. With the current explosion of interest in letterpress, many are looking to see how new work can be influenced by the past. Active since 1982, Bruce Licher’s Independent Project Press is a contemporary studio that has bridged technological eras and produced an unparalleled body of work. It has culled from the past while simultaneously turning it on its head with a distinct visual vocabulary that continues to influence current aesthetics. 

For the first time, a comprehensive overview of Independent Project Records and Independent Project Press has been compiled into a monograph published by P22 Type Foundry, produced in a quality that displays their  limited edition, hand-made work in over 200 pages of full color, from mechanical process work (for clients such as REM, Stereolab, and Camper Van Beethoven) to finished works of art with insights into the creative process along the way. The text includes an essay by Karen Nielsen Licher as well as material from Rudy Vanderlans’ Emigre magazine that featured the work of IPR & P. Co-designed by Bruce Licher and Jim Greishaber at P22, Savage Impressions is a 12 x 12-inch hardcover book that displays in full color the diverse range of art and design produced by Independent Project Records & Press. 

This first printing is an edition of one thousand copies, with three-hundred and fifty of those being a now-sold out Deluxe Edition that includes a 12” vinyl record and other letterpress-printed ephemera. This book is a profound reminder of the value of the hand-made and how it can interface with the mass-produced. It will stand as major documentation of one of the most influential letterpress studios currently in existence.

 

Book of the Day > Hilma af Klint: Visionary. Published by Bokförlaget Stolpe. “The 2018 exhibition at the Guggenheim Museum in New York, Hilma af Klint: Paintings for the Future, introduced the general public to the abstract mystical masterpieces of Swedish painter Hilma af Klint (1862–1944). Based on a seminar held at the Guggenheim Museum at the opening of this acclaimed exhibition, this volume compiles the insights of the seminar’s contributors alongside reproductions of works, archival photographs and images from af Klint’s journals. Hilma af Klint: Visionary explores the social and spiritual movements that appeared at the turn of the 20th century, inspiring the pioneers of modernism and abstract art: Kandinsky, Mondrian, Malevich and af Klint. What was the zeitgeist that inspired such an eruption in abstract art? What were the conditions that created Hilma af Klint? Academics and experts Julia Voss, Tracey Bashkoff, Isaac Lubelsky, Linda Dalrymple Henderson and Marco Pasi each take a different approach. Voss analyzes af Klint's biography, pinpointing five important events in her life; Bashkoff presents her connection to Hilla Rebay and her plans for the building of a temple; Lubelsky traces the origins of theosophy in New York; Henderson examines the occult and science; and Pasi considers esotericism’s changing role in culture.”