Events Posted Apr 20, 2022

Seeding the City Event - Saturday, 4/23

Saturday, April 23, 2022

11:00 – 5:00 PM

Helms-Wide Event

The Southland was once a garden of Eden. Now, as Los Angeles continues to build up its cityscape, connection to the land is out of reach for many. This rupture was underscored by the pandemic, when access to clean air, open space, plants and pets became an essential tonic.

But talented and creative designers are finding ways to green the City in ways beyond the traditional backyard, injecting trees onto rooftops, flowers under transit lines and plants into defunct concrete pools. They are reclaiming the wild and bringing back long-vanished birds and bees. Artists and writers are creating works reflecting on new ways of coexistence with all species.

Seeding The City celebrates the 21st century garden in Los Angeles with a daylong program of talks, tours, and popups, featuring some of LA’s leading landscape designers and thinkers, including:

Show & Tell at Arcana Books 2:00 – 4:00 pm
Join artbook enthusiast Jason E.C. Wright, founder of Burntsienna Research Society, for a ‘Show & Tell’ at Arcana: Books on the Arts. He will share books on gardens and green spaces as considered by artists, architects, photographers and designers.

Click here to find out about all the events!

Book of the Day Posted Apr 16, 2022

Book of the Day > The Candy Store: Funk, Nut, and Other Art with a Kick

● Purchase ● This beautifully quirky volume pays tribute to the legendary candy-store-turned-art gallery of California and its amazing roster of artists.

Adeliza McHugh helped put the whimsical, funky, and irreverent aesthetic of California’s Central Valley on the art-historical map at her legendary Candy Store Gallery, which she opened in Folsom, California, in 1962. The business began as a candy store, but after the store closed, McHugh converted the space into an art gallery. There, she featured ceramists and painters who would become nationally and even internationally significant, including Robert Arneson, Roy De Forest, David Gilhooly, Irving Marcus, Gladys Nilsson, Jim Nutt, Jack Ogden, Don Reich, Sandra Shannonhouse, Peter VandenBerge, and Maija Peeples-Bright. Their work, along with that of many other artists, delighted visitors to the gallery for thirty years.

This catalog, published on the sixtieth anniversary of the gallery’s founding, is the most significant publication to date on the Candy Store. It celebrates, as McHugh liked to say, art with a “kick.”

Book of the Day Posted Apr 15, 2022

Book of the Day > A–Z of Record Shop Bags: 1940s to 1990s

● Purchase ● Featuring over 550 graphically arresting record-shop bags, plus informative, humorous histories of the stores and their famous staff, this book reveals a previously undocumented side of British popular culture

This exhaustive collection of record-store bags provides a unique perspective on record shopping in the UK over the last century, bringing together over 500 incredible bags (some possibly the only surviving examples) to document the fascinating story of British high street record shopping. Bags from famous chains such as NEMS (where the Beatles were customers), Our Price and Virgin (the amazingly rare Roger Dean bags) sit alongside designs from independent stores run by eccentric enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started Britain’s premier soccer league, famous staff (David Bowie, Dusty Springfield, Morrissey) and equally infamous owners, these anecdotes of mythical vinyl entrepreneurs will entertain and delight.

With vinyl record sales at their highest for decades (outselling CDs in the US), this publication acts as an amazing insight into the history, culture and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica, A–Z of Record Shop Bags is the next book in the series by Jonny Trunk and FUEL, examining overlooked aspects of our collective past. Jon Savage, author of the classic 1981 punk history England’s Dreaming, provides a foreword.

Nostalgia enthusiast Jonny Trunk founded his record label Trunk Records in 1995, which specializes in releasing lost and archived recordings. He compiled and wrote The Music Library, documenting the hidden world of library music. His other books include Own Label, Wrappers Delight and Auto Erotica. Trunk also writes for a number of magazines and broadcasts every week on Resonance FM, London’s art broadcasting station.

Book of the Day Posted Apr 14, 2022

Book of the Day > Africa: The Fashion Continent

● Purchase ● Gain new perspective on the vibrant and innovative world of contemporary African fashion design, bursting with fresh creativity and free from reductive stereotypes.

From the runway in Lagos and music festivals in Casablanca or Nairobi, to the “image makers” of Marrakech and the influencers of Dakar or Accra, a new generation of African fashion designers, photographers, bloggers, and hair and makeup artists are redefining the aesthetic contours of the continent. Audacious, humorous, disruptive, and innovative are the bywords of these young creatives who, while drawing upon and revalorizing their heritage, offer an ultra-contemporary perspective on fashion today. A creative revolution is spreading in an extension of continental revindication through cultural reappropriation and the invention of a visual language.

Appliqué figures straight from Ghanaian Asafo flags seem to chant modern slogans as they march across silk dresses, traditional textile prints give power back to women, and Xhosa beaded embroidery serves as an inspiration for modern knitwear. Body-artists transform themselves into platforms for activism, and photographers—using clothing and finery—question identity, gender, and environment. Urban neighborhoods are reframed in a new light through the lens of ubiquitous smartphones.

This volume celebrates a creative, effervescent generation, which—by breaking the rules and rewriting the narrative of the African continent—is inventing a new and resolutely African chapter in the history of fashion that is now resonating across the globe.

Book of the Day Posted Apr 12, 2022

Book of the Day > Somaya Critchlow: Paintings

● Purchase ● Critchlow’s portraits of Black women transform Western portraiture and conflate kitsch with tradition

Somaya Critchlow’s canvases and sketchbooks log an ongoing process of world building. The artist fashions these realms by drawing upon her expansive knowledge of picture-making traditions ranging from the Renaissance to the Rococo. In charting the ever-expanding dimensions of this female-dominated universe, Critchlow casually disarms the distinctions that inform concepts of high and low culture by uncovering the ways in which class and racial difference are routinely conflated. The voluptuous, self-possessed women who explore Critchlow’s fantasy landscapes and pensively occupy domestic interiors or otherwise blank pages owe as much to the aesthetics of Love and Hip Hop as they do to Peter Paul Rubens, and thus prompt the viewer to consider the disparate ways in which we esteem these forms of culture—and the women they feature.

Book of the Day Posted Apr 09, 2022

Book of the Day > 10%: Concerning the Image Archive of a Nuclear Research Center

● Purchase ● On the semiotics of a nuclear archive

“Unknown lady in the radiation department”; “dancing couple in costume”; “damage to a waste drum”; “retiree send-off”; “lead shielding”; “burnt-out glovebox”; “scorpion with microchip”; these are just some of the singular captions accompanying the archival photographs from Germany's first major nuclear research facility. In 1956, professional photographers began making an on-site record of procedures at the Nuclear Research Center Karlsruhe (KfK). In 2017, the decision was made to digitize 10% of this visual archive.

Using current concerns about the whereabouts of contaminated nuclear waste as a springboard, this publication brings together over 30 viewpoints from the realms of art, sociology, politics and science, as well as the accounts of people directly involved with the facility.

Book of the Day Posted Apr 08, 2022

Book of the Day > Amani Willett: A Parallel Road (Second Edition Hardcover)

● Purchase ● A romantic concept of ‘The Road’ has been embraced in American popular culture since the mid-20th century. Writers, artists and photographers, many inspired by revelations surrounding the Beat Generation’s legendary road trips, have long portrayed the idea of the road as a metaphorical symbol of freedom, independence and self-discovery.

Strikingly absent from this cumulative portrait is the Black American experience of the road which is often associated with fear, violence and death rather than freedom. This stark contrast is in conflict with the promise of familial fun times that the road trip afforded to white Americans.

In 1936, in response to the grave dangers faced by African American travelers, New York postman Victor Green created the Negro Motorist Green Book, a practical and necessary survival guide listing safe places where Black people could eat, sleep and find services along their journey without a dreadful fear for losing their lives. The guidebook was published annually for thirty years.

Mixing recent portraits and landscapes, digital screenshots and archival material—including pictures from Willett’s own family archive—A Parallel Road pays homage to Victor Green’s book, 84 years after it was first published, and sheds light on an experience of the road that has long been overlooked. It is produced in the same size as the original Green Book.

This nuanced and multi-layered work explores themes of history, racism, violence and Black identity in the United States, reflecting on the nation’s past and present while encouraging inclusivity and dialogue surrounding a complex and integral American story. While 54 years have passed since Green’s book ceased publication, it remains profoundly relevant in a time when the mere act of being on the road still threatens to be lethal for Black Americans.

Book of the Day Posted Apr 07, 2022

Book of the Day > (Nothing but) Flowers

● Purchase ● An opulent, joyful homage to the many ways of painting flowers, from Charles Burchfield to Amy Sillman

“Flowers are always working in the service of the passage of time,” writes Helen Molesworth in the opening pages of (Nothing but) Flowers. “In all of the paintings in this book where flowers are depicted, innocently standing in their vases, the minor gestures of gathering, arranging and display can be seen as a verb list dedicated to world-building.” This clothbound volume gathers paintings of flowers by more than 50 artists from Charles Burchfield to Amy Sillman, Joe Brainard to Lisa Yuskavage, who have explored the perennial appeal of this richest and yet simplest of subjects. (Nothing but) Flowers demonstrates the capacity of the humble botanical motif to capture sorrow, stimulate rehabilitation, and guide us through periods of mourning, celebration and rebirth. Writers Hilton Als, Helen Molesworth and David Rimanelli contribute meditations on the many resonances of flowers in art.

Artists include: Gertrude Abercrombie, Marina Adams, Henni Alftan, Ed Baynard, Nell Blaine, Dike Blair, Vern Blosum, Joe Brainard, Cecily Brown, Charles Burchfield, Matt Connors, Andrew Cranston, Ann Craven, Stephanie Crawford, Somaya Critchlow, Verne Dawson, Lois Dodd, Peter Doig, Nicole Eisenman, Ida Ekblad, Minnie Evans, Marley Freeman, Jane Freilicher, Mark Grotjahn, James Harrison, Lubaina Himid, Samuel Hindolo, Reggie Burrows Hodges, Max Jansons, Ernst Yohji Jaeger, Sanya Kantarovsky, Alex Katz, Karen Kilimnik, Zenzaburo Kojima, Matvey Levenstein, Shannon Cartier Lucy, Calvin Marcus, Helen Marden, Jeanette Mundt, Soumya Netrabile, Woody De Othello, Sanou Oumar, Jennifer Packer, Nicolas Party, Hilary Pecis, Richard Pettibone, Elizabeth Peyton, Amy Sillman, Elaine Sturtevant, Tabboo!, Honor Titus, Uman, Susan Jane Walp, Stanley Whitney, Jonas Wood, Matthew Wong, Albert York, Manoucher Yektai and Lisa Yuskavage.

In the News Posted Apr 06, 2022

Getty Acquires the "Whitney and Lee Kaplan African American Visual Culture Collection"

4/1/22

After months and months of keeping things under wraps, we are very proud - and excited - to be able to announce that the “Whitney and Lee Kaplan African American Visual Culture Collection” of printed materials documenting the visual culture and representation of African Americans and the African Diaspora in the Western Hemisphere has found a fantastic “forever home” at the Getty Research Institute!

I began this journey in 1989 with the purchase of the now incredibly-coveted Charles White Brown Pharmaceutical print portfolio and a self-imposed challenge to amass as many books on African American artists in my book-buying forays as I could. By 2020, this archive had grown to 3500 exhibition catalogues, periodicals, posters, announcements, and bits of ephemera including much material on a vibrant Post-War Los Angeles art scene with the likes of Betye Saar, Samella Lewis, David Hammons, Senga Nengudi, Ed Bereal, Bernie Casey, John Outterbridge, and Kerry James Marshall up through Charles Gaines, Henry Taylor, Mark Bradford, Martine Syms, Devin Troy Strother, Senon Williams, and Devin Reynolds. And so many others.

Now, over thirty years later, we are overjoyed that this archive has been acquired by the Getty and will remain a vital resource in the city we love.

We owe a HUGE debt of gratitude to all of the artists, photographers, booksellers, curators, gallerists, collectors, and individuals that helped make this possible. We are particularly indebted to Simone Fujita and Kathleen Salomon at the Getty Research Institute for making our wish of placing this collection in the best possible hands come true. – Lee Kaplan

Link to full press release here: https://www.getty.edu/news/getty-library-acquires-major-private-collection-of-published-material-on-african-american-art-and-artists/

Book of the Day > Gerry Johansson: Spanish Summer

● Purchase ● Over more than three decades, Gerry Johansson has brought his shrewd and sensitive eye to bear on peripheral landscapes the world over, from Ulan Bator to Antarctica. Spanish Summer sees him return to one of the first places that captured his imagination: the plains of central Spain. The chapel remained etched into Johansson’s memory and, decades later, led him to return and rediscover the country’s architectural heritage, religious significance, and beauty. With these images, a survey is conducted of a landscape into which thousands of years of cultural traces have bedded down. Johansson’s exacting composition and delicate black-and-white tonalities reveal a transient territory in which telephone wires transcend hoary crucifixes, modern plaster meets timeworn stone, and the shadows of industrial megaliths reach blindly across the dust.