Book of the Day Posted Jan 10, 2019

Book of the Day > Melodie McDaniel: Riding Through Compton

Book of the Day > Melodie McDaniel: Riding Through Compton. Published by Minor Matters. "According to the US Census Bureau, one-third of the population of Compton, California are under the age of 18—one-fourth of its population live at or below the poverty line. Despite the latter statistic, Compton has been home to significant athletes, musicians, scientists, writers, and pioneering public officials including Douglas Dollarhide, the first black man elected mayor of any metropolitan city in California, and Doris A. Davis, the first female black mayor of any American metropolitan city. Over decades young people have found a way to overcome the socioeconomic odds against them when their life begins in this city. For the last thirty years, under the leadership of Mayisha Akbar, the streets of Compton have been the stomping grounds of a youth riding and equestrian program. Designed to provide the kids of Compton with meaningful year-round after-school activities, members not only learn to ride, but care for their horses—developing responsibility, discipline, and self-esteem. Riding Through Compton pairs three years of documentary photographs and formal portraits by Melodie McDaniel interviews by Amelia Fleetwood conducted with participants, guardians, and volunteers involved with the Compton Junior Posse. Riding Through Compton honors the dedication and development of the young people involved with this program, and gracefully illustrates the enduring positive bond between these individuals and the horses they care for and ride."
Book of the Day Posted Jan 09, 2019

Book of the Day > Alina Szapacznikow: Human Landscapes

Book of the Day > Alina Szapocznikow: Human Landscapes. Published by Walther Konig in conjunction with an exhibit at The Hepworth Wakefield. "Alina Szapocznikow (1926–1973) created an extensive and expressive oeuvre, in which she was intensively concerned with the human body, right up to her untimely death. In her sculptures, photographs and drawings she divided female bodies in particular into fragments such as lips, breasts, stomachs and limbs, to put them back together again in new ways and to integrate them as traces in her work. Her own body often found its way into the work in the form of casts. Having previously worked with classical materials such as bronze, she began to experiment with new materials such as polyester after arriving in Paris and mixing with the circle of Nouveaux Réalistes artists. With this she revolutionised the expressive possibilities of sculpture. This catalogue traces this artistic development by means of work from between 1954 and 1973, from early figurative sculptures to the ‘awkward objects’ which are strongly influenced by surrealism and pop art."

 
Book of the Day Posted Jan 06, 2019

Book of the Day > Jean-Vincent Simonet: In Bloom

Book of the Day > Jean-Vincent Simonet: In Bloom. Published by Self Publish Be Happy. "French artist Jean-Vincent Simonet’s practice pushes the poetics of chaos to the very limits, characterised by a penchant for sheer entropy and excess. In Bloom materialised after Simonet first visited Japan in September 2016. Nights spent in Tokyo and Osaka were an intoxicating assault on the senses for him, with sexual encounters, drug-fuelled parties and times spent scaling the city after dark merging into one unfolding mass of visual information before his eyes. The cities were like serpentine, living entities that appeared to metamorphose in the night time. For Simonet, Japan has always had an aquatic, almost mythical status. His images – of which all are original analogue photographs – are transformed through experimental manipulations; metaphors for the slow process of feeling ingested by these fluid, mutating organisms. Printing his images onto plastic paper and sculptural resin so the ink never quite dries, Simonet uses water and chemicals, long exposure and torchlight to transform the surface of his prints, abstracting and blurring them as if the scenes are melting away. Part travel diary and part love letter to the cities of Tokyo and Osaka, In Bloom is a searing, hyper-visual journey into the heart of Japanese underground culture and an ode to the overwhelming experience of seeing a place with the eyes of a stranger for the first time. The book reads as a frenetic dream sequence, as if the countless nights he spent in the belly of the city have folded into a single never-ending one." 
Book of the Day Posted Jan 02, 2019

Book of the Day > Yoshihiro Makino: The Open Hand: Le Corbusier's Chandigarh

Book of the Day > Yoshihiro Makino: The Open Hand: Le Corbusier's Chandigarh. Published by August Editions. "The modernist architect Le Corbusier’s Capitol Complex at Chandigarh, India, remains one of the major touchstones of 20th-century architecture. Commissioned by the government of India after gaining independence, the complex of brutalist concrete structures has become a pilgrimage site for architecture lovers and scholars for the past six decades. These structures have been photographed many times, but the Japanese photographer Yoshihiro Makino takes a different approach. Instead of documenting the buildings in typical fashion, the photographs become meditations on the intentions of the project, and of Le Corbusier’s architectural philosophy. Composed of two accordion-folded books in a cloth slipcase, Makino and revered art director Tamotu Yagi create a double-sided visual experience revealing on the front side of the accordion books an explosion of saturated color exteriors and interiors, then on the backsides details and rarely seen rooms in lush black & white. The combination is both refreshing and mesmerizing. Taking its name from Le Corbusier’s monument for the city—The Open Hand, which symbolizes a new cooperation of the newly formed government—this publication is a visual metaphor for the unfolding experience of the Chandigarh."
Book of the Day Posted Dec 29, 2018

Book of the Day > Rudi Williams: Agoraphobia

Book of the Day > Rudi Williams: Agoraphobia. Published by dot COMME and Rudi Williams. "Agoraphobia is Rudi Williams’ response to Octavius La Rosa’s private collection of runway COMME des GARÇONS. This collaboration between Melbourne based artist Rudi Williams and fashion and textiles display specialist Annette Soumilas is a portrait of Octavius La Rosa through the documentation of his collection. A 20 card publication set contained in a 25cm x 20cm blind embossed folder. The nineteen photographs document twenty-two COMME des GARÇONS runway garments dated from 2012 – 2018. The photographs were created using a 5 x 4 large format film camera, each scenario a studied, in-camera response to Rei Kawakubo's designs and concepts, the engineering of the garments, and the psychological space the garments inhabit for the wearer."

 

Book of the Day Posted Dec 06, 2018

Book of the Day > Patti Smith: Just Kids (Illustrated Edition)

Book of the Day > Patti Smith: Just Kids (Illustrated Edition). Published by Ecco. "Patti Smith’s National Book Award–winning memoir, now richly illustrated with new material and never-before-seen photographs. Patti’s Smith's exquisite prose is generously illustrated in this full-color edition of her classic coming-of-age memoir, Just Kids. New York locations vividly come to life where, as young artists, Patti Smith and Robert Mapplethorpe met and fell in love: a first apartment in Brooklyn, Times Square with John and Yoko’s iconic billboard, Max’s Kansas City, or the gritty fire escape of the Hotel Chelsea. The extraordinary people who passed through their lives are also pictured: Sam Shepard, Harry Smith, William Burroughs, Allen Ginsberg. Along with never-before-published photographs, drawings, and ephemera, this edition captures a moment in New York when everything was possible. And when two kids seized their destinies as artists and soul mates in this inspired story of love and friendship."

 

Book of the Day Posted Dec 05, 2018

Book of the Day > Picasso's Kitchen

Book of the Day > Picasso’s Kitchen. Published by La Fabrica and distributed by Artbook. “Food frequently surfaces as a motif in the art of Pablo Picasso (1881–1973), and Picasso's Kitchen presents the many forms that the culinary takes in his work. Adopting as its guiding principle the conceit that ‘cooking is a subtle revelation of Picasso's art,’ this handsomely designed volume, with its card-stock cover bearing a tipped-on portrait of the artist, reproduces works alongside photographs of the artist working in his grand studio and the friends and lovers with whom he surrounded himself. Some of the book's sections examine individual artworks such as Picasso's interpretation of Manet's Déjeuner sur l'herbe or his playful ceramic works, while other sections visit the bohemian cafes and restaurants of Paris and Barcelona where Picasso and other avant-garde artists of the period ate and drank, through menus, photographs, prints and paintings, searching for how these places slipped into the artists' work in ways both overt and subtle. Another section draws on archival material from Picasso's writings on food. Perfect for the cook, art lover or both, this book vividly conveys how this theme greatly enhances our enjoyment and understanding of Picasso's oeuvre.”

 

Book of the Day Posted Nov 29, 2018

Book of the Day > Vija Celmins: To Fix the Image in Memory

Book of the Day > Vija Celmins: To Fix the Image in Memory. Published by Yale University Press. “ Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive “redescribing” of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins’s work produced since the 1960s—drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra.”

 

Book of the Day Posted Nov 28, 2018

Book of the Day > Eric Fischl: If Art Could Talk

Book of the Day > Eric Fischl: If Art Could Talk. Published by Mousse Publishing. “Eric Fischl (New York, 1948) is one of only a handful of contemporary painters who regularly, though by no means exclusively, employs sourced images, culled from the internet, newspapers, and magazines, to inform his paintings. The artist then adds his own photographs and blends a final ensemble of information and storytelling. No kings or generals or momentous battles move across Fischl’s canvases, and most of his subjects are quotidian rather than grandiose—suburban bourgeois families, art world mongers and awkward social interactions. In his works, communication is nonexistent and boredom is pervasive. The book, published on the occasion of a solo show held at Dallas Contemporary museum, includes more than 120 painting reproductions and a conversation between Eric Fischl and Peter Doroshenko.”


 

 

 
Book of the Day Posted Nov 24, 2018

Book of the Day > Suellen Rocca: Drawings

Book of the Day > Suellen Rocca: Drawings. Published by Matthew Marks Gallery. “Suellen Rocca (born 1943) is perhaps best known for the work she made as a member of the Hairy Who, a group of six Chicago artists who exhibited together from 1966 to 1969. This book presents, for the first time, 30 works on paper made between 1981 and 2017. Building on the unique graphic vocabulary and innovative compositions of her 1960s work, these drawings represent a turn toward imagery she describes as "more internal." Animals, trees and unclassifiable creatures are placed in densely patterned settings that carry a genuine emotional charge. In the book’s essay, Cat Kron notes Rocca’s ‘increased attention to the unconcious,’ tracing parallels between the artist’s ‘anxious imaginings’ and the automatic drawing of the Surrealists. As Rocca puts it, ‘I just begin, and the drawing is a journey between me and the marks on the paper.’”
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