Book of the Day > Radical: Italian Design 1965-1985
Book of the Day > Radical: Italian Design 1965-1985. Published by Yale University Press. “An essential new look at the design philosophy that interrogated modern living against the turbulent political landscape of 1960s Italy. In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as “Radical design,” this movement probed possibilities for visually transforming the urban environment. Radical design’s proponents also applied it to items such as furniture and lighting, utilizing alternative materials and an innovative formal vocabulary. Radical: Italian Design 1965–1985 surveys the work of these pioneering designers through nearly 70 objects and architectural models—including rare prototypes and limited-production pieces. Cindi Strauss insightfully explores the aesthetic inspiration and changing cultural mores that informed the movement, and her research is complemented by an essay from Germano Celant, the acclaimed author and curator who coined the term “Radical design.” Importantly, the book includes seven interviews with Radical designers and architects, offering fresh insights into the individuals who were at the vanguard of this groundbreaking movement.”
Book of the day > Supreme Glamour
Book of the day > Art and Race Matters: The Career of Robert Colescott
Book of the Day > Basil Wolverton: Brain Bats of Venus: The Life and Comics of... Vol. 2 (1942–1952)
Book of the Day > Off The Wall: American Art To Wear
Book of the Day > Julie Mehretu
Book of the Day > Great Women Artists
Book of the Day > Margaret Kilgallen: that's where the beauty is.
Book of the Day > John Baldessari: Catalogues Raisonnés
Book of the Day > In remembrance. John Baldessari: Catalogues Raisonnés. Published by Yale University Press. "The pioneering conceptual artist John Baldessari (1931-2020) began his career as a painter in the 1950s, but in the subsequent decades he expanded his practice in a new and groundbreaking direction by juxtaposing texts with found photography or appropriated images. These texts questioned the nature of art and the art-viewing experience, suggesting new meanings for the images they accompanied. This interaction of words and images remained a critical aspect of Baldessari's work, even as he branched into other media, such as site-specific installations, drawings, video, sculpture, prints, and multiples."