Book of the Day Posted May 13, 2022

Book of the Day > Mimi Plumb: The Golden City

Purchase ● Mimi Plumb used to live on the edges of the city where the rents were cheap. Nearby, on the summit of the hill, were folded layers of radiolarian chert, the fossilized remains of microscopic creatures called radiolaria. A large crevice in the hillside was a reminder of the ever-present threat of an earthquake.
 
Warm Water Cove, along the bay, was a spectacle of tires and abandoned cars. One day Plumb photographed the chimney of the power station above the fiery destruction of the 25th Street Pier. She watched planes flying over the city dump of cardboard hillsides.
 
“Downtown buildings on the far-off horizon reminded me of Oz. My cat, Pearl, kept watch on the rooftop of my flat.” - Mimi Plumb
 
Plumb’s life was marked by nights out dancing at the Crystal Pistol in the Mission, or listening to a punk polka band at the Oasis. Neil, the clarinet player, wore faux leather naugahosen, with spikes protruding from his head. Sometimes they played pool at Palace Billiards. At the Exotic/Erotic Ball, a bird man and a nurse hid in the corners. A steely-eyed silver man in his tuxedo stared back at Plumb from behind his mask, the camera flash shining a light on him.
 
Plumb’s days were spent visiting abandoned schools and derelict gas stations, a billboard claiming ‘dangerously close to homemade.’
 
To Plumb the magical clanging of the San Francisco cable cars was a world away, and the idealism of the 1960s seemed long gone. The Golden City of San Francisco, fraying at its edges, showed the growing chasm between the rich and poor.
Book of the Day Posted May 12, 2022

Book of the Day > Susan Meiselas: Carnival Strippers – Revisited

Purchase ● A new and expanded edition of Meiselas’ 1976 classic, perhaps one of the most important photobooks of the postwar era
 
From 1972 to 1975, Susan Meiselas spent her summers photographing women who performed striptease for small-town carnivals in New England, Pennsylvania and South Carolina. As she followed the shows from town to town, she captured the dancers on stage and off, their public performances as well as their private lives, creating a portrait both documentary and empathetic: “The recognition of this world is not the invention of it. I wanted to present an account of the girl show that portrayed what I saw and revealed how the people involved felt about what they were doing.” Meiselas also taped candid interviews with the dancers, their boyfriends, the show managers and paying customers, which form a crucial part of the book.
 
Meiselas’ frank description of these women brought a hidden world to public attention, and explored the complex role the carnival played in their lives: mobility, money and liberation, but also undeniable objectification and exploitation. Produced during the early years of the women’s movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change.
 
Carnival Strippers Revisited and Making Of come together in a slipcase. Making Of includes color images from Carnival Strippers that have never been printed and/or published before, along with ephemera material collected by Meiselas at the time she developed the project.
Book of the Day Posted May 11, 2022

Book of the Day > Joshua Rashaad McFadden: I Believe I'll Run On

Purchase ● American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I’ll Run On demonstrates his mastery of a wide range of photographic genres—social documentary, reportage, portraiture, and fine art—and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020.
 
Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden’s meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden’s key role in shaping the art and visual culture of the United States.
Book of the Day Posted May 10, 2022

Book of the Day > Emanuel Hahn: Koreatown Dreaming

Purchase ● “Koreatown Dreaming” was borne out of a sense of urgency around documenting the stories of Koreatown, during the Covid-19 pandemic and creeping gentrification. As many small business in Koreatown closed permanently, long-time establishments and mom-and-pop stores disappeared without leaving a record of their history and contributions to Los Angeles. This photo book documents their varied lives and stories, and celebrates the contributions that Korean immigrants have given to one of the most diverse and iconic neighborhoods in America.
 
This book chronicles 40 small businesses across retail, services, community spaces and restaurants to offer a comprehensive look into the lives of this entrepreneurial immigrant group. This book includes rich photography, poetry, and essays by Katherine Yungmee Kim (author of LA's Koreatown), Lisa Kwon (writer and reporter), Cathy Park (contributing writer at Eater) and Dumbfoundead (artist).
Book of the Day Posted May 06, 2022

Book of the Day > Hilary Pecis

Purchase ● Hilary Pecis has won widespread acclaim for her singularly charming domestic still lifes and sun-drenched street scenes, paintings and drawings rendered in vibrant saturated colors and bold linework that seem to celebrate the quiet moments of life: coffee tables overflowing with books, the remains of a dinner party, terrains lush with Southern California succulents.
 
This monograph, the artist’s first, collects more than 50 works painted in the period between 2017 and 2021. Writer and musician Johanna Fateman contributes a new text on Pecis’ works as they exist in dialogue with the history of representational painting, while painter Lily Stockman provides a more personal view on the collected paintings as Pecis’ unexpected studio-mate during the time of the COVID pandemic. This lavishly designed and fully illustrated volume invites the reader into the enchanting world of an ascendant new talent in painting.
Book of the Day Posted May 05, 2022

Book of the Day > Jason Dill: Prince Street

Purchase ● I never thought I’d make a book of my photography, especially a book this big. In 1994 I was 17 when I first went to New York, traveled to Japan and all over Europe. I had just become a Professional Skateboarder, this occupation continued to send me around the world. (This book has nothing to do with skateboarding) I moved to New York, I ended up in Africa, Italy, Greece, Mexico, Paris, Australia, I took pictures all along the way. I took photos of what I thought was beautiful, innocent, strange, ugly, I just shot so much shit. There are moments of sadness and regret in the book and moments of sheer happiness. There are friends who are no longer here and places and times that no longer exist.
Book of the Day Posted May 03, 2022

Book of the Day > In My Eyes Photographs 1982-1997 by Jim Saah

Purchase ● In My Eyes Photographs 1982-1997 (Cabin 1) features hundreds of impressive (and never before seen) photos of Fugazi, Minor Threat, Void, Black Flag, Circle Jerks, Dead Kennedys, Jawbox, Government Issue, The Faith, Iron Cross and more. But Saah’s musical palette wasn’t just confined to punk rock, as evidenced by the inclusion of The Cramps, The Pixies, Lou Reed, Guided by Voices, Fishbone, Wilco et al. The hard cover book closes with several intimate interviews between Saah and longtime friends/fans including Ian MacKaye, J. Robbins, Jon Langford (Mekons), Shepard Fairey, and photographers Cynthia Connolly and Patrick Graham
Book of the Day Posted Apr 29, 2022

Book of the Day > Ralph Lauren's Polo Shirt

Purchase ● Embodying a chic casualness that is uniquely American, the Polo shirt is a cultural symbol, worn by everyone from movie stars and presidents to athletes and artists.
 
The Polo shirt is to Ralph Lauren what Mickey Mouse is to Disney or the Empire State Building is to New York City. Whether worn with the collar popped up, open and untucked, or dressed up under a suit jacket, the Polo embodies the optimism of American style. In Lauren’s words, “It’s honest and from the heart and hopefully that is what touches the diversity of all who wear it. It was never about a shirt, but a way of living.”
 
Featuring a gallery of stars from the worlds of sports, politics, film, and music—from Leonardo DiCaprio and Spike Lee, to Bill Clinton and Oprah Winfrey, to Pharrell Williams and Venus Williams—as well as everyday people who make the Polo their canvas for self-expression, The Polo Shirt looks at the enduring cool of a wardrobe classic.
 
Included are the full range of colors, styles, and fits the shirt has been produced in during its more than 50-year history. From the classic white to the weathered Polo, from the striped Polo to the US Olympic, US Open, and Wimbledon Championship collaborations, this catalogue celebrates the full spectrum of the Polo, making it a collector’s dream.
Book of the Day Posted Apr 28, 2022

Book of the Day > Barbara Bosworth: The Sea

Purchase ● A luxuriously designed photographic meditation on the infinite permutations of the sea, from the author of the acclaimed photobooks The Heavens and The Meadow
 
Since moving to New England in 1984, Barbara Bosworth (born 1953) has been photographing the sea and its awe-inspiring ability to transform sky, water and light. The sea evokes calm introspection, romance and poetry, while remaining a deeply unknowable and overpowering natural force, a contradiction that has drawn people to the shoreline for millennia. Before she discovered photography, and for as long as she can remember, Bosworth has been looking at the sea. Many hours were spent with her father watching the light move across Cape Cod Bay. Later in life, she walked those same beaches with the wonder that had been passed down by her father, as well as generations of writers, poets and artists. This book of Bosworth's photographs of the sea, made with an 8x10 camera, follows in the tradition of The Meadow and The Heavens, serving as the third and final volume in the series, keeping the same size and design elements as the previous two publications.
Book of the Day Posted Apr 26, 2022

Book of the Day > Our Selves: Photographs by Women Artists

Purchase ● How have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation
 
Spanning more than 100 years of photography, the works in Our Selves range from a turn-of-the-century photograph of racially segregated education in the United States, by Frances Benjamin Johnston, to a contemporary portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero.
 
As the title of this volume suggests, Our Selves affirms the creative and political agency of women artists. A critical essay by curator Roxana Marcoci asks the question “What is a Feminist Picture?” and reconsiders the art-historical canon through works by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by emerging scholars explore themes such as identity and gender, the relationship between educational systems and power, and the ways in which women artists have reframed our received ideas about womanhood.
 
Published in conjunction with a groundbreaking exhibition of photographs by women artists—drawn exclusively from MoMA's collection, thanks to a transformative gift of photographs from Helen Kornblum in 2021—this richly illustrated catalog features more than 100 color and black-and-white plates. As we continue to aspire to equity and diversity, Our Selves contributes vital insights into figures too often relegated to the margins of our cultural imagination.
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