Book of the Day Posted Apr 10, 2015

Seven Books of the day > The Los Angeles Artist Series for The Los Angeles Project

Seven Books of the day > The Los Angeles Artist Series for The Los Angeles Project at the UCCA in Beijing. KAARI UPSON: THE HOUSE, RYAN TRECARTIN: YET, STERLING RUBY: LA/BJ , MATTHEW MONAHAN: SQUARE GARDEN, ALEX ISRAEL: STICKER BOOK, AARON CURRY - BOXXES, KATHRYN ANDREWS: STRIP. UCCA and Koenig Books. "In a critical examination of one of the most important art centers in the Western world, the Ullen Center for Contemporary Art in Beijing dedicated its entire exhibition space to an anthology of seven shows of contemporary artists living and working in Los Angeles:  Kathryn Andrews, Aaron Curry, Alex Israel, Matthew Monahan, Sterling Ruby, Ryan Trecartin, and Kaari Upson.
These seven artists represent a generation of creative practitioners drawn to a global nexus, one whose rich cultural legacy and robust network of art schools, galleries, and institutions act as a magnet for top talents in the field of contemporary art. Outside of Hollywood, specific cultural connections between Los Angeles and Beijing have been lacking despite their imagined proximity as Pacific Rim cities. Los Angeles has long been imagined as a “city of the future” in much the same way that urban development in China has unfolded against the backdrop of an implicit utopianism. As China’s creative scene matures into a multi-polar terrain of geographies, contexts, and subjectivities, Los Angeles and its cultural topography become especially relevant to Beijing and its current position as the mainland’s creative capital. Following in the great artist book tradition of John Baldessari and Edward Ruscha, the UCCA has called the artists to make individual artist books for The Los Angeles Project in Beijing. These publications reflect the tremendous range of practices and positions presented within the UCCA exhibition.
Book of the Day Posted Apr 08, 2015

Book of the day > Vogels Huilen Niet (Birds Don't Cry): Anjes Gesink

Book of the day > Vogels Huilen Niet (Birds Don't Cry): Anjes Gesink. Lecturis. "Portraying birds in need at the Vogelklas Karel Schot bird sanctuary in Rotterdam, this book depicts a motley collection of all types, from starlings to swans. A blue-gloved hand, present in almost every picture, both symbolizes the care the birds get and refers to the human impact on their lives in the city. Directly or indirectly, each was put in a difficult situation by people, and now people are helping their recovery. Since 2012, photographer Anjès Gesink has volunteered at the sanctuary. Collaborating with André de Baerdemaeker, urban ecologist and sanctuary chairman, she tells a story of resilience and hope."


 

Book of the Day Posted Apr 03, 2015

Book of the day > Thomas Campbell: Seeing Fatima's Eyes - Surf, Life, Stuff, Morocco, North Africa

Book of the day > Thomas Campbell: Seeing Fatima's Eyes - Surf, Life, Stuff, Morocco, North Africa. Um Yeah Press. Book signing (with Ed Templeton) tomorrow, Saturday, 4-6 at Arcana!
"Seeing Fatima's Eyes is a new photographic essay by the self-taught painter, sculptor, photographer and filmmaker Thomas Campbell (born 1969), on surfing and life in Morocco. In the early 1990s, just prior to his immersion in the scene around New York's Alleged Gallery, Campbell would regularly hole up in the North African enclave to produce paintings for solo exhibitions in Paris, New York and Rabat, all the while scouring the coast during the winter months for whatever waves might roll in from the Atlantic. Later, over the last ten years, Campbell brought various surfers of note (such as Dan Malloy, Alex Knost, Craig Anderson, Dave Rastovich and Ryan Burch) to join him there, and to savor Morocco's glorious climate and stupendous surf. This book, the second in Campbell's Slide surfing series (following 2012's Slide Your Brains Out), records these collective Moroccan adventures from the past 20 years, in color and black-and-white images that range from the everyday to the sublime."
Book of the Day Posted Apr 02, 2015

Book of the day > Invitation to Openness: the Jazz & Soul Photography of Les McCann, 1960-1980

Book of the day > Invitation to Openness: the Jazz & Soul Photography of Les McCann, 1960-1980. Fantagraphics. "This collects the photographs of legendary musician Les McCann; he documented the jazz scene and its players—Nina Simone, John Coltrane, Count Basie, and many others—from the inside, across several decades.  Throughout Les McCann’s incredible jazz career, he took hundreds of photos—at clubs, studios, and festivals around the world—and documented the vibrant cultural life of jazz and soul between 1960 and 1980. These photos include a very young Stevie Wonder, Nina Simone, Sammy Davis Jr., John Coltrane, Aretha Franklin, Nancy Wilson, Richard Pryor, Quincy Jones, Tina Turner, Miles Davis, Cannonball Adderly, Louis Armstrong, Count Basie, B.B. King, Errol Garner, Stanley Clarke, Bill Evans, Lionel Hampton, and other black celebrities, such as Bill Cosby, Muhammed Ali, and Stokely Carmichael to name but a few. These photos are characterized by their intimacy, and the cross-section of names listed is merely the tip of the iceberg. The book features candid commentary by McCann himself and is curated by Pat Thomas (Listen, Whitey!: The Sights and Sounds of Black Power 1965-1975) and maverick music producer Alan Abrahams (Pure Prairie League, Joan Baez, Stanley Turrentine, Kris Kristofferson, Taj Mahal)."
Book of the Day Posted Apr 01, 2015

Book of the day > Memento Mori: The Dead Among Us by Paul Koudounaris

Book of the day > Memento Mori: The Dead Among Us by Paul Koudounaris. Thames & Hudson. " The astonishing story of how the dead live on in memorials and traditions across the globe, from Ethiopia and Nepal to Cambodia and Rwanda, told through arresting images and captivating narration. Death is universal, but the human response to death varies widely. In Western society, death is usually medicalized and taboo, and kept apart from the world of the living, while in much of the rest of the world, and for much of human history, death has commonly been far more integrated into peoples’ daily existence, and human remains are as much a reminder of life, memento vitae, as of death, memento mori. Through photos taken at more than 250 sites in thirty countries over a decade, Paul Koudounaris has captured death around the world. From Bolivia’s “festival of the little pug-nosed ones,” where skulls are festooned with flowers and given cigarettes to smoke and beanie hats to protect them from the weather to Indonesian families who dress mummies and include them in their household routines; from naturally preserved Buddhist monks and memorials to genocide in Rwanda and Cambodia to the dramatic climax of Europe’s great ossuaries, Memento Mori defies taboo to demonstrate how the dead continue to be present in the lives of people everywhere. 500+ color illustrations."


Book of the Day Posted Mar 31, 2015

Book of the day > Salt and Silver

Book of the day > Salt and Silver. Mack Books. "The book is published in connection with the exhibition of the same name at the Tate, the first exhibition in Britain devoted to salted paper prints, one of the earliest forms of photography. A uniquely British invention, unveiled by William Henry Fox Talbot in 1839, salt prints spread across the globe, creating a new visual language of the modern moment. Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. This revolutionary technique transformed subjects from still lifes, portraits, landscapes and scenes of daily life into images with their own specific aesthetic: a soft, luxurious effect particular to this photographic process. The few salt prints that survive are seldom seen due to their fragility, and so this exhibition, a collaboration with the Wilson Centre for Photography, is a singular opportunity to see the rarest and best early photographs of this type in the world.
Salt and Silver brings together over 100 plates drawn from the Tate's Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions. Encompassing many of the great works of the period, the publication includes prints by Edouard Baldus, Louis Blanquart-Evrard, Mathew Brady, Charles Clifford, Louis De Clercq, Maxime Du Camp, Roger Fenton, Jean-Baptiste Frenet, Charles Hugo, David Octavius Hill, Robert Adamson, Calvert Richard Jones, Gustave Le Gray, Henri Le Secq, Charles Marville, Felix Nadar, Charles Negre, Felice Beato, Auguste Salzmann, William Henry Fox Talbot, Felix Teynard and Linnaeus Tripe."
Book of the Day Posted Mar 27, 2015

Book of the day > Psychedelic Sex

Book of the day > Psychedelic Sex. Taschen. “How men's magazines turned hot and hippy between 1967–1972. In a brief golden span between 1967 and 1972, the sexual revolution collided with recreational drug exploration to create "psychedelic sex." While the baby boomers blew their minds and danced naked in the streets, men’s magazine publishers attempted to visually recreate the wonders of LSD, project them on a canvas of nubile hippie flesh, and dish it up to men dying for a taste of free love.
Way Out, Groovie, Where It’s At—each magazine title vied to convince the straight audience it offered the most authentic flower power sex trip, complete with mind-bending graphics and all-natural hippie hotties. Along the way hippies joined in the production, since what could be groovier than earning bread in your birthday suit?
At its height, psychedelic sex encompassed posters, tabloids, comics, and newsstand magazines, but the most far-out examples of all were the glossy magazines from California, center of both hippie culture and the budding American porn industry. It’s these sexy, silly reminders of peace, love, and pudenda we celebrate in Psychedelic Sex. So put on your beads, tune up your sitar, and let the love-in begin! “
Book of the Day Posted Mar 25, 2015

Book of the day > Poetry of the Metropolis: The Affichistes

Book of the day > Poetry of the Metropolis: The Affichistes. Snoeck. “During the 1940s and 1950s, the Affichistes appear in Paris with a new and revolutionary artistic format: the tearing down of posters. Ever more present within the cityscape, they assimilate this expanding advertising medium and its particular aesthetics, and formulate from these looted, random images a radical contradiction to the dominant abstract painting of the postwar period. On the one hand, they are interested in the act of violent appropriation of imagery from the public sphere, on the other hand, they celebrate randomness and show a particular interest in language and typography. However, in their action, they see themselves no longer committed to an avant-garde agitprop self-concept, but aim at the visual complexity of contemporary modern means of expression that were eventually picked up on by pop art and, to this day, remain relevant despite all electronic mediality. Book and exhibition provide a comprehensive look at activities spanning two decades (1948-1968) by this important post-war avant-garde that occurred in particular in France, and extend the spectrum by looking at the photographic, cinematic and auditory works of the main protagonists, among them Raymond Hains, Jacques Villeglé, François Dufrêne, Mimmo Rotella, and Wolf Vostell. It also highlights their further specific background, for instance, in décollage, action or happening. Quite surprisingly, many of the works still today appear fresh and radiant.”
Book of the Day Posted Mar 21, 2015

Book of the day > Karl Lagerfeld: Chanel Shopping Center

Book of the day > Karl Lagerfeld: Chanel Shopping Center. Steidl. “Chanel's fashion shows are always unexpected, but with the set of Karl Lagerfeld's most recent Fall-Winter 2014/15 Prêt-à-Porter collection for the house, the designer seems to have finally outdone himself. The concept of the catwalk was born anew as the "Chanel Shopping Center," where models jostled with one another as they browsed shelves and placed items in their shopping trolleys. This was, of course, no normal supermarket but a spectacular ironic reinterpretation of Chanel 's beloved codes, where supermarket produce and packaging were re-designed according to Lagerfeld's wit and whim. There were thousands of items to behold including Mont Cambon wine, Mademoiselle Privé doormats, tweed energy drinks, Coco Flakes (to be eaten with no more than Lait de Coco), Paris-Dallas ketchup, lion-shaped pasta, as well as bottled water labeled "Eau de CHANEL No 0." The visual vocabulary of the supermarket equally informed Lagerfeld's collection: from chain shopping baskets, vacuum-packed handbags, bottletop and padlock-shaped jewelry, to iridescent outfits with shoplifter-sized pockets. This book preserves the Chanel Shopping Center in print, and is playfully styled as a mail order catalogue displaying all items seemingly for purchase-but only while stocks last.”
Book of the Day Posted Mar 19, 2015

Book of the day > Semina Culture: Wallace Berman & His Circle

Book of the day > Semina Culture: Wallace Berman & His Circle. D.A.P./Santa Monica Museum of Art. Edited with text by Michael Duncan, Kristine McKenna. Text by Stephen Fredman.
“This reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.”

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