Eliza's Holiday Gift Picks!
Where We Find Ourselves: The Photographs of Hugh Mangum, 1897-1922 by Margaret Sartor & Alex Harris. "Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist." Published by University of North Carolina Press. $ 45.00
Stephen Gill - The Pillar. Published by Nobody Books. "A pillar knocked into the ground next to a stream in a flat, open landscape, trees and houses visible in the distance, beneath a vast sky. That is the backdrop to all of Stephen Gill´s photographs in this book. We see the same landscape in spring and summer, in autumn and winter, we see it in sunshine and rain, in snow and wind. Yet there is not the slightest monotony about these pictures, for in almost every one there is a bird, and each of these birds opens up a unique moment in time. We see something that has never happened before and will never happen again. That it takes place in the midst of a landscape characterised by repetition, in which time is cyclical, sets up a keen existential dynamic: on the one hand, everything has happened before, there’s nothing new under the sun; on the other, every moment is unique and carries the hallmark of the miracle: what happens happens only once and never again. But this wasn’t what I thought about the first time I looked at these photographs. In fact, I barely thought at all, for I was shaken, as a person so often is when confronted with an extraordinary work of art. I’d never seen birds in this way before, as if on their own terms, as independent creatures with independent lives. Ancient, forever improvising, endlessly embroiled with the forces of nature, and yet indulging too. And so infinitely alien to us."- Karl Ove Knausgård. $75.00
History of Information Graphics. "In the age of big data and digital distribution, when news travel ever further and faster and media outlets compete for a fleeting slice of online attention, information graphics have swept center stage. At once nuanced and neat, they distill abstract ideas, complex statistics, and cutting-edge discoveries into succinct, compelling, and masterful designs. Cartographers, programmers, statisticians, designers, scientists, and journalists have developed a new field of expertise in visualizing knowledge. This XL-sized compendium explores the history of data graphics from the Middle Ages right through to the digital era. Curated by Sandra Rendgen, some 400 milestones span astronomy, cartography, zoology, technology, and beyond. Across medieval manuscripts and parchment rolls, elaborate maps, splendid popular atlasses, and early computer-based information design, we systematically break down each work’s historical context, including such highlights as Martin Waldseemüller’s famous world map, the meticulous nature studies of Ernst Haeckel, and many unknown treasures. Hot on the heels of the best-selling Information Graphics and Understanding the World, this third volume fills the gap as an unprecedented reference book for data freaks, designers, historians, and anyone thirsty for knowledge. An enthralling exploration into the teachings, research, and lives of generations past." Published by Taschen. $70.00
Salvatore Vitale: How to Secure a Country From Border Policing via Weather Forecast to Social Engineering: A Visual Study of 21st-Century Statehood. Edited with text by Lars Willumeit. Text by Roland Bleiker, Philip Di Salvo, Jonas Hagmann."An artist's diagrammatic dissection of the national security culture that has swept the West. In this hybrid artist's book, Switzerland-based artist Salvatore Vitale (born 1986) explores Switzerland's national security measures by focusing instructions, protocols and bureaucracies pertaining to security, which he visualizes in photographs, diagrams and graphic illustrations. Switzerland, well known as one of the safest countries on earth and a prime example of efficiency and efficacy, has developed a culture based on protection supported by the presence and production of national security. When in 2014 the Swiss voted in favor of an initiative "against massive immigration," Vitale, a immigrant living in Switzerland, decided to research this phenomenon in order to comprehend the origin for this constant need for security and how it became part of Swiss culture. The result is a case study that can be used to explain the global context for notions of security and the functioning of contemporary societies." Published by Lars Muller. $ 40.00
Bad Luck Hot Rocks: Conscience Letters and Photographs From the Petrified Forest. "The Petrified Forest National Park in Northeast Arizona protects one of the largest deposits of petrified wood in the world. Despite stern warnings, visitors remove several tons of petrified wood from the park each year, often returning these rocks by mail (sometimes years later), accompanied by a "conscience letter." These letters often include stories of misfortune attributed directly to their theft: car troubles, cats with cancer, deaths of family members, etc. Some writers hope that by returning these stolen rocks, good fortune will return to their lives, while others simply apologize or ask forgiveness. "They are beautiful," reads one letter, "but I can't enjoy them. They weigh like a ton of bricks on my conscience. Sorry…." Bad Luck, Hot Rocks documents this ongoing phenomenon, combining a series of original photographs of these otherworldly "bad luck rocks" with facsimiles of intimate, oddly entertaining letters from the park's archives." Published by The Ice Plant.$ 32.50
Gaechter + Clahsen: Fünf Finger Föhn Frisur. "A person’s hair may be likened to the top of a mountain. But while mountaintops are often shrouded from our eyes by clouds around them, a person’s top is almost always visible—especially in latitudes that have given up the daily use of bonnets, hats and headscarves. Hence the understandably heavy pressure on people’s heads—to get the hair just right. Over the course of several decades, photographer Peter Gaechter shot a wide array of hairdos for Zürich hairdresser Elsässer Pour Dames, tracking the changes in—and revivals of —hairstyles in late 20th-century Switzerland. The present publication brings together a selection of his photographs from the catalogues on display at these upmarket salons, showing the latest hairstyle trends from the 1970s to the 1990s. These sculpturesque cuts and coiffures, which were to be reproduced à l’identique on the customers’ heads, were also telltale signs of the times. Whether a punk or “Cold War Kids” cut, a “five-finger” blow-dry, feathery “Charlie’s Angels” wings or “Old Hollywood” coiffure—the multifarious hairstyles of local beauties, “It girls” and actresses featured in this book reflect the “why not?” whateverism of liberal consumer culture as well as concrete changes in society, e.g. in the sudden apparition of a clunky cell phone included in the picture frame as a pixie cut accessory. Gaechter’s photographs also hark back to an age in which photography was still infused with a spirit of professionalism. There are no snapshots here, no affectations of an amateur aesthetic, no strategically trashy elements—Gaechter's pictures target a clientele aspiring to distinction, as could once be said of the photographer’s craft as well." Published by Edition Patrick Frey. $ 60.00
Harold Edgerton: Seeing the Unseen. Harold Edgerton (1903–90) was an engineer, educator, explorer and entrepreneur, as well as a revolutionary photographer―in the words of his former "student and Life photographer Gjon Mili, "an American original." Edgerton's photos combine exceptional engineering talent with aesthetic sensibility, and this book presents more than 100 of his most exemplary works. Seeing the Unseen contains iconic photos from the beloved milk drops and bullets slicing through fruit and cards, to less well known but equally compelling images of sea creatures and sports figures in action. Paired with excerpts from Edgerton's laboratory notebooks, the book reveals the full range of his technical virtuosity and his enthusiasm for the natural and human-built worlds. Essays by Edgerton students and collaborators J. Kim Vandiver and Gus Kayafas explore his approach to photography, engineering and education, while MIT Museum curators Gary Van Zante and Deborah Douglas examine his significance to the history of photography, technology and modern culture." Published by Steidl/MIT Museum, Cambridge. $ 50.00
W. E. B. Du Bois's Data Portraits: Visualizing Black America. "The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics--beautiful in design and powerful in content--make visible a wide spectrum of black experience.
W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk." Published by Princeton Architectural Press. $ 29.95
