Arcana:

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(RICHARDSON, TERRY) (SISLEY). Richardson, Terry. NP (Ponzano Veneto, ITALY): Sisley, 2000. First Edition. Small 4to. Pictorial Self-Wrappers. Fashion Trade Catalog. Fine.. np, profusely illustrated in color. Text in English. This 2000 trade catalogue for Italian fashion purveyors Sisley was shot in Palm Springs by fashion bad boy Terry Richardson. Art directed by Nikko Nikko and styled by Sabina Schreder, it features flash-infused images galore of youthful male and female models basking amidst the desert scrub along with favorite snack recipes for you to make at home. A most handsome example of this uncommon item perfect for the T-Bone completeist. Inventory Number: 025106

(VON UNWERTH, ELLEN) (GUESS? INC.). Marciano, Paul & Ellen Von Unwerth. Los Angeles: Guess? Inc., 2004. First Edition. Small 4to. Stapled Tabloid Wrappers. Fashion Trade Catalog. Near Fine.. 54 individual 9 x 6" cardstock sheets printed color offset recto and verso housed in a printed cardstock sleeve, 54 color illustrations. Art Direction by Paul Marciano. This is another catalogue of sexy publicity and marketing images for the Marciano brothers' Guess? Inc. clothing company. Published for their Spring 2004 campaign, it takes the form of an oversized deck of cards - including two jokers - featuring famed photographer Ellen Von Unwerth's pictures of Bianca Balti, Sasha Beznosyuk, and other models engaging in youthful hijinks in Las Vegas and the Nevada desert. A complete, internally most handsome example of this uncommon item that was issued hors commerce - only bestowed, never commercially for sale - showing a few minor creases to the flaps of the publisher's printed sleeve that is perfectly suitable for your next round of bridge. Inventory Number: 025093

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. Inventory Number: 025061

(LEVINTHAL, DAVID) (ELLROY, JAMES). Ellroy, James & David Levinthal. Paris: Coromandel Express, 1998. First Edition 1/55. Small Square Folio. Loose Contents in a Box. Illustrated Book. Fine/No Jacket - As Issued. np, with six Cibachrome prints and one hand-painted gelatin silver print. Text in English and French. Designed by Olivier Andreotti and Penelope Monnet. "My Mother's Killer" is the luxe 1998 Coromandel Express collaborative interpretation of the events surrounding the unsolved 1958 Los Angeles murder of James Ellroy's mother Geneva as recreated by noted photographer David Levinthal in a series of stylized miniature tableaux. It features a highly graphic bi-lingual presentation of Ellroy's text juxtaposed across six tri-fold leaves - each of which contains an archivally housed 11 ½ x 10 ½" color Cibachrome print. The publisher's chemise contains a seventh print - a 7 ¾ x 9 ¾" hand-painted gelatin silver photograph SIGNED AND DATED "David Levinthal 1988/1998" in black ink on the verso. These are all housed in a printed slipcase. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to fifty-five copies BOLDLY SIGNED by Ellroy and Levinthal in pencil on the colophon with a Coromandel Express 1998 New Year's card cum publisher's announcement laid in. Inventory Number: 025053

(RENAU, JOSEP). Fontcuberta, Joan & Pablo Ortiz Monasterio. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1985. First Edition 1/3000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 50 color illustrations. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted entirely to the satirical political photomontages of Spaniard Josep Renau. Beginning with his Communist Party poster designs of the wartime era, this is a tour de force on the par with the work of John Heartfield, primarily lampooning the United States and its preoccupation with sex, death consumerism, colonialism, racism, and Cold War era brinksmanship with the Soviet Union. A brand new, most handsome example of this uncommon gem (cited on page 116 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 19 of Horacio Fernandez' "The Latin American Photobook" - even though Renau was an artist and not a photographer!). 968-16-2115-8 Inventory Number: 025050

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042

(COLSON, GREG). Colson, Greg. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Folio. Full-Leather in Slipcase. Artist's Book. Near Fine/No Jacket - As Issued. np (30pp), 1 letterpress colophon, title page + table of contents, 7 lithographs, 2 etchings, 1 color photograph, and 1 photogravure. Issued in 1989 by Sam Francis' Lapis Press, "Corn Belt" is an exquisitely produced artist book by noted Los Angeles-based artist Greg Colson. Bound in full terra cotta-colored pigskin, it contains eleven 16 ½ x 13 ¼" artworks in various media and is housed in a pictorial paper-over-boards slipcase. A brand new, most handsome example of this exceedingly uncommon item that was acquired directly from the artist limited to thirty-five copies NUMBERED (10/35) AND SIGNED "Greg Colson" in pencil on the colophon. Inventory Number: 025036

(EVANS, WALKER). Evans, Walker. Introduction by James Agee. Boston & Cambridge, MA: Houghton Mifflin Company & The Riverside Press, 1966. First Edition. Small 4to. Boards in Pictorial Jacket. Photography Monograph. Very Good/Good. xii + 178pp, 89 b&w illustrations. Published in 1966, this hardbound monograph collected in book form for the first time Walker Evans' poignant black and white portraits of New York City subway riders taken during the thirties and forties. An otherwise internally bright, most handsome example of the uncommon Houghton Mifflin Company and Riverside Press first hardcover edition (cited on page 253 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 218-219 of The Hasselblad Center's "The Open Book", page 31 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 104-109 of Horacio Fernandez' "New York in Photobooks") showing some minor staining and the name of a previous owner in ink on the front pastedown. The embossed white lettering on the front board and spine is still strong and crisp, while the black covers show a few trivial traces of water droplets in raking light along with a minor scratch on the rear board. Its fragile dust jacket is present, though noticeably creased, chipped, and torn - with some paper loss. It has been priced accordingly. LC 66-27491 Inventory Number: 025033

(SISKIND, AARON). Siskind, Aaron. Introduction by Harold Rosenberg. New York: Horizon Press, 1959. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Good. np (112pp), 50 b&w illustrations. Designed by Ivan Chermayeff. Spectacularly designed and beautifully printed, this 1959 hardbound publication was the very first comprehensive monograph on the esteemed late Chicago-based photographer Aaron Siskind. An internally bright, most handsome example of this uncommon item whose striking silver-gilt front cover and spine lettering are still fresh showing some sunning along with abrading to the tip of the bottom edge of the rear cover. The book's brittle dust jacket is present, though noticeably creased, chipped, and torn - with some minor paper loss - primarily along the extremities. It has been priced accordingly. LC 59-13545 Inventory Number: 025032

(LONG, RICHARD). Long, Richard. Dusseldorf, GERMANY: Konrad Fischer Gallery, 1973. First Edition. 12mo. Illustrated Wrappers. Artist's Book. Very Good.. np (32pp), illustrated in b&w. Text in English. In a protective clear acetate dustwrapper. This is the 1973 first edition of "South America" - Richard Long's charming little artist's book amalgam of brief texts and Pre-Columbian pictograms. An internally most handsome example of this uncommon item (cited as the thirteenth entry in the comprehensive bibliography of artist's books and monographs on page 221 of Clarrie Wallis' "Richard Long: Heaven and Earth" published in 2009 by the Tate, Britain Museum) showing some creasing along the spine along with mild age-toning and brown speckling to its matte white covers. It has been priced accordingly. Inventory Number: 025025

(WESTON, EDWARD). Naef, Weston. New York: E. Weyhe, 1932. First Edition 1/550. Folio. 1/4 Cloth Over Boards. Photography Monograph. Good -/No Jacket - As Issued. np, 40 b&w illustrations. Designed by Merle Armitage. With a biography. In a protective clear acetate dustwrapper. Compiled in 1932 by the forward thinking Los Angeles-based graphic designer and publisher Merle Armitage, this exquisitely produced book was the very first monograph on the work of pioneering California photographer Edward Weston. It features thirty-nine images by Weston, a frontispiece portrait by his son Brett, and texts by the photographer, Armitage, Lincoln Steffens, Arthur Millier, Jean Charlot, and Charles Sheeler. A presentable example of this typically fragile oversized tome (cited on page 200 of "From Fair to Fine 3: 20th Century Photography Books That Matter") limited to five hundred and fifty copies NUMBERED (143/550) AND SIGNED "Edward Weston" in black ink on the rear colophon lacking the publisher's slipcase whose white cloth spine is soiled and stained, and black boards are worn and scraped along the extremities. The hinges are solid, the textblock is tight but soiled along the edges with the signatures slightly uneven with one another. The book bears the BOLDLY SIGNED PRESENTATION "To John and Clement / new friends for old. more would be less. / I don't know what all / this means. You guess / Edward Oct. 1936" in black ink on the page facing the colophon. Additionally, laid in is a BOLDLY INSCRIBED hand-written letter "John and Clem ---- / hope you took my dis - / appearance in good spirit - / I was not just sleepy, / but exhausted ------------ / See you soon I hope / yr ------ / Edward" from the photographer in pencil on a 8 ½ x 11" sheet of yellow paper that has been neatly folded in quarters and subsequently flattened. Inventory Number: 025020

(KAPROW, ALLAN). Kaprow. Allan. NP (Valencia, CA): Self-Published, 1975. First Edition. 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (4pp), 10 b&w illustrations. In a protective clear acetate dustwrapper. Self-published by the artist in 1975, "Routine" is the photographically illustrated artist's book documenting three December 1973 "activities" by the renowned late Happenings and Performance artist Allan Kaprow. An internally most handsome example of this exceedingly uncommon item (cited as entry sixteen on pages 66-67 of Giorgio Maffei's "Allan Kaprow: A Bibliography") additionally BOLDLY INSCRIBED "For Sherry & Mel / Allan" in red ink on the front cover showing some soiling and typical minor age-patination to its white wrappers. Inventory Number: 024998

(ADER, BAS JAN) (LEAVITT, WILLIAM) (VAN ELK, GER). Winer, Helene, Bas Jan Ader, William Leavitt & Ger Van Elk. Pomona, CA: Pomona College Gallery, Montgomery Art Center, 1972. First Edition. Square 8vo. Stapled Printed Wrappers. Exhibition Catalog. Fine.. np (16pp), 6 b&w illustrations. In a protective clear acetate dustwrapper. This is slender sixteen page catalogue published in conjunction with a 1972 Pomona College Gallery exhibition curated by director Helene Winer that featured the three then-local conceptual practitioners (and close friends) Bas Jan Ader, William Leavitt, and Ger Van Elk. It features photographic documentation by Phillip Cleveland, and a brief textual contribution by Leavitt. A bright white, most handsome example of this exceedingly uncommon early California conceptualism item. Inventory Number: 024994

(BRAQUE, GEORGES) (DERRIERE LE MIROIR). Braque, Georges, Rene Char, Jacques Kober, Henri Maldiney, Alberto Giacometti, Jean Grenier, Georges Limbour & Jacques Dupin. Paris. 1947, 1950, 1952, 1954 & 1956.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Very Good -/No Jacket - As Issued. np + np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Georges Braque. Bound by Maeght in brown cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 4 (Juin 1947): "Braque", 25-26 (Janvier 1950): "G. Braque", 48-49 (Juin-Julliet 1952): "G. Braque", 71-72 (Decembre 1954-Janvier 1955): "G. Braque: Theogoni d'Hesiode", and 85-86 (Avril-Mai 1956): "Braque". An otherwise bright, most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total twelve original color lithographs showing some sunning to the cloth primarily along the spine. In addition, the top inch of its spine has broken off and is not present. It has been priced accordingly. Inventory Number: 024991

(MIRO, JOAN) (DERRIERE LE MIROIR). Miro, Joan, Joan Gardy Artigas, Rene Char, Jacques Dupin, Josep Luis Sert, Joan Brossa, Joan Prats & Andre Pieyre de Mandiargues. Paris. 1961, 1961, 1961, 1963 & 1965.: Maeght Editeur. First Edition Thus. Folio. Wrappers Bound in Cloth. Artist Monograph. Fine/No Jacket - As Issued. np + np + np + np, profusely illustrated in color and b&w. Text in French. This is a compilation of five issues of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1965, it collects the complete contents of DLM numbers 123 (Fevrier 1961): "Joan Miro: Ceramique Murale Pour Harvard"; 125-126 (Avril 1961): "Miro"; 128 (Juin 1961): "Miro: Peintures Murales"; 139-140 (Juin-Juillet 1963): "Miro et Artigas"; and 151-152 (Mai 1965): "Miro Cartons." A most handsome example whose contents are complete and intact first printings with the wrappers bound in that contain in total fifty-one original color lithographs showing some faint brown spotting to the edges of the textblock and endpapers that does not affect the internal lithographs in any meaningful way. Inventory Number: 024990

(LINDNER, RICHARD) (DERRIERE LE MIROIR). Lord, James. Paris: Maeght Editeur, 1977. First Edition 1/150 Deluxe. Folio. Wrappers in Slipcase. Artist Monograph. Fine. 24pp, profusely illustrated in color and b&w. Text in French, with an English summary. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Richard Lindner's 1977 exhibition of paintings and watercolors. An internally bright, pristine example of the deluxe slipcased edition printed on Velin de Rives limited to one hundred and fifty copies NUMBERED (39/150) AND BOLDLY SIGNED "R Lindner" in pencil on the rear colophon housed in the publisher's purple paper-over-boards chemise and slipcase with printed pastedown. The magazine itself is in spectacular condition, the chemise bears mild sunning along the spine, while the slipcase shows light wear and similar mild sunning. Inventory Number: 024984

(WANNBERG, SCOTT). Wannberg, Scott. Los Angeles: Rose of Sharon Press, 1995. First Edition. Small 8vo. Stapled Pictorial Wrappers. Poetry Monograph. Very Good -.. np (28pp), 2 b&w illustrations. Designed by Andy Takakjian. In a protective clear acetate dustwrapper. Published by the Rose of Sharon Press in 1995, "Juice! The Musical" is the late, fondly-remembered Los Angeles poet Scott Wannberg's quirky response to the city's mania over the O.J. Simpson murder trial of that same year. An internally most handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / The Big Circus is full of miniature universes / Thanks / Scott / 12/6/95" in the year of publication in ink across the title page showing some mild brown spotting to a portion of the front cover. Inventory Number: 024932

(SOMMER, FREDERICK). Nordland, Gerald. Philadelphia, PA: Philadelphia College of Art, 1968. First Edition. 4to. Stapled Printed Wrappers. Photography Monograph. Good -.. 28pp, 14 b&w illustrations. Designed by Richard Hood. With a chronology, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the elegantly designed catalogue for Frederick Sommer's 1968 show of one hundred and twenty-seven photographs held at the Philadelphia College of Art. Printed locally at the renowned Falcon Press, it is the first comprehensive Sommer publication issued in conjunction with an exhibition. An otherwise most presentable example of this exceedingly uncommon item showing some light wear and creasing to its black printed wrappers along with a one inch closed tear into the foredge of the textblock. It has been priced accordingly. Inventory Number: 024918

(CARLSEN, ASGER). Carlsen, Asger. London: Morel Books, 2011. First Edition 1/1000. 4to. Debossed Cloth Over Boards. Photography Monograph. As New/No Jacket - As Issued. np (48pp), profusely illustrated in b&w. "If the traditional nude occasionally intends to bare and reveal a final and ideal form through ad hoc stance or sculptural immortality, Asger Carlsen's "Hester" - his honest take on the classic theme of the female nude - revises the study of the female form to ultimately reveal the evolving terrain of photography and its standards of aesthetics and morality". A brand new, pristine example of this uncommon item limited to one thousand unnumbered copies still in the publisher's shrinkwrap. 1-907071-31-8 Inventory Number: 024913

(WOOL, CHRISTOPHER). Wool, Christopher. Chicago: Corbett vs. Dempsey Modern Art & Uncommon Objects, 2010. First Edition 1/1000. Atlas Folio. Printed Poster. Exhibition Poster. As New.. One 28 x 22" poster printed color offset recto only. Designed by Christopher Wool. This is the poster published in conjunction with a 2010 exhibition of recent large-scale paintings by Christopher Wool entitled "Sound on Sound" held at Chicago's Corbett vs. Dempsey Modern Art & Uncommon Objects. A brand new, most handsome unmailed example from an edition of one thousand unnumbered copies machine-folded in ninths by the gallery and subsequently flattened. Inventory Number: 024902

(SALGADO, SEBASTIAO). Salgado, Sebastiao. Introduction by Alan Riding. New York: Pantheon Books, 1986. First English Language Edition. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. 112pp, profusely illustrated in b&w. Designed by Lelia Wanick Salgado and Sophie Mouterde. Published in 1986, this is the first survey of famed Magnum photojournalist Sebastiao Salgado's humanist images to be published in the United States. A most handsome example of the uncommon hardbound 1986 Pantheon Books first American edition (cited on page 256 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné"). 0-394-55668-2 Inventory Number: 024867

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. Inventory Number: 024819

(SOTH, ALEC). Soth, Alec, Aaron Schuman & Kate Bush. Tucson, AZ: Nazraeli Press, 2010. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (16pp), 11 color illustrations. "One Mississippi" is the sixty-third installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred NUMBERED (125/500) copies, it reproduces eleven images from a 1992 road trip down the Mississippi by a twenty-three year old Alec Soth and contains an original 3 3/8 x 4 ¾" color print of a weathered red sedan tipped in at the rear of the book SIGNED "Alec Soth" in back ink on the verso, as issued. A brand new, pristine example of this uncommon, lovely item in the publisher's clear plastic ziploc pouch, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 1-59005-281-1 Inventory Number: 024818

(GRIEGER, SCOTT). Grieger, Scott & Maurice Tuchman. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Illustrated Wrappers. Artist Monograph. Near Fine.. One continuous 7 ½ x 11 ½" cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 b&w illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of five recent "combination" works by Scott Grieger. Expanding on his earlier "Impersonations" series, the Los Angeles-based artist takes aim here at prevailing luminaries and tropes of Pop, Conceptual and Minimal Art with five works that marry the iconic imagery of Frank Stella with Donald Judd, Robert Morris with Larry Poons, Morris Louis with Sol LeWitt, Barnett Newman with Frank Stella, and Jasper Johns with Donald Judd to amusing effect. A brand new, pristine example of this exceedingly uncommon ephemeral item - only two copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024815

(CLOSE, CHUCK). Close, Chuck & Gail R. Scott. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Pictorial Wrappers. Artist Monograph. Fine.. One continuous 7 ½ x 11 ½" glossy cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 color illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of nine recent portraits by the still Bykert Gallery-affiliated Chuck Close. A glossy, most handsome example of this exceedingly uncommon ephemeral item - only four copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024813

(WEGMAN, WILLIAM). Wegman, William & Helene Winer. Pomona, CA: Pomona College Art Gallery, 1971. First Edition. Small Square 8vo. Stapled Pictorial Wrappers. Artist Monograph. Very Good.. 32pp, 38 b&w illustrations. With a chronology and exhibition history. This is the catalogue published in conjunction with William Wegman's 1971 one-person exhibition of photographs and video works at the Pomona College Art Gallery curated by Helene Winer. It is the very first monographic publication on the artist. An internally handsome example of this exceedingly scarce, charming little item showing some very light foxing to the wrappers along with a discreet ownership note on the inside front cover. Inventory Number: 024792

Burawoy, Robert. Paris: Galerie Robert Burawoy, 1978. First Edition 1/300. 4to. Cloth in Pictorial Dust Jacket. Exhibition Catalog. Fine/No Jacket - As Issued. np (26pp), 8 hand-tipped color illustrations with printed clear acetate overlays. Text in French. With a bibliography. This is the magnificently produced, massively oversized hardbound catalogue published in conjunction with a 1978 exhibition of eight Tibetan Lamaistic paintings held at renowned Parisian specialist in Asian and Tribal Art, Galerie Robert Burawoy. Each artwork is reproduced as a color plate tipped to a handmade paper leaf with a clear acetate overlay that identifies the pantheon pictured beneath. A most handsome example of this exceedingly uncommon document - only five copies are currently cited in OCLC WorldCat - limited to three hundred copies NUMBERED (120/300) AND SIGNED "Robert" by the author, gallerist, and collector in black ink on the verso of the title page, as issued. Inventory Number: 024770

Burawoy, Robert. Paris. 1977, 1983, 1984, 1993 & 1994.: Galerie Robert Burawoy. First Editions. 4to or Folio. Pictorial Wrappers. Exhibition Catalogs. Very Good. or Better.. 80pp + np (8pp) + np (8pp) + np (26pp) + np (14pp), each profusely illustrated in color and b&w. Text in French with some English and Japanese. This is a group of five catalogues each published in conjunction with an exhibition of Japanese Arms, Armour, and/or swords at renowned Parisian specialist in Asian and Tribal Art, Galerie Robert Burawoy. The first, and most significant is the paperbound in dust jacket edition of "Armes Japonaises Dans Les Collections Privees Francaises". Published in 1977, it is an informative, well-illustrated eighty page survey of one hundred and thirty-seven examples of Japanese arms and armor produced between the 16th and 19th century selected from French collections. The other four titles - all softbound and oversized - are "Japon: Kinko - Montures de Sabre Ornementales" (1983, 8pp), "Armures Du Japon" (1984, 8pp), "Sabres Du Japon" (1993, 26pp - limited to 600 copies of which only a single copy is currently cited in OCLC WorldCat), and "Armures Du Japon" (1994, 14pp). A most handsome group of these uncommon items showing just an occasional bit of edgewear or light creasing along their spines. Inventory Number: 024768

Haynes, Robert & Robert Burawoy. Foreword by Hanns-Ulrich Haedeke. Paris: Robert Burawoy, 1984. First Edition 1/300 Deluxe. 4to. Pictorial Boards. Art Monograph. Fine/No Jacket - As Issued. 64pp, 103 illustrations in color and b&w. Text in English, German and French. With a bibliography. This is the hardbound catalogue published in conjunction with an exhibition of one hundred Tsuba shown during a 1984 symposium on "The Arts of the Samurai" held at The German Sword Museum in Solingen. Published by Parisian specialist in Asian and Tribal Art, Galerie Robert Burawoy, this survey illustrates each of the one hundred Japanese sword hilts selected from public collections in Hamburg, Copenhagen, Geneve, Paris, and London. A brand new, most handsome example of the uncommon limited hardbound edition limited to three hundred NUMBERED (97/300) copies with a four hundred item bibliography not found in the trade version additionally bearing the BOLDLY SIGNED PRESENTATION "for ..., Robert" from author and publisher Robert Burawoy to a well-known gallerist in black ink on the front pastedown. Inventory Number: 024766

(SANDBURG, CARL). Sandburg, Carl. Flat Rock, NC: Self Published, 1960. First Edition. 8vo. Matted and Framed Under Glass. Typed Letter Signed. Fine.. One 6 ¾ x 6 ¼" sheet printed recto only bearing a typed letter additionally signed by the author, no illustrations. This is a 1960 typed letter signed by noted American poet and historian Carl Sandburg clarifying an inquiry regarding his authoritative autobiography of US president Abraham Lincoln. Typed in black ink on stationery bearing the imprint of Sandburg's "CONNEMARA FARMS / FLAT ROCK, NC" estate, it reads" Dear Jean: You and Gen. Edmonds checked everything and everywhere except CS hisself. Page 562 Vol. III of The War Years has chapter titled "Election Day, November 8, 1864", each alternating page across 23 pages also headed like the chapter title. Try your eyes on it. You are sweetly courteous and I sign with affectionate regard -" SIGNED "Carl Sandburg" in black ink below. It is mounted on a woven linen backing housed in a modest 11 ½ x 11" dark wooden frame faced with non-reflective glass. A most handsome example of this unique missive. Inventory Number: 024762

(DIJKSTRA, RINEKE). Visser, Helene & Urs Stahel. Amsterdam, THE NETHERLANDS & Munchen, GERMANY: The Stedelijk Museum & Schirmer/Mosel Verlag, 2005. First Edition #23/100 Deluxe. Large 4to. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 160pp, 69 color illustrations. Text in English and German. Designed by Lambert und Lambert. With a biography, exhibition history and bibliography. This is the lovely hardbound catalogue published in conjunction with a major 2004 European Museum retrospective of the engaging color portraits of Dutch photographer Rineke Dijkstra that was circulated by Amsterdam's Stedelijk Museum. A brand new, pristine example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 9 ¼ x 7"" color C-print "Chlopy, Poland, July 29, 1995" BOLDLY NUMBERED (23/100) AND SIGNED "Rineke Dijkstra / June 29, 2005" in pencil on the verso, as issued. 3-8296-0151-4 Inventory Number: 024759

(SOTH, ALEC). Soth, Alec. London: MACK, 2015. First Edition. 4to. Debossed Padded Boards. Photography Monograph. As New/No Jacket - As Issued. np (144pp), 75 tritone illustrations. Designed by Alec Soth and Gregoire Pujade-Lauraine. "Known for his haunting portraits of solitary Americans in "Sleeping by the Mississippi" and "Broken Manual", Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012 to 2014, Soth traveled state by state while working on his self-published newspaper, "The LBM Dispatch", as well as on assignment for the "New York Times" and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With "Songbook", Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, "Songbook" is a lyrical depiction of the tension between American individualism and the desire to be united". A brand new, pristine example of the 2015 first MACK printing of this awesome undertaking (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Alec Soth 2015" in the year of publication in black ink on the title page. 1-910164-02-X Inventory Number: 024756

(PATTERSON, CHRISTIAN). Patterson, Christian, Luc Sante & Karen Irvine. London: MACK, 2011. First Edition. Small 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (168pp) + np (14pp), 98 illustrations in color and b&w. Designed by Christian Patterson. "Redheaded Peckerwood is a work with a tragic underlying narrative - the story of nineteen year old Charles Starkweather and fourteen year old Caril Ann Fugate who murdered ten people, including Fugate's family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative. "Redheaded Peckerwood" also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story. While photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims - including a map, poem, confession letter, stuffed animal, hood ornament and various other items. In several cases, these materials are discoveries first made by the artist and presented here for the first time. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way". The Starkweather and Fugate killings inspired the films "The Sadist (1963)", "Badlands (1973)", "Murder in the Heartland (2003)", "Kalifornia (1993)", "Natural Born Killers (1994)", and "Starkweather (2004)". A brand new, pristine example of the uncommon 2011 first MACK edition (cited on pages 279 and 309 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally SIGNED "Christian Patterson" in black ink on the title page with the publisher's fourteen page staple-bound newsprint booklet laid in. 1-907946-14-4 Inventory Number: 024752

(MIRO, JOAN) (ARTIGAS, JOSEP LLORENS I). Bernier, Rosamond, Joan Miro & Josep Llorens i Artigas. New York: Pierre Matisse Gallery, 1956. First Edition. 8vo. Illustrated Wrappers. Artists Monograph. Very Good -.. np (32pp), profusely illustrated in b&w with two color lithographs. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the charming catalogue published in conjunction with a 1956 exhibition of twenty five collaborative ceramic sculptures by the Catalonian masters Joan Miro and Josep Llorens i Artigas held at Miro's longtime New York gallery, Pierre Matisse. It features a lithograph in colors that wraps around both covers along with a gatefold two sided color lithograph - both printed by Mourlot Freres - bound in, as issued. The black and white photographs are by Sabine Weiss, and the text is a transcribed interview with Miro and Artigas by Rosamond Bernier that first appeared in "The Selective Eye". A handsome example (entry number thirty-eight in Patrick Cramer's "Joan Mirò: The Illustrated Books - Catalogue Raisonné") showing some mild insect damage along the edges of the textblock. It has been priced accordingly. Inventory Number: 024733

(JANSS, EDWIN). Janss, Edwin. San Francisco, CA: Steinhart Aquarium, California Academy of Sciences, 1975. First Edition. Folio. Cloth Portfolio in Slipcase. Photography Monograph. Fine/No Jacket - As Issued. np (4pp) + sixteen 13 x 15" archival cardstock sheets each with a 7 ½ x 9 ½" type-C color photographic print mounted on the recto, 16 color illustrations. "Marine Portfolio III" is the late Los Angeles based underwater photographer and art collector Edwin Janss' spectacular third and final collection of original color photographic prints of fish, corals, and nudibranchs taken during Mr. Janss' many dives in the Pacific Ocean off the coast of Mexico. It features sixteen vivid 7 ½ x 9 ½" color images each mounted on a 13 x 15" archival cardstock sheet additionally NUMBERED AND SIGNED "Edwin Janss" in pencil on the recto. A brand new, internally most handsome example of this exceedingly uncommon, luxe item showing just a bit of wear and trivial spotting to the publisher's dark brown slipcase. While not marked in any way, this came to us directly from the library of Janss' close friend, the late, great artist Sam Francis. Inventory Number: 024724