Arcana:

(STELLA, FRANK). Leider, Philip. Fort Worth, TX: The Fort Worth Museum of Art, 1978. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 136pp, profusely illustrated in color and b&w. Designed By Edward Ruscha. This is the substantial catalogue published in conjunction with a 1978 Frank Stella survey circulated by The Fort Worth Museum of Art. Designed by Ed Ruscha, it reproduces each of the twenty-six exhibited works in color. A most handsome example. LC 77-23703 Inventory Number: 025437

(BOURGEOIS, LOUISE). Gorovoy, Jerry. New York: Bellport Press, 1986. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), profusely illustrated in monochrome. Designed by John Cheim, Jerry Gorovoy & Thomas Whitridge. This is the elegantly designed, beautifully printed 1986 catalogue published by John Cheim's Bellport Press on the sculptural work of Louise Bourgeois. A brand new, most handsome example of this uncommon item additionally bearing the SIGNED PRESENTATION "to Neil / Polen. / Best wishes / L." in the artist's spidery script in black ink on the title page. Neil Polen was the imposingly tall, shaven-headed New York art scene regular that used to attend virtually all the major gallery and museum openings in the eighties and nineties, approach the evening's artist(s) with an array of books and catalogues to sign, then offer the inscribed treasures for sale from his semi-permanent table in front of Dean & DeLuca in Soho. We obtained this directly from the late, great Mr. Polen prior to his passing. Inventory Number: 025400

Page, Suzanne, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub & Robert C. Morgan. Paris: Musee D'Art Moderne De La Ville De Paris, 1989. First Edition (Second Printing) 1/1700. 4to. Printed Stiff Wrappers. Exhibition Catalog. Near Fine.. 260pp, profusely illustrated in b&w. Text in French and English. With an exhibition checklist and bibliography. This the catalogue of the extensive 1989 international survey exhibition of Conceptual Art held at the Musee D'Art Moderne De La Ville De Paris. It features texts by Suzanne Page, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub, and Robert C. Morgan. The artists included are Giovanni Anselmo, Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Emilio Prini, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, and Ian Wilson. A handsome example of the uncommon first printing of this important document showing some light overall wear and soiling to its white wrappers. 2-85346-071-1 Inventory Number: 025391

(NOVIKOV, TIMUR). Novikov, Timur, Olesya Turkina & Victor Mazin. Moscow & Amsterdam, THE NETHERLANDS: Avant Garde Moscow & the Stedelijk Museum, 1993. First Edition 1/1000. 8vo. 1/4 Linen Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 72 + 52pp, profusely illustrated in color and b&w. Text in English and Russian. Designed by Anna Brochet. With a biography, exhibition history and bibliography. This is an elaborately designed exhibition catalogue cum artist's book published in conjunction with a 1993 Stedelijk Museum Amsterdam presentation of recent pieces by Russian contemporary artist Timur Novikov. Bound into a heavy, gilt-embossed grey chipboard cover is one bi-lingual catalogue printed on butcher paper featuring writings by the artist as well as Victor Mazin and Olesya Turkina, and another containing color reproductions of the exhibited works. A bright, most handsome example of the first edition limited to one thousand unnumbered copies. Inventory Number: 025389

(GOBER, ROBERT). Simon, Joan & Catherine David. Paris: Galerie Nationale du Jeu de Paume, 1991. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 88pp, profusely illustrated in color and b&w. Text in English and French. With an exhibition checklist, history, bibliography and biography. This is the catalogue published in conjunction with a comprehensive 1991 Galerie Nationale du Jeu de Paume exhibition in Paris of sculptural and installation works by idiosyncratic American artist Robert Gober that later traveled to Spain's Museo Nacional Centro De Arte Reina Sofia. A brand new, most handsome example. 2-908901-04-8 Inventory Number: 025387

(PETTIBON, RAYMOND). Pettibon, Raymond & Nelson Tarpenny. Chicago: The Renaissance Society at The University of Chicago, 2000. First Edition 1/2000. 4to. 1/4 Cloth Over Boards. Artist's Book. Fine/No Jacket - As Issued. np (232pp), 153 monochrome illustrations. In a protective clear acetate dustwrapper. "Thinking of You" is Raymond Pettibon's hefty artist book cum catalogue comprised solely of Phallus drawings with text published in conjunction with the renowned artist's 1999 exhibition held at The Renaissance Society at The University of Chicago. The images are reproduced one to a page - rectos only - with the occasional reproduction on the verso of student papers Mr. Pettibon seemed to be grading as part of teaching duties at Los Angeles Harbor College in the eighties. A bright, most handsome example (entry number one hundred and eight in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978 - 98") additionally BOLDLY SIGNED "Raymond Pettibon" in black ink on the title page which the artist has then altered by drawing in different faces in the four letters O in the printed title. 0-941548-38-4 Inventory Number: 025381

(WOOD, JONAS). Holte, Michael Ned, Ana Vejzovic Sharp & Jonas Wood. New York, Los Angeles & Brooklyn: Anton Kern, David Kordansky & PictureBox, 2012. First Edition. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 64pp, profusely illustrated in color. Designed by Familiar. This is the nicely appointed hardbound catalogue published in conjunction with a 2012 exhibition of work by the noted Los Angeles-based artist Jonas Wood. It features an essay by Michael Ned Holte, a transcribed interview between the artist and Ana Vejzovic Sharp, and scores of color illustrations. A brand new, most handsome example of the 2012 first printing additionally BOLDLY SIGNED AND DATED "Jonas Wood / 2015" INCORPORATING A DRAWING OF A BASKETBALL as the 0 of the date in black marker on the title page. 0-9837199-3-4 Inventory Number: 025359

Veigas, Jose, Cristina Vives, Adolfo V. Nodal, Valia Garzon & Dannys Montes De Oca. Los Angeles: California / International Arts Foundation, 2002. First Edition. Large 4to. Cloth in Illustrated Jacket. Art Monograph. Fine/Fine. 576pp, profusely illustrated in color and b&w. Text in English. With biographies, exhibition histories, bibliography and accompanying CD-ROM which contains artist biographies. "Memoria: Cuban Art of the 20th Century" is the first comprehensive publication on Twentieth Century Cuban art. For the first time, more than four hundred and fifty major Cuban artists from 1902 to the present are unified in this reference. Along with painting and sculpture, it includes the work of primitive or naive artists, together with engraving, photography, graphic design, comic drawings, ceramics, illustrations, installation and performance art. "Memoria" includes a compilation of the most significant critical writing and historical texts about Cuban art by authors from around the world, considering the effect of economic, cultural, social and political phenomena on Cuban art. Reproductions of artists' works - with critical commentary - are featured, along with an extensive bibliography including one thousand references for publications on Cuban art. There is also a chronology of nearly one hundred major exhibitions of Cuban art in the Twentieth Century, with a descriptive and analytical account of each exhibition and its participants. "Memoria" features never before seen photographs of exhibitions, artists, posters, catalogues and exhibition-related ephemera. It contains a CD-ROM which contains a comprehensive biographical listing of Cuban artists. The extensive information in this volume will be indispensable to those with an interest in Cuban art; it is supported by the valuable collection of material in the Jose Veigas Archive of Cuban Art in Havana, considered to be the single most comprehensive repository of information on Cuban artists and one of Cuba's most precious cultural treasures. Where there has been division and scattered sources of information, "Memoria" unifies biographical material and references for each artist, including those who have developed their artistic careers outside Cuba". A brand new, most handsome example of the uncommon English language edition. 0-917571-11-8 Inventory Number: 025319

(CASSANDRE, A.M.) (DEBERNY ET PEIGNOT). Cassandre, A.M. Maximilien Vox, Editor. Paris. 1928, 1929, 1930, 1931 & 1933.: Fonderies Deberny et Peignot. First Editions. 4to. Loose Contents in Wrappers. Graphic Design Monographs. Very Good. or Better. np + np + np + np + np, profusely illustrated in color and b&w. Text in French. In protective clear acetate dustwrappers. Deberny et Peignot were perhaps the premier modernist type foundry in Art Deco period Paris. Their designer of choice was the renowned French illustrator A.M. Cassandre. To promote Deberny et Peignot's typefaces, the firm published the lavish "Divertissements Typographiques" on an annual basis between 1928 and 1933 - skipping 1932. Thematically entitled "Travaux De Ville", "Publicite", "Edition", "Europe et le Studio", and "Pharoaon", each installment contains several stylish Cassandre-designed components laid into a graphically striking heavy paper portfolio. A bright, exceptionally well-preserved complete set of all five Fonderies Deberny et Peignot editions showing the occasional bit of minor wear, soiling, and age-toning. Inventory Number: 025314

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(KIPPENBERGER, MARTIN). Kippenberger, Martin. Renate Damsch-Wiehager, Editor. Esslingen & Ostfildern, GERMANY: Villa Merkel (Galerie Der Stadt Esslingen Am Nektar) & Cantz Verlag, 1996. First Edition 1/1900. Small Oblong 4to. Pictorial Wrappers. Artist's Book. Near Fine.. np, profusely illustrated in b&w and color. Text in German and English. This is another wry Martin Kippenberger artist's book published in conjunction with his 1996 Villa Merkel exhibition of photographs from the series "16 Years of Beds". A most handsome example (entry number one hundred and forty in Uwe Koch's "Annotated catalogue raisonné of the Books by Martin Kippenberger 1977 - 1997") limited to one thousand, nine hundred unnumbered copies.. 3-89322-900-0 Inventory Number: 025284

(SOTH, ALEC). Soth, Alec, Aaron Schuman & Kate Bush. London: MACK, 2015. First Edition. 4to. Wrappers in Decorative Box. Photography Monograph. As New./No Jackets - As Issued.. np, profusely illustrated in color and b&w. Designed by Lewis Chaplin. "Alec Soth's reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a 2015 touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth's prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman's poem 1855 "Song of Myself" and references both the pages of his books gathered for consideration, and the notion that his work is also a story about Soth himself. This catalogue is a special object, bringing together an essay by Aaron Schuman spread across twenty-nine large format postcards, an additional card printed with an introduction by Kate Bush - curator of the exhibition and the director of Media Space, London, with mini facsimile versions of Soth's "Sleeping by the Mississippi", "Niagara", "Broken Manual", and "Songbook". A brand new, most handsome example of the now unavailable first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Alec Soth / 2015" in black ink in the year of publication on the inside front cover of its decorative box. 1-910164-36-4 Inventory Number: 025273

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271

(BARNEY: THE MODERN STONE AGE MAGAZINE). Skelley, Jack, Editor. Venice, CA: Fred & Barney Press, 1981. First Edition. 4to. Illustrated Wrappers. Literary Journal. Near Fine.. 57pp, 8 b&w illustrations + monochrome cover. Designed by Jack Skelley and Michael Jacomella. This first installment (of four total) of Jack Skelley's Venice-based eighties literary anthology "Barney: The Modern Stone-Age Magazine" features contributions by Skelley, Bob Flanagan, Tim Dlugos, Michael Lally, Donald Britton, Dennis Cooper, David Trinidad, Peter Schjeldahl, Elaine Equi, Jerome Sala, Rick Lawndale, Kenward Elmslie, Robert Peters Ron Koertge, Amy Gerstler, Bernard Welt, Tom Clark, Ron Padgett, Michael Silverblatt and Benjamin Weissman, Eric Fisher, Wayne Bertoia, Marc Jacobs, and Michael Jacomella. A most handsome example of this uncommon item. Inventory Number: 025264

Ghez, Susanne, Karen Marta and Stephen Ellis, Glenn O'Brien, Ian Brunskill & Gary Garrels. Chicago: The Renaissance Society at The University of Chicago, 1989. First Edition. 4to. Stapled Illustrated Wrappers. Exhibition Catalog. As New.. np (32pp), 21 b&w illustrations + b&w cover. Designed by Georg Herold, Albert Oehlen, and Christopher Wool in collaboration with Michael Glass Design, Inc. With an exhibition checklist. This is the engaging, "Windy City"-themed catalogue published in conjunction with a 1989 Renaissance Society at The University of Chicago exhibition of then-recent works by the kindred trio of Georg Herold, Albert Oehlen, and Christopher Wool. It features a series of brief-but-lively texts by Susanne Ghez, Karen Marta and Stephen Ellis, Glenn O'Brien, Ian Brunskill, and Gary Garrels along with reproductions of the exhibited pieces that invoke such Chicago icons as Al Capone and Bertrand Goldberg's Marina City Apartments. A bright, most handsome example of this uncommon item. 0-941548-18-X Inventory Number: 025245

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, most handsome example of the unavailable 2005 first edition still in the publisher's shrinkwrap, as issued. 0-86719-516-9 Inventory Number: 025229

(RUBINS, NANCY). Rubins, Nancy. Vienna, AUSTRIA: Galerie Krinzinger, 1992. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. 16pp, 6 color and 6 b&w illustrations. Text in English. With a biography and exhibition history. This is the slender sixteen page catalogue published in conjunction with four projects the noted sculptor and installation artist sculptor Nancy Rubins presented as part of the 1992 Viennese gallery exhibition of Los Angeles-based artists entitled "LAX". A most handsome example of this uncommon item showing just a bit of light wear to its covers. Inventory Number: 025223

(RAUSCHENBERG, ROBERT). Alloway, Lawrence. Foreword by Joshua C. Taylor. Washington, D.C.: National Collection of Fine Arts & Smithsonian Institution, 1976. First Edition. Small 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Near Fine. 218pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive catalogue published in conjunction with the 1976 Robert Rauschenberg retrospective held in honor of America's Bicentennial at the National Collection of Fine Arts that subsequently traveled to the Museum of Modern Art, New York, San Francisco Museum of Modern Art, Albright-Knox Art Gallery in Buffalo, and The Art Institute of Chicago. An otherwise most handsome example of the hardbound first printing of this important document showing some light rubbing and sunning to the dust jacket along with the discreet ink ownership stamp of the director of one of Rauschenberg's galleries at the time on the front pastedown. It has been priced accordingly. LC 76-58522 Inventory Number: 025222

(GOLDBERG, MICHAEL). Kertess, Klaus & Saul Ostrow. New York, Los Angeles & Chicago: Lennon Weinberg Inc., Manny Silverman & Thomas McCormick Galleries, 2003. First Edition 1/3000. Small Square 4to. Printed Wrappers. Artist Monograph. As New.. np, 18 color and 11 b&w illustrations. With an exhibition checklist, exhibition history and bibliography. Published in conjunction with a touring 2003 gallery exhibition, this is a nicely appointed catalogue documenting eighteen recent paintings on canvas by noted "second generation" American Abstract Expressionist Michael Goldberg. A brand new, most handsome example with the Manny Silverman Gallery announcement additionally laid in. 0-9671013-3-6 Inventory Number: 025215

(FRANCIS, SAM). Agee, William C.. New York & Chicago: Richard Gray Gallery, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 48pp, 14 color illustrations + b&w cover. With a detailed chronology. This is the catalogue published in conjunction with a posthumous 2000 Richard Gray Gallery exhibition of fourteen "edge" paintings on both canvas and paper by Sam Francis executed between 1964 and 1968. A handsome example showing some creasing to the rear foredge corner of the rear cover. It has been priced accordingly. LC 96-079258 Inventory Number: 025214

(FRANCIS, SAM). Agee, William C.. New York & Chicago: Richard Gray Gallery, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. As New.. 48pp, 14 color illustrations + b&w cover. With a detailed chronology. This is the catalogue published in conjunction with a posthumous 2000 Richard Gray Gallery exhibition of fourteen "edge" paintings on both canvas and paper by Sam Francis executed between 1964 and 1968. A pristine example. LC 96-079258 Inventory Number: 025213

(BROWN, CECILY). Drucker, Johanna. New York & London: Gagosian Gallery, 2006. First Edition. 4to. 3/4 Linen over Boards. Artist Monograph. Fine/No Jacket - As Issued. 94pp, 29 color illustrations. Designed by Dan Miller Design. With an exhibition checklist, biography, exhibition history and bibliography. This is the beautifully appointed hardbound catalogue produced in conjunction with two 2006 exhibitions of recent works by British painter Cecily Brown held at Gagosian's New York and London galleries. Each of the twenty-nine oil on linen canvases shown is reproduced along with Johanna Drucker's essay "Erotic Method". A most handsome example with a Gagosian buckslip INSCRIBED "Best Wishes, Ealan" from gallery director and the book's editor Ealan Wingate laid in. 1-932598-29-4 Inventory Number: 025209

(ALTOON, JOHN). Nye, Tim, Robert Creeley, Walter Hopps, Klaus Kertess & Dr. Milton Wexler. New York: Nyehaus Gallery and the Monacelli Press, 2013. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Kyle Lamar. With a biography, exhibition history and collections listing. Published to coincide with a 2014 retrospective at the Los Angeles County Museum of Art, "The Astonishing Works of John Altoon" surveys the colorful paintings and virtuosic drawings of this larger-than-life personality exhibited at New York's Nyehaus in 2013. Altoon's art is intimate, haunting, and erotic - capturing a magical moment in California art between the Beat Generation and the sexual and psychedelic revolutions. The work is put in context through essays and remembrances from those who knew him best: the poet Robert Creeley; psychiatrist and fan Dr. Milton Wexler; pioneering West Coast curator Walter Hopps; and curator, gallerist, and critic Klaus Kertess. This lavishly produced original collection also features a juxtaposition of Altoon's lithographs with a selection of Creeley's poems that the longtime friends originally published as "About Women" in 1965, a facsimile of his Ed Kienholz-published memorial exhibition catalog, and posthumously addressed letters from friends. A brand new, pristine example of this exquisite document. 1-58093-386-6 Inventory Number: 025206

(SHAHN, BEN). Shahn, Ben, Bernarda Bryson Shahn, Egal Feldman, Charles Westheimer & Emile Zola. Cincinnati, OH: Crossroads Books, 1984. First Edition 1/60 Deluxe. Folio. Prints in a Clamshell Box. Print Portfolio. Fine/No Jacket - As Issued. 28pp, 1 color and 4 b&w illustrations + eight 16 x 12" loose sheets printed in color offset lithography, recto only, in printed paper sleeves. Text in English and French. Designed by Noel Martin. This is the elegant portfolio reproducing eight color illustrations by Ben Shahn of the participants of the 1894 Dreyfus Affair. These exquisite oversized images are reproduced by offset lithography, signed by the artist in the plate, and individually housed in printed paper portfolios with tissue overlays. The prints are accompanied by a twenty-eight page hardbound book that typographically transcribes in French and English "J'Accuse...!" - Emile Zola's famous 1898 letter to French president Felix Faure in defense of Dreyfus - along with brief scholarly essays on Shahn, L'Affaire Dreyfus, and this project. A brand new, most handsome example of the deluxe, hors commerce 1984 first Crossroads Books edition of this significant undertaking limited to sixty NUMBERED (XXIII/XL) copies whose prints are on Grand Arches handmade pure rag verge paper - superior to the Arches paper of the trade edition. 0-9611380-1-7 Inventory Number: 025189

(SCHNABEL, JULIAN). Schnabel, Julian. New York: Random House, Inc., 1987. First Edition. 4to. Cloth in Acetate Dust Jacket. Artist Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Published in 1987 when his artworld career seemed boundless, this lavishly produced hardbound book reproduces scores of works by noted artist/director Julian Schnabel all accompanied by the maestro's own engaging narrative of his passage through the International art world and its excesses. A brand new, most handsome example of the Random House first edition additionally bearing the BOLDLY SIGNED PRESENTATION "To ... / Julian" whose fragile printed acetate dust jacket shows none of the cracks or tears typically associated with this title. 0-394-55313-6 Inventory Number: 025187

(HESSE, EVA). David, Catherine, Corinne Desirens, Mel Bochner, Joan Simon, Linda Norden & Helen A. Cooper. Paris: Galerie Nationale du Jeu de Paume, 1993. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Very Good.. 212pp, profusely illustrated in color and b&w. Text in French. With a chronology, exhibition history and bibliography. Published in conjunction with a posthumous 1993 retrospective that traveled from Valencia's Centro Julio Gonzalez to the Jeu de Paume in Paris, this is a cleanly designed, comprehensive survey of the work of the late, trailblazing minimalist sculptor Eva Hesse. Each of the one hundred and fifteen works in the exhibition are illustrated here. A handsome example of this uncommon item showing some mild soiling along the top edge of the textblock along with a slight indentation to the rear cover. 2-908901-16-1 Inventory Number: 025168

(TURRELL, JAMES). Turrell, James. London: The South Bank Centre & The Hayward Gallery, 1993. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 120pp, profusely illustrated in color and b&w. Published in conjunction with a comprehensive 1993 London exhibition, this is a nicely appointed survey of the work of renowned Light and Space / Land artist James Turrell. The texts are from the artist's responses to interviews conducted with Mark Holborn, and this includes quite a bit of documentation of Turrell's ongoing Roden Crater project. A most handsome example of this uncommon item. 1-85-332-101-X Inventory Number: 025164

(LEWITT, SOL). LeWitt, Sol. Tokyo: Touko Museum of Contemporary Art, 1990. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Very Good.. 64pp, profusely illustrated in color and b&w. Text in English and Japanese. With a chronology, exhibition history, bibliography and collections listing. This is the elegant catalogue published in conjunction with a 1990 survey exhibition of Sol LeWitt's then-recent wall drawings, gouaches, and structures held at the Touko Museum of Art - the Minimalist pioneer's first major show in Japan. A handsome example of this uncommon item showing just a bit of wear to the covers along with some trivial foxing to the extremities. Inventory Number: 025141

(LEWITT, SOL). LeWitt, Sol. New York: Rizzoli International Publications, Inc. & Multiples, Inc., 1980. First Edition. Square 8vo. Printed Wrappers. Artists' Book. Near Fine.. np (32pp), 220 color illustrations. "Sunrise and Sunset at Praiano" is Sol LeWitt 1980 artist's book that consists of fifty-four pages of 2 by 2 grids contrasting color photographs of the sky over Praiano Italy where the late, great Minimal pioneer maintained a villa taken at Sunrise, and - you guessed it, - Sunset. A handsome example of this uncommon item (cited on pages 102-103 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books" as well as in Susanna Singer's "Publications by the Artist" bibliography in SFMoMA's 2000 "Sol LeWitt") showing some very light wear and soiling to its white wrappers along with a tiny dent to the upper foredge corner. It has been priced accordingly. 0-8478-0275-2 Inventory Number: 025140

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(RICHARDSON, TERRY) (SISLEY). Richardson, Terry. NP (Ponzano Veneto, ITALY): Sisley, 2000. First Edition. Small 4to. Pictorial Self-Wrappers. Fashion Trade Catalog. Fine.. np, profusely illustrated in color. Text in English. This 2000 trade catalogue for Italian fashion purveyors Sisley was shot in Palm Springs by fashion bad boy Terry Richardson. Art directed by Nikko Nikko and styled by Sabina Schreder, it features flash-infused images galore of youthful male and female models basking amidst the desert scrub along with favorite snack recipes for you to make at home. A most handsome example of this uncommon item perfect for the T-Bone completeist. Inventory Number: 025106

(VON UNWERTH, ELLEN) (GUESS? INC.). Marciano, Paul & Ellen Von Unwerth. Los Angeles: Guess? Inc., 2004. First Edition. Small 4to. Stapled Tabloid Wrappers. Fashion Trade Catalog. Near Fine.. 54 individual 9 x 6" cardstock sheets printed color offset recto and verso housed in a printed cardstock sleeve, 54 color illustrations. Art Direction by Paul Marciano. This is another catalogue of sexy publicity and marketing images for the Marciano brothers' Guess? Inc. clothing company. Published for their Spring 2004 campaign, it takes the form of an oversized deck of cards - including two jokers - featuring famed photographer Ellen Von Unwerth's pictures of Bianca Balti, Sasha Beznosyuk, and other models engaging in youthful hijinks in Las Vegas and the Nevada desert. A complete, internally most handsome example of this uncommon item that was issued hors commerce - only bestowed, never commercially for sale - showing a few minor creases to the flaps of the publisher's printed sleeve that is perfectly suitable for your next round of bridge. Inventory Number: 025093

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. Inventory Number: 025061

(LEVINTHAL, DAVID) (ELLROY, JAMES). Ellroy, James & David Levinthal. Paris: Coromandel Express, 1998. First Edition 1/55. Small Square Folio. Loose Contents in a Box. Illustrated Book. Fine/No Jacket - As Issued. np, with six Cibachrome prints and one hand-painted gelatin silver print. Text in English and French. Designed by Olivier Andreotti and Penelope Monnet. "My Mother's Killer" is the luxe 1998 Coromandel Express collaborative interpretation of the events surrounding the unsolved 1958 Los Angeles murder of James Ellroy's mother Geneva as recreated by noted photographer David Levinthal in a series of stylized miniature tableaux. It features a highly graphic bi-lingual presentation of Ellroy's text juxtaposed across six tri-fold leaves - each of which contains an archivally housed 11 ½ x 10 ½" color Cibachrome print. The publisher's chemise contains a seventh print - a 7 ¾ x 9 ¾" hand-painted gelatin silver photograph SIGNED AND DATED "David Levinthal 1988/1998" in black ink on the verso. These are all housed in a printed slipcase. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to fifty-five copies BOLDLY SIGNED by Ellroy and Levinthal in pencil on the colophon with a Coromandel Express 1998 New Year's card cum publisher's announcement laid in. Inventory Number: 025053

(RENAU, JOSEP). Fontcuberta, Joan & Pablo Ortiz Monasterio. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1985. First Edition 1/3000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 50 color illustrations. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted entirely to the satirical political photomontages of Spaniard Josep Renau. Beginning with his Communist Party poster designs of the wartime era, this is a tour de force on the par with the work of John Heartfield, primarily lampooning the United States and its preoccupation with sex, death consumerism, colonialism, racism, and Cold War era brinksmanship with the Soviet Union. A brand new, most handsome example of this uncommon gem (cited on page 116 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 19 of Horacio Fernandez' "The Latin American Photobook" - even though Renau was an artist and not a photographer!). 968-16-2115-8 Inventory Number: 025050

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042