Arcana:

(DARWELL, JOHN). Darwell, John. Stockport, UK: Dewi Lewis Publishers, 2001. First Edition. Oblong 8vo. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (52pp), 34 color illustrations. This is John Darwell's compact photo-essay documenting the Chernobyl Nuclear Reactors' "Zones of Exclusion": the permanently evacuated area surrounding the 1986 Russian Nuclear Power Plant disaster. It provides a haunting and eerily beautiful glimpse of the thirty kilometer wasteland where no man can now go - and is the perfect compliment to Robert Polidori's oversized volume on the same subject. A brand new, pristine example. 1-899235-58-2 Inventory Number: 015883

(DAVIDSON, BRUCE). Davidson, Bruce. Cambridge, MA: Harvard University Press, 1970. First Edition. Large Square 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Near Fine/Very Good -. np, 105 duotone illustrations. Designed by Elton Robinson. In a protective clear acetate dustwrapper. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" which surveys the harrowing state of life in Harlem in the late sixties is one of the classic volumes of Post-War American photography. An internally most handsome example of the 1970 Harvard University Press first hardbound printing (cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") additionally SIGNED "Bruce Davidson" in black ink on the half title page showing a bit of typical light soiling and age-toning to the extremities of the cloth and textblock in a neatly price clipped publisher's printed acetate jacket that has a three inch closed tear at the top of the spine along with some chipping at the spine ends and upper foredge corner of the front cover. Despite these condition issues, it is one of the sharper copies of this exceedingly fragile title we have ever seen. 0-674-22435-3 Inventory Number: 025042

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by Mildred Feliciano. West Hollywood, CA: St. Ann's Press, 2003. First Edition 1/100 Deluxe. Large Square 4to. Cloth in Slipcase. Photography Monograph. As New/As New. np (165pp), 140 tritone illustrations. Designed by Paul McMenamin at SPINE. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" is one of the classic volumes of Post-War American photography. After more than twenty years of unavailability, it has been lavishly republished by the redoubtable St. Ann's Press, with thirty-five new images, all beautifully reproduced. A brand new, pristine example of the deluxe 2003 St. Ann's Press edition (whose 1970 Harvard University Press first hardbound printing is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") limited to one hundred copies NUMBERED (86/100) AND SIGNED "Bruce Davidson" in black ink on the half title page with an original 10 x 8" gelatin silver print of the image of two children peering out a fire escape window that is reproduced in the book SIGNED by Bruce Davidson in pencil on the verso laid into a portfolio and housed in the publisher's slipcase, as issued. 0-9713681-4-7 Inventory Number: 022755

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by U.S. Congressman John Lewis. Introduction by Deborah Willis. West Hollywood, CA: St. Ann's Press, 2002. First Edition 1/100 Deluxe. Large Square 4to. Cloth w/Pastedown in Slipcase. Photography Monograph. As New/As New. np (172pp), 144 tritone illustrations. Designed by Paul McMenamin at SPINE. Photographed during the height of the American Civil Rights struggle (with most of these images uncollected in book form until this undertaking), Bruce Davidson's moving portraits of social change from the rural South to the streets of Harlem and Chicago are a revelation some forty years later. Pictured here are the Reverend Dr. Martin Luther King, the Freedom Riders, National Guardsmen, Cracker lawmen, Klansmen, and the African-American populace undergoing their "Time of Change". A brand new, pristine example of the Deluxe edition of the 2002 first St. Ann's Press (cited on page 223 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred slipcased copies SIGNED with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Mother Brown" by Bruce Davidson. 0-9713681-2-0 Inventory Number: 019576

(DAVIDSON, BRUCE). Davidson, Bruce. Introduction by Henry Geldzahler. New York: Agrinde Publications, 1978. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 168pp, profusely illustrated in black and white. The first major survey of the compelling photo essays of noted Magnum member Bruce Davidson, this well-illustrated monograph includes work from the "Widow of Montmartre", "The Dwarf", "Brooklyn Gang", "England and Scotland", "Sicily", "Black Americans", "The Bridge", "Los Angeles", "The New Jersey Meadows / A Trip West / Topless Restaurant", "Welsh Miners", "East 100th Street", and "The Cafeteria" series. A bright white, most handsome copy of the 1978 Agrinde first hardbound edition (cited on page 222 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally bearing the SIGNED PRESENTATION "To - / Cousin John / it's the genes! / Bruce Davidson / 79' " in black ink on the title page alongside the non-authorial inscription "For John / Love, Uncle Cork / '79". 0-671-40067-3 Inventory Number: 025638

(DAVIES, ROGER). Davies, Roger. New York: Monacelli Press, I0020221127. 2022. First Edition. 12 x 10 ½". Cloth in Pictorial Dust Jacket. Architectural Photography Monograph. New/New. 280pp, profusely illustrated in color. 9781580936057

Inventory Number: E000RDBTC

(DE DIENES, ANDRE) (MONROE, MARILYN). De Dienes, Andre. Steve Crist, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2002. First Edition 1/20000. Folio. Cloth in Illustrated Box. Photography Monograph. As New/No Jackets - As Issued. np, profusely illustrated in color and b&w. This is Taschen Verlag's sumptuous, oversized three volume anthology of Andre De Dienes photographs of early Marilyn Monroe. A pristine, unopened copy of the 2002 first edition containing one hardbound book, one spiral-bound volume of magazine cover reproductions and a facsimile of Marilyn's diary all housed in a facsimile of Andre De Dienes' Kodak photographic paper box still in the publisher's printed shipping carton, as issued. 3-8228-1199-8 Inventory Number: 021045

(DEFEO, JAY). Levy, Leah, Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller & Catherine Wagner. New York & Berkeley, CA: Delmonico Books / The Jay DeFeo Foundation, 2023. First Edition. 12 x 9 3/4". Cloth in Illustrated Dust Jacket. Artist Monograph. As New/As New. 256pp 29 color and166 b&w illustrations. 978-1636811116

Please join us at the annex of Marc Selwyn Fine Art on Saturday afternoon, September 30th, 2023 to celebrate the publication of Jay DeFeo: Photographic Work. Editor - and Jay DeFeo Foundation president - Leah Levy will be present for a guided walkthrough of an exhibition of the work. The address is 427 North Camden Drive, Beverly Hills, CA 90212. Metered street parking is available with additional 2-hour free parking around the corner at 9510 Brighton Way. If you cannot attend, please place your order here. Books will begin shipping Tuesday, October 2nd.

"This monograph on the legendary and influential artist Jay DeFeo features over one hundred and fifty photographic works - many never before published - most reproduced at the size the artist printed them. After the completion of her monumental masterpiece The Rose in 1966, DeFeo moved from the heart of artistic activity in San Francisco to a small house in Marin County, California. There she embarked on a focused and rigorous exploration with the camera. For much of the 1970s she used the camera as a tool to look and think with, creating a wide range of black-and-white photographs she processed in her darkroom. The artist used experimental photographic techniques to produce extraordinary artworks, alongside documentary images of her studio and paintings in process. Her contact sheets, some of which are reproduced here, are often filled with multiple views of one object, revealing the way DeFeo looked and sketched with the lens. In 1972 she wrote: "My interest in photography has always paralleled my expression as a painter."

Essays by Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller and Catherine Wagner survey the rich materiality, sculptural layering and illusionistic devices of DeFeo’s playful and enigmatic photographic works, illuminating her astonishing range and daring experimentation with the medium."

Jay DeFeo (1929–89) was a Bay Area artist who created an original and provocative body of work, including the iconic painting The Rose (1958–66). In the 1970s and 1980s, DeFeo continued her visionary work in a range of mediums, including works on paper, photography, collage and photocopies. Among many other exhibitions, a retrospective of her work was organized by the Whitney Museum of American Art, New York, and traveled to the San Francisco Museum of Modern Art in 2012.

A brand new, most handsome example of this thought provoking new document!

Inventory Number: E000JDPW

(DE GEER, KARL JOHAN).Kugelberg, Johan. New York: Ectoplasm Books, 2009. First Edition. Oblong Small 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. np (60pp), profusely illustrated in b&w. Designed by Taylor Brigode for Octopuss Limited. "Carl Johan De Geer, born in 1938, grew up in absurd privilege and abject unhappiness as a member of one of Sweden's most powerful aristocrat families. His parents showed no discernable interest in him or his siblings, and so he grew up on a grand country estate with his grandparents, went to art school in the late 1950s, and in an epic choice of rejection lived his life to this day as a perennial Swedish underground artist, working in counterpoint to the privilege of his surname. De Geer, as a masterful Leica M4 snapshot giant à la Van Der Elsken or Daido Moriyama, has the sacred ability to capture the monotone grit of everyday life and demand its reflection. He gives us a glimpse of a Sweden inhabited by people who are the other, whose life experience is impregnated with otherness, providing a visual cue into an unseen world. The visible scratches, fades and imperfections, the wabi-sabi of this collection of vintage prints, is reflected in the images". "The Camera as Consolation" is the hardbound catalogue published in conjunction with the Johan Kugelberg-curated 2009 Boo-Hooray Gallery exhibition of the gritty Vietnam-era social reportage of this unsung Swedish master that parallels the work Ed Van Der Elsken and Anders Peterson. A brand new, pristine example from a handful of ultra-deluxe copies BOLDLY SIGNED by Carl Johan De Geer in black ink on the front pastedown that comes with a 5 ¾ x 4 1/8" SIGNED VINTAGE B&W PHOTOGRAPHIC PRINT in a translucent archival envelope affixed to the inside front cover; and is housed in the publisher's handmade black linen over board slipcase with a SIGNED DRAWING in white marker on the front face by Carl Johan De Geer, as issued. Laid in is the gallery's printed exhibition invitation as well as a special NUMBERED (24/80) silkscreened opening invitation designed and SIGNED by the photographer. Inventory Number: 017909

(DEMAND, THOMAS). Demand, Thomas, Ralph Rugoff & Julia Franck. Eckhard Schneider, Editor. Munchen & Bregenz, GERMANY: Schirmer/Mosel Verlag & Kunsthaus Bregenz, 2004. First Edition 1/100 Deluxe. Oblong Folio. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 128pp, profusely illustrated in color. Text in English and German. Designed by Markus Weisbeck, Surface. "In his photographs of reconstructed rooms and places Thomas Demand explores a notion of reality that guides our perception of a media and technology-dominated world. For this purpose he produces life-size reconstructions then are perfectly lit and photographed with a large-size camera. What, at first sight, seems to be a hyperrealistic reproduction of reality proves, at a closer look, to be a model". This is a lovely catalogue that combines Demand's images interspersed with texts about, the artist was published in conjunction with a major 2004 exhibition held at the Kunsthaus Bregenz. A brand new, most handsome example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 12 x 14" digital color pigment print "Detail XII, 2005" - a tabletop still life tableaux - on handmade paper BOLDLY SIGNED AND NUMBERED by Thomas Demand on the verso, as issued. 3-829601-71-9 Inventory Number: 024086

(DEMAND, THOMAS). Demand, Thomas. Texts By Vic Muniz, Stephan Berg, Sebastian Egenhofer, Reudi Widmer, Volker Albus, Ulrich Meister, Marcus Steinweg, Jose Llebrero Stals, Simon Morrissey, Michael Krome, Markus Bruderlin, Regis Durand & Michael Wetzel. Marienbad, GERMANY: Kunstverein Freiburg, 1998. First Edition. 8vo. Pictorial Flexible Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 48pp, profusely illustrated in color and b&w. Text in English and German. Designed by Stephan Berg. "In his photographs of reconstructed rooms and places Thomas Demand explores a notion of reality that guides our perception of a media and technology-dominated world. For this purpose he produces life-size reconstructions then are perfectly lit and photographed with a large-size camera. What, at first sight, seems to be a hyperrealistic reproduction of reality proves, at a closer look, to be a model". This charming catalogue that combines Demand's images interspersed with numerous texts about, and interviews with the artist was published in conjunction with a major 1998 exhibition held at Marienbad's Kunstverein Freiburg. A most handsome example 3-922675-32-8 Inventory Number: 027666

(DIJKSTRA, RINEKE). Visser, Helene & Urs Stahel. Amsterdam, THE NETHERLANDS & Munchen, GERMANY: The Stedelijk Museum & Schirmer/Mosel Verlag, 2005. First Edition #23/100 Deluxe. Large 4to. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 160pp, 69 color illustrations. Text in English and German. Designed by Lambert und Lambert. With a biography, exhibition history and bibliography. This is the lovely hardbound catalogue published in conjunction with a major 2004 European Museum retrospective of the engaging color portraits of Dutch photographer Rineke Dijkstra that was circulated by Amsterdam's Stedelijk Museum. A brand new, pristine example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 9 ¼ x 7"" color C-print "Chlopy, Poland, July 29, 1995" BOLDLY NUMBERED (23/100) AND SIGNED "Rineke Dijkstra / June 29, 2005" in pencil on the verso, as issued. 3-8296-0151-4 Inventory Number: 024759

(DOW, JIM).. NP: Joseph E. Seagram & Sons, Inc., 1978. First Edition. 8vo. Printed Postcard. Fine.. One 6 x 4 ¼" glossy cardstock postcard printed offset recto and verso, 1 color illustration. To mark the 1976 Bicentennial of the United States of America, Joseph E. Seagram and Sons, Inc. commissioned twenty-four photographers to record more than one thousand County Court houses across the country using both color and black and white film. The project, directed by Phyllis Lambert and edited by Richard Pare, created the then-most comprehensive survey of an American building type. The Seagram County Court House Archives collection of photographic negatives and master prints was ultimately presented as a gift, with its copyright ownership, to the Library of Congress. In 1978 Horizon published the lovely Richard Pare-edited book of images from this undertaking entitled "Court House: A Photographic Document". This color postcard featuring Jim Dow's color image "Harlan County Court House, Harlan, Kentucky, c1918-21" was issued in conjunction with that release. A brand new, pristine unmailed example of this uncommon ephemeral item perfect for the Jim Dow completeist. Inventory Number: 024179

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A pristine copy of this stunning tome still in the publisher's shrinkwrap. 0-9818465-0-5 Inventory Number: 021079

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A brand new, pristine example of this stunning tome from the edition of one hundred copies SIGNED AND NUMBERED by Michael Dweck housed in a debossed black linen solander box containing the SIGNED AND NUMBERED 8 x 10" chromogenic color print "Mermaid 37, Miami 2007". 0-9818465-0-5 Inventory Number: 016736

(EAMES, CHARLES & RAY). Heiden, John. Introduction By Deborah Perrin. Los Angeles: John Heiden, 1987. First Edition. Square 4to. Wrappers in Pictorial Jacket. Design Monograph. Fine./Fine.. 36pp, profusely illustrated in color and b&w. Designed by John Heiden This is an extraordinary design object assembled and published as a labor of love by graphic designer John Heiden. Offered hors commerce, this lovely item was never commercially for sale. It artistically depicts several Charles and Ray Eames objects in moody, expressionistic photographs by James Wojcik that have been sumptuously reproduced. A most handsome copy of this uncommon item in the publisher's trompe l'oeil molded plywood dust wrapper, as issued. 0-926058-10-X Inventory Number: 012500

(EDSON, RICHARD). Edson, Richard. New York: Artvoices Art Books, I00230930, 2023. First Printing. 10 x 7 1/2". Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 979-8986841304

Inventory Number: E000REYZLJ

(EGGELSTON, WILLIAM). Foreword by William Eggleston III Texts by Rachel Kushner and Robert Slifkin.. DavidDavid Zwirner Books, I00221211, 2022. 10.75 × 14.75 in | 27.3 × 37.5 cm. Softcover, with flaps. New.

A selection of nearly one hundred previously unseen images from the 1960s and 1970s by the pioneer of color photography, William Eggleston.


The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—The Outlands is emblematic of Eggleston’s dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.


Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston’s oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.
9781644230770 Inventory Number: I00221211

(EGGLESTON, WILLIAM). Morris, Willie & William Eggleston. Birmingham, AL: Oxmoor House, Inc., 1990. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 159pp, profusely illustrated in color. "In Faulkner's Mississippi, William Faulkner's life and work are revisited through the poetic mastery of Willie Morris, who brings to the subject a rare perspective - as both an aficionado of Faulkner's work and a native son of Mississippi. Of the many great biographies of Faulkner, Faulkner's Mississippi is the only portrait of the writer by another writer, touching on the fears, the frailties, and the courage of a man who chose to live in a land that loved and reviled him all in the same breath". A most handsome example of what is also one of the photographer's most haunting books additionally SIGNED "William Eggleston" in black ink on the title page. 0-8487-1052-5 Inventory Number: 021838

(EGGLESTON, WILLIAM). Wagner, Bruce & William Eggleston. Santa Fe, NM: Twin Palms Publishers, 1999. First Edition 1/50 Deluxe. Square 4to. Cloth in Clamshell Box. Photography Monograph. Fine/No Jacket - As Issued. 101pp, 45 color illustrations. Published in 1999, "2 1/4" is a beautifully designed and printed survey of Southern gentleman with a camera William Eggleston's color work with the 2 ¼ x 2 ¼ inch negative format. A brand new, most handsome example of the deluxe signed edition of fifty SIGNED AND NUMBERED copies accompanied by a signed 11 x 11" matted color dye-transfer print SIGNED AND NUMBERED inside a debossed cloth-over-boards clamshell box. 0-944092-70-5 Inventory Number: 026446

(ELENGA, HENK) (HARD WERKEN). Elenga, Henk, Jan Middendorp, Lewis MacAdams & Erik Beenker. Los Angeles: Hard Werken, 1990. First Edition 1/200 Deluxe. 16mo. Linen Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late eighties and early nineties. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam. A brand new, most handsome example of the deluxe edition limited to two hundred copies with an original 4 x 5" black and white photograph SIGNED AND NUMBERED by Henk Elenga laid in a velour pocket inside the front cover, as issued. Inventory Number: 016922

(ELENGA, HENK) (HARD WERKEN). Elenga, Henk, Jan Middendorp, Lewis MacAdams & Erik Beenker. Los Angeles: Hard Werken, 1990. First Edition 1/800. 16mo. Wrappers in Dust Jacket. Photography Monograph. Fine/Fine. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late '80s/early '90s. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam, and is accompanied by the invitation to a subsequent Del Mar, California showing + reception for the artist which also doubles as a dust jacket. A brand new, pristine example. Inventory Number: 006217

(ERIZKU, AWOL). Erizku, Awol, Ashley James, Doreen St. Felix, Urs Fischer & Antwaun Sargent. Foreword by Ishmael Reed. New York: Aperture and The Momentary, I00230705. 2023. First Edition. 12 x 9 1/2". Cloth in Illustrated Dust Jacket. Artist Monograph. As New/As New. 9781597115469

300pp, 168 illustrations in color and b&w. "Working across photography, film, video, painting, and installation, Awol Erizku's work references and re-imagines African-American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans the artist’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.”

Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality."
 

A brand new, most handsome example of this spectacularly designed and produced first monograph additionally signed "Awol Erizku" in ink on the front pastedown.

Inventory Number: E000AEMP

(EVANS, WALKER). Evans, Walker. Introduction by James Agee. Boston & Cambridge, MA: Houghton Mifflin Company & The Riverside Press, 1966. First Edition. Small 4to. Boards in Pictorial Jacket. Photography Monograph. Very Good/Good. xii + 178pp, 89 b&w illustrations. Published in 1966, this hardbound monograph collected in book form for the first time Walker Evans' poignant black and white portraits of New York City subway riders taken during the thirties and forties. An otherwise internally bright, most handsome example of the uncommon Houghton Mifflin Company and Riverside Press first hardcover edition (cited on page 253 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 218-219 of The Hasselblad Center's "The Open Book", page 31 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 104-109 of Horacio Fernandez' "New York in Photobooks") showing some minor staining and the name of a previous owner in ink on the front pastedown. The embossed white lettering on the front board and spine is still strong and crisp, while the black covers show a few trivial traces of water droplets in raking light along with a minor scratch on the rear board. Its fragile dust jacket is present, though noticeably creased, chipped, and torn - with some paper loss. It has been priced accordingly. LC 66-27491 Inventory Number: 025033

(EVANS, WALKER) (FRANK, ROBERT). Papageorge, Tod. New Haven, CT: Yale University Art Gallery, 1981. First Edition. Square 4to. Pictorial Wrappers. Photography Monograph. Very Good -.. 62pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the catalogue issued in conjunction with Tod Papageorge's 1981 Yale University exhibition documenting the relationship between the imagery of Walker Evans' "American Photographs" of 1938 and Robert Frank's 1959 "The Americans". A most handsome example of this uncommon item with a newspaper clipping of the April 5th 1981 "New York Times" review of the exhibition along with the Daniel Wolf Gallery price list for a contemporary show of vintage prints by Evans and Frank that were also being exhibited at Yale laid in. 0-89467-015-8 Inventory Number: 025841

(FAUCON, BERNARD). Faucon, Bernard. Satomi Ishihara, Editor. Tokyo: Treville Co. Ltd., 1995. First Edition. Small Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, 81 color illustrations. Text in Japanese. Published only in Japan, this is an elegantly designed, beautifully printed hardbound survey of the symbology-laden color work of noted French photographer Bernard Faucon including his always intriguing mannequin-laden "Les Grand Vacances" ("Summer Camp") images from the late seventies. A brand new, most handsome example of this uncommon item. 4-8457-0999-6 Inventory Number: 014093

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A brand new, most handsome example. Inventory Number: 013651

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A most handsome example additionally SIGNED "James Fee" in ink on the title page. Inventory Number: 012055

(FEE, JAMES). Krull, Craig.. Los Angeles: James Fee, 1994. First Edition. 4to. Debossed Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (50pp), 23 duotone plates. Designed by SoS Los Angeles / Susan Silton. This beautifully printed, self-published catalogue was the first publication by the late, great Los Angeles photographer James Fee. It presents twenty-three dark and disturbing images of a haunting road trip across an unpopulated, dystopian America. A most handsome example of the ultra-limited deluxe edition bound in black linen over debossed boards with a 5 x 5 ¼" SIGNED original silver gelatin photograph laid down on the front cover additionally bearing the extraordinary SIGNED PRESENTATION "Jean Paul, Thank you so much for everything. You really came through for me on this project. Best, James Fee 9-19-94" in black ink on the first preliminary. This is to Jean-Paul Nataf of the Bremik Press, who is credited as the book's printer and is thanked in the author's printed acknowledgements. 0-964-0494-0-6 Inventory Number: 019818

(FEE, JAMES). Krull, Craig & James Fee. Los Angeles: James Fee, 1994. First Edition 1/1000. 4to. Printed Wrappers. Photography Monograph. Very Good -.. np (50pp), 23 duotone plates. Designed by SoS Los Angeles / Susan Silton. This beautifully printed, self-published catalogue was the first publication by late, great Los Angeles photographer James Fee. It presents twenty-three dark and disturbing images of a haunting road trip across an unpopulated, dystopian America. A most presentable example of this uncommon item limited to one thousand unnumbered copies additionally SIGNED "James Fee" in black ink on the front free endpaper showing a couple of slight bends to the covers and textblock. It has been priced accordingly. 0-964-0494-0-6 Inventory Number: 013278

(FEE, JAMES). Krull, Craig & Keiji Okuhira. Los Angeles: Farmani & Fee, 1996. First Edition 1/1000. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. np (56pp), 25 duotone plates. Text in English and Japanese. Limited to one thousand copies, this beautifully printed, self-published catalogue presents the late Los Angeles-based photographer James Fee's second installment of moody images of an unpopulated, dystopian homeland first seen in his "Photographs of America". A most handsome example of this uncommon item. 0-964-0494-1-4 Inventory Number: 016013

(FEE, JAMES). Krull, Craig & Keiji Okuhira. Los Angeles: Farmani & Fee, 1996. First Edition 1/1000. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. np (56pp), 25 duotone plates. Text in English and Japanese. Limited to one thousand copies, this beautifully printed, self-published catalogue presents the late Los Angeles-based photographer James Fee's second installment of moody images of an unpopulated, dystopian homeland first seen in his "Photographs of America". A most handsome example of this uncommon item additionally SIGNED "James Fee" in black ink on the front endpaper. 0-964-0494-1-4 Inventory Number: 011604

(FOGLIA, LUCAS). Stanley/Barker, I00220330, 2022. 10 x 10 inches, 144 Pages. Hardcover. New.

“This is how I remember New York City in 2002. I was 19 years old and had just moved to Manhattan from my family’s small farm on Long Island. It was the first summer after the September 11 attacks. Workers were removing the last of the debris from the collapsed Twin Towers. The city felt both immense and fragile compared to the groundedness of my childhood home.”

“On weekdays, I worked in Arnold Newman’s photography studio. After hours and on weekends, I walked through the city’s five boroughs with my camera. When someone made eye contact with me, I asked if I could make a portrait of them. At first, I assumed people would respond with caution. I was a stranger. The city was recovering from an event that shook its sense of security. Yet, most people said yes and looked straight into my camera lens. I am grateful they chose to trust me.” - Lucas Foglia

Published on the 20th anniversary of the September 11 attacks, Lucas Foglia’s portraits show the tremendous diversity of New York City. Everyone is portrayed with dignity, regardless of age, gender, sexual orientation, or ethnicity. Today, as the world begins to heal from the coronavirus pandemic, the photographs remind us to approach strangers with compassion, across social distances. 9781913288266 Inventory Number: I00220330, 2022

(FRANK, JONA). Frank, Jona & Bruce Weber. Heidelberg, GERMANY: Kehrer Verlag, 2016. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued.

84pp, 43 color illustrations. Text in English. "In the Fall of 2010, photographer Jona Frank began to make portraits at an amateur boxing club just outside of Liverpool in a suburb called Ellesmere Port. All the boys tried to act tough for the camera, and Frank was reminded of a line from the Arcade Fire song Rococo: "They seem wild, but they are so tame". In the song they are singing about going downtown and watching the modern kids. It made Frank think about how these boys, in this town, are in their life. For them, everything is present. This is their 21st Century, their right now, but their faces evoke the past. Many of them, shirtless and sweaty, their hands covered with big, puffy, colorful gloves, look timeless, but the truth is they are like any adolescent who is trying on a role and attempting to find their place. Like the suburb of Liverpool where these photos were made, boxing has a foot in the past while grasping its contemporary purpose. Frank’s photographs provide a record of a sport and a community whose presence is slowly fading. Bruce Weber states in the books preface "Although some of the most gentlemanly people I have ever met are boxers, for Jona to go into a boxing gym as a woman is a very rare thing. I used to visit a gym out in Las Vegas called Johnny Tocco’s that had a sign which read "No Women Allowed." But Jona’s boxers let her have this experience. They wanted to share their moment of glory with her, and she in turn made heroes of them in her photographs. These pictures will be placed on the mantles and the walls in their homes. People will take notice. Their hard work will matter. Some people might confuse the realism of Jona’s work with a certain anti-romanticism. But she’s just bending the ideal by holding true to the photographer’s mantra keep your eyes open and be true to your heart."

A brand new, most handsome example additionally SIGNED "Jona Frank" in ink on the title page.

978-3868286328 Inventory Number: E000JFTMK

(FRANK, ROBERT) (ASPESI). Frank, Robert. Milan, ITALY. ND.: Alberto Aspesi. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine./No Jacket - As Issued. np (84pp), profusely illustrated in b&w and color. Text in Italian. Designed by Armando Chitolina. This unique volume is a beautifully designed and reproduced collection of renowned photographer Robert Frank's subtle advertising images for the Milan-based menswear firm, Aspesi. It is divided into three bodies of work: "Shirts. New York 1989", "Jackets. Mabou, Nova Scotia 1995", and "Collages. Zurich, 1997". The primarily black and white photographs show Frank's unmistakable hand in the printing, use of occasional text, and collage technique. A brand new, most handsome example of this uncommon item perfect for the Robert FRank completeist.. Inventory Number: 027602

(FRANK, ROBERT). Van Reis, Mikael. Foreword by Gunilla Knape. Goteborg, SWEDEN & Zurich, SWITZERLAND: Hasselblad Center & Scalo, 1997. Second Edition (First Thus). 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. 52pp, profusely illustrated in b&w. With a chronology. "Flamingo" is the handsome hardbound catalogue produced in conjunction with the 1996 exhibition by legendary photographer and filmmaker Robert Frank as recipient of Sweden's prestigious Hasselblad Award for photographic achievement. A brand new, pristine example of the 1997 Scalo printing. 3-931141-55-1 Inventory Number: 023942

(FRIEDLANDER, LEE). Friedlander, Lee. San Francisco, CA: Fraenkel Gallery, 2000. First Edition 1/600 Deluxe. Oblong Small 4to. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 88pp, 77 duotone illustrations. Designed by Catherine Mills Design. "Self Portrait" was Lee Friedlander's first book of photographs - containing a series of images taken over the course of six years between 1964 and 1969 in which Friedlander inhabits each photo, though not always in the most obvious of ways. This 2000 publication by his longtime gallery revisits and updates the earlier book with seventy-seven new self-portraits of an older and wiser looking subject taken between 1993 and 1999. A brand new, pristine example of the hardbound edition limited to six hundred copies NUMBERED AND BOLDLY SIGNED "Lee Friedlander" in silver marker across the half title page, as issued, still in the publisher's shrinkwrap. 1-881337-09-X Inventory Number: 024321

(FRIEDLANDER, LEE). Friedlander, Lee & Leslie George Katz. With a brief text by Walt Whitman. New York: Eakins Press Foundation, 1976. First Edition 1/150 Deluxe. Oblong Folio. Cloth with Leather Spine. Photography Monograph. As New/No Jacket - As Issued. np (78pp), 213 b&w gravure illustrations. "The American Monument" is Lee Friedlander's groundbreaking portfolio of striking images of statues and memorials taken across the United States during the early seventies. Uniquely bound in baby blue cloth-over-boards with sumptuous printing by The Meriden Gravure Company from half-tone negatives made by Richard Benson, it certainly ranks among the great American photography books of the Twentieth Century. A brand new, pristine example of the exceedingly uncommon "Special Edition" of this impressive tome (cited on pages 310-311 of The Hasselblad Center's "The Open Book", page 28 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", page 35 of "From Fair to Fine", and pages 236-237 of "The Book of 101 Books") limited to one hundred and fifty copies bound in red cloth with a gilt-embossed leather spine NUMBERED (60/150) in ink on the rear colophon accompanied by an 11 x 14" silver gelatin print of an image that is not reproduced in the book NUMBERED (60/150) AND SIGNED "Lee Friedlander" in ink on the recto that has been laid into in an archival display mat affixed to the inside of the rear board, as issued. These are housed in the publisher's vintage unprinted blue cardboard presentation box. A Fine condition example of Lee Friedlander's "Fourteen American Monuments" catalogue published by the Eakins Press Foundation has been additionally laid in. 0-87130-045-1 Inventory Number: 022825

(FRIEDLANDER, LEE). Friedlander, Lee & Leslie George Katz. With a brief text by Walt Whitman. New York: Eakins Press Foundation, 1976. First Edition 1/2000. Oblong Folio. Cloth Over Boards. Photography Monograph. As New/No Jacket - As Issued. np (78pp), 213 b&w gravure illustrations. "The American Monument" is Lee Friedlander's groundbreaking portfolio of striking images of statues and memorials taken across the United States during the early seventies. Uniquely bound in gilt-embossed cloth-over-boards with sumptuous printing by The Meriden Gravure Company from half-tone negatives made by Richard Benson, it certainly ranks among the great American photography books of the Twentieth Century. A brand new, pristine example of this impressive tome (cited on pages 310-311 of The Hasselblad Center's "The Open Book", page 28 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", page 35 of "From Fair to Fine", and pages 236-237 of "The Book of 101 Books") still in the publisher's shrinkwrap and cardboard shipping carton showing none of the typical sunning associated with this title. A Fine condition copy of Lee Friedlander's "Fourteen American Monuments" catalogue published by the Eakins Press Foundation has been additionally laid in. 0-87130-045-1 Inventory Number: 022130

(FRIEDLANDER, LEE). Friedlander, Maria. San Francisco: Fraenkel Gallery, 2004. First Edition. Square 4to. Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. np, 192 duotone illustrations. Designed by Catherine Mills. "Like most fathers, Lee Friedlander has made photographs of his wife and children throughout their lives together. Unlike most fathers, Friedlander happens to be one of the greatest living photographers. In "Family", Friedlander departs from his well-known terrain of the open road and the city street, focusing instead on his wife, Maria, his children and (later) his grandchildren. The result is an intimate narrative of a family's complex life, from 1958 to the present. The subjects are natural and unaffected in front of the ever-present lens, and the pictures make it clear that Friedlander's camera was a constant presence in the home, a natural extension of the artist himself. Over and over Friedlander recognized in an instant things that were precious and universal, yet specific to his own situation. Friedlander has done us a great honor by publishing these images. The inventive design of "Family" enhances the integrity of Friedlander's family album". A most handsome example. 1-881337-18-9 Inventory Number: 019983