Arcana:

(AITKEN, DOUG). Aitken, Doug, Joseph Akel, Daniel Birnbaum, Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon & Jorg Heiser. London, UK: MACK Books, I00221206. 2022. First Edition. Stout 4to. Debossed Cloth. Artist Monograph. New/No Jacket - As Issued. 608pp, profusely illustrated in color and b&w. 9781913620257

"This comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works through to the present day. Aitken’s practice encompasses large-scale film installations such as Sleepwalkers (2007), site-specific sculptures including his Underwater Pavilions (2016) installed off the coast of Catalina Island, California, and peripatetic happenings like Station to Station (2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums. Works 1992-2022 features an introduction by Joseph Akel, an extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser."

Inventory Number: E000DAW1992

(KLEIN, STEVEN). . Phaidon, I00221111, 2022. 356 × 305 mm (14 × 12 in), 464 pages. Hardbound. New.


The first and only monograph on Klein, whose hyperreal and sexually charged images have captivated viewers for 30 years.

One of the fashion industry's most cunning provocateurs, photographer Steven Klein has created many of the most iconic images of our time. Klein's photographs blur the line between fiction and reality, resulting in stunning tableaux that only exist within his fantastical worlds. Although his images include some of the most photographed people in the world, they disappear into the narrative of Klein's imagination.

The book includes images originally published in magazines such as Interview, W, Vogue, Vogue Italia, Vogue Paris, Vogue Hommes, i-D, among many others, and iconic faces such as those of Madonna, Brad Pitt, Kim Kardashian, and Rihanna.

Klein has worked with notable clients including Balenciaga, Dolce & Gabbana, Tom Ford, Alexander McQueen, and Louis Vuitton. His work has also been exhibited at galleries and museums globally such as Deitch Projects, Gagosian, and the International Center of Photography, among others. Edited by author Mark Holborn, this first survey of Klein's work showcases his extravagant, hyperreal creations and illuminates his singular vision.


99781838665555 Inventory Number: I00221111

(TAYLOR, HENRY). Edited by Bennett Simpson. Foreword by Johanna Burton. Text by Wanda Coleman, Karon Davis, Charles Gaines, Harmony Holiday, Bob Kaufman, Walter Price, Bennett Simpson, Frances Stark. Conversation with Henry Taylor, Hamza Walker.. DELMONICO BOOKS/THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES, I00221109, 2022. 9 x 11 in. / 240 pgs / 191 color.. Hardbound. New/No Jacket - As Issued.


The official catalog accompanying the major retrospective at MoCA LA. Henry Taylor creates a grand pageant of contemporary Black life in America.

Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.
9781636810560 Inventory Number: I00221109

(TOBAK, VIKKI). Taschen, I00221014, 2022. 9.8 x 13.4 in., 388 pages. Hardbound. New/No Jacket - As Issued.

Whether it's diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy.

Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “Ice” has become a proclamation of identity and self-expression.

Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B, whose over-the-top pieces integrate unique pop culture references, unconventional materials, and enduring collaborations with artists like Takashi Murakami.

Author Vikki Tobak reveals – in great detail – the work of pioneering jewelers such as Tito Caicedo of Manny’s, Eddie Plein, and Jacob the Jeweler as well as newer artisans such as Avianne & Co., Ben Baller/IF & Co., Greg Yuna, Johnny Dang, Eliantte, and many more.

Ice Cold is a treasure trove of dazzling, inspirational style, featuring the work of leading photographers, including Wolfgang Tillmans, Janette Beckman, Jamel Shabazz, Timothy White, Gillian Laub, David LaChapelle, Danny Clinch, Chris Buck, Mike Miller, Phil Knott, Raven B. Varona, Al Pereira, Albert Watson and many more.

A foreword by hip-hop superstar Slick Rick and essays by A$AP Ferg, LL COOL J, Kevin “Coach K’ Lee and Pierre “P” Thomas of Quality Control Music take us on personal journeys into their jewelry universe.

Ice Cold goes beyond the ostentatious bling to reveal a transformative story that is loud and proud.
9783836584975 Inventory Number: I00221014

(ARBUS, DIANE). Texts by 55 authors, including Hilton Als, A. D. Coleman, Holland Cotter, Jacob Deschin, Germaine Greer, Hilton Kramer, Arthur Lubow, Janet Malcolm, Francine Prose, Sukhdev Sandhu, Peter Schjeldahl, Adrian Searle, Susan Sontag, Lynne Tillman, and Colm Tóibín Edited by Max Rosenberg. David Zwirner Books/Fraenkel Gallery, I00221014, 2022. 8.5 × 11 in | 21.6 × 27.9 cm, 496 p. Hardbound. New/No Jacket - As Issued.

Through an assemblage of articles, criticism, and essays from 1967 to the present, this groundbreaking publication charts the reception of the photographer’s work and offers comprehensive insight into the critical conversations, as well as misconceptions, around this highly influential artist.

Best known for her penetrating images exploring what it means to be human, Diane Arbus is a pivotal and singular figure in American postwar photography. Arbus’s black-and-white photographs demolish aesthetic conventions and upend all certainties. Both lauded and criticized for her photographs of people deemed “outsiders,” Arbus continues to be a lightning rod for a wide range of opinions surrounding her subject matter and approach. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” Through an assemblage of articles, criticism, and essays from 1967 to the present, Diane Arbus Documents charts the reception of the revolutionary photographer's work.


Illuminating fifty years of evolution in the field of art criticism, Documents provides a new template for understanding the work of any formidable artist. Organized in eleven sections that focus on major exhibitions and significant events emerging from Arbus’s work, as well as on her methods and intentions, the sixty-nine facsimiles of previously published articles and essays––an archive by all accounts––trace the discourse on Arbus, contextualizing her inimitable oeuvre. Supplemented by an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.

9781644230657 Inventory Number: I00221020

(PILDAS, AVE). Campany, David & Ave Pildas. Los Angeles: Deadbeat Club Press, I00221000. 2022. First Edition 1/750 Copies. 4to. Gilt-Stamped Cloth with Pictorial Pastedown. Photography Monograph. As New./No Jacket - As Issued. 104pp, profusely illustrated in duotone. Designed by Clint Woodside. 978-1-952523-04-5

"Hollywood Boulevard, Walk of Fame, 1970s. You were there, with your camera, with your love of life and people. It seems you turned the sidewalk into a little stage, and everyone came for a momentary audition. Some wanted to be famous, some were ok with a walk-on part, most were just happy to see you.”

So writes David Campany of the pictures in Star Struck, the first monograph from the legendary Ave Pildas in more than forty years. These photographs were made between 1972 and 1975 in perhaps the most famous of the many famous spots in Los Angeles – but at a time when Hollywood had more of a neighborhood feel and a raucous diversity was the norm.

In Pildas' generous and gentle view, everyone is an A-list celebrity. And he should know! Those who have sat before his camera include Billie Holiday, John Coltrane, and the Velvet Underground. Pildas brings the same joyous discipline to regular folks on the street as he did to his well-known work for DownBeat magazine and Capitol Records.
 

In the end, the most beautiful and beguiling thing about Star Struck is that you’re not sure if the title refers to the people whom Ave Pildas encountered on Hollywood Boulevard, or to the photographer himself. A brand new, most handsome example of this charming volume hot off The Deadbeat Club Press limited to seven hundred and fifty copies additionally SIGNED by Ave Pildas in ink.

Inventory Number: E000APSS

(WILLIAMS, KANDIS) Introduction by Ebony L. Haynes. Text by Hannah Black. Conversation between Kandis Williams and Okwui Okpokwasili. David Zwirner Books, I00220922, 2022. 9 x 7 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

The inaugural volume in a new series of books, Kandis Williams documents the Los Angeles–based artist’s exhibition A Line. Interrogating issues of race, nationalism, authority, and eroticism, her topical work is made across collage, sculpture, and video.

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.

Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the artist Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. 9781644230688 Inventory Number: I00220924

(COBB, RON). Titan, I00220921, 2022. 12 x 9 inches, 208 Pages. Hardcover. New.

During his sixty-year career, Ron Cobb provided concept art for some of the biggest films in sci-fi cinema. From designing spaceships for Alien, Dark Star, and Firefly and Delorean from Back to the Future to character designs for Conan the Barbarian and creature concepts for Star Wars and The Hitchhiker’s Guide to the Galaxy, Ron has left a legacy of artwork behind to inspire future generations of concept artists.

This beautiful coffee table book is full to the brim with Ron Cobb’s artwork from throughout his career and includes exclusive insights from the talent he worked with along the way, including James Cameron, Joe Johnston, Robert Zemeckis, Bob Gale, and Nick Castle. 9781789099584 Inventory Number: I00220921

(NEVILLE, MARK). Nazraeli Press, I00220920, 2022. 12 x 13 inches, 180 Pages. Hardcover. New/No Jacket - As Issued.

British artist Mark Neville moved home and studio from London to live in Kyiv, Ukraine, last year. With 100,000 Russian troops amassed on the Ukrainian border and the whole country on the cusp of war, Neville’s book project, Stop Tanks With Books, calls on the international community to urgently support Ukraine and help deter further Russian invasion.

Since 2015 Neville has been documenting life in Ukraine, with subjects ranging from holidaymakers on the beaches of Odessa, to the Roma communities on the Hungarian border, the churchgoers and nightclubbers of Kyiv, to both civilians and soldiers living on the frontline in Eastern Ukraine. Eighty of Neville’s photographs are brought together in this book, edited by David Campany, together with short stories about the conflict from Ukrainian novelist Lyuba Yakimchuk; research from the Centre of Eastern European Studies in Berlin about the 2.5 million Ukrainians already displaced by the war; and a call to action for the international community.

Employing his unique, activist strategy of a targeted book dissemination, Neville sent out 750 complimentary copies of the book’s first edition to key policymakers, opinion-makers, ambassadors, members of parliament, members of the international community and its media, as well as those involved directly in peace talks. The aim is for recipients of this book to be prompted into real action which will result in an end to the war, an end to the killing in Eastern Ukraine, and the withdrawal of Russian forces from occupied territories in Donbas and Crimea. An additional 750 copies were also available through Nazraeli Press for general distribution internationally, and quickly sold out.

Neville wrote in the first edition: “The atmosphere is extremely tense. Bomb shelters and siren drills are being prepared in the capital. Do we stay and fight? Or do we flee Ukraine completely? I wonder what the international response would be if Stockholm, London, Paris, or New York were threatened with an unprovoked and imminent invasion by Russia? Our book is a prayer and a necessary plea to the international community and Nazraeli Press and I have pulled out all the stops to get our book printed and disseminated before Putin invades." Published post-invasion, this important second edition of the book includes an updated artist’s statement and maps. 9781590055861 Inventory Number: I00220920

(TILLMANS, WOLFGANG) Edited with text by Roxana Marcoci. Text by Quentin Bajac, Yve-Alain Bois, Julia Bryan-Wilson, Clément Chéroux, Durga Chew-Bose, Stuart Comer, Keller Easterling, Paul Flynn, Sophie Hackett, Michelle Kuo, Oluremi C. Onabanjo, Phil Taylor. Chronology by Phil Taylor, Andrew Vielkin. The Museum of Modern Art, New York, I00220827, 2022. 12 x 10 inches, 320 Pages. Hardcover. New.

Encompassing photography, installation, print media, video and more, this publication is the most comprehensive account of Tillmans’ wide-ranging career to date

A visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, ecstatic images of nightlife to cameraless abstractions, sensitive portraits to architectural studies, astronomical phenomena to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with how to make new pictures and deepen the viewer’s experience.

Published in conjunction with a major exhibition of Tillmans’ work at the Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist’s career. An outstanding group of writers offer diverse essays addressing key threads of his multifaceted practice, and a new text by Tillmans himself elucidates the distinctive methodology behind his system of presenting photographs. Wolfgang Tillmans: To look without fear grants readers new insight into the work of an artist who has not only changed the way photography is exhibited but pointed contemporary art in dynamic new directions. 9781633451117 Inventory Number: I00220827

(KROLL, ERIC). Kroll, Eric. Paris, FRANCE: Timeless Edition, I00220816, 2022. First Edition 1/750 Copies. 7 x 9 inches, 484 Pages. Hardcover. Photography Monograph. New/No Jacket - As Issued.

Eric Kroll is a name familiar to anyone with even the vaguest interest in contemporary photography. His first book, Sex Objects: An American Documentary, from 1977 has attained cult-like status. He has gone on to publish several high-profile, best-selling books with houses like Taschen, and his work has been featured in countless magazines over the years.

His brand new publication, The New York Years 1971 To 1994 from Timeless Edition in Paris  showcases a side of his work that until now has not been widely publicized. In the late 1970s and early 1980s Eric found himself at the very heart of a cultural eruption in NYC. With his camera ever at the ready he documented the work and private pursuits of cultural movers and shakers from the Rolling Stones to The Dead Boys, Blondie, Warhol, Basquiat, and Haring. Madonna, Kenneth Anger, Grace Jones, Robert Mapplethorpe, David Wojnarowicz, and too many regulars from the Max's Kansas City, Studio 54, and East Village Art Scene demimonde to name feature in this stunning collection of mostly never-before seen photos. From its sleazy underbelly to the highest-brow art galleries, Eric Kroll invites you to bygone Manhattan at the height of its decadence and cultural importance. The New York Years is a unique book, a journey, an experience!

Inventory Number: I00220715

(FETTERMAN, PETER). Fetterman, Peter. ACC Art Books, I00220809, 2022. First Edition. 8 x 9 inches, 256 Pages. Hardcover. Photography Survey. New/No Jacket - As Issued. 978-1788841221

Inventory Number: I00220602

(KEENE, STEVE). Efram, Daniel, Hilarie Bratset, Sam Brumbaugh, Elle Chang, Shepard Fairey, Karen Loew, Christina Zafiris, Starling Keene, Jonathan LeVine, Leo Fitzgerald, Talia Logan & Steve Keene. Los Angeles: Hat & Beard Press, I00220723, 2022. First Edition. 11 3/4 x 11 3/4", 472 pages. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 978-1955125147

Book Signing with Steve Keene at Arcana Saturday, July 30th, 4:00 - 6:00 PM

"Steve Keene is the most prolific American painter of all time, producing more than 300,000 hand-painted works via his studio / chainlink fence cage where he paints more than fifty paintings at a time.

Lovingly known for making affordable art, as well as being the indie rock cover art maker to Pavement, The Apples in stereo, and Silver Jews, Keene has long been under appreciated for his importance to the nineties indie art and music scenes. "The Steve Keene Art Book* - originally conceived during his sold out 2016 show at Shepard Fairey’s Subliminal Projects Gallery - is the first art book dedicated exclusively to his work.

The book features essays by musician Hilarie Bratset (The Apples in stereo), writer Sam Brumbaugh, Elle Chang, Efram, Shepard Fairey, journalist Karen Loew, and Christina Zafiris, along with comments from Starling Keene, curators Jonathan LeVine, Leo Fitzgerald and Talia Logan, alongside a dazzling two hundred and seventy-seven reproductions of Keene’s works. Efram takes readers into Keene’s utilitarian chainlink “painting cage” for an all-access pass for a peek into the artist’s fascinating systemic technique.

"The Steve Keene Art Book" was edited by Gail O’Hara, editor-in-chief of the “legendary indie nerd bible” chickfactor, and designed by Grammy-nominated graphic designer Henry Owings.

A brand new, most handsome example of this massive, highly-anticipated survey additionally SIGNED by Steve Keene in ink.

Inventory Number: E000SKAB

(SMALLWOOD, DONAVON). Trespasser, I00220722, 2022. 14 x 12 inches, 56 Pages. Softcover. New/No Jacket - As Issued.

Languor is an ode to NYC’s Central Park. With the pandemic at hand and the history of Seneca Village in mind, Smallwood created photographs of tentative comfort and appreciation as an examination of nature, home, tranquility, and escape. 9780578907598 Inventory Number: I00220722

(WILLIAMS, D’ANGELO LOVELL). MACK, I00220716, 2022. 9 x 11 inches, 104 Pages. Hard Cover. New.

Both an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.

From self-portraits to collaborations with community, Williams’s photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualized as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions. 9781913620622 Inventory Number: I00220716

(PETTIBON, RAYMOND). David Zwirner Books, I00220707, 2022. 12 x 9 inches, 192 Pages. Hardcover. New/No Jacket - As Issued.

“All this must be either surfed or painted”: This is the underlying sentiment behind Raymond Pettibon’s iconic works of surfers and waves in this quintessential volume dedicated to the motif.

Pettibon is known for his characteristically enigmatic aesthetic and sharply satirical critiques of American culture. Though drenched in cynicism, his work empathizes with the dizzying madness of our own humanity as it engages both so-called high and low culture. Perhaps most poetic among the many motifs present in Pettibon’s oeuvre is the surfer. In 1985, Pettibon began his series of surfers and waves––which he continues to work on to this day––popular for depicting a lone surfer silently carving “a line of beauty” along an impossibly large wave.

This book spotlights a selection of more than one hundred surfers from the series, from smaller monochromatic works on paper to colorful large-scale paintings applied directly to the wall. For Pettibon’s protagonist in these works, surfing exists apart from all else. Momentarily he achieves sublimity on the wave, distant yet synced with turbulent reality. We are forced to confront our own scale: small and feeble in the face of the power of nature, what is beyond our control. Pettibon’s lyrical writings on these painted surfaces—both his own and lines taken from literature—reference his own philosophies and the confusions of reality: he critiques and highlights the hypocrisies and vanities of the world he engages. To help navigate, the scholar Brian Lukacher explores art-historical antecedents in Pettibon’s work, particularly the seascapes of J. M. W. Turner, and Jamie Brisick, the writer and former professional surfer, examines the Southern California surf and music culture of Pettibon’s youth. Professional big wave surfers Emi Erickson and Stephanie Gilmore also describe the sensory experience of conquering the enormous waves depicted in Pettibon’s works. 9781644230350 Inventory Number: I00220707

(LUGANSKAIA, LILIA) Foreward by Joanna Cresswell. Self-Published, I00220628, 2022. 13 x 10 inches, 40 Pages. Hard Cover. New/No Jacket - As Issued.

History teaches us that a language of flowers can communicate endless things about the culture in which it emerged, and herein lies Lilia Luganskaia's interest. Taking inspiration from the world of 19th Century sentimental flower books, Hortus presents itself as a set of notes towards a modern handbook for contemporary floriography, considering what the discipline might look like today. By collecting common flora across one year in the urban gardens around her home in Amsterdam and cross-referencing their meanings with publications from the past, Luganskaia reflects on their natures, their roles, and the symbolic familiarity they might hold for the communities living with them. A female artist and reader of the twenty-first century, she seeks out the essence of modern life through her lens, and through flowers, just like the women who came before her.” The Hortus project is an open investigation into the nature of seemingly common objects through 'Floriography', urban gardens, and the history of female rights. Hortus was inspired by urban gardens in West Amsterdam and created with its plants by Lilia Luganskaia. Inventory Number: I00220628

(DR. WOO). Dr. Woo, Zoe Kravitz and Paul Mittleman. Los Angeles: Citizens of Humanity, I00220617, 2022. First Edition. 8 x 11”, 520 Pages. Paperback. Tattoo Monograph. New/No Jacket - As Issued. 520pp, profusely illustrated in color and monochrome. “Everything is Permanent" is a beautifully designed and elaborately printed visual survey of the evolution of Los Angeles-based tattoo artist Dr. Woo’s intricate single-needle designs and most beloved pieces. Published in a limited run by Citizens of Humanity and featuring special introductions by Zoe Kravitz and Paul Mittleman, its spectacular art direction is by Brian Roettinger of Perron-Roettinger. “The book means a lot to me - it’s a collection of a lot of different drawings and tattoos that represent my creative path to where I am now,” said Dr. Woo. “It’s just a small glimpse into the last decade or so, but hopefully we can build in different volumes and add more stories and more ideas to inspire others who look through them.” A brand new, most handsome example of this uncommon, engaging item that sold out virtually immediately upon publication additionally BOLDLY SIGNED "Dr Woo" in white ink on the front free flyleaf.

Inventory Number: I00220617S

(WINSHIP, VANESSA) Story by Jem Poster. Deadbeat Club, I00220603, 2022. 10 x 8 inches, 104 Pages. Softcover. New/No Jacket - As Issued.

In Snow, Vanessa Winship’s latest monograph, we see that what’s not entirely comprehended is far more compelling than what is well understood. Perhaps that’s a truism, but it’s one that is rejuvenated and refreshed by each new and peculiar telling. This book is just such a revelation.

The origins of Snow lie in a commission (this from an artist who very rarely works on assignment, although Winship says she often approaches things “as if I have somehow been sent by someone”), but the photographer’s interest in what she found soon eclipsed anything that could properly be thought of as a “story.” So, she made repeated trips to a particular landscape – and, notably, a particular season – in order to fathom what it was that had disconcerted her in the initial making of these photographs.

Winship is well known and highly regarded for her intimate portraits, but in Snow we experience a noticeable physical distance between the photographer and her subjects. What little the viewer can possibly grasp onto is the subtle repetition of the humblest elements of the earth. Collectively, the pictures come to embody the artist’s struggle to connect and to make sense of this place while ultimately acknowledging that she, like us all, is nothing but a stranger in this world.

This estrangement is echoed in a piece of fiction – by the poet and novelist Jem Poster – that’s woven through Snow. It tells of a female portrait photographer and her recalcitrant subject. But this character is not Winship, and the sitter is not someone in a Winship photograph. Poster’s is a fiction based on an imagistic construct – another beguiling layer in a complicated book that seeks always to expose the slipperiness of narrative and to destabilize easy readings. 9781952523038 Inventory Number: I00220603

(MCGEE, BARRY). McGee, Barry. Paris: Perrotin, I00220517, 2022. First Edition. 6 x 4 inches, 144 Pages. Paperback. Artist Monograph. New./No Jacket - As Issued.

This zine by Barry McGee gathers a number of his own photographs, collages, and drawings to create a unique visual language composed of geometrical patterns and recurring symbols. It was published on the occasion of his exhibition towards the end of 2021 at the Perrotin Gallery in Paris. Born and educated in San Francisco, McGee produces works that are candid and insightful observations of modern society, but always with an emphasis on contributing to marginalised communities. He is associated with the Mission School, which emerged in the early 1990s and is primarily influenced by urban realism, graffiti, and American folk art, with a focus on social activism. A brand new, pristine example of the unavailable first printing with red covers still in the publisher’s shrinkwrap. 979-1091539272 Inventory Number: I00220517

(MARKLEE, JOHNSTON). A+U, I00220514, 2022. 9 x 12 inches, 200 Pages. Magazine. New/No Jacket - As Issued.

This issue of a+u features the work of Johnston Marklee and Associates. Founded in 1998 and rooted in the cultural landscape of Los Angeles, their office has continuously sought dialogue with modern and contemporary art not only through clientele and project programs but also in design approach. A series of iconic houses quickly established the firm’s international acclaim, but in the past decade their projects have expanded greatly in scale and diversified in building type. The intense investigative nature that characterizes every project is often veiled behind playfulness and simplicity. What began as an “Architecture of Approximation” in the first decade of their practice eventuated in a body of work consisting of “Extremes and In-betweens,” as described in 2 essays written by Sharon Johnston and Mark Lee. Twenty-six key projects, ranging from houses and exhibitions to museums and institutions, are presented here alongside 8 thematic collages to convey the full range of Johnston Marklee’s works. Interspersed is a series of 12 commentaries by collaborators and colleagues, bringing the work of Johnston Marklee “to life with their interpretations.” (a+u) IDEA 21587 Inventory Number: I00220514

(MCFADDEN, JOSHUA RASHAAD) Contributions by LaCharles Ward and Lyle Ashton Harris. George Eastman Museum and Yale University Press, I00220511, 2022. 10 x 12 inches, 304 Pages. Hardcover. New/No Jacket - As Issued.

American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I’ll Run On demonstrates his mastery of a wide range of photographic genres—social documentary, reportage, portraiture, and fine art—and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020.

Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden’s meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden’s key role in shaping the art and visual culture of the United States. 9780300264265 Inventory Number: I00220511

(WRIGHT, RUSSEL AND MARY). Golub, Jennifer. New York: Princeton Architectural Press, I00220427, 2021. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Design Monograph. As New/As New. 1-64896-019-7

208pp, profusely illustrated in color and b&w. Designed by Simon Johnston. "In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This lavish volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga."

A brand new, most handsome example of this charming new work additionally SIGNED by author Jennifer Golub.

Inventory Number: E00JGRMW

(SHIELDS, SCOTT A.) With Biographies by Mariah Carmen Briel. Hirmer, I00220416, 2022. 10 x 10 inches, 136 Pages. Hard Cover. New/No Jacket - As Issued.

This beautifully quirky volume pays tribute to the legendary candy-store-turned-art gallery of California and its amazing roster of artists.

Adeliza McHugh helped put the whimsical, funky, and irreverent aesthetic of California’s Central Valley on the art-historical map at her legendary Candy Store Gallery, which she opened in Folsom, California, in 1962. The business began as a candy store, but after the store closed, McHugh converted the space into an art gallery. There, she featured ceramists and painters who would become nationally and even internationally significant, including Robert Arneson, Roy De Forest, David Gilhooly, Irving Marcus, Gladys Nilsson, Jim Nutt, Jack Ogden, Don Reich, Sandra Shannonhouse, Peter VandenBerge, and Maija Peeples-Bright. Their work, along with that of many other artists, delighted visitors to the gallery for thirty years.

This catalog, published on the sixtieth anniversary of the gallery’s founding, is the most significant publication to date on the Candy Store. It celebrates, as McHugh liked to say, art with a “kick.” 9783777438399 Inventory Number: I00220416

(WILLETT, AMANI). Overlapse, I00220408, 2022. 5 x 7 inches, 120 Pages. Hard Cover. New/No Jacket - As Issued.

A romantic concept of ‘The Road’ has been embraced in American popular culture since the mid-20th century. Writers, artists and photographers, many inspired by revelations surrounding the Beat Generation’s legendary road trips, have long portrayed the idea of the road as a metaphorical symbol of freedom, independence and self-discovery.

Strikingly absent from this cumulative portrait is the Black American experience of the road which is often associated with fear, violence and death rather than freedom. This stark contrast is in conflict with the promise of familial fun times that the road trip afforded to white Americans.

In 1936, in response to the grave dangers faced by African American travelers, New York postman Victor Green created the Negro Motorist Green Book, a practical and necessary survival guide listing safe places where Black people could eat, sleep and find services along their journey without a dreadful fear for losing their lives. The guidebook was published annually for thirty years.

Mixing recent portraits and landscapes, digital screenshots and archival material—including pictures from Willett’s own family archive—A Parallel Road pays homage to Victor Green’s book, 84 years after it was first published, and sheds light on an experience of the road that has long been overlooked. It is produced in the same size as the original Green Book.

This nuanced and multi-layered work explores themes of history, racism, violence and Black identity in the United States, reflecting on the nation’s past and present while encouraging inclusivity and dialogue surrounding a complex and integral American story. While 54 years have passed since Green’s book ceased publication, it remains profoundly relevant in a time when the mere act of being on the road still threatens to be lethal for Black Americans. 9781999446871 Inventory Number: I00220408

(FOGLIA, LUCAS). Stanley/Barker, I00220330, 2022. 10 x 10 inches, 144 Pages. Hardcover. New.

“This is how I remember New York City in 2002. I was 19 years old and had just moved to Manhattan from my family’s small farm on Long Island. It was the first summer after the September 11 attacks. Workers were removing the last of the debris from the collapsed Twin Towers. The city felt both immense and fragile compared to the groundedness of my childhood home.”

“On weekdays, I worked in Arnold Newman’s photography studio. After hours and on weekends, I walked through the city’s five boroughs with my camera. When someone made eye contact with me, I asked if I could make a portrait of them. At first, I assumed people would respond with caution. I was a stranger. The city was recovering from an event that shook its sense of security. Yet, most people said yes and looked straight into my camera lens. I am grateful they chose to trust me.” - Lucas Foglia

Published on the 20th anniversary of the September 11 attacks, Lucas Foglia’s portraits show the tremendous diversity of New York City. Everyone is portrayed with dignity, regardless of age, gender, sexual orientation, or ethnicity. Today, as the world begins to heal from the coronavirus pandemic, the photographs remind us to approach strangers with compassion, across social distances. 9781913288266 Inventory Number: I00220330, 2022

(WILEY, KEHINDE). National Gallery London, I00220329, 2022. 9 x 11 inches, 112 Pages. Hardcover. New/No Jacket - As Issued.

Presenting new work by American artist Kehinde Wiley, as he explores the European landscape tradition through film and painting

The American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits of African Americans with knowing references to the grand European tradition of painting. He was commissioned in 2017 to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to old master paintings by positioning contemporary Black sitters in the pose of the original historical figures, raising issues of power and identity, and the absence or relegation of Black and minority-ethnic figures within European art.

For his first collaboration with a major UK gallery, Wiley will depart from portraiture to explore the European landscape tradition through the medium of film and painting, casting Black Londoners from the streets of Soho. His new works will explore European Romanticism and its focus on epic scenes of oceans and mountains, drawing inspiration from the National Gallery’s masterpieces in landscape and seascape. 9781857096774 Inventory Number: I00220329

(GRACE, ARTHUR) Grace, Arthur & Richard Hornik. Bologna, ITALY: Damiani Editore, I00220324, 2022. First Edition. 9 x 11", 192 pages. Hard Cover. Photography Monograph. New/No Jacket - As Issued. 978-8862087674

For most people in the West, the realities of life behind the Iron Curtain have faded into caricatures of police state repression and bread lines. With the world seemingly again divided between democracies and authoritarian regimes, it is essential that we understand the reality of life in the Soviet Bloc. noted American photojournalist Arthur Grace was uniquely placed to provide that context.

During the 1970s and 1980s Grace traveled extensively behind the Iron Curtain, working primarily for news magazines. One of only a small corps of Western photographers with ongoing access, he was able to delve into the most ordinary corners of people’s daily lives, while also covering significant events. Many of the photographs in this remarkable book are effectively psychological portraits that leave the viewer with a sense of the gamut of emotions in that era.

Illustrated with over one hundred and twenty black-and-white images - nearly all previously unpublished, Communism(s) gives an unprecedented glimpse behind the veil of a not-so-distant time filled with harsh realities unseen by nearly all but those that lived through it. Shot in the USSR, Poland, Romania, Yugoslavia and the German Democratic Republic, here are portraits of factory workers, farmers, churchgoers, vacationers and loitering teens juxtaposed with the GDR’s imposing Social Realist-designed apartment blocks, annual May Day Parades, Poland’s Solidarity movement (and the subsequent imposition of martial law) and the vastness of Moscow’s Red Square.

Beautifully printed in Italy by publisher Damiani Editore, Communism(s) was co-edited by Arthur Grace, Arcana's own Lee Kaplan, and Deadbeat Club Press' Clint Woodside, who also contributed the book's striking design. A brand new, most handsome example additionally BOLDLY SIGNED "Arthur Grace" in ink on the title page.

Inventory Number: I00220324

(YOKOO, TADANORI). Kokushokankokai, I00220315, 2022. 10 x 12 inches, 460 Pages. Hardcover. New.

Tadanori Yokoo held his first solo exhibition of paintings in 1966 in Tokyo. His revolutionary work, which oscillates between conceptual art and pure design, rapidly gained attention in the international art world. With a signature style of colorful psychedelia and pastiche, he engages a wide spectrum of modern visual and cultural phenomena from Japan and elsewhere. The subject matter often clashes with what seems a nonsensical collage of images. ‘Genkyo’ is an exuberant, far-reaching anthology of Yokoo’s work throughout the years, with a special focus on how the artist constantly revisits and remakes the same images and themes in a mind-blowing variety of styles and artworks. 9784336071019 Inventory Number: I00220315

(NICKERSON, JACKIE). Kerber, I00220107, 2022. 10 x 12 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

Portraits that explore how environmental and economic circumstances shape people’s lives


American-born British artist Jackie Nickerson (born 1960) began photographing Zimbabwean farmworkers in 1996. Her first series of these portraits served to change the perception that those who work in African agriculture are disempowered, unmodern people by highlighting their individual personalities through their handmade clothing. Ever since, she has continued in the vein of portraiture as a tool for social awareness, with a particular emphasis on global labor practices and agriculture. Her recent series Salvage interrogates the homogeneity of the artistic conventions, such as balance, likeness, proportion and scale, that characterize the portrait genre. In contrast to these expectations, Nickerson’s photography engages both her subjects and her viewers with light, airy color palettes and nontraditional framing, sometimes obscuring her sitters’ faces to imply anonymity within a larger system or otherwise photographing them from a low angle to emphasize their authority within the image’s frame. 9783735607553 Inventory Number: I00220107

(MERICLE, DANIELLE). The Ice Plant, I00211222. 8 x 12 inches, 88 Pages. Softcover. New.

The Dark Wood explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth.


The once highly valued casts – which appear in the book as original and archival photographs – were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the ‘originals’ were in fact Roman copies of Greek artifacts. During the two World Wars, many of these ‘originals’ were damaged or destroyed, and the casts are now considered some of the most authoritative versions available. A Sequoia forest in Northern California offers two important counterpoints. Ancient Sequoia tree rings chart the rise and fall of civilizations over the last 3000 years, including those that created the Greco-Roman artifacts. The tree rings position human history within a broader geological timeframe, lending an adjusted perspective to the human enterprise. The rings also reveal the complex history and shifting perspectives on the significance of fire in the region, with the dissonant histories of expansive logging practices, the conservation movement, Indigenous knowledge, and climate change playing out against the troubled fate of the ancient Sequoias.

Though we attempt to understand and preserve our past, the endeavor is subject to inevitable shifts in knowledge, the whims of ideology, and the vagaries of historical truth. With an epilogue that grounds the complex sequence of images in personal elegy, The Dark Wood re-calibrates our sense of scale by allowing us to locate a sense of mourning, loss and the specifics of our own narratives within the broad and unfixed framework of history. 9781922545022 Inventory Number: I00211222

(LEIBOVITZ, ANNIE) with a foreword by Anna Wintour. Phaidon, I00211110, 2021. 11 x 10 inches, 440 Pages. Hardbound. New/No Jacket - As Issued. 9781838661526

Inventory Number: I00211110

(ANDERSON, LENNART) texts by Martica Sawin, Jennifer Samet, Susan Jane Walp, Paul Resika, Graham Nickson, and Rachel Rickert. Estate of Lennart Anderson, I00211104, 2021. 10 x 10 inches, 84 Pages. Hardbound. New.

This is the most comprehensive publication to date on the painter Lennart Anderson (1928-2015). Anderson was described by the New York Times as one of the “most prominent and admired painters to translate figurative art into a modern idiom.” John Yau calls Anderson a “masterful colorist whose sensitivity to tonality and to tonal groupings is unrivaled,” and Hilton Kramer succinctly wrote that Anderson was a “Degas of our time.” This illustrated and scholarly publication pairs more than fifty full color reproductions of work, some never seen before, with essays by leading contemporary painters and art historians. 9780578252919 Inventory Number: I00211104

(KAHLO, FRIDA) Texts by Luis-Martín Lozano, Andrea Kettenmann, Marina Vázquez Ramos. Taschen, I00210921, 2021. 16 x 11 inches, 624 Pages. Hardbound. New/No Jacket - As Issued.

The complete paintings of Frida Kahlo in an XXL edition

Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an iconic image of 20th century art.

After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp.

We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe.

This large-format XXL book allows readers to admire Frida Kahlo's paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo's work and life to date. 9783836574204 Inventory Number: I00210921

(VANDERLANS, RUDY). Gingko Press, I00210821, 2021. 5 x 7 inches, 256 Pages. Hardbound. New/No Jacket - As Issued.

Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century.

VanderLans, who is often drawn to places with fantastical names — like Oleander Sunset —wanders about California’s back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked.

Oleander Sunset juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author’s habitual stamping ground. 9781584237594 Inventory Number: I00210821

(HAMMONS, DAVID) revised introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210804. Second Edition. 6 x 9 in., 144 pages. Paperback. New/No Jacket - As Issued.

The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.

More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art.

This edition features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented David Hammons at work in his Los Angeles studio in 1974. The publication is expanded from its first edition to include reproductions of a selection of rarely-seen body prints that Hammons added from his personal collection to the exhibition during its final weeks. The publication also features a revised introduction by Laura Hoptman to mark the unique expansion of the exhibition.

A brand new example of this now out of print document. 9780942324419 Inventory Number: I00210804

(KONOWIECKI, KOVI). Konowiecki, Kovi. Los Angeles: Deadbeat Club Press, I00210727, 2021. First Edition. 11 x 9", 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. New/New. 144pp, profusely illustrated in color and b&w. Designed by Kovi Konowiecki and Morgan Crowcroft-Brown. "As the title of Kovi Konowiecki’s debut monograph – and in its place, another – reminds us, we are always and forever subject to the twin certitudes of transience and change. As is the artist, who has moved back and forth between California, Mexico, Europe, and the Middle East, all of which places are part of the fabric of this sprawling, unscripted book. Here we are confronted with the geographical and emotional margins of society and the mind: the external and internal boundaries that inhibit both human movement and human potential. The photographs portray individuals and communities that exist in a liminal space between belonging and abandonment, many of which exert feelings of desolation.But what might seem on the surface political is made intensely personal through Konowiecki’s purposeful reliance on emotional connections in the pictures rather than specific relationships of place or subject. As he says, this work comes as a “happy accident, inspired by the frequent travels that nourished a sharp eye for the liminal types of communities to which I am drawn: people I have met in my wanderings, passersby in the street, a horse trained in a small Arab village, and untended gardens.” The “unscripted” nature of the work has an impact on the form of the book, in particular in the variety of genres and colors, from landscape photography to portraiture and from black and white to color. The various forms of expression serve as ways to materialize the ideas at the core of the project and to break down barriers or restrictions within the photographic medium." A brand new, most handsome example of this now out of print gem additionall SIGNED "Kovi Konowiecki" in black ink on the colophon page at rear. 978-0999829882 Inventory Number: I00210723

(HARRIS, MARK EDWARD). Shashin Press, I00210630, 2021. 11 x 13 in., 84 pages. Hardbound. New/No Jacket - As Issued.

In The People of the Forest, award-winning photographer Mark Edward Harris focuses on orangutans, because, while the future for many species is uncertain, orangutans in the wild are hanging on by a particularly thin vine. Their populations have declined significantly due to habitat destruction in their native Sumatra and Borneo where forests give way to palm oil plantations. Long before genetic testing revealed an almost 97 percent DNA overlap between orangutans and humans, the similarities between the two species was noticed. “Orangutan” comes from the Malay word orang (people) and hutan (forest), hence the title for this book. 9780972784184 Inventory Number: I00210630

(NICHOLS, LAURA WEBB) . Fw:Books, I00210615, 2021. 9 x 11 in., 108 pages. Hardbound. New/No Jacket - As Issued.

‘Encampment, Wyoming: Selections from the Lora Webb Nichols Archive 1899- 1948’ features Nichols’ own work and the images by amateur photographers she collected in the early 20th century as the proprietor of a photofinishing business in southern Wyoming. Culled from over 24,000 photographs, the book provides a dynamic visual window into the social, domestic, and economic aspects of the American Western frontier and captures an elusive sense of place through the images of this community of friends, families, and strangers.

A brand new, most handsome example of the second printing of this sadly now unavailable gem. 9789490119898 Inventory Number: I00210615

(KOZAK, HANNAH). FotoEvidence, I00210602, 2021. 8 x 11 in., 128 pages. Hardbound. New/No Jacket - As Issued.

When I was nine, my mother abandoned my family to have an affair. Her lover was violent: he beat her so badly she suffered permanent brain damage and had to be moved into an assisted living facility at age forty one.

I have early, fond memories of my mother as a beautiful, passionate, vivacious Guatemalan -esque Sophia Loren. But after she left, I had tremendous feelings of abandonment and rage towards her. I judged her as impetuous, selfish, reckless and negligent. I resented what she did to herself and her family. I carried so much anger, yet whenever I saw her, I was overcome with pity and sadness. Looking at her hand gnarled from brain damage brought forth more emotion than I could bear. For these reasons, I virtually ignored my mother to distance myself from my own pain.

But pain ignored does not disappear. I came to realize our relationship needed healing. Thankfully, through graduate work in Spiritual Psychology and with a healer, I was able to dissolve the judgments I carried about my mother and myself and forge a relationship with her. I began to photograph her in December 2009 until 2019, for this project.

These photos are meant to take me out of my comfort zone while telling my mother's story of isolation, loneliness, abuse, connection, compassion, forgiveness, family, humanity, grace, joy, and love. I didn’t need to travel the world to deepen my spirituality. My greatest teacher was in front of me my entire life. I just couldn’t see it was my mother, a true Bodhisattva. She forgave me for not visiting her all those decades without uttering a word. I forgave her for leaving our family. Forgiveness happens when you care more about the love in a relationship than the logic of your ego. I no longer pity my mother. She continually inspires me to live by my heart, not my head. The love I feel for her has broken my heart wide open. 9781732471153 Inventory Number: I00210602