Arcana:

(VANDERLANS, RUDY). Gingko Press, I00210821, 2021. 5 x 7 inches, 256 Pages. Hardbound. New/No Jacket - As Issued.

Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century.

VanderLans, who is often drawn to places with fantastical names — like Oleander Sunset —wanders about California’s back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked.

Oleander Sunset juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author’s habitual stamping ground. 9781584237594 Inventory Number: I00210821

(WAREHAM, DEAN) (TEMPLETON, ED). Wareham, Dean & Ed Templeton. Paso Robles, CA: Nazraeli Press / Anatol, I00231203, 2023. First Deluxe Edition 1/100 Copies. 4to. Illustrated Cloth over Boards in Illustrated Slipcase. Artist Monograph. As New/No Jacket - As Issued. 94pp, profusely illustrated in color and b&w + illustrated covers. 978-1-59005-592-2-DLX

Hearing Voices is a collection of lyrics by songwriting great Dean Wareham. Born in Wellington, New Zealand, Wareham moved to New York City as a teenager, in August 1977. It was here, in high school, that he met future bandmates Damon Krukowski and Naomi Yang. All three went on to attend Harvard University, and in 1987 founded Galaxie 500, for which Wareham was the singer, guitarist and principal songwriter. Galaxie 500 released three albums For Rough Trade between 1987 and 1991 that have only grown in stature and influence. Wareham’s next band Luna recorded seven albums for Elektra and Beggar’s Banquet, followed by four albums as Dean & Britta (with wife Britta Phillips), and three simply as Dean Wareham, including his most recent album I Have Nothing to Say to the Mayor of L.A. Also a writer, Wareham’s memoir, Black Postcards, was published by Penguin, and he has contributed to Salon, Pitchfork, the Talkhouse and Counterpunch. Hearing Voices is the first published collection of his lyrics, and is the result of a unique collaboration with the artist Ed Templeton, who created the illustrations for the book. Ed Templeton’s drawings, paintings and photographs have been widely exhibited and published in the United States, Europe and Asia. Hearing Voices is his fifth title with Nazraeli Press. A brand new example of the deluxe first edition limited to one hundred numbered copies SIGNED by Dean Wareham and Ed Templeton housed in a decorative cloth slipcase.

Inventory Number: E000DWET-HV-DLX

(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1000. 4to. 1/4 Linen Over Wrappers. Photography Monograph. As new./No Jacket - As Issued.

176pp, profusely illustrated in color and duotone. Art Director - Nathaniel Kilcer.

"Nothing endures but change — heraclitus

Our human capacity for transformation, and the freedom that implies, is very much at the heart of this latest edition of Bruce Weber’s “All-American” journal. Time will tell what any of us become—and the subjects of this year’s volume reveal the myriad ways that mutability can be a power and a revelation. Bruce’s long-time friend Kurt Markus shares photographs of his children, who now, as adults, reflect on the experience of being his subject. Patrice Calmettes, the beloved Parisian character, opens his personal archive—sharing images of ‘70s and ‘80s decadence with his evolution as a photographer. Noted film and stage biographer James Grissom offers a personal essay about the desires and perils of growing up in Baton Rouge. The paintings of the American artist John Koch suggest a
world of mystery and secrecy among the virtuoso compositions of his domestic scenes. And in this 21st edition, Bruce Weber celebrates a group of powerful women whose dedication to changing the world is a continual inspiration. Cheryl Little, Esq. and the Honorable Rosemary Barkett articulate the contradictions and paradoxes of our national debate over immigration. Gianna Cerbone’s devotion to Long Island City affirms the old-school values of community connection. And the model-turned-animal rights advocate Jane Gill narrates her story, and in so doing, demonstrates how one’s ability to adapt is at times a salvation." A brand new, most handsome example still in the publisher's shrinkwrap. 9780578314181 Inventory Number: I00211217

(WILEY, KEHINDE). National Gallery London, I00220329, 2022. 9 x 11 inches, 112 Pages. Hardcover. New/No Jacket - As Issued.

Presenting new work by American artist Kehinde Wiley, as he explores the European landscape tradition through film and painting

The American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits of African Americans with knowing references to the grand European tradition of painting. He was commissioned in 2017 to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to old master paintings by positioning contemporary Black sitters in the pose of the original historical figures, raising issues of power and identity, and the absence or relegation of Black and minority-ethnic figures within European art.

For his first collaboration with a major UK gallery, Wiley will depart from portraiture to explore the European landscape tradition through the medium of film and painting, casting Black Londoners from the streets of Soho. His new works will explore European Romanticism and its focus on epic scenes of oceans and mountains, drawing inspiration from the National Gallery’s masterpieces in landscape and seascape. 9781857096774 Inventory Number: I00220329

(WILLETT, AMANI). Overlapse, I00220408, 2022. 5 x 7 inches, 120 Pages. Hard Cover. New/No Jacket - As Issued.

A romantic concept of ‘The Road’ has been embraced in American popular culture since the mid-20th century. Writers, artists and photographers, many inspired by revelations surrounding the Beat Generation’s legendary road trips, have long portrayed the idea of the road as a metaphorical symbol of freedom, independence and self-discovery.

Strikingly absent from this cumulative portrait is the Black American experience of the road which is often associated with fear, violence and death rather than freedom. This stark contrast is in conflict with the promise of familial fun times that the road trip afforded to white Americans.

In 1936, in response to the grave dangers faced by African American travelers, New York postman Victor Green created the Negro Motorist Green Book, a practical and necessary survival guide listing safe places where Black people could eat, sleep and find services along their journey without a dreadful fear for losing their lives. The guidebook was published annually for thirty years.

Mixing recent portraits and landscapes, digital screenshots and archival material—including pictures from Willett’s own family archive—A Parallel Road pays homage to Victor Green’s book, 84 years after it was first published, and sheds light on an experience of the road that has long been overlooked. It is produced in the same size as the original Green Book.

This nuanced and multi-layered work explores themes of history, racism, violence and Black identity in the United States, reflecting on the nation’s past and present while encouraging inclusivity and dialogue surrounding a complex and integral American story. While 54 years have passed since Green’s book ceased publication, it remains profoundly relevant in a time when the mere act of being on the road still threatens to be lethal for Black Americans. 9781999446871 Inventory Number: I00220408

(WILLIAMS, D’ANGELO LOVELL). MACK, I00220716, 2022. 9 x 11 inches, 104 Pages. Hard Cover. New.

Both an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.

From self-portraits to collaborations with community, Williams’s photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualized as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions. 9781913620622 Inventory Number: I00220716

(WILLIAMS, KANDIS) Introduction by Ebony L. Haynes. Text by Hannah Black. Conversation between Kandis Williams and Okwui Okpokwasili. David Zwirner Books, I00220922, 2022. 9 x 7 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

The inaugural volume in a new series of books, Kandis Williams documents the Los Angeles–based artist’s exhibition A Line. Interrogating issues of race, nationalism, authority, and eroticism, her topical work is made across collage, sculpture, and video.

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.

Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the artist Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. 9781644230688 Inventory Number: I00220924

(WINOGRAND, GARRY). Almereyda, Michael & Susan Kismaric, Editors. Los Angeles: Twin Palms Publishers, I00240117. 2023. First Edition. 12 x 12", Large Oblong 4to. Cloth in Pictorial Jacket. Photography Monograph. New/New. 176pp, 150 color illustrations.

"Garry Winogrand is known primarily for his spontaneous and energetic street photography in black-and-white. What is lesser known is that Winogrand also shot more than 45,000 color slides between the early 1950s and late 1960s. These photographs were often taken between assignments, when the photographer, working on his own, developed and refined an approach to his medium that was increasingly open, independent, and radical. He routinely photographed with two cameras strapped around his neck, one loaded with color film, the other with black and white.

"Winogrand Color" presents one hundred and fifty photographs selected from the archives at the Center for Creative Photography by the American film director, Michael Almereyda and former Museum of Modern Art curator, Susan Kismaric. It is the first monograph dedicated to the artist's rarely seen color work. A brand new, most handsome example. 978-1-936611-18-8 Inventory Number: E000GWC

(WINSHIP, VANESSA) Story by Jem Poster. Deadbeat Club, I00220603, 2022. 10 x 8 inches, 104 Pages. Softcover. New/No Jacket - As Issued.

In Snow, Vanessa Winship’s latest monograph, we see that what’s not entirely comprehended is far more compelling than what is well understood. Perhaps that’s a truism, but it’s one that is rejuvenated and refreshed by each new and peculiar telling. This book is just such a revelation.

The origins of Snow lie in a commission (this from an artist who very rarely works on assignment, although Winship says she often approaches things “as if I have somehow been sent by someone”), but the photographer’s interest in what she found soon eclipsed anything that could properly be thought of as a “story.” So, she made repeated trips to a particular landscape – and, notably, a particular season – in order to fathom what it was that had disconcerted her in the initial making of these photographs.

Winship is well known and highly regarded for her intimate portraits, but in Snow we experience a noticeable physical distance between the photographer and her subjects. What little the viewer can possibly grasp onto is the subtle repetition of the humblest elements of the earth. Collectively, the pictures come to embody the artist’s struggle to connect and to make sense of this place while ultimately acknowledging that she, like us all, is nothing but a stranger in this world.

This estrangement is echoed in a piece of fiction – by the poet and novelist Jem Poster – that’s woven through Snow. It tells of a female portrait photographer and her recalcitrant subject. But this character is not Winship, and the sitter is not someone in a Winship photograph. Poster’s is a fiction based on an imagistic construct – another beguiling layer in a complicated book that seeks always to expose the slipperiness of narrative and to destabilize easy readings. 9781952523038 Inventory Number: I00220603

(WRIGHT, RUSSEL AND MARY). Golub, Jennifer. New York: Princeton Architectural Press, I00220427, 2021. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Design Monograph. As New/As New. 1-64896-019-7

208pp, profusely illustrated in color and b&w. Designed by Simon Johnston. "In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This lavish volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga."

A brand new, most handsome example of this charming new work additionally SIGNED by author Jennifer Golub.

Inventory Number: E00JGRMW

(YEMCHUK, YELENA). Yemchuk, Yelena & Ioana Pelehatai. Zurich, SWITZERLAND: Edition Patrick Frey, I00240213. 2024. First Edition. 10 x 7 1/2", 4to. Pictorial Self-Wrappers. Photography Monograph. New.. np (176pp), 121 color illustrations. Text in English, Ukranian, and Romanian. 978-3-907236-67-3

(176pp), 121 color illustrations. Text in English, Ukrainian, and Russian. "Ukrainian-born, Brooklyn-based photographer and painter Yelena Yemchuk is most commonly known for her fashion and portrait photographs, which have appeared in Italian and Japanese Vogue, V, the New Yorker and The New York Times. Yemchuk makes images that teeter on the threshold between her Eastern European heritage and her daily life in New York; between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-Soviet realms. As with all of her work, "Malanka" is a personal, feminine, surrealist and magical project. The eponymous tradition is a pre-Christian folklore ritual driving out winter and welcoming spring, an ancient custom reminiscent of Persephone’s return in Greek mythology. It is celebrated on January 14th, the old New Year in the Julian calendar, by ethnic Romanians in western Ukraine. In 2019 and 2020, Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) to document the night-long festival. Accompanying Yemchuk's striking photographic documentation is a poetic essay by Romanian cultural journalist Ioana Pelehatai. A brand new example additionally SIGNED by Yelena Yemchuk on the title page.

Inventory Number: E000YYM

(YOKOO, TADANORI). Kokushokankokai, I00220315, 2022. 10 x 12 inches, 460 Pages. Hardcover. New.

Tadanori Yokoo held his first solo exhibition of paintings in 1966 in Tokyo. His revolutionary work, which oscillates between conceptual art and pure design, rapidly gained attention in the international art world. With a signature style of colorful psychedelia and pastiche, he engages a wide spectrum of modern visual and cultural phenomena from Japan and elsewhere. The subject matter often clashes with what seems a nonsensical collage of images. ‘Genkyo’ is an exuberant, far-reaching anthology of Yokoo’s work throughout the years, with a special focus on how the artist constantly revisits and remakes the same images and themes in a mind-blowing variety of styles and artworks. 9784336071019 Inventory Number: I00220315

. I00250702. Our first bit of ARCANA merch! A big, strong bag with a zippered top & 6 1/2 inch square zippered inside pocket. 20″ x 15″ with a 5″ squared-off gusset and 10 1/2″ handles. Made from 12 oz. canvas and reinforced at stress points to carry even your biggest, baddest books. In “natural” with hot pink print (not pictured here). Printed with love in Venice, CA by Tony Mac.
More colorways available seasonally - call or write to find out what's in stock now. Inventory Number: BAGWP

. I00250702. Our first bit of ARCANA merch! A big, strong bag with a zippered top & 6 1/2 inch square zippered inside pocket. 20″ x 15″ with a 5″ squared-off gusset and 10 1/2″ handles. Made from 12 oz. canvas and reinforced at stress points to carry even your biggest, baddest books. In “natural” with black print. Printed with love in Venice, CA by Tony Mac.
More colorways available seasonally - call or write to find out what's in stock now.


Inventory Number: BAGWB

. I00250702. Our first bit of ARCANA merch! A big, strong bag with a zippered top & 6 1/2 inch square zippered inside pocket. 20″ x 15″ with a 5″ squared-off gusset and 10 1/2″ handles. Made from 12 oz. canvas and reinforced at stress points to carry even your biggest, baddest books. In black canvas with white print
Printed with love in Venice, CA by Tony Mac.
More colorways available seasonally - call or write to find out what's in stock now.

Inventory Number: BAGBW

. I00250702. Our first bit of ARCANA merch! A big, strong bag with a zippered top & 6 1/2 inch square zippered inside pocket. 20″ x 15″ with a 5″ squared-off gusset and 10 1/2″ handles. Made from 12 oz. canvas and reinforced at stress points to carry even your biggest, baddest books. In black with hot pink print. Printed with love in Venice, CA by Tony Mac.
More colorways available seasonally - call or write to find out what's in stock now.

Inventory Number: BAGBP

By Ilisa Barbash, Molly Rogers, and Deborah Willis. Foreword by Henry Louis Gates, Jr.. Contributions by Carrie Mae Weems. Aperture and Peabody Museum Press, I00201006, 2020. 9 x 7 in., 488 pages. Hardbound. New/No Jacket - As Issued.

To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.

Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects.

With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. 9781597114783 Inventory Number: I00201006

FURTH, OLIVER. . Rizzoli, I00240901. 2024. 280 pages. Hardcover. Design Monograph. New. 9780847873609

AD100 and Elle Décor A-List Interior Designer Oliver Furth masterfully combines bi-partisan enthusiasm for classical and contemporary influences with California cool, to create sophisticated, livable spaces with relaxed rigor, infused with color and joy.

Known for his timeless approach to design, as well as his irreverent ability to blend different styles and eras seamlessly, Furth combines his expertise in historic decorative arts and contemporary collectible design to create encyclopedic interiors where aristo-irreverence meets West Coast optimism.

A fourth-generation Los Angeles native, Furth’s homes conjure something magical, with optimism for the power of design as a guide to life well-lived. His signature style—a mix of freewheeling creativity, scholarly historicism and unabashed joie de vivre—has been applied to an array of homes over the past fifteen years, resulting in interiors full of personality and calibrated elegance that are prized by celebrities, creatives, and collectors.

Furth grounds his interiors with a sense of place and people over trends, considering his collaborators’ individuality and the materials, objects, textures that tell their story. His sophisticated eye for color is the antidote to misconceptions of current mass beige-ness.

The first monograph from the internationally celebrated designer, OP! Optimistic Interiors shines a light on Furth’s ingenious approach, showcasing homes that strike a balance between modernity and tradition, aesthetics and functionality, all while leaving room for self-expression and that most important ingredient: joy.

All photos by Roger Davies

Inventory Number: I00240827

Jeffery, Josh, Pouria Khojastehpay & Jennifer Venditti. 550 BC, I00241214. 2024. Second Edition. 9 3/4 x 7", 8vo. Cloth with Pastedown. Crime Photography Monograph. New./No Jacket - As Issued. 252pp, 241 color illustrations. "In 2015, Josh Jeffery launched @mugshawtys, a platform dedicated to showcasing archived American female mugshots along with details of their crimes in the caption. This initiative extends across Twitter and Instagram, with daily updates. Over the years, Mugshawtys has not only curated a compelling archive but its community has also actively contributed to bailing out multiple girls caught in legal entanglements. Now, the Mugshawtys book, edited and designed by Pouria Khojastehpay and featuring an introduction by casting director Jennifer Venditti of JV8INC – renowned for her work on projects like "Euphoria", "Uncut Gems", and more – stands as the inaugural and official publication of this widely popular social media account, serving as a testament to its impact and influence." A brand new example of the 2024 second edition of this sure to sell out again quickly curiousity. 978-9083389806 Inventory Number: I00241214

Wayne, Bob. Foreword by Marty Kaniger. Culver City, CA: Flutterblast Books, I00250614. 2025. First Edition 1/100 Copies. 9 1/4 x 6 1/4", 8vo. Illustrated Boards. Music Monograph. New/No Jacket - As Issued. 368pp, profusely illustrated in b&w. Illustrated by Bill Plympton. Designed by Bonnie LeBrun. Bob Wayne is known in music circles far and wide not only as the owner and recording engineer par excellence at Culver City's own legendary Sunburst Studios, but also as a founding member of rock 'n' roll icons Big Daddy. Drawing from his decades of creativity behind the recording console and on the bandstand, "Reel to Real Tales" shares Bob's practical studio tips and tricks along with scores of fascinating tales of his encounters with the greats, near greats, and not-so-greats of the record business. A brand new example of this engaging memoir limited to one hundred unnumbered copies only additionally SIGNED "Bob Wayne" in blue ink at our shop in the year of publication. 979-8-88170-528-2 Inventory Number: E00250614