Arcana:

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art & photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") still in the publisher's shrinkwrap. 0-7148-3990-6 Inventory Number: 018038

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art and photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED "Martin Parr" in black ink on the half title page. 0-7148-3990-6 Inventory Number: 014167

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271

(WILLIAMS, D’ANGELO LOVELL). MACK, I00220716, 2022. 9 x 11 inches, 104 Pages. Hard Cover. New.

Both an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.

From self-portraits to collaborations with community, Williams’s photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualized as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions. 9781913620622 Inventory Number: I00220716

(WILLIAMS, KANDIS) Introduction by Ebony L. Haynes. Text by Hannah Black. Conversation between Kandis Williams and Okwui Okpokwasili. David Zwirner Books, I00220922, 2022. 9 x 7 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

The inaugural volume in a new series of books, Kandis Williams documents the Los Angeles–based artist’s exhibition A Line. Interrogating issues of race, nationalism, authority, and eroticism, her topical work is made across collage, sculpture, and video.

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.

Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the artist Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. 9781644230688 Inventory Number: I00220924

(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020

(WILLIAMS, MEGAN). Williams, Megan. With Texts by Amy Gerstler, Michelle Huneven & Jim Krusoe. New York: Bravin Post Lee Gallery, 1995. First Edition 1/400. Square 8vo. Decorative Boards. Artist Monograph. Fine/No Jacket - As Issued. 40pp, 15 b&w and 9 color illustrations. Designed by John Post Lee. This beautiful little hardbound book was published in conjunction with a 1995 New York gallery exhibition by Los Angeles-based artist Megan Williams. It is profusely illustrated - including nine hand-tipped color plates - and accompanied by literary contributions from the noted California poets Amy Gerstler, Jim Krusoe, and Michelle Huneven. A most handsome example of the first edition limited to four hundred copies SIGNED "Megan Williams" in black ink on the colophon, as issued. Inventory Number: 004356

(WILLIAMS, ROBERT). Williams, Robert. Introduction by Lydia Lunch. San Francisco: Last Gasp of San Francisco, 1990. First Edition 1/400 Deluxe. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 95pp, profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This second collection of paintings from erstwhile Ed "Big Daddy" Roth and Zap Comix contributor Robert Williams is a visual cornucopia of women, sex, deviltry, mayhem, scatology and a celebration of Kustom Kar Kulture. A most handsome example of the uncommon 1990 deluxe numbered hardbound edition of four hundred copies NUMBERED (70/400) AND SIGNED"Robert Williams" in black ink on the publisher's adhesive-backed bookplate featuring a caricature of the artist affixed to the front inside cover, as issued. 0-86719-385-9 Inventory Number: 026122

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, most handsome example of the unavailable 2005 first edition still in the publisher's shrinkwrap, as issued. 0-86719-516-9 Inventory Number: 025229

(Williams, Senon). Williams, Senon. Los Angeles: APKG Press, 2025. First Edition of 12 examples. 7 1/4 x 9". Etching on Paper. Artist's Multiple. As New. One 7 1/4 x 9" etching on paper, 1 monochrome illustration. Published in a limited edition of twelve copies in conjunction with his 2025 Hat & Beard Press book "Scrapyard", "Everything Must Go'" is a charming new etching from esteemed Los Angeles artist, musician, and author SEnon Williams. A brand new example SIGNED AND NUMBERED by the artist in pencil across the lower margin, as issued. Inventory Number: E00SWEMG

(Williams, Senon). Williams, Senon. Venice, CA: Hamilton Press, 2017. First Edition 1/750. Small 4to. Illustrated Flexible Boards. Artist Monograph. As New/No Jacket as Issued. 152pp, profusely illustrated in color and b&w. Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood". With imagery ranging from stark silhouettes to lush landscapes and human forms staged in undetermined acts of hope, his pairing of words and imagery form a poignant visualization of the inherent human struggle both ancient and contemporary.  Senon Williams' first book, "Hunted & Gathered" was painstakingly produced by Hamilton Press. The press was established in 1990 by master printmaker Ed Hamilton and artist Ed Ruscha to encourage artists to produce art in a peaceful, unhurried atmosphere. Steeped in traditional book making in a modern age, each publication itself is a fine object created by an esteemed team. Designed by Lorraine Wild and Marina Mills Kitchen of Green Dragon Office with color separations by Echelon Color, Santa Monica and printed by Dr. Cantz’sche Druckerei Median GmbH in Ostfildern, Germany, the book consists of seven hundred hardbound copies along with a deluxe edition of limited to fifty copies containing an original work on paper by the artist. A brand new, most handsome example of the standard edition additionally SIGNED by Senon Williams. 978-0-692-87700-5

Inventory Number: E000SWH&G

(Williams, Senon). Williams, Senon, Richelle Munkhoff & Beth Ann Whittaker. Los Angeles: Hat & Beard Press, I00251213, 2025. First Edition. 8 1/4 x 10 1/2", Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 978-1955125680

146pp, profusely illustrated in color. Designed by Russell Etchen. Senon Williams is a lifelong musician, visual artist and poet, born and currently based in Los Angeles. Descended from survivors of enslavement and the Holocaust, Williams is an artist whose practice is a response to scarcity and loss with a deep commitment to preservation. He is drawn to the physical scraps of life - and the layering of those scraps into a larger tapestry - believing that these objects have souls. Assembling found pieces, large and small, sometimes literally from yards or the street, Williams collects unwanted things, used things, to create anew. A blending of these objects’ inner character with his own vision into an assemblage, not only of the physical but also of the spirit. Williams’ work is grounded in a love of language play, sounds, textures, and associations of word and object. Working in various media in his visual art practice - sculpture, painting, serigraphy, and printmaking - he counters what we think we know. Something familiar gives us pause and words we know well induce questions. Always blending the visual with poetry, we are addressed with layers of contrasts. 

This book forms a graveyard or a scrapyard of items one might typically discard. In our time of extreme wastefulness, assembling the detritus from his artmaking into a scrapbook gives each of these items a collective home and value. Gathered from his day-to-day studio practice, they are thoughts jotted down, remnants of materials used, random receipts, which suggest a sense of care, like acts of preservation, mending and repurposing. Each piece is held, suspended from its final dissolution, forming a new place in which to exist. Interspersed within are vignettes looking at the histories of scrapbooking and ephemeral collection over time by Richelle Munkhoff and Beth Ann Whittaker of Plain Sight Archive. There is a long legacy and history of this artistic action and this publication represents now another documentation of time and place. A brand new, most handsome example of this charming new work additionally SIGNED "Senon Williams" in black ink on the title page.

Inventory Number: E00251213