Arcana:

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. Inventory Number: 025061

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles: Self-Published, 1967. First Edition 1/1000. 8vo. Spiral Bound Wrappers. Artist's Book. Very Good - ./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An internally bright, most handsome example of the 1967 first edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies issued without glassine wrapper additionally bearing the SIGNED PRESENTATION "For ... / Mason Williams" in black ink on the front free endpaper showing some light soiling, sunning, and creasing t the covers at the extremities. It has been priced accordingly. Inventory Number: 026019

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271

(SALGADO, SEBASTIAO). Salgado, Sebastiao. Introduction by Alan Riding. New York: Pantheon Books, 1986. First English Language Edition. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. 112pp, profusely illustrated in b&w. Designed by Lelia Wanick Salgado and Sophie Mouterde. Published in 1986, this is the first survey of famed Magnum photojournalist Sebastiao Salgado's humanist images to be published in the United States. A most handsome example of the uncommon hardbound 1986 Pantheon Books first American edition (cited on page 256 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné"). 0-394-55668-2 Inventory Number: 024867

(SAVILLE, JENNY) (LUCHFORD, GLEN). Saville, Jenny, Glen Luchford & Katherine Dunn. Beverly Hills, CA: Gagosian Gallery, 2002. First Edition. Folio. Printed Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 48pp, 15 b&w and 14 color illustrations. Designed by David James Associates. With biographies, exhibition histories and bibliographies. This is the opulently printed hardbound catalogue produced in conjunction with the 2002 Gagosian Gallery Beverly Hills exhibition of collaborative photographs by Jenny Saville and Glen Luchford. Each of the images shown was produced by Saville distorting and/or flattening her naked body against a sheet of glass, with Luchford capturing the result on camera. Originally intended as studies for the artist's large format figurative paintings, they became a body of work unto themselves. "Closed Contact" reproduces these photographs on heavy, ultra-glossy paper, and they are accompanied by an essay by Katherine Dunn. A most presentable example of this uncommon item (cited on pages 398-399 of The Hasselblad Center's "The Open Book") whose contents and textblock are immaculate, but whose covers show some noticeable wear, soiling and scuffing along with some abrading to the bottom edge of the front board. It has been priced accordingly. 1-880154-65-X Inventory Number: 020897

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Facsimile Dust Jacket. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A most handsome example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies LACKING the publisher's dust jacket but with a facsimile jacket supplied. It has been priced accordingly. 0-942642-35-X Inventory Number: 024206

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A brand new, pristine example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies. 0-942642-35-X Inventory Number: 023353

(SNOW, MICHAEL). Snow, Michael. Halifax, CANADA & New York: The Portrait Review, 1975. First Edition. 4to. Pictorial Boards. Artist's Book. Very Good -/No Jacket - As Issued. np, profusely illustrated in b&w. In a protective clear acetate dustwrapper. "Cover to Cover" is Michael Snow's now-legendary 1975 artist book co-published by The Press of Nova Scotia College of Art and Design and New York University Press that documents a short trip by the pioneering Canadian filmmaker/photographer/musician in a continuous sequence of images that unfolds from right-side up to upside down, and from cover - to cover... A most presentable example of the exceedingly uncommon 1975 first hardrbound edition (cited on page 156 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") showing some light overall lwear and a bit of mild foxing to its pictorial covers. It has been priced accordingly. 0-8147-7770-8 Inventory Number: 025985

(SOMMER, FREDERICK). Torosian, Michael & Frederick Sommer. Toronto, CANADA: Lumiere Press, 1992. First Edition 1/200. 8vo. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued.. 36pp, 4 tipped-in b&w silver-gelatin prints. Designed by Michael Torosian. With a biography. In a protective clear acetate dustwrapper. Published in 1992 as the sixth installment of Toronto's Lumiere Press "Homage" series, this is an exquisitely produced monograph on the late American Surrealist photographer Frederick Sommer. It was designed and printed by author and publisher Michael Torosian on Mohawk Superfine paper, bound in one-quarter oatmeal linen over grey paper boards with a printed spine label, and contains three small tipped-in gelatin-silver prints of images by Sommer as well as a tipped-in gelatin-silver portrait of the photographer by Edward Weston as the frontispiece. A brand new, pristine example (cited on page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") of this uncommon gem limited to two hundred copies. 0-921542-06-2 Inventory Number: 015155

(SOTH, ALEC). Engberg, Siri, Geoff Dyer, August Kleinzahler, Bartholomew Ryan, Britt Salvesen, Barry Schwabsky & Alec Soth. Minneapolis, MN: Walker Art Center, 2010. First Edition. 8vo. Printed Cloth. Photography Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Emmet Byrne. Published in conjunction with a massive Walker Art Center retrospective of the work of Alec Soth, this is a beautifully designed and printed hardbound survey of the imagery of the noted Minneapolis-based Magnum photographer. A brand new, pristine example of the 2010 first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") with the photographer's 48 page artist book entitled "The Loneliest Man in Missouri:" housed in a pocket affixed to the rear inside board, as issued, additionally BOLDLY SIGNED "Alec Soth" in black ink on the title page. Inventory Number: 025745

(SOTH, ALEC). Soth, Alec. London: MACK, 2015. First Edition. 4to. Debossed Padded Boards. Photography Monograph. As New/No Jacket - As Issued. np (144pp), 75 tritone illustrations. Designed by Alec Soth and Gregoire Pujade-Lauraine. "Known for his haunting portraits of solitary Americans in "Sleeping by the Mississippi" and "Broken Manual", Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012 to 2014, Soth traveled state by state while working on his self-published newspaper, "The LBM Dispatch", as well as on assignment for the "New York Times" and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With "Songbook", Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, "Songbook" is a lyrical depiction of the tension between American individualism and the desire to be united". A brand new, pristine example of the 2015 first MACK printing of this awesome undertaking (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Alec Soth 2015" in the year of publication in black ink on the title page. 1-910164-02-X Inventory Number: 024756

(SOTH, ALEC). Soth, Alec, Aaron Schuman & Kate Bush. London: MACK, 2015. First Edition. 4to. Wrappers in Decorative Box. Photography Monograph. As New./No Jackets - As Issued.. np, profusely illustrated in color and b&w. Designed by Lewis Chaplin. "Alec Soth's reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a 2015 touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth's prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman's poem 1855 "Song of Myself" and references both the pages of his books gathered for consideration, and the notion that his work is also a story about Soth himself. This catalogue is a special object, bringing together an essay by Aaron Schuman spread across twenty-nine large format postcards, an additional card printed with an introduction by Kate Bush - curator of the exhibition and the director of Media Space, London, with mini facsimile versions of Soth's "Sleeping by the Mississippi", "Niagara", "Broken Manual", and "Songbook". A brand new, most handsome example of the now unavailable first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Alec Soth / 2015" in black ink in the year of publication on the inside front cover of its decorative box. 1-910164-36-4 Inventory Number: 025273

(SOTH, ALEC). Zanot, Francesco & Alec Soth. Roma, ITALY: Edizioni Punctum, 2011. First Edition 1/500. Oblong Small Folio. Illustrated Cloth. Photography Monograph. Fine/No Jacket - As Issued. np (54pp), 20 color illustrations. Text in Italian and English. Designed by Nicola Veccia Scavalli. Published in conjunction with the tenth edition of the "Fotografia Festival Internazionale di Roma" in 2011, this is a lavishly produced collection of twenty of Alec Soth's unabashedly romantic, Keats-inflected large format color images of the Eternal City. A bright, most handsome example of this uncommon item (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to five hundred unnumbered copies additionally BOLDLY SIGNED "Alec Soth" in black ink on the title page. 88-95410-31-9 Inventory Number: 025746

(SOTH, ALEC). Zellar, Brad & Alec Soth (as Lester B. Morrison). St. Paul, MN: Little Brown Mushroom, 2012. First Edition 1/1000. 8vo. Spiral Bound Boards. Photography Monograph. As New/No Jacket - As Issued. np (118pp), profusely illustrated in color. Designed by Hans Seeger. In a protective clear acetate dustwrapper. "In House of Coates, writer Brad Zellar pieces together the story of legendary recluse Lester B. Morrison. Working from a handful of encounters and contradictory conversations, a sketchy paper trail and often confounding interviews with individuals who may or may not have been "associates" of Morrison (including Morrison's former collaborator Alec Soth), Zellar attempts to reconstruct one episode from Morrison's decidedly episodic life. In the winter of 2011, Zellar finally crossed paths with his evasive subject, and was with Morrison's permission granted access to the results of a Minnesota Multiphasic Personality Inventory test that Morrison submitted to in August of 2009, along with the administrating psychiatrist's copious notes. Finally, in late December of last year, Zellar received in the mail a duct-taped shoebox marked "PERISHABLE" containing almost two hundred photographs that Morrison termed "disposable documents of the approximate period in question". From these raw materials designer Hans Seeger has assembled a book that Morrison himself has pronounced, "probably close enough to what might or might not have happened, and that’'s as much as I've learned to expect from the so-called real world". A brand new, most handsome example of the 2012 first Little Brown Mushroom edition of this quirky document (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") in green spiral binding limited to one thousand unnumbered copies additionally BOLDLY SIGNED "Alec Soth" in black ink on the title page. 0-9839990-1-5 Inventory Number: 024714

(TEMPLETON, ED). Templeton, Ed. With a Brief Text by Aurelie Voltz, and an Interview by Jerome Sans. New York: Alleged Press, 1999. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (32pp), 30 color and 3 b&w illustrations. "A fixture of Los Angeles' skateboarding scene, Ed Templeton has been producing photographs and paintings documenting his life, tours, and encounters in the skateboarding world for ten years". This charming artist's book (published in conjunction with a 1999 New York exhibition) by local Skate legend Ed Templeton is filled with Teenage Smokers, and nothing but... See transgressive youth on parade from Huntington Beach, California to Turku, Finland! A brand new, most handsome example of this contemporary classic (cited on page 94 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally BOLDLY SIGNED "Ed Templeton" in black marker on the inside front cover. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 026593

(TMEJ, ZDENEK). Tmej, Zdenek & Alexandra Urbanova. Prague, CZECHOSLOVAKIA: Nakladatelstvi Za'Druha, a.s., 1946. First Edition 1/2500. 4to. Stiff Wrappers in Jacket. Photography Monograph. Good +./Fair.. np, 45 illustrations in b&w gravure. Designed by Rudolf Sabach. In a protective clear acetate dustwrapper. "ABECEDA Dusevniho Prazdna - "Alphabet of Spiritual Emptiness" is noted Czech photographer Zdenek Tmej's 1946 collaboration with writer Alexandra Urbanova reproducing the harrowing images of his experiences as a forced laborer for the Nazis in Breslau, Germany during the second World War. That Tmej, and these pictures survived to produce this moving book at the war's end is remarkable. An internally most presentable example of the first and only edition of this uncommon classic (cited on pages 198-199 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I, pages 144-145 of The Hassleblad Center's "The Open Book: A History of the Photographic Book from 1878 to the Present", and pages 124-125 of "The Book of 101 Books") showing typical pronounced age-toning to the highly sulfurous textblock and stiff paper covers along with some attendant brown spotting to the first and last few pages. The book's fragile, photographically-illustrated jacket is present, though it has been heavily reinforced with clear tape on the verso. It is worn and creased with some closed tears and small missing chips along the top and bottom edges. In addition, there is some browning and spotting to the typographically-illustrated rear panel, and a three inch strip of the spine is missing. It is housed in a sumptuous custom black, decoratively-tooled goatskin-over-boards clamshell presentation box with four raised bands along with the author's name and book title in gilt along the spine. All in all, this is a sharp, internally solid copy of one of the most lauded post-war European photography books aided by the addition of a presentation box that looks far nicer in hand than it describes. Inventory Number: 026076

(TOMATSU, SHOMEI) (DOMON, KEN). Tomatsu, Shomei, Ken Domon, Kiyoshi Sakuma, Nobuo Kusano & Toshio Hata. Tokyo: The Japan Council Against the A and H Bombs, 1961. First Edition. Large Square 4to. Decorative Cloth + Wrappers. Photography Monograph. Good./No Jacket - As Issued.. np + 54pp, profusely illustrated in duotone. Text in English. Designed by Kohei Sugiura. In protective clear acetate dustwrappers. This is Ken Domon and Shomei Tomatsu's remarkable book of photographs reflecting the aftermath of the atomic bombs the US dropped on The Japanese cities of Hiroshima and Nagasaki to hasten the end World War II. In addition to the gripping hardbound volume of images, it contains a second English language publication in wrappers reprinting scholarly articles by Kiyoshi Sakuma, Nobuo Kusano, Toshio Hata on the radiation and its effects. A serviceable example only of this remarkable Post-War Japanese photographic book (cited on pages 274-75 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I and as entry 270 in Manfred Heiting and Ryuichi Kaneko's "The Japanese Photobook 1912-1990") lacking the publisher's slipcase, and whose primary volume's off-white exterior is browned along the spine, moderately soiled, and exhibits notable insect damage to the ink of its decorative design of concentric circles. Internally it is bright and sound, with the textblock lightly browned along the edges and pulling ever so slightly at the signatures. The paper text volume shows some overall wear, light browning and soiling to the covers and edges, cracking along the spine, and a small closed tear to the foredge corner of the front cover. It has been priced accordingly. Inventory Number: 017915

(TUNBJORK, LARS). Tunbjork, Lars & Goran Odbratt. Gottingen, GERMANY: Steidl, 2002. First Edition. Oblong 4to. Linen Boards with Pastedown. Photography Monograph. Fine/No Jacket - As Issued. np (106pp), 49 color illustrations. Text in English. Designed by Greger Ulf Nilson. With a bibliography and exhibition history. "After his earlier series on leisure time and the world of office labor, Lars Tunbjork returned to his childhood neighborhood to photograph his mother's house. The experience intrigued him, and he continued shooting in similar areas around Sweden. Saturated with other people's personal memories, his photographs convey the peculiar atmosphere of silence familiar in middle-class housing districts". Featuring elegantly detached images of Swedish housing projects, yards and interiors devoid of their occupants, this lovely hardbound catalogue published in conjunction with Goteborg's Hasselblad Center is a worthy successor to the photographer's celebrated "Landet Utom Sig / A Country Beside Itself". A most handsome copy. 3-88243-868-1 Inventory Number: 016560

(VAN KESTEREN, GEERT). van Kesteren, Geert & Michael Hirsh. Foreword by Jan Gruiters. Amsterdam, THE NETHERLANDS: Artimo, 2004. First Edition. 8vo. Pictorial Wrappers. Photography Monograph. Fine.. np (544pp), 245 color illustrations. Text in English and Arabic. "Why Mister, Why?" is a compelling account from Dutch photojournalist Geert van Kesteren. For the most part of 2003 and into 2004, van Kesteren made these images in a struggling Iraq, intertwining them with his personal experience of the situation in diary-like notes. In that way, this body of work resonates with an honesty found only when the narrator and photographer of a story are one and the same. The situation in Iraq, following the declaration of "mission accomplished," represented a culture clash of rare proportions, and van Kesteren was witness to what went wrong. He saw clouds of sadness coming from the mass graves created by the Saddam regime, while Shi'ites enjoyed their awakening freedom. Embedded within the ranks of US troops, he witnessed disgraceful raids on Iraqi citizens. And these accounts are presented here for the reader to see, feel, and try to understand. In a clear photojournalistic way, van Kesteren outlines why it will take a long time before the Iraqi people can enjoy the semblance of peace. Accompanying the images is an introduction by Newsweek senior editor Michael Hirsh, with whom Van Kesteren shared several tense moments in Iraq". A pristine copy (cited on page 241 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 45 of "From Fair to Fine 3") of the English and Arabic language edition of this eccentrically bound gem. 90-8546-009-3 Inventory Number: 015220

(WARHOL, ANDY). Warhol, Andy, Kasper Konig, Pontus Hulten & Olle Granath. Stockholm, SWEDEN & Boston, MA. 1968 (1970).: Moderna Museet & Boston Book and Art. Third Revised Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (circa 650pp), profusely illustrated in b&w. Text in English and Swedish. Designed by John Melin, Gosta Svensson and Stig Arbman. In a protective clear acetate dustwrapper. This is the innovatively designed catalogue published on the occasion of the Andy Warhol exhibition at Moderna Museet in Stockholm from February to March 1968. Printed entirely in black and white on newsprint, it features groovy art direction in service of hundreds of full page photographs of Warhol's artwork, film stills, and The Factory scene by Rudolph Burckhardt, Eric Pollitzer, John D. Schiff, Billy Name, and a young Stephen (Eric) Shore. A spectacularly tight and bright example of the third edition of this brilliant Pop Art gem (whose first printing is cited on pages 144-145 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") containing the additional photographs of Warhol and Factory entourage taken at the exhibition opening showing virtually no age-toning to its newsprint pages nor any of the typical wear, handling, and creasing associated with this title. This copy was acquired in the mid-eighties directly from the inventory of the exhibition's curator Pontus Hulten at the completion of his time as the first chief curator of Los Angeles' then-new Museum of Contemporary Art. LC 72-125937 Inventory Number: 027675

(WESTON, EDWARD). Naef, Weston. New York: E. Weyhe, 1932. First Edition 1/550. Folio. 1/4 Cloth Over Boards. Photography Monograph. Good -/No Jacket - As Issued. np, 40 b&w illustrations. Designed by Merle Armitage. With a biography. In a protective clear acetate dustwrapper. Compiled in 1932 by the forward thinking Los Angeles-based graphic designer and publisher Merle Armitage, this exquisitely produced book was the very first monograph on the work of pioneering California photographer Edward Weston. It features thirty-nine images by Weston, a frontispiece portrait by his son Brett, and texts by the photographer, Armitage, Lincoln Steffens, Arthur Millier, Jean Charlot, and Charles Sheeler. A presentable example of this typically fragile oversized tome (cited on page 200 of "From Fair to Fine 3: 20th Century Photography Books That Matter") limited to five hundred and fifty copies NUMBERED (143/550) AND SIGNED "Edward Weston" in black ink on the rear colophon lacking the publisher's slipcase whose white cloth spine is soiled and stained, and black boards are worn and scraped along the extremities. The hinges are solid, the textblock is tight but soiled along the edges with the signatures slightly uneven with one another. The book bears the BOLDLY SIGNED PRESENTATION "To John and Clement / new friends for old. more would be less. / I don't know what all / this means. You guess / Edward Oct. 1936" in black ink on the page facing the colophon. Additionally, laid in is a BOLDLY INSCRIBED hand-written letter "John and Clem ---- / hope you took my dis - / appearance in good spirit - / I was not just sleepy, / but exhausted ------------ / See you soon I hope / yr ------ / Edward" from the photographer in pencil on a 8 ½ x 11" sheet of yellow paper that has been neatly folded in quarters and subsequently flattened. Inventory Number: 025020

Heiting, Manfred & Mikhail Karasik. Gottingen, GERMANY: Steidl, 2015. First Edition. Stout Square 4to. Illustrated Boards. Photographic Survey. Near Fine/No Jacket - As Issued. 978-3958290310

The Soviet Photobook 1920-1941

A massive, full-illustrated history of photography book making and design from the USSR

Published by Steidl
Edited by Mikhail Karasik, Manfred Heiting

The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s.
No other country or political system advanced its cause by attracting and employing acclaimed members of the avant-garde. Among them were writers such as Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artist designers such as Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers such as Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko and Georgy Petrusov, not to mention many of the best printing plants and bookbinders.
Gorgeously produced, edited and designed, The Soviet Photobook 1920-1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented for the first time.

Inventory Number: E000SOVIET

Jenkins, William, Nicholas Nixon, Lewis Baltz & Robert Adams. With a brief text by Jorge Luis Borges. Rochester, NY: International Museum of Photography at George Eastman House, 1975. First Edition 1/2500. Oblong 4to. Printed Wrappers. Exhibition Catalog. Good +. (Ex-Library). 48pp, 24 b&w and 3 color illustrations. With an exhibition checklist, and a biography, exhibition history and bibliography for each photographer. In a protective clear acetate dustwrapper. This is the catalogue of the landmark 1975 George Eastman House "New Topographics" exhibition - the show that first defined the newly burgeoning photographic documentation of the contemporary urban landscape. It features a prescient essay by assistant curator William Jenkins, brief texts by Robert Adams, Lewis Baltz, Nicholas Nixon and Jorge Luis Borges as well as three full-page images each for Adams, Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr. A most presentable example of this uncommon, historically highly-significant document (cited on page 11 of "From Fair to Fine 2") showing some light overall wear and patination to its white wrappers along with a thin horizontal adhesive ghost with two small surface abrasions from a removed label wrapping around the spine. Inside are two institutional library bookplates - one from Los Angeles' Otis Art Institute, and more interestingly from the UCLA Art Library's Robert Heinecken collection that bears a "Discarded" stamp in black ink. There are additionally discreet "Discard" stamps on the edges of the tetblock. It has been priced accordingly. Inventory Number: 027681