Arcana:

(NEWTON, HELMUT). Lagerfeld, Karl. New York: Xavier Moreau Inc., 1982. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Fine. np, profusely illustrated in b&w. Text in English. With a biography, bibliography and exhibition history. Issued by his longtime collaborator Xavier Moreau in 1982, "Big Nudes" was the highly eroticized follow-up to Helmut Newton' taboo-breaking "White Women" and "Sleepless Nights". It features an essay by the esteemed Karl Lagerfeld along with stark black and white images of strong women engaging in decadent acts. A most handsome example of the 1982 first edition (cited on page 204 of "From Fair to Fine 3") additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / Helmut Newton" in black ink across the title page. 0-937950-02-5 Inventory Number: 024335

(NEWTON, HELMUT). Newton, Helmut & Philippe Garner. New York: Stonehill Publishing Company, 1976. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Good +/Good +. 128pp, 55 illustrations in color and b&w. Designed by Bea Feitler. Published in 1976, "White Women" was the very first survey in book form of Helmut Newton's decadence-laden images originally primarily created as editorial work for French, British and American "Vogue", "Vogue Homme", "Oui", "Playboy", and "Stern". Amongst the immediately recognizable subjects here are Charlotte Rampling, Veruschka Lehndorff, Elsa Peretti, Loulou de la Falaise, Karl Lagerfeld, Paloma Picasso, David Hockney, Annie Duperey, June Newton, and the photographer himself. An internally handsome example (cited on page 93 of "From Fair to Fine 2") only of the 1984 Stonehill American first hardbound edition additionally bearing the BOLDLY SIGNED PRESENTATION "For Jan / Helmut Newton" in blue and red ink across the title page showing some mild discoloration across the edges of the cloth covers along with some dampstaining and rippling to the rear cover and top edge of the last several pages. The dust jacket also shows some attendant discoloration and dampstaining along the top edge of the rear panel as well as a short closed tear at the upper foredge corner on the front. And in a quirky turn of events, Newton began the inscription with a blue pen that seems to have malfunctioned, and so the front pastedown shows several spirals and attempts to get the ink to flow properly before presumably switching to the red pen that constitutes all but the initial "F" of the final presentation. All in all this is a most presentable inscribed copy of this significant title that looks far better in hand than it describes. It has been priced accordingly. 0-88373-053-7 Inventory Number: 024337

(NEWTON, HELMUT). Newton, Helmut & Philippe Garner. New York: Stonehill Publishing Company, 1976. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 128pp, 55 illustrations in color and b&w. Designed by Bea Feitler. Published in 1976, "White Women" was the very first survey in book form of Helmut Newton's decadence-laden images originally primarily created as editorial work for French, British and American "Vogue", "Vogue Homme", "Oui", "Playboy", and "Stern". Amongst the immediately recognizable subjects here are Charlotte Rampling, Veruschka Lehndorff, Elsa Peretti, Loulou de la Falaise, Karl Lagerfeld, Paloma Picasso, David Hockney, Annie Duperey, June Newton, and the photographer himself. A bright, most handsome example (cited on page 93 of "From Fair to Fine 2") of the uncommon withdrawn and subsequently retitled 1976 true first American hardbound first edition entitled "Women" - rather than the more familiar "White Women" - additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / Helmut Newton" in black ink across the title page. 0-88373-053-7 Inventory Number: 024336

(OLEA, VICTOR FLORES). Fuentes, Carlos. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1984. First Edition 1/3000. 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. 88pp, profusely illustrated in b&w. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted to the black and white images of Mexican writer, academician, diplomat and photojournalist Victor Flores Olea that also features an essay by the noted author Carlos Fuentes. A most handsome example of this uncommon item (cited on page 19 of Horacio Fernandez' "The Latin American Photobook"). 968-16-1764-9 Inventory Number: 020389

(OWENS, BILL). Owens, Bill. San Francisco: Straight Arrow Books, 1973. First Edition. Oblong 4to. Pictorial Wrappers. Photography Monograph. Very Good +.. np, profusely illustrated in b&w. In a protective clear acetate dustwrapper. Published in 1973, Bill Owens' "Suburbia" is an amazing dissection of the Northern California suburban sprawl of the late sixties and early seventies that has become recognized as one of the great American photography books of the last quarter of the 20th Century. A handsome example of the uncommon first Straight Arrow paperback printing (cited on page 24 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 296-297 of The Hasselblad Center's "The Open Book", and pages 224-225 of "The Book of 101 Books") whose textured black wrappers show some minor wear along with some light soiling to the edges of the textblock. 0-87932-042-7 Inventory Number: 016437

(PARR, MARTIN). Parr, Martin. Paris: Galerie Du Jour, agnès b., 1998. First Edition. Oblong Small 4to. Pictorial Wrappers. Photography Monograph. As New.. np (48pp), 23 color illustrations + color cover. Text in Japanese and French. This is the catalogue published by agnès b.'s Galerie du Jour in conjunction with a 1995 exhibition of Martin Parr's flash-saturated images taken from above of Japanese commuters staring down towards their lap. A brand new, most handsome example of Parr's quirky updated homage to Walker Evans' "Many Are Called" (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") . 2-906496-29-4 Inventory Number: 025107

(PARR, MARTIN). Parr, Martin. Stockport, UK: Dewi Lewis Publishing, 1999. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. np (160pp), 160 color illustrations. Dewi Lewis Publishing. Welcome to the fin-de-siecle as acidly surveyed in Martin Parr's full-page, hyper-intensely colored close up shots of food, flesh, and fashion. A most handsome copy of the 1999 first edition (cited on pages 382-383 of The Hasselblad Center's "The Open Book", 35 of "From Fair to Fine 3", and as catalogue raisonné entry number 10 for Martin Parr in Fred Ritchin and Carole Naggar's "Magnum: Photobook") additionally SIGNED "Martin Parr" in black ink on the bubblegum image of the front pastedown. 1-899235-07-8 Inventory Number: 014205

(PARR, MARTIN). Parr, Martin. Munkedals, SWEDEN & Surrey, ENGLAND: Munken & Trebruk, 1999. First Edition 1/2500. Oblong Small 4to. Debossed Cloth Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (84pp), 50 color illustrations. Produced by Martin Parr in conjunction with the noted British graphic design firm Browns "Flowers" consists of fifty flash-saturated color images of blooms from around the world. Commissioned by Munken in Sweden to show the superior book capabilities of their papers, it was distributed hors commerce only to select members of the printing and design trade. A brand new, most handsome example of the 1999 first edition of this uncommon hardbound tome (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to two thousand, five hundred copies NUMBERED AND SIGNED "Martin Parr" in ink at the rear, as issued. Inventory Number: 007965

(PARR, MARTIN). Parr, Martin & Fintan O'Toole. Wallasey, UK: Promenade Press, 1984. First Edition. Oblong Small 4to. Pictorial Wrappers. Photography Monograph. Fine.. 92pp, 74 b&w illustrations. Designed by Peter Brawne. Published in conjunction with a 1984 exhibition held at The Orchard Gallery in Derry, "A Fair Day" is noted Magnum photographer Martin Parr's very first book. It is a typically wry - albeit in black and white - Parr-eque view of West Ireland and its denizens. We are particularly fond of the final chapter's images of deserted Morris Minors littering the countryside. A bright white, most handsome example of the 1984 first and only edition (cited on page 247 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED "Martin Parr" in black ink on the title page. 0-907797-105 Inventory Number: 024203

(PARR, MARTIN). Parr, Martin & Gerry Badger. London: Phaidon Press Ltd., 2000. First Edition. 8vo. Boards in Pictorial Dustjacket. Photography Monograph. Fine/Near Fine. np (144pp), 133 color illustrations. Designed by Kwame Edwards. Shot between 1995 and 1999, this is yet another charming volume of Martin Parr's colorful, witty commentary on British life and social mores. A most handsome copy of the first Phaidon hardbound edition (cited on page 247 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED "Martin Parr" in black ink on the title page whose dust jacket shows some typical rippling to the laminate on the interior flaps. 0-7148-3991-4 Inventory Number: 014204

(PARR, MARTIN). Parr, Martin. Introduction by Ian McEwan. London: Jonathan Cape, 1993. First Edition. Oblong 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. np, 60 color and 1 b&w illustration. "Home and Abroad has been edited from all the color photographs of Martin Parr. Beginning with the ideal home and family, the book follows a Martin Parr guided tour - a shopping spree, a trip to the seaside, theme-park culture, invented history, and Safari Parks. From Britain, Parr joins tourists at the Eiffel Tower and in Middle-Eastern bazaars. By the time he has reached McDonalds in Moscow, we realize that the culture he has depicted so unsparingly stretches around the globe". This was the first major collection in book form of the photographer's wry commentary on British life and social mores, which has continued for over thirty years, becoming increasingly global in nature. A most handsome copy of the 1993 Jonathan Cape paperbound first edition (cited on page 247 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED "Martin Parr" in black ink on the half-title page. 0-224-03876-1 Inventory Number: 017297

(PARR, MARTIN). Parr, Martin. Introduction by Marvin Heiferman. Stockport, UK: Dewi Lewis Publishing, 2000. First Edition. 12mo. Padded Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (120pp), 48 color illustrations. Designed by Dewi Lewis Publishing. "For the last few years, when Martin Parr has traveled on assignment he has had his picture taken by a local studio photographer, or street photographer, or in a photo booth. The result is a wonderfully varied portfolio of portraits ranging from elaborate studio sets reminiscent of the heyday of the Victorian studio photographer, through to digitally manipulated images of Parr as Mr. Universe, and images which have been horrendously re-touched in the studio's efforts to flatter Parr and make him appear twenty years younger. As with all Parr's projects the book is not only hilarious but also raises broader issues of identity and self, questioning the whole notion of the photographic portrait". What can we say? - More Martin than you can shake a stick at! A pristine example (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED AND DATED "Martin Parr 2002" in black ink on the title page. 1-899235-72-8 Inventory Number: 023806

(PARR, MARTIN). Parr, Martin & Robert Chesshyre. London: Cornerhouse Publications, 1989. First Edition. Oblong 4to. Pictorial Wrappers. Photography Monograph. Fine.. np, 61 color illustrations. Designed by Peter Browne. Martin Parr's fourth book, "The Cost of Living" is the lauded Magnum photographer's typically wry observation of Britain's Thatcher-inspired upwardly mobile middle classes, or as Parr has dubbed them here, the "Comfortable Class". A most handsome example of the 1989 first edition (cited on page 248 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED "Martin Parr" in black ink on the half-title page. 0-948797-55-X Inventory Number: 017298

(PARR, MARTIN). Parr, Martin & Rogelio Villareal. London: Chris Boot Ltd., 2006. First Edition. Small Oblong Folio. Boards Over Linen Spine. Photography Monograph. As New.. np (88pp), 80 color illustrations. "Martin Parr’s Mexico photographs are typically comic, balancing affection and rudeness toward his subjects, while a darker underly­ing theme emerges as in much of his later work of the corruption of authentic cultural forms by global consumer culture. This work both critiques and celebrates this corruption. As he puts it, "What I am saying is that it’s a good and a bad thing. I’m constantly trying to express ambiguity. And that’s what photography does very well". A brand new, most handsome example of the 2006 Chris Boot Ltd. British first edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Martin Parr / 2006" in the year of publication in blue ink on the half title page. 0-9546894-8-8 Inventory Number: 012420

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art & photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") still in the publisher's shrinkwrap. 0-7148-3990-6 Inventory Number: 018038

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art and photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED "Martin Parr" in black ink on the half title page. 0-7148-3990-6 Inventory Number: 014167

(PARRY, ROGER). Fargue, Leon-Paul & Roger Parry. Paris: Editions de la Nouvelle Revue Francaise, 1930. First Edition 1/300. 4to. Printed Wrappers. Livre D'Artiste. Near Fine./No Jacket - As Issued.. 84pp + xvi, 16 full page monochrome gravure illustrations. Text in French. In a protective clear acetate dustwrapper. "Banalité" is one of the most striking collaborations of word and image in the realm of the photographically illustrated Surrealist book. It marries Leon-Paul Fargue's previously-published 1922 volume of prose and poems with sixteen dramatic, then-new full page images reproduced in lush sepia-toned gravure by the noted French photographer and cinematographer Roger Parry. An exceptionally bright, well-preserved example of this stunning modernist collaboration (cited on pages 100-101 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I") from the standard trade edition limited to three hundred NUMBERED (214/300) copies on Imperial Japon paper showing just a bit of wear to the extremities of the wrappers. Inventory Number: 024548

(PATTERSON, CHRISTIAN). Patterson, Christian, Luc Sante & Karen Irvine. London: MACK, 2011. First Edition. Small 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (168pp) + np (14pp), 98 illustrations in color and b&w. Designed by Christian Patterson. "Redheaded Peckerwood is a work with a tragic underlying narrative - the story of nineteen year old Charles Starkweather and fourteen year old Caril Ann Fugate who murdered ten people, including Fugate's family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative. "Redheaded Peckerwood" also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story. While photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims - including a map, poem, confession letter, stuffed animal, hood ornament and various other items. In several cases, these materials are discoveries first made by the artist and presented here for the first time. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way". The Starkweather and Fugate killings inspired the films "The Sadist (1963)", "Badlands (1973)", "Murder in the Heartland (2003)", "Kalifornia (1993)", "Natural Born Killers (1994)", and "Starkweather (2004)". A brand new, pristine example of the uncommon 2011 first MACK edition (cited on pages 279 and 309 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally SIGNED "Christian Patterson" in black ink on the title page with the publisher's fourteen page staple-bound newsprint booklet laid in. 1-907946-14-4 Inventory Number: 024752

(PATTERSON, CHRISTIAN). Patterson, Christian, Luc Sante & Karen Irvine. London: MACK, 2013. Third Edition, First Thus. Small 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (168pp) + np (14pp), 98 illustrations in color and b&w. Designed by Christian Patterson. "Redheaded Peckerwood is a work with a tragic underlying narrative - the story of nineteen year old Charles Starkweather and fourteen year old Caril Ann Fugate who murdered ten people, including Fugate's family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative. "Redheaded Peckerwood" also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story. While photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims - including a map, poem, confession letter, stuffed animal, hood ornament and various other items. In several cases, these materials are discoveries first made by the artist and presented here for the first time. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way". The Starkweather and Fugate killings inspired the films "The Sadist (1963)", "Badlands (1973)", "Murder in the Heartland (2003)", "Kalifornia (1993)", "Natural Born Killers (1994)", and "Starkweather (2004)". A brand new, pristine example of the unavailable 2013 third MACK edition (whose 2011 first edition is cited on pages 279 and 309 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") bearing slight editorial variations from the previous two printings additionally SIGNED "Christian Patterson" in black ink on the title page with the publisher's fourteen page staple-bound newsprint booklet and facsimile postcard laid in, as issued. 1-907946-14-4 Inventory Number: 024685

(PATTERSON, CHRISTIAN). Patterson, Christian, Luc Sante & Karen Irvine. London: MACK, 2011. First Edition. Small 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. np (164pp) + np (14pp), 98 illustrations in color and b&w. Designed by Christian Patterson. "Redheaded Peckerwood is a work with a tragic underlying narrative - the story of nineteen year old Charles Starkweather and fourteen year old Caril Ann Fugate who murdered ten people, including Fugate's family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative. "Redheaded Peckerwood" also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story. While photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims - including a map, poem, confession letter, stuffed animal, hood ornament and various other items. In several cases, these materials are discoveries first made by the artist and presented here for the first time. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way". The Starkweather and Fugate killings inspired the films "The Sadist (1963)", "Badlands (1973)", "Murder in the Heartland (2003)", "Kalifornia (1993)", "Natural Born Killers (1994)", and "Starkweather (2004)". A brand new, pristine example of the uncommon 2011 first MACK edition with the publisher's fourteen page staple-bound newsprint booklet laid in still in shrinkwrap, as issued. 1-907946-14-4 Inventory Number: 024684

(RENAU, JOSEP). Fontcuberta, Joan & Pablo Ortiz Monasterio. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1985. First Edition 1/3000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 50 color illustrations. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted entirely to the satirical political photomontages of Spaniard Josep Renau. Beginning with his Communist Party poster designs of the wartime era, this is a tour de force on the par with the work of John Heartfield, primarily lampooning the United States and its preoccupation with sex, death consumerism, colonialism, racism, and Cold War era brinksmanship with the Soviet Union. A brand new, most handsome example of this uncommon gem (cited on page 116 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 19 of Horacio Fernandez' "The Latin American Photobook" - even though Renau was an artist and not a photographer!). 968-16-2115-8 Inventory Number: 025050

(RHEIMS, BETTINA). Rheims, Bettina. Gottingen, GERMANY: Steidl, 2002. First Edition. 12mo. Printed Wrappers in Metal Box. Erotic Photography Monograph. Fine./No Jacket - As Issued.. np (40pp), 26 color illustrations. Text in English. "Morceaux Choisis" is noted French photographer Bettina Rheims' little hand-sewn book of erotically charged color images of two women in the throes of intimacy with one another. A most handsome example of the 2002 first Steidl edition of this uncommon item (cited on page 272 of Alessandro Bertolotti's "Book of Nudes") in the publisher's hinged metal box, as issued. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 3-88243-574-7 Inventory Number: 023767

(RICHARDSON, TERRY). Richardson, Terry & Harland Miller. Tokyo: Hysteric Glamour, 1998. First Edition 1/1000. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Near Fine. np (152pp), profusely illustrated in color and b&w. Text in English. This notorious first book by Terry Richardson was published in conjunction with an exhibition for au courant Japanese fashion purveyors Hysteric Glamour. The photographic subject matter here includes male and female nudes (with genitalia blacked out for Japanese consumption!), dogs and cats (with genitalia intact), clowns, garish decor, lots of young revelers reveling, and self-portraits - pretty much all of the imagery you've come to expect from the flash-saturated, ready-to-wear bad boy. A most handsome example (cited on page 48 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 372-373 of The Hasselblad Center's "The Open Book") of this transgressive classic limited to one thousand unnumbered copies showing just a bit of creasing to the top edge of the dust jacket. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 025324

(RICHTER, HANS). Richter, Hans. New York: Films International of America, 1947. First Edition. 8vo. Stapled Illustrated Wrappers. Film Monograph. Near Fine.. np (28pp), 30 b&w illustrations. Cover Illustration by Max Ernst. Layout by Frederick Kiesler. In a protective clear acetate dustwrapper. This is the promotional program for renowned Dada/Surrealist artist/director Hans Richter's 1947 film "Dreams That Money Can Buy". This unique project consisted of Richter soliciting dream scenarios from Alexander Calder, Marcel Duchamp, Max Ernst, Fernand Leger, and Man Ray, then weaving these into a cinematic narrative with the musical collaboration of Louis Applebaum, Paul Bowles, David Diamond, John Cage, John Latouche, Libby Holman, Josh White, and Darius Milhaud! Ernst and Julien Levy appeared in the film as actors. Other contributors to this item include Richter, John Cage, Man Ray, Charles Hulbeck - aka Richard Huelsenbeck, Siegfried Kracauer, Andre Breton, Louis Applebaum, Dorothea Tanning, and James Johnson Sweeney. A handsome example (cited on page 101 of "From Fair to Fine: 20th Century Photography Books That Matter") of the black ink on green cover stock variant of this uncommon item showing a couple of soft creases along the spine. Inventory Number: 024216

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome hors serie example of the trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press SIGNED AND ANNOTATED "Doug Rickard / Artist Book" in black ink on the rear colophon, as issued. Inventory Number: 025750

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition 1/200. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome example of the innovative first trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press limited to two hundred examples NUMBERED (19/200) AND SIGNED "Doug Rickard" in black ink on the rear colophon, as issued. Inventory Number: 025749

(RIO BRANCO, MIGUEL). Monreal Agusti, Luis, Adriano Pedrosa & Marta Gili. Barcelona, SPAIN: Fundacion "la Caixa", 1999. First Edition 1/2000. 4to. Pictorial Self-Wrappers. Photography Monograph. Fine.. 111pp, profusely illustrated in color. Text in Spanish and English. Meat, flesh, saliva, sweat, blood, boxers, prostitutes, Native Brazilian Indians, poor kids and old men from the streets, sharks, dogs, knives, scars, tattoos, dead roses ... These are just a few of the subjects of this striking color catalogue published in conjunction with a 1999 Barcelona exhibition of Miguel Rio Branco's work from three series: "Between the Eyes, the Desert (1997)", "Small Reflections on a Certain Bestiality (1980)", and "Out of Nowhere (1994)". A brand new, pristine example (cited on page 255 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") still in the publisher's shrinkwrap. 84-7664-663-1 Inventory Number: 017080

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. In a protective clear acetate dustwrapper. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "B. A. B" in black ink and "Ed Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the verso of the rear free endpaper showing overall wear and soiling to the faux wood veneer wrappers, a bit of creasing along the spine, and wear and fading to the corner mounts of the cover photograph. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025723

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. Inventory Number: 024819

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artist's Book. Very Good./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") showing a slight dent to the heel of the spine and some wear and creasing along the spine and extremities of the faux wood veneer wrappers. Its latigo leather thong is complete and still-supple and the mounted front cover photograph is present and uncompromised - though its corner mounts show some sunning. Both business cards are stapled to the recto of the rear leaf, as issued. It additionally bears the BOLDLY INSCRIBED PRESENTATION "For Christopher Finch / Apt 412, 333 Oak Grove Street / Minneapolis Minnesota / 55403 / with much affection / B. A. B." as a thought balloon in black ink and "E Ruschay" in blue ink on the front cover. Chris Finch is a noted artist and writer who prominently included Ruscha's work in his 1968 survey "Pop Art: Object and Image" published by Studio Vista. He was a curator at Minneapolis' Walker Art Center at the time of "Business Cards"' publication, and from whom we obtained this significant tome directly. Inventory Number: 022374

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1968. First Edition 1/2400. 8vo. Printed Wrappers in Glassine. Artist's Book. Good./Good.. np (64pp), 10 color illustrations. In a protective clear acetate dustwrapper. "Nine Swimming Pools" is Edward Ruscha's eighth artist book from 1968 - a paean to the beauty of the well-appointed Southern California patio, and the blank white page. A presentable example of the uncommon 1968 first edition (entry B8 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book" and page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") limited to two thousand, four hundred unnumbered copies showing some mild waviness - but no dampstaining or sticking - to the front cover and first third of the textblock due to contact with moisture, a thin margin of light soiling to the wrappers along the bottom edge, and a short crease to the rear cover near the top edge. The publisher's lightly age-toned original glassine wrapper is present with noticeable browning, chipping, and some mild paper loss along the bottom edge. All in all, this is a still-solid copy of the first edition of a most desirable Ruscha title that looks looks far nicer in hand than it describes. It has been priced accordingly. Inventory Number: 026068

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Self-Published, 1972. First Edition 1/4065. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (64pp), 15 color illustrations. In a protective clear acetate dustwrapper. "Colored People" is Edward Ruscha's sixteenth photographically illustrated artist book - a charming color cataloguing of fourteen cacti and one palm tree. A bright yellow, most handsome example of the 1972 first and only edition (entry B16 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 104 of "From Fair to Fine 2", and page 224 of "From Fair to Fine 3") limited to four thousand and sixty-five unnumbered copies showing a few specks of trivial soiling along with a short soft crease along the foredge of the front cover, but none of the sunning or fading typically associated with this title. Inventory Number: 025730

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. In a protective clear acetate dustwrapper. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome example of the first and only edition (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine: 20th Century Photography Books That Matter", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to two thousand unnumbered copies that was issued without a glassine wrapper. A small blue adhesive label reading "Wittenborn Art Books / 1018 Madison Ave., New York 21" is affixed to the inside of the rear cover. Inventory Number: 025729

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1968. First Edition 1/2400. 8vo. Printed Wrappers in Glassine. Artist's Book. Fine./Very Good.. np (64pp), 10 color illustrations. In a protective clear acetate dustwrapper. "Nine Swimming Pools" is Edward Ruscha's eighth artist book from 1968 - a paean to the beauty of the well-appointed Southern California patio, and the blank white page. A most handsome example of the uncommon 1968 first edition (entry B8 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book" and page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") limited to two thousand, four hundred unnumbered copies showing a thin margin of light soiling at the bottom edge along the spine in the publisher's well-preserved original glassine wrapper that is missing a few tiny chips along the extremities. A white adhesive label reading "American Distributor: / Wittenborn and Company / 1018 Madison Ave., New York, N.Y. 10021" is affixed to the verso of the final page. Inventory Number: 025724

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1965 (1970).: Self-Published. Second Edition 1/3000. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Very Good -.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's 1965 photographic homage to the subtle beauty of the post-war Southern California rental property construction boom (and not to be confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title). A bright white, most handsome example of the 1970 second edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to three thousand unnumbered copies in the publisher's original glassine wrapper showing some mild age-toning, two closed tears, and a small chip missing from the top edge of the rear cover. A white adhesive label reading "American Distributor: / Wittenborn and Company / 1018 Madison Ave., New York, N.Y. 10021" is affixed to the inside of the rear cover. Inventory Number: 025719

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1964 (1970).: Self-Published. Second Edition 1/3000. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Good +.. np (48pp), 16 b&w illustrations. In a protective clear acetate dustwrapper. Published in 1964, "Various Small Fires and Milk" is Edward Ruscha's second photographically illustrated artist book - a humorous cataloguing of flames and a glass of milk. A bright white, most handsome example of the 1970 second edition (entry B2 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book" and 140 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to three thousand unnumbered copies in the publisher's notably creased, chipped, and torn original glassine wrapper showing some paper loss along the extremities. A white adhesive label reading "American Distributor: / Wittenborn and Company / 1018 Madison Ave., New York, N.Y. 10021" is affixed to the inside of the rear cover. It has been priced accordingly. Inventory Number: 025718

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. In a protective clear acetate dustwrapper. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome example of the first and only edition (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine: 20th Century Photography Books That Matter", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to two thousand unnumbered copies that was issued without a glassine wrapper showing some trivial sunning along the spine. Inventory Number: 025235

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071