Arcana:

(KONOWIECKI, KOVI). Konowiecki, Kovi. Los Angeles: Deadbeat Club Press, I00210727, 2021. First Edition. 11 x 9", 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. New/New. 144pp, profusely illustrated in color and b&w. Designed by Kovi Konowiecki and Morgan Crowcroft-Brown. "As the title of Kovi Konowiecki’s debut monograph – and in its place, another – reminds us, we are always and forever subject to the twin certitudes of transience and change. As is the artist, who has moved back and forth between California, Mexico, Europe, and the Middle East, all of which places are part of the fabric of this sprawling, unscripted book. Here we are confronted with the geographical and emotional margins of society and the mind: the external and internal boundaries that inhibit both human movement and human potential. The photographs portray individuals and communities that exist in a liminal space between belonging and abandonment, many of which exert feelings of desolation.But what might seem on the surface political is made intensely personal through Konowiecki’s purposeful reliance on emotional connections in the pictures rather than specific relationships of place or subject. As he says, this work comes as a “happy accident, inspired by the frequent travels that nourished a sharp eye for the liminal types of communities to which I am drawn: people I have met in my wanderings, passersby in the street, a horse trained in a small Arab village, and untended gardens.” The “unscripted” nature of the work has an impact on the form of the book, in particular in the variety of genres and colors, from landscape photography to portraiture and from black and white to color. The various forms of expression serve as ways to materialize the ideas at the core of the project and to break down barriers or restrictions within the photographic medium." A brand new, most handsome example of this now out of print gem additionall SIGNED "Kovi Konowiecki" in black ink on the colophon page at rear. 978-0999829882 Inventory Number: I00210723

(KOONS, JEFF) (TASCHEN, BENEDIKT). Paz, Marga & Benedikt Taschen. Koln, GERMANY: Benedikt Taschen Verlag, 2004. First Edition. Folio. Boards in Illustrated Jacket. Exhibition Catalog. As New/As New. 256pp, profusely illustrated in color and b&w. Text in English, German and Spanish. With an exhibition checklist and bibliography. This is the beautifully produced, oversized hardbound catalogue published in conjunction with the 2004 Reina Sofia Madrid exhibition of works from the extraordinary contemporary art holdings amassed over the previous two decades by legendary publisher Benedikt Taschen. "Benedikt Taschen began seriously building his personal collection in 1985, through his involvement in the contemporary art world. It is limited to a small number of artists by whom he owns a great number of pieces. This concentration both traces the development of the work of a few over time and allows us to explore their scope and vision in greater depth. Among the best-represented artists of the collection are Germans Albert Oehlen and Martin Kippenberger (with more than a hundred works each), and the American artists Jeff Koons and Mike Kelley. Additionally, Taschen owns many quality pieces representing key artists from the generation that emerged in the 1980s and is still active today. Among them: Thomas Struth, Gunther Forg, Cindy Sherman, Christopher Wool, Darren Almond, Werner Buttner, Andre Butzer, and Wolfgang Tillmans, not to forget photography doyens Julius Shulman and Helmut Newton, and Elmer Batters and Eric Stanton. A brand new, most handsome example acquired directly from the publisher additionally BOLDLY SIGNED AND DATED "Jeff Koons / 12/3/04" WITH A FLOWER DRAWING executed at Art Basel Miami 2004 in black marker across the title page. 3-8228-4011-4 Inventory Number: 026516

(KOONS, JEFF). Rosenblum, Robert & Jeff Koons. Sadie Coles & Robert Violette, Editors. London: Anthony d'Offay, 1992. First Edition. Narrow 8vo. Pictorial Self-Wrappers. Catalogue Raisonné. Very Good.. 176pp, profusely illustrated in color and b&w. Designed by Herman Lelie. In a protective clear acetate dustwrapper. This charming little book published by Anthony d'Offay in 1992 is a catalogue raisonné of works executed by Jeff Koons between 1979 and 1992. It includes an essay by Robert Rosenblum as well as running commentary on the work by the artist throughout. A handsome example of the gallery's true first edition additionally SIGNED AND DATED 3/22/01 WITH A FLOWER DRAWING by Jeff Koons in blue ink on the front free endpaper showing some light wear and rubbing to the covers - primarily along the spine. 0-947564-46-2 Inventory Number: 017331

(KRIMS, LES). Krims, Les. Introduction by Hollis Frampton. Buffalo, NY: Humpy Press Inc., 1975. First Edition 1/125 Deluxe. 12mo. Pictorial Wrappers. Photography Monograph. Near Fine.. np (94pp), 40 color illustrations. Designed by Les Krims. In a protective clear acetate dustwrapper. "Fictcryptokrimsographs" is one of Les Krims' charming self-published photography books from the seventies. It reproduces in miniature forty vaguely erotic, always humorous Polaroid SX-70 prints along with an introductory essay by the esteemed Hollis Frampton. A bright, most handsome example of the deluxe edition this little gem (cited on page 244 of Alessandro Bertolotti's "Books of Nudes") limited to one hundred and twenty five copies bearing the Humpy Press Inc. blindstamp SIGNED AND DATED "Krims 76" in pencil on the front pastedown with a SIGNED AND NUMBERED (4/125) 4 ¼ x 3 ½" unique Polaroid color print of "Goldfish Bowl Press and Plug 1974" (reproduced as plate number 2) laid into a glassine envelope affixed to the inside front cover, as issued. Inventory Number: 021819

(KRIMS, LES). Krims, Les. Introduction by Hollis Frampton. Buffalo, NY: Humpy Press Inc., 1975. First Edition. 12mo. Pictorial Wrappers. Photography Monograph. Fine.. np (94pp), 40 color illustrations. Designed by Les Krims. In a protective clear acetate dustwrapper. "Fictcryptokrimsographs" is one of Les Krims' charming self-published photography books from the seventies. It reproduces in miniature forty vaguely erotic, always humorous Polaroid SX-70 prints along with an introductory essay by the esteemed Hollis Frampton. A bright, most handsome copy of this little gem (cited on page 244 of Alessandro Bertolotti's "Books of Nudes") bearing the Humpy Press Inc. blindstamp additionally SIGNED AND DATED "Krims 75" in the year of publication by the photographer in pencil on the front free endpaper. Inventory Number: 021612

(KUHN, MONA). Kuhn, Mona. Göttingen, GERMANY: Steidl, 2004. First Edition. Large Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 108pp, 33 duotone and 20 color illustrations. Text in English. Designed by Steidl Design. "The people in Mona Kuhn's photographs are nude but not naked. Completely relaxed before the camera, they give the impression that nothing could clothe them better than their own skin. With a unique style, Kuhn's intimate photographs of both young and old are sensual compositions of skin and wrinkles, light and shadow, gestures and gazes. She creates tautly composed images and balance sharply rendered portraits against blurred backgrounds to lure the eye and provoke the imagination". This is Brazilian born, California based photographer Mona Kuhn's extraordinary second book of portraits and nudes. Coming from a background that included time as an assistant to Jock Sturges, she has formed her own unique documentary approach that is an ongoing study of youth, nature, and the beauty of the unguarded human body. A brand new, most handsome example of the 2004 Steidl first printing additionally BOLDLY SIGNED "Mona Kuhn" in black ink across the entire title page. 3-86521-008-2 Inventory Number: 026972

(LEONARD, HERMAN). Leonard, Herman & Richard Williams. NP. ND (1992).: Self-Published. First Edition #270/300. Folio. Loose Plates in a Solander Box. Photography Monograph. Fine/No Jacket - As Issued. One 14 x 22" sheet folded neatly in half vertically to make 4pp + twelve 14 x 11" heavy cardstock sheets printed recto in duotone and verso in offset - each housed in a printed vellum sleeve, 12 duotone illustrations. "In Memorium" (sic) is the luxe 1992 self-published portfolio of twelve iconic images of legendary deceased Jazz musicians by the noted late American photographer Herman Leonard. It contains twelve individual suitable for framing duotone offset plates featuring Louis "Satchmo" Armstrong, Art Blakey, Miles Davis, Edward "Duke" Ellington, Erroll Garner, Stan Getz, Dexter Gordon, Billie Holiday, Thelonious Monk, Charlie "Bird" Parker, Sarah Vaughan, Lester "Prez" Young, and Sarah "Sassy" Vaughan. Each is comes in its own captioned vellum protective sleeve and accompanied by a four page colophon/booklet with biographical texts by Richard Williams. The contents are housed in a sumptuous gilt-stamped deep burgundy moiré silk-over-boards solander box. According to the photographer in a letter dated in 2010 "This was a boxed set we produced in 1992, as you describe. You have a rare item. Not more than eighteen were sold". It seems that the portfolios were completed as they were purchased from Leonard's studio, and the few copies that have turned up in the marketplace in recent years have virtually all been unsigned and unnumbered. An internally pristine example from the exceeding uncommon SIGNED AND NUMBERED (#270/300) edition in a like portfolio. Inventory Number: 026048

(LEVICK, MELBA). Woods, Douglas & Melba Levick. New York: Rizzoli International Publications, 2014. First Edition. Small Square 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. 240pp, profusely illustrated in color. "The masterpieces of small-house living featured here will serve as inspiration to those who struggle with the challenges presented by contemporary life in petite-size homes. "Dreaming Small" is a celebration of jewel-box homes, each marked by a sense of style that marries eclecticism, practicality, beauty, and livability. From quintessential bungalows and classic casas to Tudor fantasies, these delightful abodes are models of rich diversity and inspired living. In brilliant new photography, the book explores the possibilities that exist in these mostly unpublished gems by legendary architects Irving Gill, Richard Neutra, Rudolph Schindler, Craig Ellwood, and Paul R. Williams, among others. The houses, each under two thousand square feet, are examples of what is possible in the small home and offer the reader a colorful palette of ideas from which to artfully transform spaces into comfortable, contemporary living". A brand new, pristine example of the 2014 first printing of this charming survey of intimate Southern California interiors additionally BOLDLY SIGNED by author Douglas Woods and photographer Melba Levick in black ink on the title page. 0-8478-4231-2 Inventory Number: 023138

(LEVINTHAL, DAVID) (ELLROY, JAMES). Ellroy, James & David Levinthal. Paris: Coromandel Express, 1998. First Edition 1/55. Small Square Folio. Loose Contents in a Box. Illustrated Book. Fine/No Jacket - As Issued. np, with six Cibachrome prints and one hand-painted gelatin silver print. Text in English and French. Designed by Olivier Andreotti and Penelope Monnet. "My Mother's Killer" is the luxe 1998 Coromandel Express collaborative interpretation of the events surrounding the unsolved 1958 Los Angeles murder of James Ellroy's mother Geneva as recreated by noted photographer David Levinthal in a series of stylized miniature tableaux. It features a highly graphic bi-lingual presentation of Ellroy's text juxtaposed across six tri-fold leaves - each of which contains an archivally housed 11 ½ x 10 ½" color Cibachrome print. The publisher's chemise contains a seventh print - a 7 ¾ x 9 ¾" hand-painted gelatin silver photograph SIGNED AND DATED "David Levinthal 1988/1998" in black ink on the verso. These are all housed in a printed slipcase. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to fifty-five copies BOLDLY SIGNED by Ellroy and Levinthal in pencil on the colophon with a Coromandel Express 1998 New Year's card cum publisher's announcement laid in. Inventory Number: 025053

(LEVINTHAL, DAVID) (TRUDEAU, GARRY). Trudeau, Garry & David Levinthal. New York. 1977 (1989).: Laurence Miller Gallery. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Artist's Book. Fine/Fine. 95pp, profusely illustrated in b&w. With a bibliography. This is Garry Trudeau and David Levinthal's loopy collaborative interpretation of Germany's hellish battle with Russia to secure the Eastern front during World War II. It features the photographer's now iconic photographic images of HO gauge miniatures re-enacting Hitler's struggle against Stalin interspersed with Trudeau's narrative, and brief quotes from combatants, journalists and historians. A brand new, pristine example of the 1989 edition SIGNED "David Levinthal" in black ink on the title page. 0-8263-1176-8 Inventory Number: 015060

(LEVITT, HELEN). Levitt, Helen & James Agee. New York: Horizon Press, 1981. First Edition Thus 1/250 Deluxe. 4to. 1/4 Vellum Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np, 90 b&w illustrations. Designed by Marvin Hoshino. "A Way of Seeing" is the late Helen Levitt's classic presentation of New York street photography accompanied by an incisive essay by James Agee. Limited to two hundred and fifty copies only, this example is from the 1981 Horizon Press deluxe edition that was completely redesigned from the 1965 Viking first printing; containing a revised text along with twenty-four additional images. It is bound in one quarter gilt-stamped-vellum-over-gilt-stamped blue boards, and is housed in a blue linen slipcase. A most handsome copy (whose 1965 first edition is cited on pages 252-253 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 214-215 of The Hasselblad Center's "The Open Book", pages 178-179 of "The Book of 101 Books", and pages 92-96 of Horacio Fernandez' "New York in Photobooks") NUMBERED (31/250) AND SIGNED "Helen Levitt" in black ink on the colophon, as issued, showing some sunning to the slipcase along its extremities. It has been priced accordingly. 0-8180-1422-9 Inventory Number: 016847

(LICHER, BRUCE). Licher, Bruce & Karen Nielsen Licher. Aurora, NY: P22 Type Foundry, 2019. First Edition. Large Square 4to. Letterpress Illustrated Boards. Music Monograph. As New/No Jacket - As Issued. 240pp, 1000+ illustrations in color and b&w. Art Direction and Design by Bruce Licher and Jim Greishaber. "Bruce Licher is a musician, artist, and designer who founded Independent Project Press. After learning the art of letterpress printing at Los Angeles' famed Women's Graphic Center at the beginning of 1982, his initial projects centered around creating album covers, postcards, and promotional stamps for his band Savage Republic. It didn't take long before he was producing work for other Los Angeles underground music groups, along with a growing number of clients in the Los Angeles design community. In addition to packaging and releasing music on his own record label, Independent Project Records, Independent Project Press has produced elegant and creative pieces of letterpress-printed ephemera for the likes of REM, Stereolab, and Camper Van Beethoven. Licher was nominated twice for a Grammy Award for his album packaging, and has been credited with starting the trend in letterpress-printed CD and record packaging using industrial-style chipboard. His work has been featured in two major design exhibitions at the Cooper-Hewitt National Design Museum in New York City. Published by P22 Type Foundry Publication, "Savage Impressions" is the first extensive monograph on Bruce Licher's Independent Project Records & Press. Beautifully designed and lavishly produced, the book is a profound reminder of the value of the hand-made and how it can interface with the mass produced." A brand new, most handsome example of this exciting document limited to six hundred and fifty copies - already almost entirely subscribed - additionally SIGNED by authors Bruce Licher and Karen Nielsen Licher in ink on the title page. 0-9631082-6-3 Inventory Number: 027225

(LICHER, BRUCE). Licher, Bruce. Foreword by Kurt Braun. Afterword by Gary Todd. Los Angeles: Independent Project Records, 1989. First Edition 1/300. Square 4to. Letterpress Printed Wrappers. Vinyl LPs + Loose Contents. As New/As New. np (42pp) + two 10" vinyl LPs with loose printed matter housed in a hand letterpress printed chipboard jacket. Art Direction and Design by Bruce Licher. This is the lavishly designed and printed compilation of the earliest recordings by noted Los Angeles-based musician, graphic designer and printer Bruce Licher issued in conjunction the 1989 Independent Project Press exhibition entitled "Bruce Licher: The Ten Year Retrospective" held at the Hallway Gallery. It contains two 10" vinyl discs featuring Licher's solo endeavors along with works by Neef, Them Rhythm Ants, Tunneltones, 1/2 "Bridge", Africa Corps, Savage Republic, "Bridge", and Final Republic, along with a detailed booklet of notes, a portfolio of ten 8 ½ x 10" reproductions of performance flyers from 1980-1982, and a glassine envelope filled with reprints of selected letterpress items, as issued. A brand new, pristine unplayed numbered example (048/300) from an edition of three hundred copies of Independent Project Records release IP 024/025 in its elegant hand letterpress printed package SIGNED "Bruce Licher" in black ink on the front cover still in its original plastic sleeve. Laid into the package is an additional SIGNED hand written one page letter in red ink from Bruce Licher bearing an IPR stamp effusively thanking two record industry colleagues for their support of the project. Inventory Number: 022817

(LINDNER, RICHARD) (DERRIERE LE MIROIR). Lord, James. Paris: Maeght Editeur, 1977. First Edition 1/150 Deluxe. Folio. Wrappers in Slipcase. Artist Monograph. Fine. 24pp, profusely illustrated in color and b&w. Text in French, with an English summary. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Richard Lindner's 1977 exhibition of paintings and watercolors. An internally bright, pristine example of the deluxe slipcased edition printed on Velin de Rives limited to one hundred and fifty copies NUMBERED (39/150) AND BOLDLY SIGNED "R Lindner" in pencil on the rear colophon housed in the publisher's purple paper-over-boards chemise and slipcase with printed pastedown. The magazine itself is in spectacular condition, the chemise bears mild sunning along the spine, while the slipcase shows light wear and similar mild sunning. Inventory Number: 024984

(LYNCH, DAVID). Lynch, David, Kristine McKenna, Takashi Nibuya, et al. Tokyo: Touko Museum of Contemporary Art & Treville, 1991. First Edition. 8vo. Boards in Dust Jacket. Artist Monograph. Fine/Fine. 123 + 36pp, profusely illustrated in color and b&w. Text in Japanese (and English). This is an intricately produced and appropriately disconcerting catalogue published to accompany an exhibition of David Lynch's artwork at Tokyo's Touko Museum of Art. Cinema's Master of the Weird displays his skewed genius in a different medium here, to an equally fascinating and unnerving end. A most handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To ... / best wishes / David Lynch. 1993." in black ink on the title page with the publisher's English language translation booklet and obi and laid in. 4-8457-0587-7 Inventory Number: 027732

(LYON, DANNY). Lyon, Danny. Santa Fe, NM: Twin Palms Publishers, 1999. First Edition 1/150 Deluxe. 4to. Debossed Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 148pp, 64 color illustrations. Designed by Guy Russell. "Knave of Hearts" is a visual memoir in which Danny Lyon recounts his adventures as a photographer. It is illustrated with color photo-montages and unpublished pictures from his three classic photodocumentary works: "The Bikeriders", "Conversations with the Dead", and "The Destruction of Lower Manhattan". The auto-biographical text tells the Lyon family's history, beginning with the 1905 revolution in Russia, and covers the unrest of 1960s America and the social radicalism of New Mexico in the 1970s. In words and photographs Lyon memorializes the friends, family, and adventures of his life". A brand new, pristine example of the 1999 deluxe Twin Palms first edition (cited on page 242 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred and fifty copies numbered 51-200 (94/200) BOLDLY SIGNED by the photographer in black ink on the rear colophon housed in the publisher's debossed cloth slipcase still in shrinkwrap, as issued. Only copies of the extra-deluxe edition numbered 1-50 contained the signed photographic print. 0-944092-64-0 Inventory Number: 024568

(LYON, DANNY). Lyon, Danny. Santa Fe, NM: Twin Palms Publishers, 1999. First Edition 1/50 Deluxe. 4to. Debossed Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 148pp, 64 color illustrations. Designed by Guy Russell. "Knave of Hearts" is a visual memoir in which Danny Lyon recounts his adventures as a photographer. It is illustrated with color photo-montages and unpublished pictures from his three classic photodocumentary works: "The Bikeriders", "Conversations with the Dead", and "The Destruction of Lower Manhattan". The auto-biographical text tells the Lyon family's history, beginning with the 1905 revolution in Russia, and covers the unrest of 1960s America and the social radicalism of New Mexico in the 1970s. In words and photographs Lyon memorializes the friends, family, and adventures of his life". A brand new, pristine unopened example (cited on page 242 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") of the uncommon 1999 extra-deluxe Twin Palms first edition of fifty copies numbered 1 through 50 (10/200) BOLDLY SIGNED by the photographer in black ink on the rear colophon accompanied by a 12 x 10" matted black and white photograph of a montage of images from "Conversations with the Dead" SIGNED "Danny Lyon" in pencil along with his "Bleak Beauty" stamp in red ink on the verso housed in the publisher's debossed cloth clamshell box, as issued. Deluxe copies numbered 51-200 are signed and slipcased. 0-944092-64-0 Inventory Number: 022496

(LYOTARD, JEAN-FRANCOIS). Lyotard, Jean Francois. Bruce Boone, Translator. Venice, CA: Lapis Press, 1990. First Edition. 4to. Boards in Clamshell Box. Art Theory Monograph. As New/As New. 64pp, illustrated in b&w. Designed by Robert Shapazian and Patrick Dooley. Originally issued as "Le Mur du Pacifique" by Editions Galilee in 1979, "Pacific Wall" is the first English language edition of renowned French theoretician Jean-Francois Lyotard's anthology of nine essays on "the Western". It is an elaborately designed reinvisioning published in 1990 by Sam Francis' Lapis Press that includes gatefold illustrations of Ed Kienholz' "Five Card Stud" and the downtown Los Angeles freeway system. One of only a handful of presentation copies produced hors commerce for the press and contributors, it consists of the book in its fragile unprinted yellow acetate jacket with printed acetate wraparound title band housed in a crimson linen-over-boards clamshell box with a gilt-debossed spine. A brand new, pristine example additionally bearing the BOLDLY SIGNED PRESENTATION "For King Henry, our own, Love from the editor - Robert Shapazian" and "+ the Publisher Sam Francis" for Henry Hopkins in purple ink on page 60 whose box shows some very light wear and soiling. The late Henry T. Hopkins was a pioneering California-based museum director, art historian and gallerist from whom we acquired this directly prior to his passing. 0-932499-64-3 Inventory Number: 019521

(MALLEY, ALIA). Malley, Alia. Los Angeles: Sam Lee Gallery & Alia Malley, 2011. First Edition 1/1000. Oblong 4to. Debossed Cloth. Photography Monograph. As New/No Jacket - As Issued. np (32pp), 13 color illustrations. This is the hardbound catalogue published in conjunction with Los Angeles-based Alia Malley's 2011 Sam Lee Gallery solo exhibition of thirteen recent large scale color landscape photographs. A brand new, pristine example of this exceptionally lovely publication limited to one thousand copies only additionally SIGNEDa"Alia Malley" in black ink on the title page. Inventory Number: 020495

(MALLEY, ALIA). Malley, Alia & Sam Lee. Los Angeles: Sam Lee Gallery, 2010. First Edition 1/500. Oblong 8vo. Stapled Pictorial Wrappers. Photography Monograph. As New.. np (12pp), 7 color illustrations. With a biography and exhibition history. Published in conjunction with her 2010 Sam Lee Gallery solo exhibition, this slender yet elegant twelve page catalogue gorgeously illustrates Los Angeles photographer Alia Malley's current body of work - large scale, muted color images of the pastoral local exurban landscape that rest somewhere between Joel Sternfeld, Robert Adams and Jean-Baptiste-Camille Corot. A brand new, pristine example of her first publication limited to five hundred numbered copes additionally BOLDLY SIGNED "Alia Malley" in black ink on the title page. Inventory Number: 021933

(MANDEL, MIKE) (SULTAN, LARRY). Mandel, Mike & Larry Sultan. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. New York. 1977 (2003).: D.A.P. (Distributed Art Publishers). First Edition Thus. Small Oblong 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np (92pp), 61 duotone and 25 b&w illustrations. Designed by Victor Mingovits. Quite simply one of the most innovative, entertaining and thought-provoking photography books yet published, Mike Mandel and Larry Sultan's 1977 collection of uncaptioned evidentiary images has rightfully gained a legendary status in the thirty-five years since its initial publication. Now, "Evidence" is available once again in its original format, with the addition of a dust jacket, a new essay by SFMoMA curator Sandra Phillips on the book's impact and significance, and a two page layout of eighteen previously unpublished images entitled "Outtakes from Evidence, 1977-2003". A brand new, most handsome example of this wonderful tome (whose 1977 first printing is cited on pages 220-221 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 314-315 of The Hasselblad Center's "The Open Book", and pages 140-141 of "The Book of 101 Books") BOLDLY SIGNED by both Larry Sultan and Mike Mandel in black ink on the title page. 1-891024-62-0 Inventory Number: 024508

(MAPPLETHORPE, ROBERT). Mapplethorpe, Robert & Susan Sontag. Pasadena: Twelvetrees Press, 1985. First Edition 1/5000. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Very Good. np (112pp), 93 illustrations in monochrome gravure. Designed by Dimitri Levas. "Mapplethorpe’s portraits taken over the past ten years are exquisitely presented in gravure. His undeniable strength of vision is apparent in all styles of portraiture shown, ranging from stark studio shots of celebrities to environmental portraits of children. Here are many of his well-known images, including the self-portraits, as well as lesser-known work. Susan Sontag’s short essay on portraiture adds insight to the "Mapplethorpe mystique". A handsome example of the 1985 Twelvetrees Press first edition of what what was the first mnongraph on the iconic late photographer additionally INSCRIBED "for Nick - / Robert Mapplethorpe '86" in black ink on the half title page showing light soiling along with a tiny bit of insect damage to the edges of the textblock. 0-942642-14-7 Inventory Number: 026146

(MARCLAY, CHRISTIAN). Ferguson, Russell, Miwon Kwon, Douglas Kahn & Alan Licht. Russell Ferguson, Editor. Los Angeles & Gottingen, GERMANY: The Hammer Museum & Steidl, 2003. First Edition. Small 4to. 1/4 Linen Over Flexible Boards. Artist Monograph. As New.. 202pp, profusely illustrated in color and b&w. Designed by Georgianna Stout and Glen Cummings. With an exhibition checklist, exhibition history, bibliography, discography, and performance history. In a protective clear acetate dustwrapper. Published in conjunction with the extensive 2003 Hammer Museum retrospective of works by Christian Marclay, this beautifully designed and printed catalogue is the most comprehensive document to date on the noted Swiss artist and musician. A brand new, pristine example additionally bearing the SIGNED AND DATED PRESENTATION "To Robert, from Marclay / 6-4-03" to a noted art historian when the show opened at The Hammer in blue ink on the front free endpaper. 3-88243-931-9 Inventory Number: 024382

(MARCOPOULOS, ARI) (HAAKONSEN, TERJE). Marcopoulos, Ari. Zurich, SWITZERLAND: Nieves, 2006. First Edition. 8vo. Printed Wrappers. Photography Monograph. Fine.. np (32pp), profusely illustrated in b&w. This is the catalogue of Ari Marcopoulos' photographs of the innovative Norwegian professional snowboarder Terje Haakonsen - better know as "The Cat" - published in conjunction with a 2006 exhibition entitled "In The Alps" held at the Kunsthaus Zurch. A brand new, most handsome example of the first - and only - edition supported by Burton Snowboards additionally BOLDLY SIGNED "Ari Marcopoulos" in ink across the title page. 3-905714-15-9 Inventory Number: 026845

(MARCOPOULOS, ARI). Marcopoulos, Ari. NP (Seattle, WA). ND (2017).: Adidas. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (22pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Aight'" is Ari Marcopoulos' zine devoted to New York urban skateboarding produced in collaboration with legendary sportswear brand Adidas. A brand new, most handsome example of the uncommon first - and only - edition additionally BOLDLY SIGNED "Ari Marcopoulos" in black ink vertically across the front cover. Inventory Number: 026842

(MARCOPOULOS, ARI). Marcopoulos, Ari. Oakland, CA: These Birds Walk (TBW Books), 2006. First Edition #466/500. 8vo. Printed Wrappers. Photography Monograph. Fine.. np (40pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Living in the New Rome" is Ari Marcopoulos' solo contribution to TBW Books' very first four volume subscription series from 2006. A most handsome example of this exceedingly uncommon item published in an edition of five hundred NUMBERED (466/500) copies additionally BOLDLY SIGNED AND DATED "Ari Marcopoulos / 2007" in black ink across the inside rear cover. Inventory Number: 026841

(MARCOPOULOS, ARI). Marcopoulos, Ari. Zurich, SWITZERLAND: Nieves, 2004. First Edition #57/100. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (26pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "One A Day" is "Zine Master of the World" Ari Marcopoulos' slender 2004 survey of black and white photographs that includes portraits of the likes of The Beastie Boys, Jean-Michel Basquiat, Andy Warhol, Miles Davis, and others. A brand new, pristine example of this exceedingly uncommon item published by Nieves in an edition of one hundred NUMBERED (57/100) copies additionally BOLDLY SIGNED AND DATED "Ari Marcopoulos / ARI 2004" in the year of publication in black ink across the inside rear cover. Inventory Number: 026839

(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Sydney, AUSTRALIA: Perks and Mini, 2004. First Edition. 8vo. Pictorial Wrappers. Photography Monograph. Fine.. np (38pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. Australian Cultural purveyors Perks and Mini's 2004 title "What's Happening?" is artist/photographer supreme Ari Marcopoulos' back-to-back and upside-down dual tribute to the recently deceased snowboarder Craig Kelley and skate legend Justin Pierce. A brand new, most handsome example of the uncommon first - and only - edition issued as Perks and Mini PB009 additionally SIGNED "Ari Marcopoulos" in pencil along the bottom edge of the Craig Kelley cover. Inventory Number: 026838

(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND & Melbourne, AUSTRALIA: Nieves & Someday Gallery, 2006. First Edition 1/200 Artist Proofs. Small 4to. Pictorial Wrappers. Photography Monograph. Fine.. np (160pp), 78 b&w illustrations. In a protective clear acetate dustwrapper. "This is Ari Marcopoulos' ironically titled, compelling mix of new and old images - a collection of his works like you have never experienced before. The book is published by Nieves for the exhibition "Under Penalty of Perjury" at Someday Gallery in Melbourne, where Ari’s works are shown for the first time as large scale black and white photocopied prints on paper. Ari’s long-standing collaboration with Nieves and his choice of using xeroxed reproductions for the exhibition have made it a natural step to produce this new book together. It comes with two different covers and is published in an edition of two hundred copies". A most handsome example of what is arguably the most sought after of Mr. Marcopoulos' many fine books from the one hundred unnumbered copies with the image of skateboarder Frank Natiello on the front cover additionally BOLDLY SIGNED TWICE by the photographer in black ink across the title page. Inventory Number: 023068

(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND: Nieves, 2007. First Edition 1/150. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (22pp), profusely illustrated in b&w. "What's Happening?" is "Zine Master of the World" Ari Marcopoulos' slender little artist's book of black and white photographs of the natural world taken between late 2006 and early 2007 - though there is a single image of two skateboarders pictured here at the rear. A brand new, pristine example of this exceedingly uncommon item published by Nieves in an edition of one hundred and fifty NUMBERED (77/150) copies additionally BOLDLY SIGNED "Ari Marcopoulos" in black ink on the inside rear cover. Inventory Number: 022556

(MARKOSIAN, DIANA). Markosian, Diana. New York, NY: Aperture, I00250219. 2024. First Edition. 9 x 6 1/2", 8vo. Gilt-Debossed Flocking Over Boards. Photography Monograph. New/No Jacket - As Issued. 978-1597115896

144pp. 70 color illustrations. "Diana Markosian’s "Father" is an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera. The book presents the photographer’s journey to another place and another time, where Markosian attempts to piece together an image of a familiar stranger - her long-lost father. The book explores her father’s absence, her reconciliation with him, and the shared emptiness of their prolonged estrangement. The images, made over the course of a decade, take place in her father’s home in Armenia. In Markosian’s first monograph, Santa Barbara (Aperture, 2020), the photographer recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s. Father uses both documentary photographs and archives of objects, letters, and vernacular images to probe the fifteen years of absence and separation from the photographer’s childhood. In this voyage of self-discovery, Markosian touchingly renders her longing for connection to a man she barely remembers and who asks her, when she finds him, “Why did it take you so long?” A brand new example of this exquisite and poignant production additionally SIGNED by Diana Markosian.

Inventory Number: E000DMF

(MARTINEZ CELAYA, ENRIQUE). Martinez Celaya, Enrique, Mary Rakow & Matthew Biro. Barcelona, SPAIN: Ediciones Poligrafa, 2013. First Edition. 4to. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued. 176pp, 110 illustrations in color and b&w. Text in English and Catalan. With a biography, exhibition history and bibliography. "Enrique Martinez Celaya is one of the most intriguing and celebrated artists to emerge from the United States in recent years. Trained as artist and physicist, his practice embraces painting, sculpture, photography, and writing. His projects frequently take the form of multi-disciplinary environments that balance images with the immediacy of the material experience. In the first comprehensive study of Martinez Celaya's multifaceted process, Mary Rakow and Matthew Biro illuminate previously unaddressed aspects of the artist’s practice including his tendency to destroy his own work, his materials and approaches towards them, his literary influences, and the changes that led to pivotal moments in his career. "Working Methods" features new photography, archival images, and a number of previously unpublished works. Also included is an interview by Rakow with the artist that reveals his unique practice". A brand new, pristine example additionally SIGNED AND DATED "Enrique Martinez Celaya / 7-19/13" in the year of publication in black ink on the title page. 84-343-1316-2 Inventory Number: 023234

(MATSUMOTO, AKIRA). Matsumoto, Akira, Tsunehisa Hiruma, Masayoshi Homma & Makoto Nakamura. Tokyo: Gyarari Natsuhiko, 1991. First Edition #281/600 Deluxe. Oblong 4to. Debossed Cloth in Slipcase. Catalogue Raisonné. Fine/No Jacket - As Issued. 312pp, 358 illustrations in color and b&w. Text in Japanese and English. With a biography, exhibition history and bibliography. This is the beautifully printed 1991 monograph on the noted Japanese Pop-turned-Abstract artist Akira Matsumoto. It contains essays by Tsunehisa Hiruma, Masayoshi Homma, and Makoto Nakamura along with a catalogue raisonné of works executed between 1960 and 1990. A most handsome example of the uncommon deluxe edition limited to six hundred copies NUMBERED (281/600) and additionally SIGNED in Japanese by the artist in black ink on the title page housed in the publisher's gilt-debossed slipcase with the ORIGINAL COLOR SILKSCREEN PRINT "Arrangement (Inversion S 15)" SIGNED AND NUMBERED (281/600) in pencil laid in, as issued. Inventory Number: 022524

(MATTA-CLARK, GORDON). Matta-Clark, Gordon. Antwerp, BELGIUM: Internationaal Cultureel Centrum, 1977. First Edition #118/250 Deluxe. Double Elephant Folio. Printed Poster. Artist's Multiple. Very Good.. One 35 x 24 ½" heavy paper sheet printed color offset recto only, 1 color illustration. Designed by Gordon Matta-Clark. This is the striking poster cum artist's multiple published in conjunction with Gordon Matta-Clark's 1977 project in Antwerp sponsored by the Internationaal Cultureel Centrum. Invited to create a work in honor of the four hundredth anniversary of the Antwerp Baroque painter Peter Paul Rubens, the noted artist elaborated upon his "Splitting" piece by performing an intervention that became known as "Office Baroque" on a vacant building on the Ernest Van Dijckkaai provided by the I.C.C. The poster reproduces Matta-Clark's photomontage proposal for the work. A handsome example of this exceedingly uncommon item whose provenance derives from Holly Solomon - Matta-Clark's primary dealer during his lifetime who along with her husband Horace purchased the Humphrey Street residence for the artist's use - from the edition of two hundred and fifty copies BOLDLY SIGNED "Gordon Matta Clark" AND NUMBERED (118/250) in black ink on the recto showing some minor handling creases and small nicks along the edges. Inventory Number: 027181

(MEISELAS, SUSAN) Meiselas, Susan, Felix Hoffmann & Abigail Solomon-Godeau. Göttingen, GERMANY: Steidl, I00220512, 2022. First Edition Thus. 9 1/2 x 11", 264 Pages. Hardcover in Pictorial Slipcase. Photography Monograph. New/New. 978-3969990025

"From 1972 to 1975, Susan Meiselas spent her summers photographing women who performed striptease for small-town carnivals in New England, Pennsylvania and South Carolina. As she followed the shows from town to town, she captured the dancers on stage and off, their public performances as well as their private lives, creating a portrait both documentary and empathetic: “The recognition of this world is not the invention of it. I wanted to present an account of the girl show that portrayed what I saw and revealed how the people involved felt about what they were doing.” Meiselas also taped candid interviews with the dancers, their boyfriends, the show managers and paying customers, which form a crucial part of the book. Meiselas’ frank description of these women brought a hidden world to public attention, and explored the complex role the carnival played in their lives: mobility, money and liberation, but also undeniable objectification and exploitation. Produced during the early years of the women’s movement, "Carnival Strippers" - one of the most important photobooks of the postwar era - reflects the struggle for identity and self-esteem that characterized a complex era of change. "Carnival Strippers Revisited" and "Making Of" come together in a slipcase. "Making Of "includes color images from "Carnival Strippers" that have never been printed and/or published before, along with ephemera material collected by Meiselas at the time she developed the project." A brand new, most handsome example of the first edition of this new and expanded edition (whose 1976 edition is cited on pages 312-313 of The Hasselblad Center's "The Open Book", page 50 of "From Fair to Fine: 20th Century Photography Books That Matter", page 245 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné", and pages 238-239 of "The Book of 101 Books") that went out out of print shortly after its 2022 publication additionally BOLDLY SIGNED by the photographer in black ink on the title page.

Inventory Number: I00250925CS

(MEISELAS, SUSAN). Meiselas, Susan. Göttingen, GERMANY & New York. 1976 (2003).: Steidl & The International Center of Photography, 2003. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 96pp, profusely illustrated in color and b&w. "In her most recent body of work, acclaimed photographer Susan Meiselas pieces together verbal and visual traces of encounters with the Dani - an indigenous people of the West Papuan highlands of New Guinea from the nearly six decades since their "discovery" by the West. In this subjective, fragmentary history, Meiselas draws from the experiences of missionaries, colonists, anthropologists and modern-day ecotourists, all of whom have come to the Dani's Baliem Valley and transformed the conditions under which they live. The ambiguous relations between power and representation - whether in the form of Dutch colonial patrol notes from the 1930s, the sensationalized media accounts of the survivors of a downed U.S. army plane in "Shangri-La" from the 1940s or a tourist’s snapshots from the 1990s - become visible in Meiselas's book, through both the contradictions and unexpected continuities of the gathered materials". Published in conjunction with the 2003 exhibition "Strangers: The First ICP Triennial of Photography and Video", this is a beautifully produced collage-like companion to the photographer's 1997 work; "Kurdistan: In the Shadow of History". A brand new, pristine example of the 2003 first edition (cited on page 245 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED AND DATED by Susan Meiselas in silver marker on the title page. 3-88243-930-0 Inventory Number: 007334

(MEISELAS, SUSAN). Meiselas, Susan. Claire Rosenberg, Editor. New York: Aperture Foundation, Inc., I00250913. 2025 (1981). Third Edition. 8 3/4 x 11", Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. New/New. 978-1597115902

128pp, 75 color illustrations. With a chronology. "Originally published in 1981, Susan Meiselas' "Nicaragua" is a modern classic - a seminal contribution to the literature of concerned photojournalism that forms an extraordinary narrative of a nation in turmoil. Starting with a powerful and chilling evocation of the Somoza regime during its decline in the late 1970s, the images trace the evolution of the popular resistance that led to the insurrection, culminating with the triumph of the Sandinista revolution in 1979. The 2008 edition includes "Pictures from a Revolution", a DVD in which Meiselas returns to the scenes she originally photographed, tirelessly tracking down the subjects and interviewing them about the reality of post-revolution Nicaragua. A brand new example of the 2025 Aperture third, updated edition (whose 1981 predecessor is cited on page 252 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 245 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally SIGNED by Susan Meiselas. 

Inventory Number: E00250913

(METINIDES, ENRIQUE). Metinides, Enrique, aka Charalambos Enrique Metinides Tsironides. Introduction by Alfonso Morales. Mexico City, MEXICO: Gobierno Del Distrito Federal & Ortega y Ortiz Editores, 2000. First Edition 1/5000. Oblong Small 4to. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 240pp, profusely illustrated in b&w and color. Text in Spanish. "El Teatro De Los Hechos" is Mexican cult photographer Enrique Metinides' autobiographical 2000 survey of his more than forty years of capturing mayhem, murder, death, and destruction on the streets of Mexico City for the tabloid newspaper "La Prensa". Often referred to as the "Mexican Weegee", for decades Metinides was the first photojournalist on the scene of automobile accidents, plane crashes, industrial fatalities, fires, explosions, dismemberments, murders, and more - all documented with a grisly artistry. A handsome example of this exceedingly uncommon and desirable document additionally BOLDLY SIGNED "Enrique Metinides" twice - once in block printing and once in cursive - in black marker on the title page. This copy bears the discreet ownership inscription of Mexico City-based filmmaker Trisha Ziff - who edited the 2012 Aperture monograph "Enrique Metinides: 101 Tragedies", and who is currently directing a documentary on the photographer. It shows some underlining in red ink throughout the text by Ziff, from whom we acquired this directly. It has been priced accordingly. 968-816-313-9 Inventory Number: 024546

(MEYER, PEDRO). Meyer, Pedro. Mexico City, MEXICO: Petroleos Mexicanos, 1988. First Edition. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 148pp, profusely illustrated in b&w. Text in Spanish. "Los cohetes duraron todo el dia" is noted Mexican photographer Pedro Meyer's 1988 socially conscious photo essay commissioned by the national petroleum company Pemex to coincide with its fiftieth anniversary. Due however to Meyer's dedication of the volume to Lazaro Cardenas, the socialist-leaning former president who established Pemex in 1938 as part of his nationalization of Mexican oil production (whose son also happened to be an opposition candidate to then-current president Carlos Salinas earlier in the year), the newly elected government seized nearly all the copies printed to put a stop to the book's distribution. A brand new, pristine example of this uncommon and desirable document (cited on pages 198-199 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") acquired directly from the photographer additionally BOLDLY SIGNED "Pedro Meyer" in black ink beneath the frontispiece image on the second preliminary. 968-6164-35-9 Inventory Number: 018260

(MILLS, JOSEPH). Mills, Joseph. Tucson, AZ & Washington, DC: Nazraeli Press, Hemphill Fine Arts & JGS (Joy of Giving Something), 2002. First Edition 1/100 Deluxe. 4to. Ostrich over Velvet Boards. Photography Monograph. As New/As New. np (32pp), 26 color illustrations. "The Loves of the Poets", featuring Joseph Mills' beautifully raw, disturbingly seductive collages, is a work of art unto itself. This gorgeous artist's book published in 2002 by Nazraeli Press, Hemphill Fine Arts, and Joy of Giving Something features twenty-six collages that seem to be on the verge of complete revelation but time and again leave the viewer on a suspended note. The success of these images, in the words of photographic historian and curator Anne Tucker, "lies in the fact that they are anchored in reality just enough so that we are on the edge between surreality and reality." Beautifully reproduced with antique paper backgrounds and a rich double varnish, "The Loves of the Poets" brings the marriage of artist and book to a new level". A brand new, pristine example from the deluxe edition limited to one hundred copies with full gilt edges and gilt-stamped green velvet covers NUMBERED AND SIGNED "Joseph Mills" in black ink on the rear colophon accompanied by a SIGNED AND NUMBERED PHOTOGRAPH laid down on a printed cardstock sheet both housed in the publisher's debossed black velvet clamshell box. 1-59005-127-0 Inventory Number: 025784