Arcana:

(WEBER, BRUCE). Weber, Bruce. Pasadena, CA: Twelvetrees Press, 1983. First Edition 1/5000. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Near Fine. np, profusely illustrated in monochrome and duotone gravure. Designed by John Eric Cheim. This is the exquisite first collection in book form of the photographs of the redoubtable Bruce Weber. Unabashedly celebrating youth and athleticism, it is divided into the chapters "Brothers", "Matt Dillon", "Notebook", "Lifeguards", "Clammers", "Hall of Fame", "Jeff (Aquilon)", and "On Leave in Waikiki". A handsome example of the 1983 first Twelvetrees Press edition of this influential book additionally bearing the BOLDLY SIGNED PRESENTATION "For ... Bruce Weber" in black ink on the title page showing some very light spotting to the edges of the textblock. Inventory Number: 024219

(WEEGEE). Fellig, Arthur, aka Weegee. Los Angeles. (circa 1950).: Weegee. First Edition. Oblong Folio. Silver Gelatin Photograph. Fine.. One 8 x 10" silver gelatin print printed recto only, mounted with archival photo corners in a heavy white 14 x 15 ½" beveled mat. This is a photographic portrait by Weegee "The Great" of noted Hollywood columnist, screenwriter and novelist Jimmy Starr. Starr is pictured on set laughing and enjoying the company of three actresses decked out in howlingly inauthentic outfits comprised of skull caps with wild hair, seashell necklaces, bangles, and sarongs in a culturally misguided attempt at Oceanic exoticism. Images of the actors without Starr photographed at the same sitting appear in both "Weegee's Naked Hollywood (1953)" and "Naked Hollywood: Weegee in Los Angeles (2011)". Beginning as an office boy at Metro Studios in 1919, Starr graduated to writing intertitles, dialogue, and screenplays for dozens of films in the 1920s and 1930s. His 1944 novel "The Corpse Came C.O.D." became the basis for a 1947 Columbia Pictures feature starring Joan Blondell and George Brent. Starr left studio work to write regular columns for "The Los Angeles Herald-Express", "New York Daily Mirror", and "Sunday Daily Mirror" before leaving town entirely for a successful career in Arizona with Ramada Inns. Weegee, following the success of Jules Dassin's 1948 feature "Naked City" - based on his pioneering 1945 photobook of the same title - moved to Los Angeles with the expectation of trading the late-night Manhattan crime and street photography he'd grown weary of for more lucrative process photography and cinematography jobs with the Hollywood studios. While there was some behind the scenes work along with few bit parts to be had, Weegee was primarily reliant on making distorted trick portraits of the likes of Marilyn Monroe and Jayne Mansfield to sell to magazines to make ends meet. In late 1951, newly-divorced he returned to New York where he remained active until his passing in 1968. A bright, fine condition vintage silver gelatin print on single weight glossy paper bearing the stamps "Arthur (Weegee) Fellig / 6606 St. Frances Terrace / Hollywood 28, Calif." in red and "FROM THE / JIMMY STARR COLLECTION" in purple ink on the verso. This was most likely a gift from Weegee to Starr, and as there was very little chance of selling this shot from the series for publication, there cannot be many - if any - other prints of this particular image in circulation. Inventory Number: 026241

(WEEGEE). Fellig, Arthur, aka Weegee. New York: Ziff-Davis Publishing Company, 1961. Second Printing. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Very Good. 160pp, 106 b&w illustrations. Did the twentieth century ever bring notoriety to a photographer more steeped in hype and myth than Arthur Fellig - aka "Weegee The Famous"? And while much if not most of that hype and myth was perpetuated by Weegee himself, the ingenuity of his exploits stalking the mean streets of crime-riddled, forties-era New York cannot be denied. Working mostly at night out of his improvised trunk-converted-into-a-darkroom, Weegee parlayed his police radio, trusty Speed Graphic camera, and an uncanny knack for getting to a crime scene quickly into journalistic infamy. His first book, "Naked City" became a bestseller as well as the basis for both Jules Dassin's film and the television series of the same name. He later tried his luck in Hollywood, then plumbed the depths of female figure photography, exploitation filmmaking, and photographic special effects. In this, his 1961 autobiography, Weegee equally illuminates and propagates his mythic stature with no apparent lack of self-confidence. An internally most handsome example of the Ziff-Davis Publishing Company first edition additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Warren Bush / Weegee / 1964 ------" in green ink on the front pastedown whose graphically striking dust jacket designed by Mort Perry shows just a bit of rubbing and a single short closed tear. LC 61-14233 Inventory Number: 024342

(WEIFENBACH, TERRI). Weifenbach, Terri. NP (Tokyo): The Thunderstorm Press, 2009. First Edition 1/500. 12mo. Debossed Boards. Photography Monograph. As New/No Jacket - As Issued. np (88pp), profusely illustrated in color. Designed by Green Dragon Office and Terri Weifenbach. In a protective clear acetate dustwrapper. In "Another Summer" Terri Weifenbach departs from matters of the garden and pollination to intimately document a family summer vacation on a lake. A pristine copy of this exceedingly uncommon sweet little volume limited to five hundred copies SIGNED AND NUMBERED (254/500) in pencil on the rear colophon, as issued. 0-9841944-0-1 Inventory Number: 022447

(WEIFENBACH, TERRI). Weifenbach, Terri. Tucson, AZ: Nazraeli Press, 2001. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (18pp), 9 color illustrations. Terri Weifenbach's "Instruction Manual No. 3: 25. June 1996" is the fourth installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred SIGNED AND NUMBERED copies, it contains an original 4 ¼ x 2 ¾" color photographic print of a mysterious clear blue sky whose image is derived from the unique 68 x 39" print owned by Sir Elton John tipped in at the rear of the book, as issued. A brand new, pristine example of this lovely item. 1-59005-005-3 Inventory Number: 015522

(WEIFENBACH, TERRI). Weifenbach, Terri. Introduction by Yayako Uchida. Tucson, AZ: Nazraeli Press, 2000. First Edition 1/100 Deluxe. Tall 4to. Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (64pp), 32 color illustrations. In a protective clear acetate dustwrapper. Published in 2000 by the estimable Nazraeli Press, "Hunter Green" is the beautifully designed and printed second sampling in book form of Terri Weifenbach's lush, often hazy examinations of mysterious backyard flora. A brand new, most handsome example from the deluxe edition limited to one hundred copies featuring an original 5 ¼ x 3 ½" color photograph mounted on the front cover. 3-923922-88-4 Inventory Number: 016438

(WEINER, LAWRENCE). Weiner, Lawrence. Ghent, BELGIUM: Imschoot, Uitgevers for IC, 1988. First Edition 1/1000. 8vo. Pictorial Wrappers. Artist's Book. Fine.. np (56pp), profusely illustrated in b&w and color. Text in English. Photographs by the Moved Pictures Archive and Frank Vellenga. This charming little Lawrence Weiner artist book takes the form of a rather baroquely-designed narrative of a metaphorical seafaring voyage. A most handsome example of the 1988 first edition (entry number thirty-one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. 90-72191-02-1 Inventory Number: 021737

(WEINER, LAWRENCE). Weiner, Lawrence. Basel, SWITZERLAND & New York: Rolf Preisig & Moved Pictures (Lawrence Weiner), 1978. First Edition 1/780. 12mo. Pictorial Wrappers. Artist's Book. Fine.. np (42pp), profusely illustrated in b&w. Text in English and German. Photographs by Beate Nilsen. Limited to seven hundred and eighty copies and dedicated to Simon Rodia, "Regarding Inscriptions..." is a 1978 photographically illustrated artist's book by the esteemed conceptual practitioner Lawrence Weiner. A bright, most handsome example of this uncommon item (entry number twenty-two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and eighty unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. Inventory Number: 003537

(WEIWEI, AI). Delson, Susan. New York: Prestel Publishing, 2011. First Edition. 4to. Boards in Pictorial Jacket. Artist Monograph. As New/As New. 220pp, 140 color and 15 b&w illustrations. With bibliographies. "Ai Weiwei's "Circle of Animals / Zodiac Heads" features twelve large-scale bronze animal heads, each depicting a segment of the ancient Chinese zodiac. As a major work of public art, it is an extraordinary accomplishment in its own right. But as this book explains, the origins and motivation behind the piece are as compelling as the work itself. Ai Weiwei based the sculpture on a complex zodiac fountain that was built for an imperial retreat in eighteenth-century China. When the retreat was looted by European soldiers, the fountain's bronze animal heads were stolen - only seven of the twelve are known to survive. By reimagining the work Ai Weiwei confronts uncomfortable truths within Chinese and Western history. This book compares Ai Weiwei's work to the original zodiac heads; features interviews with Ai Weiwei conducted at various periods during the sculpture's development; offers a historical overview of the events surrounding the fountain's looting; and follows the trail of the original heads as they are sold and resold amidst political furor. The book tells the riveting story behind a highly acclaimed piece of modern art, while providing an introduction to one of our generation's most important artists". A brand new, pristine example of a handful of copies of the first edition additionally BOLDLY SIGNED "Ai Weiwei" in black marker on a specially designed "Circle of Animals - Zodiac Heads" printed bookplate affixed to the front pastedown. The celebrated dissident artist and activist had been arrested by Chinese authorities just prior to the 2011 New York installation of this piece, and so unable to travel, agreed to sign a limited number of these for the book's US publication. 3-7913-4636-9 Inventory Number: 024539

(WELLING, JAMES). Loock, Ulrich & James Welling. Luzern, SWITZERLAND: Kunstmuseum Luzern, 1998. First Edition. 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. np, 30 b&w illustrations. Text in English and German. This is the stylish catalogue published in conjunction with a 1998 exhibition of photographic work from the previous three years by James Welling held at the Kunstmuseum Luzern. A most handsome example of this uncommon item additionally SIGNED AND DATED "JW 4.18.98." in the year of publication in blue ink on the rear colophon showing a slight discoloration to the rear cover. 3-267-00121-8 Inventory Number: 021889

(WELLING, JAMES). Welling, James. London & Gottingen, GERMANY: Steidl Mack, 2010. First Edition. 4to. Debossed Cloth Over Boards. Photography Monograph. As New/No Jacket - As Issued. 128pp, 70 duotone illustrations. Text in English. Designed by James Welling and Michael Mack. "James Welling creates work which challenges the technical and conceptual bounds of photography. In his abstract work of the 1980s he usually employed simple materials, like crumpled aluminum foil, draped fabric and pastry dough. Then in 1992 he began the series Light Sources, an open-ended accumulation of diverse portraits, landscapes and interiors. All these photographs indirectly refer to the process of perception and while many of the objects literally transmit light, the series acknowledges that everything we see reflects light and is also a source of light". A brand new, pristine example of the exceptionally beautifully designed and printed 2010 Steidl Mack first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 3-86521-859-8 Inventory Number: 021992

(WELLING, JAMES). Welling, James. Gent, BELGIUM: Imschoot, Uitgevers, 1996. First Edition 1/1000. 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np (64pp), 28 b&w illustrations. Text in English. "Light Sources" is the lovely 1996 monograph on the photographs of James Welling published by the late, lamented Imschoot, Uitgevers. A brand new, pristine example of this uncommon item limited to one thousand unnumbered copies additionally SIGNED "James Welling" in black ink on the rear colophon. 90-72191-80-3 Inventory Number: 021955

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(WENDT, WILLIAM). Anderson, Antony, Fred S. Hogue, Alma May Cook & Arthur Millier. Los Angeles: Stendahl Art Galleries, 1926. First Edition. 8vo. Gilt-Debossed Boards. Artist Monograph. Very Good/No Jacket. 94pp, 71 b&w illustrations. In a protective clear acetate dustwrapper. This monograph on the noted California Plein Air painter William Wendt was issued by the renowned Stendahl Art Gallery at Los Angeles' Ambassador Hotel in 1926. It includes texts by Antony Anderson, Fred S. Hogue, Alma May Cook and Los Angeles Times art critic Arthur Millier along with seventy-one reproductions of his work with commentary. A bright, handsome example of the 1926 first edition of this uncommon item lacking its dust jacket additionally BEARING THE BOLDLY SIGNED PRESENTATION "To Dr. and Mrs. Arthur Cecil. / William Wendt." in ink beneath the artist's frontispiece portrait showing some light wear and soiling to the boards, a bit of spotting to the inside covers and endpapers, and some typical mild age-toning to the extremities of the the pages that reproduce the artworks. It has been priced accordingly. Inventory Number: 025948

(WESTON, EDWARD). Naef, Weston. New York: E. Weyhe, 1932. First Edition 1/550. Folio. 1/4 Cloth Over Boards. Photography Monograph. Good -/No Jacket - As Issued. np, 40 b&w illustrations. Designed by Merle Armitage. With a biography. In a protective clear acetate dustwrapper. Compiled in 1932 by the forward thinking Los Angeles-based graphic designer and publisher Merle Armitage, this exquisitely produced book was the very first monograph on the work of pioneering California photographer Edward Weston. It features thirty-nine images by Weston, a frontispiece portrait by his son Brett, and texts by the photographer, Armitage, Lincoln Steffens, Arthur Millier, Jean Charlot, and Charles Sheeler. A presentable example of this typically fragile oversized tome (cited on page 200 of "From Fair to Fine 3: 20th Century Photography Books That Matter") limited to five hundred and fifty copies NUMBERED (143/550) AND SIGNED "Edward Weston" in black ink on the rear colophon lacking the publisher's slipcase whose white cloth spine is soiled and stained, and black boards are worn and scraped along the extremities. The hinges are solid, the textblock is tight but soiled along the edges with the signatures slightly uneven with one another. The book bears the BOLDLY SIGNED PRESENTATION "To John and Clement / new friends for old. more would be less. / I don't know what all / this means. You guess / Edward Oct. 1936" in black ink on the page facing the colophon. Additionally, laid in is a BOLDLY INSCRIBED hand-written letter "John and Clem ---- / hope you took my dis - / appearance in good spirit - / I was not just sleepy, / but exhausted ------------ / See you soon I hope / yr ------ / Edward" from the photographer in pencil on a 8 ½ x 11" sheet of yellow paper that has been neatly folded in quarters and subsequently flattened. Inventory Number: 025020

(WILCO) (SCHMELLING, MICHAEL). Wilco, Michael Schmelling, Fred Tomaselli, Rick Moody, Henry Miller & Bern Porter. Dan Nadel & Peter Buchanan-Smith, Editors. Brooklyn, NY: PictureBox Inc., 2004. First Edition. 4to. Pictorial Boards. Music Photography Monograph. Fine/No Jacket - As Issued. 164pp, profusely illustrated in color and b&w. Designed by PictureBox. In a protective clear acetate dustwrapper. "Published in 2004, "The Wilco Book" is an exploration of the artistic statement presented by the band Wilco. Artwork created by the band, photographer Michael Schmelling, and artist Fred Tomaselli is interspersed with comments excerpted from interviews conducted by PictureBox with the band's members, technicians, and managers, essays by Henry Miller and Rick Moody, and excerpts from Bern Porter's collection "Found Poetry". Packaged with the book is an audio CD containing twelve previously unreleased tracks recorded during the sessions that led to the band's "A Ghost Is Born", which is discussed in the first appendix by Mikael Jorgensen, who produced and played on the sessions before he formally joined Wilco". A brand new, most handsome example of the first PictureBox Inc. edition additionally BOLDLY SIGNED for us by all six current band members - Jeff Tweedy, Nels Cline, Mikael Jorgensen, Glenn Kotche, Pat Sansone, and John Stirratt as well as the book's photographer Michael Schmelling in black ink with the publisher's unplayed CD affixed to the inside rear board. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-9713670-3-5 Inventory Number: 027704

(WILKE, HANNAH). Wilke, Hannah & Joanna Frueh. Thomas H. Kochheiser, Editor. Columbia, MO: University of Missouri Press, 1989. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 176pp, profusely illustrated in b&w and color. With an exhibition checklist and bibliography. Published in conjunction with a 1989 Hannah Wilke retrospective exhibition held at the University of Missouri at St. Louis' Gallery 210, this comprehensive hardbound catalogue was the first major publication on the pioneering late feminist artist. It combines copious photographic documentation with an essay by Joanna Frueh and a selection of previously unpublished writings by the artist. A brand new, most handsome example of this uncommon item additionally SIGNED AND DATED "Hannah Wilke 1989 00" in the year of publication in black ink to the right of her posterior on the frontispiece portrait photograph 0-8262-0703-0 Inventory Number: 027450

(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020

(WILLIAMS, MEGAN). Williams, Megan. With Texts by Amy Gerstler, Michelle Huneven & Jim Krusoe. New York: Bravin Post Lee Gallery, 1995. First Edition 1/400. Square 8vo. Decorative Boards. Artist Monograph. Fine/No Jacket - As Issued. 40pp, 15 b&w and 9 color illustrations. Designed by John Post Lee. This beautiful little hardbound book was published in conjunction with a 1995 New York gallery exhibition by Los Angeles-based artist Megan Williams. It is profusely illustrated - including nine hand-tipped color plates - and accompanied by literary contributions from the noted California poets Amy Gerstler, Jim Krusoe, and Michelle Huneven. A most handsome example of the first edition limited to four hundred copies SIGNED "Megan Williams" in black ink on the colophon, as issued. Inventory Number: 004356

(WILLIAMS, ROBERT). Williams, Robert. Introduction by Lydia Lunch. San Francisco: Last Gasp of San Francisco, 1990. First Edition 1/400 Deluxe. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 95pp, profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This second collection of paintings from erstwhile Ed "Big Daddy" Roth and Zap Comix contributor Robert Williams is a visual cornucopia of women, sex, deviltry, mayhem, scatology and a celebration of Kustom Kar Kulture. A most handsome example of the uncommon 1990 deluxe numbered hardbound edition of four hundred copies NUMBERED (70/400) AND SIGNED"Robert Williams" in black ink on the publisher's adhesive-backed bookplate featuring a caricature of the artist affixed to the front inside cover, as issued. 0-86719-385-9 Inventory Number: 026122

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition 1/300 Deluxe. 4to. Cloth in Jacket, Slipcased. Artist Monograph. As New/As New. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, pristine example of the 2005 first deluxe numbered hardbound edition of four hundred copies with the publisher's numbered bookplate featuring a caricature of the artist SIGNED by Robert Williams in black ink affixed to the front inside cover still in the publisher's shrinkwrap, as issued. 0-86719-637-8 Inventory Number: 022508

(WILLOUGHBY, BOB) (HEPBURN, AUDREY). Willoughby, Bob. Koln, GERMANY: Benedikt Taschen Verlag, 2010. First Edition 0313/1000. Folio. Boards in a Clamshell Box. Photography Monograph. As New/As New. 282pp, profusely illustrated in black & white. Text in English, German and French. "In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. "She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts," he recalls. As Hepburn's career soared following her Oscar-winning US debut in "Roman Holiday", Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn's beauty and elegance, as she progresses from her debut to her career high of "My Fair Lady" in 1963. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography's great platonic love affairs and an unrivalled record of one of the 20th century's touchstone beauties". A pristine example of this extraordinary volume - a must-have for the Audrey completeist that sold out upon publication - limited to one thousand copies in a decorative clamshell box SIGNED AND NUMBERED (0313/1000) by the late Bob Willoughby, unopened in the publisher's shrinkwrapped printed shipping carton, as issued. 3-8365-1889-9 Inventory Number: 023815

(WILSON, FRED). Berger, Maurice, Fred Wilson & Jennifer Gonzalez. Baltimore, MD: Center for Art and Visual Culture, University of Maryland Baltimore County Fine Arts Gallery, 2001. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 176pp, profusely illustrated in color and b&w. With an exhibition checklist, biography, and bibliography. This is the beautifully designed and illustrated catalogue published in conjunction with the 2001 traveling Museum retrospective of works by the noted African-American contemporary artist Fred Wilson. For nearly two decades, the artist has worked with Cultural Institutions and their collections to create installations & exhibitions that critique and/or bring to light the relationship between race and American Museum practices. A pristine copy BOLDLY SIGNED AND DATED by Fred Wilson in black felt-tip pen on the title page. 1-890761-04-4 Inventory Number: 017894

(WILSON, S. CLAY). La Luz De Jesus Gallery. Los Angeles: La Luz De Jesus Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Very Good.. One 20 x 16" sheet of heavy yellow paper stock printed b&w offset recto only, 1 illustration. This is the graphically striking poster published in conjunction with an August 1991 S. Clay Wilson exhibition entitled "Toxic Icons" held at Los Angeles' storied La Luz De Jesus Gallery. It reproduces a 1991 drawing by the legendary late San Francisco comix artist featuring a seriously freaked out Checkered Demon facing a "Come to Jesus" moment!  A handsome example of this delightful ephemeral item additionally BOLDLY INSCRIBED "To Fazul - S. Clay Wilson" in black marker along the bottom margin showing some flattened creasing along the left hand edge. Fazul is / was the noted late Los Angeles "Dadazine" publisher and cultural man about town, Eugene "Fazul Reet" Timiraos, from whose library we acquired this directly. Inventory Number: 026950

(WITKIN, JOEL-PETER). Dupuy, Alain & Antonio Saura. Madrid, SPAIN: Ministerio De Cultura, Spain & Centro De Arte Reina Sofia, 1989. First Edition. Square 8vo. Debossed Silk Over Boards. Exhibition Catalog. Near Fine/No Jacket - As Issued. 120pp, profusely illustrated in color and duotone. Text in French. With a bibliography and exhibition history. In a protective clear acetate dustwrapper. This is the beautifully designed hardbound catalogue published in conjunction with a 1989 traveling European retrospective that presented Joel-Peter Witkin's finished prints alongside the photographer's macabre preparatory drawings. A most handsome example of the first Spanish language edition in black moire silk-covered boards debossed with an elaborate gothic cross additionally BOLDLY SIGNED "Joel-Peter Witkin" in black ink across the entire half title page. 84-505-7482-X Inventory Number: 018491

(WITKIN, JOEL-PETER). Janis, Eugenia Parry. Paris: Centre National De La Photographie (Photo Poche Collection), 1991. First Edition. 12mo. Pictorial Wrappers. Photography Monograph. Near Fine.. np, 63 duotone illustrations. Text in French. With a biography. In a protective clear acetate dustwrapper. This forty-ninth installment of the venerable Photo Poche series of photography monographs is a concise survey of the boundary pushing work of Joel-Peter Witkin. A most handsome example of the 1991 first edition additionally bearing the BOLDLY SIGNED PRESENTATION "To Robert, Joel" in black ink on the title page to the noted late photography curator and historian Robert Sobieszek from whom we acquired this directly. 2-86754-071-2 Inventory Number: 018676

(WITKIN, JOEL-PETER). Witkin, Joel-Peter. Pasadena, CA: Twelvetrees Press, 1995. First Edition #53/100. Large Square 4to. Cloth in Dust Jacket,Slipcased. Photography Monograph. Fine/Fine. np (130pp), 52 duotone illustrations. Designed by Jack Woody. With an exhibition history, bibliography and collections listing. Issued in 1985 by the redoubtable Twelvetrees Press, this is the beautifully designed and printed first comprehensive publication on the work of Joel-Peter Witkin. Says the publisher: "Joel-Peter Witkin's photographs are simultaneously loathsome and brilliant, generating endless controversy and sometimes, admiration. This is the artist's first monograph and in his words and pictures a more complete understanding of his work emerges." A brand new, most handsome example of the exceedingly uncommon deluxe edition of the first 1985 Twelvetrees Press printing limited to one hundred copies BOLDLY SIGNED AND NUMBERED "Joel-Peter Witkin / 53/100" in black ink on the title page in the publisher's black linen-over-boards slipcase, as issued. 0-942642-15-5 Inventory Number: 026573

(WITKIN, JOEL-PETER). Witkin, Joel-Peter & Galway Kinnell. New York: Kevin Begos Publishing, Inc., 1993. First Edition 1/175. Elephant Folio. 1/4 Leather Over Boards in Box. Livre D'Artiste. Fine/No Jacket - As Issued.. np (52pp), 12 gravure illustrations. Designed by Kevin Begos Jr. and Joel-Peter Witkin. Issued in 1993, this is an exquisitely produced Livre D'Artiste collaboration between publisher Kevin Begos and photographer Joel-Peter Witkin. Limited to one hundred and seventy-five copies, it presents twelve arresting hand-pulled photogravure images accompanied by the letterpress printed poem "Under The Maud Moon" by Galway Kinnell from his "Book of Nightmares". Measuring 23 ½ x 17 ½", the Lana paper pages reproduce the following Witkin photographs: 1) "Head of a Dead Man (Mexico City, 1990)", 2) "Satiro ( Mexico City, 1992)", 3) "Three Kinds of Woman (Mexico City, 1992)", 4) "Un Santo Oscuro (Mexico City, 1987)", 5) "Still Life (New Mexico, 1992)", 6) "Las Meninas (New Mexico, 1987)", 7) "Studio of the Painter (Paris, 1990)", 8) "Feast of Fools (Mexico City, 1990)", 9) "Laokoon (New Mexico, 1992)", 10) "Negre's Fetishist (Paris, 1990)", 11) "Vanity (New Mexico, 1990)", and 12) "Man with a Dog (Mexico City, 1990)". These are bound in elegant one quarter black leather-over-dark grey-boards, and housed in a black linen covered clamshell box with a grey pastedown on the spine. A brand new, most handsome example of this extraordinary object acquired directly from Kevin Begos BOLDLY SIGNED AND NUMBERED in pencil by Joel-Peter Witkin at the rear colophon in the publisher's clamshell box, as issued. Inventory Number: 023305

(WOOD, BEATRICE). Wood, Beatrice. Los Angeles: MGM Press, 1992. First Edition 1/99 Deluxe. 4to. Tied Illustrated Wrappers. Illustrated Book. Fine.. np (24pp), 12 hand colored and 1 b&w illustration + hand colored cover. "Touching Certain Things" is a girlish memoir authored and illustrated in 1992 by the late, great "Mama of the Dadas", Beatrice Wood. Primarily renown for her ceramic sculpture, lusterware vessels, and dalliance with Marcel Duchamp, this gossamer bit of erotica recounts a youthful Ms. Wood and actress pal Helen Freeman's trip to Europe to hear Jiddu Krishnamurti speak, and the amorous hijinks that ensued. From the deluxe edition of ninety-nine copies only, it contains twelve illustrations by the author, each of which (and the front cover as well) has been hand colored by her in pencil. A brand new, pristine example of this rarity that has been SIGNED, NUMBERED AND DATED by Beatrice Wood in black ink at the rear colophon, as issued. 0-9620574-5-2 Inventory Number: 017047

(WOOD, JONAS). Holte, Michael Ned, Ana Vejzovic Sharp & Jonas Wood. New York, Los Angeles & Brooklyn: Anton Kern, David Kordansky & PictureBox, 2012. First Edition. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 64pp, profusely illustrated in color. Designed by Familiar. This is the nicely appointed hardbound catalogue published in conjunction with a 2012 exhibition of work by the noted Los Angeles-based artist Jonas Wood. It features an essay by Michael Ned Holte, a transcribed interview between the artist and Ana Vejzovic Sharp, and scores of color illustrations. A brand new, most handsome example of the 2012 first printing additionally BOLDLY SIGNED AND DATED "Jonas Wood / 2015" INCORPORATING A DRAWING OF A BASKETBALL as the 0 of the date in black marker on the title page. 0-9837199-3-4 Inventory Number: 025359

(WOOD, JONAS) (KUSAKA, SHIO). Wiley, Chris. New York: Gagosian Gallery & Rizzoli International Publications, 2015. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 220pp, profusely illustrated in color and b&w. Designed by An Art Service. This is the nicely appointed hardbound catalogue published in conjunction with a 2015 joint exhibition of work by the noted Los Angeles-based artists Shio Kusaka and Jonas Wood at Gagosian Hong Kong. A brand new, most handsome example of the unavailable 2015 first printing additionally BOLDLY SIGNED by both artists WITH A LARGE DRAWING OF A BASKETBALL DATED "2015" by Jonas Wood in black marker on the front pastedown. 0-8478-4701-2 Inventory Number: 026474

(WOOD, JONAS). Mark Grotjahn, Helen Molesworth, Ian Alteveer & Jonas Wood. London & New York: Phaidon Press Limited, 2019. First Edition Thus. 4to. Wrappers in Pictorial Jacket. Artist Monograph. As New./As New.. 160pp, profusely illustrated in color and b&w. Designed by Melanie Mues. With a chronology, exhibition history, bibliography and public collections listing. One of the most recent installments of Phaidon's nicely appointed Contemporary Artists monographs, this is devoted to the work of the noted Los Angeles-based artist Jonas Wood. It features texts by Helen Molesworth and Ian Alteveer  along with a lengthy transcribed interview between Jonas Wood and fellow artist Mark Grotjahn. A brand new, most handsome example of the already unavailable first printing of what is the most comprehensive Wood publication additionally BOLDLY SIGNED "Jonas Wood" in black marker on the blank front leaf. 1-83866-063-1 Inventory Number: 027061

(WOOD, JONAS). Sharp, Brian & Jonas Wood. J.C. Gabel, Editor. Los Angeles: David Kordansky Gallery, 2015. First Edition. Tall 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 68pp, profusely illustrated in color. Designed by Brian Roettinger. With an exhibition checklist. This is the hardbound catalogue published in conjunction with a 2015 David Kordansky Gallery exhibition of eighteen paintings and twenty-five drawings by the noted Los Angeles-based artist Jonas Wood. It features scores of color illustrations accompanied by a transcribed interview between Wood and fellow artist Brian Sharp. A brand new, pristine example of the first - and only - printing of this uncommon, unavailable gem additionally BOLDLY SIGNED AND DATED "Jonas Wood / 2015" WITH A DRAWING OF A BASKETBALL in the year of publication in black marker on the title page. Inventory Number: 026383

(WOODSIDE, CLINT). Woodside, Clint & Mike Slack. Los Angeles: Kill Your Idols, 2016. First Edition 1/500. 8vo. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 62pp, 52 color illustrations. Designed by Clint Woodside. First issued in 2013 as a Deadbeat Club 'zine, Clint Woodside's "Undercover Cars" has been newly re-conceived and substantially enlarged as an elegant hardcover book. Containing fifty-two images of cars parked in plain sight, but covered from the elements, it is the culmination of a series of color photographs - shot on film and printed in the dark room - spanning five years, scores of autos, and thousands of miles from Los Angeles to Bangkok. In his insightful essay, photographer and The Ice Plant publisher Mike Slack observes: "What strikes me now, looking at this fresh new edit, is not the boring ubiquity of the subject matter - the deadpan Christo-like charm of all these tarps attached to all these automobiles - but the man-made environments Woodside is showing us in the photographs, and the sense of walking-and-looking that the series implies. Never mind the covered cars; look at what surrounds them" . A brand new, pristine example of this lovely publication limited to five hundred unnumbered copies additionally BOLDLY SIGNED "Clint Woodside" in black ink on the title page. 1-58423-637-X Inventory Number: 027210

(WRIGHT, RUSSEL AND MARY). Golub, Jennifer. New York: Princeton Architectural Press, I00220427, 2021. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Design Monograph. As New/As New. 1-64896-019-7

208pp, profusely illustrated in color and b&w. Designed by Simon Johnston. "In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This lavish volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga."

A brand new, most handsome example of this charming new work additionally SIGNED by author Jennifer Golub.

Inventory Number: E00JGRMW

(YAMAMOTO, MASAO). Yamamoto, Masao. Tucson, AZ: Nazraeli Press, 2002. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (16pp), 12 tritone and color illustrations. Masao Yamamoto's "The Path of Green Leaves" is the sixteenth installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred SIGNED AND NUMBERED copies, it contains an original 2 ¾ x 1 ½" sepia-toned silver gelatin print of a sapling planted along the path to the Green Leaves Day Nursery - where the photographer walked his son to school for daily for nearly five years - tipped in at the rear of the book, as issued. A brand new, pristine example of this uncommon, lovely item. 1-59005-048-7 Inventory Number: 016701

(YEMCHUK, YELENA). Yemchuk, Yelena & Ioana Pelehatai. Zurich, SWITZERLAND: Edition Patrick Frey, I00240213. 2024. First Edition. 10 x 7 1/2", 4to. Pictorial Self-Wrappers. Photography Monograph. New.. np (176pp), 121 color illustrations. Text in English, Ukranian, and Romanian. 978-3-907236-67-3

(176pp), 121 color illustrations. Text in English, Ukrainian, and Russian. "Ukrainian-born, Brooklyn-based photographer and painter Yelena Yemchuk is most commonly known for her fashion and portrait photographs, which have appeared in Italian and Japanese Vogue, V, the New Yorker and The New York Times. Yemchuk makes images that teeter on the threshold between her Eastern European heritage and her daily life in New York; between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-Soviet realms. As with all of her work, "Malanka" is a personal, feminine, surrealist and magical project. The eponymous tradition is a pre-Christian folklore ritual driving out winter and welcoming spring, an ancient custom reminiscent of Persephone’s return in Greek mythology. It is celebrated on January 14th, the old New Year in the Julian calendar, by ethnic Romanians in western Ukraine. In 2019 and 2020, Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) to document the night-long festival. Accompanying Yemchuk's striking photographic documentation is a poetic essay by Romanian cultural journalist Ioana Pelehatai. A brand new example additionally SIGNED by Yelena Yemchuk on the title page.

Inventory Number: E000YYM

. 1995. np, This artists' book consists of 16 typographic pieces, and is printed by the Coracle Press. This is from the limited edition of 500 hardbound copies in lemon yellow cloth, signed by the artist. A handsome example. Inventory Number: 004676

Alva, Robert "Wisk" & Robert "Relax" Reiling. Roger Yale, Editor. Los Angeles: Alva & Reiling Publications, 2005. First Edition #108/300 Deluxe. Oblong 4to. Pictorial Boards, Boxed. Fine/No Jacket - As Issued. 448pp, profusely illustrated in color. "The History of Los Angeles Graffiti Art" is a series of four books that will cover the years 1983 to 2005. Volume 1 is based on the years 1983 to 1988, and is the starting point to the real story behind the movement that began in the early 1980s. It documents all aspects of Los Angeles Graffiti Art, providing an unbiased look into this world through the eyes of the people that have lived it. Within the book, you will discover the truth behind the photos and stories - all interviews and DVD slideshows are uncut and real. It's exciting and fresh to the point of understanding our culture, without cutting it up". This unprecedented, gigantic, full color encyclopedic document is divided into the following chapters: "Spotlights" - a special tribute to all writers who made significant contributions and influences to the L.A. Graffiti scene; "Pieces / Burners" - showcasing familiar works as well as numerous lost and legendary Pieces / Burners; "Battles" - a special section dedicated to L.A.'s first battles between some of its most prolific crews and writers of the first era; "Blackbooks" - historical detailed drawings done within writers' sketchbooks; "Articles" - reproductions of newspaper and magazine pieces related to historical L.A. Graff subject matter; and "R.I.P." - memorials for all respected deceased Los Angeles Graffiti writers. Perhaps most significantly, a DVD is included with each book that contains over thirty slide shows by various L.A. writers. Shot by the authors (who are respected members of the L.A. Graff scene themselves) for this project, it contains exclusive commentaries by the graffiti writers that allow them to breathe life into their own work - uncut, raw and true - and the reader to be able to place a voice on the parade of images. A brand new, most handsome example of the deluxe edition of this uncommon historical document - only twelve copies of the trade edition are currently cited in OCLC WorldCat - housed in the publisher's elaborate printed cardboard box limited to three hundred NUMBERED (108/300) copies whose book and the interior of the box have additionally been BOLDLY TAGGED "RELAX" by artist and author Robert "Relax" Reiling in thick silver marker. 1-59975-146-1 Inventory Number: 027717

Basten, Fred E. Foreword By Martin Scorsese. Camarillo, CA: Technicolor Inc., 2005. First Thus. 4to. Cloth in Dust Jacket. Film Monograph. Fine/Fine. 284pp, profusely illustrated in color and b&w. Published by Technicolor itself to celebrate the firm's ninetieth anniversary, this is a lavishly produced and illustrated, expanded update of the 1980 A.S. Barnes edition. It contains a complete history of the company and its technical achievements, numerous film stills, a complete cataloguing of every film using the process, and a listing of all Technicolor Academy award winners. A pristine copy BOLDLY SIGNED by author Fred E. Basten in black marker on the title page. 0-9647065-0-4 Inventory Number: 020684