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RAYMOND PETTIBON: A COLLECTION OF FIFTY PRIMARILY EARLY ARTIST'S BOOKS / 'ZINES
(PETTIBON, RAYMOND). Pettibon, Raymond, Nelson Tarpenny, Josh Bayer (AKA "Sketchy") & Michael Gira. Lawndale & Hermosa Beach, CA, etc. 1978-2015.: SST Publications, Superflux Publications, Galerie Metropol, Illuminati, Galerie Krinzinger, Parkett, Ooga Booga, Nieves & Innen, Contemporary Fine Arts & David Zwirner Books. First Edition. 8vo + 4to. Stapled Illustrated Wrappers. Artist's Books. Very Good. or Better.. np (most circa 28pp), each profusely illustrated in b&w. In protective clear acetate dustwrappers. This is a collection of fifty primarily early artist's books cum 'zines - mostly self-published between 1978 and 2006 via SST and Superflux Publications - by the esteemed Southern California native, Raymond Pettibon. Listed by title in chronological order of publication preceded in parentheses by their entry number in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98" (the last seven were issued following the bibliography and so have publication dates instead), they are: (01) "Captive Chains", (04) "Freud's Universe", (05) "My Struggle For Life After Death", (06) "A New Wave of Violence", (08) "Tripping Corpse 2: The Hippie Thing", (09) "Capricious Missives", (10) "Tripping Corpse 3", (11) "Virgin Fears", (12) "The Bible, the Bottle, and the Bomb", (13) "Console, Heal, Or Depict", (15) "Kismet's Account", (16) "Lana", (17) "Tripping Corpse Four", (18) "Tripping Corpse 5", (19) "American Lynch Law", (20) "A Can At The Crossroads", (21) "Cars, TV, Rockets, H-Bomb - - You Name It", (22) "The Express Sex Train", (23) "Exterminating The Eagles", (24) "Jane's Book Of Fighting", (25) "Just Happy To Be Working", (26) "Like Death Valley", (28) "New Wavy Gravy", (29) "New Wavy Gravy 2 (As Opposed to Old Wavy Gravy)", (30) "The Observable World", (31) "Pig Cupid", (32) "Selfishness", (33) "Short Teats, Bloody Milk", (35) "Tripping Corpse 6", (37) "Wein, Weib, Und Gesang", (40) "Meat Offerings", (45) "Thin, Thin Cross", (51) "Meandering on a Riff", (81) "Twelve O'Clock Shadow", (84) "From a Tower", (92) "Sweet Luther", (94) "The Train-Watcher", (96) "Writ", (97) "The Cloud of Unreading", (98) "The Language of Romantic Thought", (100) "On The Scent (Vavoom)", (103) "Up The Threshold", (105) "Untitled (Justly Felt and Brilliantly Said - A Project for Parkett No. 47)", (2001) "Plot Burial By: Josh Bayer (AKA Sketchy), Raymond Pettibon", (2001) "'S Not Fake! 'S Real!", (2006) "As Always And So On", (2009) "The Major Arteries and the Minor Tributes", (2014) "Raymond Pettibon: Selected Works 1982 to 2011", (2015) "Raymond Pettibon + Mike Topp: Born On A Train" - SIGNED by both artists, and (2016) "Dzama / Pettibon" - second expanded edition. A most handsome group - all of which are in at least Very Good condition - of these wryly transgressive, seminal publications. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021812
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'S NOT FAKE! 'S REAL!: ART BY RAYMOND PETTIBON, JOSH BAYER, VICTOR GASTELUM, NELSON TARPENNY
(PETTIBON, RAYMOND). Pettibon, Raymond, Nelson Tarpenny, Victor Gastelum & Josh Bayer (aka "Sketchy"). NP: Superflux Publications, 2001. First Edition 1/700. 8vo. Stapled Illustrated Wrappers. Artist's Book. As New.. np (52pp), 44 b&w illustrations. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. "'S Not Fake! 'S Real" is his 2001 Superflux-published artist book cum 'zine collaboration with Victor Gastelum, Nelson Tarpenny, and Josh Bayer - aka "Sketchy" - in the time-honored DIY, xeroxed format of his earlier, self-published works that reproduces forty-four psychologically-charged drawings. A brand new, pristine, guaranteed authentic example of this uncommon Pettibon tour de force limited to seven hundred unnumbered copies. Inventory Number: 025703
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PICASSO: LE CARNET DES CARNETS - ONE OF ONLY TWO HUNDRED AND FIFTY COPIES
(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1965. First Edition 1/250. 16mo. Decorative Cloth in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (116pp), profusely illustrated in monochrome and color. Text in French. "Le Carnet Des Carnets" is the charming 1965 successor to "The Pocket Picasso" - the lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published a facsimile in an edition limited to eight hundred and fifty total copies. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. A year later, Picasso additionally borrowed back the original notebook, illustrated as well as annotated it along with its colorful, holographically illustrated presentation envelope, and returned it to the owner. Marcel Duhamel then once again collaborated with master printer Daniel Jacomet to publish the updated versions in facsimile, again housed in a delicate screenprinted clear plastic box. A bright, exceptionally well-preserved example of the uncommon first and only edition of this tiny gem limited to two hundred and fifty NUMBERED copies - this time issued without an accompanying text booklet. Inventory Number: 026684
$650.00 InquireFiled Under: Artist Monographs, Limited Editions, Pablo Picasso, PMVABF, Graphics + Multiples, Original Art, Artists' Book -
THE POCKET PICASSO (LE PICASSO DE POCHE) - ONE OF THREE HUNDRED AND SEVENTY-FIVE ENGLISH LANGUAGE COPIES
(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1964. First English Language Edition 1/375. 16mo. Decorative Cloth + Wrappers. Artist's Book. Fine/No Jacket - As Issued. np (116pp) + one continuous leporello sheet, profusely illustrated in monochrome. Text in English. "The Pocket Picasso" is lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published this facsimile in an edition limited to eight hundred and fifty total copies - including one hundred deluxe examples accompanied by an original etching. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. It is accompanied by a leporello booklet - half issued with English text, half with French - with Duhamel's jaunty assessments of the imagery and reminiscences of his friendship with the artist along with the publication details. The two are presented in a heavy paper envelope reproducing in facsimile Picasso's colorful holographic 1957 gift presentation to Duhamel. These are all housed in the publisher's delicate screenprinted clear plastic box. A bright, exceptionally well-preserved example of the exceedingly uncommon - only six copies are currently cited in OCLC WorldCat - English language version of the standard edition of this tiny gem (entry number one hundred and twenty-nine in Sebastian Goeppert, Herma Goeppert-Frank and Patrick Cramer's "Pablo Picasso: The Illustrated Books - Catalogue Raisonné") limited to three hundred and seventy-five NUMBERED copies. Inventory Number: 026683
$750.00 InquireFiled Under: Artist Monographs, Artists' Books, Limited Editions, Pablo Picasso, PMVABF, Graphics + Multiples, Original Art -
RICHARD PRINCE: MENTHOL PICTURES
(PRINCE, RICHARD). Prince, Richard. Buffalo, NY: CEPA Gallery, 1980. First Edition, Second State. 8vo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (20pp), no illustrations, 1 b&w cover illustration.. In a protective clear acetate dustwrapper. Completely devoid of imagery, "Menthol Pictures" is art and book world éminence grise Richard Prince's twenty page pamphlet of texts published in conjunction with his June 1980 exhibition at Buffalo, New York's CEPA Gallery. It is Prince's third monographic publication, and the final installment in his "War / Menthol / Pictures" trilogy. A bright, most handsome example (artist's book entry 3 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the trade-published second state of this uncommon item with an appropriated black and white cover image by the artist showing some light rubbing and creasing to the covers along the spine. Inventory Number: 026723
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RICHARD PRINCE: WAR PICTURES
(PRINCE, RICHARD). Prince, Richard. New York, London, Rome & Hong Kong. 2007-2014.: Artists Space, 1980. First Edition, Second State. 8vo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations, 1 b&w cover illustration.. In a protective clear acetate dustwrapper. Completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A bright, most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the uncommon second state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - with an appropriated black and white cover image by the artist showing tiny crimps at the top and bottom of the spine along with a bit of light rubbing to the rear cover. Inventory Number: 026722
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RICHARD PRINCE: WAR PICTURES - THE "UNCORRECTED PROOF" EDITION OF THE ARTIST'S FIRST BOOK LIMITED TO ONE HUNDRED COPIES
(PRINCE, RICHARD). Prince, Richard. New York, London, Rome & Hong Kong. 2007-2014.: Artists Space, 1980. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations. In a protective clear acetate dustwrapper. Modestly duplicated and completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the exceedingly uncommon first state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - limited to approximately one hundred "uncorrected proofs" showing a bit of mild handling and slight discoloration to its pale green bond wrappers. Inventory Number: 026682
$6,500.00 InquireFiled Under: Artist Monographs, Artists' Books, Limited Editions, Literature and Fiction, PMVABF, Richard Prince -
THE JAPANESE BOX
(PROVOKE). Schifferli, Christoph, Takuma Nakahira, Nobuyoshi Araki & Daido Moriyama. Christoph Schifferli, Editor. Paris: Edition 7L, 2001. First Edition 1/1500. 4to. Wrappers in a Wooden Box. Photography Monographs. As New./As New.. 68 + 100 + 110 + 192 + 108 + 310 + 32pp, profusely illustrated in b&w and color. Text in Japanese and English. Designed by Karl Lagerfeld and Gerhard Steidl. The "Japanese Box" reproduces in facsimile six publications by a remarkable and influential group of Japanese photographers and writers whose work was a response to the climate of political unrest in Tokyo around 1968. The publication includes all three issues of "Provoke" magazine issued between 1968 and 1969, the landmark stand alone photobooks "For a Language to Come" by Takuma Nakahira (1970), "Sentimental Journey" by Nobuyoshi Araki (1971), and "A Farewell to Photography" by Daido Moriyama (1972), along with a brief history and overview volume authored by the project's editor, Christoph Schifferli. The seven publications are enclosed in heavy Japanese handmade paper, banded with printed elastic bands, and contained in a black wooden box with title on the hinged lid, exposed joinery, and dual clasps. A brand new, unused, example of this remarkable undertaking limited to one thousand, five hundred copies whose paper and rubber band bindings are partially perished - as usual, still in the publisher's printed cardboard shipping carton. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-88243-301-9 Inventory Number: 026685
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YVONNE RAINER: WORK 1961-73 - SIGNED PRESENTATION COPY
(RAINER, YVONNE). Rainer, Yvonne. Halifax, CANADA & New York: Press of the Nova Scotia College of Art and Design & New York University Press, 1974. First Edition. 4to. Gilt-Stamped Buckram. Dance Monograph. Fine/Good +. 338pp, profusely illustrated in b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. Published by the Press of the Nova Scotia College of Art and Design, this is the first monograph on the pioneering contemporary New York dancer/choreographer Yvonne Rainer. It contains texts and notes on choreography (often reproduced in facsimile), and photographs documenting her performances between 1961 and 1973. A most handsome example of the exceedingly uncommon 1974 first edition issued in silver gilt-stamped black buckram boards additionally bearing the SIGNED PRESENTATION "For ... - in contrition and gratitude - Yvonne May 1997" in black ink on the half title page showing some wear, soiling, short closed tears, and some mild spotting to the dust jacket. Laid in is the six page illustrated brochure cum screening schedule from the Getty Research Institute's 2014 "Yvonne Rainer: Dances and Films" program. 0-8147-7360-5 Inventory Number: 026541
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VARIOUSVIRGINS: DEVIATIONS IN SPACE BY JASON RHOADES - A UNIQUE ISTALLATION MANUAL HAND-ASSEMBLED BY THE ARTIST
(RHOADES, JASON). Rhoades, Jason. NP. ND (Circa 1997).: NP (Self-Published). First Edition. 8vo. Stapled Pictorial Wrappers. Artist's Book. Very Good.. np (22pp), 9 b&w illustrations + color covers. "VARIOUSVIRGINS: Deviations in Space" is a slender twenty-two page artist's book likely produced by Jason Rhoades in conjunction with his 1997 installation entitled "Deviations in Space, Various Virgins" exhibited at New York's David Zwirner Gallery. In it, the iconoclastic late Los Angeles-based artist definies a number of terms incorporating the word "version" - from "aversion" to "universion" - before elaborating upon the piece's references, background, and sculptural components. It is an intensely smart publication that reveals the work's inspiration in both Pasadena's notorious rocket propulsion pioneer-turned-Majick acolyte Jack Whiteside Parsons and the artistic practice of Franz West! As a bonus, it also reproduces Rhoades' astrological natal chart. Low-budget and chaotic like so many of his installations, this was almost certainly hand-assembled and staple-bound by Rhoades himself at his Inglewood studio using the artist's trusty Canon multi-cartridge color duplicator. A most handsome example of this exceedingly uncommon, possibly unique document showing some trivial dampstaining along the top edge of the last few pages. Inventory Number: 026501
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POETEREI: DOPPELNUMMER (3/4) DER HALBJAHRESSCHRIFTFUR POESIE UND POETRIE - ONE OF TWO HUNDRED AND THIRTY COPIES SIGNED AND NUMBERED BY DIETER ROTH WITH AN ORIGINAL COLLAGE
(ROT, DIETER) aka (ROTH, DIETER). Roth, Dieter. Stuttgart, GERMANY. 1967-1968.: Edition Hansjorg Mayer. First Edition #70/230. Narrow 4to. Wrappers in Full Leather. Artist's Book. Near Fine/Near Fine. np, 2 b&w letterpress decorations + a color collage. Text in German. Published in 1968 by Dieter Roth's longtme collaborator Edition Hansjorg Mayer, this is the double issue comprising numbers 3 and 4 of "Poeterei" - the innovative Swiss artist's late sixties journal devoted to Poetry and Poesie. The first part consists of a single typographic text by Roth in German printed by letterpress on heavy handmade paper incorporating an original collaged postcard fragment that has been annotated "D.R. 68." beneath that in green ink. The second portion contains one hundred and sixty-three brief textual framents by Rorh also printed by letterpress on a much thinner stock. The volume is features green flocked endpapers reminiscent of Marcel Duchamp's "La Mariee mise a nu par ses Celibataires meme"i bound in full light grey full leather. A most handsome example of this exceedingly uncommon item limited to two hundred and thirty copies NUMBERED (70/230) AND SIGNED "Diter Roth" in green ink on the rear colophon, as issued. Inventory Number: 026709
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DITER ROTH: THE COPLEY BOOK
(ROTH, DITER) aka (ROT, DIETER). Rot, Diter & Richard Hamilton. Chicago, IL: William and Noma Copley Foundation, 1965. First Edition. 4to. Loose Contents in a Folder. Artists' Book. Fair.. np, 30 loose components of varying sizes printed in monochrome and dutone. Known as "The Copley Book", this is Diter Roth's 1965 artist's volume created in collaboration with Richard Hamilton and published by Chicago's William and Noma Copley Foundation. A stream of conciousness agglomeration of fragments in the vein of Duchamp's notes for the Large Glass, it contains thirty loose, printed sheets housed in a colorful printed paper folder. A complete, serviceable example only of this exceedingly uncommon item showing pronounced foxing, brown dampstaining, and rippling to the outer portfolio along with some milder dampstaining to some of the internal components. The staple that originally bound contents to the rear cover has long ago been removed, and a piece of transparent tape has been affixed over the remaining tiny holes on the inside. It has been priced acordingly. Inventory Number: 026710
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TOM SACHS: "WORK" 2008-2011
(SACHS, TOM). Sachs, Tom, Alex Chohlas-Wood & Glenn O'Brien. New York: Sperone Westwater, 2012. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Designed by Garrick Gott. "This volume presents Tom Sachs' most recent bricolage sculptures, some of which play off works by Lichtenstein and Richter, as well as singer James Brown, African sculpture, and Sèvres porcelain. Several of these works incorporate Sachs' pyrography technique, whereby "paint strokes" are burned and etched into the wood surface.". A brand new, most handsome example of the 2012 hardbound first edition published in conjunction with Tom Sachs' exhibition at New York's Sperone Westwater gallery still in the publisher's shrinkwrap. 0-9828372-6-7 Inventory Number: 026494
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ED TEMPLETON: TEENAGE SMOKERS - SIGNED BY THE PHOTOGRAPHER
(TEMPLETON, ED). Templeton, Ed. With a Brief Text by Aurelie Voltz, and an Interview by Jerome Sans. New York: Alleged Press, 1999. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (32pp), 30 color and 3 b&w illustrations. "A fixture of Los Angeles' skateboarding scene, Ed Templeton has been producing photographs and paintings documenting his life, tours, and encounters in the skateboarding world for ten years". This charming artist's book (published in conjunction with a 1999 New York exhibition) by local Skate legend Ed Templeton is filled with Teenage Smokers, and nothing but... See transgressive youth on parade from Huntington Beach, California to Turku, Finland! A brand new, most handsome example of this contemporary classic (cited on page 94 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally BOLDLY SIGNED "Ed Templeton" in black marker on the inside front cover. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 026593
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ALMA THOMAS
(THOMAS, ALMA). Golden, Thelma, Ian Berry, Bridget R. Cooks, Thelma Golden, Nikki A. Greene, Lauren Haynes, Leslie Hewitt, Jennie C. Jones, Leslie Wayne & Saya Woolfalk. New York & Saratoga Springs, NY: The Studio Museum in Harlem, The Francis Young Tang Teaching Museum at Skidmore College & Prestel Publishing, 2016. First Edition. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 256pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive hardbound catalogue published in conjunction with posthumous 2016 retrospective of the work of African-American abstract artist Alma Thomas that traveled from the Studio Museum in Harlem to The Francis Young Tang Teaching Museum at Skidmore College. "Filled with vibrant illustrations, this stunning volume traces Thomas’s development as an artist and includes new writings by Bridget R. Cooks, Thelma Golden, Nikki A. Greene and Lauren Haynes, as well as specially commissioned responses by leading artists Leslie Hewitt, Jennie C. Jones, Leslie Wayne, and Saya Woolfalk. As the work of many African-American abstractionists is only recently coming into the spotlight, this important book on Alma Thomas profiles a truly pioneering figure." A brand new, most handsome example of this quickly unavailable document - the most comprehensive monograph on the artist to date - still in the publisher's shrinkwrap. 3-7913-5571-6 Inventory Number: 026607
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MICKALENE THOMAS ARTIST'S MULTIPLE: SET OF FOUR DECORATIVE MELAMINE TRAYS
(THOMAS, MICKALENE). Thomas, Mickalene. Santa Monica, CA: Mickalene Thomas & The Santa Monica Museum of Art, 2012. First Edition 1/250. Oblong Folio. Four Melamine Trays in a Box. Artist's Multiple. As New. Four 11 x 14" Melamine trays housed in a 12 x 15 x 3" paper over boards box. "Mickalene Thomas has won acclaim for her elaborate, colorful paintings of African-American women, often posed provocatively against rich, 1970s-themed backgrounds adorned with rhinestones, enamel and acrylics. Thomas draws from earlier traditions of portraiture to arrive at her contemporary sensibility. She engages with the tension between a personal investigation of eroticism, black femininity and beauty and a pop-cultural critique of the overt sexual imagery prevalent in the media - from Blaxploitation film heroines like Cleopatra Jones to the construction of middle-class, African-American taste in Ebony magazine." In conjunction with her 2012 "Mickalene Thomas: The Origin of the Universe" retrospective held at the Santa Monica Museum of Art, the noted Brooklyn-based artist created a limited edition multiple in the form of four Melamine serving trays that were sold in the SMMoA's "Gracie" shop as a fundraiser. Published in an unsigned edition of two hundred and fifty smartly-boxed sets, each of the four oval trays reproduces a different striking abstract pattern and bears Ms. Thomas' signature in facsimile on a molded cartouche on the underside. A brand new, pristine example of Mickalene Thomas' fabulous utilitarian objects sure to lend a touch of festive class to any home decor or gathering whose components are still sealed in their original plastic sleeves and accompanied by the Museum's individually numbered certificate of authenticity. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027414
$350.00 InquireFiled Under: African-American Art, Artist Monographs, Limited Editions, PMVABF, Graphics + Multiples, Original Art -
RACE HATRED ON TRIAL
(WALKER, RYAN). Communist Party of the United States of America. Foreword by Jim Allen. New York: Daily Worker Publishing Company, 1931. First Edition. 12mo. Stapled Illustrated Wrappers. Civil Rights Document. Good -.. 48pp, 3 b&w illustrations + cover illustration. In a protective clear acetate dustwrapper. According to this publication's authors, "The trial of August Yokinen before 1,500 white and black workers in Harlem for acts clearly based on race prejudice was an event without example in the history of the American Labor Movement. He was not tried before any court of American ruling-class "justice." He was tried by a court of workers." Written and published by The Communist Party of the United States of America, "Race Hatred on Trial" is the transcript and summation of the 1931 Party-sponsored adjudication of Mr. Yokinen for his inhospitable treatment of three Negro workers attending a Finnish Workers Club entertainment in Harlem. As prefaced here, "the seriousness of the crime he committed against the working class is made clear in this pamphlet." To atone for his transgressions following the tribunal's guilty verdict, Yokinen was immediately expelled from the Communist Party and required to "actively participate in the struggle against white chauvinism throughout Harlem." An internally most presentable example of the uncommon 1931 first edition of this notable pre-World War II contribution to civil rights literature that includes four illustrations by leftist American political activist and cartoonist Ryan Walker showing pronounced wear, creasing, chipping, soiling, and minor paper loss to the extremities of its brittle newsprint covers; which appear to have at one point detached along the spine and been subsequently semi-artfully re-attached. It has been priced accordingly. Inventory Number: 026735
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THE NIGHT I LOST MY BABY: A LAS VEGAS VIGNETTE BY MASON WILLIAMS - SIGNED BY THE AUTHOR
(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020
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JONAS WOOD AND SHIO KUSAKA: BLACKWELDER - SIGNED BY THE ARTISTS WITH A JONAS WOOD DRAWING
(WOOD, JONAS) (KUSAKA, SHIO). Wiley, Chris. New York: Gagosian Gallery & Rizzoli International Publications, 2015. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 220pp, profusely illustrated in color and b&w. Designed by An Art Service. This is the nicely appointed hardbound catalogue published in conjunction with a 2015 joint exhibition of work by the noted Los Angeles-based artists Shio Kusaka and Jonas Wood at Gagosian Hong Kong. A brand new, most handsome example of the unavailable 2015 first printing additionally BOLDLY SIGNED by both artists WITH A LARGE DRAWING OF A BASKETBALL DATED "2015" by Jonas Wood in black marker on the front pastedown. 0-8478-4701-2 Inventory Number: 026474
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HALE WOODRUFF: "THE TRAVELERS" - AN EARLY COLOR LINOLEUM BLOCK PRINT
(WOODRUFF, HALE). Woodruff, Hale. NP. ND (Circa 1935).: Self-Published. First Edition. 4to. Printed Paper. Color Linoleum Block Print. Near Fine.. One 8 x 10 ¼" sheet of cream wove paper printed in colors recto only, neatly folded vertically to make 8 x 5 1/8" mounted with archival photo corners in a heavy white 14 x 11" beveled mat, 1 color illustration. This is the vibrant linoleum block print in colors entitled "The Travelers" self-published in the 1930s by the noted muralist, painter, and printmaker Hale Woodruff. Sent to a friend as a holiday card, it features three doves flying above three riders on asses underneath a brilliant star, in what was likely a stylized depiction of the three wise men. The recipient was Ms. Marjorie Green, a modest art collector and employee of Los Angeles' Golden State Mutual Insurance Company, the city's largest black-owned insurer for most of the twentieth century. Golden State Mutual collected work by many of the major "negro artists" of the period, and in 1949 commissioned a mural from Woodruff in collaboration with Charles "Spinky" Alston entitled "The Negro in California History". A native of Cairo, Illinois, Hale Aspacio Woodruff began his career as a political cartoonist, first for a high school newspaper in Nashville, Tennessee, and later for an African American newspaper in Indianapolis. In 1926 he won an award from the Harmon Foundation that enabled him to study art in Paris from 1927 to 1931, where he met Henry Ossawa Tanner, leading figures of the French avant-garde, and began collecting African art. Returning to the U.S., Woodruff secured work as an art teacher to support himself, and subsequently became the art director at Atlanta University - a Historically black college - where he taught classes at the university's Laboratory High School, as well as for students at Morehouse and Spelman, a related college for black women. He founded the annual competition, "Atlanta University Annual Exhibition of Paintings, Sculpture, and Prints by Negro Artists". In 1936 Woodruff traveled to Mexico to study as an apprentice under the renowned muralist Diego Rivera, learning his fresco technique and becoming interested in portrayal of figures. Keenly aware of the racism and poverty African Americans in the South faced during the Great Depression, the artist turned to painting and printmaking for social advocacy. Woodruff returned to Atlanta later that same year to his teaching position, and began traveling to Talladega College in Alabama to teach and work on a commission for what became his "Amistad Mutiny" murals. In 1946, Woodruff joined the faculty at New York University in Manhattan, where he helped establish the Spiral Group (with fellow artists Romare Bearden, Charles Alston, and Norman Lewis) and taught for more than twenty years before retiring in 1968. Woodruff died in New York City on September 6, 1980. A bright, unfaded, most handsome example of this exceedingly uncommon artwork - identified by the African-American Art department at Swann Auction Galleries as the earliest example located of a graphic work in color by Hale Woodruff - TITLED AND SIGNED "The Travelers" / "H. Woodruff" in pencil along the lower margin, as issued. Inventory Number: 026310
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THE HISTORY OF LOS ANGELES GRAFFITI ART: VOLUME 1, 1983-1988 - DELUXE BOXED EDITION SIGNED BY THE AUTHOR
Alva, Robert "Wisk" & Robert "Relax" Reiling. Roger Yale, Editor. Los Angeles: Alva & Reiling Publications, 2005. First Edition #15/300 Deluxe. Oblong 4to. Pictorial Boards, Boxed. Fine/No Jacket - As Issued. 448pp, profusely illustrated in color. "The History of Los Angeles Graffiti Art" is a series of four books that will cover the years 1983 to 2005. Volume 1 is based on the years 1983 to 1988, and is the starting point to the real story behind the movement that began in the early 1980s. It documents all aspects of Los Angeles Graffiti Art, providing an unbiased look into this world through the eyes of the people that have lived it. Within the book, you will discover the truth behind the photos and stories - all interviews and DVD slideshows are uncut and real. It's exciting and fresh to the point of understanding our culture, without cutting it up". This unprecedented, gigantic, full color encyclopedic document is divided into the following chapters: "Spotlights" - a special tribute to all writers who made significant contributions and influences to the L.A. Graffiti scene; "Pieces / Burners" - showcasing familiar works as well as numerous lost and legendary Pieces / Burners; "Battles" - a special section dedicated to L.A.'s first battles between some of its most prolific crews and writers of the first era; "Blackbooks" - historical detailed drawings done within writers' sketchbooks; "Articles" - reproductions of newspaper and magazine pieces related to historical L.A. Graff subject matter; and "R.I.P." - memorials for all respected deceased Los Angeles Graffiti writers. Perhaps most significantly, a DVD is included with each book that contains over thirty slide shows by various L.A. writers. Shot by the authors (who are respected members of the L.A. Graff scene themselves) for this project, it contains exclusive commentaries by the graffiti writers that allow them to breathe life into their own work - uncut, raw and true - and the reader to be able to place a voice on the parade of images. A brand new, most handsome example of the deluxe edition of this uncommon historical document - only twelve copies of the trade edition are currently cited in OCLC WorldCat - housed in the publisher's elaborate printed cardboard box limited to three hundred NUMBERED (15/300) copies whose book and the interior of the box have additionally been BOLDLY TAGGED "RELAX" by artist and author Robert "Relax" Reiling in thick bronze marker on the front pastedown. 1-59975-146-1 Inventory Number: 027203
$325.00 InquireFiled Under: Art, California Artists and Arts, Graphic Design, LatinX Art, Limited Editions, Performance Art, Photography, PMVABF, Signed Books, Vinyl, DVD + CD -
GRAPEVINE ~ MAGDALENA SUAREZ FRIMKESS, MICHAEL FRIMKESS, JOHN MASON, RON NAGLE, PETER SHIRE - SIGNED BY THE ARTISTS AND CURATOR
Swallow, Ricky. Alexis Kerin & Stuart Krimko, Editors. New York & Los Angeles: Rainoff & David Kordansky Gallery, 2013. First Edition 1/500. 4to. Printed Self-Wrappers. Exhibition Catalog. As New.. 88pp, profusely illustrated in color. Designed by Sinisa Mackovic and Robert Milne. With a fully illustrated exhibition checklist. "Grapevine~" documents an exhibition curated by artist Ricky Swallow at David Kordansky Gallery during the summer of 2013. It focuses on the work of five California-based artists who redefined the use of clay in contemporary art, and includes images of works created over a period of more than fifty years. Ceramic sculptures by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, and Peter Shire exemplify the ways in which the medium underwent dramatic changes after World War II. Also included are select works by other artists influential in this dialogue, such as Ken Price and Peter Voulkos. An essay by Swallow explores the movement's idiosyncrasies and cross-currents, as well as its influence on subsequent generations of artists." A brand new, bright white example of this exquisitely designed and printed labor of love limited to five hundred unnumbered copies additionally signed by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, Peter Shire, Peter Voulkos and curator Ricky Swallow at an after-hours publication party at Los Angeles' Mandrake Bar following the exhbition opening. 0-9806516-6-2 Inventory Number: 026582
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ART BY TELEPHONE: AN EXHIBITION ORGANIZED BY THE MUSEUM OF CONTEMPORARY ART UNDER THE SPONSORSHIP OF THE AMERICAN NATIONAL BANK AND TRUST COMPANY OF CHICAGO - THE ORIGINAL 33 1/3 RPM LONG PLAYING RECORD ALBUM
Van Der Marck, Jan. Chicago, IL: Museum of Contemporary Art, 1969. First Edition. Large Square 4to. 12" Vinyl LP in Jacket. Exhibition Catalog. Near Fine. (But Incomplete)/No Jacket. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in an unprinted cardstock sleeve, no illustrations. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided". Taken from the album jacket, this was curator Jan van der Marck's summation of the infamous Museum of Contemporary Art, Chicago "Art by Telephone" show. This is a copy of the 1969 record which reproduces the phone calls of participating artists Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alain Jacquet, Edward Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, and William T. Wiley giving instructions to the MCA staff on how to execute their various pieces for this exhibition which alas, went unrealized. A most handsome, unplayed example of the LP (cited on page 215 of Guy Schraenen's "Vinyl: Records and Covers by Artists" and page 235 of Giorgio Maffei's "Records by Artists 1958-1990") showing some minor surface abrasions. PLEASE NOTE: This copy is LACKING the publisher's printed album cover, and so we are offering the original vinyl LP and paper inner sleeve in an unprinted black replacement cover. It has been priced accordingly. Inventory Number: 026811
$350.00 InquireFiled Under: Art, John Baldessari, Cinema, Conceptual and Minimal Art, Exhibition Catalogues, Sol LeWitt, Music + Sound Art, PMVABF, Video Art, Vinyl, DVD + CD -
EXHIBITION POSTER FOR "THE EAST VILLAGE ART COLLECTION", WEDNESDAY 17 JULY 1985 AT PALLADIUM
Various Artists. New York: Rudolf and Limbo, 1985. First Edition. Folio. Printed Poster. Exhibition Poster. Very Good -.. One 17 x 11" sheet printed color offset recto only, machine folded in fourths. Artwork by Huck Snyder. This is the poster announcing a one night only exhibition and live painting show by artists affiliated with New York's then-burgeoning East Village scene held on Wednesday, July 17th, 1985 at the recently opened Manhattan megaclub Palladium. Organized by nightlife impresario Rudolf - who was running The Limbo Lounge as well as Limbo Gallery at the time - it featured works by artists showing at Art Et Industrie, Art Mart, Avenue B., B-Side, Cash Newhouse, Civilian Warfare, Frank Barducci, Fun, Gracie Mansion, Hal Bromm, Limbo, Nature Morte, New Math, Piezo Electric, PPOW, Semaphore East, Sensory Evolution, Sharpe, Steven Adams, T. Greathouse, and Vox Populi. It reproduces a 1985 painting by Huck Snyder, who surely was a participant along with David Wojnarowicz and dozens more. A most presentable example of this striking, exceedingly uncommon poster that was folded by the printer and subsequently flattened showing some mild handling creases, minor ink loss with some touch-up at the bottom center, and two tape remnants along the top edge. Inventory Number: 026463