Arcana:

(RABABY, MICHAEL). Rababy, Michael, Mat Gleason & Simon Glickman. Heidelberg, GERMANY: Kehrer Verlag, BOD, 2024. First Edition. 10 1/2 x 9 3/4", 4to. Hardbound. Photography Monograph. New/No Jacket - As Issued. 160pp, 115 color illustrations. Text in English."CASINOLAND – Tired of Winning" is the result of a thirty year long photography project in which Michael Rababy documents US American gambling culture. Rows of shrill slot machines, glowing billboards, and gaudy splendor appear alongside exhausted faces, tired looks, and lost games. Rababy’s realistic camera view scrutinizes the glamorous appearance of the gleaming gambling halls and exposes their mendacious promises of wealth. The series focuses more on the casino as a capitalist institution as a whole than on the individual gamblers. Michael Rababy is a Lebanese-American documentary photographer, who deals frequently with US American culture and society in his work. He works as a freelance photographer and has photographed for numerous media companies. "CASINOLAND – Tired of Winning" is his fourth book project". 978-3-96900-164-6 Inventory Number: RAB004

(RENAU, JOSEP). Fontcuberta, Joan & Pablo Ortiz Monasterio. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1985. First Edition 1/3000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 50 color illustrations. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted entirely to the satirical political photomontages of Spaniard Josep Renau. Beginning with his Communist Party poster designs of the wartime era, this is a tour de force on the par with the work of John Heartfield, primarily lampooning the United States and its preoccupation with sex, death consumerism, colonialism, racism, and Cold War era brinksmanship with the Soviet Union. A brand new, most handsome example of this uncommon gem (cited on page 116 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 19 of Horacio Fernandez' "The Latin American Photobook" - even though Renau was an artist and not a photographer!). 968-16-2115-8 Inventory Number: 025050

(REXROTH, NANCY). Rexroth, Nancy, Mark Power & Wayne Dodd. Rochester, NY: Violet Press, 1977. First Edition. 4to. Printed Wrappers. Near Fine.. np, 72 duotone illustrations. Blurry and diffuse at times, "Iowa" is Nancy Rexroth's beautifully designed and printed first book of haunting images of the Midwest taken with a molded plastic Diana camera. It features brief texts by Rexroth and Mark Power along with a poetic excerpt by Wayne Dodd. A most handsome example of the 1977 Violet Press first edition additionally SIGNED AND DATED "Nancy Rexroth / May, 1977" in blue ink on the half title page in the year of publication showing just a bit of the light wear and sunning along the spine frequently associated with this title. LC 76-42054 Inventory Number: 027667

(RHEIMS, BETTINA). Rheims, Bettina. Hamburg, GERMANY: Stern Bibliothek Der Fotografie / Gruner + Jahr AG, 1999. First Edition. 4to. Stapled Pictorial Wrappers. Photography Monograph. Near Fine.. 94pp, profusely illustrated in color and b&w. Text in English and German. The most interesting editions of this elegantly produced photography special published by Stern Magazine invariably sell out quickly, and this fifteenth installment devoted to noted French photographer Bettina Rheims was no exception. It is a nicely designed and printed survey of her erotically charged work featuring such models and celebrities as Claudia Schiffer, Elizabeth Berkeley, Naomi Campbell, Kristin McMenamy, Heather Graham, Shirley Manson, Traci Lords, Gretchen Mol, Liv Tyler, Salma Hayek, Gwen Stefani, Sharon Stone, Madonna, Cindy Crawford, Karen Mulder, and more. A most handsome example. 3-570-19201-6 Inventory Number: 021719

(RHEIMS, BETTINA). Rheims, Bettina & Olga Rodionova. Foreword by Catherine Millet. Koln, GERMANY: Benedikt Taschen Verlag, 2008. First Edition 1/1000 Deluxe. Elephant Folio. Cloth in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 154pp, profusely illustrated in color and b&w. Text in English, French and German. "Olga Rodionova is a well-known beauty who moves in Moscow's fashion and jet set circles. When her adoring husband - a powerful Russian millionaire - sought to have special portraits made of his wife, he asked none other than Bettina Rheims. Rheims was captivated by Olga's unique aura and felt excited by the challenge of finding aesthetic ways of doing the portraits so that they didn't feel like run of the mill pornography. The first shoot took place in Rheims' country home and Olga's husband was so pleased with the images that he suggested they produce a book with Olga as the star. A second shoot followed, in black and white with a sado-masochistic decor and other men and women playing slightly perverse sex games with Olga. A third, Marie-Antoinette-inspired shoot took place entirely in the studio. Rheims succeeded in finding a variety of ways to depict one subject with a continuous freshness and intrigue; "The Book of Olga" is a compelling depiction of female sexuality, allure, desire, intrigue and fantasy. With over one hundred images and an introduction by French author Catherine Millet, this unique book is both a love song and a bold artistic statement". A brand new, pristine example of the 2008 first printing of the Taschen Collector's Edition limited to one thousand copies NUMBERED (0087) AND BOLDLY SIGNED "Bettina Rheims" in the publisher's clamshell box and unopened printed cardboard shipping carton, as issued. 3-8365-0-760-9 Inventory Number: 025653

(RICHARDSON, TERRY). Richardson, Terry & John McWhinnie. East Hampton, NY: JMc & GHB Editions, 2006. First Edition 1/50 Deluxe. 4to. Debossed Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Designed by Buero New York. "FTW" is Terry Richardson's 2006 photo-essay documenting his time spent amongst a group of Ojai California youths dubbed the "Signal Street Alcoholics". If your idea of a good time is alcohol-infused punker transgression, this is the book for you! A most handsome copy of the deluxe edition limited to fifty copies only signed by Terry Richardson and essayist/publisher John McWhinnie in black ink on the colophon, as issued. 0-9854020-9-6 Inventory Number: 020405

(RICHARDSON, TERRY) (SISLEY). Richardson, Terry. NP (Ponzano Veneto, ITALY): Sisley, 2000. First Edition. Small 4to. Pictorial Self-Wrappers. Fashion Trade Catalog. Fine.. np, profusely illustrated in color. Text in English. This 2000 trade catalogue for Italian fashion purveyors Sisley was shot in Palm Springs by fashion bad boy Terry Richardson. Art directed by Nikko Nikko and styled by Sabina Schreder, it features flash-infused images galore of youthful male and female models basking amidst the desert scrub along with favorite snack recipes for you to make at home. A most handsome example of this uncommon item perfect for the T-Bone completeist. Inventory Number: 025106

(RICHARDSON, TERRY) (TEMPLETON, ED) (WRAPAROUND MAGAZINE). Gachot, Paul, Editor. Los Angeles: Advertising Photographers of America, 2003. First Edition. 4to. Pictorial Wrappers. Photography Periodical. Fine.. 64pp, profusely illustrated in color and b&w. Cover by Terry Richardson. This second installment of the stylish, sadly defunct photography magazine "Wraparound" was devoted to the theme "Raw Youth". It features a ten page interview/layout with provocateur Terry Richardson, and a nine page spread on photographer/artist/skateboard god Ed Templeton that was art directed by Ed himself. The rest of the issue contains contributions by Ben Watts, Neil Abramson, Hans Neleman, Lauren Greenfield, Stefan Gerard and Elena Hale, Paul Gachot, and others. A most handsome example of this uncommon item that was issued hors commerce to ASMP members only and had no newsstand distribution. Inventory Number: 027460

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome hors serie example of the trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press SIGNED AND ANNOTATED "Doug Rickard / Artist Book" in black ink on the rear colophon, as issued. Inventory Number: 025750

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition 1/200. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome example of the innovative first trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press limited to two hundred examples NUMBERED (19/200) AND SIGNED "Doug Rickard" in black ink on the rear colophon, as issued. Inventory Number: 025749

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. Inventory Number: 024819

(RUSCHA, EDWARD). Cherix, Christophe, Ana Turok, Kiki Aebi, Benjamin H.D. Buchloh, Donna De Salvo, Linda Norden, Michael Govan, Ellen Lupton, Jennifer Tobias, Andrew Perchuk & Jeffrey Weiss. New York: The Museum of Modern Art, 2023. First Edition. 4to. Boards in Illustrated Jacket. Artist Monograph. As New/As New. 336pp, profusely illustrated in color and b&w. With a chronology, exhibition checklist and bibliography. This is the comprehensive, beautifully illustrated catalogue published in conjunction with the 2023 touring retrospective of work by Edward Ruscha organized by The Museum of Modern Art. A brand new, pristine example. 1-63345-150-X Inventory Number: 027642

(RUSCHA, EDWARD) (DEMAND, THOMAS) (GURSKY, ANDREAS). Gronert, Stefan, Diedrich Diederichsen & Ralph Rugoff. Preface by Dieter Ronte & Bonnie Clearwater. Bonn, GERMANY & North Miami, FL: Kunstmuseum Bonn & Museum of Contemporary Art, North Miami, 1999. First Edition. Oblong 4to. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Text in English. Designed by Kuhle und Mozer. With an exhibition checklist and biographies. In a protective clear acetate dustwrapper. "Great Illusions" is the beautifully designed hardbound catalogue published in conjunction with a traveling 1999 Museum survey exhibition of images by Thomas Demand, Andreas Gursky and Edward Ruscha - each of whose work straddles the boundaries of fine art and photography - dealing with the issue of "the fundamental question of reality in the picture". A brand new, pristine example of the uncommon English language edition still in the publisher's shrinkwrap. 1-888708-07-7 Inventory Number: 024288

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. Inventory Number: 025061

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles: Self-Published, 1967. First Edition 1/1000. 8vo. Spiral Bound Wrappers. Artist's Book. Very Good - ./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An internally bright, most handsome example of the 1967 first edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies issued without glassine wrapper additionally bearing the SIGNED PRESENTATION "For ... / Mason Williams" in black ink on the front free endpaper showing some light soiling, sunning, and creasing t the covers at the extremities. It has been priced accordingly. Inventory Number: 026019

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271

(SALGADO, SEBASTIAO). Salgado, Lelia Wanick. Koln, GERMANY: Benedikt Taschen Verlag, 2013. First English Language Edition 1/1000. Stout Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 520 + 34pp, profusely illustrated in duotone. Text in English. Concept and Design by Lelia Wanick Salgado. Published in 2013, this is the massive hardbound collection of famed Magnum photojournalist Sebastiao Salgado's haunting images of the dwindling unspoiled land, flora, fauna, and peoples of Planet Earth. "Genesis" is the result of an epic eight year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society - the land and life of a still-pristine planet. Salgado reminds us that "Some 46% of the planet is still as it was in the time of genesis. We must preserve what exists". The Genesis project, along with the Salgados' Instituto Terra are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future". A brand new, most handsome example of the 2013 first English language edition with the publisher's caption booklet laid in additionally BOLDLY SIGNED by Sebastiao Salgado in black marker on the half title page. 3-8365-3872-5 Inventory Number: 026568

(SALGADO, SEBASTIAO). Salgado, Sebastiao. Introduction by Alan Riding. New York: Pantheon Books, 1986. First English Language Edition. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. 112pp, profusely illustrated in b&w. Designed by Lelia Wanick Salgado and Sophie Mouterde. Published in 1986, this is the first survey of famed Magnum photojournalist Sebastiao Salgado's humanist images to be published in the United States. A most handsome example of the uncommon hardbound 1986 Pantheon Books first American edition (cited on page 256 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné"). 0-394-55668-2 Inventory Number: 024867

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition 1/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (34/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Pyhajarvi, Finland (Horse and Barn)" which has been SIGNED AND DATED "Pentti Sammallahti 1982" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025486

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition #3/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (3/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Two Birds on Branch" which has been TITLED, SIGNED AND DATED "t.p.l'a / Pentti Sammallahti 2002" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025484

(SAMMALLAHTI, PENTTI). Perich, Candace & Pentti Sammallahti. Tucson, AZ: Nazraeli Press, 2002. First Edition 1/1000. Oblong Narrow Folio. Debossed Boards in Slipcase. Photography Monograph. Fine/No Jacket - As Issued. 48pp + 1 loose sheet, 29 duotone illustrations + duotone plate laid down on the front cover. Published by Nazraeli Press, this beautifully designed and illustrated book was the first substantial publication on renowned photographer Pentti Sammallahti issued outside his native Finland. A most handsome example of the uncommon 2002 first edition limited to one thousand unnumbered copies in slipcase additionally BOLDLY SIGNED "Pentti Sammallahti" in black ink across the publisher's gently handled printed text insert. 1-59005-036-3 Inventory Number: 026428

(SANDER, AUGUST) (FURUYA, SEIICHI) (DEJA-VU). Sawada, Yoko, Editor-In-Chief. Tokyo: Photo-planete Co., Ltd., 1994. First Edition. 4to. Pictorial Wrappers. Photography Periodical. Near Fine.. 121pp, profusely illustrated in color and b&w. Text in Japanese and English. This is the seventeenth installment (of twenty published) of the beautifully produced Japanese photographic quarterly "Deja-Vu". The issue is devoted to two lengthy portfolios of portraiture by August Sander and Seiichi Furuya, as well as work by Hajime Sawatari and Tsuguya Inoue. Much more book than magazine, it's elegantly appointed with many full bleed pictures. A handsome example showing a tiny bit of wear and handling to the covers. 4-309-903-37-1 Inventory Number: 001502

(SANDER, AUGUST). Keller, Judith. Los Angeles: The J. Paul Getty Museum, 2001. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Fine.. One 7 ½ x 24" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 12 duotone illustrations. This is the slender eight page brochure produced to accompany "August Sander: German Portraits, 1918-1933"; a 2001 exhibition of vintage prints by August Sander drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 017819

(SANDER, AUGUST). Naef, Weston. Malibu, CA: The J. Paul Getty Museum, 1991. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany "August Sander: Faces of the German People"; a 1991 exhibition of vintage prints by August Sander drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 024072

(SAVILLE, JENNY) (LUCHFORD, GLEN). Saville, Jenny, Glen Luchford & Katherine Dunn. Beverly Hills, CA: Gagosian Gallery, 2002. First Edition. Folio. Printed Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 48pp, 15 b&w and 14 color illustrations. Designed by David James Associates. With biographies, exhibition histories and bibliographies. This is the opulently printed hardbound catalogue produced in conjunction with the 2002 Gagosian Gallery Beverly Hills exhibition of collaborative photographs by Jenny Saville and Glen Luchford. Each of the images shown was produced by Saville distorting and/or flattening her naked body against a sheet of glass, with Luchford capturing the result on camera. Originally intended as studies for the artist's large format figurative paintings, they became a body of work unto themselves. "Closed Contact" reproduces these photographs on heavy, ultra-glossy paper, and they are accompanied by an essay by Katherine Dunn. A most presentable example of this uncommon item (cited on pages 398-399 of The Hasselblad Center's "The Open Book") whose contents and textblock are immaculate, but whose covers show some noticeable wear, soiling and scuffing along with some abrading to the bottom edge of the front board. It has been priced accordingly. 1-880154-65-X Inventory Number: 020897

(SAWATARI, HAJIME). Sawatari, Hajime. Tokyo: Hysteric Glamour, 2000. First Edition. Folio. Printed Metallic Wrappers. Photography Monograph. Good +.. np, profusely illustrated in b&w. Hajime Sawatari's "A Girl" is another of the estimably hip Japanese fashion/style purveyor Hysteric Glamour's series of beautifully produced limited edition photography monographs. It is an oversized, erotically obsessive compendium of hundreds of full page black and white images, many nude, of a single Japanese lass taken by the creator of the truly twisted 1974 photographically illustrated retelling of Lewis Carroll's "Alice in Wonderland". A shiny, most presentable example of this uncommon item BOLDLY SIGNED "SAWATARI" in black marker on the title page showing a dent through the textblock at the heel of the spine as well as a soft crease to the front cover and a slight curl to the pages at the lower foredge corner. It has been priced accordingly. Inventory Number: 020807

(SAWATARI, HAJIME). Sawatari, Hajime. Tokyo: Hysteric Glamour, 2000. First Edition. Folio. Printed Metallic Wrappers. Photography Monograph. Good.. np, profusely illustrated in b&w. Hajime Sawatari's "A Girl" is another of the estimably hip Japanese fashion/style purveyor Hysteric Glamour's series of beautifully produced limited edition photography monographs. It is an oversized, erotically obsessive compendium of hundreds of full page black and white images, many nude, of a single Japanese lass taken by the creator of the truly twisted 1974 photographically illustrated retelling of Lewis Carroll's "Alice in Wonderland". A shiny, presentable example only of this uncommon item BOLDLY SIGNED by Hajime Sawatari in kanji in black marker on the title page showing dents and soft creases at each of the four corners of the textblock. It has been priced accordingly. Inventory Number: 020806

(SCHLES, KEN). Schles, Ken. Groningen, THE NETHERLANDS: Stichting Fotografie Aurora Borealis & Fotografie Noorderlicht, 2011. First Edition 1/1000. 4to. 1/2 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (96pp), 35 color illustrations. Text in English. "Oculus" is Ken Schles' exceptionally lovely fourth book published in conjunction with his participation as part of the 2011 Noorderlicht Photography Festival in Groningen. Of it the photographer states "We infuse the world we encounter with meaning, with social and symbolic significance based on the value we place upon representations we share. This, perhaps, is the irony of our conceptualizations: We make and share images so that we may know the world. "Oculus" takes you on a philosophic journey that points beyond the shadow-play of images. It is a meditation on the nature of perception and existence in the gray light of this world. A photographic book about images, memory, and the metaphor of light". A pristine example of the first edition limited to one thousand copies SIGNED AND DATED "Ken Schles NYC 11/11" in the year of its publication in black ink on the title page. 90-76703-45-0 Inventory Number: 021920

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Facsimile Dust Jacket. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A most handsome example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies LACKING the publisher's dust jacket but with a facsimile jacket supplied. It has been priced accordingly. 0-942642-35-X Inventory Number: 024206

(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A brand new, pristine example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies. 0-942642-35-X Inventory Number: 023353

(SEKULA, ALLAN). Sekula, Allan, Gary Dufour & John O' Brian. Vancouver, CANADA & Cambridge, MA: Vancouver Art Gallery & MIT Press, 1997. First Edition. 4to. Pictorial Wrappers. Photography Monograph. As New.. 96pp, profusely illustrated in color and b&w. Designed by Allan Sekula and Reinhard Derreth Graphics. With a bibliography. Published in conjunction with a 1997 exhibition held at the Vancouver Art Gallery, "Geography Lesson: Canadian Notes" is a body of work by the noted late socially-conscious photographer and educator Allan Sekula examining the Canadian mining industry and the executives, workers, and labor activists that depend on it for their livelihoods. A brand new, most handsome example additionally bearing the SIGNED INSCRIPTION "For ..., With Thanks, Allan Sekula / Atlanta 10/10/98" to an institutional curator in black ink on the title page. 0-262-69200-7 Inventory Number: 024339

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy LLC, 2007. First Edition 1/300. 8vo. Pictorial Wrappers. Photography Monograph. As New.. 152pp, 100 illustrations in color and b&w. Designed by Todd Tourso. Limited to three hundred copies only, "Deathcamp" is R.J. Shaughnessy's must-have first book - a gritty, engaging essay capturing the transgressive youthful comings and goings in the Atwater house the photographer lived in from late 2002 through early 2006. If you are an Ed Templeton or Ryan McGinley fan, this self-published gem is right up your alley! A brand new, pristine example additionally BOLDLY SIGNED "R.J. Shaughnessy" in black marker on the title page. 0-9792748-1-8 Inventory Number: 023021

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/500. 4to. Printed Boards. Photography Monograph. Fine/No Jacket - As Issued. np (48pp), 37 illustrations in duotone. Designed by Christian Cervantes. "Your Golden Opportunity is Comeing Very Soon" is Los Angeles-based photographer R.J. Shaughnessy's follow up to his must-have first book - "Deathcamp". Shot in stark black and white, it captures the flawed details of his decaying metropolis illuminated with a flash in the dead of night. No wasted partygoers here, just riveting images of bent poles, torn chain-link fences, crumbling cinderblock barriers and the like. A most handsome example of this intriguing, already unavailable work limited to five hundred copies BOLDLY SIGNED AND NUMBERED by R.J. Shaughnessy in black marker on the rear colophon, as issued. 0-9792748-4-2 Inventory Number: 019547

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/200. Oblong Folio. Debossed Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. np (64pp), 29 duotone illustrations. Designed by Christian Cervantes. "These Photographs Will Heal Your Soul" is Los Angeles-based photographer R.J. Shaughnessy's exquisite third self-published book of photographs. Shot in sumptuous black and white, it surveys flurries of snowflakes against the inky night sky. A brand new, pristine example of this elegant volume limited to two hundred copies NUMBERED AND BOLDLY SIGNED "R.J. Shaughnessy" in black marker on the rear colophon still in the publisher's shrinkwrap, as issued. 0-9792748-2-6 Inventory Number: 019106

(SHAYLOR, ANDREW). Shaylor, Andrew. Foreword by Sonny Barger. London: Merrell Publishers Limited, 2005. First Edition 1/1000 Deluxe. 4to. Full-Leather in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 240pp, 200 duotone and 100 color illustrations. Designed by Maggi Smith. "Photographer Andrew Shaylor has been given unique and long-term access to the secret world of the Hells Angels Motorcycle Club. Over three hundred stunning photographs reveal the rich diversity of the HAMC, including events, members' motorcycles (always Harley Davidsons), clubhouses, portraits, and a multitude of details that uniquely define their culture. It contains a specially commissioned foreword by American legend Sonny Barger". Limited to one thousand copies only, this deluxe edition is hardbound in full black leather that shows a debossed Hells Angels insignia, and is SIGNED AND NUMBERED by Andrew Shaylor. It is housed in a debossed oversized black leather clamshell box that contains a SIGNED AND NUMBERED 12 x 9 ½" black and white silver print of the image "Kenny, HAMC, Tyne and Wear" - the cover image of the trade edition of this book. A brand new, pristine example in the publisher's unopened printed cardboard shipping carton, as issued. 1858943167 Inventory Number: 019813