Arcana:

(PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. One 7 inch, 45 rpm vinyl record in white paper sleeve. This double-sided single contains two compositions arranged and performed by Richard Prince entitled "Good Revolution" (1:46) and "Don't Belong" (1:46). These were recorded and mixed by Soul Coughing's Mark Degli Antoni at Harmonic Ranch in New York in 1992 as for use as a component of Prince's limited edition multiple entitled "Good Revolution" for Parkett number 34. Issued in a numbered edition of one hundred copies, the artwork consisted of a gold-plated version of this record, engraved plaque, and chromogenic color print mounted in a framed plaque that mimicked an RIAA gold record award. THIS IS NOT THAT ARTWORK, NOR IS IT SIGNED. This is a standard, unplayed 7" 45 rpm black vinyl single suitable for play on a turntable. A most handsome hors commerce example of this exceedingly uncommon item that was presented by the artist to a colleague at the time of its issue housed in its original unprinted white sleeve showing some mild surface wear. Inventory Number: 026367

(PRINCE, RICHARD). Prince, Richard. New York: Artists Space, 1980. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations. In a protective clear acetate dustwrapper. Modestly duplicated and completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the exceedingly uncommon first state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - limited to approximately one hundred "uncorrected proofs" showing a bit of mild handling and slight discoloration to its pale green bond wrappers. Inventory Number: 026682

(REICHEL, HANS) (MILLER, HENRY). Miller, Henry & Karl Shapiro. Introduction by Lawrence Durrell. Louise and Jon Webb, Editors. Tucson, AZ: Loujon Press, 1966. First Edition 1/99 Deluxe. 48mo - over 3" - 4" tall. ¼ Leather Over Cloth Slipcased. Artist Monograph. Near Fine/Very Good. 106pp, illustrated in monochrome. Text in English and French. Designed by Louise and Jon Webb. "Order and Chaos Chez Hans Reichel" publishes for the first time Henry Miller's thoughtful 1938 essay on the underappreciated German-born, Parisian-based visual artist Hans Reichel. A typically elaborately designed and lavishly produced Loujon undertaking, it features an introduction by Lawrence Durrell along with beautiful reproductions of several of Reichel's Paul Klee-inspired works. A most handsome example of the uncommon "Oasis Edition" in gilt-stamped ½ leather over cloth housed in the publisher's printed cork-covered slipcase limited to ninety-nine copies SIGNED AND DATED "Henry Miller / 6/6/66" in black ink on a blank leaf at the rear, as issued, showing the smallest bit of brown spotting to its illustrated vellum dust jacket. LC 66-30442 Inventory Number: 027421

(RHEIMS, BETTINA). Rheims, Bettina & Olga Rodionova. Foreword by Catherine Millet. Koln, GERMANY: Benedikt Taschen Verlag, 2008. First Edition 1/1000 Deluxe. Elephant Folio. Cloth in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 154pp, profusely illustrated in color and b&w. Text in English, French and German. "Olga Rodionova is a well-known beauty who moves in Moscow's fashion and jet set circles. When her adoring husband - a powerful Russian millionaire - sought to have special portraits made of his wife, he asked none other than Bettina Rheims. Rheims was captivated by Olga's unique aura and felt excited by the challenge of finding aesthetic ways of doing the portraits so that they didn't feel like run of the mill pornography. The first shoot took place in Rheims' country home and Olga's husband was so pleased with the images that he suggested they produce a book with Olga as the star. A second shoot followed, in black and white with a sado-masochistic decor and other men and women playing slightly perverse sex games with Olga. A third, Marie-Antoinette-inspired shoot took place entirely in the studio. Rheims succeeded in finding a variety of ways to depict one subject with a continuous freshness and intrigue; "The Book of Olga" is a compelling depiction of female sexuality, allure, desire, intrigue and fantasy. With over one hundred images and an introduction by French author Catherine Millet, this unique book is both a love song and a bold artistic statement". A brand new, pristine example of the 2008 first printing of the Taschen Collector's Edition limited to one thousand copies NUMBERED (0087) AND BOLDLY SIGNED "Bettina Rheims" in the publisher's clamshell box and unopened printed cardboard shipping carton, as issued. 3-8365-0-760-9 Inventory Number: 025653

(RICHARDSON, TERRY). Richardson, Terry & John McWhinnie. East Hampton, NY: JMc & GHB Editions, 2006. First Edition 1/50 Deluxe. 4to. Debossed Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Designed by Buero New York. "FTW" is Terry Richardson's 2006 photo-essay documenting his time spent amongst a group of Ojai California youths dubbed the "Signal Street Alcoholics". If your idea of a good time is alcohol-infused punker transgression, this is the book for you! A most handsome copy of the deluxe edition limited to fifty copies only signed by Terry Richardson and essayist/publisher John McWhinnie in black ink on the colophon, as issued. 0-9854020-9-6 Inventory Number: 020405

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome hors serie example of the trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press SIGNED AND ANNOTATED "Doug Rickard / Artist Book" in black ink on the rear colophon, as issued. Inventory Number: 025750

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition 1/200. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome example of the innovative first trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press limited to two hundred examples NUMBERED (19/200) AND SIGNED "Doug Rickard" in black ink on the rear colophon, as issued. Inventory Number: 025749

(ROCKMAN, ALEXIS). Decter, Joshua. New York: John Post Lee Gallery, 1991. First Edition 1/300. Square 8vo. Decorative Boards. Artist Monograph. Near Fine/No Jacket - As Issued. 36pp, 15 b&w and 8 tipped-in color illustrations. With a chronology, exhibition history and bibliography. Designed by Gunnar Kaldewey. This beautiful little hardbound book published in conjunction with a 1991 John Post Lee Gallery exhibition by Alexis Rockman features the artist's work mingled with elegant reproductions of some source material for his disarming imagery. A most handsome example of the first edition limited to three hundred copies each SIGNED AND NUMBERED by the artist in black ink at the rear colophon, as issued. Inventory Number: 007395

(ROLLING STONES, THE). Golden, Ruell, David Dalton, Waldemar Januszczak & Luc Sante. Foreword by President Bill Clinton. Köln, GERMANY: Benedikt Taschen Verlag, 2019. First Edition #451/1600. Elephant Folio. Cloth in Dust Jacket, Boxed. Music Monograph. As New/As New. 518pp, profusely illustrated in color and b&w. With a Rolling Stones timeline, discography, and photographers' biographies. "The kind of fame and success The Rolling Stones have achieved in their fifty-years-and-counting career is without parallel. With their bluesy rock 'n' roll and mesmerizing off and onstage presence, the Stones redefined the music of the 1960s and 1970s, and paved the way for rock as we know it today. They also set the standard for how a rock band should look and behave. Produced in close collaboration with the band, this book charts the Stones' remarkable history and outrageously cool lifestyle in over five hundred pages of incredible images and illustrations - many previously unseen, by the likes of David Bailey, Peter Beard, Cecil Beaton, Bob Bonis, Anton Corbijn, Annie Leibovitz, Gered Mankowitz, Helmut Newton, Norman Parkinson, Bent Rej, and Ethan Russell that have been gathered from archives all over the world. Unprecedented access to the Rolling Stones' own archives in New York and London adds an equally extraordinary, more private side to their story. This massive (20 x 20 x 6") undertaking featuring new essays from award-winning writers David Dalton, Waldemar Januszczak, and Luc Sante along with a foreword written by President Bill Clinton is Mick, Keith, Charlie, and Ronnie's official photographic record." A brand new, pristine example of the Collector's Edition NUMBERED (451/1600) and SIGNED by Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood unopened in the publisher's printed shipping carton, as issued. 3-8365-4721-X Inventory Number: 027474

(ROLSTON, MATTHEW). Rolston, Matthew & Philip Gefter. Foreword excerpted from Ernest Becker’s "The Denial of Death". Los Angeles, CA: Nazraeli Press, I00250930. 2025. First Edition 1/500 Copies. 12 1/2 x 18", 84 concertina formated pages. Pictorial Boards in Clamshell Box. Photography Monograph. New/No Jacket - As Issued. 978-1-59005-588-5

"Photographed in 2013 at the Capuchin Catacombs of Palermo, Sicily, "Vanitas", a project more than a decade in the making, draws its visual language not from photographic tradition, but from painting. As inspiration, Rolston looked to the Austrian and Belgian Expressionists Egon Schiele and James Ensor, and to the School of London painters, especially Francis Bacon and Lucian Freud. From these artists he borrowed an unflinching gaze, a palette Rolston has described as “the colors of a bruise,” and a fascination with flesh as both physical material and emotional terrain. The portraits are staged with a highly controlled use of theatrical lighting. Viewing the work may confuse the eye. Are we seeing a painted surface, or the detailed forensics of a high-resolution photograph? Vanitas is not an act of documentation. It is a highly expressive reflection on imperfection and an inquiry into the ultimate truth of death. These portraits ask us not to turn away, but to consider what it means to see, and be seen, at the edge of mortality. The publication includes texts from the artist in addition to an introductory essay by American author, photography critic and journalist Philip Gefter and a foreword excerpted from cultural anthropologist Ernest Becker’s seminal 1973 work The Denial of Death. Lavishly printed in four colors on rich clay-coated stock and bound in linen over boards, this first printing of Vanitas: The Palermo Portraits  is limited to five hundred copies and is published to coincide with Rolston’s 2025 multi-venue exhibition of "Vanitas." A brand new example of this exquisite publication NUMBERED AND SIGNED by Matthew Rolston.

Inventory Number: E00250930

(ROT, DIETER) aka (ROTH, DIETER). Roth, Dieter. Stuttgart, GERMANY. 1967-1968.: Edition Hansjorg Mayer. First Edition #70/230. Narrow 4to. Wrappers in Full Leather. Artist's Book. Near Fine/Near Fine. np, 2 b&w letterpress decorations + a color collage. Text in German. Published in 1968 by Dieter Roth's longtme collaborator Edition Hansjorg Mayer, this is the double issue comprising numbers 3 and 4 of "Poeterei" - the innovative Swiss artist's late sixties journal devoted to Poetry and Poesie. The first part consists of a single typographic text by Roth in German printed by letterpress on heavy handmade paper incorporating an original collaged postcard fragment that has been annotated "D.R. 68." beneath that in green ink. The second portion contains one hundred and sixty-three brief textual framents by Rorh also printed by letterpress on a much thinner stock. The volume is features green flocked endpapers reminiscent of Marcel Duchamp's "La Mariee mise a nu par ses Celibataires meme"i bound in full light grey full leather. A most handsome example of this exceedingly uncommon item limited to two hundred and thirty copies NUMBERED (70/230) AND SIGNED "Diter Roth" in green ink on the rear colophon, as issued. Inventory Number: 026709

(ROTH, DIETER) (WIENER, OSWALD). Roth, Dieter & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1977. First Edition 1/500. Large Square 4to. 12" Vinyl LP in Jacket. Artists' Multiple. Near Fine/Near Fine. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in a printed paper-over-cardboard gatefold sleeve. Recorded at Mosfellssveit, Iceland between May 28th and 30th 1976, "Tote Rennen + Leider" is a new music and spoken-word collaboration between noted artist/musicians Dieter Roth and Oswald Wiener. A handsome example of this uncommon artists' recording (entry number 8 on page 89 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 95 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to five hundred unnumbered copies. Inventory Number: 025551

(ROTH, DIETER) aka (ROT, DITER). Roth, Dieter & Richard Hamilton. Introduction by Dieter Schwarz. Hansjorg Mayer & Dieter Roth, Editors. Stuttgart, GERMANY & London: Edition Hansjorg Mayer & Eaton House Publishers, Ltd., 1977. First Edition 1/200 Deluxe. Small 4to. Cloth in Jacket, Slipcased. Catalogue Raisonné. Fine/Fine. np, 96 color illustrations. Text in German and English. Issued in 1977 as the thirty-sixth volume of Edition Hansjorg Mayer's ambitious project of documenting the prolific artist book output of Dieter Roth, "96 Piccadillies" reproduces each of ninety-six commercial picture postcards of London's historic Piccadilly Circus altered during the seventies by Roth - some in conjunction with his frequent collaborator, Richard Hamilton. A most handsome example of this uncommon item from the deluxe slipcased edition limited to two hundred unnumbered copies (entry number I.3 cited on pages 210-211 of Dirk Dobke's "Dieter Roth in Print: Artist's Books / Kunstlerbucher") each with AN ORIGINAL "SPEEDY DRAWING" entitled "Selfportrait as Piccadilly-Eros" SIGNED AND DATED "D R 1978" in pencil laid in, as issued. Inventory Number: 022481

(ROTH, DIETER). Roth, Dieter aka Rot, Diter. Zug, SWITZERLAND: Dieter Roth & Dr. Philipp Buse, 1973. First Edition #0039/3000. 8vo. Printed Wrappers. Artist Monograph. Very Good.. 72pp, profusely illustrated in b&w. Text in German and English. This is a charming, self-published reference catalogue of available prints and graphics issued by Dieter Roth in the early seventies. The details for each image are reproduced bi-lingually in the innovative Swiss artist's own hand, and it includes a plate uniquely printed by pochoir and rubber stamp. A handsome example STAMP-NUMBERED (0039/3000) and SIGNED "Dieter Roth" in pencil on the inside front cover, as issued, showing just a bit of light wear, soiling, and age-toning to its off-white covers. Inventory Number: 026695

(ROTH, DIETER). Roth, Dieter, Gunter Brus, Hermann Nitsch, Gerhard Ruhm & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1975. First Edition 1/1000. Large Square 4to. 12" Vinyl LPs in a Box. Artists' Multiple. Near Fine/Near Fine. Three 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in a printed paper-over-cardboard box. This is a boxed set of recordings issued by Edition Hansjorg Mayer from a 1974 Munich concert of new and improvised music by an ensemble featuring Dieter Roth along with Viennese artist/musicians Christian Ludwig Attersee, Gunter Brus, Hermann Nitsch, Gerhard Ruhm, and Oswald Wiener. A most handsome example of this uncommon artists' recording (entry number 4 on page 87 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 80 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to one thousand unnumbered copies. Inventory Number: 025549

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. NP (Santa Monica, CA): Allen Ruppersberg, 2010. First Editions 1/300. Large Square 4to. 12" Vinyl LPs in Jackets. Artist's Multiple. As New/No Jacket - As Issued. Two 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in printed paper over cardboard sleeves, each with color cover artwork and an offset b&w printed insert. Designed by Allen Ruppersberg. Limited to three hundred copies each, these are the first two installments of Allen Ruppersberg's ongoing project that subjectively assays the documentary history of Post-War American popular music and music graphics. Each LP has a cover designed by the artist and contains a playlist of fifteen tracks culled from "78 and 45 rpms guaranteed to be found at random in flea markets, antique malls, and junk shops". Volume one features primarily R&B fare (etc.). A pristine set - unsigned and unnumbered, as issued - of both of these sure to be short-lived collector's items for both art and record-geeks alike! Inventory Number: 020211

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #190/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. Limited to two hundred and fifty copies only, this deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#190/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027220

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #218/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. This deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#218/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027219

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. Inventory Number: 024819

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Very Good/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. An internally most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (35/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued, showing some very mild wear to the front and rear boards along with some rubbing and slight discoloration to the leather spine. The slipcase bears some rubbing and abrading to the leather trim at the heel and crown of the opening along with some minor wear to the linen along the seam of the bottom edge. It has been priced accordingly. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 024157

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. A most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (19/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 013966

(RUTHERSTON, ALBERT). Rutherston, Albert. London: Oxford University Press, 1928. First Edition 1/475. Folio. Cloth in Dust Jacket. Fair/Fair. np, 16 collotype plates (10 in color), each with a printed overlay. The fourteen costume designs and two "curtain scenes" by Albert Rutherston included here date between 1912 and 1914 for two theatrical productions at the Savoy and St. James Theatres, as well as a ballet produced by Anna Pavlova in New York. A serviceable example only whose fragile dust jacket is present though chipped and torn in several places and showing significant paper loss to the rear panel along with moderate soiling, tape adhesive, and uneven staining from liquid on the front. Its boards are faded and worn bearing some mottling due to contact with liquid, particularly at the extremities. These condition flaws noted, the interior of the book (including all of the exquisitely colored plates) is remarkably clean, bright, and tight with only the front inside cover and endpaper having browned somewhat. It has been priced accordingly. Inventory Number: 000933

(RYDEN, MARK). Ryden, Mark. Introduction by Carlo McCormick. Sierra Madre & San Francisco, CA: Porterhouse Fine Art Editions & Last Gasp, 2001. First Edition 1/500 Deluxe. Square 4to. Boards in Clamshell Box. Artist Monograph. As New./No Jacket - As Issued. 134pp, profusely illustrated in color. The near-perfect distillation of childhood creepiness transformed into adult fine art, this first monograph on Mark Ryden sold out of its initial print run almost immediately. See Jimi Hendrix, Abe Lincoln, Christina Ricci, Leonardo Di Caprio, Colonel Sanders, the Teletubbies, Big Boy, Speedy Alka-Seltzer, and so many more in ways you've never imagined - not to mention the requisite Bees, Bunnies and Meat. A brand new, pristine unopened example of the deluxe edition limited to five hundred copies acquired directly from the artist featuring a copy of the book SIGNED AND NUMBERED by the artist, a special "Anima Mundi" bookmark, and a 10 x 10" SIGNED AND NUMBERED giclee print all housed in a beautiful decorative clamshell box. 0-86719-509-6 Inventory Number: 018381

(SACHS, TOM). Sachs, Tom. New York: Self-Published, 2009. Second Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Periodical. Fine.. np (22pp), profusely illustrated in b&w. Designed by Tom Sachs. In a protective clear acetate dustwrapper. "Bricolage Magazine" is Tom Sachs's highly entertaining self-published artist's periodical cum 'zine that addresses all things of interest to Tom Sachs "and his community". This first installment from 2009 weaves together in the artist's charming lo-fi cut and paste way Donald Judd, Ikea, Malick Sidibe, Yoda, music to listen to, movies to watch, and so much more. A brand new, most handsome example of the exceedingly uncommon - only a single copy is currently cited in OCLC WorldCat - second printing limited to one hundred unnumbered copies, in addition to the one hundred of the first printing. 0-9790499-6-2 Inventory Number: 026491

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition 1/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (34/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Pyhajarvi, Finland (Horse and Barn)" which has been SIGNED AND DATED "Pentti Sammallahti 1982" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025486

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition #3/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (3/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Two Birds on Branch" which has been TITLED, SIGNED AND DATED "t.p.l'a / Pentti Sammallahti 2002" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025484

(SEVRES PORCELAIN). Garnier, Edouard. New York: Charles Scribner's Sons, 1891. First American Edition 1/283 Deluxe. 4to. Printed Wrappers. Decorative Arts Monograph. Very Good -.. 32pp + np (8pp), ten printed paper portfolios each containing five 8 ½ x 11 ¾" individual heavy card sheets printed recto only by chromolithography, 250 color illustrations. With an index. This is the 1891 deluxe first American edition of Edouard Garnier's important illustrated survey of the soft porcelain of the Manufacture Nationale de Sèvres. Limited to two hundred and eighty-three numbered copies, this lavish publication consists of two descriptive text booklets accompanied by ten paper portfolios printed by letterpress each housing five beautiful loose chromolithographic plates - most including stunning gold metallic inks to reproduce the use of gilt in the original ceramic works. These reproduce a total of two hundred and fifty watercolour renderings of significant examples of the mark, including numerous pieces from collections belonging to European royalty and nobility. This example contains all fifty plates along with their individual caption sheets and the publisher's hand-numbered limitation sheet (#5/283). The plates and captions show tiny discreet ink numbers at their corners that in no way detract from the images themselves. Fourteen plates exhibit some insignificant to mild foxing to the versos, however due to the thickness of the paper stock on which they have been printed, only three show a minute trace of spotting on the recto. Several of the paper portfolios have very minor wear, age-patination and soiling; with three bearing some brief ink annotations. All in all this is a bright, most handsome, fully-collated copy of this exceedingly uncommon and lovely reference. Inventory Number: 021477

(SHAHN, BEN). Shahn, Ben, Bernarda Bryson Shahn, Egal Feldman, Charles Westheimer & Emile Zola. Cincinnati, OH: Crossroads Books, 1984. First Edition 1/60 Deluxe. Folio. Prints in a Clamshell Box. Print Portfolio. Fine/No Jacket - As Issued. 28pp, 1 color and 4 b&w illustrations + eight 16 x 12" loose sheets printed in color offset lithography, recto only, in printed paper sleeves. Text in English and French. Designed by Noel Martin. This is the elegant portfolio reproducing eight color illustrations by Ben Shahn of the participants of the 1894 Dreyfus Affair. These exquisite oversized images are reproduced by offset lithography, signed by the artist in the plate, and individually housed in printed paper portfolios with tissue overlays. The prints are accompanied by a twenty-eight page hardbound book that typographically transcribes in French and English "J'Accuse...!" - Emile Zola's famous 1898 letter to French president Felix Faure in defense of Dreyfus - along with brief scholarly essays on Shahn, L'Affaire Dreyfus, and this project. A brand new, most handsome example of the deluxe, hors commerce 1984 first Crossroads Books edition of this significant undertaking limited to sixty NUMBERED (XXIII/XL) copies whose prints are on Grand Arches handmade pure rag verge paper - superior to the Arches paper of the trade edition. 0-9611380-1-7 Inventory Number: 025189

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/500. 4to. Printed Boards. Photography Monograph. Fine/No Jacket - As Issued. np (48pp), 37 illustrations in duotone. Designed by Christian Cervantes. "Your Golden Opportunity is Comeing Very Soon" is Los Angeles-based photographer R.J. Shaughnessy's follow up to his must-have first book - "Deathcamp". Shot in stark black and white, it captures the flawed details of his decaying metropolis illuminated with a flash in the dead of night. No wasted partygoers here, just riveting images of bent poles, torn chain-link fences, crumbling cinderblock barriers and the like. A most handsome example of this intriguing, already unavailable work limited to five hundred copies BOLDLY SIGNED AND NUMBERED by R.J. Shaughnessy in black marker on the rear colophon, as issued. 0-9792748-4-2 Inventory Number: 019547

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/200. Oblong Folio. Debossed Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. np (64pp), 29 duotone illustrations. Designed by Christian Cervantes. "These Photographs Will Heal Your Soul" is Los Angeles-based photographer R.J. Shaughnessy's exquisite third self-published book of photographs. Shot in sumptuous black and white, it surveys flurries of snowflakes against the inky night sky. A brand new, pristine example of this elegant volume limited to two hundred copies NUMBERED AND BOLDLY SIGNED "R.J. Shaughnessy" in black marker on the rear colophon still in the publisher's shrinkwrap, as issued. 0-9792748-2-6 Inventory Number: 019106

(SIMPSON, LORNA). Simpson, Lorna & Thelma Golden. Santa Monica, CA: The Peter Norton Family, 1994. First Edition. Tall Narrow 4to. Three Sculptural Elements. Artist's Multiple. Near Fine/No Jacket - As Issued. Three wishbone sculptural elements (bronze, ceramic and rubber) displayed within a die-cut, lithographed felt compartment housed in a sliding wooden box. Issued as the 1994 Peter Norton Family Christmas Project, this limited edition multiple entitled "III" by noted African-American artist Lorna Simpson "continues the evolution of her art. It centers on a wishbone, a key of her artistic imagery, and draws on the metaphorical meanings of the project's materials. "III" is Lorna Simpson's meditation on wishing". A handsome example of this elegant artist's multiple issued hors commerce and never commercially available for sale showing a few typical small nicks and scratches to the wooden box with the Norton Family Christmas card bearing Thelma Golden's descriptive text on the verso laid in, as issued. Inventory Number: 027522

(SISKIND, AARON). Siskind, Aaron. Foreword by Gordon Parks. Charles Traub & Ann Banks, Editors. Providence, RI: Matrix Publications, Inc., 1981. First Edition #100/100 Deluxe. Oblong Small 4to. Cloth in Dust Jacket,Slipcased. Photography Monograph. Fine/Fine. 80pp, profusely illustrated in b&w. Designed by Malcolm Grear. This is the historically significant compendium of the esteemed late Chicago-based photographer Aaron Siskind's photographs from the 1930s of Harlem and its denizens. A brand new, most handsome example of the exceedingly uncommon 1981 Matrix Publications deluxe first hardbound edition in dust jacket limited to one hundred copies NUMBERED (100/100) AND SIGNED "Aaron Siskind" in black ink on the vellum limitation page at front, as issued, showing some mild wear and sunning to the publisher's printed slipcase. 0-936554-06-1 Inventory Number: 026401

(SOMMER, FREDERICK). Torosian, Michael & Frederick Sommer. Toronto, CANADA: Lumiere Press, 1992. First Edition 1/200. 8vo. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued.. 36pp, 4 tipped-in b&w silver-gelatin prints. Designed by Michael Torosian. With a biography. In a protective clear acetate dustwrapper. Published in 1992 as the sixth installment of Toronto's Lumiere Press "Homage" series, this is an exquisitely produced monograph on the late American Surrealist photographer Frederick Sommer. It was designed and printed by author and publisher Michael Torosian on Mohawk Superfine paper, bound in one-quarter oatmeal linen over grey paper boards with a printed spine label, and contains three small tipped-in gelatin-silver prints of images by Sommer as well as a tipped-in gelatin-silver portrait of the photographer by Edward Weston as the frontispiece. A brand new, pristine example (cited on page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") of this uncommon gem limited to two hundred copies. 0-921542-06-2 Inventory Number: 015155

(SOTH, ALEC). Bordignon, Elena, Alec Soth, Jona Frank, Tanyth Berkeley & Alix Smith. Milano, ITALY: TH INSIDE, 2005. First Edition #333/400. Square 8vo. Debossed Cloth. Exhibition Catalog. As New/No Jacket - As Issued. np, profusely illustrated in color. Text in Italian and English. With photographers' biographies, exhibition histories, and bibliographies. In a protective clear acetate dustwrapper. This is the elegant hardbound catalogue published in conjunction with a 2005 Tommy Hilfiger-sponsored exhibition held in Milan of Fashion-inflected color portrait photography by Alec Soth, Jona Frank, Tanyth Berkeley, and Alix Smith. A brand new, pristine example of this exceedingly uncommon item - only a single copy is currently cited in OCLC WorldCat - limited to four hundred NUMBERED (333/400) copies additionally BOLDLY SIGNED by Alec Soth and Jona Frank in black ink on the title page at our shop with the business card of the director of Minneapolis' Weinstein Gallery - Alec Soth's representatives at the time - laid in. Inventory Number: 025743

(SOTH, ALEC). Soth, Alec, Aaron Schuman & Kate Bush. Tucson, AZ: Nazraeli Press, 2010. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (16pp), 11 color illustrations. "One Mississippi" is the sixty-third installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred NUMBERED (125/500) copies, it reproduces eleven images from a 1992 road trip down the Mississippi by a twenty-three year old Alec Soth and contains an original 3 3/8 x 4 ¾" color print of a weathered red sedan tipped in at the rear of the book SIGNED "Alec Soth" in back ink on the verso, as issued. A brand new, pristine example of this uncommon, lovely item in the publisher's clear plastic ziploc pouch, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 1-59005-281-1 Inventory Number: 024818

(SPARKUHL, PAT). Sparkuhl, Pat, Kim Abeles & Dorrit Kirk Fitzgerald. William S. Bartman, Editor. Los Angeles: A.R.T. Press, 1991. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine/Fine. 32pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is the comprehensive monograph on the Los Angeles-based contemporary artist Pat Sparkuhl. It features reproductions of work executed between 1979 and 1990, an essay by Dorrit Kirk Fitzgerald, as well as the transcript of an interview between Sparkuhl and artist Kim Abeles. A most handsome example of the exceedingly uncommon 1991 hardbound edition (which shares the same ISBN with the paperbound version) limited to thirty-five copies NUMBERED (5/35) AND SIGNED by Sparkuhl, Abeles, and Fitzgerald in black ink on the title page. This was acquired directly from A.R.T. Press publisher Bill Bartman. 0-923183-05-1 Inventory Number: 024441

(SPENCE, ANDREW). Spence, Andrew, Richard Armstrong & Colin Thomson. William S. Bartman, Editor. NP: A.R.T. Press, 1992. First Edition. 4to. Cloth in Dust Jacket. Artist Monograph. Fine/Fine. 46pp, profusely illustrated in color and b&w. With an exhibition history, bibliography and collections listing. This is the comprehensive monograph on the Los Angeles-based abstract geometric painter Andrew Spence. It features reproductions of work executed between 1971 and 1991, an essay by Richard Armstrong, as well as the transcript of an interview between Spence and Colin Thomson. A most handsome example of the exceedingly uncommon 1992 unnumbered hardbound edition (which shares the same ISBN with the paperbound version) issued hors commerce in a very limited quantity for the use of the press additionally SIGNED by Spence and Thomson in pencil on the title page. This was acquired directly from A.R.T. Press publisher Bill Bartman. 0-923183-07-8 Inventory Number: 024442

(STARN, MIKE AND DOUG). Katz, Vincent. Aspen, CO: Baldwin Gallery, 2006. First Edition 1/1000. 4to. Boards in Dust Jacket. Photography Monograph. Near Fine/Fine. np, profusely illustrated in color and b&w. "Alleverythingthatisyou" is the beautifully appointed catalogue issued in conjunction with a 2006 Baldwin Gallery exhibition of photographically based works depicting snowflakes by Doug and Mike Starn - aka The Starn Twins. Its elegant rice paper dust jacket is in fact an original graphic also depicting snowflakes. Its colophon states that "each book is finished with a unique ink-jet cover. Printed, taped and numbered at the Starn's studio in Brooklyn, NY. Folds and 'damage' are to be expected, duh". A most handsome example of the first and only edition limited to one thousand copies (439/1000) whose jacket and printed clear acetate wrapper are immaculate bearing the discreet blindstamp of a previous owner on the front pastedown. It has been priced accordingly. 0-9671449-4-9 Inventory Number: 021610

(STEINBERG, SAUL) (DERRIERE LE MIROIR). Steinberg, Saul. Paris: Maeght Editeur, 1966. First Edition 1/150 Deluxe. Folio. Wrappers in Slipcase. Artist Monograph. Fine.. np (28pp), 12 b&w and 7 color illustrations. Text in English and French. With an exhibition checklist. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Saul Steinberg's 1966 exhibition of sixty-seven drawings and collages. An internally bright, most handsome example of the deluxe slipcased edition printed on Velin de Lana with deckled edges limited to one hundred and fifty numbered copies (62/150) BOLDLY SIGNED "Steinberg" in pencil on the rear colophon housed in the publisher's grey paper-over-boards chemise and slipcase with printed pastedown. The magazine and chemise are in most handsome condition while the slipcase shows a bit of light soiling and age-toning along with a tiny nick to the top edge. Inventory Number: 023986