Arcana:

(CRANE, STEPHEN). Crane, Stephen & Stanley Wertheim. New York: Black Sun Books, 1976. First Edition 1/200. 8vo. Hand-Tied Printed Wrappers. Very Good -.. np (20pp), 2 b&w illustrations, 1 hand-tipped black and white photograph. This is a prospectus by noted New York Antiquarian dealer Black Sun Books that reproduces a letter from Stephen Crane to his British publisher William Heinemann regarding a review of "The Red Badge of Courage" by George Wyndham. The letter is reproduced both photographically and typographically along with a brief essay by Stanley Wertheim, and a facsimile military photograph of Stephen Crane in a military cadet group at Claverack College and Hudson River Institute. A handsome example of the first printing limited to two hundred hand-numbered letterpress copies showing a bit of sunning along the spine of the rear cover. Inventory Number: 008430

(CRUMB, R.). Crumb, R(obert).. Hamburg, GERMANY: Gingko Press, 1992. First Edition 1/500 Deluxe. Small Folio. Cloth w/Pastedown in Slipcase. Artist Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in b&w. "R. Crumb Comics" collects three short 1989 stories from everyone's favorite comix curmudgeon, R. Crumb that feature the artist as the protagonist - "The Story O' My Life", "People... Ya Gotta Love 'Em", and "I'm Grateful! I'm Grateful!". A brand new, pristine example of the deluxe edition limited to five hundred hardbound, numbered (# 8/500) slipcased copies BOLDLY SIGNED by R. Crumb in black ink on the rear colophon, as issued. 3-927258-10-5 Inventory Number: 020035

(CRUMB, R.). Crumb, Robert. Dian Hanson, Editor. Koln, GERMANY: Benedikt Taschen Verlag, 2007. First Edition 1/1000 Deluxe. Stout 4to. Illustrated Boards in Slipcase. Artist Monographs. As New/No Jacket - As Issued. 258pp, profusely illustrated in color and b&w. Text in English. " R. Crumb has selected his most intimately revealing comic strips and single page drawings to create a two hundred and fifty-eight page encyclopedic trip through his sexual psyche. All images were created between 1980 and 2006, and all strips are hand-colored for a lush vibrancy never seen in his comic books. In total, "Robert Crumb's Sex Obsessions" features fourteen complete stories, including "My Troubles With Women", "If I Were a King", "A Bitchin' Bod", and "How To Have Fun With a Strong Girl", as well as sixty single page drawings. This signed slipcased edition limited to one thousand copies is a work of art in itself, with every part of the book - front and back covers, spine, and introductory pages - created for this project by Robert Crumb. Each book comes with an art print selected by Mr. Crumb. A brand new, pristine example sealed in shrinkwrap still in the publisher's printed cardboard shipping carton. 3-8228-2540-9 Inventory Number: 022282

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by Mildred Feliciano. West Hollywood, CA: St. Ann's Press, 2003. First Edition 1/100 Deluxe. Large Square 4to. Cloth in Slipcase. Photography Monograph. As New/As New. np (165pp), 140 tritone illustrations. Designed by Paul McMenamin at SPINE. "What you call a ghetto, I call my home. This was said to me when I first came to Harlem, and during the two years that I photographed the people of East 100th Street, it stayed with me". Bruce Davidson's first book, "East 100th Street" is one of the classic volumes of Post-War American photography. After more than twenty years of unavailability, it has been lavishly republished by the redoubtable St. Ann's Press, with thirty-five new images, all beautifully reproduced. A brand new, pristine example of the deluxe 2003 St. Ann's Press edition (whose 1970 Harvard University Press first hardbound printing is cited on page 18 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 260-261 of The Hasselblad Center's "The Open Book", page 26 of "From Fair to Fine: 20th Century Photography Books That Matter", pages 196-197 of "The Book of 101 Books", pages 46-49 of Fred Ritchin and Carole Naggar's "Magnum Photobook: The Catalogue Raisonné", and pages 142-147 of Horacio Fernandez' "New York in Photobooks") limited to one hundred copies NUMBERED (86/100) AND SIGNED "Bruce Davidson" in black ink on the half title page with an original 10 x 8" gelatin silver print of the image of two children peering out a fire escape window that is reproduced in the book SIGNED by Bruce Davidson in pencil on the verso laid into a portfolio and housed in the publisher's slipcase, as issued. 0-9713681-4-7 Inventory Number: 022755

(DAVIDSON, BRUCE). Davidson, Bruce. Foreword by U.S. Congressman John Lewis. Introduction by Deborah Willis. West Hollywood, CA: St. Ann's Press, 2002. First Edition 1/100 Deluxe. Large Square 4to. Cloth w/Pastedown in Slipcase. Photography Monograph. As New/As New. np (172pp), 144 tritone illustrations. Designed by Paul McMenamin at SPINE. Photographed during the height of the American Civil Rights struggle (with most of these images uncollected in book form until this undertaking), Bruce Davidson's moving portraits of social change from the rural South to the streets of Harlem and Chicago are a revelation some forty years later. Pictured here are the Reverend Dr. Martin Luther King, the Freedom Riders, National Guardsmen, Cracker lawmen, Klansmen, and the African-American populace undergoing their "Time of Change". A brand new, pristine example of the Deluxe edition of the 2002 first St. Ann's Press (cited on page 223 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to one hundred slipcased copies SIGNED with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Mother Brown" by Bruce Davidson. 0-9713681-2-0 Inventory Number: 019576

(DE GEER, KARL JOHAN).Kugelberg, Johan. New York: Ectoplasm Books, 2009. First Edition. Oblong Small 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. np (60pp), profusely illustrated in b&w. Designed by Taylor Brigode for Octopuss Limited. "Carl Johan De Geer, born in 1938, grew up in absurd privilege and abject unhappiness as a member of one of Sweden's most powerful aristocrat families. His parents showed no discernable interest in him or his siblings, and so he grew up on a grand country estate with his grandparents, went to art school in the late 1950s, and in an epic choice of rejection lived his life to this day as a perennial Swedish underground artist, working in counterpoint to the privilege of his surname. De Geer, as a masterful Leica M4 snapshot giant à la Van Der Elsken or Daido Moriyama, has the sacred ability to capture the monotone grit of everyday life and demand its reflection. He gives us a glimpse of a Sweden inhabited by people who are the other, whose life experience is impregnated with otherness, providing a visual cue into an unseen world. The visible scratches, fades and imperfections, the wabi-sabi of this collection of vintage prints, is reflected in the images". "The Camera as Consolation" is the hardbound catalogue published in conjunction with the Johan Kugelberg-curated 2009 Boo-Hooray Gallery exhibition of the gritty Vietnam-era social reportage of this unsung Swedish master that parallels the work Ed Van Der Elsken and Anders Peterson. A brand new, pristine example from a handful of ultra-deluxe copies BOLDLY SIGNED by Carl Johan De Geer in black ink on the front pastedown that comes with a 5 ¾ x 4 1/8" SIGNED VINTAGE B&W PHOTOGRAPHIC PRINT in a translucent archival envelope affixed to the inside front cover; and is housed in the publisher's handmade black linen over board slipcase with a SIGNED DRAWING in white marker on the front face by Carl Johan De Geer, as issued. Laid in is the gallery's printed exhibition invitation as well as a special NUMBERED (24/80) silkscreened opening invitation designed and SIGNED by the photographer. Inventory Number: 017909

(DEMETRIOS, EAMES). Demetrios, Eames. Los Angeles: Kcymaerxthaere, 2017. First Edition. 8vo. Illustrated Wrappers. Artist's Book. As New./No Jacket - As Issued.. 192pp, profusely illustrated in b&w. Text in English. Designed by Simona Szabados and Cyrus Hawkes.

"Kcymaerxthaere: The Story So Far… (Folio 1)" is a limited edition compendium documenting the first one hundred and thirty-eight Kcymaerxthaere installations, as well as a few in progress. A brand new, pristine example of Volume II only - the handy portable version of the stories told as well as the text from the markers so far perfectly sized for the plane or bedtimevreading - additionally NUMBERED AND SIGNED by author, artist, and Geographer-at-Large Eames Demetrios.

PLEASE NOTE: Copies of "Kcymaerxthaere: The Story So Far… (Folio 1) - Volume II" will be signed Saturday, March 3rd and shipped starting on Tuesday, March 5th. Inventory Number: E000EDKTSSF-V2

(DEMETRIOS, EAMES). Demetrios, Eames. Los Angeles: Kcymaerxthaere, 2017. First Edition 1/1415. Stout Small 4to + 8vo. Decorative Ring Binder + Illustrated Wrappers. Artist's Books. As New/No Jackets - As Issued. 792pp, profusely illustrated in color and b&w. Text in English. Designed by Eames Demetrios, Tim McQuaide, Simona Szabados, and Cyrus Hawkes.

"Kcymaerxthaere: The Story So Far… (Folio 1)" is a limited edition compendium documenting the first one hundred and thirty-eight Kcymaerxthaere installations, as well as a few in progress. The Folio is a two volume set organizing the markers and historical sites in story order. Volume I begins with a visual overture. After that you'll find images and text for each of the markers and historical sites as they are installed in twenty-seven countries arranged in order of the unfolding story. Great for browsing and exploring. In the next part, you can take in the stories as words alone for ease of that special flow of reading. The folio also includes appendices and indices as well as an extensive glossary of over six hundred Kcymaerxthaereal words in myriad languages and even Kcy writing systems. Volume II is a handy portable version of the stories told as well as the text from the markers so far - sized perfectly for the plane or bedtime reading. Together, the two books that make up this Folio are definitely the most complete Kcymaerxthaere-related publication to date. A brand new, pristine example of this mind-bending two volume set limited to one thousand, four hundred and fifteen overall examples - most not for sale - NUMBERED AND SIGNED by author, artist, and Geographer-at-Large Eames Demetrios.

PLEASE NOTE: Copies of "Kcymaerxthaere: The Story So Far… (Folio 1)" will be signed Saturday, March 3rd and shipped starting on Tuesday, March 5th. Inventory Number: E000EDKTSSF

(DENES, AGNES). Hobbs, Robert, Donald Kuspit, Peter Selz & Lowery Stokes Sims. Introduction By Thomas Leavitt. Jill Hartz, Editor. Ithaca, NY: Herbert F. Johnson Museum Of Art, Cornell University, 1992. First Edition 1/200 Deluxe. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Near Fine. 192pp, profusely illustrated in color and b&w. Designed by Jordan Davies. With a biography and bibliography. Published in conjunction with a 1992 retrospective held at Cornell University's Herbert F. Johnson Museum Of Art, this is the most comprehensive documentation to date on the cartography-based work of noted Conceptual artist Agnes Denes. A most handsome example of the deluxe hardbound edition limited to two hundred copies containing an original 8 ¾ x 12" lithograph NUMBERED (12/200) AND SIGNED "Agnes Denes" in pencil on the verso laid into its deckle-edged handmade paper folder, as issued. 0-295-97277-7 Inventory Number: 021455

(DINE, JIM). Dine, Jim & Neil Curry. London: Enitharmon Editions Ltd., 1993. First Edition 1/75 Deluxe. 4to. Cloth in Slipcase. Illustrated Book. As New.. 64pp, with an individual signed lithograph, a lithographic frontispiece and four photogravures bound into the book. Beautifully illustrated by Jim Dine, this is the deluxe edition of author Neil Curry's colloquial version of the closing books of Homer's Odyssey in which he has "scrubbed the story free from all its side-tracks and digressions so as to leave clear one thread of Odysseus's final journey: from the shores of Ithaca to the marriage-bed where he is finally reunited with Penelope". It is hand-printed in 14 point Monotype Baskerville on Canaletto 160gsm (fine) and bound and slipcased by The Fine Bindery. Jim Dine's signed original 12 ½ x 9 ¾" etching of "The Head of Homer" (contained loose in a wallet in the slipcase) was printed on 300gsm Hahnemuhle at the Spring Street Workshop in New York. The lithographic frontispiece and four photogravures bound into the book all reproduce drawings made by the artist in 1987-8 from Greek and Roman statuary at the Glyptotek in Munich, and were printed in London by Pauper's Press and Hope Sufferance Press. A brand new, pristine example of the deluxe edition limited to seventy-five copies SIGNED by the author, as issued. 1-870612-09-4 Inventory Number: 013858

(DORA, MIKI "MICKEY"). Kampion, Drew & Craig Stecyk III. Foreword By Steve Pezman. Tom Adler, Editor. Santa Barbara, CA: T. Adler Books, 2005. First Edition 1/500 Deluxe. Small Oblong 4to. 1/4 Cloth Over Boards in Box. Photography Monograph. As New/As New. 137pp, profusely illustrated in color and b&w. Designed by Tom Adler. With the 2002 passing of Miki "Da Cat" Dora, the surfing world lost one of its most talented, charismatic, and controversial innovators. A legend of Malibu lore since the late '50s, Dora helped to create and simultaneously revile the "Gidget"/"Beach Party" California surfing explosion of the '60s, then turned his back to the 'Bu and the world of competitive wave riding to travel the world, often just a step or two ahead of law. Initiated by Miki Dora himself, this loving tribute to the legendary enigma by noted designer/art director/publisher/surfing aficionado Tom Adler is very much in the same vein as Adler's previous deluxe editions on Don James and Tom Blake. It reproduces vintage images and screen captures of Dora by Joe Quigg, Leroy Grannis, Grant Rohloff, Don James, Pat Darrin, Peter Gowland and many others along with biographical texts by Drew Kampion, Craig Stecyk III and Steve Pezman; transcribed interviews, ramblings, and reprinted writings from "Surfer" magazine (including the full "Million Days to Darkness" from 1989!) in an elegantly produced package that was authorized by Miki's family and estate. A brand new, pristine example in the publisher's shrinkwrap of the deluxe edition limited to five hundred copies in a pictorial sliding box that includes a 5 x 7" Lambda print of Dora in action taken from a film by Grant Rohloff, NUMBERED AND SIGNED by Tom Adler with the stamp of the Mickey Dora estate on the rear colophon, as issued. 1-890481-18-1 Inventory Number: 021107

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A brand new, pristine example of this stunning tome from the edition of one hundred copies SIGNED AND NUMBERED by Michael Dweck housed in a debossed black linen solander box containing the SIGNED AND NUMBERED 8 x 10" chromogenic color print "Mermaid 37, Miami 2007". 0-9818465-0-5 Inventory Number: 016736

(ELENGA, HENK) (HARD WERKEN). Elenga, Henk, Jan Middendorp, Lewis MacAdams & Erik Beenker. Los Angeles: Hard Werken, 1990. First Edition 1/200 Deluxe. 16mo. Linen Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late eighties and early nineties. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam. A brand new, most handsome example of the deluxe edition limited to two hundred copies with an original 4 x 5" black and white photograph SIGNED AND NUMBERED by Henk Elenga laid in a velour pocket inside the front cover, as issued. Inventory Number: 016922

(ENO, BRIAN) (SCHMIDT, PETER) (WHITE, PAE). Eno, Brian, Peter Schmidt & Pae White. Peter Norton, Editor. Santa Monica, CA: The Peter Norton Family, 1996. Fourth Revised Edition (First Thus). Oblong 8vo. Loose Contents in a Box. Artist's Multiple. Fine./No Jacket - As Issued. 102 (+ 1 blank) heavy paper playing cards printed recto and verso laid into a 6 x 5 x 1 ½" Corian box, profusely illustrated in color. Designed by Pae White. "When a creative problem can't be solved directly, solutions might be found by approaching the task from an unusual direction; by using Oblique Strategies". Updating yet again Brian Eno and Peter Schmidt's iconic 1975 project, this Fourth Revised and More Universal Edition features the added collaborative efforts of artist/graphic designer Pae White, art collector/philanthropist Peter Norton, and Berlitz Translation Services. Issued as the 1996 Peter Norton Family Christmas Project, this limited edition multiple has reenvisioned its austere black and white predecessors as a vibrant visual object whose set of "worthwhile dilemmas" has been transformed into a riot of color, translated into Mandarin, Hindi, Spanish, Russian and Arabic, and housed in an ultra-cool biomorphic Corian case. Issued hors commerce, this luxe object is a must-have for every serious Eno fan. As the deck says - "Give way to your worst impulse"! A brand new, most handsome example of this uncommon and most delightful item. Inventory Number: 016360

(ERNST, MAX). Ernst, Max. Milan, ITALY: Galerie Alexandre Iolas, 1971. First Edition 1/1000. Folio. Loose Prints in a Portfolio. Illustrated Book. Near Fine/No Jacket - As Issued. np (36pp), 12 color illustrations (in nine signatures) laid into the publisher's silkscreened cloth portfolio, as issued. Text in French. Limited to one thousand copies published in 1971 by Ernst's renowned art dealer Alexandre Iolas, this sumptuous livre d'artiste printed by Sergio Tosi reproduces twelve collages by the artist in vivid photolithography juxtaposed with eleven brief accompanying poems. A most handsome example showing a few minor abrasions to the exterior of the portfolio and a light brown smudge to the inside front cover. Inventory Number: 003881

(FARBER, NEIL). Farber, Neil. NP (Zurich, SWITZERLAND): Nieves, 2006. First Edition 1/150. 8vo. Stapled Illustrated Wrappers. Artist's Book. As New.. np (24pp), 28 b&w illustrations. Published in 2006 by Nieves, this is a charming little artists' book reproducing twenty-eight "Hey Kid..." drawings by Royal Art Lodge member Neil Farber. A pristine example of this uncommon gem limited to one hundred and fifty copies total numbered (77/150) in pencil on the rear cover, as issued. Inventory Number: 020428

(FEE, JAMES). Krull, Craig.. Los Angeles: James Fee, 1994. First Edition. 4to. Debossed Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (50pp), 23 duotone plates. Designed by SoS Los Angeles / Susan Silton. This beautifully printed, self-published catalogue was the first publication by the late, great Los Angeles photographer James Fee. It presents twenty-three dark and disturbing images of a haunting road trip across an unpopulated, dystopian America. A most handsome example of the ultra-limited deluxe edition bound in black linen over debossed boards with a 5 x 5 ¼" SIGNED original silver gelatin photograph laid down on the front cover additionally bearing the extraordinary SIGNED PRESENTATION "Jean Paul, Thank you so much for everything. You really came through for me on this project. Best, James Fee 9-19-94" in black ink on the first preliminary. This is to Jean-Paul Nataf of the Bremik Press, who is credited as the book's printer and is thanked in the author's printed acknowledgements. 0-964-0494-0-6 Inventory Number: 019818

(FERRINGTON GUITARS). Schell, Orville. Preface by Linda Ronstadt. New York: HarperCollins Publishers & Callaway Editions, 1992. First Edition. Tall 4to. Jacketed Boards in Guitar Case. Musical Instrument Monograph. Near Fine/Fine. 122pp, profusely illustrated in color and b&w. Designed by Nancy Skolos and Thomas Weddell. Originally published in 1992, "Ferrington Guitars" is a survey of the work of master guitar designer and builder Danny Ferrington. Based in Santa Monica, CA, he has created instruments for many of the world's great musicians including Elvis Costello, Pete Townsend, Richard Thompson, Jackson Browne, Kurt Cobain, Ry Cooder, David Lindley, Henry Kaiser, and many more. This unusually designed, comprehensive compilation of his work examines in detail dozens of custom made stringed instruments along with a twenty track audio CD featuring contributions - many original - by Costello, Thompson, Cooder, Lindley, Kaiser, David Hidalgo, Reeves Gabrels, J.J. Cale, Neil Finn, Albert Lee, Don Was, and nine more. A most handsome example of the deluxe first "Collectors Edition" SIGNED "Danny Ferrington" in blue ink on the half title page housed in a blue plush-lined locking guitar road case with CD, key, and yellow Farrington Guitars thin pick, as issued. The case's brass-plated hardware shows some mild oxidation and pitting, but all in all this is a sharp copy of this desirable book object. 0-06-016935-4 Inventory Number: 025786

(FRANCIS, SAM). Francis, Sam. NP. ND (1973).: Self-Published. First Edition. 12mo. Wrappers. Artist's Book. Fine./No Jackets - As Issued.. np (36pp), no illustrations. In a protective clear acetate dustwrapper. Printed offset without illustrations, this charming little self-published collection of brief aphorisms by the late, great Sam Francis precedes the 1986 Lapis Press edition by over a decade. A bright, most handsome unique example of this exceedingly uncommon true first printing issued hors commerce without dust jacket to be given by the artist to his friends additionally BEARING A BOLD SELF PORTRAIT DRAWING INITIALED AND DATED "S.F. / '73" in black ink on the front cover. Inventory Number: 025572

(FRANCIS, SAM). Francis, Sam. Santa Monica, CA: The Lapis Press, 1984. First Edition Thus 1/600. 12mo. Wrappers. Artist's Book. Very Good./No Jacket.. np (36pp), no illustrations. Designed and printed by Jaime Robles. In a protective clear acetate dustwrapper. Printed by hand letterpress without illustrations, this charming little collection of brief aphorisms by the late, great Sam Francis is one of the very first publications of the artist's own Lapis Press. While the colophon calls for six hundred copies, we know from the publisher that the vast majority of the print run was never jacketed, signed, nor distributed. An internally bright, most handsome example lacking the dust jacket and showing some mild soiling to its matte white wrappers. It has been priced accordingly. Inventory Number: 023056

(FRANCIS, SAM). Guyotat, Pierre & Sam Francis. Santa Monica, CA: The Lapis Press, 1993. First Edition 1/45. Folio. Full Leather in Slipcase. Livre D'Artiste. Fine/No Jacket - As Issued. np (19pp), illustrated with seven original Sam Francis color aquatints. Designed by Les Ferriss. With a protective clear acetate dustwrapper. "Wanted Female" is an exquisite Livre D'Artiste published in 1993 that illustrates a single poem by noted French author Pierre Guyotat with seven aquatint etchings in colors by Sam Francis executed by master printer Jacob Samuel at the artist's Lapis Press. An internally most handsome example of this exceedingly uncommon gem limited to forty-five copies NUMBERED (28/45) AND SIGNED by Sam Francis and Pierre Guyotat pencil at the rear colophon showing some mild sunning to the red Nigerian goatskin leather along the spine along with a tiny bit of fraying to the cloth along the joints of the slipcase. It has been priced accordingly. Inventory Number: 025685

(FRANCIS, SAM). Segalen, Victor. Translated by Michael Taylor. Santa Monica, CA: The Lapis Press, 1987. First Edition Thus 1/150 Deluxe. Tall 8vo. Lithographic Boards. Illustrated Book. Fine/No Jacket - As Issued. np, illustrated in b&w, with an original color lithograph as the cover. Designed by Les Ferriss, Jaime Robles, and Jack W. Stauffacher. "The first edition of "Steles" contained forty-eight poems and was printed on the press of the Lazarist fathers at Beidang in Northern China in August, 1912. It was probably composed by Chinese hands, but each detail of the book from the round mark used to indicate breaks in the poems, to the yellow ribbons which made opening the slender volume an act of ceremonial unbinding, was chosen by the author Victor Segalen - a thirty-four year old officer in the French Navy who had arrived in the Far East two years earlier. Only eighty-one copies were made". This exquisitely adorned, translated edition of that extraordinarily scarce tome was issued by Sam Francis' Lapis Press in 1987. It features calligraphy by Sam's great friend Walasse Ting (of "One Cent Life"), typesetting by Patrick Reagh, and its beautiful wraparound cover is an original Sam Francis lithograph. A most handsome example of the deluxe edition limited to one hundred and fifty unnumbered copies SIGNED by Sam Francis and translator Michael Taylor in black ink at the rear colophon, as issued. 0-932499-22-8 Inventory Number: 023411

(FRIEDLANDER, LEE). Friedlander, Lee. San Francisco, CA: Fraenkel Gallery, 2000. First Edition 1/600 Deluxe. Oblong Small 4to. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 88pp, 77 duotone illustrations. Designed by Catherine Mills Design. "Self Portrait" was Lee Friedlander's first book of photographs - containing a series of images taken over the course of six years between 1964 and 1969 in which Friedlander inhabits each photo, though not always in the most obvious of ways. This 2000 publication by his longtime gallery revisits and updates the earlier book with seventy-seven new self-portraits of an older and wiser looking subject taken between 1993 and 1999. A brand new, pristine example of the hardbound edition limited to six hundred copies NUMBERED AND BOLDLY SIGNED "Lee Friedlander" in silver marker across the half title page, as issued, still in the publisher's shrinkwrap. 1-881337-09-X Inventory Number: 024321

(FRIEDLANDER, LEE). Friedlander, Lee. Foreword by Walker Evans. San Francisco: Fraenkel Gallery, 2001. First Edition 1/100 Deluxe. Small Square 4to. Boards in Plexiglas Slipcase. Photography Monograph. Fine./No Jacket - As Issued. np (96pp), 34 duotone illustrations. Designed by Catherine Mills. "The Little Screens" reproduces for the first time in its entirety an early body of early work by Lee Friedlander depicting broadcast images flickering across television screens in motel rooms, and other nondescript vacant interiors during the 1960s. The book's preface was written in 1963 by Walker Evans, and is also published here for the first time. A pristine example from the deluxe edition limited to one hundred copies NUMBERED AND SIGNED "Lee Friedlander" in black ink opposite the title page housed in the publisher's green tinted PlexiGlas slipcase, as issued. 1-881337-14-6 Inventory Number: 015574

(FRIEDLANDER, LEE). Friedlander, Lee & Leslie George Katz. With a brief text by Walt Whitman. New York: Eakins Press Foundation, 1976. First Edition 1/150 Deluxe. Oblong Folio. Cloth with Leather Spine. Photography Monograph. As New/No Jacket - As Issued. np (78pp), 213 b&w gravure illustrations. "The American Monument" is Lee Friedlander's groundbreaking portfolio of striking images of statues and memorials taken across the United States during the early seventies. Uniquely bound in baby blue cloth-over-boards with sumptuous printing by The Meriden Gravure Company from half-tone negatives made by Richard Benson, it certainly ranks among the great American photography books of the Twentieth Century. A brand new, pristine example of the exceedingly uncommon "Special Edition" of this impressive tome (cited on pages 310-311 of The Hasselblad Center's "The Open Book", page 28 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", page 35 of "From Fair to Fine", and pages 236-237 of "The Book of 101 Books") limited to one hundred and fifty copies bound in red cloth with a gilt-embossed leather spine NUMBERED (60/150) in ink on the rear colophon accompanied by an 11 x 14" silver gelatin print of an image that is not reproduced in the book NUMBERED (60/150) AND SIGNED "Lee Friedlander" in ink on the recto that has been laid into in an archival display mat affixed to the inside of the rear board, as issued. These are housed in the publisher's vintage unprinted blue cardboard presentation box. A Fine condition example of Lee Friedlander's "Fourteen American Monuments" catalogue published by the Eakins Press Foundation has been additionally laid in. 0-87130-045-1 Inventory Number: 022825

(FUCHS, ERNST). Fuchs, Ernst. Salzburg, AUSTRIA: Residenz Verlag, 1970. First Edition Thus 1/200 Deluxe. 4to. Decorated Cloth in Jacket. Artist Monograph. Fine/Fine. 212pp, 106 illustrations in b&w. Text in English. Designed by Walter Pichler. "Architectura Caelestis" - subtitled "Images of the Hidden Prime of Styles" is Viennese School of Fantastic Realism member Ernst Fuchs' treatise on the significance and influence of arcane mathematics in Architectural form over the centuries. A striking production, it is illustrated by the author in black and white and bears a similarity to the self-published works of Stanislav Szukalski. A bright, most handsome example of the exceedingly uncommon 1970 Residenz Verlag deluxe slipcased edition limited to two hundred NUMBERED (5/200) copies containing two beautiful etchings NUMBERED (5/200) AND BOLDLY SIGNED "Ernst Fuchs" in pencil bound in housed in the publisher's royal blue cloth-over-boards slipcase decorated with a gilt-stamped reproduction of a drawing. Inventory Number: 024982

(FULFORD, JASON). Fulford, Jason & Adam Gilders. Los Angeles: The Ice Plant, 2006. First Edition 1/6 Deluxe. 4to. Boards with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 96pp, profusely illustrated in color. In a protective clear acetate dustwrapper. Following his two awesome J&L books "Crushed" and "Sunbird", Jason Fulford has arranged his third collection of photographs published by The Ice Plant into eight distinct chapters. Together they can be read as a game, a series of essays, an abstract visual narrative, or all of the above. The work in "Raising Frogs for $ $ $" was selected from his personal archive, and was taken in various countries between 1997 and 2005. A brand new, pristine example of the exceedingly uncommon deluxe edition limited to six copies only produced exclusively for sale at "Art LA 2007" SIGNED "Jason Fulford" in red ink on the title page accompanied by the SIGNED AND DATED 10 x 8" color print "Seoul 2003", which is also reproduced in the book. 0-9776481-1-7 Inventory Number: 018846

(FUSCO, PAUL). Fusco, Paul & Norman Mailer. London: Magnum Photos & Umbrage Editions, 1999. First Edition 1/350. Oblong 8vo. Pictorial Wrappers. Photography Monograph. Fine.. np (138pp), 63 color illustrations. In a protective clear acetate dustwrapper. "On June 8, 1968, Robert Kennedy's coffin was put on a train twenty cars long in New York and taken slowly to Washington, D.C. for burial in the Arlington Memorial Cemetery. Paul Fusco, then a staff photographer for Look, was on that train, and the pictures he took of people who lined the tracks along the way fill this moving book. These emotional photographs, many never-before-seen, remember the urgency and tragedy of Bobby Kennedy's assassination and the moving farewell from hundreds of thousands of people who stood patiently in the searing heat along roadsides down the east coast to watch his funeral train pass slowly by just as Abraham Lincoln's had one hundred and three years before". A bright, most handsome example of the exceedingly uncommon 1999 Magnum Photos true first edition (cited on pages 46-47 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 118-119 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") of this supremely moving volume limited to three hundred and fifty copies in wrappers printed on a Xerox Docucolor 100 Digital Color Press (with one of nine different front covers) NUMBERED (067/350) AND BOLDLY SIGNED "Paul Fusco" in silver marker on the title page. An announcement for the 2001 Leica Gallery New York exhibition of Kennedy images by Paul Fusco and Jacques Lowe has been laid in. Inventory Number: 022366

(FUSS, ADAM). Fuss Adam. NP (New York): Glenn Horowitz Bookseller, Inc., 1998. First Edition 1/200. 4to. Silk Over Boards. Artist's Book. Fine. np (30pp), 7 color illustrations. Designed by Adam Fuss and Andrew Roth. Typography by Jerry Kelly. In a protective clear acetate dustwrapper. Limited to two hundred copies only, this mysterious, exquisitely produced artist's book contains six images by Adam Fuss of butterfly chrysalides as well as a very dark portrait of the esteemed student of eastern thought, William Segal. A most handsome copy BOLDLY SIGNED AND NUMBERED by the photographer in red ink on the rear colophon, as issued. Inventory Number: 017068

(GILBERT & GEORGE). Gilbert & George. London, Cologne, GERMANY & New York: Art For All & Konig Brothers, 1972. First Edition 1/600. 8vo. Debossed Linen Over Boards. Artists' Book. Fine/No Jacket - As Issued. 176pp, 85 b&w illustrations. In a protective clear acetate dustwrapper. Limited to six hundred copies, the beautifully bound "Side by Side" is the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, most handsome example in lovely hand-marbled boards of the 1972 first edition of this exceedingly uncommon item SIGNED "Gilbert & George" in red on the foreword AND NUMBERED (No. 85 of 600) on the inside rear cover, as issued. Inventory Number: 025705

(GILBERT & GEORGE). Gilbert & George. London & Koln, GERMANY: Enitharmon Editions Ltd. & Walther Konig, 2012. Second Edition (First Thus 1/2000). 8vo. Debossed Linen Over Boards. Artists' Book. As New/No Jacket - As Issued. 176pp, 85 b&w illustrations. First published in 1971 in an edition limited to six hundred copies, "Side by Side" was the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, pristine example of the 2012 Enitharmon Editions Ltd. facsimile edition limited to two thousand copies each with unique covers hand-marbled linen by the artists NUMBERED (#1990/2000) AND SIGNED "Gilbert & George" in purple ink, as issued. 3-86335-268-8 Inventory Number: 023898

(GOODE, JOE AKA BUENO, JOSE). Goode, Joe. Jerry Sohn, Editor. Los Angeles: The Lapis Press, 1990. First Edition 1/38. Folio. Silk Over Boards in Slipcase. Illustrated Book. Fine./No Jacket - As Issued.. np (32pp), 12 color etchings. "Water" is Joe Goode's - credited as Jose Bueno - exquisite 1990 limited edition book from The Lapis Press consisting of twelve color etchings of abstracted water executed by master printer Jacob Samuel on handmade paper at Sam Francis' Litho Shop. The title page and colophon were typeset and printed by hand letterpress by Les Ferriss, with its striking Royal Blue silk binding and grey slipcase by Ulli Rotzscher. A most handsome example of the exceedingly uncommon first and only edition limited to thirty-eight copies NUMBERED (38/38) AND BOLDLY SIGNED "Joe Goode" in pencil on the title page showing just a bit of age-toning to the spine of the book and some light wear to the slipcase. Inventory Number: 025577

(GOODE, JOE). Goode, Joe. Santa Monica, CA: Jacob Samuel, 1987. First Edition 1/8. 4to. Linen Over Boards, Slipcased. Illustrated Book. Fine/No Jacket - As Issued. np (36pp), 12 white ground aquatints. Designed by Joe Goode and Jacob Samuel. "Storm Trees" is the supremely beautiful first book of the press of Santa Monica-based master printer Jacob Samuel. It is a collaboration with renowned Los Angeles (by way of Oklahoma with Ed Ruscha) artist Joe Goode featuring twelve gorgeous abstract aquatints printed at Sam Francis' Litho Shop on vintage Whitman Fine paper, bound in debossed green linen-over-boards, and housed in a blue linen slipcase. The title page and colophon were typeset and printed using a hand letterpress by Les Ferriss, with the hand-binding by Klaus-Ullrich S. Rotzscher. A brand new, most handsome example of the first product of Edition Jacob Samuel - one of only eight bound copies (with an additional two composed of loose sheets issued as artist's proofs) - BOLDLY NUMBERED (6/8) AND SIGNED "Joe Goode" in blue ink at the rear colophon, as issued, showing some trivial scuffing to its slipcase. Inventory Number: 024545

(GOODE, JOE). Goode, Joe. Jerry Sohn, Editor. Los Angeles: The Lapis Press, 1993. First Edition 1/25. 4to. Handmade Wrappers in Slipcase. Illustrated Book. Fine./No Jacket - As Issued.. np (20pp), 8 monochrome etchings. Designed by Joe Goode. In a protective clear acetate dustwrapper. "Nature's Revenge" is the beautiful 1993 Joe Goode limited edition book from The Lapis Press consisting of eight gorgeous monochrome Chine-colle´ etchings of abstracted tornados executed by master printer Jacob Samuel on Hiromi paper at Sam Francis' Litho Shop. The title page and colophon were typeset and printed by hand letterpress by Les Ferriss, and the wrappers are bound and sewn in the Japanese style using unprinted handmade Hiromi paper and housed in a like paper-over-boards slipcase by Klaus-Ullrich S. Rotzscher. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to twenty-five copies NUMBERED (22/25) AND BOLDLY SIGNED "Joe Goode" in pencil. Inventory Number: 024163

(GOSSAGE, JOHN). Gossage, John. Tucson, AZ: Nazraeli Press, 1998. First Edition 1/32 Deluxe. 4to. Loose Contents in a Wooden Box. Photography Monograph. Fine/No Jacket - As Issued. Thirty-seven individual 10 x 8" cardstock sheets, 32 duotone illustrations. John Gossage's "The Things That Animals Care About, And." is a unique book cum object that presents thirty-two views of nature as they might appear from the perspective of an animal. The images are for the most part mundane and undistinguished to the human viewer, but perhaps integral to the daily life and well-being of a different species. Each is presented as a duotone black and white plate affixed to the recto of a matte cream-colored cardstock sheet that has an irregular horizontal pencil line that references perhaps terrain - or the horizon - drawn across it. These are accompanied by one blank sheet, two title pages uniquely lettered by John Gossage, and a hand-letterpressed colophon that are all housed in the publisher's 11 x 9 x 2" ramen wood display box (that doubles as a frame) with a Plexiglas face and sliding wooden closure with Gossage's hand drawn title silkscreened across it. A most handsome example of the exceedingly uncommon deluxe first edition limited to thirty-two copies containing an additional 4 ½ x 3 ¾" black and white silver gelatin print of two trees and a cloud that is reproduced in the book mounted on a 10 x 8" sheet of board SIGNED "John Gossage / 12" in pencil on the verso, as issued. 3-923922-53-1 Inventory Number: 025785

(GOSSAGE, JOHN). Gossage, John. NP: Self-Published, 1987. First Edition 1/100. 8vo. Cloth in Newsprint Dust Jacket. Photography Monograph. Fine/Fine. np (56pp), 27 b&w illustrations. Text in English. John Gossage's self-published "L A M F" contains twenty-seven noir-ish details of some seedier neighborhoods of Berlin and its environs photographed over three days in 1987. These views are presented as individual silver gelatin prints mounted on pages of heavy archival stock, with no two books exactly alike. Each dust jacket is a unique remnant from a German newspaper (this is from "Der Tages Spiegel") stamped L A M F in red ink and enclosed in an acetate dustwrapper. The half title page is hand lettered by the photographer on a scrap of paper tipped to the first preliminary, and there is a unique, sealed hand-written letter from Gossage posted from Berlin to himself in Washington, DC affixed to the third preliminary. A most handsome example of the exceedingly uncommon first and only edition (cited on page 148 of "From Fair to Fine 3") limited to one hundred copies NUMBERED (56/100) AND BOLDLY SIGNED "John Gossage" in blue ink, as issued. Inventory Number: 022703

(GOSSAGE, JOHN). Gossage, John. Introduction by Jane Livingston. Washington, D.C.: Loosestrife Editions, 1987. First Edition 1/500. Folio. Cloth in Acetate Dust Jacket. Photography Monograph. Fine/Near Fine. np (36pp), 17 b&w illustrations + b&w cover. Designed by Gabriele F. Gotz, Ulrich Gorlich and John Gossage. Text in English. This extraordinarily beautiful, oversized 1987 monograph from Loosestrife Editions presents eighteen moody, noir-ish images of Berlin and its environs as seen through the lens of the redoubtable John Gossage. The front cover of the sleek black linen binding features a laid down 8 ½ x 6 ¾" silver gelatin photograph printed by the author. A most handsome example of this uncommon item (cited on page 149 of "From Fair to Fine 3") limited to five hundred copies BOLDLY NUMBERED (20/500) AND SIGNED "John Gossage" black ink on the front preliminary, as issued. Inventory Number: 018249

(GOSSAGE, JOHN). Gossage, John & Thomas Weski. Berlin: Nazraeli Press, 1997. First Deluxe Edition. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. Fine/Fine. 160pp + 16pp, 124 duotone illustrations. Text in English and German. This is the lovely hardbound catalogue published in conjunction with the 1997 John Gossage exhibition entitled "There and Gone" that travelled from Hannover's Sprengel Museum to Chicago's Museum of Contemporary Photography at Columbia College. It features reproductions of each of the photographs shown, and includes a sixteen page insert containing a transcribed interview between Gossage and curator Thomas Weski. According to Chris Pichler, Nazraeli Press planned to produce a deluxe boxed edition of one hundred and forty-four copies with an ISBN separate from the trade edition - each retailing for nine hundred and fifty dollars and containing a single unique photograph from the one hundred and forty-four images in the book. Ten clamshell boxes were fabricated in Japan, and John Gossage agreed to produce and supply the prints as orders were received. Unfortunately, the first two copies ordered were returned to Nazraeli by the purchasers who objected to Mr. Gossage's insistence on splashing a few drops of coffee on the mat of each of the original prints as an artistic gesture, and the entire project was then scrapped. Only between three and five vintage completed copies of this near-unique edition exist. A most handsome example of the exceedingly uncommon unnumbered deluxe edition BOLDLY SIGNED by John Gossage in black ink on the first preliminary housed in the publisher's debossed and silkscreened black clamshell box, as issued. Laid in is a 4 x 2 ¾" black and white silver gelatin print of a woman's silhouette at the water's edge (reproduced on page 39 of the book) mounted on a 10 x 8" sheet of board SIGNED "John Gossage 1996 / p 39" in pencil on the verso, as issued. It shows the small coffee splash to the board on the recto, which was the intent of the photographer. 3-923922-50-7 Inventory Number: 022704

(GROPPER, WILLIAM). Freundlich, August L. & William Gropper. Los Angeles & Miami, FL: The Ward Ritchie Press & Joe and Emily Lowe Art Gallery of the University of Miami, 1968. First Edition 1/150 Deluxe. 4to. Pictorial Boards in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 128pp, 104 b&w and 8 color illustrations. Designed by Joseph Simon. With a chronology, exhibition history and bibliography. This is the significant monograph on the celebrated American Social Realist artist William Gropper published in conjunction with a 1968 touring retrospective exhibition circulated by the Joe and Emily Lowe Art Gallery of the University of Miami. It presents a comprehensive selection of over forty years of the artist's figurative portraits of the world's disenfranchised poor and working classes contrasted with their powerful employers and oppressors. A brand new, most handsome example of the Lowe Art Gallery deluxe edition in yellow pictorial boards housed in a yellow paper-over-boards slipcase limited to one hundred and fifty copies with the 8 ½ x 10 ½" black and white lithograph entitled "Grandfather" NUMBERED (123/150) AND SIGNED "Gropper." in pencil along the bottom margin of the recto along with the publisher's limitation slip laid in, as issued. This is separate and distinct from the edition of one hundred examples for the use of the artist that included a handful of copies bound in blue leather. LC 68-18437 Inventory Number: 024671

(GROPPER, WILLIAM). Freundlich, August L. & William Gropper. Los Angeles & Miami, FL: The Ward Ritchie Press & Joe and Emily Lowe Art Gallery of the University of Miami, 1968. First Edition 1/100 Deluxe. 4to. 1/4 Leather Over Boards. Artist Monograph. Very Good/No Jacket - As Issued. 128pp, 104 b&w and 8 color illustrations. Designed by Joseph Simon. With a chronology, exhibition history and bibliography. This is the significant monograph on the celebrated American Social Realist artist William Gropper published in conjunction with a 1968 touring retrospective exhibition circulated by the Joe and Emily Lowe Art Gallery of the University of Miami. It presents a comprehensive selection of over forty years of the artist's figurative portraits of the world's disenfranchised poor and working classes contrasted with their powerful employers and oppressors. A handsome example of the exceedingly uncommon ultra-deluxe edition bound in one-quarter blue leather-over-boards for the use of the artist housed in a blue paper-over-boards slipcase limited to one hundred copies with the 8 ½ x 10 ½" black and white lithograph entitled "Grandfather" NUMBERED (84/100) AND SIGNED "Gropper." in pencil along the bottom margin of the recto along with the publisher's limitation slip laid in, as issued. The gilt-stamped leather spine bears just a bit of sunning and spotting along with a slight nick to both the heel and crown. The slipcase shows some mild soiling and age toning along with an inch-long separation to the joint at the bottom edge. It has been priced accordingly. This is separate and distinct from the editions issued in a yellow paper-over-boards slipcase made for sale by the Joe and Emily Lowe Art Gallery. LC 68-18437 Inventory Number: 024670