Arcana:

(NTIZAIN MAGAZINE). Constantopoulos, Elias & Dimitris Skouroyiannis, Editors. Athens, GREECE: Ntizain Magazine, 1995. First Edition. Folio. Stapled Tabloid Wrappers. Graphic Design Periodical. Near Fine.. 64pp, profusely illustrated in color and b&w. Text in Greek and English. The theme of this fifth installment of Greece's premier contemporary design magazine is "Computers and Design". Contributions to the issue include articles on or by Branson Coates' work at the Schiphol Airport, Ray Gun Magazine, Ravensbourne College of Design, Greg Mably, Rachel Sanders, Frog Design, Softimage and Digital Film Design, Peter Eisenman's installation "Cities of Artificial Excavation", John Vince, and much more. A most handsome copy. ISSN 1105-5537 Inventory Number: 008141

(OLIVER, VAUGHAN) (V23). Oliver, Vaughan as "Vulva O'Reighan". London: 4AD / v23, 1994. First Edition. Folio. Pictorial Wrappers. Graphic Design Monograph. Fine.. np (72pp), profusely illustrated in ultra-vivid color. Designed by Vaughan Oliver & Chris Bigg at v23, with Paul McMenamin. With a bibliography and exhibition history. Published in conjunction with a 1994 retrospective curated by Catherine McDermott at Los Angeles' Pacific Design Center, this beautifully designed and printed catalogue focuses on Vaughan Oliver and V23's extensive work for 4AD Records. Interspersed among the groundbreaking graphic designs for the Pixies, This Mortal Coil, The Cocteau Twins, Dead Can Dance, The Birthday Party, Lush, The Wolfgang Press, Lisa Germano, Michael Brook, The Breeders, Frank Black, David Sylvian & Robert Fripp, Belly, Throwing Muses, and many, many more are the recollections of those who have worked with Vaughan Oliver as collaborators or clients. A brand new, most handsome example of the first printing additionally BOLDLY SIGNED for us at the exhibition by the three V23 partners (at the time) Vaughan Oliver, Chris Bigg and Paul McMenamin in black ink on the "Jacques Tati" page at front. 0-9524216-0-7 Inventory Number: 027202

(OWINGS, HENRY H). Henry H. Owings, I00220420a, 2022. 9 x 11 inches, 214 Pages. Paperback. New/No Jacket - As Issued.

Plus 1 Atlanta is a 214-page, full-color love letter to the city I’ve called home for over half my life. Spanning the years 1962 to 2003, the flyers, posters, handbills, ticket stubs, and other junk that make up this book show a city ahead of its time. Among the venues documented herein are I Defy, the Duke Tire Company Warehouse, PJ’s Nest, 688, the Metroplex, the International Ballroom, the Great Southeast Music Hall and Richards, The Point and the White Dot, TV Dinner, the Nitery, the Celebrity Club, C. W. Shaw’s, the Bistro, Whisk ’a Go-Go, Jennings Rose Room, Bedrock Café…and then there are the places you’ve never heard of! I’ve also included a handy two-page index listing the addresses of all of the venues.

And heck, that’s without even mentioning the bands! See early show posters and listings for some of Georgia’s finest: the Black Crowes, the Hampton Grease Band, Ru Paul and the U-Hauls, Mastodon. And there’s unearthed material meticulously scanned from the likes of the Brains, the Fans, Darryl Rhoades and the Hahavishnu Orchestra, Thermos Greenwood, EQT, Nasty Bucks, the Razor Boys, Keith and the Satellites (later to become the Georgia Satellites), Baby and the Pacifiers, Glenn Phillips, the Restraints, and man oh man, so many others that it practically boggles the mind.

With material culled from over 300 individual collections (and even a few from the author’s own personal garbage, thank you very much), Plus 1 Atlanta is a beastly group effort, and it shows.

Along with a foreword by David Cross (Mr. Show, Arrested Development), an introduction by publisher Henry H. Owings, and an afterword by Bill Kelliher of Mastodon, the book features essays from some of Atlanta’s finest and bravest. 733102725051 Inventory Number: I00220420a

(PARR, MARTIN). Parr, Martin. Munkedals, SWEDEN & Surrey, ENGLAND: Munken & Trebruk, 1999. First Edition 1/2500. Oblong Small 4to. Debossed Cloth Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (84pp), 50 color illustrations. Produced by Martin Parr in conjunction with the noted British graphic design firm Browns "Flowers" consists of fifty flash-saturated color images of blooms from around the world. Commissioned by Munken in Sweden to show the superior book capabilities of their papers, it was distributed hors commerce only to select members of the printing and design trade. A brand new, most handsome example of the 1999 first edition of this uncommon hardbound tome (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") limited to two thousand, five hundred copies NUMBERED AND SIGNED "Martin Parr" in ink at the rear, as issued. Inventory Number: 007965

(QUEEN MARY, RMS). Cunard White Star Line. NP (New York?): Cunard White Star Line, 1937. First Edition. 4to. Illustrated Wrappers. Promotional Brochure. Good.. np (32pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This is a luxe April 1937 brochure designed for the American market to promote travel by sea between New York, Cherbourg and Southampton on the Cunard White Star Line's newly commissioned "Queen Mary." With an embossed gilded foil front cover trimmed with faux wood paneling, this highly visual piece is filled with color photography emphasizing the superliner's unparalleled modern conveniences, and the splendor of her Art Deco interiors and detailing by the likes of A.R. Thompson, George Ramon, Anna Zinkeisen, H. Davis Richter, and Dame Laura Knight. A presentable example of this uncommon item whose exterior shows creasing and some loss to the front cover's foil overlay, fabric tape repair along the length of the spine, and the gold adhesive label of "Howard H. Adams - The Film Industry's Travel Agent" affixed to the lower foredge corner The interior shows some light wear, rubbing, and soiling. All in all, this is a solid, internally handsome copy of an engaging souvenir of the dawn of the golden age of Transatlantic luxury liners. Inventory Number: 026941

(REID, JAMIE). Reid, Jamie, Jon Savage & Jon Wozencroft. London, UK: Gallery Hamiltons, 1986. First Printing. Elephant Folio. Printed Paper Sheet. Exhibiton Poster. Very Good -.. One 39 x 26" poster silkscreened in colors on the recto and printed monochrome offset on the verso, machine folded in eighths and subsequently flattened, profusely illustrated. This is the vibrant day-glow poster produced in conjunction with a 1986 exhibition of works by renowned graphic designer and provocateur Jamie Reid held at London's Gallery Hamiltons. Invoking the Sex Pistols on the face, the rear is a mass of familiar Reid images interspersed with brief texts selected by Jon Savage and Jon Wozencroft. A most presentable example of the uncommon 1986 first printing - not to be confused with Reid's quartet of similar-looking restrikes editioned in 1997 - showing some wear and handling along the folds, pinholes at the four corners, and some age-toning to the rear. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027141

(RENAU, JOSEP). Fontcuberta, Joan & Pablo Ortiz Monasterio. Mexico City, MEXICO: Coleccion Rio De Luz / Fondo De Cultura Economica, 1985. First Edition 1/3000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 50 color illustrations. Text in Spanish. Designed by Peggy Espinosa. Published as part of Fondo De Cultura Economica's notable Pablo Ortiz Monasterio curated photography series "Coleccion Rio De Luz", this is a lovely monograph devoted entirely to the satirical political photomontages of Spaniard Josep Renau. Beginning with his Communist Party poster designs of the wartime era, this is a tour de force on the par with the work of John Heartfield, primarily lampooning the United States and its preoccupation with sex, death consumerism, colonialism, racism, and Cold War era brinksmanship with the Soviet Union. A brand new, most handsome example of this uncommon gem (cited on page 116 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 19 of Horacio Fernandez' "The Latin American Photobook" - even though Renau was an artist and not a photographer!). PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 968-16-2115-8 Inventory Number: 025050

(ROLLING STONES, THE). Richardson, Noble. NP (Los Angeles, CA). ND (1966): Noble Richardson. First Edition. Double Elephant Folio. Painted Construction Paper. Original Fan Art. Near Fine.. One 28 x 22" heavy construction paper sheet hand painted with tempera and colored marker recto only. This is an amazing unique vintage fan art poster produced by the beloved late Twentynine Palms-based artist Noble Richardson to celebrate the 1966 Hollywood Bowl appearance of The Rolling Stones. Then a nineteen year old student at Los Angeles' Mt. San Antonio College, Richardson created this vibrant piece utilizing tempera and colored markers employing lettering inspired by the burgeoning San Francisco psychedelic poster scene. The actual concert was promoted by popular LA top 40 "Boss Radio" station 93 KHJ, and presented headliners The Rolling Stones preceded by The Standells (misspelled here as "The Standels"), The McCoys, Buffalo Springfield, and The Tradewinds A most handsome, well-preserved example of this one of a kind original artwork SIGNED "Richardson" in black ink on the lower right face showing some minor creases, a dozen pinholes and a few short closed tears along the along its edges. This was acquired directly from Noble Richardson prior to his passing in 2021. Inventory Number: 027307

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. In a protective clear acetate dustwrapper. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome example of the first and only edition (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine: 20th Century Photography Books That Matter", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to two thousand unnumbered copies that was issued without a glassine wrapper showing some trivial sunning along the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027039

(SAVAGE, JON) (STERLING, LINDER). Kugelberg, Johan, Michael Bracewell, Jon Savage & Linder Sterling. New York: Boo-Hooray Gallery, 2010. First Edition Thus 1/40. Folio. Loose Contents in a Portfolio. Artists Monograph. As New.. Twelve 17 x 12" loose sheets of heavy stock, silkscreened in b&w recto only + two loose 11 x 8 ½" xeroxed flyers laid into an 18 ¼ x 12 ¼" silkscreened chipboard portfolio, profusely illustrated in b&w. Printed by Keegan Cooke at X Blank X Press. Limited to forty copies only, this is the super-cool portfolio published in conjunction with the Johan Kugelberg curated 2010 Boo-Hooray Gallery exhibition of the punk-era collage/montage work of Jon Savage and Linder Sterling. "Jon Savage is the noted author of "England’s Dreaming" and "Teenage". Linder Sterling is a visual, performance and installation artist represented in the Tate permanent collection. Jon Savage and Linder published the art fanzine "The Secret Public" in Manchester during the first month of 1978. It was the second New Hormones product - catalogue number ORG 2 after the Buzzcocks' already iconic "Spiral Scratch" - and was distributed through Rough Trade and other independent outlets. This was followed by the portfolio "Mixed Media Montages" published in late 1978. Some of these images originally appeared as flyers and as posters for the Buzzcocks, Joy Division, Magazine and Factory Records circa 1977-1980". This luxe publication reproduces in a far more elegant format the twelve original photo collages from the 1978 original as full page silkscreens, each numbered in the lower right-hand margin and SIGNED in pencil by Jon Savage on the six images of his own artwork, as issued. A brand new, pristine NUMBERED (32/40) example. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022893

(STERLING, LINDER) (SAVAGE, JON). Sterling, Linder, Jon Savage, Edward Bell, Ian Pollock & George Snow. London: George Snow, 1978. First Edition. 4to. Loose Contents in a Portfolio. Artists' Book. Very Good -.. Twenty individual 11 ½ x 8 ¼" glossy sheets printed recto only, laid into a black and white printed paper portfolio cover, 20 b&w illustrations. "Mixed Media Montages" is the legendary, and legendarily scarce collaborative publication featuring the punk-era collage/montage work of Jon Savage, Linder Sterling, Edward Bell, Ian Pollock, and George Snow. "Jon Savage is the noted author of "England's Dreaming" and "Teenage". Linder Sterling is a visual, performance and installation artist represented in the Tate permanent collection. Privately published by Snow in 1978 following the appearance of "The Secret Public", it contains four black and white plates by each of the five participating artists. Those by Linder, Snow and Pollock are stamped in ink on the rear of the sheets A internally bright and crisp example of this early and influential punk rarity showing some overall wear, handling and typical creasing along the extremities of the portfolio. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020280

(SUTNAR, LADISLAV). Sutnar, Ladislav. New York: Arts Inc., 1953. First Edition. Oblong 4to. 1/4 Buckram Over Boards. Design Monograph. Very Good -/No Jacket. np, profusely illustrated in b&w. Designed by Ladislav Sutnar. This is the pioneering Czechoslovakian-born, New York-based graphic designer Ladislav Sutnar's stylish survey on what was at the time a rather unexplored subject - modernist design in post-war product packaging. Filled with examples from the world of fashion as well as the supermarket and hardware store, it contains work by such design icons such as Saul Bass, Lester Beall, Alexey Brodovitch, Donald Deskey, Alexander Liberman, Raymond Loewy, Paul Rand, the author himself, and many, many more. A handsome example of the silver buckram over orange boards variant binding lacking its dust jacket and showing a tiny dent to the tips at the lower foredge corner. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. LC 53-11450 Inventory Number: 019919

(SYLVIAN, DAVID) (FRIPP, ROBERT) (OLIVER, VAUGHAN). Sylvian, David & Robert Fripp. London: Opium (Arts) Limited, 1993. First Edition. 8vo. Stapled Embossed Wrappers. Music Monograph. Very Good.. 32pp, profusely illustrated in color. Designed by Vaughan Oliver at v23. This is the elegant tour program for David Sylvian and Robert Fripp's 1993 world tour with musicians Trey Gunn, Pat Masteletto, and Michael Brook in support of their collaborative album "Darshan: The road to graceland". Designed by Vaughan Oliver at v23, it features photographs by Kevin Westenberg and images of lighting projections from Haruki Kaito. A handsome example of this uncommon ephemeral item showing some light wear and a few mild creases to the covers. Inventory Number: 023053

(TCHERNIKHOV, IAKOV aka YAKOV CHERNIKOV). Tchernikhov, Iakov Georgievich & Erikh Fedorovich Gollerbakh. Leningrad, RUSSIA: Leningradskogo ob-va arkhitektorov (Leningrad Society of Architects), 1931. First Edition 1/5150. 4to. Printed Boards. Architecture Monograph. Good -/No Jacket - As Issued. 214pp, profusely illustrated in black and white. Text in Cyrillic Russian. In a protective clear acetate dustwrapper. The is the second of the three visually striking books written and illustrated by the pioneering Russian modernist architect Iakov Tchernikhov - better known in the west as Yakov Chernikov - published in Leningrad between 1927 and 1933. It features an introduction to Constructivism by Erikh Fedorovich Gollerbakh, two hundred and seventy-eight graphic text illustrations accompanied by forty full page plates by the author printed by letterpress. An internally bright and sound example of the 1931 first edition of this standout of Russian Revolutionary illustrated bookmaking (cited as entry 928 on page 227 in Margit Rowell and Deborah Wye's "The Russian Avante-Garde Book", entry 126 on page 40 in Jean-Louis Cohen, David Woodruff, and Ljiljana Grubisic's "Russian Modernism: The Collections of the Getty Research Institute for the Arts", and entry 72 on page 20 in Peter Hellyer's "A Catalogue of Russian Avante-Garde Books 1912-1934") showing typical notable wear, rubbing, and chipping to its brittle green decorative boards along the edges and spine. This seminal work was originally acquired from the library of the noted Russian-born, Southern California-based architect Samuel Reisbord, and bears his owner's signature in black ink on the front pastedown. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025575

(TRUNK, JONNY) Edited by Damon Murray, Stephen Sorrell. Foreword by Jon Savage. Fuel, I00220415, 2022. 9 x 7 inches, 240 Pages. Soft Cover. New/No Jacket - As Issued.

Featuring over 550 graphically arresting record-shop bags, plus informative, humorous histories of the stores and their famous staff, this book reveals a previously undocumented side of British popular culture

This exhaustive collection of record-store bags provides a unique perspective on record shopping in the UK over the last century, bringing together over 500 incredible bags (some possibly the only surviving examples) to document the fascinating story of British high street record shopping. Bags from famous chains such as NEMS (where the Beatles were customers), Our Price and Virgin (the amazingly rare Roger Dean bags) sit alongside designs from independent stores run by eccentric enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started Britain’s premier soccer league, famous staff (David Bowie, Dusty Springfield, Morrissey) and equally infamous owners, these anecdotes of mythical vinyl entrepreneurs will entertain and delight.

With vinyl record sales at their highest for decades (outselling CDs in the US), this publication acts as an amazing insight into the history, culture and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica, A–Z of Record Shop Bags is the next book in the series by Jonny Trunk and FUEL, examining overlooked aspects of our collective past. Jon Savage, author of the classic 1981 punk history England’s Dreaming, provides a foreword.

Nostalgia enthusiast Jonny Trunk founded his record label Trunk Records in 1995, which specializes in releasing lost and archived recordings. He compiled and wrote The Music Library, documenting the hidden world of library music. His other books include Own Label, Wrappers Delight and Auto Erotica. Trunk also writes for a number of magazines and broadcasts every week on Resonance FM, London’s art broadcasting station. 9781916218482 Inventory Number: I00220415

(TZIDON, ROY). Tzidon, Roy & Chad Rea. Amsterdam, THE NETHERLANDS. ND (2001).: Hans Brinker Budget Hotel. First Edition. 8vo. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Art Direction by Erik Kessels. Designed by the great Erik Kessels (of KesselsKramer renown), this is Roy Tzidon's idiosyncratic book of erotic photography set in Amsterdam's notorious Hans Brinker Budget Hotel. A favorite of students, backpackers and sightseers on a budget, the five hundred and thirty-four bed self-proclaimed "Worst Hotel in the World - now with even more dogshit in the main entrance" has been "proudly disappointing travellers for forty years". For two months in 2000 the photographer rented Room 412 - the only one in the entire establishment with a full bathtub - and invited Hotel staff, guests, and street performers to come up to the room to bathe with the proviso that they allow themselves to be photographed for public consumption. This book, used as promotion for the Hans Brinker Budget Hotel, is the result. A most handsome example of this uncommon, charming item in the publisher's custom-embroidered white terrycloth bag, as issued. Inventory Number: 021698

(V23) (OLIVER, VAUGHAN) (4AD). Oliver, Vaughan. Los Angeles: 4AD, 1994. First Edition. Elephant Folio. Printed Poster. Concert Poster. Fine.. One 29 x 14" sheet printed in colors, recto only. Designed by Vaughan Oliver, Chris Bigg and Paul McMenamin. This is the striking V23-designed poster from 1994 publicizing a weeklong series of concerts by artists recording for the innovative British label 4AD entitled "All Virgos Are Mad". Held at Los Angeles' legendary Troubadour club, the participants included Lisa Germano, Michael Brook, Air Miami, Red House Painters, The Wolfgang Press, His Name is Alive, Pale Saints, Lisa Germano, Kristin Hersh, Throwing Muses, Michael Brook, Heidi Berry, Defever and Masters, Lisa Gerrard, Mark Kozalek, Kendra Smith, and numerous "special guests". A brand new, flat, most handsome example of this uncommon Vaughan Oliver item that will be shipped rolled in a poster tube. Inventory Number: 027201

(VAN HAMERSVELD, JOHN) (HENDRIX, JIMI). Van Hamersveld, John. Los Angeles: Pinnacle Productions, 1968. Edition Not Stated - Presumed First. 8vo. Printed Sheet. Concert Handbill. Very Good -.. One 8 ½ x 5 ½" paper sheet printed offset recto only. Artist turned Art Director John Van Hamersveld is responsible for some of the most iconic graphic images to emerge from California in the sixties and seventies. Raised in the surfing community of Palos Verdes, his teenage adventures with Mickey Dora, Dale Velzy, John Severson and childhood pal Rick Griffin led to his becoming the graphic designer for "Surfer" and "Surf Guide" Magazines at the height of the "Gidget" and Beach Party craze. In 1964 he created the timeless Day-Glo one-sheet for Bruce Brown's genre-defining film "The Endless Summer." After a stint at the famed Chouinard Art Institute, Van Hamersveld went on to create striking posters for Cream, The Who, The Velvet Underground, Traffic, and more for Pinnacle Productions' mid-sixties concerts at Los Angeles' Shrine Auditorium. The most iconic of these was his image of Jimi Hendrix sprouting wild, Medusa-like snakes from his Afro produced for the February 10th, 1968 concert featuring The Jimi Hendrix Experience, Soft Machine, The Electric Flag, and Blue Cheer. Van Hamersveld's colorful poster is perhaps the era's most recognizable psychedelic concert graphic from outside San Francisco. In addition to the full-sized poster, Pinnacle produced two handbills for the event. One with red ink on blue-green paper, and the other with orange ink on goldenrod. A handsome, well-preserved example of the exceedingly uncommon first printing of the blue-green variant showing a bit of age toning along with some trivial tape residue to the verso. Inventory Number: 027353

(VISIONAIRE). Gan, Stephen, Cecilia Dean & James Kaliardos, Editors. New York: Visionaire Publishing, 2000. First Edition 1/6000. 4to. Loose Contents in a Box. Fashion Quarterly. Fine/No Jacket - As Issued. np (48pp) + 16 six-sided pictorial blocks housed in a Lucite case. Published in an edition of six thousand copies, this is the thirtieth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. Issued in conjunction with the Louis Vuitton Cup Trials to determine the finalists for the 2000 America's Cup yacht race, Visionaire assembled teams of artists, photographers and image makers from the seven participating countries. Six contributors each from the U.S., Australia, France, Italy, Japan, Spain and Switzerland produced an image that occupies one side of each of the enclosed blocks; the sixteen cubes placed in the correct configuration form one of the six different images. The six Spanish contributors represented here are Ruben Toledo, Pedro Almodovar, Juan Gatti, Jordi Labanda, Miquel Barcelo, and Layla D'Angelo. These cubes, along with a booklet of all forty-two images are packaged inside a silk-screened Lucite case created for Visionaire by Louis Vuitton. The closure for this case is a spherical nautical compass on a leather thong, so you'll never get lost while trying to solve the puzzles inside. A brand new, most handsome individually numbered example of the Spain edition inside the publisher's unprinted protective cardboard shipping box, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-888645-28-8 Inventory Number: 023773

(VISIONAIRE). Gan, Stephen, Cecilia Dean & James Kaliardos, Editors. New York: Visionaire Publishing, 2000. First Edition 1/6000. 4to. Loose Contents in a Box. Fashion Quarterly. Fine/No Jacket - As Issued. np (48pp) + 16 six-sided pictorial blocks housed in a Lucite case. Published in an edition of six thousand copies, this is the thirtieth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. Issued in conjunction with the Louis Vuitton Cup Trials to determine the finalists for the 2000 America's Cup yacht race, Visionaire assembled teams of artists, photographers and image makers from the seven participating countries. Six contributors each from the U.S., Australia, France, Italy, Japan, Spain and Switzerland produced an image that occupies one side of each of the enclosed blocks; the sixteen cubes placed in the correct configuration form one of the six different images. The six French contributors represented here are Karl Lagerfeld, Serge Lutens, M/M, Pierre Joseph, Richard Fauguet, and Guy Limone. These cubes, along with a booklet of all forty-two images are packaged inside a silk-screened Lucite case created for Visionaire by Louis Vuitton. The closure for this case is a spherical nautical compass on a leather thong, so you'll never get lost while trying to solve the puzzles inside. A brand new, most handsome individually numbered example of the France edition inside the publisher's unprinted protective cardboard shipping box, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-888645-25-3 Inventory Number: 018313

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1993. First Edition 1/1500. Folio. Loose Plates in a Portfolio. Fashion Quarterly. Near Fine/No Jacket - As Issued. Individual sheets laid into a die-cut printed portfolio, profusely illustrated in color and b&w. Designed by Gregory Foley. Published in an edition of one thousand, five hundred copies, this is the ninth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "Greg Foley, who had been collaborating with us on our cover designs since the day he graduated from Rhode Island School of Design, really went to town with this one. He sliced out every letter he fancied and created one gigantic collage that we then photographed and printed. The concept was exciting: The B from Harper's Bazaar and the V from Vogue could all appear on our cover, along with many other famous typefaces. In the end it even became a kind of guessing game: ''Name that logo.'' The only drawback was that for months after this cover was made, there was not a magazine, phone book, or cereal box in the house that didn't have a hole cut out of it. The holographic metallic foil stamping also made this one of our most memorable covers. As for the contents, we assigned each of the contributing artists a different letter of the alphabet. For the first time, the directions were very specific, but even so, many artists took the challenge and proceeded as if they had been given carte blanche". Its contributors include editor Stephen Gan, Nick Knight, Robert Medvedz, Dovanna Pagowska, Jeffrey Fulvimani, Tim Rollins + K.O.S., Ruben Toledo, Bill Cunningham, Steven Meisel, James Dignan, Steven Klein, James Vance, Kareem Iliya, Bruce Weber, Francois Berthoud, Robert Adams, Stevan Dohan, Michael Capotosto, Miguel Calvo, Florentino J. Pamintuan, Donna Trope, Lucy Ewing, Helmut Lang, Arnaldo, Ferrara Ocanto, Mei Tao, Malcolm Hill, Joshua Jordan, Manolo, James White, Alexis Rockman, Peter Robathan, Torkil Gudnason, Christophe Rihet, Juan Gatti, Josef Astor, John Martin Newsom, Victoria Bartlett, Bernard Figueroa, Filip Pagowski, Michael "Rags" Raglin, Susan Cianciolo, Andrew Gellaty, and Lori Kessel. A most handsome individually numbered example of this uncommon issue. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 018301

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco".  The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné," and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 printed prominently on the rear cover has led some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not. It is the first - and only vinyl issue - released in 1964. Inventory Number: 027217

(YOKOO, TADANORI). Kokushokankokai, I00220315, 2022. 10 x 12 inches, 460 Pages. Hardcover. New.

Tadanori Yokoo held his first solo exhibition of paintings in 1966 in Tokyo. His revolutionary work, which oscillates between conceptual art and pure design, rapidly gained attention in the international art world. With a signature style of colorful psychedelia and pastiche, he engages a wide spectrum of modern visual and cultural phenomena from Japan and elsewhere. The subject matter often clashes with what seems a nonsensical collage of images. ‘Genkyo’ is an exuberant, far-reaching anthology of Yokoo’s work throughout the years, with a special focus on how the artist constantly revisits and remakes the same images and themes in a mind-blowing variety of styles and artworks. 9784336071019 Inventory Number: I00220315

(YOKOO, TADANORI). Yokoo, Tadanori.. Osaka, JAPAN: Gallery Interform / Masaya Yamaguchi, 1996. Edition Not Stated - Presumed First. 12mo. Illustrated Wrappers. Artist Monograph. Fine.. np (52pp), 26 color illustrations. Text in Japanese and English. Designed by Jun Sato. Best known for his seventies album covers for Miles Davis, Santana, the Beatles, and more, Tadanori Yokoo is arguably the most influential Japanese graphic designer of the Twentieth Century. He is also a well-known artist, photographer, and designer of installations. Published in conjunction with a 1996 Japanese gallery exhibition, this is a nicely presented book of twenty-six full color postcards that reproduce paintings by the artist. Many include art historical homages to Henri Rousseau, Marc Chagall, Enzo Cucchi, etc., and include Yokoo and his wife as subject matter. A brand new, pristine example still in the publisher's shrinkwrap. Inventory Number: 021185

(YOKOO, TADANORI). Yokoo, Tadanori.. Osaka, JAPAN: Gallery Interform / Masaya Yamaguchi, 1996. Edition Not Stated - Presumed First. 12mo. Illustrated Wrappers. Artist Monograph. Fine.. np (16pp), 8 color illustrations. Text in Japanese and English. Designed by Jun Sato. Best known for his seventies album covers for Miles Davis, Santana, the Beatles, and more, Tadanori Yokoo is arguably the most influential Japanese graphic designer of the Twentieth Century. He is also a well-known artist, photographer, and designer of installations. Published in conjunction with a 1996 Japanese gallery exhibition, this is a nicely presented book of eight full color postcards that reproduce computer-altered outdoor portraits of the Yokoo family - many including a falling water motif. A brand new, pristine example still in the publisher's shrinkwrap. Inventory Number: 011910

(ZELLEN, JODY). Zellen, Jody. Santa Monica, CA: Self-Published, 1997. First Edition 1/500. 16mo. Stapled Pictorial Wrappers. Artist's Book. Fine.. np (40pp), profusely illustrated in color and b&w. Designed by Jody Zellen. Published in conjunction with the 1997 exhibition "Blur" at San Diego Mesa College Art Gallery, this is the second of Santa Monica-based artist/graphic designer Jody Zellen's self-produced small format artist's books. Uniformly scaled to 4 ½ x 4 ½", these beautiful little editions combine photographic reproduction, text, and a grid format to achieve a sublime narrative. A most handsome example of this uncommon item limited to five hundred unnumbered copies. Inventory Number: 023103

Alva, Robert "Wisk" & Robert "Relax" Reiling. Roger Yale, Editor. Los Angeles: Alva & Reiling Publications, 2005. First Edition #15/300 Deluxe. Oblong 4to. Pictorial Boards, Boxed. Fine/No Jacket - As Issued. 448pp, profusely illustrated in color. "The History of Los Angeles Graffiti Art" is a series of four books that will cover the years 1983 to 2005. Volume 1 is based on the years 1983 to 1988, and is the starting point to the real story behind the movement that began in the early 1980s. It documents all aspects of Los Angeles Graffiti Art, providing an unbiased look into this world through the eyes of the people that have lived it. Within the book, you will discover the truth behind the photos and stories - all interviews and DVD slideshows are uncut and real. It's exciting and fresh to the point of understanding our culture, without cutting it up". This unprecedented, gigantic, full color encyclopedic document is divided into the following chapters: "Spotlights" - a special tribute to all writers who made significant contributions and influences to the L.A. Graffiti scene; "Pieces / Burners" - showcasing familiar works as well as numerous lost and legendary Pieces / Burners; "Battles" - a special section dedicated to L.A.'s first battles between some of its most prolific crews and writers of the first era; "Blackbooks" - historical detailed drawings done within writers' sketchbooks; "Articles" - reproductions of newspaper and magazine pieces related to historical L.A. Graff subject matter; and "R.I.P." - memorials for all respected deceased Los Angeles Graffiti writers. Perhaps most significantly, a DVD is included with each book that contains over thirty slide shows by various L.A. writers. Shot by the authors (who are respected members of the L.A. Graff scene themselves) for this project, it contains exclusive commentaries by the graffiti writers that allow them to breathe life into their own work - uncut, raw and true - and the reader to be able to place a voice on the parade of images. A brand new, most handsome example of the deluxe edition of this uncommon historical document - only twelve copies of the trade edition are currently cited in OCLC WorldCat - housed in the publisher's elaborate printed cardboard box limited to three hundred NUMBERED (15/300) copies whose book and the interior of the box have additionally been BOLDLY TAGGED "RELAX" by artist and author Robert "Relax" Reiling in thick bronze marker on the front pastedown. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 1-59975-146-1 Inventory Number: 027203

Arcturus Radio Tube Corporation. NP (Newark, NJ). ND (circa early 1930s).: Arcturus Radio Tube Corporation. Edition Not Stated - Presumed First. 4to + Elephant Folio. Die-Cut Printed Sheets. Electronics Advertisements. Very Good -./No Jackets - As Issued.. One 27 x 20" + four 13 ½ x 10" die-cut cardboard sheets screenprinted color offset recto only, mounted on stiff cardboard backing. This is a striking group of five vintage advertising standups produced for the pioneering late twenties, early thirties New Jersey-based electronics manufacturer Arcturus Radio Tube Corporation by Ivel Displays, Inc. of New York City as a retailer sales tool to promote their line of "Blue A-C Long Life Tubes". Vividly colored with science fiction-inspired illustrations, these claim ""Quick 7 Second Action", "More Volume", "Hum-Less Clearer Reception", "Immune to Current Changes", and more. There are four smaller placards accompanied by a larger piece depicting the rocket ship-like five pin blue tube along with the Arcturus logo. A bright, mostly well-preserved set of these vibrant, exceedingly uncommon advertisements showing some light staining, wear, scuffing, and chipping to the faces of the signage with varying degrees of foxing and dampstaining to the versos still housed in the manufacturer's perishing original cardboard shipping carton, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its size, weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025972

Author Not Stated. NP. ND.: NP. Edition Not Stated - Presumed First. 4to. Scrap Book Binder. Poster Monograph. Fine/No Jacket - As Issued. np (74pp) + np (24pp), 102 black and white mounted photographs + 36 b&w illustrations. This is a hand-assembled scrapbook album that has been filled with black and white photographs loosely inserted into corner mounts reproducing one hundred and two posters issued in conjunction with the United States' participation in the First World War. While not dated, its general appearance and the sulfurous nature of the pages give the impression that this dates to the first half of the twentieth Century. A most handsome example of this unique album bearing the vintage Ex Libris bookplate of Charles L. Heartwell who we suspect must be the compiler into which has been laid a Fine condition copy of "Recruiting Posters Issued by the U.S. Navy Since the Declaration of War" issued in 1918 by the Press of the U.S. Navy Recruiting Bureau that features images of works by the likes of J.C. Leyendecker, Frank Brangwyn, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and many more. Inventory Number: 026955

Cohen, Arthur A. & Trevor Winkfield. New York. ND (circa 1976).: Ex Libris. First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good.. np (152pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number three features nine hundred and eighty-five fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Guillaume Apollinaire, Architecture, Expressionism, Illustrated Books and Livres de Peintre, Alfred Jarry, Periodicals and Annuals, Photographs and Photogravures (including a large collection of plates from "Camera Work"), Photography and Film, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! A handsome example of this uncommon reference showing a bit of light sunning to the covers along with its title added discreetly in ink to the spine. Inventory Number: 015159

Gold, Jeff & Gene Sculatti. Berkeley & Los Angeles, CA: Gingko Press & Kill Your Idols, 2016. First Paperbound Edition. 4to. Pictorial Paperback. Music Monograph. As New.. 260pp, 443 color illustrations. Jeff Gold's "101 Essential Rock Records..." is a tribute to the vinyl album and celebrates one hundred and one of rock’s most influential records - from The Beatles’ 1963 debut "Please Please Me" through the Sex Pistols’ Never Mind the Bollocks". Alongside the big names such as Bob Dylan, Jimi Hendrix, The Rolling Stones, and Fleetwood Mac are lesser-known but highly influential artists including Laura Nyro, The Flying Burrito Brothers, Captain Beefheart, and The Stooges. An essay on each album accompanies reproductions of the original vinyl cover artwork, with rare variations from around the world. Also included are thought-provoking interviews with musicians who discuss the albums and artists who changed their lives. Graham Nash describes meeting The Beatles at a 1959 talent show where they were billed as Johnny and the Moondogs, and how, four years later, John Lennon and Paul McCartney sang him the just written "Misery" - one voice in each ear. David Bowie speaks eloquently about the Velvet Underground’s influence, and Iggy Pop writes of the profound impact upon hearing Van Morrison’s no-holds-barred performance on the first album by Them, and his admiration for Frank Zappa and The Mothers of Invention’s "Freak Out", noting that opening for the Mothers "pushed me to be weirder faster". Additional contributions are from Jac Holzman (Elektra Records), Robyn Hitchcock, Nels Cline (Wilco), Susanne Vega, Jon Savage, Devendra Banhart, Mick Haggerty, Joe Boyd, Peter Buck (REM), Johnny Marr (The Smiths), and Ken Barnes. Also featured are pictorial explorations of Jimi Hendrix’s personal record collection and a survey of censored album covers from throughout the rock era". A brand new, pristine copy of the 2016 first paperbound printing of one of our favorite books of the past decade BOLDLY SIGNED "Jeff Gold" in black marker on the title page.



978-1-58423-640-5 Inventory Number: E000JG101P

Gold, Jeff, Sonny Rollins, Quincy Jones, Robin Givhan, Jason Moran & Dan Morgenstern. New York: Harper Design, 2020. Later Printing. Oblong Small 4to. Boards in Illustrated Jacket. Music Monograph. As New/As New. 0-06-291470-7

"Sittin’ In: Jazz Clubs of the 1940s and 1950s" is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre - Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others - were headlining acts across the country. In many of the clubs, black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.

"Sittin’ In" tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; legendary tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; artist, musician, and creative director of the Kennedy Center, Jason Moran; and Jazz critic Dan Morgenstern.

Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). Its collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

Inventory Number: E201122JGSI

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition. 4to. Illustrated Wrappers. As New.. np (84pp), 394 color illustrations. This is the third installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From Emil Janning's "Wings" through Tim Burton's "Ed Wood", it reproduces three hundred and ninety-four posters and lobby cards including images for all the winners of the top six Academy Awards from every year from the very first in 1927/28 through to 1994. A brand new, pristine paperbound example. 1-887893-00-8 Inventory Number: 024172

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition. 4to. Illustrated Wrappers. As New.. np (84pp), 394 color illustrations. This is the third installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From Emil Janning's "Wings" through Tim Burton's "Ed Wood", it reproduces three hundred and ninety-four posters and lobby cards including images for all the winners of the top six Academy Awards from every year from the very first in 1927/28 through to 1994. A brand new, pristine paperbound example. 1-887893-00-8 Inventory Number: 024171

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition. 4to. Illustrated Wrappers. As New.. np (84pp), 394 color illustrations. This is the third installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From Emil Janning's "Wings" through Tim Burton's "Ed Wood", it reproduces three hundred and ninety-four posters and lobby cards including images for all the winners of the top six Academy Awards from every year from the very first in 1927/28 through to 1994. A brand new, pristine paperbound example. 1-887893-00-8 Inventory Number: 024170

Hershenson, Bruce. Los Angeles: Christie's, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (168pp), 174 color illustrations. This is the catalogue for two December 15th, 1995 sales of film posters organized by noted collector/dealer/author/publisher Bruce Hershenson held at Christie's in Los Angeles. It features two complete auctions in one volume. First there are one hundred and seventy-four full-color Rock 'n' Roll movie posters ranging from Bill Haley in 1956's "Rock Around the Clock" to Nirvana in 1992's "The Year Punk Broke". Then there are an additional two hundred and seventy-six full-color classic film posters including an ultra-rare "Flying Down to Rio" one-sheet that sold for a staggering $81,700.00. A most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. Inventory Number: 016627

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (80pp), 380 color illustrations. This is the fourth installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From 1913's "Ben Hur" through the Roger Corman's "Death Race 2000", it reproduces three hundred and eighty sports-themed posters and lobby cards. A brand new, most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. 1-887893-15-6 Inventory Number: 016625

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (84pp), 394 color illustrations. This is the third installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From Emil Janning's "Wings" through Tim Burton's "Ed Wood", it reproduces three hundred and ninety-four posters and lobby cards including images for all the winners of the top six Academy Awards from every year from the very first in 1927/28 through to 1994. A brand new, most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. 1-887893-00-8 Inventory Number: 016624

Ide, Yasushi. Tokyo: Treville, 1991. First Edition. 12mo. Illustrated Boards. Fine/No Jacket - As Issued. np, 75 color illustrations. Text in Japanese. This is a charming little compendium of jazz and lounge-themed album cover art culled from the author's own collection. The musical artists represented include Jackie Gleason, Dick Hyman, Wayne King, David Carroll, Johnny Gregory, Russ Morgan, Art Van Damme, Ray Anthony, Les Baxter, Gordon Jenkins, Richard Hayman, Joe Bushkin, The Norman Luboff Choir, Nelson Riddle, Melachrino, Eddie Calvert, Peter Yorke, Russ Columbo, Jay Jerome, Roger Williams, Earl Grant, Bert Kaempfert, Ray Sherman, Jack Pleis, The King Sisters, Paul Weston, Percy Faith, Wayne King, Lawrence Welk, Ken Griffin, Laurindo Almeida, Jan & Dean and the Satellites, Stan Kenton, Andre Popp, Henri Rene, Jerome Kern, Mantovani, Stanley Black, Hugo Winterhalter, The Three Suns, and Jesse Crawford. Hailing from an era when romance ruled, with titles like "Martini Time", "Music for Sippin', Music for Dancin'", "Blue Chiffon", "Black Satin", and "The Torch with the Blue Flame" and endless images of lovers doing a lot of drinking, smoking and gazing longingly - how could you go wrong? A most handsome example. 4-8457-0597-4 Inventory Number: 000918

Kimura, Katsu. Tokyo: Rikuyo-sha Publishing, Inc., 1986. First Edition. 4to. Printed Boards in Dust Jacket. Graphic Design Monograph. Fine/Near Fine. 204pp, profusely illustrated in color and b&w. Text in English and Japanese. This is the striking, beautifully produced book documenting noted Japanese designer Katsu Kimura's unique collection of Art Deco packaging and graphics. A most handsome example of this engaging document whose dust jacket shows just the faintest bit of typical sunning along the spine. 4-89737-045-0 Inventory Number: 009777