Arcana:

(CLEMENTE, FRANCESCO). Rushdie, Salman. London: Gagosian Gallery, 2005. First Edition. Tall 4to. Illustrated Wrappers. Artist Monograph. Fine.. 42pp, 14 color illustrations. Designed by Dan Miller Design. With an exhibition checklist. This is the elegantly designed catalogue featuring an essay by literary lion Salman Rushdie published in conjunction with a 2005 Gagosian Gallery London exhibition of self portraits by Francesco Clemente. A brand new, most handsome example still in the publisher's shrinkwrap. 1-932598-24-3 Inventory Number: 022237

(CLOSE, CHUCK). Close, Chuck & Gail R. Scott. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Pictorial Wrappers. Artist Monograph. Fine.. One continuous 7 ½ x 11 ½" glossy cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 color illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of nine recent portraits by the still Bykert Gallery-affiliated Chuck Close. A glossy, most handsome example of this exceedingly uncommon ephemeral item - only four copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024813

(COLLINS, CECIL). Anderson, William. Foreword by Anthony d'Offay. London: Anthony d'Offay Gallery & Coracle Press, 1988. First Edition. 12mo. Wrappers in Dust Jacket. Artist Monograph. Fine./Very Good.. np, 6 color illustrations + cover. This is the slender, elegant catalogue of metaphysical imagery-laden paintings published in conjunction with a 1988 Anthony d'Offay Gallery in London exhibition to celebrate the "shaman/guru" artist Cecil Collins' eightieth birthday. A most handsome copy. 0-947564-17-9 Inventory Number: 022267

(CONGRESS ON RACIAL EQUALITY). Rich, Marvin. New York: Congress on Racial Equality, 1965. Edition Not Stated - Presumed First. 4to. Brad-Bound Stiff Wrappers. Exhibition Checklist. Very Good.. np (16pp), no illustrations. This is the checklist cum catalogue for the 1965 exhibition and sale of works by nearly two hundred and fifty artists held at New York's Graham Gallery to benefit the Scholarship, Education, and Defense Fund of the noted Civil Rights organization, the Congress on Racial Equality. The primary committee chairs for the fifth installment of this annual event were Jack Tworkov, Lloyd Goodrich, Mrs. August Heckscher, and Mrs. Arthur Logan. Robert Rauschenberg is thanked for having created a color silkscreen print for the event, and virtually everyone who was every anyone of a liberal philanthropic bent in Manhattan is listed here as an organizer or patron. It begins with a explanatory text by executive director Marvin Rich followed by an eleven page unpriced checklist detailing the participating artists with a description of each work, and an eye-opening roster of supporters. Artists of color who contributed include Charles Alston, Romare Bearden, Felrath Hines, Jacob Lawrence, Joe Overstreet, Raymond Saunders, Thomas Sills, Bob Thompson, Jack(y) Whitten, and Walter Williams. The established artists include Milton Avery, Alexander Calder, Edwin Dickinson, Richard Diebenkorn, Helen Frankenthaler, Michael Goldberg, Philip Guston, Grace Hartigan, Hans Hofmann, Joan Mitchell, Alice Neel, Louise Nevelson, Isamu Noguchi, Fairfield Porter, Ad Reinhardt, Mark Rothko, Ben Shahn, David Smith, and Moses and Raphael Soyer, while the up and comers feature Arman, John Chamberlain, Jim Dine, Mark di Suvero, Leon Golub, Ron Gorchov, Red Grooms, Robert Indiana, Alex Katz, Roy Lichtenstein, Robert Mangold, Marisol, Claes Oldenburg, Rauschenberg, George Rickey, Larry Rivers, James Rosenquist, George Segal, Frank Stella, Tom Wesselmann, and Andy Warhol, who provided a 16 ½ x 20 "Blue Jackie" on canvas. A bright, most handsome example of this exceedingly uncommon - not a single copy is currently cited in OCLC WorldCat - item in brad-bound stiff printed wrappers documenting the fascinating intersection of the mid-sixties Civil Rights movement and the New York Art world with an invitation on letterhead to the May 4th 1965 "Broadway at the Gallery" showing laid in. Inventory Number: 027129

(COOP HIMMELBLAU). Coop Himmelblau: Wolf D. Prix & Helmut Swiczinsky. Klagenfurt, GERMANY: Ritter Verlag, 1996. First Edition. 4to. Wrappers in Illustrated Jacket. Architecture Monograph. Fine/Fine. 113pp, profusely illustrated in b&w and color. Text in English, Italian and German. This is the catalogue published in conjunction with Coop Himmelblau's "From Cloud to Cloud" installation at the Austrian Pavilion of the 1996 Venice Biennale. Beautifully designed and printed, it reproduces many of the innovative architectural collaborative's trademark "automatic drawings". A brand new, most handsome example. 3-85415-202-7 Inventory Number: 001110

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(CORNELL, JOSEPH). Coplans, John. Akron, OH: Akron Art Institute, 1978. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Fine.. 32pp, 21 b&w illustrations. This slender catalogue published in conjunction with a 1978 Joseph Cornell retrospective held at the Akron Art Institute is small and elegant, just like the artist's work. A brand new, most handsome example. Inventory Number: 026780

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Fine.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a posthumous 1983 New York gallery exhibition of Joseph Cornell boxes and collages whose imagery reflects his lifelong obsession with the ballet. A most handsome example. LC 83-73032 Inventory Number: 024628

(CORNELL, JOSEPH). Starr, Sandra Leonard. New York: Castelli-Feigen-Corcoran, 1983. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Very Good -.. 88pp, 48 b&w and 1 color illustration. Designed by the Castle Press. This is the lovely catalogue issued in conjunction with a 1983 New York gallery exhibition of Joseph Cornell's boxes and collages whose imagery reflects his lifelong obsession with the ballet. A handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... - Love, Hugs, kisses / Sandy / 12.16.83" from the author - noted Cornell dealer and scholar Sandra "Sandy" Starr - in black ink in the year of publication on the first preliminary showing a bit of wear and soiling to its white covers. LC 83-73032 Inventory Number: 005860

(CORNELL, JOSEPH). Starr, Sandra Leonard & Takashi Hiraide. Tokyo: Shigeru Yokota Inc., 2003. First Edition #467/500. 8vo. Loose Contents in a Portfolio. Artist Monograph. Fine.. np, 5 color & 1 b&w illustrations. Text in English and Japanese. With an exhibition checklist, exhibition history and bibliography. This is the slender yet elegant document consisting of loose enclosures housed in a printed paper portfolio published in conjunction with a posthumous 2003 Tokyo gallery exhibition of Joseph Cornell's box constructions, collages, and publications. A brand new, most handsome example of this exceedingly uncommon item limited to five hundred NUMBERED (467/500) copies. Inventory Number: 027716

(COWLES, RUSSELL). Bear, Donald. Los Angeles & New York. ND (1936).: Dalzell Hatfield Galleries. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (16pp), 6 sepia toned and 1 color illustration. This is an early catalogue on the work of well-known California modernist painter Russell Cowles published in conjunction with a 1936 exhibition at Los Angeles' Dalzell Hatfield Gallery. A most presentable example with the exhibition checklist laid in showing a bit of browning and creasing at the extremities. Inventory Number: 006041

(CRAGG, TONY). Cragg, Tony & Lewis Biggs, et al. Liverpool, UK: Tate Gallery Liverpool, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good.. 156pp, profusely illustrated in b&w and color. With an exhibition checklist, biography, exhibition history and bibliography. Published in conjunction with a 2000 Tate Gallery Liverpool, this beautifully photographed and stylishly designed catalogue is a comprehensive survey of contemporary British sculptor Tony Cragg's work of the nineties. A handsome copy. 1-85437-324-2 Inventory Number: 013891

(CUTRONE, RONNIE). Brougher, Nora Halpern. Introduction by Martin S. Blinder. Van Nuys, CA: Martin Lawrence Limited Editions, 1990. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 48pp, 44 color and 11 monochrome illustrations. With an exhibition history and bibliography. This is the nicely appointed hardbound catalogue issued in conjunction with a 1990 Los Angeles gallery exhibition of forty-four recent watercolor and graphite works on paper by East Village art scene mainstay and former Warhol Factory assistant Ronnie Cutrone. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED "Ronnie Cutrone / 90" WITH A "WOODY WOODPECKER" DRAWING executed in black marker on the front free endpaper. 0-929460-02-2 Inventory Number: 027360

(DALI, SALVADOR). Dali, Salvador. New York: Carstairs Gallery, 1958. First Edition. Large 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good -.. One 14 x 21" cardstock sheet printed offset recto and verso folded in half vertically to make 14 x 11 ½", 4pp, 1 b&w cover illustration. Cover Designed by Salvador Dali. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the slender four page catalogue published in conjunction with Salvador Dali's 1959 exhibition of thirteen watercolors and drawings at New York's Carstairs Gallery. Stating "This, my best exhibition, I dedicate to Gala, my Sistine Madonna", it features a cover illustration by the Surrealist icon along with his brief "Anti-Matter Manifesto". A most presentable example of this exceedingly uncommon item additionally BOLDLY INSCRIBED "Monsieur Alexandre ELIOT" in blue ballpoint pen across the rear cover plus "Hommages de Dali / 1959" in blue fountain pen on the inside front cover showing light soiling and spotting, some stray pigment marks, and minor insect damage to the covers. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. Inventory Number: 025563

(DALWOOD, DEXTER). Crow, Thomas. London: Gagosian Gallery, 2006. First Edition. Small 4to. 1/4 Linen Over Printed Boards. Artist Monograph. As New/No Jacket - As Issued. 60pp, 23 color and 3 b&w illustrations. Designed by Barr Gilmore. With an exhibition checklist, biography and exhibition history. This is the elegant hardbound catalogue produced in conjunction with a 2006 Gagosian Gallery London exhibition of fifteen recent paintings by British artist Dexter Dalwood. A pristine copy still in the publisher's shrinkwrap. 1-932598-39-1 Inventory Number: 020477

(DAVIES, PETER). Gayford, Martin. London: Gagosian Gallery, 2001. First Edition. Oblong 4to. Printed Boards. Artist Monograph. Fine/No Jacket - As Issued. 16pp, 10 color illustrations. Designed by North. With an exhibition checklist, exhibition history and bibliography. This is the innovatively designed slender hardbound catalogue published in conjunction with British painter (and Charles Saatchi favorite) Peter Davies' 2001 Gagosian Gallery exhibition of fifteen large-format works. A most handsome copy of this uncommon item. 1-880154-54-4 Inventory Number: 016513

(DE GEER, KARL JOHAN).Kugelberg, Johan. New York: Ectoplasm Books, 2009. First Edition. Oblong Small 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. np (60pp), profusely illustrated in b&w. Designed by Taylor Brigode for Octopuss Limited. "Carl Johan De Geer, born in 1938, grew up in absurd privilege and abject unhappiness as a member of one of Sweden's most powerful aristocrat families. His parents showed no discernable interest in him or his siblings, and so he grew up on a grand country estate with his grandparents, went to art school in the late 1950s, and in an epic choice of rejection lived his life to this day as a perennial Swedish underground artist, working in counterpoint to the privilege of his surname. De Geer, as a masterful Leica M4 snapshot giant à la Van Der Elsken or Daido Moriyama, has the sacred ability to capture the monotone grit of everyday life and demand its reflection. He gives us a glimpse of a Sweden inhabited by people who are the other, whose life experience is impregnated with otherness, providing a visual cue into an unseen world. The visible scratches, fades and imperfections, the wabi-sabi of this collection of vintage prints, is reflected in the images". "The Camera as Consolation" is the hardbound catalogue published in conjunction with the Johan Kugelberg-curated 2009 Boo-Hooray Gallery exhibition of the gritty Vietnam-era social reportage of this unsung Swedish master that parallels the work Ed Van Der Elsken and Anders Peterson. A brand new, pristine example from a handful of ultra-deluxe copies BOLDLY SIGNED by Carl Johan De Geer in black ink on the front pastedown that comes with a 5 ¾ x 4 1/8" SIGNED VINTAGE B&W PHOTOGRAPHIC PRINT in a translucent archival envelope affixed to the inside front cover; and is housed in the publisher's handmade black linen over board slipcase with a SIGNED DRAWING in white marker on the front face by Carl Johan De Geer, as issued. Laid in is the gallery's printed exhibition invitation as well as a special NUMBERED (24/80) silkscreened opening invitation designed and SIGNED by the photographer. Inventory Number: 017909

(DE KOONING, WILLEM). Butler, Cornelia H., Paul Schimmel, Cornelia H., Paul Schimmel, Richard Shiff & Anne M. Wagner. Los Angeles & Princeton, NJ: Museum of Contemporary Art & Princeton University Press, 2002. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 200pp, profusely illustrated in color and b&w. Designed by Tracey Schiffman. With an exhibition checklist and bibliography. This is the lavish hardbound catalogue published in conjunction with a 2002 Museum of Contemporary Art, Los Angeles retrospective of seventy-eight figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. A brand new, most handsome example still in the publisher's shrinkwrap. 0-691-09618-X Inventory Number: 026305

(DE KOONING, WILLEM). Geldzahler, Henry. New York: Gagosian Gallery, 1987. First Edition 1/1000. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (22pp), 6 color and 1 b&w illustration. Designed by Britt Reynolds. This is the slender twenty-two page paperbound catalogue published in conjunction with a Gagosian Gallery New York exhibition of major works on canvas created between 1955 and 1963 by famed Abstract Expressionist pioneer Willem de Kooning. Only the second catalogue issued by the gallery, it contains an essay filled with quotes from the artist by eminence grise Henry Geldzahler. A most handsome copy of the uncommon first printing from 1987. Inventory Number: 015526

(DE KOONING, WILLEM). Inge, William. Beverly Hills, CA: Paul Kantor Gallery, 1965. First Edition. 8vo. Stapled Wrappers in Jacket. Artist Monograph. Fine./Very Good.. np (28pp), 8 color and 8 b&w illustrations. This is the lovely catalogue published in conjunction with a 1965 Paul Kantor Gallery exhibition of sixteen then-recent figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. It reproduces each of the pieces shown along with a brief essay by noted playwright William Inge. An internally bright, most handsome example of this uncommon item showing some light soiling and sunning to the spine and rear panel of its green dust jacket. Inventory Number: 027342

(DE KOONING, WILLEM). M(iller)-K(eller), A(ndrea). Berkeley, CA: University Art Museum, the University of California Berkeley, 1978. First Edition. 8vo. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), 1 b&w illustration. With an exhibition checklist, exhibition history and bibliography. This is the slender four page exhibition brochure cum catalogue published in conjunction with a 1978 Matrix exhibition of Willem De Kooning's sculpture at the University Art Museum, the University of California Berkeley. A handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 019491

(DEMAND, THOMAS). Demand, Thomas, Ralph Rugoff & Julia Franck. Eckhard Schneider, Editor. Munchen & Bregenz, GERMANY: Schirmer/Mosel Verlag & Kunsthaus Bregenz, 2004. First Edition 1/100 Deluxe. Oblong Folio. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 128pp, profusely illustrated in color. Text in English and German. Designed by Markus Weisbeck, Surface. "In his photographs of reconstructed rooms and places Thomas Demand explores a notion of reality that guides our perception of a media and technology-dominated world. For this purpose he produces life-size reconstructions then are perfectly lit and photographed with a large-size camera. What, at first sight, seems to be a hyperrealistic reproduction of reality proves, at a closer look, to be a model". This is a lovely catalogue that combines Demand's images interspersed with texts about, the artist was published in conjunction with a major 2004 exhibition held at the Kunsthaus Bregenz. A brand new, most handsome example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 12 x 14" digital color pigment print "Detail XII, 2005" - a tabletop still life tableaux - on handmade paper BOLDLY SIGNED AND NUMBERED by Thomas Demand on the verso, as issued. 3-829601-71-9 Inventory Number: 024086

(DEMAND, THOMAS). Demand, Thomas. Texts By Vic Muniz, Stephan Berg, Sebastian Egenhofer, Reudi Widmer, Volker Albus, Ulrich Meister, Marcus Steinweg, Jose Llebrero Stals, Simon Morrissey, Michael Krome, Markus Bruderlin, Regis Durand & Michael Wetzel. Marienbad, GERMANY: Kunstverein Freiburg, 1998. First Edition. 8vo. Pictorial Flexible Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 48pp, profusely illustrated in color and b&w. Text in English and German. Designed by Stephan Berg. "In his photographs of reconstructed rooms and places Thomas Demand explores a notion of reality that guides our perception of a media and technology-dominated world. For this purpose he produces life-size reconstructions then are perfectly lit and photographed with a large-size camera. What, at first sight, seems to be a hyperrealistic reproduction of reality proves, at a closer look, to be a model". This charming catalogue that combines Demand's images interspersed with numerous texts about, and interviews with the artist was published in conjunction with a major 1998 exhibition held at Marienbad's Kunstverein Freiburg. A most handsome example 3-922675-32-8 Inventory Number: 027666

(DERAIN, ANDRE). Cincinnati Art Museum Staff. Cincinnati, OH: Cincinnati Art Museum, 1930. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Good -.. np (36pp), 21 b&w illustrations. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a 1930 Cincinnati Art Museum exhibition of forty-six paintings executed between 1913 and 1929 by the renowned French pioneer of the Fauve movement, Andre Derain. An internally handsome example of this exceedingly uncommon item whose wrappers show some overall wear, discoloration, and chipping to the extremities of the spine along with oxidation to the staples that has stained the pages just a bit at the gutter. It has been priced accordingly. Inventory Number: 023741

(DI FABIO, ALBERTO). Jones, Alan. London: Gagosian Gallery, 2007. First Edition. Small Square 4to. Debossed Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued.. 48pp, profusely illustrated in color. Designed by Barr Gilmore Art + Designs. With a bibliography. This is elegantly designed, well-illustrated hardbound catalogue published in conjunction with a 2007 Gagosian Gallery London exhibition of then-recent paintings by Alberto Di Fabio entitled "Vortices". "Di Fabio's work merges the worlds of art and science with themes of biology, ecology and nature. This particular series of works explores structures of the human body and brain. Large-scale paintings pulsate with colorful organic shapes. The images are microscopic in their focus, implying biological diagrams, cellular structures, flora, eco systems, and pharmacological research. Di Fabio creates abstract paintings by overlapping layers of images abstracted from scientific and medical references and his own reflections, enlarging the particulars and adding details". A brand new, pristine example still in the publisher's shrinkwrap. 1-932598-61-8 Inventory Number: 020440

(DIJKSTRA, RINEKE). Visser, Helene & Urs Stahel. Amsterdam, THE NETHERLANDS & Munchen, GERMANY: The Stedelijk Museum & Schirmer/Mosel Verlag, 2005. First Edition #23/100 Deluxe. Large 4to. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 160pp, 69 color illustrations. Text in English and German. Designed by Lambert und Lambert. With a biography, exhibition history and bibliography. This is the lovely hardbound catalogue published in conjunction with a major 2004 European Museum retrospective of the engaging color portraits of Dutch photographer Rineke Dijkstra that was circulated by Amsterdam's Stedelijk Museum. A brand new, pristine example of the Schirmer/Mosel Verlag "Collectors Edition" limited to one hundred copies issued in a pale grey linen slipcase accompanied by an identical chemise containing the archivally mounted and matted 9 ¼ x 7"" color C-print "Chlopy, Poland, July 29, 1995" BOLDLY NUMBERED (23/100) AND SIGNED "Rineke Dijkstra / June 29, 2005" in pencil on the verso, as issued. 3-8296-0151-4 Inventory Number: 024759

(DINE, JIM). Dine, Jim & Constance W. Glenn. New York: Icon Editions - Harper & Row Publishers, Inc., 1979. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 94pp, profusely illustrated in b&w and color. With an exhibition checklist, exhibition history and bibliography. This is the beautifully illustrated catalogue published in conjunction with a 1979 Long Beach Museum exhibition that was the first large-scale survey of Pop Art master Jim Dine's figurative pastels. A handsome example of the first printing of the first edition showing a diagonal soft crease through the upper foredge corner of the rear cover. It has been priced accordingly. 0-06-430102-8 Inventory Number: 018003

(DINE, JIM). Schefer, Jean-Louis. Paris: Editions De La Difference / Galerie Beaubourg, 1990. First Edition. Folio. Wrappers in Illustrated Jacket. Artist Monograph. Near Fine.. 56pp, profusely illustrated in color. Text in French. With a bibliography. This is the lovely, oversized catalogue published in conjunction with a 1990 Parisian gallery exhibition of twenty-four recent paintings and sculptures by Jim Dine. A most handsome copy. 2-7291-0631-6 Inventory Number: 008258

(DUCHAMP, MARCEL). Hopps, Walter. Pasadena, CA: Pasadena Art Museum, 1963. First Edition 1/2000. 4to. Wrappers in Acetate Jacket. Artist Monograph. Fine./Fine.. 56pp, profusely illustrated in b&w with three tipped-in color plates. Designed by Marcel Duchamp. In protective clear acetate dustwrapper. This graphically striking publication was designed by Marcel Duchamp in conjunction with his 1963 Pasadena Art Museum exhibition - his very first Museum retrospective. It takes the form of a then newly-deconstructed version of Robert Lebel's Trianon/Grove Press catalogue raisonné of the artist's work through 1963. A bright, spectacularly well-preserved example of this uncommon gem limited to two thousand unnumbered copies whose fragile acetate dust jacket shows none of the usual chipping, cracking, or splitting typically seen with this title. Inventory Number: 027563

(DURANT, SAM). Darling, Michael, Rita Kersting & Kevin Young. Los Angeles, Dusseldorf & Ostfildern-Ruit, GERMANY: Museum of Contemporary Art, Los Angeles, Kunstverein fur die Rheinlande und Westfalen, Dusseldorf & Hatje Cantz Publishers, 2002. First Edition. 8vo. Pictorial Boards. Artist Monograph. Fine/No Jacket - As Issued.. 120pp, profusely illustrated in color and b&w. Text in English and German. Designed by Purtill Family Business. With a biography, exhibition history, bibliography and exhibition checklist. This is the substantial hardbound catalogue issued in conjunction with a 2002 Sam Durant retrospective that traveled from Los Angeles' Museum of Contemporary Art to Dusseldorf's Kunstverein fur die Rheinlande und Westfalen - the most comprehensive document on the Los Angeles-based artist's work to date. A brand new, most handsome example. 3-7757-9120-5 Inventory Number: 014685

(DURANT, SAM). Ketchum-Heap of Birds, Shanna. Foreword by Jeffrey Keuogh. Boston: Stephen D. Paine Gallery, Massachusetts College of Art, 2007. First Edition 1/2000. 8vo. Illustrated Self-Wrappers. Artist Monograph. Fine.. 76pp, profusely illustrated in color and b&w. With a bibliography. This is the detailed catalogue issued in conjunction with the historically-themed 2007 exhibition by Los Angeles-based artist Sam Durant held at the Stephen D. Paine Gallery, Massachusetts College of Art entitled "Scenes from the Pilgrim Story: Myths, Massacres, and Monuments". A most handsome example additionally BOLDLY SIGNED "Sam Durant" in black ink on the title page. 0-9771419-3-4 Inventory Number: 019461

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A pristine copy of this stunning tome still in the publisher's shrinkwrap. 0-9818465-0-5 Inventory Number: 021079

(DWECK, MICHAEL). Dweck, Michael & Christopher Sweet. NP (New York): Ditch Plains Press, 2008. First Edition 1/100 Deluxe. 4to. Cloth in Dust Jacket, Boxed. Photography Monograph. As New/As New. np (160pp), 65 tritone and 36 color illustrations. Designed by Jeremy Miller. "Mermaids" is Michael Dweck's knockout, lavishly produced follow-up to "the End": in which "drawing inspiration from his teenage years spent by the beach on Long Island, Michael Dweck set out to photographically capture the vanishing surf culture of Montauk, a sleepy fishing village that in the 1970s became a heaven for East Coast surfers". For his second book, the photographer "explores the theme of the female nude submerged in water, and celebrates the modern mermaid, as represented by beautiful young women who appear very much at home in the water". A brand new, pristine example of this stunning tome from the edition of one hundred copies SIGNED AND NUMBERED by Michael Dweck housed in a debossed black linen solander box containing the SIGNED AND NUMBERED 8 x 10" chromogenic color print "Mermaid 37, Miami 2007". 0-9818465-0-5 Inventory Number: 016736

(DZAMA, MARCEL). Dzama, Marcel. London. 2002 (2003).: Timothy Taylor Gallery. Second Edition. 4to. 1/4 Cloth Over Boards. Artist's Book. As New/No Jacket - As Issued. np (48 + 32pp), 62 color illustrations. Published in conjunction with a 2002 London gallery show, this is a supremely whimsical and charming artist's book cum exhibition catalogue of drawings by Royal Art Lodge favorite Marcel Dzama. A brand new, pristine example of the 2003 second edition. 0-9542892-1-8 Inventory Number: 013619

(ELENGA, HENK) (HARD WERKEN). Elenga, Henk, Jan Middendorp, Lewis MacAdams & Erik Beenker. Los Angeles: Hard Werken, 1990. First Edition 1/200 Deluxe. 16mo. Linen Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late eighties and early nineties. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam. A brand new, most handsome example of the deluxe edition limited to two hundred copies with an original 4 x 5" black and white photograph SIGNED AND NUMBERED by Henk Elenga laid in a velour pocket inside the front cover, as issued. Inventory Number: 016922

(ELENGA, HENK) (HARD WERKEN). Elenga, Henk, Jan Middendorp, Lewis MacAdams & Erik Beenker. Los Angeles: Hard Werken, 1990. First Edition 1/800. 16mo. Wrappers in Dust Jacket. Photography Monograph. Fine/Fine. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late '80s/early '90s. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam, and is accompanied by the invitation to a subsequent Del Mar, California showing + reception for the artist which also doubles as a dust jacket. A brand new, pristine example. Inventory Number: 006217

(ELIASSON, OLAFUR). Eliasson, Olafur, Maurice Merleau-Ponty, Andreas Spiegel, Marianne Krogh Jensen, Rudolf Sagmeister & Markus Tretter. Bregenz, GERMANY: Kunsthaus Bregenz, 2001. First Edition. 8vo. Pictorial Self-Wrappers. Artist Monograph. Very Good.. 120pp, profusely illustrated in color and b&w. Text in English and German. Published in conjunction with a 2001 exhibition at the Kunsthaus Bregenz - The Mediated Motion", this bi-lingual catalogue on environmentally conscious Icelandic/Danish installation artist Olafur Eliasson is designed to be read back-to-back and upside down. A most presentable copy of this uncommon item showing a some light overall wear to the rear cover as well as a slight dent to the textblock at the upper foredge corner. It has been priced accordingly. 3-883-75-505-2 Inventory Number: 014680

(EVANS, WALKER) (FRANK, ROBERT). Papageorge, Tod. New Haven, CT: Yale University Art Gallery, 1981. First Edition. Square 4to. Pictorial Wrappers. Photography Monograph. Very Good -.. 62pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the catalogue issued in conjunction with Tod Papageorge's 1981 Yale University exhibition documenting the relationship between the imagery of Walker Evans' "American Photographs" of 1938 and Robert Frank's 1959 "The Americans". A most handsome example of this uncommon item with a newspaper clipping of the April 5th 1981 "New York Times" review of the exhibition along with the Daniel Wolf Gallery price list for a contemporary show of vintage prints by Evans and Frank that were also being exhibited at Yale laid in. 0-89467-015-8 Inventory Number: 025841

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A brand new, most handsome example. Inventory Number: 013651

(FEE, JAMES). Krull, Craig. Los Angeles: Farmani & Fee, 1999. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. 30pp, 22 color plates. In the body of work pictured here, the noted late, Los Angeles-based photographer James Fee beautifully captured the nude with his characteristic experimental manipulations of the photographic printing process. A most handsome example additionally SIGNED "James Fee" in ink on the title page. Inventory Number: 012055