Arcana:

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Very Good -.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers along with a bit of subtle rippling due to contact with moisture. It has been priced accordingly. Inventory Number: 025594

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 026837

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 025704

(DIBBETS, JAN). Dibbets, Jan. New York: Multiples, Inc., 1970. First Edition. Elephant Folio. Folded Poster. Artist's Multiple. Near Fine.. One 19 ½ x 25 ½" sheet printed offset recto only, neatly folded in quarters, as issued. This artist's multiple cum poster was Dutch Conceptual practitioner Jan Dibbets' contribution to the Multiples, Inc. "Artists and Photographs" portfolio of 1970. A bright white, most handsome example of this uncommon item offered here individually. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023930

(FLAVIN, DAN). Poetter, Jochen & Dan Flavin. Baden-Baden & Stuttgart, GERMANY: Staatliche Kunsthalle, Baden-Baden & Edition Cantz, 1973. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine. 168pp, profusely illustrated in color and b&w. Text in German and English. With an exhibition checklist. This is the substantial catalogue published in conjunction with a comprehensive German Museum retrospective of work by the pioneering late minimalist sculptor Dan Flavin. It contains detailed entries and illustrations for each of the seventy-five pieces exhibited accompanied by texts from curator Jochen Poetter, Madeleine Descamps, and Flavin himself. A brand new, most handsome example. 3-89322-156-5 Inventory Number: 027213

(FLAVIN, DAN). Poetter, Jochen, Madeleine Descamps & Dan Flavin. Baden-Baden & Stuttgart, GERMANY: Staatliche Kunsthalle, Baden-Baden & Edition Cantz, 1973. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine. 168pp, profusely illustrated in color and b&w. Text in German and English. With an exhibition checklist. This is the substantial catalogue published in conjunction with a comprehensive German Museum retrospective of work by the pioneering late minimalist sculptor Dan Flavin. It contains detailed entries and illustrations for each of the seventy-five pieces exhibited accompanied by texts from curator Jochen Poetter, Madeleine Descamps, and Flavin himself. A brand new, most handsome example. 3-89322-156-5 Inventory Number: 027469

(GILBERT & GEORGE). Gilbert & George. London, Cologne, GERMANY & New York: Art For All & Konig Brothers, 1972. First Edition 1/600. 8vo. Debossed Linen Over Boards. Artists' Book. Fine/No Jacket - As Issued. 176pp, 85 b&w illustrations. In a protective clear acetate dustwrapper. Limited to six hundred copies, the beautifully bound "Side by Side" is the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, most handsome example in lovely hand-marbled boards of the 1972 first edition of this exceedingly uncommon item SIGNED "Gilbert & George" in red on the foreword AND NUMBERED (No. 85 of 600) on the inside rear cover, as issued. Inventory Number: 025705

(GILBERT & GEORGE). Gilbert & George. London & Koln, GERMANY: Enitharmon Editions Ltd. & Walther Konig, 2012. Second Edition (First Thus 1/2000). 8vo. Debossed Linen Over Boards. Artists' Book. As New/No Jacket - As Issued. 176pp, 85 b&w illustrations. First published in 1971 in an edition limited to six hundred copies, "Side by Side" was the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, pristine example of the 2012 Enitharmon Editions Ltd. facsimile edition limited to two thousand copies each with unique covers hand-marbled linen by the artists NUMBERED (#1990/2000) AND SIGNED "Gilbert & George" in purple ink, as issued. 3-86335-268-8 Inventory Number: 023898

(GILBERT & GEORGE). Gilbert & George, Jean-Christophe Ammann & Barbara M. Reise. Luzern, SWITZERLAND: Kunstmuseum Luzern, 1972. First Edition. 4to. Printed Wrappers. Artist's Book. Good -.. np (84pp), profusely illustrated in b&w. Text in German. In a protective clear acetate dustwrapper. Published in conjunction with the 1972 Kunstmuseum Luzern exhibition entitled "The Paintings", this is the original appearance of the photographic sequence "Oh, the Grand old Duke of York" by British conceptualists Gilbert & George. Capturing the pair descending an imposing stone staircase accompanied by the repeating phrase "No UP, no DOWN", these same images were reconfigured in the form of a small 1996 flip book published Oktagon Verlag. An internally most handsome example of the exceedingly uncommon 1972 first edition whose white wrappers show age-toning, soiling and spotting along with noticeable insect damage along the top and bottom edges of the front cover. It has been priced accordingly. Inventory Number: 021309

(GONZALEZ-TORRES, FELIX ). Ault, Julie, Editor. Gottingen, GERMANY: Steidl Dangin, 2006. First Edition. 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. As New/As New. 412pp, profusely illustrated in color and b&w. Text in English. Designed by Pascal Dangin. With a chronology, bibliography and exhibition history. "Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to "make this a better place for everyone." Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres's ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and most significantly, the authoritative structure in which he functioned. In the spirit of the artist's method, Julie Ault has amassed a comprehensive monograph of this important artist that rethinks the very idea of what a monograph should be. The book places strong emphasis on the written word, and contains texts by Robert Storr, Robert Nickas, Russell Ferguson, Lewis Baltz, Nancy Spector, Joseph Kosuth, and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. With ample visual documentation, we see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art". A brand new, most handsome example of the 2006 first edition. 3-86521-196-8 Inventory Number: 025024

(GRAHAM, DAN) (HASEGAWA, ITSUKO) (POINT D'IRONIE). Obrist, Hans-Ulrich & Carrie Pitto, Editors. Paris: agnès b., 1998. First Edition. Folio. Illustrated Tabloid Wrappers. Artist's Periodical. Fine.. Two 17 x 24" sheets printed color and black and white offset recto and verso, neatly folded in half vertically to make 8pp, profusely illustrated. This eighth installment of "point d'ironie" - agnès b.'s Hans-Ulrich Obrist-edited tabloid format hybrid periodical - is a collaborative project between renowned American conceptual practitioner Dan Graham and the noted Japanese architect Itsuko Hasegawa published in conjunction with the exhibition "Cities on the Move". A most handsome example of this uncommon, fragile item that was issued hors commerce - never commercially for sale - showing only some minor handling marks to its lightweight paper stock. Inventory Number: 027094

(GRIEGER, SCOTT). Grieger, Scott. NP (Los Angeles): Self-Published, 1970. First Edition. Oblong Small 4to. Loose Plates in a Portfolio. Artist's Book. Very Good +.. Fifteen individual 7 ½ x 10 ¼" plates printed offset recto only, 15 b&w illustrations. Self-published in 1970, "Impersonations" is Los Angeles-based artist Scott Grieger's wildly hilarious, photographically illustrated artist's book of send-ups of iconic works by many of the then-prevailing luminaries of Pop, Conceptual and Minimal Art. Using the photographic studio and some darkroom magic, the hirsute Grieger clad in jeans, desert boots, and a white t-shirt substitutes himself for artworks ranging from a Barnett Newman "zip" to one of Robert Irwin's illuminated disc paintings. The fifteen artists receiving these wry homages are Ronald Bladen, Tony DeLap, Robert Grosvenor, Irwin, Les Levine, Sol LeWitt, John McCracken, Robert Morris, Newman, Claes Oldenburg, Robert Rauschenberg, George Rickey, Richard Serra, Robert Smithson, and Ernest Trova. The "Impersonations" photographs were subsequently shown in MoMA's landmark 1970 Conceptual Art exhibition "Information", the 1972 Whitney Annual, "Los Angeles '72" at New York's Sidney Janis Gallery, and were the subject of a 2007 retrospective with catalogue at the Nora Eccles Harrison Museum of Art at Utah State University. The work fits in nicely with parallel body-centric photographic excursions by the likes of Bruce Nauman, Chris Burden and Vito Acconci - albeit with a more overt tongue in cheek approach. A bright, handsome example of this exceedingly uncommon - only five copies are currently cited in OCLC WorldCat - and underappreciated gem whose glossy white printed paper portfolio shows some typical creasing along the edges along with a slight stain at the upper right corner of the rear panel. Inventory Number: 022630

(GRIEGER, SCOTT). Grieger, Scott. NP (Los Angeles): Self-Published, 1970. First Edition. Oblong Small 4to. Loose Plates in a Portfolio. Artist's Book. Very Good -.. Fifteen individual 7 ½ x 10 ¼" plates printed offset recto only, 15 b&w illustrations. Self-published in 1970, "Impersonations" is Los Angeles-based artist Scott Grieger's wildly hilarious, photographically illustrated artist's book of send-ups of iconic works by many of the then-prevailing luminaries of Pop, Conceptual and Minimal Art. Using the photographic studio and some darkroom magic, the hirsute Grieger clad in jeans, desert boots, and a white t-shirt substitutes himself for artworks ranging from a Barnett Newman "zip" to one of Robert Irwin's illuminated disc paintings. The fifteen artists receiving these wry homages are Ronald Bladen, Tony DeLap, Robert Grosvenor, Irwin, Les Levine, Sol LeWitt, John McCracken, Robert Morris, Newman, Claes Oldenburg, Robert Rauschenberg, George Rickey, Richard Serra, Robert Smithson, and Ernest Trova. The "Impersonations" photographs were subsequently shown in MoMA's landmark 1970 Conceptual Art exhibition "Information", the 1972 Whitney Annual, "Los Angeles '72" at New York's Sidney Janis Gallery, and were the subject of a 2007 retrospective with catalogue at the Nora Eccles Harrison Museum of Art at Utah State University. The work fits in nicely with parallel body-centric photographic excursions by the likes of Bruce Nauman, Chris Burden and Vito Acconci - albeit with a more overt tongue in cheek approach. A bright, handsome example of this exceedingly uncommon - only five copies are currently cited in OCLC WorldCat - and underappreciated gem whose plates all show four tiny puncture marks at the upper left-hand corner due to two removed staples, and whose glossy white printed paper portfolio shows some typical minor creasing along the edges along with a few small spots on the front cover. It has been priced accordingly. Inventory Number: 020015

(GRIEGER, SCOTT). Grieger, Scott & Maurice Tuchman. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Illustrated Wrappers. Artist Monograph. Near Fine.. One continuous 7 ½ x 11 ½" cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 b&w illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of five recent "combination" works by Scott Grieger. Expanding on his earlier "Impersonations" series, the Los Angeles-based artist takes aim here at prevailing luminaries and tropes of Pop, Conceptual and Minimal Art with five works that marry the iconic imagery of Frank Stella with Donald Judd, Robert Morris with Larry Poons, Morris Louis with Sol LeWitt, Barnett Newman with Frank Stella, and Jasper Johns with Donald Judd to amusing effect. A brand new, pristine example of this exceedingly uncommon ephemeral item - only two copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024815

(HEINECKEN, ROBERT). Pastor, Suzanne E., Susan E. Cohen & Robert Heinecken. Kassel, GERMANY: Edition Fotoforum, 1983. First Edition 1/1200. Oblong 8vo. Stapled Pictorial Wrappers. Photography Monograph. Very Good -.. np (24pp), profusely illustrat in color and b&w. Text in German and English. With a chronology and bibliography. In a protective clear acetate dustwrapper. This is the slender twenty-four page catalogue published in conjunction with a 1983 exhibition of photographic works by the late Los Angeles-based artist Robert Heinecken. An internally most handsome example of this uncommon item limited to one thousand, two hundred copies showing a bit of light wear to the wrappers along with a vertical crease through the rear cover. Inventory Number: 025648

(HESSE, EVA). David, Catherine, Corinne Desirens, Mel Bochner, Joan Simon, Linda Norden & Helen A. Cooper. Paris: Galerie Nationale du Jeu de Paume, 1993. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Very Good.. 212pp, profusely illustrated in color and b&w. Text in French. With a chronology, exhibition history and bibliography. Published in conjunction with a posthumous 1993 retrospective that traveled from Valencia's Centro Julio Gonzalez to the Jeu de Paume in Paris, this is a cleanly designed, comprehensive survey of the work of the late, trailblazing minimalist sculptor Eva Hesse. Each of the one hundred and fifteen works in the exhibition are illustrated here. A handsome example of this uncommon item showing some mild soiling along the top edge of the textblock along with a slight indentation to the rear cover. 2-908901-16-1 Inventory Number: 025168

(HUEBLER, DOUGLAS). Huebler, Douglas. Andover, MA: The Addison Gallery of American Art, 1970. First Edition. Oblong 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (16pp), 15 b&w illustrations. This is the slender sixteen page artist's book cum catalogue published in conjunction with a 1970 Addison Gallery of American Art retrospective of the witty early Conceptual work of the late, beloved Cal Arts (by way of Michigan) mentor Douglas Huebler. A handsome example of this uncommon item showing a bit of light wear. Inventory Number: 017494

(HUEBLER, DOUGLAS). Huebler, Douglas & Arthur Rose. Introduction by Julia Brown. Los Angeles: Museum of Contemporary Art, Los Angeles, 1986. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good.. 28pp, profusely illustrated in b&w. Designed by Linda Norlen. In a protective clear acetate dustwrapper. This is the 1986 catalogue documenting ten works from Douglas Huebler's charming, typically wry "Crocodile Tears" series commissioned by the Museum of Contemporary Art, Los Angeles. These installments - "brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive" - originally appeared in print in 1984 as comic strips reproduced in the pages of the LA Weekly. An internally most handsome example of this uncommon item showing a bit of light overall wear, rubbing, and soiling to its covers. Inventory Number: 023723

(HUEBLER, DOUGLAS). Onorato, Ronald J.. La Jolla, CA: La Jolla Museum of Contemporary Art, 1988. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 52pp, profusely illustrated in b&w and color. With an exhibition checklist, biography and bibliography. This is the catalogue published in conjunction with a 1988 La Jolla Museum of Contemporary Art survey of fifty-one works executed between 1968 and 1988 by the witty late Conceptual practitioner Douglas Huebler. A most handsome example of this uncommon item showing just a bit of wear and rubbing to the covers. 0-934418-30-6 Inventory Number: 023956

(HUEBLER, DOUGLAS). Onorato, Ronald J.. La Jolla, CA: La Jolla Museum of Contemporary Art, 1988. First Edition. Oblong 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 52pp, profusely illustrated in b&w and color. With an exhibition checklist, biography and bibliography. This is the catalogue published in conjunction with a 1988 La Jolla Museum of Contemporary Art survey of fifty-one works executed between 1968 and 1988 by the witty late Conceptual practitioner Douglas Huebler. A most presentable example of this uncommon item showing a bit of wear and rubbing to the covers along with a slight curl to the upper foredge corner of the textblock. It has been priced accordingly. 0-934418-30-6 Inventory Number: 023791

(JUDD, DONALD). Fuchs, Rudi. New York: Pace Gallery, 2004. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. As New.. 24pp, 8 color and 1 b&w illustration + color cover. Designed by Tomoko Makiura. With an exhibition checklist. This is the catalogue published in conjunction with a 2004 New York gallery exhibition of five large-scale sculptural works executed by Donald Judd between 1988 and 1997. A brand new, most handsome example. 1-930743-41-6 Inventory Number: 025190

(JUDD, DONALD). Judd, Donald. Halifax, CANADA & New York: The Press of Nova Scotia College of Art and Design & New York University Press, 1975. First Paperback Edition. 4to. Printed Wrappers. Artist Monograph. Very Good.. 232pp, profusely illustrated in b&w. Text in English. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the first of two volumes of the complete writings - gallery reviews, book reviews, articles, letters to the editor, reports, statements, and complaints - dating from the years 1975-1986 by the late, great Minimalist giant Donald Judd. "These uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than five hundred artists showing in New York at that time, and provides a critical account of this significant era in American art". A most presentable example of the uncommon 1975 first paperbound edition of this vital document showing some light soiling and age-toning. 0-8147-4156-8 Inventory Number: 026712

(JUDD, DONALD). Judd, Donald. Halifax, CANADA & New York. 1975 (2005).: The Press of Nova Scotia College of Art and Design & New York University Press. Second Edition (First Thus). 4to. Printed Wrappers. Artist Monograph. Fine.. 232pp, profusely illustrated in b&w. Text in English. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the first of two volumes of the complete writings - gallery reviews, book reviews, articles, letters to the editor, reports, statements, and complaints - dating from the years 1975-1986 by the late, great Minimalist giant Donald Judd. "These uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than five hundred artists showing in New York at that time, and provides a critical account of this significant era in American art". A bright, most handsome example of the uncommon 2005 second edition of this vital document. 0-919616-42-9 Inventory Number: 025101

(JUDD, DONALD). Judd, Donald & John Coplans. Pasadena, CA: Pasadena Art Museum, 1971. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Fine.. 72pp, 39 b&w and 6 color illustrations. With a chronology, bibliography, and exhibition history. Published in conjunction with a 1971 Pasadena Museum of Art exhibition - Donald Judd's second museum retrospective, this nicely designed catalogue features an eleven page interview between the renowned minimal artist and late Pasadena Art Museum curator - and photographer - John Coplans. A bright, most handsome example of this uncommon item. LC 78-162345 Inventory Number: 027245

(JUDD, DONALD). Koepplin, Dieter. Basel, SWITZERLAND, Halifax, CANADA & New York: Kunstmuseum Basel, Press of the Nova Scotia College of Art and Design & New York University Press, 1976. First Paperback Edition. 4to. Printed Wrappers. Artist Monograph. Very Good -.. np, profusely illustrated in b&w. Text in German and English. With a chronology and exhibition checklist. In a protective clear acetate dustwrapper. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the copiously illustrated catalogue documenting a 1976 Kunsthalle Basel exhibition of two hundred and fifty-two working drawings for sculptural projects executed between 1956 and 1976 by the late, great Minimalist giant Donald Judd. A most presentable example of the uncommon paperbound first edition of this vital document showing some slight curling to the front of the textblock at the lower foredge corner along with some mild wear, soiling, and age-toning to its white covers. It has been priced accordingly. 0-919616-12-7 Inventory Number: 026010

(KOLBOWSKI, SYLVIA) (RAAD, WALID). Kolbowski, Sylvia & Walid Raad. New York: A.R.T. Press, 2006. First Edition. 12mo. Printed Self-Wrappers. Artist Monograph. Fine.. 88pp, 9 color and 7 b&w illustrations. Published as part of A.R.T. Press' "Between Artists" series, "inadvertently situated during the Israeli invasion of Lebanon in the summer of 2006, this epistolary dialogue between Sylvia Kolbowski and Walid Raad traces one artist's evacuation from Lebanon, and one artist's experience of the war through texts and images". A bright, most handsome example of the 2006 first edition of this now elusive little gem. 0-923183-40-X Inventory Number: 024169

(KOSUTH, JOSEPH). DaRosa, Raquel, Clegg & Guttmann, Braco Dimitrievic, Cornelia Lauf, Paul Magriel & John C. Welchman. Cornelia Lauf, Editor. New York: Josh Bear Gallery, 1989. First Edition. 12mo. Die-Cut Wrappers. Artist's Book. Fine.. np, no illustrations. With an exhibition checklist and bibliography. Published in conjunction with a 1989 Josh Bear Gallery exhibition for the benefit of New York's Squat Theatre, the noted Conceptual artist Joseph Kosuth designed this elegant catalogue cum artist's book with a die-cut front cover printed on onionskin pages using typography much in the manner of his text-based wall pieces of the period. Curated by his wife Cornelia Lauf, the contemporary artists featured were Alan Belcher, Werner Buttner, Sarah Charlesworth, Braco Dimitrievic, Lili Dujourie, Clegg & Guttmann, Kosuth, Roy Lichtenstein, Glenn O'Brien, Claes Oldenburg, Michelangelo Pistoletto, Eran Shaerf, Wolfgang Staehle, Haim Steinbach, and Jon Tower, alongside "older masters" "Anonymous", Ben Austrian, Charles Thomas Bale, Nicholas Alden Brooks, George Henry Hall, William Michael Harnett, Gasparo Lopez, John Peto, Henri Robbe, and Tobias Stranover. A most handsome example of this uncommon item limited to five hundred unnumbered copies. Inventory Number: 013276

(KOSUTH, JOSEPH). Kosuth, Joseph. Preface by The American Foundation for AIDS Research. Berlin, GERMANY & New York: Berlin Press & The American Foundation for AIDS Research (AMFAR), 2001. First Edition. 8vo. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 60pp, profusely illustrated in color. Text in English. Designed by Joseph Kosuth. With a biography and chronology. Designed by the artist, this is the elegant hardbound catalogue documenting noted Conceptualist Joseph Kosuth's 2000 installation for The American Foundation for AIDS Research (AMFAR) entitled "Guests and Foreigners: Corporal Histories". A brand new, most handsome example of this uncommon item. 3-9804910-6-4 Inventory Number: 018849

(LE VA, BARRY). Ligare, David & Gary T. Smith. Salinas, CA: Hartnell College Gallery, 1979. First Edition. Oblong 8vo. Stapled Printed Wrappers. Artist Monograph. Very Good +.. np (12pp), 5 b&w illustrations. Designed by Lloyd Northover Limited. With an exhibition checklist and exhibition history. Published in conjunction with a 1979 Hartnell College exhibition, this slender twelve page catalogue documents the gallery's presentation of eleven installation drawings by minimal sculptor Barry Le Va. A most handsome example of this uncommon item showing a bit of browning along the edges. LC 79-63310 Inventory Number: 017951

(LEWITT, SOL). Ace Gallery. Los Angeles: Ace Galley, 1968. First Edition. Square Elephant Folio. Printed Poster. Exhibiton Poster. Fine.. One 18 x 18" sheet printed color offset recto only machine-folded in quarters to make 9 x 9", 1 color illustration. This is the striking poster for a 1968 Ace Gallery Los Angeles exhibition of Sol LeWitt's recent "Sets" body of work. This was the noted Minimal and Conceptual artist's first local gallery show following his Pasadena Art Museum debut. A bright, most handsome example of this exceedingly uncommon ephemeral item. Inventory Number: 027297

(LEWITT, SOL). LeWitt, Sol. New York, London, Rome & Hong Kong. 2007-2014.: Multiples, Inc., 1970. First Edition. Oblong 4to. Printed Sheet Plus Envelope. Artist's Book. Fine./Near Fine.. One 5 1/8 x 12 3/8" cardstock sheet, printed recto only inserted into a printed paper envelope, 10 b&w illustrations. This wry homage to Eadweard Muybridge's Human Locomotion studies was noted Minimal/Conceptual Artist Sol LeWitt's contribution to the to the Multiples, Inc. "Artists and Photographs" portfolio of 1970. A bright, most handsome example of this uncommon item (cited on pages 88-89 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books") offered here individually. Inventory Number: 026656

(LEWITT, SOL). LeWitt, Sol. Basel & Bern, SWITZERLAND. ND (circa 1976).: Kunsthalle Basel & Verlag Kornfeld und Cie.. First Edition. Small Square 4to. Printed Wrappers. Catalogue Raisonné. Near Fine.. np (96pp), profusely illustrated in color and b&w. Text in German with English captions. Co-published by the Kunsthalle Basel and Verlag Kornfeld und Cie, this substantial document is a full catalogue raisonné of Sol LeWitt's screenprints, lithographs, etchings, and artist books executed between 1970 and 1975. It includes entries for ninety-seven works that are all illustrated throughout. An otherwise bright, most handsome example of this uncommon item showing a diagonal closed tear to one of the rear pages. It has been priced accordingly. Inventory Number: 025919

(LEWITT, SOL). LeWitt, Sol. Houston, TX: Cusack Gallery, 1973. First Edition. 8vo. Stapled Illustrated Wrappers. Artist's Book. Very Good.. np (16pp), illustrated in b&w. In a protective clear acetate dustwrapper. This is the slender sixteen page artist's book cum exhibition catalogue published in conjunction with a 1973 Sol LeWitt installation at Houston's hotbed of Minimal and Conceptual Art, The Cusack Gallery. It is a facsimile of the written instructions and diagrams in the artist's hand utilized to execute the six exhibited wall drawings. An otherwise most handsome copy of this exceptionally uncommon item (cited on page 45 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books" as well as entry number seven of the "Artist Books" in Susanna Singer's "Publications by the Artist" bibliography in SFMoMA's 2000 "Sol LeWitt") - only five copies are currently cited in OCLC WorldCat - whose inside front cover and first few pages show some browning due to a laid in New York Times newspaper review of LeWitt's 1994 exhibition of wall drawings at Boston's MFA. It has been priced accordingly. Inventory Number: 025812

(LEWITT, SOL). LeWitt, Sol. Tokyo: Touko Museum of Contemporary Art, 1990. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Very Good.. 64pp, profusely illustrated in color and b&w. Text in English and Japanese. With a chronology, exhibition history, bibliography and collections listing. This is the elegant catalogue published in conjunction with a 1990 survey exhibition of Sol LeWitt's then-recent wall drawings, gouaches, and structures held at the Touko Museum of Art - the Minimalist pioneer's first major show in Japan. A handsome example of this uncommon item showing just a bit of wear to the covers along with some trivial foxing to the extremities. Inventory Number: 025141

(LEWITT, SOL). LeWitt, Sol. New York: Rizzoli International Publications, Inc. & Multiples, Inc., 1980. First Edition. Square 8vo. Printed Wrappers. Artists' Book. Near Fine.. np (32pp), 220 color illustrations. "Sunrise and Sunset at Praiano" is Sol LeWitt 1980 artist's book that consists of fifty-four pages of 2 by 2 grids contrasting color photographs of the sky over Praiano Italy where the late, great Minimal pioneer maintained a villa taken at Sunrise, and - you guessed it, - Sunset. A handsome example of this uncommon item (cited on pages 102-103 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books" as well as in Susanna Singer's "Publications by the Artist" bibliography in SFMoMA's 2000 "Sol LeWitt") showing some very light wear and soiling to its white wrappers along with a tiny dent to the upper foredge corner. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-8478-0275-2 Inventory Number: 025140

(LONG, RICHARD). Long, Richard. Dusseldorf, GERMANY: Konrad Fischer Gallery, 1973. First Edition. 12mo. Illustrated Wrappers. Artist's Book. Very Good.. np (32pp), illustrated in b&w. Text in English. In a protective clear acetate dustwrapper. This is the 1973 first edition of "South America" - Richard Long's charming little artist's book amalgam of brief texts and Pre-Columbian pictograms. An internally most handsome example of this uncommon item (cited as the thirteenth entry in the comprehensive bibliography of artist's books and monographs on page 221 of Clarrie Wallis' "Richard Long: Heaven and Earth" published in 2009 by the Tate, Britain Museum) showing some creasing along the spine along with mild age-toning and brown speckling to its matte white covers. It has been priced accordingly. Inventory Number: 025025

(LOZANO, LEE). Lozano, Lee. New York. 2016-2021: Karma. First Editions. 12mo. Spiral Bound Wrappers. Artist's Books. As New./No Jackets - As Issued.. Since 2016, New York's esteemed Karma has dedicated itself to publishing a series of facsimile reproductions of eleven spiral-bound, 5 x 3" commercial notebooks from the late 1960s compiled by the noted late contemporary artist Lee Lozano. "A prolific writer and documenter of both her art and her relationships, Lee Lozano kept a series of personal journals from 1968 to 1970 while living in New York's SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life." A brand new, complete set of all nine volumes issued to date - including the unavailable first edition of the first notebook - still in the publisher's shrinkwrap. 1-942607-55-5 Inventory Number: 027253

(MAN RAY) (PAOLINI, GIULIO) (BOLAFFIARTE). Man Ray & Giulio Paolini. Torino, ITALY: Bolaffi & Mondadori Editori, 1973. First Edition 1/5000. 4to. Illustrated Wrappers. Periodical. Very Good -.. 136pp, profusely illustrated in color and b&w, with two 11 ¾ x 9 ¼" original graphics laid in. Text in Italian. This is the thirty-first installment of the Italian Arts magazine "BolaffiArte". Amongst the more interesting articles here are features on American Land Art (Michael Heizer and Robert Smithson) and Hippie Communes in the Southwest - both with photographs by Gianfranco Gorgoni, collectors Dorothy and Herbert Vogel, Conceptual Art and Arte Povera 1966 - 1969, and a section devoted to Man Ray. For the issue, Man Ray was commissioned to create an original work of art utilizing the letter "R" (as part its "L'Alfabebeto di BolaffiArte" series), which was then reproduced utilizing the photolithographic process and included as a loose insert. It consists of an embossed sheet of cardstock which has been overprinted with a stylized "Man Ray" in dark green, save for the "R" printed in red. In addition, noted Italian Arte Povera/Conceptual artist Giulio Paolini has contributed an original insert entitled "Vedo, 1969 (la decifrazione del mio campo visivo)". A most presentable example with like inserts showing a bit of overall light wear along with a slight dent at the heel of the spine. It has been priced accordingly. Inventory Number: 009218

(MANZONI, PIERO). Codognato, Mario. London: Karsten Schubert Ltd., 1989. First Edition 1/800. 4to. Stapled Printed Wrappers. Artist Monograph. Near Fine.. 16pp, 13 b&w illustrations. Designed by Tamar Burchill. This is the slender sixteen page catalogue published in conjunction with a 1989 London gallery survey of works executed by the late Italian Conceptual artist Piero Manzoni between 1957 and 1961. A most handsome example of this exceedingly uncommon item limited to eight hundred unnumbered copies. 1-870590-10-4 Inventory Number: 022317