Arcana:

Grace, Arthur. Counterpoint , 2016. ON SALE: August 9, 2016

"I had always thought that when I was around 84 and Robin was 80 we could collaborate on a book about the golden years of his career where he could look at my photographs and reminisce about the events and his feelings at the time. Unfortunately, that book was never to be . . . ."

Photographer Arthur Grace first met Robin Williams in April 1986, at a comedy club in Pittsburgh where Williams was working to polish what would eventually become his award-winning special “Evening at the Met”. The two hit it off immediately, and thus blossomed a close friendship that carried them through their increasingly successful careers. Told through a series of stunning photographs of Williams taken by Grace over the course of this decades-long partnership, Robin Williams: A Singular Portrait offers a touching and up-close look at the real Robin Williams—the manic and happy, the pensive and weary, the engaged and disengaged, a true portrait of one of America’s greatest comics and most beloved actors.

For the millions of people around the globe that Robin Williams has touched, these images, more than 150 photographs, a glorious mixture of stunning color and resonating black and white presented in exhibit format, will be something to embrace and cherish, not simply because of their exclusivity, but because of their intimacy and their honesty.

Arthur Grace began his professional career in 1973 as a staff photographer for United Press International. During his award-winning thirty-year career, his photos have been featured on the cover of Life, Time, Newsweek, The New York Times Magazine, are in the permanent collections of numerous museums including the J. Paul Getty Museum, the National Portrait Gallery, and the High Museum of Art. He has published four critically-acclaimed photographic books: Choose Me: Portraits of a Presidential Race, Comedians, State Fair, and America 101. 978-1619027275 Inventory Number: E0000AGRW

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition. 4to. Illustrated Wrappers. As New.. np (84pp), 394 color illustrations. This is the third installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From Emil Janning's "Wings" through Tim Burton's "Ed Wood", it reproduces three hundred and ninety-four posters and lobby cards including images for all the winners of the top six Academy Awards from every year from the very first in 1927/28 through to 1994. A brand new, pristine paperbound example. 1-887893-00-8 Inventory Number: 024172

Hershenson, Bruce. Los Angeles: Christie's, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (168pp), 174 color illustrations. This is the catalogue for two December 15th, 1995 sales of film posters organized by noted collector/dealer/author/publisher Bruce Hershenson held at Christie's in Los Angeles. It features two complete auctions in one volume. First there are one hundred and seventy-four full-color Rock 'n' Roll movie posters ranging from Bill Haley in 1956's "Rock Around the Clock" to Nirvana in 1992's "The Year Punk Broke". Then there are an additional two hundred and seventy-six full-color classic film posters including an ultra-rare "Flying Down to Rio" one-sheet that sold for a staggering $81,700.00. A most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. Inventory Number: 016627

Hershenson, Bruce. West Plains, MO: Bruce Hershenson, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (80pp), 380 color illustrations. This is the fourth installment of noted collector/dealer/author/publisher Bruce Hershenson's indispensable film poster references categorized by subject matter. From 1913's "Ben Hur" through the Roger Corman's "Death Race 2000", it reproduces three hundred and eighty sports-themed posters and lobby cards. A brand new, most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. 1-887893-15-6 Inventory Number: 016625

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. 2-85850-091-6 Inventory Number: 023510

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. 2-85850-091-6 Inventory Number: 023509

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris. 1981 (1992).: Centre Georges Pompidou & Gallimard. Second Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 800pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies, and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A bright, most handsome example of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. 2-07-011248-9 Inventory Number: 020835

Hulten, Pontus, Editor. Introduction by V. M. Polevoi. Paris: Centre Georges Pompidou, 1979. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 580pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1979 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Moscow during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A handsome example of the 1979 Pompidou French language edition bearing the BOLDLY SIGNED PRESENTATION "For Melinda and De Wain with my very best greetings from your Pontus" from curator Pontus Hulten in black ink on the half title page showing some overall light wear, handling and soiling. De Wain is the noted Los Angeles-based Light and Space artist De Wain Valentine, and Melinda (sic) is his former partner and gallerist Malinda Wyatt, from whom we acquired this directly. 2-85850-002-9 Inventory Number: 023630

Hulten, Pontus, Editor. Introduction by Werner Spies. Paris: Centre Georges Pompidou, 1978. First French Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome example of the hardbound 1978 Pompidou French language edition showing some light wear and handling, a bit of soiling to the covers, and a mild dent through the upper foredge corner of the textblock. It has been priced accordingly. 2-85850-066-5 Inventory Number: 023508

Lippard, Lucy R. & Jeff Khonsary, Editors. Vancouver, CANADA & Los Angeles: New Documents, 2012. First Edition 1/1000. 12mo. File Cards in Printed Wrapper. Exhibition Catalog. As New.. One hundred and seventy-nine 4 x 6" file cards printed monochrome offset recto and verso, profusely illustrated. With a bibliography and filmography. "4,492,040 is a facsimile reprint of a series of documents produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard’s hugely important "numbers shows" - a series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle, 1969), 955,000 (Vancouver, 1970), 2,972,453 (Buenos Aires, 1970), and c.7,500 (Valencia, CA, 1973/74). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard". The four exhibitions' participants include Vito Acconci, Laurie Anderson, Carl Andre, Eleanor Antin, Siah Armajani, Keith Arnatt, Richard Artschwager, Art & Language (Terry Atkinson, David Askevold, Alice Aycock, David Bainbridge, Michael Baldwin, Harold Hurrell), John Baldessari, Robert Barry, Frederick Barthelme, Jennifer Bartlett, Gene Beery, Mel Bochner, Bill Bollinger, Jon Borofsky, Stanley Brouwn, Daniel Buren, Victor Burgin, Donald Burgy, Pierpaolo Calzolari, Rosemary Castoro, Don Celender, James Collins, Christopher C. Cook, Greg Curnoe, Hanne Darboven, Walter de Maria, Agnes Denes, Jan Dibbets, Christos Dikeakos, Rafael Ferrer, Gilbert & George, Dan Graham, Hans Haacke, Ira Joel Haber, Alex Hay, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Robert Huot, Richards Jarden, Stephen Kaltenbach, On Kawara, Edward Kienholz, Robert Kinmont, Joseph Kosuth, Christine Kozlov, John Latham, Barry Le Va, Sol LeWitt, Roelof Louw, Duane Lunden, Bruce McLean, Robert Morris, N.E. Thing Co. (Iain and Ingrid Baxter), Bruce Nauman, New York Graphic Workshop, George Nikoliadis, Dennis Oppenheim, John Perrault, Adrian Piper, Robert Rohm, Allen Ruppersberg, Ed Ruscha, Fred Sandback, George Sawchuck, Richard Serra, Randy Sims, Robert Smithson, Keith Sonnier, Athena Tacha, Mierle Laderman Ukeles, Jeff Wall, Lawrence Weiner, Ian Wilson, and Martha Wilson. A pristine, brand new complete set of all one hundred and seventy-nine loose cards sealed inside their printed wrapper in the publisher's clear plastic zip-lock pouch, as issued. 1-927354-00-5 Inventory Number: 027596

Stanley & Patterson. Adrian, MI. 1936 (1938).: Stanley & Patterson Division of Schwarze Electric Co.. Edition Not Stated - Later Printing. 4to. Brad-Bound Stiff Wrappers. Trade Catalogue. Very Good.. np (118pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is a 1936 salesman's trade catalogue issued by the Stanley & Patterson Division of the Schwarze Electric Co. of Adrian, Michigan. Bound in stiff wrappers and clasped with brass brads, it contains copiously illustrated entries showcasing the company's lines of electronic bells, buzzers, chimes, gongs, sirens, howlers, annunciators, alarm systems, relays, telephones, paging systems, loudspeakers, electric clocks, and the like. An internally bright, most handsome example bearing "Reprint June 1938" on the front cover and containing rubber ownership stamps from Stanley & Patterson's New England agent H.W. MacLeod & Co., The South Boston's Gorham Fire Equipment Co., and Academy Award winning Art Director Dean Tavoularis at the front showing some light wear, soiling, sunning, and creasing to its red printed covers. Inventory Number: 027005

Sullivan, Steve. New York: St. Martin's Griffin, 1999. First Edition. Square 8vo. Pictorial Wrappers. As New.. 320pp, profusely illustrated in b&w and color. From the author/editor of "Glamour Girls Then and Now", "Va Va Voom" and "Bombshells" comes this all encompassing (if not somewhat arbitrary) illustrated dictionary of the one thousand sexiest Twentieth Century objects of not-so-obscure male desire. From pinups to porn stars, first ladies to strippers, scream queens to bathing beauties, they're pretty much all here beginning with the top ten of Marilyn Monroe, Raquel Welch, Jayne Mansfield, Brigitte Bardot, Rita Hayworth, Bettie Page, Sophia Loren, Jean Harlow, June Wilkinson and Cindy Crawford, then spiraling downward past Diane Webber, Traci Lords, Diana Rigg, Jacqueline Kennedy Onassis, Carol Doda, Jennie Garth, and Gwen Stefani all the way to Isadora Duncan(!) - number 1000... Each entry includes a brief biography, and in most instances a saucy pic. A pristine copy. 0-312-20651-8 Inventory Number: 010239

van Kooij, Barbera, Oswaldo Costa & Robin Resch, Editors. Rotterdam, THE NETHERLANDS: Witte De With Center for Contemporary Art, 1993. First Edition 1/650. 8vo. Pictorial Wrappers. Near Fine.. 128pp, 30 b&w illustrations. Text in English. Cover image by Jean-Luc Moulene. The final of three annual volumes, this is a collection of the transcribed contemporary art history lectures presented during 1992 at Rotterdam's Witte De With Center for Contemporary Art. The contents and participants are: Guy Brett, Catherine David, Rodrigo Naves, and Sonia Salzstein-Goldberg - "I Aspire to the Great Labyrinth", Walter Nikkels - "The Catalogue: An Ordered List of Works", Craigie Horsfield - "30.8.92 on Walker Evans", Stephen Prina - "We Represent Ourselves to the World: Institutional Narrativity", Stephan Balkenhol, Jean-Francois Chevrier, Chris Dercon, Ludger Gerdes, Martin Kreyssig, and Jeff Wall - "The Body is the Present", and Bruce Mau - "Beyond Typography". A most handsome example. 90-73362-26-1 Inventory Number: 016953