Arcana:

(ANT FARM) Text by Steve Seid. Inventory Press/RITE Editions, I00210106. 9 x 12 in., 128 pages. Hardbound. New/No Jacket - As Issued.

A detailed account of Ant Farm’s 1975 Media Burn performance, a legendary act of consumerist critique

This book examines the complex set of cultural references and art-making strategies informing Ant Farm’s seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.

Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).

In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.

Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself. 9781941753354 Inventory Number: I00210106

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPEL, KEVIN). Ostrander, Tobias & Elizabeth A.T. Smith. Mexico City: Museo Tamayo Arte Contemporaneo, 2004. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. As New.. 72pp, profusely illustrated in color and b&w. Text in English and Spanish. With a chronology, exhibition history and bibliography. "Description Sin Lugar" is the handsome catalogue issued in conjunction with a 2004 exhibition of Los Angeles-based artist Kevin Appel's modernist architecturally-inflected work at Mexico City's Fundacion Olga y Rufino Tamayo. A brand new, pristine example of the first edition limited to one thousand unnumbered copies.additionally SIGNED AND DATED by Kevin Appel. 968-5979-02-2 Inventory Number: 019463

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example additionally BOLDLY SIGNED AND DATED by Kevin Appel in black marker on the title page. 0-914357-72-7 Inventory Number: 019462

(APPEL, KEVIN). Tumlir, Jan & Paul Schimmel. Los Angeles: Museum of Contemporary Art, 1999. First Edition. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 40pp, profusely illustrated in color. Designed by Michael Worthington. With a chronology, exhibition history, bibliography and exhibition checklist. This is the sleek catalogue issued for a 1999 Museum of Contemporary Art exhibition held in conjunction with Kevin Appel's having received the Citibank Private Bank Emerging Artist Award - documenting the Los Angeles-based artists first Museum exhibition. A brand new, most handsome example. 0-914357-72-7 Inventory Number: 014682

(APPLEBROOG, IDA). Applebroog, Ida. NP (New York): Self-Published, 1981. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (20pp), 7 monochrome illustrations. "A Performance: The End" is seventh and final artist book printed in blue ink on heavy stock that comprises Ida Applebroog's 1981 series entitled "Blue Books". A handsome example offered individually additionally bearing the SIGNED AND DATED INSCRIPTION "End of magnum opus, Ida Applebroog 1982" in pencil under the volume's final illustration showing some light handling creases along the spine. Inventory Number: 022308

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha"). 3-934823-82-3 Inventory Number: 023419

(ARCENEAUX, EDGAR). Arceneaux, Edgar. Franklin Sirmans, Editor. Frankfurt am Main, GERMANY: Revolver Archiv fur Aktuelle Kunst, 2003. First Edition 1/1000. 8vo. Wrappers in Slipcase. Artist's Book. Fine/No Jacket - As Issued.. np + np (18 + 20pp), 1 b&w illustration. Text in English. "In his conceptual photography project "107th Street Watts", Edgar Arceneaux follows a desire to produce a number of strong visual counter-arcs to a relentlessly mediated social space, as well as a desire to ignite a critique of the narrow histories of Los Angeles' provocative past. Expanding the traditional subjects of Southern California artistic practice, the artist photographed an area of the world known through a singular event in its history: the Watts Riots of 1965. Performing the type of clinical overlay of the street in the manner of Ed Ruscha and his well-known 1966 mapping of the Sunset Strip, "107th Street Watts" formally mimics Ruscha's piece by shooting every building on 107th Street (the location of the historic Watts Towers) in a photomontage across one continuous accordion-folded sheet, allowing for it to be opened and pulled completely out for an undisturbed viewing from end to end". Housed in the publisher's glossy white unprinted slipcase , there is a second, companion volume containing essays by Malik Charles Gaines, Lynell George and Vincent Johnson. A bright, most handsome example (featured on pages 74-75 of Jeffrey Brouws, Wendy Burton and Hermann Zschiegner's "Various Small Books: Referencing Various Small Books by Ed Ruscha") additionally SIGNED by Edgar Arceneaux in black ink on the rear endpaper of the text volume. 3-934823-82-3 Inventory Number: 019107

(ARMAN). Geldzahler, Henry. New York: Marisa Del Re Gallery, 1986. First Edition. 4to. Illustrated Die-Cut Wrappers. Artist Monograph. Fine.. 18pp, 14 illustrations in color and b&w. With an exhibition checklist, chronology, exhibition history and bibliography. Published in conjunction with a 1986 New York gallery exhibition, this slender catalogue features images of Greek and Roman Gods & Goddesses in Arman's characteristic "sliced" methodology. A most handsome copy whose intricately die-cut front cover is perfectly intact. LC 86-062323 Inventory Number: 020680

(ARMAN). Geldzahler, Henry. New York: Marisa Del Re Gallery, 1986. First Edition. 4to. Illustrated Die-Cut Wrappers. Artist Monograph. Fine.. 18pp, 14 illustrations in color and b&w. With an exhibition checklist, chronology, exhibition history and bibliography. Published in conjunction with a 1986 Marisa Del Re Gallery exhibition, this slender eighteen page catalogue features images of Greek and Roman Gods and Goddesses in Arman's characteristic "sliced" methodology. A most handsome copy featuring a BOLDLY SIGNED DRAWING of a God in profile by Arman in purple ink whose intricately die-cut front cover is perfectly intact. A gallery announcement for the exhibition's Los Angeles premiere where this was acquired has been laid in. LC 86-062323 Inventory Number: 020578

(ARTIGAS, LLORENS) (DERRIERE LE MIROIR). Artigas, Llorens and Pierre Courthion. Paris: Maeght Editeur, 1969. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. 22pp, 9 color and 11 b&w illustrations + covers. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Llorens Artigas' 1969 exhibition of ceramic vessels. A handsome example showing just a hint of light foxing at the rear. Inventory Number: 012268

(ART-RITE). Robinson, Walter & Edit deAk, Editors. New York: Art-Rite Publishing Company, 1976. First Edition. 4to. Pictorial Stapled Wrappers. Art Periodical. Near Fine.. 78pp, illustrated in b&w. Cover by Carl Andre. This fourteenth installment of cutting-edge '70s New York art rag "Art-Rite Magazine" features a cover designed by Carl Andre along with contributions on or by Kathy Acker, John Baldessari, Daniel Buren, Robert Cumming, Agnes Denes, Peter Downsbrough, Jon Gibson, Judith Hoffberg, Allan Kaprow, Richard Kostalanetz, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Robert Morgan, Maurizio Nannucci, Richard Nonas, Adrian Piper, Lucio Pozzi, Marcia Resnick, Carolee Schneeman, Pat Steir, Richard Tuttle, Lawrence Weiner, Robin Winters, Douglas Huebler, David Salle, Rosalee Goldberg, A.A. Bronson, Naomi Spector, Eve Sonneman, Peter Frank, and a lengthy survey of artists' books. There are also several pages of advertisements from virtually all of the New York Galleries showing Conceptual Art at the time. A most handsome example of this uncommon item showing some typical slight age-toning to the edges of the newsprint pages along with a tiny nick and short closed tear to the covers. Inventory Number: 026580

(ARTSCHWAGER, RICHARD). Armstrong, Richard. New York: Whitney Museum of American Art in Association with W.W. Norton, 1988. First Edition. 4to. Cloth in Printed Dust Jacket. Artist Monograph. Fine/Near Fine. 166pp, profusely illustrated in color and b&w. Designed by Anita Meyer. With an exhibition checklist, exhibition history and bibliography. This is the comprehensive catalogue published in conjunction with the massive 1998 Richard Artschwager retrospective that traveled from the Whitney Museum of American Art to Los Angeles' Museum of Contemporary Art. It reproduces each of the one hundred and twelve exhibited paintings and sculptures executed by the pioneering late New York artist between 1962 and 1987. A most handsome example of the uncommon hardbound edition additionally BOLDLY SIGNED "Richard Artschwager" in black ink on the front pastedown. 0-393-02596-9 Inventory Number: 021823

(ARTSCHWAGER, RICHARD). Oehlen, Albert & John Corbett. Chicago, IL: Corbett vs. Dempsey Modern Art & Uncommon Objects, 2011. First Edition. 8vo. Stapled Die-Cut Wrappers. Artist Monograph. As New.. 28pp, 16 color illustrations. Designed by Kathi Beste. This is the slender yet elegant catalogue published in conjunction with a 2011 Richard Artschwager exhibition of recent oil pastel on paper drawings held at Chicago's Corbett vs. Dempsey Modern Art & Uncommon Objects entitled "In The Driver's Seat". A brand new, pristine example. Inventory Number: 022572

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp), profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued, additionally BOLDLY SIGNED "Richard Artschwager" in blue ink across the title page of the "(With) Drawn from Life" volume. 1-880154-73-0 Inventory Number: 024303

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp, profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued. 1-880154-73-0 Inventory Number: 021120

(ASAWA, RUTH) Edited by Timothy Anglin Burgard, Daniell Cornell. University of California Press, I00200707, 2020. Second Edition. 9.5 x 11 in., 332 pages. New/No Jacket - As Issued.

The work of American artist Ruth Asawa (1926–2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa’s career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works—drawings and paintings created in the 1940s while she was studying at Black Mountain College—this beautiful volume traces Asawa’s flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education.

Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa’s work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice.

This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. 9780520304840 Inventory Number: I00200707

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A handsome example showing a bit of curling to the textblock at the foredge tips. 0-920089-52-6 Inventory Number: 024666

(AY-O). Ay-O. Tokyo, JAPAN: Minami Gallery, 1977. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (6pp), 2 color and 2 b&w illustrations. Text in English and Japanese. With a chronology and exhibition history. This is the slender six page catalogue issued in conjunction with a 1977 exhibition of new paintings by the Japanese-born, New York-based Fluxus artist Ay-O at his longtime Tokyo gallery. A most presentable example of this uncommon item showing some light overall wear and soiling and a slight diagonal soft crease through the upper foredge that bears the discreet previous ownership stamp of noted artist Sam Francis - who also was represented by Minami Gallery - on the inside rear cover. Inventory Number: 018648

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BACON, FRANCIS). Bacon, Francis. New York, London, Rome & Hong Kong. 2007-2014.: Rizzoli International Publications, 1983. First Edition. Oblong Elephant Folio. Printed Poster. Publisher's Promotional Poster. Fine. One 30 x 22" heavy paper sheet printed color offset recto only, 1 color illustration. This is the hors commerce - not commercially for sale - promotional poster produced by Rizzoli International Publications in conjunction with Michel Leiris' insightful 1983 monograph surveying the painted work of noted twentieth century master Francis Bacon. A bright, most handsome example of this striking uncommon ephemeral item. Inventory Number: 026615

(BACON, FRANCIS). Sylvester, David & Francis Bacon. New York: Pantheon Books, 1975. First American Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Fine. 128pp, 94 b&w illustrations + color cover. Originally issued in 1975, this landmark volume of David Sylvester's transcribed interviews with Francis Bacon is notable for the length, detail, and frankness in which the late, great artist discusses his history, influences, and working methods. A most handsome example of the hardbound Pantheon Books first American edition of this oft-reprinted document additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Donald / With My Affection / Francis Bacon / New York 15/3/75" in the year of publication in blue marker on the front pastedown showing some trivial brown spotting along the top and foredge. While this supposition cannot be confirmed, we are of the mind that given the warm inscription dating from the week the artist was in New York for the opening of his Marlborough Gallery-assisted exhibition at The Metropolitan Museum of Art, this originated from the library of Donald McKinney - the vice-president for seventeen years of Bacon's longtime New York dealers. 0-394-49763-5 Inventory Number: 024529

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. Inventory Number: 020629

(BALDESSARI, JOHN). Baldessari, John, Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, Gertrud Koch, Christopher Williams & Ann Goldstein. Koln, GERMANY & Graz, AUSTRIA: Verlag Der Buchhandlung Walther Konig & Kunsthaus Graz, 2005. First Edition. 4to. Wrappers in Plastic Jacket. Artist Monograph. Fine./Fine.. 240pp, profusely illustrated in b&w and color. Text in English and German. With an exhibition checklist, bibliography and exhibition history. This is the comprehensive catalogue published in conjunction with a 2005 Kunsthaus Graz exhibition surveying the primarily photographically based conceptual work of John Baldessari created between 1984 and 2004. It includes essays by Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, and Gertrud Koch as well as a transcribed conversation with the artist by Christopher Williams and Ann Goldstein. A brand new, pristine example of this uncommon document in the publisher's printed translucent vinyl jacket, as issued. 3-88375-937-6 Inventory Number: 021880

(BANKSY). Leverton, Marc. London: Carpet Bombing Culture, 2011. First Edition. 12mo. Printed Wrappers. Artist Monograph. As New.. 96pp, profusely illustrated in color. Designed by Nick Law. "No single living artist has created as many myths, rumours and legends as Banksy. In his home town of Bristol, almost everyone seems to have a Banksy story. Many of the tales in this book are from Bristol, some are from further afield. What they share is that they are all told with the wide eyed wonder which Banksy inspires. Compiled between 2009 and 2011, some of these stories are quite old and have been told so many times they have become the stuff of legend, while others are more questionable and can best be described as myths. Some are laugh out loud bollocks and others are simply gossip. You be the judge". A brand new, pristine example of the 2011 first edition of this well-illustrated, charming little gem. 1-908211-01-6 Inventory Number: 023043

(BANKSY). Pairon, Marc. Aartselaar, BELGIUM: Charles Catteau Foundation, 2020. First Edition. 22 x 29 cm. Hardcover. Artist Monograph. New.


978-9491218187

Inventory Number: IDEA20582

(BARNEY, MATTHEW). Barney, Matthew, Neville Wakefield & Richard Flood. Karel Schampers, Editor. Rotterdam, THE NETHERLANDS & Ostfildern, GERMANY: Museum Boymans-van-Beuningen & Cantz Verlag, 1995. First Edition 1/2500. 8vo. Wrappers in Plastic Sleeve. Artist Monograph. Near Fine./No Jacket - As Issued.. 92pp, profusely illustrated in color and b&w. Text in English and Dutch. Designed by Matthew Barney and Gracia Lebbink. With an exhibition checklist, exhibition history and bibliography. This is the lovely catalogue documenting Matthew Barney's 1995 Museum Boymans-van Beuningen exhibition that presented elements of his "Cremaster" 1 and 4, "Facility of INCLINE", "OTTOshaft", "Facility of DECLINE", and "Drawing Restraint 7" series. It was designed by the artist and features several folding plates - perfect for that rowdy yet discerning Al Davis fan in your life. A handsome example in the publisher's printed transparent plastic wraparound band. 90-6918-148-7 Inventory Number: 014223

(BARNEY, MATTHEW). Spector, Nancy, Neville Wakefield & Matthew Barney. Preface by Thomas Krens. New York: Guggenheim Museum Publications, 2002. First Edition. Stout 4to. Cloth in Vinyl Dust Jacket. Artist Monograph. Fine/Fine. 528pp, profusely illustrated in color and b&w. Designed by J. Abbott Miller and Roy Brooks, Pentagram Design. With an exhibition checklist, exhibition history, bibliography and filmography. Published in conjunction with a comprehensive 2002 exhibition at New York's Solomon R. Guggenheim Museum, this massive catalogue copiously documents the five installments that comprise Matthew Barney's epic film cycle cum opera "The Cremaster Cycle" that were originally presented by the Fondation Cartier Pour L'art Contemporaine, Artangel and Barbara Gladstone Gallery, the Kunsthalle Wien and the Museum fur Gegenwartskunst Basel, Portikus, Frankfurt am Main and Barbara Gladstone Gallery, the Walker Art Center, and the Solomon R. Guggenheim Museum between 1995 and 2002. Beautifully designed and illustrated, it features essays by Nancy Spector and Neville Wakefield, a Cremaster "Glossary", complete production credits, and "Personal Perspectives" from several Cremaster contributors including Ursula Andress, Tony Morgan, Richard Serra, Norman Mailer, and Jonathan Bepler. A bright, most handsome example of the first hardbound printing in the publisher's printed vinyl dust jacket. 0-8109-6935-1 Inventory Number: 026877

(BARON, HANNELORE). Baron, Hannelore. Stockholm, SWEDEN: Galleri Zero, 1986. First Edition. Small Square 4to. Printed Wrappers. Artist Monograph. Fine.. 22pp, 14 color illustrations. With an exhibition history, bibliography and collections listing. This is the lovely catalogue published in conjunction with a 1986 Stockholm gallery exhibition of mixed media collages by Hannelore Baron. A brand new, most handsome example of this uncommon item. Inventory Number: 026629

(BARRY, ROBERT). Barry, Robert. Aachen, GERMANY: Ottenhausen Verlag, 1982. First Edition. Square 8vo. Illustrated Wrappers. Artist's Book. Near Fine.. np (52pp), 6 b&w illustrations. Text in English. This is an understatedly elegant 1982 Robert Barry artist's book that juxtaposes images of an arrangement of branches intermittently amongst the pioneering conceptual practitioner's sparse textual punctuation. A handsome example of this uncommon item showing just a bit of light soiling to the wrappers. 3-922760-06-6 Inventory Number: 018919

(BARTH, UTA). Conkelton, Sheryl, Russell Ferguson & Timothy Martin. Seattle, WA & New York: The Henry Art Gallery & Distributed Art Publishers, 2000. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine./No Jacket - As Issued. 176pp, profusely illustrated in color throughout. Published in conjunction with a 2002 Henry Art Gallery retrospective, this major monograph on Los Angeles-based artist/photographer Uta Barth is designed much like an artist's book - its text intertwined amongst Barth's diffuse, sensuous images of the late 20th Century man-made environment. A brand new, most handsome example additionally SIGNED "Uta Barth" in black marker on the first preliminary. 0-935558-37-3 Inventory Number: 017127

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084