Arcana:

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp, profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 1-880154-73-0 Inventory Number: 021120

(ASHER, MICHAEL). Dick, Leslie & Adriano Pedrosa. Valencia, CA: Golden Spike Press, 2013. First Edition 1/500. 12mo. Printed Wrappers. Artist's Book. As New.. 138pp, 4 b&w illustrations. Designed by Michael Ray-Von. With appendices. Published in conjunction with the California Institute for the Arts, this posthumous tribute to the influential late Los Angeles-based conceptual artist and educator Michael Asher consists primarily of typographically transcribed class enrollment forms for each of the fifty-two semesters he taught at CalArts over a thirty-three year span. Amongst the notable students listed here are Stephen Prina, Christopher Williams, Tony Oursler, B. Wurtz, Jim Isermann, Kate Ericson, Mel Ziegler, Ashley Bickerton, Richard Hawkins, Jody Zellen, Sam Durant, Lyle Ashton Harris, Gary Simmons, Dave Muller, Edgar Arceneaux, Zoe Crosher, Lesley Vance, Carter Mull, Tomory Dodge, and many more. A brand new, most handsome example of this uncommon (only five copies are currently cited in OCLC WorldCat) and unavailable, rigorous-yet-sentimental gem limited to five hundred unnumbered copies. 0-9886694-2-0 Inventory Number: 027327

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A handsome example showing a bit of curling to the textblock at the foredge tips. 0-920089-52-6 Inventory Number: 024666

(AY-O). Ay-O. Tokyo, JAPAN: Minami Gallery, 1977. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (6pp), 2 color and 2 b&w illustrations. Text in English and Japanese. With a chronology and exhibition history. This is the slender six page catalogue issued in conjunction with a 1977 exhibition of new paintings by the Japanese-born, New York-based Fluxus artist Ay-O at his longtime Tokyo gallery. A most presentable example of this uncommon item showing some light overall wear and soiling and a slight diagonal soft crease through the upper foredge that bears the discreet previous ownership stamp of noted artist Sam Francis - who also was represented by Minami Gallery - on the inside rear cover. Inventory Number: 018648

(BACHARDY, DON). Blum, Irving. Los Angeles: Municipal Art Gallery, Barnsdall Park, 1973. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 18 b&w illustrations + b&w cover. With an exhibition checklist, exhibition history and bibliography. This is the slender twenty-four page catalogue published in conjunction with a 1973 exhibition of one hundred pencil and ink wash portraits executed between 1962 and 1973 by noted Santa Monica artist Don Bachardy held at the Los Angeles Municipal Art Gallery. Included amongst the sitters are Bachardy's longtime partner Christopher Isherwood, Virgil Thompson, Jane Fonda, Angela Lansbury, Norton Simon, Mary Astor, W.H. Auden, Igor Stravinsky, Joan Didion and artists Andy Warhol, Salvador Dali, Francis Bacon, Billy Al Bengston, Ed Moses, Joe Goode, and Peter Alexander. A bright white, most handsome example of this uncommon item that is the first monographic publication on Bachardy. Inventory Number: 026562

(BACHARDY, DON). Wescott, Glenway & Billy Al Bengston. New York: The New York Cultural Center, 1974. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Fine.. np (28pp), 22 b&w illustrations + b&w rear cover. With an exhibition checklist, exhibition history and biography. This is the slender twenty-eight page catalogue published in conjunction with a 1974 exhibition of sixty pencil and ink wash portraits executed between 1964 and 1973 by noted Santa Monica artist Don Bachardy held at The New York Cultural Center. The sitters reproduced are Bachardy's longtime partner Christopher Isherwood, Edward Albert, John Ashbery, Pat Ast, W.H. Auden, Truman Capote, Bette Davis, Charles Eastman, John Houseman, John Houston, Anita Loos, Myrna Loy, Anais Nin, Merle Oberon, Igor and Vera Stravinsky, Virgil Thompson, L. Arnold Weissberger, Monroe Wheeler, and artists Chris Burden, Alexis Smith, and Carole Caroompas. A self portrait sketch of Bachardy adorns the rear cover. A bright white, most handsome example of this uncommon item that is the second monographic publication on Bachardy. Laid in is a hand-written note in black ink stating " Dear Charles --- / I'm sending you / this catalogue in case you didn't / get to N.Y. as you expected. / My drawing of you is one / of my favorites of the show. / With best regards, / Don". Charles is the artist's friend Charles Kemper Eastman, the noted late Hollywood screenwriter, script doctor,and director who has placed it along with the invitation to the exhibition's opening next to his portrait reproduced on page twenty-one. These are housed in Bachardy's original hand addressed mailing envelope. Inventory Number: 026563

(BACON, FRANCIS). Bacon, Francis. New York, London, Rome & Hong Kong. 2007-2014.: Rizzoli International Publications, 1983. First Edition. Oblong Elephant Folio. Printed Poster. Publisher's Promotional Poster. Fine. One 30 x 22" heavy paper sheet printed color offset recto only, 1 color illustration. This is the hors commerce - not commercially for sale - promotional poster produced by Rizzoli International Publications in conjunction with Michel Leiris' insightful 1983 monograph surveying the painted work of noted twentieth century master Francis Bacon. A bright, most handsome example of this striking uncommon ephemeral item. Inventory Number: 026615

(BACON, FRANCIS). Sylvester, David & Francis Bacon. New York: Pantheon Books, 1975. First American Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Fine. 128pp, 94 b&w illustrations + color cover. Originally issued in 1975, this landmark volume of David Sylvester's transcribed interviews with Francis Bacon is notable for the length, detail, and frankness in which the late, great artist discusses his history, influences, and working methods. A most handsome example of the hardbound Pantheon Books first American edition of this oft-reprinted document additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Donald / With My Affection / Francis Bacon / New York 15/3/75" in the year of publication in blue marker on the front pastedown showing some trivial brown spotting along the top and foredge. While this supposition cannot be confirmed, we are of the mind that given the warm inscription dating from the week the artist was in New York for the opening of his Marlborough Gallery-assisted exhibition at The Metropolitan Museum of Art, this originated from the library of Donald McKinney - the vice-president for seventeen years of Bacon's longtime New York dealers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-394-49763-5 Inventory Number: 024529

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020629

(BANKSY). Leverton, Marc. London: Carpet Bombing Culture, 2011. First Edition. 12mo. Printed Wrappers. Artist Monograph. As New.. 96pp, profusely illustrated in color. Designed by Nick Law. "No single living artist has created as many myths, rumours and legends as Banksy. In his home town of Bristol, almost everyone seems to have a Banksy story. Many of the tales in this book are from Bristol, some are from further afield. What they share is that they are all told with the wide eyed wonder which Banksy inspires. Compiled between 2009 and 2011, some of these stories are quite old and have been told so many times they have become the stuff of legend, while others are more questionable and can best be described as myths. Some are laugh out loud bollocks and others are simply gossip. You be the judge". A brand new, pristine example of the 2011 first edition of this well-illustrated, charming little gem. 1-908211-01-6 Inventory Number: 023043

(BARNEY, MATTHEW). Barney, Matthew, Neville Wakefield & Richard Flood. Karel Schampers, Editor. Rotterdam, THE NETHERLANDS & Ostfildern, GERMANY: Museum Boymans-van-Beuningen & Cantz Verlag, 1995. First Edition 1/2500. 8vo. Wrappers in Plastic Sleeve. Artist Monograph. Near Fine./No Jacket - As Issued.. 92pp, profusely illustrated in color and b&w. Text in English and Dutch. Designed by Matthew Barney and Gracia Lebbink. With an exhibition checklist, exhibition history and bibliography. This is the lovely catalogue documenting Matthew Barney's 1995 Museum Boymans-van Beuningen exhibition that presented elements of his "Cremaster" 1 and 4, "Facility of INCLINE", "OTTOshaft", "Facility of DECLINE", and "Drawing Restraint 7" series. It was designed by the artist and features several folding plates - perfect for that rowdy yet discerning Al Davis fan in your life. A handsome example in the publisher's printed transparent plastic wraparound band. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 90-6918-148-7 Inventory Number: 014223

(BARNEY, MATTHEW). Spector, Nancy, Neville Wakefield & Matthew Barney. Preface by Thomas Krens. New York: Guggenheim Museum Publications, 2002. First Edition. Stout 4to. Cloth in Vinyl Dust Jacket. Artist Monograph. Fine/Fine. 528pp, profusely illustrated in color and b&w. Designed by J. Abbott Miller and Roy Brooks, Pentagram Design. With an exhibition checklist, exhibition history, bibliography and filmography. Published in conjunction with a comprehensive 2002 exhibition at New York's Solomon R. Guggenheim Museum, this massive catalogue copiously documents the five installments that comprise Matthew Barney's epic film cycle cum opera "The Cremaster Cycle" that were originally presented by the Fondation Cartier Pour L'art Contemporaine, Artangel and Barbara Gladstone Gallery, the Kunsthalle Wien and the Museum fur Gegenwartskunst Basel, Portikus, Frankfurt am Main and Barbara Gladstone Gallery, the Walker Art Center, and the Solomon R. Guggenheim Museum between 1995 and 2002. Beautifully designed and illustrated, it features essays by Nancy Spector and Neville Wakefield, a Cremaster "Glossary", complete production credits, and "Personal Perspectives" from several Cremaster contributors including Ursula Andress, Tony Morgan, Richard Serra, Norman Mailer, and Jonathan Bepler. A bright, most handsome example of the first hardbound printing in the publisher's printed vinyl dust jacket. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-8109-6935-1 Inventory Number: 026877

(BARRY, ROBERT). Barry, Robert. Aachen, GERMANY: Ottenhausen Verlag, 1982. First Edition. Square 8vo. Illustrated Wrappers. Artist's Book. Near Fine.. np (52pp), 6 b&w illustrations. Text in English. This is an understatedly elegant 1982 Robert Barry artist's book that juxtaposes images of an arrangement of branches intermittently amongst the pioneering conceptual practitioner's sparse textual punctuation. A handsome example of this uncommon item showing just a bit of light soiling to the wrappers. 3-922760-06-6 Inventory Number: 018919

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles: Museum of Contemporary Art & RAM Publications, 1995. First Edition. Square 8vo. Pictorial Self-Wrappers. Photography Monograph. Very Good.. 54pp, 25 color illustrations. Designed by Cindy Estes. Published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. An internally most handsome example of the first MoCA edition additionally SIGNED AND DATED "Uta Barth - 1996" in black ink on the title page showing a small indentation to the front cover along with some barely noticeable sunning along the spine. It has been priced accordingly. 0-914357-41-7 Inventory Number: 004353

(BASQUIAT, JEAN-MICHEL). Buchhart, Dieter, Glenn O'Brien, Jean-Louis Prat & Susanne Reichling. Basel, SWITZERLAND & Ostfildern, GERMANY: Fondation Beyeler & Hatje Cantz, 2010. Later Printing. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. lii + 188pp, profusely illustrated in color and b&w. With a chronology. Text in English. "The first African-American artist to attain art superstardom, Jean-Michel Basquiat created a huge oeuvre of drawings and in the space of just eight years. Through his street roots in graffiti, Basquiat helped to establish new possibilities for figurative and expressionistic painting, breaking the white male stranglehold of Conceptual and Minimal art, and foreshadowing, among other tendencies, Germany's Junge Wilde movement. It was not only Basquiat's art but also the details of his biography that made his name legendary - his early years as "Samo" (his graffiti artist moniker), his friendships with Andy Warhol, Keith Haring and Madonna, and his tragically early death from a heroin overdose. This superbly produced retrospective publication assesses Basquiat's luminous career with commentary by, among others, Glenn O'Brien, and one hundred and sixty color reproductions of the work." This is the substantial catalogue published in conjunction with a massive 2011 Jean-Michel Basquiat retrospective exhibition held at Basel's Fondation Beyeler. A brand new, most handsome example of a later printing of the English language hardbound edition. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-7757-2593-8 Inventory Number: 027161

(BASQUIAT, JEAN-MICHEL). Marshall, Richard, Ingrid Sischy & Fred Braithwaite (aka "Fab 5 Freddy"). London: Serpentine Gallery, 1996. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (16pp) + np (6pp), profusely illustrated in color and b&w. Designed by Area. With an exhibition checklist. This is the slender catalogue featuring an essay by Richard Marshall published in conjunction with a posthumous 1996 Serpentine Gallery exhibition of twenty-five works by Jean-Michel Basquiat that subsequently traveled to Malaga. A brand new, most handsome example of this exceedingly uncommon item with the inclusion of the separate eight page booklet of a transcribed reminiscence of the artist between Fred "Fab 5 Freddy" Braithwaite and Ingrid Sischy. Inventory Number: 026324

(BASQUIAT, JEAN-MICHEL). O'Brien, Glenn. Photographs by Edo and Maripol. Tokyo: Petit Grand Publishing, Inc., 2001. First Edition. Large 8vo. Illustrated Boards in Jacket. Film Monograph. Fine/Fine. 112pp, profusely illustrated in color and b&w. Text in English and Japanese. Published only in Japan, this book is a journal of sorts chronicling the making of Edo Bertoglio and Glenn O'Brien's semi-documentary film "Downtown 81", which was twenty years later re-cut and retitled "New York Beat Movie". It stars the then nineteen year old painter/graffiti artist/poet/musician Jean-Michel Basquiat, and features original music by the notorious Vincent Gallo! Other East Village artists, New Wave and No Wave musicians, first-generation hip hop personalities, and scenesters that appear here include Eszter Balint, Victor Bockris, Clem Burke, Marshall Chess, Diego Cortez, August Darnell, Jimmy Destri, DNA, Tav Falco, Fab Five Freddy, Vincent Gallo, Giorgio Gomelsky, Deborah Harry, Kid Creole, Arto Lindsay, John Lurie, Madonna, Maripol, David McDermott & Peter McGough, Ikue Mori, Cookie Mueller, Coati Mundi, Glenn O'Brien, Amos Poe, The Plastics, Lee Quinones, Walter Steding, Tuxedomoon, Chris Stein, Andy Warhol, and James White and the Blacks! A brand new, most handsome example of the uncommon 2008 Petit Grand first - and only - edition in the publisher's printed obi, as issued. 4-939102-22-X Inventory Number: 027159

(BASQUIAT, JEAN-MICHEL). Sirmans, Franklin. West Hills, CA: David DeSanctis Contemporary Art, 2005. First Edition 1/1000. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 32pp, 14 color and 4 b&w illustrations + cover. Designed by Hanna Alderfer of HHA Design. With an annotated chronology. This is the slender yet elegant catalogue produced as the prospectus for the second, 2005 estate-authorized portfolio of four hand-pulled limited screenprints based on four of Jean-Michel Basquiat's favorite paintings that he refused to sell during his lifetime. A brand new, most handsome example of this uncommon item limited to one thousand unnumbered copies. 0-971-2924-0-X Inventory Number: 027160

(BASQUIAT, JEAN-MICHEL) (TWOMBLY, CY). Pellizzi, Francisco. Los Angeles: Michael Kohn Gallery, 2004. First Edition. 4to. Printed Wrappers. Artists Monograph. Fine.. np (36pp), 20 color illustrations. This is the slender yet elegant catalogue produced in conjunction with a 2004 gallery exhibition of drawings and paintings by Cy Twombly and Jean-Michel Basquiat. Each of the twenty works shown - five by Twombly, fifteen by Basquiat - is illustrated. A brand new most handsome example. 1-880086-14-X Inventory Number: 027199

(BASQUIAT, JEAN-MICHEL) (WARHOL, ANDY). Als, Hilton. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artists Monograph. Fine.. np (36pp), 24 color and 1 b&w illustration. Designed by Bruce Mau Design, Inc. This is the slender yet elegant catalogue produced in conjunction with a 2002 Gagosian Gallery New York exhibition of twenty-four of the collaborative paintings produced by Andy Warhol and Jean-Michel Basquiat during 1984 and 1985. A most handsome example of this uncommon item. 1-880154-78-1 Inventory Number: 026264

(BAUMGARTEN, LOTHAR). Baumgarten, Lothar & Thomas Wagner. Dusseldorf, GERMANY: Richter Verlag, 1997. First Edition 1/650 Deluxe. Small Folio. Illustrated Wrappers. Artist Monograph. Near Fine.. 70pp, profusely illustrated in color and b&w. Text in German. This nicely designed and illustrated Lothar Baumgarten monograph copiously documents three early nineties German Museum installations by the artist. From the deluxe limited signed edition of six-hundred and fifty copies (of one thousand total), this is SIGNED AND NUMBERED by Baumgarten in pencil on the colophon at the rear, as issued. A most handsome copy. 3-928762-80-X Inventory Number: 011817

(BAZAINE, JEAN) (DERRIERE LE MIROIR). Bazaine, Jean & Marcel Arland. Paris: Maeght Editeur, 1953. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. np (8pp), 2 color and 4 b&w illustrations. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Jean Bazaine's 1953 exhibition of paintings. It contains two color lithographs (the front cover, and one massive four page spread), and four additional illustrations. A most presentable example showing a bit of wear and a single closed tear along the extremities. It has been priced accordingly. Inventory Number: 023559

(BEARDEN, ROMARE). M(iller)-K(eller), Andrea. Hartford, CT: Wadsworth Atheneum, 1975. First Edition. 8vo. Printed Wrappers. Artist Monograph. Fine.. np (4pp), 1 b&w illustration. With an exhibition checklist, exhibition history and bibliography. This is the slender four page brochure published in conjunction with a 1975 exhibition of six collages by the venerable African-American artist Romare Bearden held at Hartford's Wadsworth Atheneum. A most handsome copy of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 026736

(BENJAMIN, KARL). Muchnic, Suzanne. West Hollywood, CA: Louis Stern Fine Arts, 2011. First Edition. 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. 0-9837871-0-7 Inventory Number: 022221

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). L.A. Louver Gallery. Venice, CA: L.A. Louver Gallery, 1988. First Edition. 8vo. Pictorial Wrappers. Exhibition Announcement. Fine.. One 8 ½ x 11" cardstock sheet printed in color offset recto and verso, machine-folded half to make 4pp, 2 color illustrations. This is the slender announcement published in conjunction with a 1988 L.A. Louver Gallery exhibition of works by Wallace Berman. A brand new, most handsome example of this uncommon ephemeral item that is the only printed documentation of the event. Inventory Number: 027343

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERMAN, WALLACE) (SEMINA). Berman, Wallace & George Herms. Venice, CA: Love Press (George Herms), 1992. First Edition Thus #34/300. Small 4to. Loose Booklets in a Box. Artists' Books. As New./No Jackets - As Issued.. np, nine individual facsimile reproductions of "Semina" magazine plus a loose colophon laid into a box. Truly a labor of Love, this meticulous facsimile recreation of Wallace Berman's legendary - and legendarily scarce - handmade literary and art anthology from the late '50s through early '60s took four years to bring to fruition. Its stellar list of Beat-inflected contributors include Berman first and foremost, along with John Altoon, Antonin Arthaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, John Weiners, and many others. This edition has been painstakingly printed and assembled in the manner of the originals utilizing handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman's close friend and fellow assemblage artist George Herms at his Love Press. A brand new, most handsome example of the extraordinary 1992 facsimile reprint authorized by Wallace Berman's family limited to three hundred copies NUMBERED (34/300) AND SIGNED by George Herms on the colophon, laid into the publisher's printed chipboard box, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027156

(BERTOIA, HARRY) Edited by Jed Morse and Marin R. Sullivan. Scheidegger and Spiess, I00220322, 2022. 10 x 11 inches, 224 Pages. Hard Cover. New/No Jacket - As Issued.

An extraordinary artist and designer: a fresh view of Harry Bertoia’s entire body of work.

Italian-born American Harry Bertoia (1915–78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal.

Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and features important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture—and what Bertoia’s sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now. 9783858818621 Inventory Number: I00220322

(BEUYS, JOSEPH). Beuys, Joseph. Munchen, GERMANY: Verlag Schellmann & Kluser, 1976. First Edition 1/500 Deluxe. 4to. Wrappers in Printed Jacket. Artist Monograph. Near Fine./Fine.. np (186pp), 90 color illustrations. "A Series of 90 Paintings..." documents Joseph Beuys' body of work subtitled "2 Schafskopfe (Loch)" issued as "unique multiples" by Verlag Schellmann & Kluser in 1976. Painted between 1961 and 1975, these abstracted images of two sheep heads were executed in oil paint and butter on a sheet of BFK Rives paper that had a circular hole torn from it. Each is reproduced here photomechanically as an individual full page blueprint and bound in wrappers. A bright white, most handsome example of this uncommon item limited to five hundred copies SIGNED "Joseph Beuys" in pencil on the title page and NUMBERED by stamp (162/500) in black ink on the rear free endpaper, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022234

(BEUYS, JOSEPH). Beuys, Joseph. London: Anthony d'Offay Gallery, 1981. First Edition 1/250 Deluxe. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. np (48pp), 123 duotone illustrations. This is the catalogue published in conjunction with a 1981 exhibition of a 1975 series of Joseph Beuys drawings on calendar pages entitled "Words Which Can Hear" held at London's Anthony D'Offay Gallery. A pristine example of the uncommon deluxe hardbound edition limited to two hundred and fifty copies BOLDLY NUMBERED AND SIGNED by Joseph Beuys in brown ink at the rear, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019917

(BEUYS, JOSEPH). de Vree, Paul & Sarenco, Editors. Brescia, ITALY: Lotta Poetica, 1975. First Edition. 4to. Stapled Pictorial Wrappers. Periodical. Fine.. np (24pp), 23 b&w illustrations + b&w cover. Text in Italian. Cover Designed by Joseph Beuys, This forty-sixth installment of Paul de Vree's prescient seventies art and literature periodical "Lotta Poetica" (Poetry War) is a special monographic issue devoted to Joseph Beuys. It features a cover and title page designed by the artist that is accompanied by Caroline Tisdall's photographic documentation of the 1974 piece "Three Pots Action in the Poor House". A bright, most handsome example additionally BOLDLY SIGNED "Joseph Beuys" in pencil on the front cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019826