Arcana:

(ARTSCHWAGER, RICHARD). Relyea, Lane. New York: Gagosian Gallery, 2002. First Edition. 4to. Debossed Boards in Slipcase. Artist Monograph. Fine/No Jackets - As Issued. np (36 + 16 + 58pp, profusely illustrated in color. Designed by Bruce Mau Design Inc. This is the beautifully appointed three volume catalogue published in conjunction with a 2002 Richard Artschwager exhibition of recent wall works of rubberized hair along with photographically-based floor sculptures held at New York's Gagosian Gallery. A brand new, most handsome example in the publisher's debossed chipboard slipcase, as issued. 1-880154-73-0 Inventory Number: 021120

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A most handsome example additionally bearing the SIGNED AND DATED PRESENTATION "For ... D.A. 22/07/2000" in black ink on the title page to a noted Los Angeles gallerist. 0-920089-52-6 Inventory Number: 024667

(ASKEVOLD, DAVID). Askevold, David, Mike Kelley, Cliff Eyland, Terry Graff & Petra Rigby Watson. Charlottetown, CANADA: Confederation Art Centre Gallery & Museum, 1998. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 88pp, profusely illustrated in color and b&w. Text in English. With an exhibition checklist, bibliography, exhibition history and collections listing. Published in 1998 as documentation of a 1995 Canadian Museum retrospective, this comprehensive catalogue on the photographic-based art and video work of David Askevold features contributions by friend and frequent collaborator Mike Kelley, Cliff Eyland, Terry Graff, Petra Rigby Watson, and Askevold himself. A handsome example showing a bit of curling to the textblock at the foredge tips. 0-920089-52-6 Inventory Number: 024666

(AY-O). Ay-O. Tokyo: Minami Gallery, 1973. First Edition 1/500. 4to. Stapled Printed Wrappers. Catalogue Raisonné. Good +.. np (16pp), 99 b&w and 36 color illustrations. Text in English and Japanese. With a chronology and exhibition history. This is the slender sixteen page catalogue issued in conjunction with a 1973 exhibition of new prints by the Japanese-born, New York-based Fluxus artist Ay-O at his longtime Tokyo gallery. It features a full catalogue raisonné of his graphic work created between 1965 and 1973 along with a tipped-in 9 x 7 ¾" silver-gelatin photographic print of the artist smoking a pipe that has been SIGNED "Ay-O" in English below on the catalogue page. A most presentable example of this uncommon item limited to five hundred unnumbered copies showing some light overall wear and soiling, browning to the rear cover, and a tiny diagonal soft crease through the upper foredge corner that bears the discreet previous ownership stamp of Ay-O's friend and noted artist Sam Francis - who also was represented by Minami Gallery - on the inside rear cover. Inventory Number: 018649

(AY-O). Ay-O. Tokyo, JAPAN: Minami Gallery, 1977. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (6pp), 2 color and 2 b&w illustrations. Text in English and Japanese. With a chronology and exhibition history. This is the slender six page catalogue issued in conjunction with a 1977 exhibition of new paintings by the Japanese-born, New York-based Fluxus artist Ay-O at his longtime Tokyo gallery. A most presentable example of this uncommon item showing some light overall wear and soiling and a slight diagonal soft crease through the upper foredge that bears the discreet previous ownership stamp of noted artist Sam Francis - who also was represented by Minami Gallery - on the inside rear cover. Inventory Number: 018648

(BACON, FRANCIS). Sylvester, David & Francis Bacon. New York: Pantheon Books, 1975. First American Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Fine. 128pp, 94 b&w illustrations + color cover. Originally issued in 1975, this landmark volume of David Sylvester's transcribed interviews with Francis Bacon is notable for the length, detail, and frankness in which the late, great artist discusses his history, influences, and working methods. A most handsome example of the hardbound Pantheon Books first American edition of this oft-reprinted document additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Donald / With My Affection / Francis Bacon / New York 15/3/75" in the year of publication in blue marker on the front pastedown showing some trivial brown spotting along the top and foredge. While this supposition cannot be confirmed, we are of the mind that given the warm inscription dating from the week the artist was in New York for the opening of his Marlborough Gallery-assisted exhibition at The Metropolitan Museum of Art, this originated from the library of Donald McKinney - the vice-president for seventeen years of Bacon's longtime New York dealers. 0-394-49763-5 Inventory Number: 024529

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. A most presentable example of this fragile, uncommon item showing some light soiling, wear, and creasing to its off-white covers along with some diagonal soft creases and a bit of dog-earing through one of the foredge corners of the textblock. It has been priced accordingly. 0-902063-10-3 Inventory Number: 025112

(BALDESSARI, JOHN). Baldessari, John. London: Studio International Publications, Ltd., 1972. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (24pp), 12 b&w illustrations. Text in English, French, German and Italian. In a protective acetate dustwrapper. Published in 1971 by forward-thinking British art periodical Studio International, "Ingres and Other Parables" is pioneering Conceptual practitioner John Baldessari's very first artist book. It takes the form of a hole-punched hanging wall calendar that reproduces a stock photograph accompanied by a wry art world-related parable - with moral - in four languages for each month of the year. An internally most handsome example of this fragile, uncommon item that was exhibited as part of the Whitney Museum and Museum of Contemporary Art, Los Angeles' 1990 traveling retrospective showing some mild soiling, creasing, and a bit of foxing to its off-white covers along with a diagonal soft crease through one of the foredge corners of the textblock. 0-902063-10-3 Inventory Number: 025111

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item additionally BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. Inventory Number: 023142

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. As New.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A brand new, pristine example of this uncommon item showing none of the sunning to the covers typically seen with this title. It was acquired directly from the former Art Gallery of the University of California, Irvine director (and editor of this publication) Hal Glicksman who has discreetly SIGNED the rear colophon in pencil. Inventory Number: 023141

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304

(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (28pp), 15 b&w illustrations. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A bright, most handsome copy showing a thin margin of barely perceptible sunning to the length of the spine. Inventory Number: 020629

(BALDESSARI, JOHN). Baldessari, John. Gent, BELGIUM: Imschoot, Uitgevers for IC, 1988. First Edition. 8vo. Pictorial Wrappers. Artist's Book. Near Fine.. np (62pp), 43 b&w illustrations + color cover. "The Telephone Book (with Pearls)" is a typically wry John Baldessari artist's book from 1988 composed of cropped and obscured movie stills inhabited by either telephones, or pearls... A most handsome example of the first edition additionally bearing the BOLDLY SIGNED PRESENTATION "For ... John Baldessari" in black ink across the half title page. 90-72181-07-2 Inventory Number: 019906

(BALDESSARI, JOHN). Baldessari, John, Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, Gertrud Koch, Christopher Williams & Ann Goldstein. Koln, GERMANY & Graz, AUSTRIA: Verlag Der Buchhandlung Walther Konig & Kunsthaus Graz, 2005. First Edition. 4to. Wrappers in Plastic Jacket. Artist Monograph. Fine./Fine.. 240pp, profusely illustrated in b&w and color. Text in English and German. With an exhibition checklist, bibliography and exhibition history. This is the comprehensive catalogue published in conjunction with a 2005 Kunsthaus Graz exhibition surveying the primarily photographically based conceptual work of John Baldessari created between 1984 and 2004. It includes essays by Peter Pakesch, Adam Budak, Klaus Hoffer, Hans Dieter Huber, and Gertrud Koch as well as a transcribed conversation with the artist by Christopher Williams and Ann Goldstein. A brand new, pristine example of this uncommon document in the publisher's printed translucent vinyl jacket, as issued. 3-88375-937-6 Inventory Number: 021880

(BALDESSARI, JOHN). Bois, Yve-Alain, Christopher Knight & John Baldessari. Pardo, Patrick & Robert Dean, Editors. New Haven, CT: Yale University Press, 2012. First Edition. 4to. Printed Boards in Slipcase. Catalogue Raisonné. Fine/No Jacket - As Issued. 462pp, profusely illustrated in color and b&w. Designed by Simon Johnston Design. With a chronology, exhibition history, bibliography, and filmography. Covering the years 1956 through 1974, this is the lavishly produced first volume of the catalogue raisonné of the works of noted Los Angeles-based conceptual practitioner John Baldessari. Impeccably designed and copiously illustrated, it features an essay by Yve-Alain Bois, a transcribed interview with the artist by Christopher Knight, and copious documentation of all aspects of Baldessari's influential and prolific career. A brand new, most handsome example in the publisher's printed slipcase additionally BOLDLY SIGNED "BALDESSARI" in black ink on the half title page. 0-300-17448-9 Inventory Number: 024968

(BALDESSARI, JOHN). Sterne, Laurence, Melvyn New & John Baldessari. San Francisco: Arion Press, 1988. First Edition 1/400. Stout 8vo. Full Leather in Slipcase. Livre D'Artiste. Fine/No Jackets - As Issued. 624 + 46 + np, profusely illustrated in color and b&w. This twenty-sixth publication of Andrew Hoyem's esteemed Arion Press is a beautifully constructed and executed hand-letterpress reprinting of Lawrence Sterne's classic of English literature, "The Life and Opinions of Tristram Shandy, Gentleman" that has been newly-illustrated by the noted Conceptual artist John Baldessari. Remaining faithful to the delightful typographic eccentricities and variant spellings of Sterne's own self-published editions from the 1760s, the main text of the novel has been set in Caslon Old Style - the typeface utilized by Sterne for the original printings - and bound in a single, substantial three-quarter green goatskin over lovely hand-marbled boards volume. This is accompanied by literary scholar Melvyn New's informative forty-six page essay "Lawrence Sterne and Tristram Shandy" separately bound in boards. The crowning achievement of this ambitious undertaking however is the third volume which contains John Baldessari's wry visual commentary of photo-collaged and altered found photographs and film stills in the form of a lengthy accordion-fold leporello that is anchored between green gilt-stamped boards. The three volumes are housed in a gilt-stamped green paper over board slipcase along with the additional Arion Press pre-publication prospectus laid in. A brand new, most handsome example of standard edition of this exquisite, uncommon item limited to four hundred unnumbered copies BOLDLY SIGNED "John Baldessari" in pencil on the colophon of illustrated volume, as issued. Inventory Number: 025136

(BANKSY). Leverton, Marc. London: Carpet Bombing Culture, 2011. First Edition. 12mo. Printed Wrappers. Artist Monograph. As New.. 96pp, profusely illustrated in color. Designed by Nick Law. "No single living artist has created as many myths, rumours and legends as Banksy. In his home town of Bristol, almost everyone seems to have a Banksy story. Many of the tales in this book are from Bristol, some are from further afield. What they share is that they are all told with the wide eyed wonder which Banksy inspires. Compiled between 2009 and 2011, some of these stories are quite old and have been told so many times they have become the stuff of legend, while others are more questionable and can best be described as myths. Some are laugh out loud bollocks and others are simply gossip. You be the judge". A brand new, pristine example of the 2011 first edition of this well-illustrated, charming little gem. 1-908211-01-6 Inventory Number: 023043

(BARNEY, MATTHEW). Barney, Matthew, Neville Wakefield & Richard Flood. Karel Schampers, Editor. Rotterdam, THE NETHERLANDS & Ostfildern, GERMANY: Museum Boymans-van-Beuningen & Cantz Verlag, 1995. First Edition 1/2500. 8vo. Wrappers in Plastic Sleeve. Artist Monograph. Near Fine./No Jacket - As Issued.. 92pp, profusely illustrated in color and b&w. Text in English and Dutch. Designed by Matthew Barney and Gracia Lebbink. With an exhibition checklist, exhibition history and bibliography. This is the lovely catalogue documenting Matthew Barney's 1995 Museum Boymans-van Beuningen exhibition that presented elements of his "Cremaster" 1 and 4, "Facility of INCLINE", "OTTOshaft", "Facility of DECLINE", and "Drawing Restraint 7" series. It was designed by the artist and features several folding plates - perfect for that rowdy yet discerning Al Davis fan in your life. A handsome example in the publisher's printed transparent plastic wraparound band. 90-6918-148-7 Inventory Number: 014223

(BARRY, ROBERT). Barry, Robert. Aachen, GERMANY: Ottenhausen Verlag, 1982. First Edition. Square 8vo. Illustrated Wrappers. Artist's Book. Near Fine.. np (52pp), 6 b&w illustrations. Text in English. This is an understatedly elegant 1982 Robert Barry artist's book that juxtaposes images of an arrangement of branches intermittently amongst the pioneering conceptual practitioner's sparse textual punctuation. A handsome example of this uncommon item showing just a bit of light soiling to the wrappers. 3-922760-06-6 Inventory Number: 018919

(BARTH, UTA). Conkelton, Sheryl, Russell Ferguson & Timothy Martin. Seattle, WA & New York: The Henry Art Gallery & Distributed Art Publishers, 2000. First Edition. 4to. Pictorial Boards. Photography Monograph. Fine./No Jacket - As Issued. 176pp, profusely illustrated in color throughout. Published in conjunction with a 2002 Henry Art Gallery retrospective, this major monograph on Los Angeles-based artist/photographer Uta Barth is designed much like an artist's book - its text intertwined amongst Barth's diffuse, sensuous images of the late 20th Century man-made environment. A brand new, most handsome example additionally SIGNED "Uta Barth" in black marker on the first preliminary. 0-935558-37-3 Inventory Number: 017127

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Edition Thus 1/100 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example of the uncommon deluxe hardbound, slipcased edition limited to one hundred copies NUMBERED (10/100), SIGNED, AND DATED by Uta Barth in black ink on the title page, still in the publisher's original plastic wrapping, as issued. 0-9713681-0-4 Inventory Number: 024361

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. First Thus 1/45 Deluxe. Square 8vo. Pictorial Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. Limited to forty-five copies only, this example is from the ultra-deluxe hardbound, slipcased edition NUMBERED (9/45), SIGNED, AND DATED by Uta Barth in black ink on the title page, as issued, that includes a SIGNED AND DATED 9 ¼ x 8 ½" color print entitled "Ground (02.1)" mounted on one inch deep plywood backing. A brand new, pristine example of this uncommon item still in the publisher's original plastic wrapping. 0-9713681-0-4 Inventory Number: 024084

(BARTH, UTA). Smith, Elizabeth A.T.. Los Angeles. 1995 (2002).: Museum of Contemporary Art & St. Ann's Press. Second Edition (First Thus) 1/1800. 8vo. Pictorial Self-Wrappers. Photography Monograph. As New.. 54pp, 25 color illustrations. Designed by Paul McMenamin. Originally published in conjunction with her 1995 solo exhibition at Los Angeles' Museum of Contemporary Art, Uta Barth's first publication gorgeously illustrates the artist's then-current body of work. Its hazy color photographs of indistinct residential settings and domestic details are mysteriously evocative and suggestive of great meaning. In 2002, the extraordinary St. Ann's Press produced in collaboration with the artist this new edition of her unavailable catalogue featuring a different cover photograph, and color images for the text illustrations previously reproduced in black and white. A brand new, pristine example additionally SIGNED AND DATED "Uta Barth" in black ink on the front free endpaper. 0-9713681-0-4 Inventory Number: 017401

(BASELITZ, GEORG). Baselitz, Georg & Achille Bonito Oliva. New York: Gagosian Gallery, 2008. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 78pp, profusely illustrated in color and b&w. Designed by Studio Blackwell. With an exhibition checklist. This is the hardbound catalogue published in conjunction with a 2008 Gagosian Gallery New York exhibition of paintings on canvas and works on paper from venerable German artist Georg Baselitz entitled "La Grande Notte in Bianco". A brand new, most handsome example. 1-932598-79-0 Inventory Number: 023866

(BASELITZ, GEORG). Lloyd, Jill. New York: Gagosian Gallery, 2007. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 72pp, profusely illustrated in color and b&w. Designed by Dan Miller Design. With an exhibition checklist and biography. This is the hardbound catalogue published in conjunction with a 2007 Gagosian Gallery New York exhibition of sixteen large format works on canvas by renowned German artist Georg Baselitz entitled "Remix Paintings". These are newly created, blown up reworkings of images originally painted in the 1960s. A pristine copy still in the publisher's shrinkwrap. 1-932598-58-8 Inventory Number: 015958

(BASS, SAUL). Klein, Leonore & Saul Bass. New York: Young Scott Books, 1962. First Edition. 4to. Illustrated Boards in Jacket. Illustrated Children's Book. Fine/Good +. np (48pp), profusely illustrated in color. Designed by Saul Bass. Published in 1962, "Henri's Walk to Paris" is a charming, visually captivating collaboration between author Leonore Klein and renowned graphic designer and film title artist extraordinaire Saul Bass aimed toward the younger reader. An internally tight, most handsome example of the exceedingly uncommon 1962 first Young Scott Books edition showing some soiling, closed tears, and a few indentations to its otherwise bright dust jacket with a tri-fold "Greetings From Saul Bass & Associates" card with a color illustration by Bass printed on heavy textured stock to which the firm's address has been added in ink laid in. Inventory Number: 025054

(BAUMGARTEN, LOTHAR). Baumgarten, Lothar & Thomas Wagner. Dusseldorf, GERMANY: Richter Verlag, 1997. First Edition 1/650 Deluxe. Small Folio. Illustrated Wrappers. Artist Monograph. Near Fine.. 70pp, profusely illustrated in color and b&w. Text in German. This nicely designed and illustrated Lothar Baumgarten monograph copiously documents three early nineties German Museum installations by the artist. From the deluxe limited signed edition of six-hundred and fifty copies (of one thousand total), this is SIGNED AND NUMBERED by Baumgarten in pencil on the colophon at the rear, as issued. A most handsome copy. 3-928762-80-X Inventory Number: 011817

(BAZAINE, JEAN) (DERRIERE LE MIROIR). Bazaine, Jean & Marcel Arland. Paris: Maeght Editeur, 1953. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. np (8pp), 2 color and 4 b&w illustrations. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Jean Bazaine's 1953 exhibition of paintings. It contains two color lithographs (the front cover, and one massive four page spread), and four additional illustrations. A most presentable example showing a bit of wear and a single closed tear along the extremities. It has been priced accordingly. Inventory Number: 023559

(BENGSTON, BILLY AL). Donoghue, Mary Agnes. Hans Neuendorf, Editor. Frankfurt AM Main & Esslingen, GERMANY: Galerie Neuendorf & Edition Cantz, 2019. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. PLEASE NOTE: Mr. Bengston will sign copies of "Paintings & Watercolors" at our event on Saturday, September 7th. Orders will begin shipping on Tuesday, September 10th. If you would like to collect your copy at the shop and not pay for shipping, please use the code PICKUP10 at checkout.

368pp, profusely illustrated in color and b&w. With a chronology, exhibition history, bibliography, and collections listing.

For more than sixty years Billy Al Bengston has been an innovative and integral part of the Southern California cultural scene. A member of the original group of Los Angeles artists to exhibit at Ferus Gallery, Mr. Bengston has made a name for himself over the decades in the varied worlds of contemporary art, surfing, and dirt-track motorcycle racing. From his early Dentos and Finish / Fetish pieces to delicate watercolors of Dracula Orchids and beyond, his work remains remarkably vibrant and ever-inventive. He has been the subject of several major museum retrospectives, but until now there has never been a single comprehensive book to fully do justice to his prolific body of work. At long last, from Neuendorf Gallery comes that tome - Billy Al Bengston: Paintings & Watercolors! Weighing in at five pounds, this lavishly illustrated hardbound volume illustrates hundreds of works spanning 1957 through 2016. A brand new, most handsome example of this comprehensive monograph additionally BOLDLY SIGNED by the artist. 978-3947563395 Inventory Number: E000BABP&W

(BENJAMIN, KARL). Frank, Peter. Preface by Roland Reiss. Santa Monica, CA & New York: Ruth Bachofner Gallery & Snyder Fine Art, 1991. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine.. np (36pp), 10 color illustrations. With a biography, exhibition history and bibliography. This is this the catalogue published in conjunction with a 1991 Santa Monica gallery exhibition of abstract works by Karl Benjamin spanning the years 1955 to 1990 that subsequently traveled to New York. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example of this uncommon item with the publisher's errata slip laid in. Inventory Number: 022223

(BENJAMIN, KARL). Muchnic, Suzanne. West Hollywood, CA: Louis Stern Fine Arts, 2011. First Edition. 4to. Illustrated Boards. Artist Monograph. Fine/No Jacket - As Issued. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. 0-9837871-0-7 Inventory Number: 022221

(BENJAMIN, KARL). Nelson, Harold B.. West Hollywood, CA: Louis Stern Fine Arts, 2004. First Edition 1/5000. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 46pp, 26 color illustrations. With an exhibition history, bibliography and collections listing. This is this the catalogue published in conjunction with the 2004 gallery exhibition of twenty-six abstract works by Karl Benjamin spanning the years 1950 to 1965. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most handsome example. 0-9749421-0-3 Inventory Number: 022222

(BENJAMIN, KARL). Schipper, Merle. Malibu, CA: Art Gallery, Seaver College, Pepperdine University, 1981. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist Monograph. Very Good.. np (20pp), 6 color illustrations. With a biography, exhibition checklist and exhibition history. This is this the slender twenty page catalogue published in conjunction with a 1981 Pepperdine University exhibition of thirteen abstract paintings executed by Karl Benjamin between 1956 and 1959. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A most presentable example of this uncommon item showing a bit of sunning to the wrappers along with the artist's phone numbers annotated in ink at the rear. Inventory Number: 022661

(BENJAMIN, KARL). Stern, Louis & Dave Hickey. West Hollywood, CA: Louis Stern Fine Arts, 2007. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 124pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. Published in conjunction with a 2007 gallery exhibition of fifty-one abstract works spanning the years 1954 to 1995, this beautifully designed and illustrated hardbound catalogue is the most comprehensive document to date on the late Los Angeles artist Karl Benjamin - who along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson comprised the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, pristine example still in the publisher's shrinkwrap. 0-9749421-7-0 Inventory Number: 022923

(BERMAN, WALLACE) (CATERPILLAR). Eshleman, Clayton. Sherman Oaks, CA: Clayton Eshleman, 1971. First Edition. 12mo. Illustrated Wrappers. Literary Journal. Near Fine.. 128pp, 12 b&w illustrations. Cover Design by Wallace Berman. This seventeenth installment of Clayton Eshleman's literary magazine "Caterpillar" features textual contributions by Philip Lamantia, Robert Kelly, Theodore Enslin, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Eshleman, and Gary Snyder; and most notably a front cover artwork by Wallace Berman. A most handsome example of this uncommon item showing a bit of mild soiling and age-toning to the rear cover. Inventory Number: 025337

(BERMAN, WALLACE). Herms, George. Los Angeles: Timothea Stewart Gallery, 1977. First Edition. Folio. Printed Wrappers. Artist Monograph. Near Fine.. np (4pp), no illustrations. With an exhibition checklist, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the slender, oversized four page brochure cum catalogue published in conjunction with a 1977 exhibition of seventy-three works by Wallace Berman. Held at the Timothea Stewart Gallery on La Cienega the year after the legendary Los Angeles beat artist's untimely passing, it features a brief essay by Berman's close friend and colleague George Herms. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025336

(BERMAN, WALLACE). McKenna, Kristine & David Meltzer. London: Camden Arts Centre, 2008. First Edition. 8vo. Stapled Pictorial Wrappers. Artist Monograph. As New.. np (12pp), 5 color illustrations + b&w covers. This is the slender twelve page brochure published in conjunction with a 2008 British exhibition of works by the legendary Los Angeles beat artist entitled "All is Personal: The Art of Wallace Berman". It features an essay by Kristine McKenna along with a brief text by poet David Meltzer. A brand new, most handsome example of this uncommon ephemeral item (number thirty-four in the Camden Arts Centre's "file notes" series) that was the only printed documentation of the event. Inventory Number: 023737

(BERMAN, WALLACE) (PRINCE, RICHARD). McKenna, Kristine & Richard Prince. Introduction by Michael Kohn. Los Angeles: Michael Kohn Gallery, 2009. First Edition. Oblong 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 112pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office. With an exhibition checklist. "The use of heterosexual pornography or soft erotica in collage and assemblage is often all too uncritical, but for a few of the California artists who came of age in the early 1950s, Wallace Berman for example, its applications were much more nuanced. This approach to "girlie magazine" imagery and its polar opposite - the impulse to decommodify sexuality - can both be found in the photographs, paintings and books of Richard Prince, an artist whose fondness for the era of Berman is well-known. "She" traces these overlaps and sympathies with reproductions of previously unseen works by Berman and new images from Prince's "Girlfriends" and "de Kooning" series. Also included is an interview with Prince and editor Kristine McKenna, whose ongoing work on Wallace Berman and his contemporaries continues to yield exciting discoveries". A brand new, pristine example (catalogue entry 59 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of this beautiful hardbound catalogue published in conjunction with a 2009 Los Angeles gallery exhibition still in the publisher's shrinkwrap. 1-880086-20-4 Inventory Number: 021100

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BERMAN, WALLACE) (SEMINA). McKenna, Kristine, Michael Duncan, Stephen Fredman & Raymond Foye. Foreword by Elsa Longhauser. New York & Santa Monica, CA: D.A.P. (Distributed Art Publishers) & Santa Monica Museum of Art, 2005. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 384pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Stuart Smith, Green Dragon Office. With a chronology and exhibition checklist. "The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of "Semina Culture: Wallace Berman & His Circle", the hardbound catalogue to a traveling exhibition organized by the Santa Monica Museum of Art including previously unexhibited works by fifty-two artists. Anchoring this publication is "Semina", a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, it was a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reproduced here are works by various artists and writers who appear in Berman's own photographs - many of which were recently developed from vintage negatives and will be seen here for the first time. Edited by Michael Duncan and Kristine McKenna, it includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan". A brand new, pristine example of the uncommon 2005 first edition of this beautifully designed, extraordinary document still in the publisher's shrinkwrap. 1-933045-10-8 Inventory Number: 023223