Arcana:

(MISRACH, RICHARD). Misrach, Richard & Myriam Weisang Misrach. Baltimore, MD: Johns Hopkins University Press (Creating the North American Landscape), 1990. Oblong 4to. Pictorial Wrappers. Photography Monograph. Fine.. 136pp, profusely illustrated in color and b&w. Designed by Lisa Miriski. With a bibliography. Published in conjunction with a 1999 traveling exhibition, this beautiful catalogue is the documentation of Richard and Myriam Weisang Misrach's proposal to turn the illegal Nevada bombing range known as "Bravo 20" into a National Park. Using the unique strategy of filing a mining claim to allow access to a section of the range, the photographer spent eighteen months capturing the devastated, bomb-cratered desert wasteland in a series of striking, often disquieting images. A brand new, most handsome example (cited on page 33 of "From Fair to Fine 3") additionally BOLDLY SIGNED "Richard Misrach" and "Myriam Wiesang Misrach" in black ink on the half title page. 0-8018-4065-1 Inventory Number: 027365

(BLOOM, BARBARA). Bloom, Barbara. Los Angeles: Foundation for Art Resources, Inc. (FAR), 1981. First Edition. Printed Poster. Artist's Multiple. Very Good.. One 30 ½ x 21 ¾" poster printed color offset recto only, flat and unmailed. This is the limited edition poster/artwork produced as part of Barbara Bloom's 1981 piece entitled "The Diamond Lane" - a supposed feature-length film written and directed by the artist with music by Peter Gordon that starred Eric Fischl, Susan Davis, Marianne deGraaf, and Cees van Hoorn. There was however no full-length film, only a psychologically fraught five-minute "trailer" (produced with the assistance of a Dutch governmental grant) and a small print-run of one-sheet posters to be used for publicity purposes. In 1981, Los Angeles' conceptually-based Foundation for Art Resources, Inc. rented time in several local theatres to show the trailer amongst actual studio coming attractions while displaying the posters in their lobbies. The idea seemed to be that the anticipation created in a few random viewers would never be fulfilled, thus potentially spawning individual mythologies about the fictional movie based on the fragments they had observed in the theatre... Needless to say, if you blinked, you missed this one, and this poster designed by Ms. Bloom is the remaining documentation of the artwork/event. A most handsome, still flat example of this uncommon artist's multiple (documented on page 147 of New York's International Center for Photography's 2007 publication "The Collections of Barbara Bloom" ) that has been neither folded nor hung, showing some mild handling marks and crinkling along the length of one of its edges. Inventory Number: 027356

(POLIDORI, ROBERT). Polidori, Robert & Elizabeth Culbert. Gottingen, GERMANY: Steidl, 2003. First Edition. Oblong Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Near Fine. 112pp, 190 color illustrations. Text in English. Designed by Robert Polidori, Elizabeth Culbert and Gerhard Steidl. The first of many collaborations over the past twenty years between Robert Polidori and master printer and publisher Gerhard Steidl resulted in 2001’s "Havana" - a hauntingly beautiful investigation of the decaying beauty surrounding a vibrant people. Their second book together - "Zones of Exclusion" - shares the same large format, this time documenting the abandoned Chernobyl Nuclear Reactors’ and the permanently evacuated area surrounding the 1986 Russian Nuclear Power Plant disaster. Here too, decay looms everywhere, where over 100,000 people once lived and worked. Now an uninhabitable graveyard, Polidori’s subdued palette brings to life this wasteland littered with everything that couldn’t be removed in an instant. One can only marvel at what it must have taken both physically and emotionally for the photographer to capture these scenes of desolation. A bright, most handsome example (cited on page 99 of "From Fair to Fine 2") of this thought-provoking tome. 3-88243-921-1 Inventory Number: 027351

Keller, Judith. Malibu, CA: The J. Paul Getty Museum, 1991. First Edition. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochure. Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany "Neither Speech Nor Language: Photography and the Written Word"; a 1991 exhibition of vintage prints by Horatio B. King, Weegee, Aaron Siskind, Man Ray and Walker Evans drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 027346

(BERMAN, WALLACE). L.A. Louver Gallery. Venice, CA: L.A. Louver Gallery, 1988. First Edition. 8vo. Pictorial Wrappers. Exhibition Announcement. Fine.. One 8 ½ x 11" cardstock sheet printed in color offset recto and verso, machine-folded half to make 4pp, 2 color illustrations. This is the slender announcement published in conjunction with a 1988 L.A. Louver Gallery exhibition of works by Wallace Berman. A brand new, most handsome example of this uncommon ephemeral item that is the only printed documentation of the event. Inventory Number: 027343

(DE KOONING, WILLEM). Inge, William. Beverly Hills, CA: Paul Kantor Gallery, 1965. First Edition. 8vo. Stapled Wrappers in Jacket. Artist Monograph. Fine./Very Good.. np (28pp), 8 color and 8 b&w illustrations. This is the lovely catalogue published in conjunction with a 1965 Paul Kantor Gallery exhibition of sixteen then-recent figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. It reproduces each of the pieces shown along with a brief essay by noted playwright William Inge. An internally bright, most handsome example of this uncommon item showing some light soiling and sunning to the spine and rear panel of its green dust jacket. Inventory Number: 027342

Siegelaub, Seth & John W. Wendler, Editors. Amsterdam, THE NETHERLANDS: Roma Publications, Stedelijk Museum, De Appel & Stichting Egress Foundation, 2015. Second Edition (First Thus) 1/1600. 4to. Wrappers in Acetate Jacket. Artists' Book. As New/As New. np (372pp), 350 b&w illustrations. Issued in 1968 by gallerists Seth Siegelaub and John W. Wendler, this collaborative project known as "The Xerox Book" features contributions from artists Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner. Each participant contributed an original twenty-five page, 11 x 8 ½" artwork that would only exist on the printed page - not on a gallery wall. Generally considered to be the first conceptual artists' book, it was originally envisioned as being produced by a Xerox copy machine, however the price for printing the three hundred and sixty-eight page volume proved to financially unworkable, so it was ultimately printed using the offset process. A brand new, most handsome example of the already unavailable 2015 facsimile edition of this extraordinarily important Conceptual Art document limited to one thousand, six hundred copies published in conjunction with the Amsterdam's Stedelijk Museum and De Appel arts centre's exhibition "Seth Siegelaub: Beyond Conceptual Art" still in the publisher's shrinkwrap. 94-91843-52-4 Inventory Number: 027336

(ONO, YOKO) (LENNON, JOHN). Ono, Yoko. Paris: agnes b., 2003. Edition Not Stated. Oblong Small Folio. Printed Paper Sheet. Artist's Multiple. Fine.. One 11 x 17" sheet printed offset recto and verso, no illustration. This is the typographic artist multiple cum small poster published by the noted Parisian fashion designer and art patron agnes b. as a 2003 iteration of John Lennon and Yoko Ono's conceptual project, "Imagine Peace." A brand new, most handsome example. Inventory Number: 027334

(JAY, RICKY). Jay, Ricky. Davis, CA & New York: The Richard L. Nelson Gallery at UC Davis & Christine Burgin Gallery, 2007. First Edition. Elephant Folio. Printed Poster. Gallery Exhibiton Poster. Fine.. One 24 x 18" heavy paper sheet printed color by offset lithography recto and verso, 46 color illustrations. Designed by Ricky Jay and Coco Shinomiya. This is the elegant poster produced in conjunction with a pair of exhibitions of printed materials and magic-related ephemera from the late, great Ricky Jay's "Sad Museum of Specimens of Misdirected Ingenuity." Printed lithographically on both sides, it beautifully documents seventy-nine arcane pieces drawn from Jay's estimable collection accompanied by his incisive captions. A brand new, most handsome example. It will be shipped rolled in a poster tube. Inventory Number: 027332

(WEARING, GILLIAN). Wearing, Gillian. London: Maureen Paley - Interim Art, 1997. First Edition 1/1500. 8vo. Pictorial Wrappers. Artist Monograph. Fine.. 96pp, 45 color illustrations. Designed by Herman Lelie and Maureen Paley. This delightful artist's book cum exhibition catalogue was produced in conjunction with a 1997 London gallery exhibition of Gillian Wearing's iconic 1992-3 series of color photographs of Brits holding up hand-lettered signs of their own devising, which has subsequently been co-opted ad infinitum by the advertising world. A most handsome example of this sought-after item. 1-870282-07-8 Inventory Number: 027328

(LICHTENSTEIN, ROY). Grunwald, Henry Anatole, Managing Editor. New York: Time Inc., 1968. First Edition. 4to. Stapled Illustrated Wrappers. Periodical. Very Good. (But Incomplete).. 96pp, profusely illustrated in b&w and color. This 1968 issue of "Time" features a special five page report on Robert F. Kennedy's Primary election campaign to become the Democratic Party's candidate for President later that same year. It is accompanied by a striking front cover Pop Art portrait of RFK commissioned from Roy Lichtenstein. An otherwise handsome example of this jaunty item showing a mailing label, mild scuffing, and light wear to the front cover that has had pages 21-22, and a portion of page 23-23 clipped. It has been priced accordingly. ISSN 0040-781X Inventory Number: 027321

(GINSBERG, ALLEN) (SNYDER, GARY). Ginsberg, Allen, Gary Snyder, Peter Orlovsky & Nanao Sakaki. Nevada County, CA. ND (circa 1975): Nevada City Taxpayers Association. First Edition. Folio. Printed Poster. Poetry Reading Poster. Near Fine.. One 14 x 8 ½" sheet of goldenrod bond paper printed offset recto only, one illustration. This is the poster for a September 14th - assumed to be 1975 - benefit reading by poets Gary Snyder, Allen Ginsberg, Peter Orlovsky, and Nanao Sakaki held at the American Victorian Museum in Nevada City, California. Entitled "True Gold is of the Heart" in a nod to the locale's Gold Rush heritage, the four appeared in support of the San Juan Ridge Taxpayers Association. "The roots of the Taxpayers Association go back to 1972 when a few dozen local residents founded the San Juan Ridge Study Group to explore issues of community concern. Meetings focused on county planning and building department policies, permits and code requirements for owner/builders; fire preparedness; forestry practices; and involvement with the Ridge's public schools. In 1975 the group founded the SJRTA, whose membership includes residents and non-resident landowners of the San Juan Ridge and other concerned citizens." Both Snyder and Ginsberg maintained residences nearby, and were supporters of the Association and its ideals. A most handsome example of this informally designed, inexpensively produced item that notes the "added attractions!" of Orlovsky and Sakaki to the bill rubber stamped in ink additionally SIGNED "Gary Snyder", "Allen Ginsberg", "Peter Orlovsky", and "Nanao Sakaki" in black and red inks on the evening of the event across the face. Inventory Number: 027320

(LICHTENSTEIN, ROY). Lichtenstein, Roy. Valencia, CA: The California Institute of the Arts, 1977. First Edition. Elephant Folio. Screenprinted Poster. Exhibition Poster. Fine.. One 38 x 24 ¾" inch heavy paper sheet screenprinted in colors recto only, 1 color illustration. Designed by Jayme Odgers at CalArts. This is the lovely color poster published in conjunction with a 1977 Roy Lichtenstein exhibition of recent drawings and collages held while the pioneering Pop artist was in residence at The California Institute of the Arts. A bright, most handsome flat example that was originally acquired directly from its designer. It will be shipped rolled in a poster tube. Inventory Number: 027316

(PRINCE, RICHARD). Gagosian Gallery. New York: Gagosian Gallery, 2014. First Edition. 8vo. Printed Cardstock. Exhibition Announcement. Fine.. One 10 x 8' heavy cardstock sheet printed color offset recto and stamped b&w verso, 1 color illustration. This is the luxe, graphically striking announcement for Richard Prince's 2014 Gagosian Madison Avenue Gallery New York exhibition of the artist's notorious - and at the time no longer legally encumbered - "Canal Zone" paintings. A brand new, most handsome example of this uncommon ephemeral item that reproduces his work "Graduation" from 2008 on the recto. Inventory Number: 027311

(SCHOLDER, FRITZ). Scholder, Fritz, et al.. Various (primarily Santa Fe, NM). 1971-1973.: Various Publishers (including Elaine Horwitch Galleries, Marilyn Butler Fine Art, Gallery 10, etc.). Various Editions - Primarily Firsts. 12mo + 8vo + 4to. Wrappers. Artist Monographs. Very Good -. or Better. This is a collection of sixty pieces of printed documentation on the work of the pioneering late Contemporary Native American artist Fritz Scholder. It consists of two paperbound books (the 1972 Smithsonian monograph "Indians" and the 1975 Northland Press survey of Scholder's own photographs, "Indian Kitsch: The Use and Misuse of Indian Images"), fourteen exhibition catalogues issued between 1972 and 1991, fourteen slender print prospectuses (including Tamarind's "Indians Forever" and Mourlot's "Indian in Paris" which include loose miniature reproductions) and gallery exhibition brochures from 1971 and 1987, twenty-three larger folded exhibition announcements from 1976 to 1992, six postcard announcements, and a 1976 issue of 3M's "Where: A Travelaide Publication" for Phoenix that features the painting "Sitting Indian" on the front cover. "Controversial and prolific, Fritz Scholder (1937-2005) embraced paradox. An enrolled member of the Luiseno tribe, he often said he was not Indian. Scholder's works were immediately recognized for their insight and powerful commentary on publicly held stereotypes of Native Americans and propelled Scholder into a position of prominence as an artist. His revolutionary paintings broke away from stereotypical roles and forever changed the concept of "Indian artist". This group of documentary materials gives great insight to Scholder's work and exhibition activities of the seventies and eighties - including a wealth of items from the artist's primary galleries of the period including Elaine Horwitch Galleries, Marilyn Butler Fine Art, Jack O' Grady Galleries, Tally Richards, Gallery 10, Louis Newman, and Gerald Peters. Overall these pieces are in at least Very Good Minus condition, though many of the announcement were mailed and bear the recipients' addresses and postal indicia. Please feel free to contact us regarding more specific details Inventory Number: 027310

(LOVE). Richardson, Noble. NP (Los Angeles, CA). ND (1967): Noble Richardson. First Edition. Double Elephant Folio. Painted Construction Paper. Original Fan Art. Very Good.. One 28 x 22" heavy construction paper sheet hand painted with tempera and colored marker recto only. This is an amazing unique vintage fan art poster produced by the beloved late Twentynine Palms-based artist Noble Richardson to celebrate the 1967 appearance of Arthur Lee's Love at Santa Monica teen hotspot, The Cheetah. Then a nineteen year old student at Los Angeles' Mt. San Antonio College, Richardson created this vibrant piece utilizing tempera and colored markers employing lettering inspired by the burgeoning San Francisco psychedelic poster scene. The actual concert was promoted by popular LA top 40 "Boss Radio" station 93 KHJ disc jockey "Humble Harve" Miller, and presented headliners Love preceded by Iron Butterfly, and The Chambers Brothers (misspelled here as "Chamber Bros."). The Cheetah was located next to Santa Monica's POP (Pacific Ocean Park) Amusement Park and had a distinctive logo featuring a bright pink Cheetah with the face and breasts of a young woman, a copy of which has been collaged to the lower left corner. A most presentable example of this one-of-a-kind original artwork showing some minor creases, a dozen pinholes, and some minor water spotting across its face. This was acquired directly from Noble Richardson prior to his passing in 2021. Inventory Number: 027308

(PEACE AND FREEDOM PARTY). Peace and Freedom Party. Berkeley. ND (1968): Peace and Freedom Party. Edition Not Stated. Folio. Printed Sheet. Political Campaign Poster. Very Good -.. One 22 ½ x 17" sheet printed offset recto only, no illustrations. "In 1968, FBI chief J. Edgar Hoover vilified the Black Panthers as "the greatest threat to the internal security of the United States". So, imagine the generational divide for the country when Eldridge Cleaver, author of "Soul on Ice", Senior Editor of "Ramparts" Magazine, and Minister of Information of the Black Panther Party qualified for the ballot in some twenty states that same year as the Presidential candidate of the Peace and Freedom Party. Wrote "The New York Times" that November, "Running on a platform of immediate withdrawal from Vietnam and support of the Black liberation movement. Eldridge Cleaver can present the only electoral challenge to the discreditable politics of Nixon, Humphrey, and Wallace." Printed by union press workers at noted leftist press Berkeley Graphic Arts, this attention getting poster was used during 1968 to register California voters in support of the Peace and Freedom Party's Eldridge Cleaver For President / Peggy Terry for Vice-President ticket. A still bright, well-preserved flat vintage example of this bit of countercultural political history showing some light handling creases and a few minor brown stains along the top and bottom edges. Inventory Number: 027306

(KLINE, FRANZ). Janis Gallery, Sidney. New York: Sidney Janis Gallery, 1958. First Edition. Double Elephant Folio. Printed Poster. Artist Monograph. Near Fine.. One 27 x 22" sheet printed offset recto only, 1 b&w illustration. This is the striking black and white poster issued in conjunction with a 1958 Sidney Janis Galley exhibition by influential Abstract Expressionist artist Franz Kline. A bright white, flat (and never machine-folded), exceptionally well-preserved example of this stellar poster. Inventory Number: 027304

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. Los Angeles: Allen Ruppersberg & Rosamund Felsen Gallery, 1979. First Printing. Folio. Printed Poster. Artist's Multiple. Fine.. One 22 x 14" sheet of heavy cardboard printed in monochrome offset on a coated surface recto only, 1 illustration. Designed by Allen Ruppersberg. This is the very cool poster cum artwork published in 1979 for the tenth anniversary celebration and recreation of Ruppersberg's 1969 installation, "Al's Café", at the Rosamund Felsen Gallery. Designed by Al, it was produced at The Colby Poster Company - the legendary Los Angeles commercial printer of boxing-style posters that collaborated with the noted Conceptual practitioner on his similarly fabricated cardboard artworks for over thirty years. The text reads in blue against a white background; "Al's Café / 1913 W. 6th St. Los Angeles / Best in Town / 1969 Gala Celebration 1979 / Rosamund Felsen Gallery / 669 N. La Cienega Blvd., Los Angeles" interspersed with linocut images of a cup of coffee, plate of doughnuts, slice of pie, and a satisfied diner. A brand new, most handsome example of the uncommon first and only printing of this cheerful artwork whose full page illustration appears on page 7 of "Allen Ruppersberg: One of Many - Origins and Variants") additionally BOLDLY SIGNED "Allen Ruppersberg" in ink across the face of the poster. Inventory Number: 027303

(PRICE, KEN). Mizuno Gallery & Kasmin Limited. Los Angeles & London. 1969 + 1970: Mizuno Gallery & Kasmin Limited. First Editions. 8vo. Printed Postcards. Exhibition Announcements. Very Good or Better.. np, 3 b&w illustrations. This is a group of three photographically illustrated postcard announcements published in conjunction with gallery exhibitions of the work of the late, great Kenneth Price. Two are from the artist's first post-Ferus Gallery one person shows held at London's Kasmin Limited Gallery in 1968, and Los Angeles' Mizuno Gallery in 1969; and the third appears to be a late sixties Holiday / New Year's card from the Riko Mizuno Gallery. The two Mizuno cards are contemporaneously addressed by hand from the gallery to the noted late Los Angeles Contemporary Art collectors Dr. Judd and Katherine Marmor. The Kasmin card came from their archive as well. A most handsome group of these exceedingly uncommon ephemeral items. Inventory Number: 027286

(GRAPUS) (LOEWY, RAYMOND). Grapus. Paris: Galerie Impressions 1900-1950, 1987. Edition Not Stated - Presumed First. Elephant Folio. Screenprinted Poster. Exhibition Poster. Near Fine.. One 40 x 28 ¼" heavy paper sheet screenprinted in colors, recto only. Designed by Grapus. This is the iconic poster created by Grapus for a 1987 exhibition held at Paris' Galerie Impressions 1900-1950 devoted to the work of the legendary American modernist designer Raymond Loewy. Its vibrant pink and black design incorporates illustration along with collaged photographic images of Loewy and his Studebaker Avanti, and both typeset (RAYMOND LOEWY GENIUS / GALERIE IMPRESSIONS 1900-1950  43 RUE DE VERNEUL  PARIS 7  DU LUNDI AU SAMEDI  14H30/19H, and handwritten text (Raymond Loewy dessine la Studebaker / du 1er au 15 juin 1987) with fluorescent and metallic inks. A flat, handsome example of this uncommon and classic poster held in the Museum of Modern Art's permanent Design collection that was acquired directly from the gallery showing some light creasing along the edges. It will be shipped rolled in a poster tube. Inventory Number: 027285

(JOHNS, JASPER). Ellin, Everett. Los Angeles: Everett Ellin Gallery, 1962. First Edition. Narrow 8vo. Folded Printed Paper Sheet. Artist Monograph. Near Fine.. One 18 x 23" sheet printed offset recto only machine-folded in twelfths to make 9 x 4", np (12pp), 14 b&w illustration. This is the uniquely designed brochure cum catalogue published in conjunction with a November 1962 Los Angeles gallery exhibition of fourteen paintings and works on paper executed by Jasper Johns between 1957 and 1962. The show - billed here as a retrospective - was the artist's first West Coast showing, and this is Johns' very first monographic publication. A most handsome example of this uncommon (only five copies are currently cited in OCLC WorldCat) ephemeral item showing a small brown spot near the bottom of the front panel. Inventory Number: 027283

(U2). Parkyn, Geoff, Editor. London, UK. 1982, 1983 + 1984: U2 Info Service. First Editions. 8vo. Stapled Pictorial Wrappers. Music Fanzines. Very Good - or Better.. 12 + 12 + 12pp, illustrated in monochrome. Between 1981 and 1985, Londoner Geoff Parkyn under the guise of the U2 Info Service published sixteen issues of his reverent "U2 Magazine." Preceding the band's own official publication, "Propaganda", this DIY labor of love was devoted to disseminating the latest news and views on all things Bono, The Edge, Larry Mullen Jr., and Adam Clayton. A broken run of three issues of this uncommon post-punk document - No. 2 - February 82, No. 8 - August 83, and No. 11 - Summer 84 - showing some light staining and insect damage. Inventory Number: 027281

(TEMPLETON, ED). Templeton, Ed. Sittard, THE NETHERLANDS. 2001 (2006).: Museum Het Domein. Second Edition. 8vo. Pictorial Wrappers. Photography Monograph. Fine.. 36pp, profusely illustrated in color and b&w. Text in English. Designed by Ed Templeton. "A fixture of Los Angeles' skateboarding scene, Ed Templeton has been producing photographs and paintings documenting his life, tours, and encounters in the skateboarding world for ten years". Published in conjunction with a 2001 Dutch Museum show, this is a slender yet elegant artist's book cum exhibition catalogue that once again casts a keen eye on contemporary culture, skateboarding, youth, and sexuality. A brand new, most handsome example of the very limited 2006 reprint edition additionally BOLDLY SIGNED "Ed Templeton" in black ink on the title page. 90-75883-37-4 Inventory Number: 027271

(TEMPLETON, ED). Templeton, Ed. NP (London): Morel Books, 2010. First Edition 1/1000. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (24pp), profusely illustrated in color and b&w. Designed by Ed Templeton. "Entirely designed and edited by Ed Templeton, "Drinking The Kool-Aid" brings together a selection of his work in which the viewer engages with the booklet via numerous fold-outs, posters, and trimmed pages. Templeton has essentially materialized his own flexibility and agility of mediums through the book format, creating an exceptionally original piece of work!" A brand new, most handsome example of this uncommon item limited to one thousand unnumbered copies in the publisher's printed wraparound band additionally SIGNED "Ed Templeton" in black marker on the rear colophon. 1-907071-20-2 Inventory Number: 027265

(TEMPLETON, ED). Templeton, Ed. Paris: Editions Bessard, 2015. First Edition 1/1000. Tall 8vo. Cloth in Gilt-Stamped Slipcase. Photography Monograph. As New/No Jacket. np, profusely illustrated in color and b&w. Designed by Ed Templeton. According to Ed Templeton, "Twenty-six miles across the Pacific Ocean from the tangled mess of humanity that is Los Angeles and Orange County sits an island paradise called Santa Catalina where time has stood still and visitors can experience what California was like before the Europeans sailed in. "Adventures in the Nearby Far Away" is a photographic diary of my many visits to the island over the years, a place I have been visiting since I was a boy, and been documenting photographically since the late nineties. All photos are shot on film". A brand new, most handsome example of the 2015 first - and only - edition of this now unavailable ambitiously designed and bound twenty-seven foot long accordion-fold beauty limited to one thousand copies additionally BOLDLY SIGNED "Ed Templeton" in black ink. 979-1091406406 Inventory Number: 027260

(REINHARDT, AD). Reinhardt, Ad & Peter Schjeldahl. New York: The Truman Gallery, 1976. First Edition. Folio. Printed Tabloid Wrappers. Artist Monograph. Good +.. np, six 16 ½ x 23" sheets printed offset recto and verso, machine-folded in half to make 16 ½ x 11 ½" laid into a printed paper portfolio cover. Published in conjunction with a 1976 exhibition held at New York's Truman Gallery, this is an elaborate collection of large format reproductions of noted American abstract artist Ad Reinhardt's humorous "Art Comics" and "Satires" of the mid-fifties. An internally handsome example of this uncommon item whose printed craft paper exterior portfolio shows noticeable creases, nicks, stains, and some overall wear. It has been priced accordingly. Inventory Number: 027250

(MATTA-CLARK, GORDON) (FOOD). Morris, Catherine. Bremen, & Koln, GERMANY: Westfalisches Landesmuseum fur Kunst und Kulturgeschichte & Buchhandlung Walther Konig, 1999. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. 48pp, profusely illustrated in b&w. Text in English and German. From 1971 through 1974, "Food" was the unique, artist-run restaurant located at the corner of Prince and Wooster Streets in New York's SoHo. It was designed and built by Gordon Matta-Clark - this project marking the first instance of his architectural cutting and reconfiguration - and administered primarily by Matta-Clark, Caroline Goodden, Tina Girouard, Rachel Lew, and Suzy Harris. "Food" was conceived as a vibrant yet inexpensive oasis where the local artistic community (which included neighbors 112 Greene Street, Avalanche Magazine, Phillip Glass, etc.) would be able to dine, drink, and exchange ideas. It became "a creative environment where artists were guest chefs, films were made, dancers performed, and art was discussed, inspired and produced". This is the informative, well-illustrated catalogue for a 1999 exhibition on the project curated by Catherine Morris for White Columns in New York that was shown at Bremen's Westfalisches Landesmuseum fur Kunst und Kulturgeschichte. A most handsome example of this exceedingly uncommon document showing a bit of light patination to the rear cover. 3-88375-435-8 Inventory Number: 027248

(WEINER, LAWRENCE). Weiner, Lawrence. New York: The Louis Kellner Foundation and Seth Siegelaub, 1968. First Edition 1/1000. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (64pp), no illustrations. Designed by Lawrence Weiner. In a protective clear acetate dustwrapper. Published by Seth Siegelaub in an edition of one thousand copies in 1968, "Statements" is Lawrence Weiner's very first artist book. It contains twelve "general" and twelve "specific" of the pioneering Conceptual practitioner's text-based statement pieces. A most handsome example (entry number one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") of this exceedingly uncommon item limited to one thousand unnumbered copies showing the slightest bit of wear, soiling, and abrading to the extremities of its grey wrappers. Inventory Number: 027237

(MARTINEZ, EDDIE). Simonini, Ross, Glenn O'Brien, Monica Ramirez-Montagut & Eddie Martinez. Brooklyn, NY: PictureBox Inc., 2013. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 256pp, profusely illustrated in color. Brooklyn-based artist Eddie Martinez has received much critical acclaim for his cartoonish, energetic, and expressive paintings. Both abstract and figurative, these works often employ a loosely fixed cast of forms such as flowers, tabletops, shoes, bent yellow columns, and white horizons. Martinez works in series, reprising these forms over several - usually large-scale - canvases. This book is the first substantial monograph on the artist, documenting the last six years of Martinez's output, reproducing two hundred works in color grouped thematically, by animals, flowers, tabletops, still lifes and portraits. A brand new, most handsome example of this uncommon item still in the publisher's shrinkwrap 0-9845892-4-4 Inventory Number: 027236

Dunn, Katherine & Sean Tejaratchi. Portland, OR: Feral House, 1996. First Edition 1/100 Deluxe. Oblong 4to. Pictorial Boards. Fine/No Jacket - As Issued. 167pp, profusely illustrated in b&w. Designed by Sean Tejaratchi. In a protective clear acetate dustwrapper. "The purpose of this collection of homicide pictures is to show the work of the peace officer and his problems. It will give you an idea of what they have to contend with while performing their duties in protecting lives and property. After viewing this work it will undoubtedly bring about a better understanding between the law enforcement officer and the public which he serves. It is also incumbent upon you, as a citizen and taxpayer, in the community in which you reside, to extend to your law enforcement agency your fullest cooperation assisting in its solving the problems that come before it. As you will see, most of theses crimes are solved and the guilty prosecuted which proves that CRIME DOES NOT PAY. Please handle this book with respect". A most handsome example of the deluxe hardbound facsimile edition of Los Angeles Homicide detective Jack Huddleston's pre-war photographic scrapbook limited to one hundred copies only with a 7 ½ x 9 ½" black and white photograph of the severed body of Elizabeth Short - aka "The Black Dahlia" - lying in situ additionally SIGNED AND NUMBERED by Katherine Dunn laid in, as issued. 0-922915-29-6 Inventory Number: 027233

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #190/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. Limited to two hundred and fifty copies only, this deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#190/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027220

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #218/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. This deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#218/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027219

(FLAVIN, DAN). Poetter, Jochen & Dan Flavin. Baden-Baden & Stuttgart, GERMANY: Staatliche Kunsthalle, Baden-Baden & Edition Cantz, 1973. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine. 168pp, profusely illustrated in color and b&w. Text in German and English. With an exhibition checklist. This is the substantial catalogue published in conjunction with a comprehensive German Museum retrospective of work by the pioneering late minimalist sculptor Dan Flavin. It contains detailed entries and illustrations for each of the seventy-five pieces exhibited accompanied by texts from curator Jochen Poetter, Madeleine Descamps, and Flavin himself. A brand new, most handsome example. 3-89322-156-5 Inventory Number: 027213

(WOODSIDE, CLINT). Woodside, Clint & Mike Slack. Los Angeles: Kill Your Idols, 2016. First Edition 1/500. 8vo. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 62pp, 52 color illustrations. Designed by Clint Woodside. First issued in 2013 as a Deadbeat Club 'zine, Clint Woodside's "Undercover Cars" has been newly re-conceived and substantially enlarged as an elegant hardcover book. Containing fifty-two images of cars parked in plain sight, but covered from the elements, it is the culmination of a series of color photographs - shot on film and printed in the dark room - spanning five years, scores of autos, and thousands of miles from Los Angeles to Bangkok. In his insightful essay, photographer and The Ice Plant publisher Mike Slack observes: "What strikes me now, looking at this fresh new edit, is not the boring ubiquity of the subject matter - the deadpan Christo-like charm of all these tarps attached to all these automobiles - but the man-made environments Woodside is showing us in the photographs, and the sense of walking-and-looking that the series implies. Never mind the covered cars; look at what surrounds them" . A brand new, pristine example of this lovely publication limited to five hundred unnumbered copies additionally BOLDLY SIGNED "Clint Woodside" in black ink on the title page. 1-58423-637-X Inventory Number: 027210

Dupree, Nancy Hatch. Markus Hakansson, Editor. Stockholm, SWEDEN. 2008 (2011): Swedish Committee for Afghanistan. Second Edition. Large Square 8vo. Pictorial Boards. Fine/No Jacket - As Issued. 192pp, profusely illustrated in color and b&w. Text in English. "Afghanistan Over a Cup of Tea" is a collection of essays written between 1995 and 2007 by the estimable Nancy Hatch Dupree. It offers the unique views of the woman dubbed "Afghanistan's Grandmother" on a wide range of topics including the Taliban movement, Afghan culture, sport, the status of women, the need for improved health care and education, and the current challenges to progress in her adopted homeland. According to editor Markus Hakansson, Dupree is perhaps the world's foremost living expert on the region. She embodies the Afghan memories of the many and difficult war years, and has worked for decades to improve the quality of life for the peoples of this deeply damaged but life-affirming country. Illustrated with scores of photographs, it contains a rare account of Ms. Dupree's own fascinating life, and is a must-read for anyone interested in Afghanistan and its renowned and cherished benefactor. A brand new, most handsome example of the exceedingly uncommon 2011 second edition - only eight copies of both editions are currently cited in OCLC WorldCat - updated with a further twelve commentaries additionally SIGNED "Nancy Hatch Dupree" in ink on the title page. 91-86936-25-5 Inventory Number: 027204

(MATTA-CLARK, GORDON). Matta-Clark, Gordon. Antwerp, BELGIUM: Internationaal Cultureel Centrum, 1977. First Edition. Double Elephant Folio. Printed Poster. Artist's Multiple. Very Good.. One 35 x 24 ½" heavy paper sheet printed color offset recto only, 1 color illustration. Designed by Gordon Matta-Clark. This is the striking poster cum artist's multiple published in conjunction with Gordon Matta-Clark's 1977 project in Antwerp sponsored by the Internationaal Cultureel Centrum. Invited to create a work in honor of the four hundredth anniversary of the Antwerp Baroque painter Peter Paul Rubens, the noted artist elaborated upon his "Splitting" piece by performing an intervention that became known as "Office Baroque" on a vacant building on the Ernest Van Dijckkaai provided by the I.C.C. The poster reproduces Matta-Clark's photomontage proposal for the work. A handsome example of this exceedingly uncommon item whose provenance derives from Holly Solomon - Matta-Clark's primary dealer during his lifetime who along with her husband Horace purchased the Humphrey Street residence for the artist's use - showing some minor handling creases and small nicks along the edges. Inventory Number: 027182

(MATTA-CLARK, GORDON). Matta-Clark, Gordon. Antwerp, BELGIUM: Internationaal Cultureel Centrum, 1977. First Edition #118/250 Deluxe. Double Elephant Folio. Printed Poster. Artist's Multiple. Very Good.. One 35 x 24 ½" heavy paper sheet printed color offset recto only, 1 color illustration. Designed by Gordon Matta-Clark. This is the striking poster cum artist's multiple published in conjunction with Gordon Matta-Clark's 1977 project in Antwerp sponsored by the Internationaal Cultureel Centrum. Invited to create a work in honor of the four hundredth anniversary of the Antwerp Baroque painter Peter Paul Rubens, the noted artist elaborated upon his "Splitting" piece by performing an intervention that became known as "Office Baroque" on a vacant building on the Ernest Van Dijckkaai provided by the I.C.C. The poster reproduces Matta-Clark's photomontage proposal for the work. A handsome example of this exceedingly uncommon item whose provenance derives from Holly Solomon - Matta-Clark's primary dealer during his lifetime who along with her husband Horace purchased the Humphrey Street residence for the artist's use - from the edition of two hundred and fifty copies BOLDLY SIGNED "Gordon Matta Clark" AND NUMBERED (118/250) in black ink on the recto showing some minor handling creases and small nicks along the edges. Inventory Number: 027181

(WARHOL, ANDY). Prinz, Neil & Sally King-Nero, Editors. London & New York: Phaidon Press Limited, 2018. First Edition. Stout Oblong 4to. Boards in Printed Slipcase. Catalogue Raisonné. Fine/No Jackets - As Issued. 822pp, profusely illustrated in color and b&w. Designed by Julia Hasting. With appendices and a title index.. Sponsored by Thomas Ammann Fine Art and The Andy Warhol Foundation for the Visual Arts, Inc., this the massive two volume, fifth installment of the catalogue raisonné of the paintings and sculpture of Andy Warhol. Included are fully detailed and illustrated entries for XXX hundred and XXX unique works created by the late Pop Art icon between 1976 and 1978. A brand new, most handsome example of the 2018 first edition in the publisher's printed slipcase of this invaluable document. 0-7148-7560-0 Inventory Number: 027180

(WARHOL, ANDY). Prinz, Neil & Sally King-Nero, Editors. London & New York: Phaidon Press Limited, 2014. First Edition. Stout Oblong 4to. Boards in Printed Slipcase. Catalogue Raisonné. Fine/No Jacket - As Issued. 608pp, profusely illustrated in color and b&w. Designed by Julia Hasting. With appendices and a title index.. Sponsored by Thomas Ammann Fine Art and The Andy Warhol Foundation for the Visual Arts, Inc., this the massive fourth installment of the catalogue raisonné of the paintings and sculpture of Andy Warhol. Included are fully detailed and illustrated entries for six hundred and eight unique works created by the late Pop Art icon between 1974 and 1976. A brand new, most handsome example of the 2014 first edition in the publisher's printed slipcase of this invaluable document. 0-7148-6717-9 Inventory Number: 027179