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CROCODILE TEARS (BRIEF FICTIONS RE-SOUNDING FROM THE PROPOSAL IN VARIABLE PIECE #70: 1971 "TO PHOTOGRAPHICALLY DOCUMENT THE EXISTENCE OF EVERYONE ALIVE.")
(HUEBLER, DOUGLAS). Huebler, Douglas & Arthur Rose. Introduction by Julia Brown. Los Angeles: Museum of Contemporary Art, Los Angeles, 1986. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good.. 28pp, profusely illustrated in b&w. Designed by Linda Norlen. In a protective clear acetate dustwrapper. This is the 1986 catalogue documenting ten works from Douglas Huebler's charming, typically wry "Crocodile Tears" series commissioned by the Museum of Contemporary Art, Los Angeles. These installments - "brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive" - originally appeared in print in 1984 as comic strips reproduced in the pages of the LA Weekly. An internally most handsome example of this uncommon item showing a bit of light overall wear, rubbing, and soiling to its covers. Inventory Number: 023723
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JEREMY BLAKE: THE FOURTY MILLION DOLLAR BEATNIK
(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Inventory Number: 023720
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JOHN ALTOON: WORKS ON PAPER
(ALTOON, JOHN). Nordland, Gerald R.. Chicago, IL: The Arts Club of Chicago, 1984. First Edition. Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. 16pp, 8 b&w illustrations + color cover. With a biography, exhibition history and exhibition checklist. This is the slender sixteen page catalogue published in conjunction with a posthumous 1984 Arts Club of Chicago retrospective of twenty-nine works on paper by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A most handsome example. Inventory Number: 023717
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Parkett No. 19: Martin Kippenberger, Jeff Koons - Collaborations + Editions: Anselm Stalder - Insert
PARKETT NO. 19: MARTIN KIPPENBERGER, JEFF KOONS - COLLABORATIONS + EDITIONS: ANSELM STALDER - INSERT
(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1989. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good./OUT OF PRINT. ca. 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the nineteenth issue of this influential Swiss visual arts quarterly. 3-907509-69-2 Inventory Number: 023703
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VENICE SPACEWALK: THE SPACETIME PHOTOGRAPHY OF JAY MARK JOHNSON: VOLUME ONE - LIMITED SLIPCASED EDITION SIGNED BY THE PHOTOGRAPHER
(JOHNSON, JAY MARK). Finch, Christopher, Shana Nys Dambrot & Jay Mark Johnson. Venice, CA: Venice Family Clinic & Jay Mark Johnson, 2010. First Edition. Oblong Narrow 4to. Linen Boards in Slipcase. Photography Monograph. As New/No Jacket - As Issued. np, profusely illustrated in color. Designed by Hsuan-ying Chou and Jay Mark Johnson with Lorraine Wild and Victor Hu, Green Dragon Office. This lavishly produced volume is the first monograph on the space-time photography of Jay Mark Johnson. "Coming across Jay Mark Johnson's photographs for the first time, a viewer may well be reminded of the photo finish images used to determine winners at track meets, horse races, and other sporting events. In Johnson's work, as in photo finish imagery, people, animals and moving objects are frozen against a background that has been dissolved by the camera into horizontal bands of color stretching from edge to edge of the picture plane. This similarity is no accident, since both Johnson and the photo finish cameraman employ the same technology - slit-scan photography. As utilized by both, slit-scan is used to capture movement as it unfolds in time. In emulsion-based photography, the technology involves an actual slit moving continuously past the film, exposing a sliver at a time to create an image that "freezes" motion. With the highly sophisticated digital camera that Johnson employs, the same effect is achieved with a "virtual" electronic slit, a single pixel in breadth that scans the subject (which, like a race, is in fact an "event"). In either case, all of the movement that occurs in front of the lens is synthesized into a single image. The resulting photographs capture, in a graphic way, the event that takes place during that period, so that in Johnson's pictures a person may appear more than once in the same image (having overtaken the tracking movement of the slit), and objects become subject to an exaggerated form of the photographic phenomenon known as "focal-plane shutter distortion". A brand new, pristine example of the limited slipcased edition of this amazing book of color time and motion studies taken in and around Venice California additionally BOLDLY SIGNED AND DATED "Jay Mark Johnson 2014" in black ink on the title page still in the publisher's shrinkwrap. Inventory Number: 023696
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PARIS - MOSCOU 1900-1933 - SIGNED PRESENTATION COPY FROM PONTUS HULTEN
Hulten, Pontus, Editor. Introduction by V. M. Polevoi. Paris: Centre Georges Pompidou, 1979. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 580pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1979 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Moscow during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A handsome example of the 1979 Pompidou French language edition bearing the BOLDLY SIGNED PRESENTATION "For Melinda and De Wain with my very best greetings from your Pontus" from curator Pontus Hulten in black ink on the half title page showing some overall light wear, handling and soiling. De Wain is the noted Los Angeles-based Light and Space artist De Wain Valentine, and Melinda (sic) is his former partner and gallerist Malinda Wyatt, from whom we acquired this directly. 2-85850-002-9 Inventory Number: 023630
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I THOUGHT I KNEW
(PIERSON, JACK). Pierson, Jack. San Francisco: Jack Hanley Gallery, 1992. First Edition 1/1000. 12mo. Stapled Illustrated Wrappers. Artist's Book. Very Good.. np (32pp), profusely illustrated in b&w. Designed by Jack Pierson. In a protective clear acetate dustwrapper. Published in conjunction with a 1992 San Francisco gallery exhibition, this compact catalogue cum artist's book features Jack Pierson's handwritten, resonant textual fragments and phrases in throughout - the only photograph reproduced is of a flattened Marlboro pack. A most presentable example of this uncommon item limited to one thousand unnumbered copies showing some light creasing and rubbing along its spine. Inventory Number: 023617
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OCTOBER 133: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2010
(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. 0-262-75283-2 Inventory Number: 023563
$25.00 InquireFiled Under: Architecture, Art, Art Theory, Asian Art, Cinema, Decorative Art, October, Periodicals, Photography -
DERRIERE LE MIROIR (DLM) NO. 55-56 MAI 1953: JEAN BAZAINE - WITH TWO ORIGINAL LITHOGRAPHS
(BAZAINE, JEAN) (DERRIERE LE MIROIR). Bazaine, Jean & Marcel Arland. Paris: Maeght Editeur, 1953. First Edition. Folio. Illustrated Wrappers. Artist Monograph. Very Good.. np (8pp), 2 color and 4 b&w illustrations. Text in French. This is a monographic edition of Maeght's legendary periodical "Derriere Le Miroir" (featuring the great artists and writers of the 20th Century) devoted solely to Jean Bazaine's 1953 exhibition of paintings. It contains two color lithographs (the front cover, and one massive four page spread), and four additional illustrations. A most presentable example showing a bit of wear and a single closed tear along the extremities. It has been priced accordingly. Inventory Number: 023559
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TODD HIDO: BETWEEN THE TWO - SIGNED BY THE PHOTOGRAPHER
(HIDO, TODD). Hido, Todd. With a Poem by Raymond Carver. Tucson, AZ: Nazraeli Press, 2006. First Edition 1/2000. Large Oblong 4to. Embossed Paper Over Boards. Photography Monograph. As New/No Jacket - As Issued.
76pp, 27 color and 8 b&w illustrations. Published in 2006, this beautifully designed and printed volume is photographer Todd Hido's fifth book - featuring haunting views of nature, the roadside, and melancholy women in melancholy interiors. The sole text is Raymond Carver's poem "Energy", reproduced at the rear. A brand new, pristine example of the 2006 first Nazraeli Press printing limited to two thousand unnumbered copies additionally BOLDLY SIGNED "Todd Hido" in black ink on the title page. 9781590051764 Inventory Number: 023541 -
KIM ABELES: ENCICLOPEDIA PERSONA - UNA ESTUDIO DE QUINCE ANOS
(ABELES, KIM). Abeles, Kim & Karen Moss. Los Angeles & Santa Monica, CA: Fellows of Contemporary Art & Santa Monica Museum of Art, 1993. First Edition Thus. Small 4to. Illustrated Wrappers. Artist Monograph. Fine.. 90pp, profusely illustrated in color and b&w. Text in Spanish. Designed by Susan Silton. With an exhibition checklist. Published in conjunction with a 1993 traveling Museum retrospective, this nicely designed, informative catalogue is the most comprehensive reference to date on noted Los Angeles contemporary artist Kim Abeles. A bright, most handsome example of the uncommon softbound Spanish language edition issued for a Mexican venue. Inventory Number: 023512
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PARIS - PARIS 1937-1957: CREATIONS EN FRANCE
Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. 2-85850-091-6 Inventory Number: 023510
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PARIS - PARIS 1937-1957: CREATIONS EN FRANCE
Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. 2-85850-091-6 Inventory Number: 023509
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PARIS - BERLIN 1900-1933: RAPPORTS ET CONTRASTES FRANCE - ALLEMAGNE 1900-1933
Hulten, Pontus, Editor. Introduction by Werner Spies. Paris: Centre Georges Pompidou, 1978. First French Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome example of the hardbound 1978 Pompidou French language edition showing some light wear and handling, a bit of soiling to the covers, and a mild dent through the upper foredge corner of the textblock. It has been priced accordingly. 2-85850-066-5 Inventory Number: 023508
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DARREN WATERSTON: REPRESENTING THE INVISIBLE
(WATERSTON, DARREN). Waterston, Darren, David Pagel, Jacquelynn Baas & Timothy Anglin Burgard. Milano, ITALY: Edizioni Charta, 2007. First Edition 1/2250. 4to. Pictorial Wrappers. Artist Monograph. As New.. 128pp, profusely illustrated in color. Designed by Keith Anderson. Text in English. With a biography and bibliography. This is an exquisitely beautiful monograph on Los Angeles-based painter Darren Waterston featuring work produced between 2002 and 2006. A brand new, pristine example. 88-8158-624-X Inventory Number: 023414
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THE MUSHROOM COLLECTOR - SIGNED BY JASON FULFORD
(FULFORD, JASON). Fulford, Jason. Amsterdam, THE NETHERLANDS: The Soon Institute / Publishing House, 2010. First Edition 1/1000. 4to. Boards in Pictorial Jacket. Photography Monograph. Fine/Fine. np (196pp), 109 color illustrations. Text in English. "As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms - unassuming pictures taken by an unknown but almost certainly amateur photographer - apparently as notes for some mycological studies. Fulford's art photographs are usually of staid, quasi-mute objects: a smashed Dorito chip overrun with ants, two bronzed doorknobs spooning, the blank back of a street sign. Yet these mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. "The Mushroom Collector" combines some of the original flea market mushroom pictures with his own images and text about the project. It is a compendium of thoughts, observations, and influences both written and visual that helped shape this charming collection of color images". A most handsome example of the 2010 hardbound first edition of this awesome tome (cited on page 306 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") limited to one thousand unnumbered copies additionally SIGNED "Jason Fulford" in black ink across his circular stamp reading "The Pleasures of Chaos" on the verso of the front pastedown with some ephemera laid in. 90-810584-2-8 Inventory Number: 023407
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INVISIBLE CITY: PHOTOGRAPHS BY KEN SCHLES
(SCHLES, KEN). Schles, Ken. With brief texts by Lewis Mumford, George Orwell, Jorge Luis Borges, Franz Kafka & Jean Baudrillard. Pasadena, CA: Twelvetrees Press, 1988. First Edition 1/2000. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (80pp), 62 b&w gravure illustrations. "Invisible City" is Ken Schles' exceptionally lovely first book published in luscious gravure by Jack Woody's Twelvetrees Press. It is a compendium of urban images of indistinct people and places caught in a moment - often fraught with an air of danger or eroticism - seemingly in the dead of night. A brand new, pristine example of 1988 first edition (cited on page 166 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III) limited to two thousand unnumbered copies. 0-942642-35-X Inventory Number: 023353
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"A LETTER TO TRUE": A FILM JOURNAL BY BRUCE WEBER (SUPPLEMENT TO VOGUE ITALIA)
(WEBER, BRUCE) (VOGUE ITALIA). Weber, Bruce. With Brief Texts By Woody Guthrie & John Steinbeck. Milan, ITALY: Vogue Italia, 2003. First Edition. 4to. Illustrated Wrappers. Photography Monograph. As New.. np (124pp + covers), profusely illustrated in color and b&w. Text in English. Published separately as the supplement to a 2003 issue of "Vogue Italia", this Bruce Weber film journal was an advance peek at his feature, "A Letter to True". True is True Blue, the photographer's youngest pup, and the movie is a cinematic love letter to Weber's many dogs, as well as Tyson the cat. Mixed in amongst the hundreds of photos revolving around the canine cast here are Viggo Mortensen, Orlando Bloom, Natalie Portman, Renee Zellweger, Owen Wilson, Charlize Theron, Jude Law, Drew Barrymore, James Franco, Kate Moss, Colin Farrell, Vinnie Jones, Paul Walker, Snoop Dogg, Peter Cincotti, Muhammad Ali, Marianne Faithfull, Sean Penn, "the Boy Who Wanted to Look Like Elizabeth Taylor", and many, many more! A brand new, pristine example still in the publisher's shrinkwrap along with the issue of Vogue. Inventory Number: 023324
$65.00 InquireFiled Under: Cinema, Erotica, Fashion, Periodicals, Photography Monographs, Bruce Weber, Queer / LGBTQ+ -
RISAKU SUZUKI: MONT SAINTE VICTOIRE
(SUZUKI, RISAKU). Suzuki, Risaku & Hideki Maeda. Tucson, AZ: Nazraeli Press, 2004. First Edition 1/1000. Oblong Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (80pp), 43 color illustrations. With a biography and exhibition history. "Featured in over fifty paintings by Cezanne, the Mont Sainte Victoire in Southern France is familiar even to those who have never been there. A century later, photographer Risaku Suzuki has followed in the great artist’s footsteps, using a quite different medium to depict the landscape on the way". A brand new pristine example of this lovely Nazraeli Press title limited to one thousand copies only still in the publisher's shrinkwrap. 1-59005-085-1 Inventory Number: 023317
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JOHN ALTOON
(ALTOON, JOHN). Hales, Andrea, Milton Wexler, Peter Selz & Robert Creeley. Foreword by Hugh M. Davies. San Diego, CA: Museum of Contemporary Art, San Diego, 1997. First Edition. 4to. Illustrated Self-Wrappers. Artist Monograph. Fine.. 56pp, 23 color and 18 b&w illustrations + color cover. With an exhibition checklist, exhibition history and bibliography. This is the catalogue published in conjunction with a 1997 Museum of Contemporary Art, San Diego retrospective of seventy-three paintings, works on paper, and prints by John Altoon. The exhibition and the catalogue are the most comprehensive surveys to date of the quirky, erotically charged work of the influential Los Angeles-based, Ferus Gallery-affiliated artist who died in 1969. A most handsome example. 0-934418-51-9 Inventory Number: 023309
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JOEL-PETER WITKIN: TWELVE PHOTOGRAPHS WITH A POEM BY GALWAY KINNELL - SIGNED AND NUMBERED BY THE PHOTOGRAPHER WITH TWELVE GRAVURES
(WITKIN, JOEL-PETER). Witkin, Joel-Peter & Galway Kinnell. New York: Kevin Begos Publishing, Inc., 1993. First Edition 1/175. Elephant Folio. 1/4 Leather Over Boards in Box. Livre D'Artiste. Fine/No Jacket - As Issued.. np (52pp), 12 gravure illustrations. Designed by Kevin Begos Jr. and Joel-Peter Witkin. Issued in 1993, this is an exquisitely produced Livre D'Artiste collaboration between publisher Kevin Begos and photographer Joel-Peter Witkin. Limited to one hundred and seventy-five copies, it presents twelve arresting hand-pulled photogravure images accompanied by the letterpress printed poem "Under The Maud Moon" by Galway Kinnell from his "Book of Nightmares". Measuring 23 ½ x 17 ½", the Lana paper pages reproduce the following Witkin photographs: 1) "Head of a Dead Man (Mexico City, 1990)", 2) "Satiro ( Mexico City, 1992)", 3) "Three Kinds of Woman (Mexico City, 1992)", 4) "Un Santo Oscuro (Mexico City, 1987)", 5) "Still Life (New Mexico, 1992)", 6) "Las Meninas (New Mexico, 1987)", 7) "Studio of the Painter (Paris, 1990)", 8) "Feast of Fools (Mexico City, 1990)", 9) "Laokoon (New Mexico, 1992)", 10) "Negre's Fetishist (Paris, 1990)", 11) "Vanity (New Mexico, 1990)", and 12) "Man with a Dog (Mexico City, 1990)". These are bound in elegant one quarter black leather-over-dark grey-boards, and housed in a black linen covered clamshell box with a grey pastedown on the spine. A brand new, most handsome example of this extraordinary object acquired directly from Kevin Begos BOLDLY SIGNED AND NUMBERED in pencil by Joel-Peter Witkin at the rear colophon in the publisher's clamshell box, as issued. Inventory Number: 023305
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ALLEN RUPPERSBERG: COLLECTOR'S PARADISE - SIGNED BY THE ARTIST
(RUPPERSBERG, ALLEN). Ruppersberg, Allen & Leslie Jones. New York: Christine Burgin, 2012. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (80pp), profusely illustrated in color and b&w. Designed by Jason Burch. Published in conjunction with Allen Ruppersberg's 2012 exhibition entitled "No Time Left to Start Again / The B and D of R 'n' R" held at the Art Institute of Chicago, "Collector's Paradise" is unique narrative of the history of rock and roll and a rich reflection on the history of popular American music. The product of years of combing flea markets and yard sales in search of both the visual and recorded history of rock and roll, this book traces R 'n' R back to the Minstrel days and American popular song post-Civil War and includes a chronological list of 1,500 key recordings and over three hundred color illustrations of material all from the wry Conceptual practitioner's personal collection. A brand new, most handsome example containing one of nine loose 8 ½ x 11" inserts created for this book reproducing an image from material in the artist's archive additionally BOLDLY SIGNED "Allen Ruppersberg" in black ink on the front free endpaper. 0-9778696-5-2 Inventory Number: 023284
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ALLEN RUPPERSBERG: COLLECTOR'S PARADISE
(RUPPERSBERG, ALLEN). Ruppersberg, Allen & Leslie Jones. New York: Christine Burgin, 2012. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (80pp), profusely illustrated in color and b&w. Designed by Jason Burch. Published in conjunction with Allen Ruppersberg's 2012 exhibition entitled "No Time Left to Start Again / The B and D of R 'n' R" held at the Art Institute of Chicago, "Collector's Paradise" is unique narrative of the history of rock and roll and a rich reflection on the history of popular American music. The product of years of combing flea markets and yard sales in search of both the visual and recorded history of rock and roll, this book traces R 'n' R back to the Minstrel days and American popular song post-Civil War and includes a chronological list of 1,500 key recordings and over three hundred color illustrations of material all from the wry Conceptual practitioner's personal collection. A brand new, pristine example containing one of nine loose 8 ½ x 11" inserts created for this book reproducing an image from material in the artist's archive still in the publisher's shrinkwrap. 0-9778696-5-2 Inventory Number: 023283
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MARTINEZ CELAYA: WORKING METHODS / METODOS DE TRABAJO - SIGNED BY THE ARTIST
(MARTINEZ CELAYA, ENRIQUE). Martinez Celaya, Enrique, Mary Rakow & Matthew Biro. Barcelona, SPAIN: Ediciones Poligrafa, 2013. First Edition. 4to. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued. 176pp, 110 illustrations in color and b&w. Text in English and Catalan. With a biography, exhibition history and bibliography. "Enrique Martinez Celaya is one of the most intriguing and celebrated artists to emerge from the United States in recent years. Trained as artist and physicist, his practice embraces painting, sculpture, photography, and writing. His projects frequently take the form of multi-disciplinary environments that balance images with the immediacy of the material experience. In the first comprehensive study of Martinez Celaya's multifaceted process, Mary Rakow and Matthew Biro illuminate previously unaddressed aspects of the artist’s practice including his tendency to destroy his own work, his materials and approaches towards them, his literary influences, and the changes that led to pivotal moments in his career. "Working Methods" features new photography, archival images, and a number of previously unpublished works. Also included is an interview by Rakow with the artist that reveals his unique practice". A brand new, pristine example additionally SIGNED AND DATED "Enrique Martinez Celaya / 7-19/13" in the year of publication in black ink on the title page. 84-343-1316-2 Inventory Number: 023234
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ANTHONY HERNANDEZ: LANDSCAPES FOR THE HOMELESS - SIGNED BY THE PHOTOGRAPHER
(HERNANDEZ, ANTHONY). Hernandez, Anthony & Lewis Baltz. Hannover, GERMANY: Sprengel Museum, 1995. First Edition. Square 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. 88pp, 49 color and 1 b&w illustration. Text in English and German. With a biography, exhibition history and bibliography. Issued in conjunction with a 1995 Sprengel Museum exhibition in recognition of his award of the DG Bank Forderpreis Fotografie, this is the first published survey of Anthony Hernandez' stark color images of the debris left behind at various homeless encampments. It includes a transcribed conversation between the photographer and his longtime friend and colleague Lewis Baltz. A brand new, most handsome example of the first edition (cited on page 173 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally SIGNED "Anthony Hernandez" in black ink on the title page. 3-89169-095-9 Inventory Number: 023227
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ROGER BALLEN: OUTLAND
(BALLEN, ROGER). Ballen, Roger. London & New York: Phaidon Press Ltd., 2001. First Edition. 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. 120pp, 61 duotone illustrations. Designed by SMITH. "Outland" is the culmination of almost twenty years' work for artist-photographer Roger Ballen. After beginning in the early 1980s by documenting the small dorps (or villages) of rural South Africa, by the late 1980s and early 1990s Ballen moved on to photographing their inhabitants: isolated rural whites, scarred by history, in the process of losing the privileges of apartheid which had provided them livelihoods and sustained their identity for a generation. The results were shocking, both powerful social statements and disturbing psychological studies". A brand new, pristine example of the 2001 first printing (cited on page 124 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III"). 0-7148-4058-0 Inventory Number: 023206
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DE POLITIEKAPEL VAN SURINAME / THE POLICE BAND OF SURINAME
(BLOKLAND, SARA). Blokland, Sara & Andre Loor. Amsterdam, Eindhoven, THE NETHERLANDS & Hartford,: Boa Producties & van Zoetendaal Publishers, 2010. First Edition. 4to. Gilt-Debossed Padded Boards. Photography Monograph. As New/No Jacket - As Issued. np (132pp), profusely illustrated in color. Designed by Willem van Zoetendaal. Text in Dutch and English. "The police band in Suriname cannot pride itself on being the oldest band in Suriname, nor even that it is very old, but it can take pride in having become an integral part of the social and cultural life in Surinamese society. The band has always been of great significance to the musical life in Suriname not only because of the weekly concerts they gave in The Park and on the former Government Square but also because of their repertoire. Photographer and artist Sara Blokland has followed the band and pictured in an untraditional way the history of the band and the people encountered by them". A brand new, most handsome example of the 2010 first edition of this charming tome (cited on page 130 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III"). 90-72532-06-6 Inventory Number: 023145
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DREAMING SMALL: INTIMATE INTERIORS - SIGNED BY THE AUTHOR AND PHOTOGRAPHER
(LEVICK, MELBA). Woods, Douglas & Melba Levick. New York: Rizzoli International Publications, 2014. First Edition. Small Square 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. 240pp, profusely illustrated in color. "The masterpieces of small-house living featured here will serve as inspiration to those who struggle with the challenges presented by contemporary life in petite-size homes. "Dreaming Small" is a celebration of jewel-box homes, each marked by a sense of style that marries eclecticism, practicality, beauty, and livability. From quintessential bungalows and classic casas to Tudor fantasies, these delightful abodes are models of rich diversity and inspired living. In brilliant new photography, the book explores the possibilities that exist in these mostly unpublished gems by legendary architects Irving Gill, Richard Neutra, Rudolph Schindler, Craig Ellwood, and Paul R. Williams, among others. The houses, each under two thousand square feet, are examples of what is possible in the small home and offer the reader a colorful palette of ideas from which to artfully transform spaces into comfortable, contemporary living". A brand new, pristine example of the 2014 first printing of this charming survey of intimate Southern California interiors additionally BOLDLY SIGNED by author Douglas Woods and photographer Melba Levick in black ink on the title page. 0-8478-4231-2 Inventory Number: 023138
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CATHERINE OPIE: SKYWAYS AND ICEHOUSES - SIGNED BY THE PHOTOGRAPHER
(OPIE, CATHERINE). Opie, Catherine & Douglas Fogle, et al.. Minneapolis, MN: Walker Art Center, 2002. First Edition. 4to. Pictorial Self Wrappers. Photography Monograph. Near Fine.. 56pp, 9 color and 8 b&w illustrations + color cover. Designed by Linda Byrne and Andrew Blauvelt. With a biography and exhibition checklist. This is the austere catalogue published in conjunction with the 2002 Walker Art Center exhibition "Catherine Opie: Skyways and Icehouses". It contains the Los Angeles-based photographer's black and white panoramic images of the Minneapolis and St. Paul Skyway systems along with her color work documenting Minnesota's eclectic hand built structures used to protect ice fishermen as they ply their sport during the harsh Midwestern winters. A most handsome example additionally BOLDLY SIGNED "Catherine Opie" in black ink on the title page in the publisher's printed obi. 0-935640-72-X Inventory Number: 023108
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JODY ZELLEN: BLUR
(ZELLEN, JODY). Zellen, Jody. Santa Monica, CA: Self-Published, 1997. First Edition 1/500. 16mo. Stapled Pictorial Wrappers. Artist's Book. Fine.. np (40pp), profusely illustrated in color and b&w. Designed by Jody Zellen. Published in conjunction with the 1997 exhibition "Blur" at San Diego Mesa College Art Gallery, this is the second of Santa Monica-based artist/graphic designer Jody Zellen's self-produced small format artist's books. Uniformly scaled to 4 ½ x 4 ½", these beautiful little editions combine photographic reproduction, text, and a grid format to achieve a sublime narrative. A most handsome example of this uncommon item limited to five hundred unnumbered copies. Inventory Number: 023103
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RON JUDE: ALPINE STAR - SIGNED BY THE PHOTOGRAPHER
(JUDE, RON). Jude, Ron. Rochester, NY: A-Jump Books, 2006. First Edition 1/500. 8vo. Illustrated Wrappers. Photography Monograph. Fine.. np (96pp), 49 black & white illustrations. In a protective clear acetate dustwrapper. "The source of the photographs in "Alpine Star" is the weekly newspaper from Ron Jude's hometown of McCall in Central Idaho. The poetic element of these images - that unnamed, abstract subtext found in every photograph - is inflated here through the process of subtle manipulation and nuanced sequencing. While offering a world of loss and isolation, the pictures also suggest the cross-pollination of personal history and collective memory". A bright, most handsome example from the unnumbered first edition of five hundred copies of the photographer's first book additionally SIGNED AND DATED "Ron Jude 2007" in black ink on the rear colophon. 0-9777655-0-4 Inventory Number: 023101
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ARI MARCOPOULOS: UNDER PENALTY OF PERJURY (FRANK NATIELLO COVER) - SIGNED BY THE PHOTOGRAPHER
(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND & Melbourne, AUSTRALIA: Nieves & Someday Gallery, 2006. First Edition 1/200 Artist Proofs. Small 4to. Pictorial Wrappers. Photography Monograph. Fine.. np (160pp), 78 b&w illustrations. In a protective clear acetate dustwrapper. "This is Ari Marcopoulos' ironically titled, compelling mix of new and old images - a collection of his works like you have never experienced before. The book is published by Nieves for the exhibition "Under Penalty of Perjury" at Someday Gallery in Melbourne, where Ari’s works are shown for the first time as large scale black and white photocopied prints on paper. Ari’s long-standing collaboration with Nieves and his choice of using xeroxed reproductions for the exhibition have made it a natural step to produce this new book together. It comes with two different covers and is published in an edition of two hundred copies". A most handsome example of what is arguably the most sought after of Mr. Marcopoulos' many fine books from the one hundred unnumbered copies with the image of skateboarder Frank Natiello on the front cover additionally BOLDLY SIGNED TWICE by the photographer in black ink across the title page. Inventory Number: 023068
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ARI MARCOPOULOS: WHAT'S HAPPENING?
(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND: Nieves, 2007. First Edition 1/150. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (22pp), profusely illustrated in b&w. "What's Happening?" is artist/photographer supreme Ari Marcopoulos' slender little artist's book of black and white views of the natural world between late 2006 and early 2007 - though there is a single image of two skateboarders pictured here at the rear. A brand new, pristine example of this exceedingly uncommon item published by Nieves in a numbered (76/150) edition limited to one hundred and fifty copies. Inventory Number: 023066
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JEREMY BLAKE: THE FOURTY MILLION DOLLAR BEATNIK - SIGNED BY THE ARTIST
(BLAKE, JEREMY). Blake, Jeremy, Tim Griffin & Dike Blair. Los Angeles: Works on Paper, Inc., 2001. First Edition 1/500. 12mo. Printed Wrappers. Artist Monograph. Near Fine.. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Inventory Number: 023062
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PEDRO MEYER: LOS COHETES DURARON TODO EL DIA
(MEYER, PEDRO). Meyer, Pedro. Mexico City, MEXICO: Petroleos Mexicanos, 1988. First Edition. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 148pp, profusely illustrated in b&w. Text in Spanish. "Los cohetes duraron todo el dia" is noted Mexican photographer Pedro Meyer's 1988 socially conscious photo essay commissioned by the national petroleum company Pemex to coincide with its fiftieth anniversary. Due however to Meyer's dedication of the volume to Lazaro Cardenas, the socialist-leaning former president who established Pemex in 1938 as part of his nationalization of Mexican oil production (whose son also happened to be an opposition candidate to then-current president Carlos Salinas earlier in the year), the newly elected government seized nearly all the copies printed to put a stop to the book's distribution. A bright. most handsome example of this uncommon and desirable document (cited on pages 198-199 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") acquired directly from Pedro Meyer. 968-6164-35-9 Inventory Number: 023060
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TODD HIDO: CRACKED TREES (ONE PICTURE BOOK NO. 59) - LIMITED EDITION SIGNED BY THE PHOTOGRAPHER WITH A COLOR PHOTOGRAPH TIPPED IN AND AN ADDITIONAL SIGNATURE
(HIDO, TODD). Hido, Todd. Tucson, AZ: Nazraeli Press, 2009. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (16pp), 5 color illustrations. Todd Hido's "Crooked Cracked Trees" is the fifty-ninth installment of Nazraeli Press' estimable "One Picture Book" series. Limited to five hundred copies, it contains "four reproductions of watercolor paintings by the students of Mrs. Flores' 08-09 monolingual First Grade class at Lyon Magnet Elementary School, Waukegan, Illinois" along with a 3 ¾ x 4 ¾" color type C photographic print of an actual cracked tree SIGNED AND NUMBERED (18/500) by Todd Hido in ink on the verso tipped in at the rear of the book, as issued. A brand new, pristine example of this lovely item additionally BOLDLY SIGNED "Todd Hido" in black ink on the title page. 1-59005-292-1 Inventory Number: 023059
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WILLIAM WEGMAN
(WEGMAN, WILLIAM). Livingston, Jane. Los Angeles: Los Angeles County Museum of Art, 1973. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (26pp), 23 b&w illustrations. This is the slender catalogue published in conjunction with William Wegman's 1973 one-person exhibition of photographs, drawings and video works held at the Los Angeles County Museum of Art's Lytton Contemporary Galleries curated by Helene Winer. It is the second monographic publication on the artist. An internally bright and clean example of this uncommon item showing some light overall wear, rubbing and soiling to the wrappers. Inventory Number: 023049
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ANDRE KERTESZ: THE MANCHESTER COLLECTION - SIGNED BY THE PHOTOGRAPHER
(KERTESZ, ANDRE). Cartier-Bresson, Henri, Harold Riley, Mark Haworth-Booth, Lady Marina Vaisey, Weston J. Naef, Colin Ford & Charles Harbutt. Manchester, ENGLAND: Andre Kertesz and The Manchester Collection, 1984. First Edition. 4to. Pictorial Wrappers. Photography Monograph. Near Fine.. 188pp, 297 duotone illustrations. With a biography. This is an extremely well-illustrated catalogue in the form of a festschrift published in honor of Andre Kertesz' 90th birthday that documents the collection of his own photographic prints donated to the United Kingdom's National Museum of Photography in Bradford. In addition to reproducing nearly three hundred images, it includes textual contributions by Henri Cartier-Bresson, Harold Riley, Mark Haworth-Booth, Lady Marina Vaisey, Weston J. Naef, Colin Ford, and Charles Harbutt. A most handsome example of the paperbound edition first additionally BOLDLY SIGNED "A Kertesz" in black ink on the title page in the photographer's inimitable shaky script. It has additionally been signed in black ink on the same page by contributor Mark Haworth-Booth. Inventory Number: 023046
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BANKSY: MYTHS AND LEGENDS - A COLLECTION OF THE UNBELIEVABLE AND INCREDIBLE BY MARC LEVERTON
(BANKSY). Leverton, Marc. London: Carpet Bombing Culture, 2011. First Edition. 12mo. Printed Wrappers. Artist Monograph. As New.. 96pp, profusely illustrated in color. Designed by Nick Law. "No single living artist has created as many myths, rumours and legends as Banksy. In his home town of Bristol, almost everyone seems to have a Banksy story. Many of the tales in this book are from Bristol, some are from further afield. What they share is that they are all told with the wide eyed wonder which Banksy inspires. Compiled between 2009 and 2011, some of these stories are quite old and have been told so many times they have become the stuff of legend, while others are more questionable and can best be described as myths. Some are laugh out loud bollocks and others are simply gossip. You be the judge". A brand new, pristine example of the 2011 first edition of this well-illustrated, charming little gem. 1-908211-01-6 Inventory Number: 023043
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JULIAN OPIE: PORTRAITS
(OPIE, JULIAN). Kurjakovic, Daniel. Zurich, SWITZERLAND & Ostfildern-Ruit, GERMANY: Codax Publisher & Hatje Cantz Publishers, 2003. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. 216pp, profusely illustrated in color. Text in English and German. Designed by wbg, ag. "Composed of his characteristically simplified lines and shapes, Julian Opie's portraits are rendered through computer technology. Beginning with a photograph scanned into a computer, the artist uses software to edit the images and hone in on their graphic essentials. The fascinating results become icons that serve to identify the individuals with the least information possible. Whereas most of Opie's portraits feature unknowns, some commissioned works feature public figures like Blur, Kate Moss or Michael Schumacher. By identifying them in the titles only by their first names and occupations, Opie zaps these celebrities of their fame and mythic status, simplifying them down to the familiar, human shape of their faces. A most handsome example of this uncommon item still in the publisher's shrinkwrap. 3-7757-1301-8 Inventory Number: 023022