Arcana:

(WENDT, WILLIAM). Anderson, Antony, Fred S. Hogue, Alma May Cook & Arthur Millier. Los Angeles: Stendahl Art Galleries, 1926. First Edition. 8vo. Gilt-Debossed Boards. Artist Monograph. Very Good/No Jacket. 94pp, 71 b&w illustrations. In a protective clear acetate dustwrapper. This monograph on the noted California Plein Air painter William Wendt was issued by the renowned Stendahl Art Gallery at Los Angeles' Ambassador Hotel in 1926. It includes texts by Antony Anderson, Fred S. Hogue, Alma May Cook and Los Angeles Times art critic Arthur Millier along with seventy-one reproductions of his work with commentary. A bright, handsome example of the 1926 first edition of this uncommon item lacking its dust jacket additionally BEARING THE BOLDLY SIGNED PRESENTATION "To Dr. and Mrs. Arthur Cecil. / William Wendt." in ink beneath the artist's frontispiece portrait showing some light wear and soiling to the boards, a bit of spotting to the inside covers and endpapers, and some typical mild age-toning to the extremities of the the pages that reproduce the artworks. It has been priced accordingly. Inventory Number: 025948

(WACHTEL, ELMER). Anderson, Antony. Los Angeles: Carl A. Bundy Quill & Press, 1930. First Edition. 8vo. Gilt-Debossed Boards. Artist Monograph. Very Good/No Jacket. 52pp, 33 sepia-toned illustrations. In a protective clear acetate dustwrapper. This monograph on the well-known Southern California Plein Air painter Elmer Wachtel was issued shortly after his death in 1929. It includes thirty-three reproductions of his work with commentary along with a frontispiece portrait of the artist by his widow Marion Kavanagh Wachtel. A handsome example of the 1930 Carl A. Bundy Quill & Press first edition this uncommon item that is still the major reference on the artist lacking its dust jacket showing some light soiling to the boards, a bit of spotting to the inside covers, and some typical age-toning to the frontispiece's tissue overlay additionally BEARING THE BOLDLY SIGNED PRESENTATION "Ione Harkness - / from / Marion Kavanagh Wachtel." in brown ink on the blank page facing her portrait of Wachtel. Inventory Number: 025947

(ART CENTER COLLEGE OF DESIGN). Art Center School Staff. Los Angeles: The Art Center School, 1941. First Edition. Oblong 8vo. Spiral-Bound Illustrated Wraps. Educational Course Catalogue. Near Fine.. 72pp, profusely illustrated in duotone and b&w. Designed by students of The Art Center School with Harvey Thompson. In a protective clear acetate dustwrapper. This is the exceedingly stylishly designed catalogue of the 1941 academic offerings for Los Angeles' Art Center School. Founded in 1930, the renowned institution was one of Southern California's first comprehensive Art colleges. It relocated in 1976 to Pasadena, and became known as Art Center College of Design. Specializing in trade-oriented educational programs for students seeking careers in painting and illustration, advertising and graphic design, architecture, photography, motion picture craft, and industrial and automotive design, their faculty has always featured a stellar collection of professionals in these fields. Included here are Ansel Adams, Edward A, Adams, Fred R. Archer, Earl Baird, Lionel Banks, Edward Biberman, Clarence Bull, Will Connell, Thomas S. Curtis, Fred Dapprich, J.R. Davidson, James Doolittle, Paul Dorsey, Clarence K. Eaton, Elizabeth Franklin, Harwell Hamilton Harris, Frank Hewlett, Franklin B. Judson, Edward B. Kaminsky, Gordon B. Kaufmann, Charles Kerlee, Donald Biddle Keyes, Albert King, Nina Novinska, Charles Potts, R.M. Schindler, A.B. Shore, Chalmers C. Smith, Kem Weber, and many others. Designed by students and faculty in a modernist style reminiscent of the work of Lester Beall and Alvin Lustig, its eye-catching layout features numerous striking photomontages combining photography, illustration, and typography. An exceptionally bright, most handsome example of this exceedingly uncommon design object NUMBERED 598 (of an unstated edition) bearing the school's printed designation "This Book Presented to" followed by "Grace Mallon" in blue ink, as issued. Grace Elizabeth Mallon was an Art Center School student who went on to a career as a fine artist in the mold of her mentor, Millard Sheets, as well as working for Walt Disney, Universal Studios, Fairbanks Films, Churchill-Wexler Films, and Hanna-Barbera Studios. She participated in San Francisco's 1939 Golden Gate International Exhibition and is included in Milton Edan Hughes' comprehensive reference work "Artists in California 1786-1940." Inventory Number: 025945

(ROBERT, HUBERT). Carlson, Victor. Preface by J. Carter Brown. Washington, D.C.: National Gallery of Art, 1978. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good -.. 160pp, profusely illustrated in b&w and color. With a bibliography. This is the substantial catalogue published in conjunction with a 1978 exhibition of the drawings and watercolors of the noted Eighteenth Century French artist Hubert Robert held at Washington's National Gallery of Art. An internally most handsome example of this exceedingly uncommon item showing light age-toning, soiling and insect damage to its covers along with some mild abrading along the spine. It has been priced accordingly. LC 78-22022 Inventory Number: 025935

(NEWTON, HELMUT). Newton, Helmut. New York: Xavier Moreau, 1984. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Near Fine. 192pp, profusely illustrated in color and b&w. Text in English. Designed by Marc Walter. Issued by his longtime collaborator Xavier Moreau in 1984, "World Without Men" was the very first survey devoted solely to Helmut Newton's women's fashion editorial work. It combines Newton's own journal entries interlaced amongst a beautifully designed and printed, comprehensive selection of nearly twenty years of the photographer's decadence-laden images created for American, French, Italian & German "Vogue", "Queen", "Nova", "British Vanity Fair", "Stern", "Egoiste", and many more. The designers featured here include Chanel, Dior, Yves Saint-Laurent, Pierre Cardin, Nina Ricci, Givenchy, Ungaro, Ossie Clark, Tuffin & Foale, Mary Quant, Jean Muir, Thierry Mugler, Valentino, Hermes, Karl Lagerfeld, Balmain, Sonia Rykiel, Claude Montana, Jean-Paul Gaultier, and too many more to mention. A most handsome example additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / Better a world / with women / and without / men / Helmut" in blue ink across the title page showing discreet ownership stamps in ink on the front pastedown and half title page along with a bit of wear and some tiny closed tears to the extremities of the dust jacket. 0-937950-06-8 Inventory Number: 025926

(LEWITT, SOL). LeWitt, Sol. Basel & Bern, SWITZERLAND. ND (circa 1976).: Kunsthalle Basel & Verlag Kornfeld und Cie.. First Edition. Small Square 4to. Printed Wrappers. Catalogue Raisonné. Near Fine.. np (96pp), profusely illustrated in color and b&w. Text in German with English captions. Co-published by the Kunsthalle Basel and Verlag Kornfeld und Cie, this substantial document is a full catalogue raisonné of Sol LeWitt's screenprints, lithographs, etchings, and artist books executed between 1970 and 1975. It includes entries for ninety-seven works that are all illustrated throughout. An otherwise bright, most handsome example of this uncommon item showing a diagonal closed tear to one of the rear pages. It has been priced accordingly. Inventory Number: 025919

(GOLDSTEIN, JACK). Lebredt, Gordon. Foreword by Fiona McLeod. Edinburgh, SCOTLAND: Fruitmarket Gallery, 1988. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 48pp, 16 color illustrations. With a chronology and exhibition history. This is the catalogue published in conjunction with a 1988 survey exhibition of sixteen large format paintings from the eighties by Jack Goldstein held at Edinburgh's Fruitmarket Gallery. An internally most handsome example of this uncommon item showing just a bit of light wear to the covers and a slight diagonal dent through the head of the spine. 0-947912-21-5 Inventory Number: 025917

Develing, E. & Shirley Blum. Riverside, CA: Art Gallery, University of California, Riverside, 1970. First Edition. 4to. Stapled Printed Wrappers. Exhibition Catalog. Near Fine.. 20pp, 4 b&w illustrations. With bibliographies. This is the minimally-appointed catalogue published in conjunction with a 1970 Art Gallery, University of California, Riverside exhibition of sculptural works by American Minimal pioneers Carl Andre, Dan Flavin, Donald Judd, and Robert Morris. A glossy, most handsome example of this exceedingly uncommon item showing some very light handling and ink transfer from rubbing to its grey covers. Inventory Number: 025915

(TUTTLE, RICHARD). Tuttle, Richard. Firenze, ITALY: Victoria Miro Gallery, 1990. First Edition. 12mo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (16pp), no illustrations. Text in English. "Eight Words from a Reading at Brooklyn College" is the elegant little Richard Tuttle artist book published in conjunction with a 1990 Italian gallery exhibition. Letterpress-printed in silver gilt with offset decorative borders on the front cover, its title is a literal description of the contents. A most handsome example of this uncommon ephemeral item (entry number thirty-three in Robert M. Murdock's "Richard Tuttle: Books & Prints") showing some trivial age-toning to its newsprint covers and pages. Inventory Number: 025914

(WEINER, LAWRENCE). Weiner, Lawrence. Geneve, SWITZERLAND: Centre d'Art Contemporain, Geneve, 1980. First Edition. 4to. Exhibition Poster. Very Good.. One 13 3/4 x 8" sheet of adhesive-backed paper printed recto only. Text in English and French. This is the sticker-poster for Lawrence Weiner's 1980 Centre d'Art Contemporain, Geneve exhibition entitled "The Response of an Object to / Contact Sufficient to Lead to / a Change in Inherent Quality / (vis Inertiae)". A most presentable example of this uncommon ephemeral item (cited on pages 94-95 in Benjamin H.D. Buchloh's "Posters: November 1965 - April 1986: Lawrence Weiner") that constituted a component of the gallery exhibition with the backing still affixed showing a neat horizontal crease across the perforation at the lower third. It has been priced accordingly. Inventory Number: 025911

(WEINER, LAWRENCE). Weiner, Lawrence. Basel, SWITZERLAND & New York: Rolf Preisig & Moved Pictures (Lawrence Weiner), 1978. First Edition 1/780. 12mo. Pictorial Wrappers. Artist's Book. Good.. np (42pp), profusely illustrated in b&w. Text in English and German. Photographs by Beate Nilsen. Dedicated to Simon Rodia - the creator and artisan of Los Angeles' amazing Watts Towers - "Regarding Inscriptions..." is a 1978 photographically illustrated artist's book by the esteemed conceptual practitioner Lawrence Weiner. A presentable example only of this uncommon item (entry number twenty-two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and eighty unnumbered copies showing a pronounced dent through the textblock at the lower foredge corner along with two water spots to the front cover. It has been priced accordingly. Inventory Number: 025906

(WEINER, LAWRENCE) (MERTZ, ALBERT). Weiner, Lawrence & Albert Mertz. Aalborg, DENMARK: Nordjyllands Kunstmuseum, 1983. First Edition 1/2150. Folio. Stapled Printed Wrappers. Artists Monograph. Good.. np (12pp), profusely illustrated in color and b&w. Text in English and Danish. Designed by Lawrence Weiner and Albert Mertz. This is the slender, oversized twelve page catalogue published in conjunction with a 1983 two person exhibition at Aalborg's Nordjyllands Kunstmuseum featuring Lawrence Weiner and Danish colleague Albert Mertz. It contains original texts by both artists as well as reproductions of diagrammatic + text based works and film stills. An internally most presentable example of this uncommon item (entry number twenty of the exhibition catalogues in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") showing creasing, rubbing, and handling marks to the wrappers along with a closed surface slice and a small foredge nick to the front cover. It has been priced accordingly. Inventory Number: 025904

Cohen, Arthur A. & Luce Marinetti. New York: Ex Libris & Prakapas Gallery, 1985. First Edition. 4to. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. np (20pp), 16 b&w illustrations. Designed by Tamar Cohen. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender publication was the catalogue for a 1985 exhibition held concurrently at Ex Libris and Prakapas Gallery of Italian Futurist works on paper by Fidele Azari, Emilio Buccafusca, Mario Carli, Francesco Cangiullo, Pasqualino Cangiullo, Luciano De Nardis, Ugo Giannattasio, F.T. Marinetti, Angelo Rognoni, and Lucio Vernna (Landsmann). A most presentable example of this uncommon ephemeral item that was the only printed documentation of the event showing some light soiling and handling creases to its rear cover. Inventory Number: 025896

Cohen, Arthur A.. New York: Ex Libris, 1982. First Edition. 4to. Stapled Pictorial Wrappers. Bookseller's Catalogue. Fine.. np (30pp), 62 b&w illustrations. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender hord serie catalogue was devoted entirely to The Bauhaus and its impact - featuring one hundred and ninety fully described original photographs, weavings and textiles, drawings, books, periodicals, pamphlets, and printed ephemera related to the likes of Josef Albers, Herbert Bayer, Aenne Biermann, Walter Dexel, T. Lux Feininger, Walter Gropius, Joannes Itten, Paul Klee, El Lissitzky, Hannes Meyer, Ludwig Mies Van Der Rohe, Lucia Moholy, Laszlo Moholy-Nagy, Xanti Schawinsky, Oskar Schlemmer, Joost Schmidt, Thonet, Jan Tschichold, "Umbo" (Otto Umbehrer), Theo Van Doesburg, and many, many others. And while at the time of its publication the prices here seemed astronomical, some thirty-five odd years later they are finally downright bargains! A most handsome example this uncommon reference. Inventory Number: 025895

Cohen, Arthur A.. New York: Ex Libris, 1981. First Edition. Tall Narrow 8vo. Stapled Printed Wrappers. Bookseller's Catalogue. Near Fine.. np (18pp), 17 b&w illustrations. With a bibliography. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender eighteen page hors sequence catalogue describes sixty-one books, catalogues and printed works of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Natalia Goncharova, Iliazd, Velimir Khlebnikov, Mikhail Larionov, El Lissitzky, Kazimir Malevich, Alexandr Rodchenko, Olga Rozanova, Vladimir Tatlin, and many others. And while at the time of its 1981 publication the prices here seemed astronomical, some thirty-five years later they are finally downright bargains! A handsome example of this uncommon reference. Inventory Number: 025894

Cohen, Arthur A.. New York. ND (circa 1988).: Ex Libris. First Edition. Tall Narrow 8vo. Stapled Illustrated Wrappers. Bookseller's Catalogue. Fine.. np (48pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number eighteen features fifty-two fully described and illustrated exceptional works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on or by the likes of Hans (Jean) Arp, Broom, Francesco Cangiullo, Fortunato Depero, Andre Derain, Marcel Duchamp, Max Ernst, Die Flaeche, Fluxus, Natalia Goncharova, Wassily Kandinsky, Valentina Kulagina, Fernand Leger, El Lissitzky and Mayakovsky, Kazimir Malevich, Henri Matisse, Bruno Munari, Diter Rot (Dieter Roth), Kurt Schwitters, Surrealism, Ladislav Sutnar, Yves Tanguy, Tato (Guglielmo Sansoni), Tolschin, H. Th. Wijdeveld, Tristan Tzara, Frank Lloyd Wright, Piet Zwart, and more. And while at the time of its publication the prices here seemed astronomical, some thirty years later they are finally downright bargains! A bright, most handsome example of this uncommon reference with the original price list additionally laid in. Inventory Number: 025893

Cohen, Arthur A. & Trevor Winkfield. New York: Ex Libris, 1983. First Edition. 4to. Wrappers in Illustrated Jacket. Bookseller's Catalogue. Near Fine./Fine.. np (76pp), profusely illustrated in b&w. Designed by Tamar Cohen and Elaine Lustig Cohen. With a bibliography. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number ten was devoted entirely to Dada material - featuring three hundred and thirty-six fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on or by the likes of Hans Arp, Hugo Ball, Andre Breton, Marcel Duchamp, Max Ernst, George Grosz, Raoul Hausmann, John Heartfield, Richard Huelsenbeck, Marcel Janco, Alfred Jarry, Man Ray, Francis Picabia, Hans Richter, Kurt Schwitters, Tristan Tzara, Theo Van Doesburg, and many, many others. And while at the time of its 1983 publication the prices here seemed astronomical, some thirty-five years later they are finally downright bargains! A most handsome example of this uncommon reference in a like dust jacket. Inventory Number: 025890

(THIEBAUD, WAYNE). Stone Gallery Staff, Alan. New York: Allan Stone Gallery, 1967. First Edition. Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. 18pp, 11 b&w and 10 color illustrations + color covers. With an exhibition checklist. This is the slender catalogue published in conjunction with a 1967 exhibition of twenty-three then-recent works by Wayne Thiebaud held at his longtime East Coast gallery. A handsome example of this uncommon item showing just a bit of wear and handling to the covers. Inventory Number: 025889

(TAPIES, ANTONI). Butor, Michel, Jean-Marie Baron & Antoni Tapies. Saint-Paul De Vence, FRANCE: Fondation Maeght, 1976. First Edition. Square 8vo. Lithographic Wrappers. Artist Monograph. Very Good.. 176pp, profusely illustrated in and b&w. Text in French. With an exhibition checklist. This is a beautiful catalogue issued in conjunction with a 1976 Fondation Maeght retrospective of work by Antoni Tapies. It contains two gatefold color lithographs - one incorporating the initials A and T as the cover, and a gatefold spread bound into the book - executed by the renowned Catalan abstract artist especially for this publication; A handsome example of this lovely book. 2-85587-023-2 Inventory Number: 025888

(STELLA, FRANK). Axsom, Richard H., Phylis Floyd & Matthew Rohn. Foreword by Evan M. Maurer. New York: Hudson Hills Press, Incorporated (in Association with the University of Michigan Museum of Art, Ann Arbor, MI), 1983. First Edition. Square 4to. Illustrated Wrappers. Catalogue Raisonné. Very Good.. 192pp, profusely illustrated in color and b&w. This is the catalogue published in conjunction with a 1983 traveling Museum retrospective of Frank Stella's graphic work organized by the University of Michigan Museum of Art. The largest exhibition of the prolific artist's work to date, over two hundred prints are illustrated and annotated in this comprehensive study which remains the current catalogue raisonné of Stella's graphics. A handsome example of the 1983 first paperbound edition showing a minor brown dampstain along the top foredge of the inside rear cover and endpaper. It has been priced accordingly. 0-933920-41-5 Inventory Number: 025887

(STEINBERG, SAUL). Steinberg, Saul. New York: Sidney Janis Gallery, 1969. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 20 b&w illustrations + covers. With an exhibition checklist. This is the catalogue issued in conjunction with a 1969 exhibition of seventy-five recent drawings and watercolors by Saul Steinberg held at the artist's longtime New York gallery, Sidney Janis. A most handsome example showing the slightest bit of rubbing to the front cover. Inventory Number: 025885

(CHAMBERLAIN, JOHN). Rose, Barbara & M(ichael). S(onnabend).. Paris. ND (1964).: Ileana Sonnabend. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (16pp), 6 b&w illustrations. Text in French. In a protective clear acetate dustwrapper. This is the slender, elegant catalogue published in conjunction with a 1964 presentation of sculptural work by John Chamberlain held at Ileana Sonnabend's Parisian gallery. It was the noted late artist's first international one-person exhibition, and this is his first monographic publication. A handsome example of this uncommon item showing some mild age-toning, and soiling to its matte white covers. Inventory Number: 025869

(ALTOON, JOHN). Hopps, Walter & Elke M. Solomon. New York: Whitney Museum of American Art, 1971. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (24pp), 19 b&w and 2 color illustrations + color cover. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a posthumous 1971 Walter Hopps-curated Whitney Museum of American Art retrospective of fifty drawings and lithographs by the quirky Los Angeles-based, Ferus Gallery-affiliated artist John Altoon. A bright, most handsome example of this uncommon item with an additions and errata slip laid in. LC 71-181853 Inventory Number: 025865

(SERRA, RICHARD). Reid, James. Los Angeles: Gemini G.E.L., 1996. First Edition. Square 8vo. Printed Wrappers. Artist Monograph. Fine.. np (36pp), 15 duotone illustrations. Designed by James Cross. This is one of Los Angeles-based Gemini G.E.L.'s lovely print/multiple prospectuses detailing the publication of fourteen monochrome etchings by Richard Serra produced between 1993 and 1996. A bright white, most handsome example of this uncommon item with the publisher's price list additionally laid in. Inventory Number: 025863

(RAUSCHENBERG, ROBERT). Rauschenberg, Robert. Los Angeles: Gemini G.E.L., 1974. First Edition. 8vo. Stapled Pictorial Wrappers. Print Prospectus. Fine.. np (12pp), 2 tipped color and 6 b&w illustrations + covers. Designed by John Coy. Cover Montage by Robert Rauschenberg. This is one of Los Angeles based Gemini G.E.L.'s lovely little print/multiple prospectuses announcing the publication of Robert Rauschenberg's 1973 dyed, handmade paper multiples known as "Pages" and "Fuses". A bright, most handsome example of this uncommon item.. Inventory Number: 025860

(ALBERS, JOSEF). Nordland, Gerald & Kenneth E. Tyler. Los Angeles: Gemini G.E.L., 1971. First Edition. 8vo. Stapled Pictorial Wrappers. Print Prospectus. Near Fine.. np (18pp), 15 duotone illustrations. Designed by John Coy. This is one of Los Angeles-based Gemini G.E.L.'s lovely little print/multiple prospectuses announcing the publication of renowned Bauhaus instructor Josef Albers' 1971 series of ten original graphic works: "White Embossings on Gray". A handsome example of this uncommon item with the publisher's price list and order form laid in showing a bit of sunning along the spine. Inventory Number: 025853

(ROSENQUIST, JAMES). Pierre, Jose, Edward F. Fry & Edouard Jaguer. Paris: Ileana Sonnabend, 1964. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Very Good.. np (12pp), 6 b&w illustrations. Text in French. With a chronology and exhibition history. This is the slender twelve page catalogue published in conjunction with James Rosenquist's first international exhibition held in 1964 at Ileana Sonnabend in Paris. A handsome example of this uncommon early item - the Pop Art master's first monographic publication - with the gallery's exhibition checklist additionally laid in showing some mild wear, age-toning, and soiling to its matte white covers. Inventory Number: 025852

(RAUSCHENBERG, ROBERT). Jouffroy, Alain, Lawrence Alloway, Michel Ragon, Francoise Choay, Gillo Dorfles, John Cage & Robert Rauschenberg. Paris: Ileana Sonnabend, 1963. First Edition. 4to. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (32pp), 11 b&w illustrations. Text in French. With a chronology and exhibition history. This is the catalogue published in conjunction with two sequential 1963 exhibitions of twenty-six works total executed by Robert Rauschenberg between 1953 and 1963 held at his longtime Parisian gallery Ileana Sonnabend. A most handsome example of this uncommon early item with the gallery's exhibition checklist additionally laid in showing just a bit of typical age-toning and soiling to its matte white covers. Inventory Number: 025851

(WEBER, KEM). Gebhard, David & Harriette Von Breton. Santa Barbara, CA. 1969 (1976).: The Art Galleries of the University of California, Santa Barbara.. Second Edition 1/750. Square 8vo. Illustrated Wrappers. Design Monograph. Near Fine.. 108pp, 113 illustrations in b&w. Designed by David Gebhard. With a biography and bibliography. In a protective clear acetate dustwrapper. This is the lovely catalogue published in conjunction with the first major retrospective of the work of the noted Southern California-based architect and industrial designer Kem Weber. Perhaps best known for his contributions to West Coast Art Deco, Weber designed sets for Paramount Studios, several lines of furniture - including his renowned "Airline" chair of 1935, many department stores, and Burbank's Walt Disney Studios in 1941. A bright, most handsome example of the second printing of this uncommon document limited to seven hundred and fifty unnumbered copies showing some light wear and rubbing to its foil wrappers. LC 74-623366 Inventory Number: 025842

(EVANS, WALKER) (FRANK, ROBERT). Papageorge, Tod. New Haven, CT: Yale University Art Gallery, 1981. First Edition. Square 4to. Pictorial Wrappers. Photography Monograph. Very Good -.. 62pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the catalogue issued in conjunction with Tod Papageorge's 1981 Yale University exhibition documenting the relationship between the imagery of Walker Evans' "American Photographs" of 1938 and Robert Frank's 1959 "The Americans". A most handsome example of this uncommon item with a newspaper clipping of the April 5th 1981 "New York Times" review of the exhibition along with the Daniel Wolf Gallery price list for a contemporary show of vintage prints by Evans and Frank that were also being exhibited at Yale laid in. 0-89467-015-8 Inventory Number: 025841

(GIBSON, RALPH). Gibson, Ralph. Hancock, NH: Lustrum Limited Editions & Colloquium, Inc., 1974. First Edition. 16mo. Stapled Pictorial Wrappers. Publisher's Prospectus. Fine.. np (12pp), 9 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. This is the pre-publication prospectus for the 1974 Lustrum Limited Editions and Colloquium , Inc. portfolio limited to fifty copies containing ten photographic prints from Ralph Gibson's "Days at Sea". A bright, most handsome example of this exceedingly uncommon, tiny (5 ½ x 4 ¼") ephemeral item. Inventory Number: 025839

Cohen, Arthur A. & W. Michael Sheehe. New York: Ex Libris, 1977. First Edition. 4to. Illustrated Wrappers. Bookseller's Catalogue. Very Good.. np, profusely illustrated in b&w. Designed by Elaine Lustig Cohen. With an index and bibliography. In a protective clear acetate dustwrapper. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number six was their piece de resistance - with four hundred and thirty-four fully described and indexed books, periodicals, pamphlets, and posters of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Vladimir Burliuk, Marc Chagall, Vasilii Ermilov, Alexandra Exter, Pavel Filonov, Naum Gabo, Natalia Goncharova, Vasilii Kamensky, Vasilii Kandinsky, Ivan Kliun, Gustav Klucis, Petr Konchalovsky, Mikhail Larionov, V. Lebedev, El Lissitzky, Kazimir Malevich, Mikail Matiushin, Petr Miturich, Liubov Popova, Ivan Puni, Alexander Rodchenko, Olga Rozanova, Georgii Stenberg, Vladimir Stenberg, Vavara Stepanova, Vladimir Tatlin, Alexandr Vesnin, and many, many others. It contains over five hundred additional items related to F.T. Marinetti and Italian Futurism, De Stijl, The Bauhaus and its Legacy, and Eastern European & German books, periodicals, graphics and photographs. And while at the time of its 1977 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! An internally most handsome example of this uncommon reference showing wear, rubbing, and some sunning along the spine of its graphically striking covers. LC 77-71400 Inventory Number: 025835

(KAPROW, ALLAN). Kaprow. Allan & Barbara Berman. Preface by James T. Demetrion. Pasadena, CA: Pasadena Art Museum, 1967. First Edition. 4to. Spiral-Bound Boards. Artist Monograph. Near Fine/No Jacket - As Issued. 56pp, profusely illustrated in b&w gravure. With an exhibition history, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the exceedingly cool catalogue published in conjunction with the first major museum survey of the work of the renowned late Happenings and Performance artist Allan Kaprow. Published in 1967, the retrospective travelled from the Pasadena Art Museum to St. Louis' Washington University and The University of Texas, Austin. It includes copious photographic documentation, a transcribed interview between the artist and Barbara Berman, and the announcement for Kaprow's happening "Fluids" that was performed throughout Southern California in conjunction with the exhibition. A most handsome example of this uncommon spiral-bound document limited to one thousand, two hundred unnumbered copies showing some typical minor age-patination to the boards and preliminaries. Inventory Number: 025826

(McLAUGHLIN, JOHN). McLaughlin, John & Walter Hopps. Pasadena: Pasadena Art Museum, 1963. First Edition 1/1200. Oblong Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine. np (16pp), 1 b&w and 4 tipped-in color illustrations + color cover. Designed by Robert M. Ellis. With an exhibition checklist and exhibition history. In a protective clear acetate dustwrapper. This is the slender sixteen page catalogue published in conjunction with a 1963 Pasadena Art Museum retrospective exhibition of fifty-nine paintings and nineteen prints executed between 1948 and 1963 by John McLaughlin that was the first monographic publication on the pioneering Southern California-based minimalist. It features a brief essay by then-Museum director Walter Hopps along with four brief texts by the artist. A most handsome example of this exceedingly uncommon item limited to one thousand, two hundred unnumbered copies showing some light rubbing, soiling, and handling to its white covers. Inventory Number: 025816

(JOHNSON, RAY). Johnson, Ray & William S. Wilson. New York: Between Books, 1977. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (20pp), 17 b&w illustrations + b&w covers. This is the charming twenty page catalogue issued in 1977 by Manhattan's Between Books that documents writings by and about the late, beloved Fluxus and Correspondence artist Ray Johnson. A bright, most handsome example of this uncommon item. Inventory Number: 025809

(OLDENBURG, CLAES). Oldenburg, Claes & Martin Friedman. Minneapolis, MN: Walker Art Center, 1975. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Near Fine.. 10pp, profusely illustrated in color and b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a 1975 Walker Art Center survey of six thematic bodies of work - "The Geometric Mouse", "Three Way Plug", "Fagends", "Clothespin", "Typewriter Eraser", and "Standing Mitt with Ball" - by noted Pop practitioner Claes Oldenburg. A most handsome example with the Walker's loose twelve page exhibition checklist laid in additionally BOLDLY SIGNED "Claes Oldenburg" in black ink across the front free endpaper showing the tiniest bit of wear to the front cover. LC 75-7702 Inventory Number: 025791

(OLDENBURG, CLAES) (VAN BRUGGEN, COOSJE) (GEHRY, FRANK O.). Celant, Germano, Claes Oldenburg, Coosje Van Bruggen & Frank O. Gehry. Milano, ITALY: Edizioni Electa S.p.a., 1986. First Edition. 4to. Wrappers in Illustrated Jacket. Artists Monograph. Fine./Fine.. 230pp, profusely illustrated in color and b&w. Text in English. With a bibliography. This is the detailed monograph written by noted art historian Germano Celant documenting Claes Oldenburg, Coosje Van Bruggen, and Frank O. Gehry's collaborative theater cum performance piece "Il Corso del Coltello (The Course of the Knife)" that premiered at the 1984 Venice Biennale. The partcipants included, Oldenburg, Van Bruggen, Gehry, Celant, Pontus Hulten, John Miller, and much of Gehry's family. A bright, most handsome example of the paperbound Electa English language edition additionally BOLDLY SIGNED "Claes O" in black ink across the title page with a two page Solomon R. Guggenheim press release.regarding their upcoming December 1986 exhibition of the "Knife Ship" from "Il Corso del Coltello" additionally laid in. Inventory Number: 025790

(GEHRY, FRANK O.). Gehry, Frank, Rosemarie Haag Bletter, Coosje Van Bruggen, Mildred Friedman, Joseph Giovannini, Thomas S. Hines & Pilar Viladas. Foreword by Henry N. Cobb. New York & Minneapolis, MN: Rizzoli International Publications & The Walker Art Center, 1986. First Edition. 4to. Cloth in Pictorial Dust Jacket. Architecture Monograph. Fine/Fine. 216pp, profusely illustrated in color and b&w. Designed by Lorraine Ferguson. This is the nicely appointed catalogue published in conjunction with the Walker Art Museum's substantial 1986 survey exhibition of the work of internationally famed architect Frank Gehry. A bright, most handsome example of the first hardbound edition additionally bearing the BOLDLY SIGNED PRESENTATION "To Frank Pierson / F O Gehry" in black ink on the half title page. The late Mr. Pierson was a renowned Academy Award-winning screenwriter of "Dog Day Afternoon (along with the Academy-nominated "Cat Ballou" and "Cool Hand Luke"), director, and President of both the Writers Guild of America and the Academy of Motion Picture Arts and Sciences. 0-8478-0741-X Inventory Number: 025788

(FERRINGTON GUITARS). Schell, Orville. Preface by Linda Ronstadt. New York: HarperCollins Publishers & Callaway Editions, 1992. First Edition. Tall 4to. Jacketed Boards in Guitar Case. Musical Instrument Monograph. Near Fine/Fine. 122pp, profusely illustrated in color and b&w. Designed by Nancy Skolos and Thomas Weddell. Originally published in 1992, "Ferrington Guitars" is a survey of the work of master guitar designer and builder Danny Ferrington. Based in Santa Monica, CA, he has created instruments for many of the world's great musicians including Elvis Costello, Pete Townsend, Richard Thompson, Jackson Browne, Kurt Cobain, Ry Cooder, David Lindley, Henry Kaiser, and many more. This unusually designed, comprehensive compilation of his work examines in detail dozens of custom made stringed instruments along with a twenty track audio CD featuring contributions - many original - by Costello, Thompson, Cooder, Lindley, Kaiser, David Hidalgo, Reeves Gabrels, J.J. Cale, Neil Finn, Albert Lee, Don Was, and nine more. A most handsome example of the deluxe first "Collectors Edition" SIGNED "Danny Ferrington" in blue ink on the half title page housed in a blue plush-lined locking guitar road case with CD, key, and yellow Farrington Guitars thin pick, as issued. The case's brass-plated hardware shows some mild oxidation and pitting, but all in all this is a sharp copy of this desirable book object. 0-06-016935-4 Inventory Number: 025786

(GOSSAGE, JOHN). Gossage, John. Tucson, AZ: Nazraeli Press, 1998. First Edition 1/32 Deluxe. 4to. Loose Contents in a Wooden Box. Photography Monograph. Fine/No Jacket - As Issued. Thirty-seven individual 10 x 8" cardstock sheets, 32 duotone illustrations. John Gossage's "The Things That Animals Care About, And." is a unique book cum object that presents thirty-two views of nature as they might appear from the perspective of an animal. The images are for the most part mundane and undistinguished to the human viewer, but perhaps integral to the daily life and well-being of a different species. Each is presented as a duotone black and white plate affixed to the recto of a matte cream-colored cardstock sheet that has an irregular horizontal pencil line that references perhaps terrain - or the horizon - drawn across it. These are accompanied by one blank sheet, two title pages uniquely lettered by John Gossage, and a hand-letterpressed colophon that are all housed in the publisher's 11 x 9 x 2" ramen wood display box (that doubles as a frame) with a Plexiglas face and sliding wooden closure with Gossage's hand drawn title silkscreened across it. A most handsome example of the exceedingly uncommon deluxe first edition limited to thirty-two copies containing an additional 4 ½ x 3 ¾" black and white silver gelatin print of two trees and a cloud that is reproduced in the book mounted on a 10 x 8" sheet of board SIGNED "John Gossage / 12" in pencil on the verso, as issued. 3-923922-53-1 Inventory Number: 025785