Arcana:

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers. Inventory Number: 026499

(TILLMANS, WOLFGANG). Tillmans, Wolfgang, Shihoko Iida, Minoro Shimizu & Gil Blank. Tokyo: Tokyo Opera City Art Gallery, 2004. First Edition. 4to. Pictorial Self-Wrappers. Photography Monograph. As New.. 136pp, profusely illustrated in color and b&w. Text in English and Japanese. With a biography, exhibition history and bibliography. This is the substantial catalogue published in conjunction with a 1999 Wolfgang Tillmans retrospective held at the Tokyo Opera City Art Gallery. It features essays by Shihoko Iida and Minoro Shimizu, an interview with the photographer by Gil Blank, and reproductions of scores of photographs. A brand new, most handsome example. 4-925204-18-1 Inventory Number: 026497

(SACHS, TOM). Sachs, Tom, Alex Chohlas-Wood & Glenn O'Brien. New York: Sperone Westwater, 2012. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Designed by Garrick Gott. "This volume presents Tom Sachs' most recent bricolage sculptures, some of which play off works by Lichtenstein and Richter, as well as singer James Brown, African sculpture, and Sèvres porcelain. Several of these works incorporate Sachs' pyrography technique, whereby "paint strokes" are burned and etched into the wood surface.". A brand new, most handsome example of the 2012 hardbound first edition published in conjunction with Tom Sachs' exhibition at New York's Sperone Westwater gallery still in the publisher's shrinkwrap. 0-9828372-6-7 Inventory Number: 026494

(SACHS, TOM). Sachs, Tom. New York: Self-Published as Allied Cultural Prosthetics, 2009. First Balck and White Edition 1/250. 8vo. Stapled Illustrated Wrappers. Artist's Periodical. Fine.. np (26pp), profusely illustrated in b&w. Designed by Tom Sachs. In a protective clear acetate dustwrapper. "Bricolage Magazine" is Tom Sachs's highly entertaining, self-published artist's periodical-cum-'zine that addresses all things of interest to Tom Sachs "and his community". This second installment from 2010 features cover boy Sam Smith from the 1999 "Masterpiece Theater" production of Oliver Twist, and weaves together in the artist's charming lo-fi cut and paste way Louis "Satchmo" Armstrong, a Shaker furniture typology, "100 Killer Dub Plates as Played by Jah Shaka", annoying USB plugs, Knot-tying, Tom's February 2010 Con Edison bill, and so much more. A brand new, most handsome example of the uncommon - only two copies are currently cited in OCLC WorldCat - first black and white printing limited to two hundred and fifty unnumbered copies. 0-9790499-6-2 Inventory Number: 026492

(SACHS, TOM). Sachs, Tom. New York: Self-Published, 2009. Second Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Periodical. Fine.. np (22pp), profusely illustrated in b&w. Designed by Tom Sachs. In a protective clear acetate dustwrapper. "Bricolage Magazine" is Tom Sachs's highly entertaining self-published artist's periodical cum 'zine that addresses all things of interest to Tom Sachs "and his community". This first installment from 2009 weaves together in the artist's charming lo-fi cut and paste way Donald Judd, Ikea, Malick Sidibe, Yoda, music to listen to, movies to watch, and so much more. A brand new, most handsome example of the exceedingly uncommon - only a single copy is currently cited in OCLC WorldCat - second printing limited to one hundred unnumbered copies, in addition to the one hundred of the first printing. 0-9790499-6-2 Inventory Number: 026491

(SACHS, TOM) (PRINTED MATTER INC.). Sachs, Tom. New York: Printed Matter, Inc., 2003. First Edition. 8vo. Stapled Illustrated Wrappers. Artist's Book. Fine.. 30pp, profusely illustrated in b&w. Designed by Tom Sachs. In a protective clear acetate dustwrapper. According to Printed Matter itself, "Printed Matter’s Holiday 2003 Catalogue is designed by Tom Sachs featuring his approved Printed Matter inventory, special Sachs products, and additional suprises. Not just a holiday catalogue; not just an artists’ book, but a spectacular synthesis of the two." A brand new, most handsome example of this charming Printed Matter-commissioned artist-designed trade catalogue hand-lettered and pasted together in Sachs's inimitable lo-fi "Bricolage" style. Inventory Number: 026489

(BORTHWICK, MARK). Borthwick, Mark. NP. ND (2001): NP (Mark Borthwick). First Edition #20/100. 8vo. Stapled Printed Wrappers. Fashion Monograph. Fine.. np (64pp), illustrated in b&w. In a protective clear acetate dustwrapper. "Whats Bummer" is Mark Borthwick's 2001 self-published 'zine cum artist's book of writings, thoughts, and observations both typeset and in his characteristic stylized handwriting. A bright white, most handsome example of this exceedingly uncommon item - there is not currently an entry for the title in OCLC WorldCat - limited to one hundred NUMBERED (20/100) copies accompanied by a loose 3 ¼ x 4 ¼" color photograph SIGNED AND DATED "MB / 01", as issued. Inventory Number: 026486

(BEARD, PETER) (FLEETWOOD MAC). Beard, Peter. Burbank, CA: Warner Bros. Records, 1979. First Edition. Elephant Folio. Color Photolithographic Print. Promotional Print. Fine.. One 34 x 24" heavy paper sheet printed using four color continuous-tone photolithography recto only, 1 illustration. This is the striking print art-directed by Larry Vigon in collaboration with Peter Beard that was produced by Warner Bros. Records as a limited edition promotional item for Fleetwood Mac's "Tusk". Beard, along with photographers Jayme Odgers and Norman Seeff contributed the album package's photography, and was selected to contribute this image for what became a luxe in-house giveaway for the label's promotions staff. While visiting Los Angeles, Beard photographed his collaged diaries - incorporating his images of band members Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, Christine McVie and John McVie - in the dirt beside some train tracks, with his hand visible in the bottom left corner in the image. The resulting transparency was sent to Chicago's noted Black Box printers, who produced this spectacular limited edition continuous-tone four color photolithograph. A brand new, most handsome flat example of this exceedingly uncommon object issued hors commerce - never commercially for sale - perfect for the Peter Beard and/or Fleetwood Mac completeist. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! Inventory Number: 026482

(WOOD, JONAS) (KUSAKA, SHIO). Wiley, Chris. New York: Gagosian Gallery & Rizzoli International Publications, 2015. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 220pp, profusely illustrated in color and b&w. Designed by An Art Service. This is the nicely appointed hardbound catalogue published in conjunction with a 2015 joint exhibition of work by the noted Los Angeles-based artists Shio Kusaka and Jonas Wood at Gagosian Hong Kong. A brand new, most handsome example of the unavailable 2015 first printing additionally BOLDLY SIGNED by both artists WITH A LARGE DRAWING OF A BASKETBALL DATED "2015" by Jonas Wood in black marker on the front pastedown. 0-8478-4701-2 Inventory Number: 026474

(GOLDSTEIN, JACK). Goldstein, Jack. Pomona, CA. ND (1971): Pomona College Art Gallery. First Edition. 8vo. Printed Postcard. Exhibition Announcement. Near Fine.. One 8 ¾ x 6 ¾" cardstock sheet printed offset recto and verso, 1 b&w illustration. This is the announcement produced in conjunction with Jack Goldstein's January 1971 exhibition of recent work held at the Pomona College Art Gallery - the late, great artist's very first one person show. A bright, most handsome example of this exceedingly uncommon ephemeral item depicting a Minimalist wooden sculpture very much in the vein of Carl Andre showing two tiny pinholes through the card. Inventory Number: 026466

Various Artists. New York: Rudolf and Limbo, 1985. First Edition. Folio. Printed Poster. Exhibition Poster. Very Good -.. One 17 x 11" sheet printed color offset recto only, machine folded in fourths. Artwork by Huck Snyder. This is the poster announcing a one night only exhibition and live painting show by artists affiliated with New York's then-burgeoning East Village scene held on Wednesday, July 17th, 1985 at the recently opened Manhattan megaclub Palladium. Organized by nightlife impresario Rudolf - who was running The Limbo Lounge as well as Limbo Gallery at the time - it featured works by artists showing at Art Et Industrie, Art Mart, Avenue B., B-Side, Cash Newhouse, Civilian Warfare, Frank Barducci, Fun, Gracie Mansion, Hal Bromm, Limbo, Nature Morte, New Math, Piezo Electric, PPOW, Semaphore East, Sensory Evolution, Sharpe, Steven Adams, T. Greathouse, and Vox Populi. It reproduces a 1985 painting by Huck Snyder, who surely was a participant along with David Wojnarowicz and dozens more. A most presentable example of this striking, exceedingly uncommon poster that was folded by the printer and subsequently flattened showing some mild handling creases, minor ink loss with some touch-up at the bottom center, and two tape remnants along the top edge. Inventory Number: 026463

(BASS, SAUL). Bass, Saul. NP (Los Angeles). ND (Circa 1960s): Saul Bass. Edition Not Stated - Presumed Firsts. Oblong 8vos. Printed Paper. Illustrated Greeting Cards. Fine.. Three folded paper greeting cards printed in colors on heavy paper stock recto only, 3 color illustrations. This is a group of three personal greeting cards designed by Saul Bass that were sent at the Holidays from the family - Ruth, Saul, Andy and Bobby - to a significant Los Angeles-based film creative for whose projects Saul Bass & Associates produced several iconic advertising posters. Each folds in half horizontally and incorporates the image of a dove. Opened fully, they measure 3 ½ x 12 ½", 6 ¼ x 14", and 5 ¼ x 15 ¾", and appear to date between the early sixties and early seventies. A bright, most handsome set of these three ephemeral hors commerce mementos from one of the titans of 20th Century graphic design. Inventory Number: 026460

(EGGLESTON, WILLIAM). Wagner, Bruce & William Eggleston. Santa Fe, NM: Twin Palms Publishers, 1999. First Edition 1/50 Deluxe. Square 4to. Cloth in Clamshell Box. Photography Monograph. Fine/No Jacket - As Issued. 101pp, 45 color illustrations. Published in 1999, "2 1/4" is a beautifully designed and printed survey of Southern gentleman with a camera William Eggleston's color work with the 2 ¼ x 2 ¼ inch negative format. A brand new, most handsome example of the deluxe signed edition of fifty SIGNED AND NUMBERED copies accompanied by a signed 11 x 11" matted color dye-transfer print SIGNED AND NUMBERED inside a debossed cloth-over-boards clamshell box. 0-944092-70-5 Inventory Number: 026446

(DUCHAMP, MARCEL). Duchamp, Marcel. Mathieu Mercier, Editor. Köln, GERMANY: Verlag Der Buchhandlung Walther Konig, 2016. First Edition. Folio. Loose Contents in a Box. Artist Monograph. As New/No Jacket - As Issued. Sixty-nine loose components housed in a box. Text in English. "Everything important that I have done can be put into a little suitcase," Marcel Duchamp said in 1952. Finally, that suitcase is available to all! One of the most important and enigmatic pieces of modernist art, the Boîte-en-valise (Box in a Valise) was assembled by Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made three hundred copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier, and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains sixty-nine reproductions of Duchamp's most celebrated creations, including the famous "Fountain", "Nude Descending a Staircase", and "The Large Glass". Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system." A brand new, pristine example of the quickly sold out 2016 Walther König first populist edition of this monumental undertaking unopened in the publisher's printed shipping carton."Everything important that I have done can be put into a little suitcase," Marcel Duchamp said in 1952. Finally, that suitcase is available to all! One of the most important and enigmatic pieces of modernist art, the Boîte-en-valise (Box in a Valise) was assembled by Duchamp between 1935 and 1941. The portable suitcase contains "the sum of his artistic work" up to that point. Perhaps in premonition of the coming war, and over years without a fixed address, Duchamp reproduced his work in a format that enabled him to easily transport his "complete works" at any time. Though the artist eventually made three hundred copies of his box, many are behind glass in museums and private collections. This is the first ever reinterpretation of the legendary book-object, conceptualized by French artist Mathieu Mercier, and now available to a broader audience. At once a work in and of itself, and a reproduction in the Duchampian spirit, this miniature museum contains sixty-nine reproductions of Duchamp's most celebrated creations, including the famous "Fountain", "Nude Descending a Staircase", and "The Large Glass". Mercier has reproduced the bulk of the contents of Duchamp's original box in paper form, designing everything to scale. Playful and accessible, the "Boîte" reflects Duchamp's desire to display his works outside the museum and gallery system." A brand new, pristine example of the quickly sold out 2016 Walther König first edition of this monumental undertaking unopened in the publisher's printed shipping carton. 3-86335-518-0 Inventory Number: 026435

(SAMMALLAHTI, PENTTI). Perich, Candace & Pentti Sammallahti. Tucson, AZ: Nazraeli Press, 2002. First Edition 1/1000. Oblong Narrow Folio. Debossed Boards in Slipcase. Photography Monograph. Fine/No Jacket - As Issued. 48pp + 1 loose sheet, 29 duotone illustrations + duotone plate laid down on the front cover. Published by Nazraeli Press, this beautifully designed and illustrated book was the first substantial publication on renowned photographer Pentti Sammallahti issued outside his native Finland. A most handsome example of the uncommon 2002 first edition limited to one thousand unnumbered copies in slipcase additionally BOLDLY SIGNED "Pentti Sammallahti" in black ink across the publisher's gently handled printed text insert. 1-59005-036-3 Inventory Number: 026428

(GOLDBERG, JIM). Goldberg, Jim. Gottingen, GERMANY: Steidl, 2013. First New and Revised Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. "From 1977 to 1985, Jim Goldberg photographed the wealthy and destitute of San Francisco, creating a visual document that has since become a landmark work. Through the combination of text and photographs, "Rich and Poor"'s mass appeal was instantly recognizable. In 1984 the series was exhibited alongside Robert Adams and Joel Sternfeld in the "Three Americans" exhibition at The Museum of Modern Art in New York, and was published the following year by Random House. Out of print since 1985, "Rich and Poor" has been completely redesigned and expanded by the artist for this Steidl edition. Available for the first time in hardcover, it builds upon the classic combination of photographs and handwriting and adds a surplus of vintage material and contemporary photographs that have never been published or exhibited. The photographs in "Rich and Poor" constitute a gripping portrait of America during the 1970s and 80s that remains just as relevant today." A brand new, most handsome example of the greatly revised and expanded 2013 Steidl hardbound edition of this gem (whose 1985 first edition is cited on pages 250-251 of "The Book of 101 Books" and page 231 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Jim Goldberg / 2014" WITH A TAPED DOWN PHOTOGRAPH from "Raised by Wolves" hand-bordered in gold ink on the title page by the Magnum photographer at our shop. 3-86930-688-2 Inventory Number: 026424

(SUCKLORD). Sucklord, The - aka Morgan Phillips, Johan Kugelberg & Simeon Lipman. New York: Boo-Hooray Gallery & Suckadelic Enterprises, 2011. First Edition 1/50 Deluxe. 8vo. Wrappers + Artist's Multiple. Artist Monograph. Fine./No Jacket - As Issued.. np, profusely illustrated in color + a 9 x 6" printed blister pack containing a "Sucklord Zero" monochrome vinyl figure. This is the catalogue published in conjunction with the venerable Boo-Hooray Gallery's 2011 "Suckadelic" exhibition of the irony-drenched vinyl art figures of The Sucklord. A brand new, most handsome example of the deluxe edition limited to fifty copies BOLDLY SIGNED "Sucklord III" in what appears to be pearlescent pink marker on the inside front cover of the catalogue stapled at the rear cover to an unopened blister pack containing a "Sucklord Zero" artist multiple, as issued. Inventory Number: 026419

Glenn, Constance W. & The CSULB Museum Studies Program. Long Beach, CA: The Art Galleries, California State University, Long Beach, 1975. First Edition. Oblong 4to. Comb-Bound Printed Wrappers. Exhibition Catalog. Good.. np (40pp), profusely illustrated in color and b&w. With artist biographies and exhibition histories. "A View Through" was an influential 1975 exhibition organized by California State University, Long Beach Art Galleries director Constance W. Glenn and the students of the CSULB Museum Studies Program that featured work by nine Southern California artists working independently within the loosely unified Light and Space movement. The participants were Peter Alexander, Larry Bell, Ron Cooper, Guy Dill, Laddie John Dill, Dr. Who?, Doug Edge, Robert Irwin, and Terry O'Shea. A serviceable example only of this uncommon item - only eleven copies are currently cited in OCLC WorldCat - whose fragile plastic comb-binding is complete and unbroken, but is showing some noticeable dampstaining and rippling to the covers and portions of the textblock due to contact with moisture. None of the pages have stuck together, and it has been priced accordingly. Inventory Number: 026418

(HUGHES, HOWARD). Sederberg, Arelo, Lawrence A. Hyland, General Ira C. Eaker, Frank Risch, Ph.D., James Bacon, et. al,. Los Angeles: EPI-HAB, L.A., Inc., 1976. First Edition 1/500. 4to. Pictorial Wrappers. Cinema Monograph. Near Fine.. np (92pp), profusely illustrated in b&w. "Howard Robard Hughes Jr. was an American business magnate, investor, record-setting pilot, engineer, film director and studio magnate, and philanthropist, known during his lifetime as one of the most financially successful individuals in the world. He first became prominent as a film producer, and then as an influential figure in the aviation industry." EPI-HAB Inc. was founded in 1958 as a non-profit organization with the mission to provide meaningful employment to individuals with epilepsy by performing valued work for customers. On February 19th 1977, the Los Angeles chapter of the organization produced a posthumous, celebrity-studded "tribute Ball for Howard Hughes" at The Century Plaza Hotel to celebrate the life and accomplishments of Howard Hughes. "EPI-HAB LA Salutes Howard Hughes (!905-1976)" is the souvenir program that was published a few months after the actual event. It features dozens of tribute ads (most from the Hughes Corporation, its Hotels, and various subsidiaries), scores of historical Hughes photos and press clippings (none from later than 1952), and most interestingly, nearly one hundred photographs of the civic movers and shakers that organized and attended the event. These included John Wayne, Jimmy Stewart, Jayne Russell. Virginia Mayo, Mel Torme, Lorne Greene, Ann Miller, Cyd Charisse, Carlotta Monti, Mrs. Harry (Sybil) Brand, Mrs. Jackie (Barbara) Cooper, Mrs. Jack (Emily) LaLanne, Mrs. Mervyn (Kitty) LeRoy, Mrs. Lloyd (Mell) Nolan, Mrs. David (Barbara) Simmons, Mrs. Rudy (Eleanor) Vallee, Mrs. Del (Toni) Webb, and many, many more. A bright, most handsome example of this exceedingly uncommon item stated as having been limited to five hundred unnumbered copies which were seemingly never meaningfully distributed that is neither in the holdings of the Margaret Herrick Library of The Academy of Motion Picture Arts and Sciences nor does it appear in OCLC WorldCat. Inventory Number: 026403

(SISKIND, AARON). Siskind, Aaron. Foreword by Gordon Parks. Charles Traub & Ann Banks, Editors. Providence, RI: Matrix Publications, Inc., 1981. First Edition #100/100 Deluxe. Oblong Small 4to. Cloth in Dust Jacket,Slipcased. Photography Monograph. Fine/Fine. 80pp, profusely illustrated in b&w. Designed by Malcolm Grear. This is the historically significant compendium of the esteemed late Chicago-based photographer Aaron Siskind's photographs from the 1930s of Harlem and its denizens. A brand new, most handsome example of the exceedingly uncommon 1981 Matrix Publications deluxe first hardbound edition in dust jacket limited to one hundred copies NUMBERED (100/100) AND SIGNED "Aaron Siskind" in black ink on the vellum limitation page at front, as issued, showing some mild wear and sunning to the publisher's printed slipcase. 0-936554-06-1 Inventory Number: 026401

(RAUSCHENBERG, ROBERT). Kotz, Mary Lynn. New York: Harry N. Abrams, Inc., 1990. First Edition. Oblong 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 320pp, profusely illustrated in color and b&w. With a collections listing, exhibition history and bibliography. Published in 1990 by Harry N. Abrams, Inc., this is the beautifully illustrated, comprehensive monograph on the pioneering late American artist Robert Rauschenberg featuring a lengthy, insightful text by Mary Lynn Kotz. A bright, most handsome example of the first edition of this important document additionally BOLDLY SIGNED "Mary Lynn Kotz" in black ink and "BOB RAUSCHENBERG" in gold marker across the half title page. 0-8109-3752-2 Inventory Number: 026394

(POLLOCK, JACKSON) (NAMUTH, HANS). Namuth, Hans, Jackson Pollock, Barbara Rose, Rosalind Krauss, Paul Falkenberg, Francis V. O'Conner, William Wright & B.H. Friedman. New York: Agrinde Publications Ltd., 1980. First American Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Near Fine. np (120pp), profusely illustrated in b&w. Designed by Bea Feitler. "Pollock Painting" is the most complete presentation to date of the late Hans Namuth's myth-making photographs and film stills of Jackson Pollock at work in his and Lee Krasner's East Hampton home and studio during 1950 and 1951. In a series of photo shoots and finally a film also entitled "Pollock Painting", Namuth relentlessly documented the artist mid-creation in innovative ways. The emergence of this work gave birth to Pollock's nickname of "Jack the Dripper", and some believe contributed to the depression and alcoholism that preceded his early death in 1956. The book features scores of these iconic images accompanied by texts from Rosalind Krauss, Paul Falkenberg, Francis V. O'Conner, William Wright, and B.H. Friedman. A most handsome example of the 1980 Agrinde Publications first American hardbound edition additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "to Connie Lembark / with more wishes than I can say - / Hans Namuth / May 1986." in black ink across the half title page showing some typical minor discoloration to the gutters of the inside covers and a bit of shaking along with the tiniest bit of sunning along the spine. There are traces of some discreet later gluing to the gutters of the textblock to reinforce the bindery's original use of cheap mucilage glue. The late Connie Lembark was a well-known Los Angeles art collector and her printed bookplate is affixed to the inside front. She was the co-author of the catalogue raisonné of prints by her close friend, Sam Francis, and this volume was acquired by us directly from Ms. Lembark prior to her passing. 0-960-10686-3 Inventory Number: 026390

(GOLDBERG, JIM). Goldberg, Jim. Gottingen, GERMANY: Steidl, 2013. First New and Revised Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. "From 1977 to 1985, Jim Goldberg photographed the wealthy and destitute of San Francisco, creating a visual document that has since become a landmark work. Through the combination of text and photographs, "Rich and Poor"'s mass appeal was instantly recognizable. In 1984 the series was exhibited alongside Robert Adams and Joel Sternfeld in the "Three Americans" exhibition at The Museum of Modern Art in New York, and was published the following year by Random House. Out of print since 1985, "Rich and Poor" has been completely redesigned and expanded by the artist for this Steidl edition. Available for the first time in hardcover, it builds upon the classic combination of photographs and handwriting and adds a surplus of vintage material and contemporary photographs that have never been published or exhibited. The photographs in "Rich and Poor" constitute a gripping portrait of America during the 1970s and 80s that remains just as relevant today." A brand new, most handsome example of the greatly revised and expanded 2013 Steidl hardbound edition of this gem (whose 1985 first edition is cited on pages 250-251 of "The Book of 101 Books" and page 231 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Jim Goldberg / 2014" WITH A TAPED DOWN PHOTOGRAPH INSCRIBED "Bapdapa - 65" in blue marker and hand-bordered in gold ink on the title page by the Magnum photographer at our shop. 3-86930-688-2 Inventory Number: 026389

(WOOD, JONAS). Sharp, Brian & Jonas Wood. J.C. Gabel, Editor. Los Angeles: David Kordansky Gallery, 2015. First Edition. Tall 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 68pp, profusely illustrated in color. Designed by Brian Roettinger. With an exhibition checklist. This is the hardbound catalogue published in conjunction with a 2015 David Kordansky Gallery exhibition of eighteen paintings and twenty-five drawings by the noted Los Angeles-based artist Jonas Wood. It features scores of color illustrations accompanied by a transcribed interview between Wood and fellow artist Brian Sharp. A brand new, pristine example of the first - and only - printing of this uncommon, unavailable gem additionally BOLDLY SIGNED AND DATED "Jonas Wood / 2015" WITH A DRAWING OF A BASKETBALL in the year of publication in black marker on the title page. Inventory Number: 026383

(BIRGISSON, JON THOR) (SIGUR ROS). Birgisson, Jon Thor & Alex Somers. NP (Reykjavik, ICELAND). ND (2009).: Parlophone. First Edition #1970/3500. 12mo. Loose Contents in a Box. Artists' Books + Audio CDs. Fine (But Incomplete)/No Jacket - As Issued. np (52pp) + np (32pp), profusely illustrated in color. "This powerful and enigmatic small volume is a facsimile reprint of the first artist's book "Riceboy Sleeps" from Sigur Ros frontman Jon "Jonsi" Thor Birgisson and his boyfriend Alex Somers, which was originally released only in Iceland. Birgisson designs Sigur Ros' album sleeves, and garnered the band a Grammy-nomination for his artwork. "Riceboy Sleeps" is beautifully produced, bearing faux taped and tattered edges, hand drawing, and distressed and collaged elements. Every detail of production has been exquisitely refined, from the softly rounded corners to the paper stock, from the print quality to the subtle embossing both inside and out. It contains no text, just Birgisson and Somers' highly expressionistic works created from found photographs and layers of textures". A most handsome example of the deluxe 2009 Parlophone edition of this must-have object limited to three thousand, five hundred NUMBERED (1970/3500) copies containing the "Riceboy Sleeps" book, two Jonsi & Alex Audio CDs - "Riceboy Sleeps" and "All Animals", and their collaborative coloring book accompanied by a tiny box of six colored pencils housed in a pictorial paper-over-boards box reroducing the CD cover, as issued. PLEASE NOTE: This copy is lacking its small pin-backed badge component, and is priced accordingly. 1-933045-80-9 Inventory Number: 026380

(PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. One 7 inch, 45 rpm vinyl record in white paper sleeve. This double-sided single contains two compositions arranged and performed by Richard Prince entitled "Good Revolution" (1:46) and "Don't Belong" (1:46). These were recorded and mixed by Soul Coughing's Mark Degli Antoni at Harmonic Ranch in New York in 1992 as for use as a component of Prince's limited edition multiple entitled "Good Revolution" for Parkett number 34. Issued in a numbered edition of one hundred copies, the artwork consisted of a gold-plated version of this record, engraved plaque, and chromogenic color print mounted in a framed plaque that mimicked an RIAA gold record award. THIS IS NOT THAT ARTWORK, NOR IS IT SIGNED. This is a standard, unplayed 7" 45 rpm black vinyl single suitable for play on a turntable. A most handsome hors commerce example of this exceedingly uncommon item that was presented by the artist to a colleague at the time of its issue housed in its original unprinted white sleeve showing some mild surface wear. Inventory Number: 026367

(BEARD, PETER). Bowermaster, Jon & Peter Beard. New York: Bulfinch Press / Little, Brown & Company, 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 200pp, 153 b&w and 13 color illustrations. "The Adventures and MisAdventures of Peter Beard in Africa" is Jon Bowermaster's copiously illustrated, semi-salacious 1993 biography of the noted photographer, adventurer, and liver of the high life. A brand new, most handsome example of the 1993 first edition additionally bearing a UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "July 12, '94 / from Peter Beard" in dark blue ink WITH A LARGE WATERCOLOR HAND PRINT WITH FLOURISHES in blue and red across the entire half title and facing pastedown. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-8212-1907-3 Inventory Number: 026366

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the second printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "Salaams + regards / and elephantine memories / from Peter Beard" in blue ink WITH A MULTI-COLORED INK HAND PRINT AND WATERCOLOR FLOURISH across the entire half title page showing just a bit of light sunning along the spine. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-87701-521-X Inventory Number: 026365

(BEARD, PETER) (BLIXEN, KAREN). Beard, Peter, Kamante & Karen Blixen (aka Isak Dinesen). San Francisco: Chronicle Books, 1990. First Edition Thus. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. np, profusely illustrated in duotone and b&w. Designed by Peter Beard and Marvin Israel. ""Isak Dinesen and the land and people she loved are nowhere so real and compelling as in "Longing For Darkness", written by Dinesen's majordomo, Kamante. Readers familiar with "Out of Africa" may recognize many of these enchanting stories - retold here from Kamante's perspective to famed photographer Peter Beard - and enhanced with his drawings, letters, Dinesen's words and snapshots, and photographs by Beard throughout." A most handsome example of the 1990 first Chronicle Books hardbound edition additionally bearing the UNIQUE, BOLDLY SIGNED AND DATED INSCRIPTION "warm Salaams / from Peter Beard / July 1994" in blue ink accompanied by a full hand print in blue ink across the half title page showing a bit of sunning to the spine and extremities of the dust jacket. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-87701-724-7 Inventory Number: 026350

(BEARD, PETER). Turle, Gillies, Mark Greenberg & Peter Beard. New York: Alfred A. Knopf, Inc., 1992. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 164pp, 115 b&w and 80 color illustrations. Designed by Virginia Tan. "The Art of the Maasai" presents for the first time three hundred extraordinary ceremonial artifacts - discovered by Gillies Turle and never before seen outside the villages to which they belong - that were created over many generations by members of the Maasai tribe of Kenya. What makes their discovery particularly exciting is that high art has been found in a part of the world in which, until now, it was believed no art had ever been created. The ceremonial objects brought together here are extraordinary, and Peter Beard's photographs of them are in themselves works of art. This is a book whose publication is an event in the worlds of art and African culture". A brand new, most handsome example of the 1992 Alfred A. Knopf first hardbound edition additionally BOLDLY SIGNED AND INSCRIBED "to Lee with gruntings and / greetings / (infinite)Ly / Peter / Beard" in black ink across the title page with Peter Beard's thumbprint in dark grey ink under which he has annotated "#37610" OVER A COLLAGED 4 x 6" color c-print from the sequence of images of the photographer famously being tossed by a charging Rhinoceros along with a piece of snakeskin. 0-394-58323-X Inventory Number: 026349

(BEARD, PETER). Bowermaster, Jon & Peter Beard. New York: Bulfinch Press / Little, Brown & Company, 1993. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 200pp, 153 b&w and 13 color illustrations. "The Adventures and MisAdventures of Peter Beard in Africa" is Jon Bowermaster's copiously illustrated, semi-salacious 1993 biography of the noted photographer, adventurer, and liver of the high life. A brand new, most handsome example of the 1993 first edition additionally with a UNIQUE, BOLDLY SIGNED TWO PAGE INSCRIPTION "To Lee / infinitely from PB / .... reaching from one / cement jungle / to another / gasp / etc -" in dark grey watercolor ink accompanied by a HAND-ASSEMBLED COLLAGE BY PETER BEARD comprising three 4 x 6" color c-prints from the sequence of images of the photographer famously being tossed by a charging Rhinoceros along with some fragments of snakeskin. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-8212-1907-3 Inventory Number: 026348

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. San Francisco: Chronicle Books, 1988. First Edition Thus, Later Printing. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A brand new, most handsome example of the third printing of the 1988 Chronicle books hardbound edition of this classic photobook (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") with a UNIQUE, BOLDLY SIGNED FULL PAGE INSCRIPTION "infinite Salaams Richard! / elephantine memories / and all best / over the last / 4 years * * * * / inestimables / Peter (Beard) / Box 47616 / Nairobi" in red and blue ink to a colleague accompanied by a full watercolor hand and forearm print across the entire half title page and a portion of the verso of the front pastedown. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-87701-521-X Inventory Number: 026347

(BEARD, PETER). Beard, Peter Hill. Foreword by Joseph Murumbi. Garden City, NY: Doubleday & Company, Inc., 1977. First Paperback Edition. 4to. Pictorial Wrappers. Photography Monograph. Very Good.. np, profusely illustrated in duotone. Designed by Ruth Ansel. "The End of the Game" was Peter Beard's prescient first book. Originally subtitled "The Last Word From Paradise: A Pictorial Documentation of the Origins, History & Prospects of The Big Game in Africa", it weaves his own photographs with vintage historical images into a narrative chronicle of the European exploration and exploitation of The Dark Continent, and the ensuing destruction of much of its native wildlife. A most presentable example of the 1977 first Doubleday & Company, Inc. paperbound edition (whose 1965 first edition is cited on pages 208-209 of The Hasselblad Center's "The Open Book" and pages 170-171 of "The Book of 101 Books") of this classic photobook showing just a bit of light rubbing and creasing to the front cover. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 0-385-13124-0 Inventory Number: 026344

(BEARD, PETER). Beard, Peter & Owen Edwards. Nejma Beard & David Fahey, Editors. Koln, GERMANY: Benedikt Taschen Verlag, 2006. First Edition Thus. Elephant Folio. 3/4 Leather over Boards, Boxed. Photography Monograph. As New/No Jacket - As Issued. 616pp, profusely illustrated in color and b&w. Text in English, German and French. Art Direction and Design by Ruth Ansel. One of the most lavish books published to date on the work of a single photographer, Benedikt Taschen's sumptuous, already out of print 2006 monograph on Peter Beard rivals Helmut Newton's "Sumo" in both scale and grandeur. "Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dali, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. Spilling out over the pages of this massive tome, Peter Beard's collages are reproduced as a group for the first time at the size they have always meant to be seen, some as foldouts. Hundreds of smaller-scale works and diaries fill the remaining spreads - magnified to show every detail, from Beard's meticulous handwriting and old-master-inspired drawings to stones and bones and bits of animals pasted to the page. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequaled intensity and color range". This elephant folio sized book is bound in half leather-over-boards, housed in a clamshell box, and is accompanied by a wooden viewing stand that is reminiscent of an African headrest. Its companion volume: "PB2" contains an image index with captions for all the pictures reproduced in the main book, personal photos and early work of the artist, an interview with the artist by Steven M. L. Aronson, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of "Blind Spot" magazine, an extensive bibliography, and an exhibition history. A brand new, most handsome example of a Taschen "Sample" copy meant for promotional display at the time of publication that was issued WITHOUT the sheet containing Peter Beard's signature along with the edition's number, and is rubber stamped "Sample" in black ink on the title page. Other than lacking the signature and numbering, it is identical to an editioned copy in every way and is still housed in the publisher's original printed shipping carton, as issued. PLEASE NOTE: This "Sample" copy is NOT SIGNED by Peter Beard! 3-8228-2606-5 Inventory Number: 026339

(BASQUIAT, JEAN-MICHEL). Marshall, Richard, Ingrid Sischy & Fred Braithwaite (aka "Fab 5 Freddy"). London: Serpentine Gallery, 1996. First Edition. 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (16pp) + np (6pp), profusely illustrated in color and b&w. Designed by Area. With an exhibition checklist. This is the slender catalogue featuring an essay by Richard Marshall published in conjunction with a posthumous 1996 Serpentine Gallery exhibition of twenty-five works by Jean-Michel Basquiat that subsequently traveled to Malaga. A brand new, most handsome example of this exceedingly uncommon item with the inclusion of the separate eight page booklet of a transcribed reminiscence of the artist between Fred "Fab 5 Freddy" Braithwaite and Ingrid Sischy. Inventory Number: 026324

(PEARSON, ANTHONY). Griffin, Tim, Anthony Pearson & John Rasmussen. Minneapolis, MN: Midway Contemporary Art, 2009. First Edition. 8vo. Debossed Linen Over Boards. Artist Monograph. As New/No Jacket - As Issued. 72pp, 32 duotone and 12 b&w illustrations. Designed by Abi Chase. With an exhibition checklist. This is the elegant hardbound catalogue of a 2008 Minneapolis gallery exhibition featuring the abstract photographs of Los Angeles-based artist Anthony Pearson. It includes installation views, an essay by Tim Griffin, and an interview between Pearson and John Rasmussen discussing his unorthodox approach to photography along with this body of solarization and lens flare pieces. A brand new. most handsome example still in the publisher's shrinkwrap. 0-9768664-3-9 Inventory Number: 026306

(DE KOONING, WILLEM). Butler, Cornelia H., Paul Schimmel, Cornelia H., Paul Schimmel, Richard Shiff & Anne M. Wagner. Los Angeles & Princeton, NJ: Museum of Contemporary Art & Princeton University Press, 2002. First Edition. 4to. Cloth in Illustrated Jacket. Artist Monograph. Fine/Fine. 200pp, profusely illustrated in color and b&w. Designed by Tracey Schiffman. With an exhibition checklist and bibliography. This is the lavish hardbound catalogue published in conjunction with a 2002 Museum of Contemporary Art, Los Angeles retrospective of seventy-eight figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. A brand new, most handsome example still in the publisher's shrinkwrap. 0-691-09618-X Inventory Number: 026305

(BRUCE OF LOS ANGELES). Bellas, Bruce aka Bruce of Los Angeles. Los Angeles. ND: Bruce of Los Angeles. First Edition. 4to. Silver Gelatin Photograph. Near Fine.. One 8 x 10" silver gelatin print printed recto only, mounted with archival photo corners in a heavy white 11 x 14" beveled mat. This is a classic male physique photograph by Bruce Bellas - better known as Bruce of Los Angeles - picturing the nude, dramatically lit muscular model John Hackett posing in Bruce's studio. A bright, most handsome vintage silver gelatin print on heavy fiber-based paper bearing the stamp BRUCE OF LOS ANGELES / Box 73505, Sanford Station / Los Angeles 5, Calif." in black ink on the verso along with the name of John Hackett handwritten in pencil along the bottom edge showing a bit of browning of the emulsion along the lower margin of the recto not affecting the image. Inventory Number: 026270

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267